Containing the almighty industrial anthem "Psyche-Out," 99% is a hallmark of industrial music. It's an electronic call to arms, yet it has a quieter, more subversive energy than most industrial music. Meat Beat Manifesto always have something to say, and they're great at subliminally planting their message in your brain while blistering your feet with infectious, hip-hop-influenced grooves. If there were ever a testimonial that electronic music can be timeless, this CD is it. --Beth Bessmer
99%,Meat Beat Manifesto,Mute U.S.,Industrial,Pop,Rock,Rock/Pop,Techno
99%
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Claude Debussy: The Composer as Pianist
Manufacturer: Pierian ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005IC03 Release Date: 2000-09-26 |
Customer Reviews:
Revelatory........2004-01-27
All that said, I consider this one of the ten most important releases in the history of recording, even though I don't know what the other nine would be. Debussy is one of the master composers of keyboard music, along with Scarlatti, Bach, Beethoven, Chopin, Brahms, Schumann, Liszt, Bartok, Ravel, and Prokofiev. So the recording is the equivalent of having Bach play the Goldbergs for you. Does Debussy differ from benchmark performances, like Gieseking? Not to take anything away from Gieseking, but, yes, he does. I can describe it as an extreme inwardness, as if the composer were communing with himself. The fingerwork isn't as sure as some, but the outstanding feature of the playing is its outstanding singing or, considering the composer's subtle temperament, humming. I can't imagine anybody interested in Debussy's piano music passing up this CD.
We also get Debussy's acoustic recordings as Mary Garden's accompanist in the Ariettes oubliees and in an extract from Pelleas. These to me have more problems than the rolls, mainly because the sound is so crude, but I make that judgment precisely because I have the rolls. Without Caswell's dedication, I'd have been extremely grateful for the acoustic recordings.
A primary source for interpreting Debussy.......2002-07-02
The Welte reproducing piano records and plays back many aspects of piano playing (dynamics and touch) at remarkably high fidelity for the time. Thus these piano rolls are primary documents showing how Debussy intended his works to be played. While these recordings to not have the fidelity of modern acoustic recordings, it is possible to detect pedaling, tempo and dynamics. This recording has been the basis of scholarly research, such as the essay by Cecilia Denoyer in the book "Debussy in Performance", edited by James Briscoe.
The acoustic recordings of the vocal works are of much lower fidelity, but do give a sense of Debussy's feel of the piano.
If you are studying Debussy's piano works and want to know how to interpret his notation, this album is for you. If you just want to listen to Debussy's piano works, a modern recording may be more musically pleasing, but you may still enjoy hearing the pieces as they were played by the master himself.
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Chant
Gregorian Chant , and The Benedictine Monks of Santo Domingo de Silos Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002SKX Release Date: 1994-03-15 |
Tracks:
- Puer Natus Est Nobis: Intriot (Modo VII)
- Os Iusti: Gradual (Modo I)
- Christus Factus Est Pro Nobis: Gradual (Modo V)
- Mandatum Novum Do Vobis: Antiphonal And Psalm 132 (Modo III)
- Media Vita In Morte Sumus: Responsorio (Modo IV)
- Alleluia, Beatus Vir Qui Suffert: (Modo I)
- Spiritus Domini: Introit (Modo VIII)
- Improperium: Offertorio (Modo VIII)
- Laetatus Sum: Gradual (Modo VII)
- Kyrie XI - A: (Modo I)
- Puer Natus In Bethlehem: Ritmo (Modo I)
- Jacta Cogitatum Tuum: Gradual (Modo VII)
- Verbum Caro Factum Est: Responsorio (Modo VII)
- Genuit Puerpera Regem: Antiphonal And Psalm 99 (Modo II)
- Occuli Omnium: Gradual (Modo VII)
- Ave Mundi Spes Maria: Sequenza (Modo I)
- Kyrie Fons Bonitatis: Trope (Modo III)
- Veni Sancte Spiritus: Sequenza (Modo I)
- Hosanna Filio David: Antiphonal (Modo VII)
Amazon.com
Thanks to good marketing, good cover art, and good luck, this disc probably has sold more copies than most other recordings of Gregorian chant put together. It's often quipped that most of those discs have been listened to exactly once and put away--to the puzzlement of many musicians and critics, who point out that there are more beautiful, more varied performances by professional singers available. Yet the singing of these Spanish Benedictines has a special quality that probably explains this disc's popularity--a reverent serenity that no doubt stems from the fact that the monks are actually praying, not just performing. Granted, Chant can become a bit monotonous with repeated listening, but it really gives you the sense of devotion that has always been the purpose of "Gregorian" chant. If this recording (ahem) enchants you at first, wonderful. If you get bored with it later, don't give up--there has been an extraordinary variety of styles and sounds over the 1,500-year history of plainchant, so go exploring with Anonymous 4, Ensemble Gilles Binchois, Sequentia, or Ensemble Organum. You won't be sorry. --Matthew WestphalCustomer Reviews:
Chant.......2007-06-25
Chant.......2007-03-09
Some things are ageless.
PEACE FROM WITHIN.......2007-01-09
Gregorian Chant.......2006-08-13
RELAXING.......2006-03-24
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Shostakovich: Cello Concerto No1, Op107; Violin Concerto No1 (revised), Op99
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000007QCK Release Date: 1998-06-16 |
Tracks:
- Concerto For Violin And Orchestra No. 1 In A Minor, Op. 99: I. Nocturne, Adagio
- Concerto For Violin And Orchestra No. 1 In A Minor, Op. 99: II. Scherzo, Allegro non troppo
- Concerto For Violin And Orchestra No. 1 In A Minor, Op. 99: III. Passacaglia, Andante
- Concerto For Violin And Orchestra No. 1 In A Minor, Op. 99: IV. Burlesca, Allegro con brio
- Concerto For Cello And Orch No. 1 In E-Flat Major, Op. 107: I. Allegretto
- Concerto For Cello And Orch No. 1 In E-Flat Major, Op. 107: II. Moderato
- Concerto For Cello And Orch No. 1 In E-Flat Major, Op. 107: III. Cadenza
- Concerto For Cello And Orch No. 1 In E-Flat Major, Op. 107: IV. Allegro con molto
Amazon.com
Sony has brought together Shostakovitch's greatest concertos in first recordings made soon after their American premieres by the artists most closely identified with them. Neither performance has been bettered, though some, such as Vengerov's Teldec Violin Concerto, come close. The Violin Concerto is in solid, detailed mono; the Cello Concerto in fine stereo. Oistrakh goes to the heart of the violin work, playing with extraordinary tonal magnificence and emotional power. He's matched by Mitropoulos, whose identification with the score is apparent. Rostropovitch is as good in the Cello Concerto, getting excellent support from Ormandy's Philadelphians. Both performances share the white heat of fresh discovery and have stood the test of time to become classic recordings. --Dan DavisAmazon.com
Eugene Ormandy was Shostakovich's great interpreter (along with Bernstein) in the West, and he was entrusted with many U.S. premiers of the great Russian composer's symphonies and concertos. This recording of the First Cello Concerto was made while both the composer and his cellist friend were on tour in the United States, so it has the imprimatur of Shostakovich himself. The Violin Concerto similarly was recorded just days after its U.S. premiere in New York with the Oistrakh, for whom it was written. This is as distinguished a pair of performances as you're likely to hear, and although the Violin Concerto is mono, the sound never gets in the way of your enjoyment. An event. --David HurwitzCustomer Reviews:
Fantastic oldy but goody..........2007-07-12
After hearing of Slava's death, I decided to add him to my collection, especially any DSCH pieces. I was pleasantly surprised to re-aquaint myself with an old friend. The sound of these older recordings are fantastic, stereo or not. If you want to collect authentic Shostakovich, you must collect this CD.
Authoritative Performances..........2007-02-02
Incredible excitement from a cello.......2006-10-24
The violin concerto was for me just something extra on the disc. But after a careful listening, I'm impressed. Oistrakh was a top-notch violinist, and he was in exteme good form for this performance. The sound quality is good, but not as good as in the cello concerto. The orchestra is dazzling. I won't be skipping over this performance to get to the cello concerto - they make a fine pair in this recording. This disc is a must-have for any lover of 20th century concert music.
Slava! Electrifying stuff! .......2006-03-14
As for the playing - Oistrakh and Rostropovich in their prime, with Shostakovich present and advising during both recordings - what more needs to be said. Shostakovich dedicated the First Cello Concerto to Rostropovich, his pupil and friend, and he almost seems to breathe the music. Oistrakh is magnificent in the Violin Conecrto, especially in the fast and furious finale. The New York Philharmonic under Mitropoulos and the Phildaelphia Orchestra under Ormandy are pretty damn good as well, and both pieces are fiendishly difficult in places.
Sorry this is praise is a little over the top, but it is entirely deserved!
Stunning Shostakovich.......2005-05-17
But the REAL highlight of that NY Phil. set: the SUPERLATIVE performance by Oistrakh and Mitropoulos in the Shostakovich Violin Concerto. While this Columbia studio recording is indeed wonderful, it doesn't quite touch the inspired intensity of Oistakh's "live" premiere. Of course, not all "live" performances are better than their studio counterparts (e.g., I much prefer Sviatoslav Richter's studio Liszt concertos on Philips to his "live" concert recording on BBC Legends). But Oistrakh and Mitropoulos in the premiere tightened the screws and threw off sparks "live" that even this superb studio performance doesn't quite match.
This Sony Columbia Masterworks CD is worth its price just to have the outstanding account of the Cello Concerto with Rostropovich. But if you want to hear Oistrakh's interpretation of the Violin Concerto at its absolute zenith, you should try to hear the NY Phil. set too.
Highly recommended.
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Masters of Classical Music (Box Set)
Manufacturer: Delta ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001VU5 Release Date: 1990-10-25 |
Tracks:
- Eine kleine Nachtmusik: Allegro - Mozart, Wolfgang Amadeus
- Piano Concerto In A Major, K 488: Adagio - Mozart, Wolfgang Amadeus
- Flute Concerto In D Major, K 314: Allegro - Mozart, Wolfgang Amadeus
- Symphony No. 40 in G minor: Molto allegro - Mozart, Wolfgang Amadeus
- Clarinet Concerto KV 622: Adagio - Mozart, Wolfgang Amadeus
- Serenade, K 375: Menuetto - Mozart, Wolfgang Amadeus
- Turkish March - Mozart, Wolfgang Amadeus
- Violin Concerto, K 216: Allegro - Mozart, Wolfgang Amadeus
- Divertimento, K 334: Menuetto - Mozart, Wolfgang Amadeus
- Horn Concerto, K 447: Allegro - Mozart, Wolfgang Amadeus
- Cassation, K 99: Allegro - Mozart, Wolfgang Amadeus
Tracks:
- Overture No. 4 In Major: Rejouissance - J.S.Bach
- Overture No. 3 In D Major: Air - J.S.Bach
- Brandenburg Concerto No. 2 In F Major: I. Allegro - J.S.Bach
- Jesu, Joy Of Man's Desiring - J.S.Bach
- Overture No. 2 In B Minor: Menuet & Badinerie - J.S.Bach
- Prelude In C Major - J.S.Bach
- Toccata And Fugue In D Minor - J.S.Bach
- Prelude In C Minor - J.S.Bach
- Overture No. 1 In C Major: Passepied - J.S.Bach
- Brandenburg Concerto No. 1 In F Major: II. Adagio - J.S.Bach
- Kommst du nun, Jesu vom Himmel herunter, Chorale - J.S.Bach
- Brandenburg Concerto No. 3 In G Major: II. Allegro - J.S.Bach
- Violin Concerto In E Major: I. Adagio - J.S.Bach
- St. Matthew Passion: Finale Chorus: 'Wir setzen uns mit Tranen nieder' - J.S.Bach
Tracks:
- Symphony No. 5: Allegro con brio - Ludwig Van Beethoven
- Fur Elise - Ludwig Van Beethoven
- Violin Romance No. 2 - Ludwig Van Beethoven
- 'Moonlight' Sonata: Adagio sostenuto - Ludwig Van Beethoven
- Minuet - Ludwig Van Beethoven
- Symphony No. 8 In F Major: Allegretto scherzando - Ludwig Van Beethoven
- Coriolan: Overture - Ludwig Van Beethoven
- Piano Concerto No. 2: Adagio - Ludwig Van Beethoven
- Symphony No. 5 In C Minor: Allegro - Ludwig Van Beethoven
- Egmont: Overture - Ludwig Van Beethoven
Tracks:
- Die Fledermaus: Die Fledermaus (Excerpts) - Johann Strauss
- Wine, Woman And Song - Johann Strauss
- Tritsch Tratsch Polka - Johann Strauss
- The Blue Danube - Johann Strauss
- The Gypsy Baron: Introduction - Johann Strauss
- Annen Polka - Johann Strauss
- Vienna Blood - Johann Strauss
- The Gypsy Baron: Einzugsmarsch - Johann Strauss
Tracks:
- Tannhauser: Overture - MASTERS OF CLASSICAL MUSIC
- Die Meistersinger von Nurnberg: Dance Of The Prentices - MASTERS OF CLASSICAL MUSIC
- Die Meistersinger von Nurnberg: Prelude Act 3 - MASTERS OF CLASSICAL MUSIC
- Die Meistersinger von Nurnberg: Aufzug der Meistersinger - MASTERS OF CLASSICAL MUSIC
- Der fliegende Hollander: Overture - MASTERS OF CLASSICAL MUSIC
- Lohengrin: Prelude - MASTERS OF CLASSICAL MUSIC
- Tristan und Isolde: Prelude And Liebestod - MASTERS OF CLASSICAL MUSIC
- Tannhauser: Arrival Of The Guests At Wartburg - MASTERS OF CLASSICAL MUSIC
Tracks:
- Piano Concerto No. 1: Allegro non troppo - Peter Tchaikovsky
- String Serenade: Waltz - Peter Tchaikovsky
- Violin Concerto: Andante - Peter Tchaikovsky
- The Sleeping Beauty: Introduction - Peter Tchaikovsky
- The Sleeping Beauty: Pas d'action - Adagio - Peter Tchaikovsky
- The Sleeping Beauty: Waltz - Peter Tchaikovsky
- Capriccio italien Op. 45 - Peter Tchaikovsky
- Swan Lake: Ballet Suite: Scene No. 10 - Peter Tchaikovsky
- Swan Lake: Ballet Suite: Waltz - Peter Tchaikovsky
- Eugene Onegin: Polonaise - Peter Tchaikovsky
Tracks:
- The 4 Seasons: Concerto No. 1 In E Major: Spring - VIVALDI, Antonio
- Siciliano - VIVALDI, Antonio
- Concerto In D Minor:: (Allegro Assai) Cologne Concerto - VIVALDI, Antonio
- The 4 Seasons: Concerto No. 2 In G Minor: Summer - VIVALDI, Antonio
- Oboe Sonata In B Flat Major, RV 34: Adagio - Allegro - Largo - Allegro - VIVALDI, Antonio
- The 4 Seasons: Concerto No. 3 In F Major: Autumn - VIVALDI, Antonio
- Oboe Concerto: Allegro non tasto - Largo - Allegro non molto - VIVALDI, Antonio
- Concerto In D Minor: (Largo e spiccato) Cologne Concerto - VIVALDI, Antonio
- The 4 Seasons: Concerto No. 4 In F Minor: Winter - VIVALDI, Antonio
Tracks:
- Scherzo No 1 In B Minor, Op. 20 - Frederic Chopin_
- Three Nocturnes, Op. 9: No 3 In B Major - Frederic Chopin_
- Twelve Etudes, Op. 10: No 5 In G Flat Major - Frederic Chopin_
- Twelve Etudes, Op. 25: No 10 In B Minor - Frederic Chopin_
- 24 Preludes, Op. 28: No. 13 In F Sharp Major - Frederic Chopin_
- 24 Preludes, Op. 28: No. 14 In E Flat Minor - Frederic Chopin_
- 24 Preludes, Op. 28: No. 15 In D Flat Major 'Raindrops' - Frederic Chopin_
- 24 Preludes, Op. 28: No. 16 In B Flat Minor - Frederic Chopin_
- 24 Preludes, Op. 28: No. 17 In A Flat Major - Frederic Chopin_
- 24 Preludes, Op. 28: No. 18 In F Minor - Frederic Chopin_
- Scherzo No. 2 In B Flat Minor, Op. 31 - Frederic Chopin_
- Waltz In E Flat Major, Op. 18 - Frederic Chopin_
- Nocturne In C Sharp Minor, Op. Posth. - Frederic Chopin_
- Four Mazurkas, Op. 24: No. 3 In A Flat Major - Frederic Chopin_
- Four Mazurkas, Op. 24: No. 4 In B Flat Minor - Frederic Chopin_
Tracks:
- Ave Maria - Franz Schubert
- Impromptu In E Flat Major - Franz Schubert
- Standchen - Franz Schubert
- Trout Quintet: Tema con variazioni - Franz Schubert
- 'Rosamunde': Entr'acte No. 1 - Franz Schubert
- Moment Musical In A Flat Major - Franz Schubert
- 'Rosamunde': Entr'acte No. 2 - Franz Schubert
- Moment Musical No. 3 In F Minor - Franz Schubert
- 'Rosamunde': Ballet Music No.2 - Franz Schubert
- Symphony No. 8 In B Minor 'Unfinished': Allegro moderato - Franz Schubert
Tracks:
- Nabucco: Overture - Verdi, Giuseppe
- Nabucco: Va pensiero, sull'ali dorate - Verdi, Giuseppe
- Aida: Prelude - Verdi, Giuseppe
- II Trovatore: Verdi! le fosche notturne (Gypsies' Chorus) - Verdi, Giuseppe
- II Trovatore: Or co' daddi, ma fra poco (Soldiers' Chorus) - Verdi, Giuseppe
- Aroldo: Overture - Verdi, Giuseppe
- La Traviata: Prelude - Verdi, Giuseppe
- La Traviata: Noi siamo zingarelle - Verdi, Giuseppe
- La Traviata:: Libiamo ne' lieti calici - Verdi, Giuseppe
- La Traviata: Di Madride noi siam mattadori - Verdi, Giuseppe
- La forza del destino: Overture - Verdi, Giuseppe
Customer Reviews:
masters of classical music.......2007-03-26
A good basic collection.......2006-11-10
An excellent introduction to classical music.......2006-10-18
Very Beautiful!!!!!1.......2006-10-05
Still Stuck on Beethoven.......2006-08-22
My interest started in this genre of music because I'm researching my ancestry in Prussia and this is the music of those times. Never mind my ancestors were poor peasants who probably never got the chance to hear such wonderful music... when listening to these CDs, I'm taken back in time... to a royal court in Europe... to another place in time. The music is inspiring, relaxing, invigorating.
I have yet to listen to all the CD's in the set. I'm stuck on Beethoven! Wasn't he AWESOME!?!
I think this set is a wonderful introduction to classical music!!!!!
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An Introduction to Der Ring des Nibelungen
Deryck Cooke , Georg Solti , Wiener Philharmoniker , Anita Valkki , Berit Lindholm , Birgit Nilsson , Brigitte Fassbaender , Christa Ludwig , Claire Watson , Claudia Hellmann , Dame Gwyneth Jones , Dietrich Fischer-Dieskau , Eberhard Wächter , George London , Gerhard Stolze , Gottlob Frick , Grace Hoffmann , Gustav Neidlinger , Hans Hotter , Helen Watts , Helga Dernesch , Hetty Plumacher , Ira Malaniuk , James King , Jean Madeira , Joan Sutherland , Kirsten Flagstad , Kurt Böhme , Lucia Popp , Marga Höffgen , Marilyn Tyler , Maureen Guy , Oda Balsborg , Paul Kuen , Régine Crespin , Set Svanholm , Vera Little , Vera Schlosser , Waldemar Kmentt , Walter Kreppel , and Vienna Philharmonic Orchestra Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000424H Release Date: 2005-09-13 |
Tracks:
- Of All Great Musical Compositions... (Examples 1-4)
- The Fundamental Symbol... (Examples 5-11)
- Returning Now To The Nature Motive... (Examples 6, 12-16)
- A Number Of Further Motives... (Examples 5, 17-21)
- A Second, Much Smaller Family... (Examples 22-25)
- So Much For Nature. (Examples 26-38)
- The Cause Of The Deterioration... (Examples 39-44)
- The Other Transformation... (Examples 45-48)
- Several Other Motives... (Examples 49-52)
- Two Further Motives... (Examples 41, 53-61)
- The Basic Motive Associated With The Spear... (Examples 62-68)
- Along Another, More Complex Line... (Examples 69-72)
- In Act Two Of Walkure... (Examples 69, 73-75)
- Returning Now To Act Two Of Walkure... (Examples 76-79)
- Love Is Another Of The Central Symbols... (Examples 80-83)
- Later In The Same Scene... (Examples 84-87)
- Freia's Motive Has Two Independent Segments... (Examples 88-91)
- The Label 'Flight'... (Example 92)
- When Fasolt, In Scene Two Of Rhinegold... (Examples 93-98)
- A Little Later In The Interlude... (Examples 99-103)
Tracks:
- The Other New Motive... (Examples 104-109)
- There Are Several Independent Love-Motives... (Examples 110-114)
- The Characters In Whose Lives... (Examples 115-120)
- One Further Motive Belongs... (Example 121)
- The Sword Motive Recurs... (Examples 122-130)
- Ironically, This Phrase... (Examples 131-135)
- Closely Associated With Gutrune's Motive... (Examples 136-140)
- Here We Come To The End... (Examples 141-146)
- Complemtary To This Symbol... (Examples 147-149)
- One Last Central Symbol... (Examples 150-157)
- One Further Motive Connected... (Examples 158-161)
- There Are One Or Two Motives... (Examples 162-168)
- These Motives Of Alberich And Mime... (Examples 169-171)
- Quite A Number Of The Subsidiary Motives... (Examples 172-176)
- Besides This Family Of Motives... (Examples 177-180)
- Our Final Example... (Examples 10, 181, 182)
- In The Final Scene Of Gotterdammerung... (Examples 181-183)
- Even More Masterly... (Examples 184-188)
- Now If We Return... (Examples 189-191)
- This Masterly Way... (Examples 192, 193)
Amazon.com
When Wagner set the Ring to music, he intended the orchestra to act in the fashion of a chorus from a classic Greek tragedy--setting the mood and commenting on the action. In order to allow a nonverbal musical line to reflect on the plot, Wagner developed a psychologically and musically complex symbology to communicate his thoughts to the listener. From the beginning the Ring has spawned numerous written commentaries on the relationships of the motif structure, but by using examples from the Decca Ring recording, Deryck Cooke's thoughtful spoken commentary is by far the most accessible guide for either the fledgling Ring enthusiast or the seasoned veteran. --Christian C. RixCustomer Reviews:
Ring introduction critique.......2006-11-04
FASCINATING STUDY FOR NOVICES AND AFFICIONADOS ALIKE.......2006-08-16
It wasn't the first time this has been tried. The famous HMV sets from the late 20's also included recorded examples of over 100 motifs. (These, by the way, are available as part of the Pearl reissue of those wonderful HMV recordings). What that set lacked was the wonderful insights as well as the approachability of the talk by Deryck Cooke. Cooke was a great and much missed musicologist - a Mahler expert responsible for the performing edition of the Tenth Symphony still most played today, a fascinating explorer into the nature of music's basic building-blocks in his excellent book, The Language of Music, and an inspiring and elucidating critic of Wagner's work as shown by the fascinating book he left unfinished at his death, I Saw the World End.
On these CDs he does much more than list the leitmotifs and identify them as calling-cards. He shows the amazingly integrated and organic growth of the musical material that Wagner uses throughout his vast work. He demonstrates how motifs can change their sense and meaning as they evolve through the drama. And he shows how the complex combinations of motifs can radically advance both the musical and the dramatic narrative of the piece. There are even places where he corrects the misinterpretation of some of the motifs that had become ingrained from early commentators' false labels.
This set should engage and enlighten anyone with an interest in Wagner's huge and inexhaustible tetralogy. Do give it a try - no matter how far down the road to Wagnerianism you are.
Welcome back to a classic analysis.......2006-05-28
If all you want is dilettantish baby food, there are plenty of dumbed-down Wagner commentaries on the market, stretching from Anna Russell's famous monologue (which doesn't pretend to be anything other than a parody aimed at morons) to the latest standard-issue "Wagner-was-a-Nazi-boo-hiss" feuilleton (which, unfortunately, does). Without reasonable score-reading skill you will find Cooke useless, however diligently you have ploughed through Marx, Jung, Freud, or other gurus purportedly relevant to THE RING. Cooke expects you to use your brains and your musical sense. Quelle horreur. At today's BBC his "elitism" would render him unemployable.
Essential for Understanding Wagner's Ring Cycle.......2006-05-15
Bottom line, buy this set and study it if the Ring has captivated you as it has countless others. The presentation is dry, but sticking with it brings measureless and longlasting rewards.
Very Functional.......2006-03-19
Average customer rating:
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Chopin: The Piano Works
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000041KB Release Date: 1997-06-24 |
Tracks:
- 24 Preludes, Op.28: I - C Major
- 24 Preludes, Op.28: II - A Minor
- 24 Preludes, Op.28: III - G Major
- 24 Preludes, Op.28: IV - E Minor
- 24 Preludes, Op.28: V - D Major
- 24 Preludes, Op.28: VI - B Minor
- 24 Preludes, Op.28: VII - A Major
- 24 Preludes, Op.28: VIII - F Sharp Minor
- 24 Preludes, Op.28: IX - E Major
- 24 Preludes, Op.28: X - C Sharp Minor
- 24 Preludes, Op.28: XI - B Major
- 24 Preludes, Op.28: XII - G Sharp Minor
- 24 Preludes, Op.28: XIII - F Sharp Major
- 24 Preludes, Op.28: XIV - E Flat Minor
- 24 Preludes, Op.28: XV - D Flat Major 'Raindrop'
- 24 Preludes, Op.28: XVI - B Flat Minor
- 24 Preludes, Op.28: XVII - A Flat Major
- 24 Preludes, Op.28: XVIII - F Minor
- 24 Preludes, Op.28: XIX - E Flat Major
- 24 Preludes, Op.28: XX - C Minor
- 24 Preludes, Op.28: XXI - B Flat Major
- 24 Preludes, Op.28: XXII - G Minor
- 24 Preludes, Op.28: XXIII - F Major
- 24 Preludes, Op.28: XXIV - D Minor
- Prelude In C Sharp Minor, Op.45
- Prelude In A Flat Major
- Impromptu In A Flat Major, Op.29
- Impromptu In F Sharp Major, Op.36
- Impromptu In G Flat Major, Op.51
- Fantaisie-Impromptu In C Sharp Minor, Op.66
Tracks:
- Ballade No.1 In G Minor, Op.23
- Ballade No.2 In F Major, Op.38
- Ballade No.3 In A Flat Major, Op.47
- Ballade No.4 In F Minor, Op.52
- Scherzo No.1 In B Minor, Op.20
- Scherzo No.2 In B Flat Minor, Op.31
- Scherzo No.3 In C Sharp Minor, Op.39
- Scherzo No.4 In E Minor, Op.54
Tracks:
- 3 Nocturnes, Op.9: I - B Flat Minor
- 3 Nocturnes, Op.9: II - E Flat Major
- 3 Nocturnes, Op.9: III - B Major
- 3 Nocturnes, Op.15: I - F Major
- 3 Nocturnes, Op.15: II - F Sharp Major
- 3 Nocturnes, Op.15: III - G Minor
- 2 Nocturnes, Op.27: I - C Sharp Minor
- 2 Nocturnes, Op.27: II - D Flat Major
- 2 Nocturnes, Op.32: I - B Major
- 2 Nocturnes, Op.32: II - A Flat Major
- 2 Nocturnes, Op.37: I - G Minor
- 2 Nocturnes, Op.37: II - G Major
Tracks:
- 2 Nocturnes, Op.48: I - C Minor
- 2 Nocturnes, Op.48: II - F Sharp Minor
- 2 Nocturnes, Op.55: I - F Minor
- 2 Nocturnes, Op.55: II - E Flat Major
- 2 Nocturnes, Op.62: I - B Major
- 2 Nocturnes, Op.62: II - E Major
- Nocturne In E Minor, Op.72 No.1
- Nocutrne In C Sharp Minor
- Nocturne In C Minor
Tracks:
- 12 Etudes, Op.10: I - C Major
- 12 Etudes, Op.10: II - A Minor
- 12 Etudes, Op.10: III - E Major
- 12 Etudes, Op.10: IV - C Sharp Minor
- 12 Etudes, Op.10: V - G Flat Major 'Black Key'
- 12 Etudes, Op.10: VI - E Flat Minor
- 12 Etudes, Op.10: VII - C Major
- 12 Etudes, Op.10: VIII - F Major
- 12 Etudes, Op.10: IX - F Minor
- 12 Etudes, Op.10: X - A Flat Major
- 12 Etudes, Op.10: XI - E Flat Major
- 12 Etudes, Op.10: XII - C Minor 'Revolutionary'
- 12 Etudes, Op.25: I - A Flat Major
- 12 Etudes, Op.25: II - F Minor
- 12 Etudes, Op.25: III - F Major
- 12 Etudes, Op.25: IV - A Minor
- 12 Etudes, Op.25: V - E Minor
- 12 Etudes, Op.25: VI - G Sharp Minor
- 12 Etudes, Op.25: VII - C Sharp Minor
- 12 Etudes, Op.25: VIII - D Flat Major
- 12 Etudes, Op.25: IX - G Flat Major
- 12 Etudes, Op.25: X - B Minor
- 12 Etudes, Op.25: XI - A Minor 'Winter Wind'
- 12 Etudes, Op.25: XII - C Minor
Tracks:
- 2 Polonaises, Op.26: I - C Sharp Minor
- 2 Polonaises, Op.26: II - E Flat Minor
- 2 Polonaises, Op.40: I - A Major
- 2 Polonaises, Op.40: II - C Minor
- Polonaise In F Sharp Minor, Op.44
- Polonaise In A Flat Major, Op.53
- Polonaise-fantaisie In A Flat Major, Op.61
Tracks:
- 3 Polonaises, Op.71: I - D Minor
- 3 Polonaises, Op.71: II - B Flat Major
- 3 Polonaises, Op.71: III - F Minor
- Polonaise In B Flat Minor
- Polonaise In G Flat Major
- Polonaise In G Minor
- Polonaise In B Flat Major
- Polonaise In A Flat Major
- Polonaise In G Sharp Minor
Tracks:
- Waltz In E Flat Major, Op.18
- 3 Waltzes, Op.34: I - A Flat Major
- 3 Waltzes, Op.34: II - A Minor
- 3 Waltzes, Op.34: III - F Major
- Waltz In A Flat Major, Op.42
- 3 Waltzes, Op.64: I - D Flat Major
- 3 Waltzes, Op.64: II - C Sharp Minor
- 3 Waltzes, Op.64: III - A Flat Major
- 2 Waltzes, Op.69: I - A Flat Major
- 2 Waltzes, Op.69: II - B Minor
- 3 Waltzes, Op.70: I - G Flat Major
- 3 Waltzes, Op.70: II - F Minor
- 3 Waltzes, Op.70: III - D Flat Major
- Waltz In E Minor (1830)
- Waltz In E Major (1829)
- Waltz In A Minor (?1843)
- Waltz In A Flat Major (1827)
- Waltz In E Flat Major ('Sostenuto', 1840)
- Waltz In E Flat Major (1829 - 1830)
Tracks:
- 4 Mazurkas, Op.6: I - F Sharp Minor
- 4 Mazurkas, Op.6: II - C Sharp Minor
- 4 Mazurkas, Op.6: III - E Major
- 4 Mazurkas, Op.6: IV - E Flat Minor
- 5 Mazurkas, Op.7: I - B Flat Major
- 5 Mazurkas, Op.7: II - A Minor
- 5 Mazurkas, Op.7: III - F Minor
- 5 Mazurkas, Op.7: IV - A Flat Major
- 5 Mazurkas, Op.7: V - C Major
- 4 Mazurkas, Op.17: I - B Flat Major
- 4 Mazurkas, Op.17: II - E Minor
- 4 Mazurkas, Op.17: III - A Flat Major
- 4 Mazurkas, Op.17: IV - A Minor
- 4 Mazurkas, Op.24: I - G Minor
- 4 Mazurkas, Op.24: II - C Major
- 4 Mazurkas, Op.24: III - A Flat Major
- 4 Mazurkas, Op.24: IV - B Flat Minor
- 4 Mazurkas, Op.30: I - C Minor
- 4 Mazurkas, Op.30: II - B Minor
- 4 Mazurkas, Op.30: III - D Flat Major
- 4 Mazurkas, Op.30: IV - C Sharp Minor
- 4 Mazurkas, Op.33: I - G Sharp Minor
- 4 Mazurkas, Op.33: II - D Major
- 4 Mazurkas, Op.33: III - C Major
- 4 Mazurkas, Op.33: IV - B Minor
- 4 Mazurkas, Op.41: I - C Sharp Minor
- 4 Mazurkas, Op.41: II - E Minor
- 4 Mazurkas, Op.41: III - B Major
- 4 Mazurkas, Op.41: IV - A Flat Major
Tracks:
- 3 Mazurkas, Op.50: I - G Major
- 3 Mazurkas, Op.50: II - A Flat Major
- 3 Mazurkas, Op.50: III - C Sharp Minor
- 3 Mazurkas, Op.56: I - B Major
- 3 Mazurkas, Op.56: II - C Major
- 3 Mazurkas, Op.56: III - C Minor
- 3 Mazurkas, Op.59: I - A Minor
- 3 Mazurkas, Op.59: II - A Flat Major
- 3 Mazurkas, Op.59: III - F Sharp Minor
- 3 Mazurkas, Op.63: I - B Major
- 3 Mazurkas, Op.63: II - F Minor
- 3 Mazurkas, Op.63: III - C Sharp Minor
- 4 Mazurkas, Op.67: I - G Major
- 4 Mazurkas, Op.67: II - G Minor
- 4 Mazurkas, Op.67: III - C Major
- 4 Mazurkas, Op.67: IV - A Minor
- 4 Mazurkas, Op.68: I - C Major
- 4 Mazurkas, Op.68: II - A Minor
- 4 Mazurkas, Op.68: III - F Major
- 4 Mazurkas, Op.68: IV - F Minor
- Mazurka In A Minor ('a Emile Gaillard', 1840)
- Mazurka In A Minor ('Notre temps', 1840)
- Mazurka In B Flat Major (1826)
- Mazurka In G Major (1826)
- Mazurka In A Flat Major (1834)
- Mazurka In C Major (1833)
- Mazurka In B Flat Major (For Alexandra Wolowska, 1832)
- Mazurka In D Major (1832)
- Mazurka In D Major (?1820)
- Mazurka In F Minor, Op.68 No. 4 - Vladimir Ashkenazy
Tracks:
- Piano Sonata No.2 In B Flat Minor, Op.35: I - Grave - Doppio movimento
- Piano Sonata No.2 In B Flat Minor, Op.35: II - Scherzo
- Piano Sonata No.2 In B Flat Minor, Op.35: III - Marche funebre
- Piano Sonata No.2 In B Flat Minor, Op.35: IV - Finale: Presto
- Piano Sonata No.3 In B Minor, Op.58: I - Allegro maestoso
- Piano Sonata No.3 In B Minor, Op.58: II - Scherzo: Molto vivace
- Piano Sonata No.3 In B Minor, Op.58: III - Largo
- Piano Sonata No.3 In B Minor, Op.58: IV - Finale: Presto, non tanto
- Fantaisie In F Minor, Op. 49
Tracks:
- Piano Sonata No.1 In C Minor, Op.4: I - Allegro maestoso
- Piano Sonata No.1 In C Minor, Op.4: II - Minuetto - Trio
- Piano Sonata No.1 In C Minor, Op.4: III - Larghetto
- Piano Sonata No.1 In C Minor, Op.4: IV - Finale: Presto
- Variations sur un air national allemand - E Major (1826)
- Rondo In C Minor, Op.1
- 3 Ecossaises, Op.72 No.3: I - D Major; II - G Major; III - D Flat Major
- Rondo 'a la Mazur' In F Major, Op.5
- Marche funebre In C Minor, Op.72 No.2
- Contredanse In G Flat Major (?1827) - Vladimir Ashkenazy
- Rondo In C Major, Op.73 - Vladimir Ashkenazy
- Variations In D Major For Piano Duet (1826) - Vladimir Ashkenazy
Tracks:
- Variations In A Major ('Souvenir de Paganini', 1829)
- Variations brillantes In B Flat Major, Op.12
- Rondo In E Flat Major, Op.16
- Bolero In A Minor, Op.19
- Cantabile In B Flat Major
- Variation In E Major
- Largo In E Flat Major
- Allegro de concert In A Major, Op.46
- 3 Nouvelles Etudes (1837): I - F Minor
- 3 Nouvelles Etudes (1837): II - A Flat Major
- 3 Nouvelles Etudes (1837): III - D Flat Major
- Tarentelle In A Flat Major, Op.43
- Fugue In A Minor (1841 - 42)
- Albumblatt in E Major (1843)
- Op.74 No.2: Wiosna - Spring
- 2 Bourrees (1846): I - G Minor; II - A Major
- Galop Marquis
- Berceuse In D Flat Major, Op.57
- Barcarolle In F Sharp Major, Op.60
Customer Reviews:
My experience of this CD.......2007-04-04
Beautiful!.......2006-08-18
and I listen to bits of it every day. I have yet to find a favorite
CD, as each is so lovely. It is well worth the price.
Well worth the money. Wonderful! Wonderful!.......2006-06-10
Best investment to make.......2006-05-21
Although some pieces are not as good as those by other artists, Ashkenazy's interpretations of Chopin are the best I've ever heard. Add in his amazing technical performance and you've got some sublime music.
Listening to these pieces have immensely helped my own Chopin reportoire. I don't play to mimic Ashkenazy, but I use his insights and apply my own style over that and end up with something exponentially better than what I could produce on my own.
The price is something you have to seriously consider. A hundred bucks. Yeah, that's a lot of money, but that's 48 cents per song. And you'll listen to these songs dozens of times, at least, I guarantee. Plus it's a great deal... if you were to get all the Ashkenazy-Chopin CDs available on Amazon, overlapping pieces as little as possible, you'd pay $30 more and still not have everything.
This is an investment for life and will definitely remain one of my favorite CD sets for decades. Decades. A hundred bucks for decades of amazing music. This stuff is larger than today, larger than life.. music this good is something you can't afford to pass up because of temporary financial difficulties.
A great pianist interpreting the most inspired composer ever !.......2005-09-15
Interpretation and emotion feeling is also a matter of taste, so that the only one who can give a final answer is Franois (Frederic).
Ashkenazy is gifted with a phenomenal technique, a great pianist. So that this collection is for sure 5 stars. Enjoy it.
Ah, if you like to see piano technique in action, listen to Georgy Cziffra's interpretation of Etude op. 10 no. 4. (Search the album in my reviews.)
Average customer rating:
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Jacqueline du Pré - a lasting inspiration
Antonin Dvorak , Franz Joseph Haydn , Edward Elgar , Maria Theresia von Paradis , Robert Schumann , Felix Mendelssohn , Gabriel Faure , Johann Sebastian Bach , Camille Saint-Saens , Manuel de Falla , Max Bruch , Ludwig van Beethoven , Johannes Brahms , Cesar Franck , Chicago Symphony Orchestra , London Symphony Orchestra , Daniel Barenboim , Sir John Barbirolli , Jacqueline du Pré , Pinchas Zukerman , Roy Jesson , Gerald Moore , John [guitar] Williams , and Osian Ellis Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000K4F9 Release Date: 1999-09-14 |
Tracks:
- Cello Concerto In B Minor Op. 104: I. Allegro - Dvorak
- Cello Concerto No.2 In D: I. Allegro moderato
- Cello Concerto No.2 In D: II. Adagio
- Cello Concerto No.2 In D: III. Allegro
- Cello Concerto In E Minor: I. Adagio - Moderato
- Cello Concerto In E Minor: II. Lento - Allegro molto
- Cello Concerto In E Minor: III. Adagio
- Cello Concerto In E Minor: IV. Allegro, Moderato, Allegro ma non troppo
Tracks:
- Sicilienne
- Three Fantasy Pieces: I. Zart mit Audruck
- Three Fantasy Pieces: II. Lebhaft
- Three Fantasy Pieces: III. Rasch und mit Feuer
- Sing Without Words in D, Op.109
- Elegie In C Minor, Op. 24
- The Toccata: Adagio
- The Carnival Of The Animals: The Swan
- Suite populaire espagnole: Jota
- Kol nidrei, Op. 47
- Piano Trio In B-flat 'Archduke', Op.97
- Cello Sonata No.2 In F, Op.99
- Sonata in A
Customer Reviews:
cello lover.......2007-05-31
99% perspiration.......2006-11-08
Immortal Legend.......2006-10-07
Epitome of Cello.......2006-06-23
The concertos on the first CD are spectacular, especially her rendition of the Elgar concerto which has defined the piece since she first performed it. The second CD, however, is just as wonderful as a collection of some of the most loved cello pieces. No cello recording complete without Saint Saen's "The Swan" and du Pré's version is the only one I've ever heard that I actually like. "Elégie in C minor" (composed by Gabriel Fauré) is one of my personal favorites especially since her rapport with the pianist is obvious and the two instruments blend in a way that makes the piece even more poignant.
Overall, this CD is a must-have for anyone who loves cello as a perfect sample of Jacqueline du Pré's work.
Ooo! Samples!.......2005-11-29
Average customer rating:
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Classic Yo-Yo
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005OAY5 Release Date: 2001-09-18 |
Tracks:
- Unaccompanied Cello Suite No. 1 in G Major
- Prelude
- Fear Tango
- Butterfly's Day Out
- Was Gott tut, das ist wohlgetan
- Slavonic Dance No. 2 in E minor, Op.72
- Three Preludes
- Allegro ben ritmato e deciso
- American Collection Theme
- Sonata for Cello and Piano in F Major, Op. 99
- IV. Allegro molto
- The Eternal Vow from Crouching Tiger, Hidden Dragon
- Erbarme dich (Matthdus-Passion)
- Quartet for Piano & Strings No. 2 in G minor, Op. 45
- IV. Allegro molto
- Vocalise
- Libertango
- Simple Gifts
- Appalachia Waltz
Amazon.com
Except for one "previously unreleased" recording and two new ones, this is a compilation of segments taken from older Yo-Yo Ma CDs, perhaps to whet listeners' appetite to hear the entire records. The disc represents a triumph of performance over material. The program consists of short pieces and single movements of long ones and serves to display Yo-Yo Ma's extraordinary versatility, his spectacular instrumental and musical gifts, and his remarkable ability to invest everything he plays with the same commitment and emotional concentration. There is no logic to the sequence, except that it begins and ends with solo cello. Bach, whom Ma plays tuned normally when unaccompanied and tuned low with the Amsterdam Baroque Orchestra, may justify the CD's title but seems out of place. Moreover, juxtaposing him with O'Connor and Piazzolla is jarring, though the Tangos are beautiful. The transcription of Dvorák's lovely E-minor Slavonic Dance, despite the participation of violinist Itzhak Perlman and his golden tone, sounds like a movie soundtrack: all bravura and cheap effects. The playing's the thing, and it is stunning, not only Yo-Yo Ma's, but that of all his collaborators, from vocalists Bobby McFerrin and Alison Krauss to pianist Emanuel Ax, Ma's duo partner of 25 years. Ax joins Ma for the Finale of Brahms's second cello sonata; that is what you may find yourself humming at the end. --Edith EislerCustomer Reviews:
New Yo-Yo Fan.......2006-07-09
Simply wonderful!.......2006-06-04
Awesome.......2004-08-20
On a more positive note, I found every track beautiful, from the elegant solo cello in the Bach cello suite to the haunting vocal line in the Bobby McFerrin piece. Yo-Yo Ma gathered a wide range of intriguing pieces to make this fantastic album.
What is this?.......2004-02-10
Great if you're not familiar with Yo-Yo Ma.......2002-12-27
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Franz Schubert: Complete Trios
Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000417B Release Date: 1994-01-18 |
Tracks:
- String Trio In B Flat, D.581: I. Allegro moderato
- String Trio In B Flat, D.581: II. Andante
- String Trio In B Flat, D.581: III. Menuetto (Allegretto)
- String Trio In B Flat, D.581: IV. Rondo (Allegretto)
- String Trio In B Flat, D. 471--Allegro
- Piano Trio In B Flat, D.898: I. Allegro moderato
- Piano Trio In B Flat, D.898: II. Andante un poco mosso
- Piano Trio In B Flat, D.898: III. Scherzo (Allegro)
- Piano Trio In B Flat, D.898: IV. Rondo (Allegro vivace)
Tracks:
- Piano Trio In E Flat, C.929: I. Allegro
- Piano Trio In E Flat, C.929: II. Andante con moto
- Piano Trio In E Flat, C.929: III. Scherzo (Allegro moderato)
- Piano Trio In E Flat, C.929: IV. Allegro moderato
- Piano Trio In One Movement In B Flat, D.28: Allegro
- Adagio In E Flat, D.897
Amazon.com
Schubert's two piano trios are the products of his last years when, knowing that he was ill and dying, he still managed to produce dozens of songs and chamber music masterpieces, as well as pursue counterpoint studies and make plans for further orchestral and stage works. Add to this the earlier String Trio and a couple of miscellaneous single movements, and his output in "trio" form is complete. Both of the piano trios are typically large works, generously stuffed with first-rate tunes, some of which you may recognize without knowing exactly where they came from. These excellent performances at a "twofer" price offer the most convenient and cost effective way to get to know this marvelous music. --David HurwitzCustomer Reviews:
A Hidden Gem Worth Taking Without Hesitation!.......2005-10-21
The trios of Schubert are a good way of exploring various periods of his life in which he composed drastically different arrangements. His Piano Trio D. 28 is a good example of his foundations in Mozart and early Beethoven until you reach his Piano Trio D. 929 (performed often in Kurbrick's 'Barry Lyndon') where Schubert explores much more on impressionistic themes than romantic ones. Such themes were only pursued later by composers such as Brahms and Schumann. Liszt's romanticism was also stongly influenced by both Beethoven and Schubert. Of the performances I really have nothing to say as they are simply flawless and there are few I could compare. The sound has some disadvantages but not really significant ones.
This is really a magnificent performance giving you Schubert's complete trios on two CDs. For the quality of performance you get it's a bargain. I am glad I got it as it was worth every dollar.
first CD best.......2005-10-03
A great way to buy Schubert's chamber music.......2005-08-03
Good, but too "intellectualized".......2002-08-20
One Schubert CD YOU Should Get.......2001-04-23
Trio No.1 in B flat Major is my favourite pick, with all of its very expansive movements (length-wise, rather than musically, which often make the piece sound boring in lesser hands) treated with extremely delicate and tasteful pacings. One more thing that is very noticeable is the lyricism of the cello tone that almost resembles that of a human voice; it is so light and transparent, as perfectly exhibited in the second movement of the Trio No.1, that at times it could be mistaken for violin.
This is one Schubert recording you should not miss, and I actually think I like this more than the overplayed (although very much deservedly) Trout Quintet. Enjoy!
Average customer rating:
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Rendezvous of Angels - Concert Collection [20 CD Set]
Manufacturer: Delta ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000DV5E Release Date: 2003-12-09 |
Tracks:
- Concerto No. 1 in E Major RV 269 Spring: Allegro - Budapest Strings
- Concerto No. 1 in E Major RV 269 Spring: Largo (E Pianissimo Sempre) - Budapest Festival Orchestra, Miklos Perenyi
- Concerto No. 1 in E Major RV 269 Spring: Allegro - Budapest Strings,
- Concerto No. 2 in G Minor RV 315 Summer: Allegro Non Molto - ... - The Berlin Chamber Orchestra
- Concerto No. 2 in G Minor RV 315 Summer: Adagio E Piano - Presto E ... - The Berlin Chamber Orchestra
- Concerto No. 2 in G Minor RV 315 Summer: Presto - German Bach Soloists
- Concerto No. 3 in F Major RV 293 Autumn: Allegro - New Leipzig Bach Collegium Musicum
- Concerto No. 3 in F Major RV 293 Autumn: Largo - New Leipzig Bach Collegium Musicum
- Concerto No. 3 in F Major RV 293 Autumn: Allegro - New Leipzig Bach Collegium Musicum
- Concerto No. 4 in F Minor RV 297 Winter: Allegro Non Molto - Budapest Strings
- Concerto No. 4 in F Minor RV 297 Winter: Largo - Budapest Strings
- Concerto No. 4 in F Minor RV 297 Winter: Allegro - Budapest Strings
- Concerto in C Major RV 425 for Mandolin, Strings and Basso ... - Mozarteum Orchester Salzburg, Benjamin Schmidinger
- Concerto in C Major RV 425 for Mandolin, Strings and Basso ... - Dresdner Philharmonic, Sebastian Weigle
- Concerto in C Major RV 425 for Mandolin, Strings and Basso ... - Dresdner Philharmonic, Sebastian Weigle
- Concerto in D Minor RV 454 for Oboe, String and Basso Continuo: ... - Franz Liszt Chamber Orchestra, Miklos Perenyi
- Concerto in D Minor RV 454 for Oboe, String and Basso Continuo: Largo - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
- Concerto in D Minor RV 454 for Oboe, String and Basso Continuo: ... - Budapest Symphony Orchestra, Emmy Verhey
- Concerto in C Major RV 537 for Two Trumpets, Strings and Basso ... - Budapest Symphony Orchestra, Emmy Verhey
- Concerto in C Major RV 537 for Two Trumpets, Strings and Basso ... - Budapest Festival Orchestra, Miklos Perenyi
- Concerto in C Major RV 537 for Two Trumpets, Strings and Basso ... - Bulgarian National Choir, Stoika Milanova
Tracks:
- Flute Concerto in F, Op.10, No. 1, La Tempesta Di Mare: Allegro - Monika Rost
- Flute Concerto in F, Op.10, No. 1, La Tempesta Di Mare: Largo - Budapest Strings,
- Flute Concerto in F, Op.10, No. 1, La Tempesta Di Mare: Presto - Budapest Strings,
- Flute Concerto in G Minor, Op.10, No. 2, La Notte: Largo - Budapest Strings,
- Flute Concerto in G Minor, Op.10, No. 2, La Notte: Presto (Fantasmi) - Budapest Strings,
- Flute Concerto in G Minor, Op.10, No. 2, La Notte: Largo - Budapest Strings,
- Flute Concerto in G Minor, Op.10, No. 2, La Notte: Presto - Budapest Strings,
- Flute Concerto in G Minor, Op.10, No. 2, La Notte: Largo (Il Sonno) - Budapest Strings,
- Flute Concerto in G Minor, Op.10, No. 2, La Notte: Allegro - Budapest Strings
- Flute Concerto in D, Op.10, No. 3, Il Gardellino: Allegro - Budapest Strings,
- Flute Concerto in D, Op.10, No. 3, Il Gardellino: [Without Indication] - Budapest Strings,
- Flute Concerto in D, Op.10, No. 3, Il Gardellino: Allegro - Budapest Strings,
- Flute Concerto in F, Op.10, No. 5: Allegro Ma Non Tanto - The Berlin Chamber Orchestra
- Flute Concerto in F, Op.10, No. 5: Allegro Cantabile - The Berlin Chamber Orchestra
- Flute Concerto in F, Op.10, No. 5: Allegro - The Berlin Chamber Orchestra
- Flute Concerto in C, RV 443: (Allegro) - The Berlin Chamber Orchestra
- Flute Concerto in C, RV 443: Largo - The Berlin Chamber Orchestra
- Flute Concerto in C, RV 443: Allegro Molto - The Berlin Chamber Orchestra
- Flute Concerto in C, RV 444: Allegro Non Molto - Budapest Strings
- Flute Concerto in C, RV 444: Largo - The Berlin Chamber Orchestra
- Flute Concerto in C, RV 444: Allegro Molto - The Berlin Chamber Orchestra
Tracks:
- Brandenburg Concerto No. 1 in F Major BWV 1046: Allegro - The Berlin Chamber Orchestra
- Brandenburg Concerto No. 1 in F Major BWV 1046: Adagio - The Berlin Chamber Orchestra
- Brandenburg Concerto No. 1 in F Major BWV 1046: Allegro - The Berlin Chamber Orchestra
- Brandenburg Concerto No. 1 in F Major BWV 1046: Menuet-Trio-Menuet ... - The Berlin Chamber Orchestra
- Brandenburg Concerto No. 2 in F Major BWV 1047: Allegro - The Berlin Chamber Orchestra
- Brandenburg Concerto No. 2 in F Major BWV 1047: Andante - The Berlin Chamber Orchestra
- Brandenburg Concerto No. 2 in F Major BWV 1047: Allegro Assai - The Berlin Chamber Orchestra
- Brandenburg Concerto No. 3 in G Major BWV 1048: Allegro - Budapest Strings
- Brandenburg Concerto No. 3 in G Major BWV 1048: Adagio (Cadenza) - The Berlin Chamber Orchestra
- Brandenburg Concerto No. 3 in G Major BWV 1048: Allegro - The Berlin Chamber Orchestra
- Concerto for Harpsichord, Strings and Continuo in D Major BWV ... - The Berlin Chamber Orchestra
- Concerto for Harpsichord, Strings and Continuo in D Major BWV ... - The Berlin Chamber Orchestra
- Concerto for Harpsichord, Strings and Continuo in D Major BWV ... - The Berlin Chamber Orchestra
Tracks:
- Brandenburg Concerto No. 4 in G Major BWV 1049: Allegro - Daniel Gerard
- Brandenburg Concerto No. 4 in G Major BWV 1049: Andante - German Bach Soloists
- Brandenburg Concerto No. 4 in G Major BWV 1049: Presto - German Bach Soloists
- Brandenburg Concerto No. 5 in D Major BWV 1050: Allegro - German Bach Soloists
- Brandenburg Concerto No. 5 in D Major BWV 1050: Affettuoso - Budapest Strings
- Brandenburg Concerto No. 5 in D Major BWV 1050: Allegro - German Bach Soloists
- Brandenburg Concerto No. 6 in B Flat Major BWV 1051: Allegro - German Bach Soloists
- Brandenburg Concerto No. 6 in B Flat Major BWV 1051: Adagio Ma Non ... - German Bach Soloists
- Brandenburg Concerto No. 6 in B Flat Major BWV 1051: Allegro - German Bach Soloists
Tracks:
- Violin Concerto in E, BWV 1042: Allegro - German Bach Soloists
- Violin Concerto in E, BWV 1042: Adagio - German Bach Soloists
- Violin Concerto in E, BWV 1042: Allegro Assai - German Bach Soloists
- Violin Concerto in a Minor, BWV 1041: Allegro - New Leipzig Bach Collegium Musicum
- Violin Concerto in a Minor, BWV 1041: Andante - New Leipzig Bach Collegium Musicum
- Violin Concerto in a Minor, BWV 1041: Allegro Assai - Budapest Strings
- Concerto for Two Violins in D Minor, BWV 1043: Vivace - New Leipzig Bach Collegium Musicum
- Concerto for Two Violins in D Minor, BWV 1043: Largo Ma Non Tanto - New Leipzig Bach Collegium Musicum
- Concerto for Two Violins in D Minor, BWV 1043: Allegro - New Leipzig Bach Collegium Musicum
- Concerto for Three Violins in D Minor, BWV 1063: Allegro - New Leipzig Bach Collegium Musicum
- Concerto for Three Violins in D Minor, BWV 1063: Alla Siciliana - New Leipzig Bach Collegium Musicum
- Concerto for Three Violins in D Minor, BWV 1063: Allegro - New Leipzig Bach Collegium Musicum
Tracks:
- Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 1 - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 1 - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 1 - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 2 - Budapest Strings
- Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 2 - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 2 - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 2 - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 2 - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in G Major Op. 3, No. 3 - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in G Major Op. 3, No. 3 [Contin] - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in G Major Op. 3, No. 3 [Contin] - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4 - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4 [Contin] - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4 [Contin]
- Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4 [Contin]
- Concerti Grossi Op. 3: Concerto Grosso in D Minor Op. 3, No. 5
- Concerti Grossi Op. 3: Concerto Grosso in D Minor Op. 3, No. 5 [Contin]
- Concerti Grossi Op. 3: Concerto Grosso in D Minor Op. 3, No. 5 [Contin]
- Concerti Grossi Op. 3: Concerto Grosso in D Minor Op. 3, No. 5 [Contin]
- Concerti Grossi Op. 3: Concerto Grosso in D Minor Op. 3, No. 5 [Contin]
- Concerti Grossi Op. 3: Concerto Grosso in D Major Op. 3, No. 6
- Concerti Grossi Op. 3: Concerto Grosso in D Major Op. 3, No. 6 [Contin]
- Concerti Grossi Op. 3: Concerto Grosso in D Major Op. 3, No. 6 [Contin]
- Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4a - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4a [Conti] - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4a [Conti] - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4a [Conti] - New Leipzig Bach Collegium Musicum
Tracks:
- Organ Concerto No. 6 in B Flat Major - Erzst Achim, Budapest Strings
- Organ Concerto No. 6 in B Flat Major (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 6 in B Flat Major (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 1 in G Minor - Erzst Achim, Budapest Strings
- Organ Concerto No. 1 in G Minor (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 1 in G Minor (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 1 in G Minor (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 3 in G Minor - Erzst Achim, Budapest Strings
- Organ Concerto No. 3 in G Minor (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 3 in G Minor (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 3 in G Minor (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 2 in B Flat Major - Erzst Achim, Budapest Strings
- Organ Concerto No. 2 in B Flat Major (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 2 in B Flat Major (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 2 in B Flat Major (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 4 in F Major - Erzst Achim, Budapest Strings
- Organ Concerto No. 4 in F Major (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 4 in F Major (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 4 in F Major (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 5 in F Major - Erzst Achim, Budapest Strings
- Organ Concerto No. 5 in F Major (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 5 in F Major (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 5 in F Major (Continued) - Erzst Achim, Budapest Strings
Tracks:
- Concerto in D Major No.116 for Flute, Strings and Continuo QV ...
- Concerto in D Major No.116 for Flute, Strings and Continuo QV ... - Budapest Strings
- Concerto in D Major No.116 for Flute, Strings and Continuo QV ...
- Concerto in D Major for Flute, Oboe, Violin, Violoncello, Theorbe, ... - Budapest Strings
- Concerto in D Major for Flute, Oboe, Violin, Violoncello, Theorbe, ... - Mozarteum Orchester Salzburg, Benjamin Schmidinger
- Concerto in D Major for Flute, Oboe, Violin, Violoncello, Theorbe, ... - Mozarteum Orchester Salzburg, Benjamin Schmidinger
- Concerto in E Minor for Flute, Strings and Continuo [Original Version] - Mozarteum Orchester Salzburg, Benjamin Schmidinger
- Concerto in E Minor for Flute, Strings and Continuo [Original Version] - Mozarteum Orchester Salzburg, Benjamin Schmidinger
- Concerto in E Minor for Flute, Strings and Continuo [Original Version] - Mozarteum Orchester Salzburg, Benjamin Schmidinger
- Concerto in B Minor for Flute, Two Violins and Continuo [Dresden Versi] - Mozarteum Orchester Salzburg, Benjamin Schmidinger
- Concerto in B Minor for Flute, Two Violins and Continuo [Dresden Versi] - Mozarteum Orchester Salzburg, Benjamin Schmidinger
- Concerto in B Minor for Flute, Two Violins and Continuo [Dresden Versi] - Mozarteum Orchester Salzburg, Benjamin Schmidinger
Tracks:
- Concerto for Violin and Orchestra No. 1 in B Flat Major, K.207: ... - Dresdner Philharmonic, Sebastian Weigle
- Concerto for Violin and Orchestra No. 1 in B Flat Major, K.207: Adagio - Budapest Strings
- Concerto for Violin and Orchestra No. 1 in B Flat Major, K.207: Presto - Dresdner Philharmonic, Sebastian Weigle
- Concerto for Violin and Orchestra No. 2 in D Major, K.211: Allegro ... - Dresdner Philharmonic, Sebastian Weigle
- Concerto for Violin and Orchestra No. 2 in D Major, K.211: Andante - Dresdner Philharmonic, Sebastian Weigle
- Concerto for Violin and Orchestra No. 2 in D Major, K.211: ... - Dresdner Philharmonic, Sebastian Weigle
- Adagio in E Major for Violin and Orchestra, K.261 - Dresdner Philharmonic, Sebastian Weigle
- Rondo in B Flat Major for Violin and Orchestra, K.269 - Dresdner Philharmonic, Sebastian Weigle
- Rondo in C Major for Violin and Orchestra, K.373 - Dresdner Philharmonic, Sebastian Weigle
Tracks:
- Concerto for Horn and Orchestra in E Flat, K.495: Allegro Maestoso - Dresdner Philharmonic, Sebastian Weigle
- Concerto for Horn and Orchestra in E Flat, K.495: Romance. Andante ... - Dresdner Philharmonic, Sebastian Weigle
- Concerto for Horn and Orchestra in E Flat, K.495: Rondo. Allegro ... - New Bach Collegium Musicum
- Concerto for Horn and Orchestra in E Flat, K.447: Allegro - Dresdner Philharmonic, Sebastian Weigle
- Concerto for Horn and Orchestra in E Flat, K.447: Romance. Larghetto - Dresdner Philharmonic, Sebastian Weigle
- Concerto for Horn and Orchestra in E Flat, K.447: Allegro - Dresdner Philharmonic, Sebastian Weigle
- Rondo in D Horn and Orchestra [Horn Concerto, K.412, Second Movement] - Daniel Gerard, Vienna Mozart Ensemble
- Concerto for Horn and Orchestra in E Flat, K.417: Allegro - Daniel Gerard, Vienna Mozart Ensemble
- Concerto for Horn and Orchestra in E Flat, K.417: Andante - Daniel Gerard, Vienna Mozart Ensemble
- Concerto for Horn and Orchestra in E Flat, K.417: Rondo. Allegro - Daniel Gerard, Vienna Mozart Ensemble
- Concerto in E for Horn and Orchestra K.494a (First Movement; Fragment) - Daniel Gerard, Vienna Mozart Ensemble
- Concerto in D for Horn and Orchestra, K.412/514 (386b) [Traditional Ve] - Daniel Gerard, Vienna Mozart Ensemble
- Concerto in D for Horn and Orchestra, K.412/514 (386b) [Traditional Ve] - New Bach Collegium Musicum
- Rondo in E Flat for Horn and Orchestra, K.371 - Franz Liszt Chamber Orchestra, Miklos Perenyi
- Concerto Movement in E Flat for Horn and Orchestra - Franz Liszt Chamber Orchestra, Miklos Perenyi
Tracks:
- Piano Concerto No.23 in a Major, K.488: Allegro - Franz Liszt Chamber Orchestra, Miklos Perenyi
- Piano Concerto No.23 in a Major, K.488: Andante - Franz Liszt Chamber Orchestra, Miklos Perenyi
- Piano Concerto No.23 in a Major, K.488: Presto - Franz Liszt Chamber Orchestra, Miklos Perenyi
- Piano Concerto No. 9 in E Flat Major, K.271, Jeune Homme: Allegro - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
- Piano Concerto No. 9 in E Flat Major, K.271, Jeune Homme: Andante - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
- Piano Concerto No. 9 in E Flat Major, K.271, Jeune Homme: Rondo. ... - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
Tracks:
- Cello Concerto No. 1 in C Major: Moderato - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
- Cello Concerto No. 1 in C Major: Adagio - New Bach Collegium Musicum
- Cello Concerto No. 1 in C Major: Allegro Molto - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
- Cello Concerto No. 2 in D Major: Allegro Moderato - Rudolf Gleissner, Hermann Herder, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
- Cello Concerto No. 2 in D Major: Adagio - Rudolf Gleissner, Hermann Herder, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
- Cello Concerto No. 2 in D Major: Allegro - Rudolf Gleissner, Hermann Herder, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
Tracks:
- Concerto for Violin and Orchestra in C Major, Hob. Viia: 1: Allegro - Budapest Philharmonic Orchestra, Jennd
- Concerto for Violin and Orchestra in C Major, Hob. Viia: 1: Adagio - Budapest Philharmonic Orchestra, Jennd
- Concerto for Violin and Orchestra in C Major, Hob. Viia: 1: ... - Budapest Philharmonic Orchestra, Jennd
- Concerto for Violin and Orchestra in a Major, Hob. Viia: 3, "Melk ..." - Budapest Symphony Orchestra, Emmy Verhey
- Concerto for Violin and Orchestra in a Major, Hob. Viia: 3, "Melk ..." - Budapest Symphony Orchestra, Emmy Verhey
- Concerto for Violin and Orchestra in a Major, Hob. Viia: 3, "Melk ..." - New Bach Collegium Musicum
- Sinfonia in B Flat Major, Hob. I: 105 for Violin, Cello, Oboe, Bassoon - Maria Balint, Radio Symphony Orchestra Ljubljana
- Sinfonia in B Flat Major, Hob. I: 105 for Violin, Cello, Oboe, Bassoon - Maria Balint, Radio Symphony Orchestra Ljubljana
- Sinfonia in B Flat Major, Hob. I: 105 for Violin, Cello, Oboe, Bassoon - Maria Balint, Radio Symphony Orchestra Ljubljana
Tracks:
- Concerto for Piano and Orchestra No. 1 in B Flat Minor, Op.23: Allegro - Gary Karr, The London Symphony Orchestra
- Concerto for Piano and Orchestra No. 1 in B Flat Minor, Op.23: ... - Maria Balint, Radio Symphony Orchestra Ljubljana
- Concerto for Piano and Orchestra No. 1 in B Flat Minor, Op.23: Allegro - Budapest Philharmonic Orchestra, Miklos Szenthelyi
- Concerto for Violin and Orchestra in D Major, Op.35: Allegro Moderato - Budapest Philharmonic Orchestra, Miklos Szenthelyi
- Concerto for Violin and Orchestra in D Major, Op.35: Andante - Budapest Philharmonic Orchestra, Miklos Szenthelyi
- Concerto for Violin and Orchestra in D Major, Op.35: Allegro ... - Budapest Symphony Orchestra, Emmy Verhey
Tracks:
- Concerto for Violin and Orchestra No. 1 in D Major Op. 6: Allegro ... - Budapest Strings
- Concerto for Violin and Orchestra No. 1 in D Major Op. 6: Adagio ... - New Bach Collegium Musicum
- Concerto for Violin and Orchestra No. 1 in D Major Op. 6: Rondo. ... - Budapest Symphony Orchestra, Emmy Verhey
- Introduction and Variations on a Theme by Rossini - Vesselin Eshkenasi, Sofia Philharmonic Orchestra
- Po, Op. 25 - Vesselin Eshkenasi, Sofia Philharmonic Orchestra
Tracks:
- Violin Concerto No. 1 in G Minor, Op.26: Vorspiel. Allegro Moderato - Vesselin Eshkenasi, Sofia Philharmonic Orchestra
- Violin Concerto No. 1 in G Minor, Op.26: Adagio - Wolfgang Boettcher, Ulf Hoelscher, Radio Symphony Orchestra of Stuttgart
- Violin Concerto No. 1 in G Minor, Op.26: Finale. Allegro Energico - Wolfgang Boettcher, Ulf Hoelscher, Radio Symphony Orchestra of Stuttgart
- Violin Concerto in E Minor, Op.64: Allegro Molto Appassionato - Wolfgang Boettcher, Ulf Hoelscher, Radio Symphony Orchestra of Stuttgart
- Violin Concerto in E Minor, Op.64: Andante - Budapest Festival Orchestra, Miklos Perenyi
- Violin Concerto in E Minor, Op.64: Allegretto Non Troppo - Allegro ... - New Bach Collegium Musicum
Tracks:
- Concerto for Violin and Orchestra in D Major, Op.77: Allegro Non ... - Budapest Festival Orchestra, Miklos Perenyi
- Concerto for Violin and Orchestra in D Major, Op.77: Adagio - Budapest Festival Orchestra, Miklos Perenyi
- Concerto for Violin and Orchestra in D Major, Op.77: Allegro Giocoso - - Budapest Festival Orchestra, Miklos Perenyi
- Concerto for Violin, Cello and Orchestra in a Minor, Op.102 Double ... - Bulgarian National Choir, Stoika Milanova
- Concerto for Violin, Cello and Orchestra in a Minor, Op.102 Double ... - Bulgarian National Choir, Stoika Milanova
- Concerto for Violin, Cello and Orchestra in a Minor, Op.102 Double ... - Bulgarian National Choir, Stoika Milanova
Tracks:
- Cello Concerto in B Minor, Op.104: Allegro - Bulgarian National Choir, Stoika Milanova
- Cello Concerto in B Minor, Op.104: Adagio Ma Non Troppo - Bulgarian National Choir, Stoika Milanova
- Cello Concerto in B Minor, Op.104: Finale. Allegro Moderato - Bulgarian National Choir, Stoika Milanova
- Cello Concerto: Allegro Moderato - Budapest Strings,
- Cello Concerto: Andante Con Moto - Bulgarian National Choir, Stoika Milanova
- Cello Concerto: Allegro Marciale - Bulgarian National Choir, Stoika Milanova
Tracks:
- Concerto for Violin and Orchestra No. 1 in D Major Op.19 - Bulgarian National Choir, Stoika Milanova
- Concerto for Violin and Orchestra in a Minor Op.82 - Budapest Strings, Zoltan Tokos
- Concerto for Violin and Orchestra No. 1 in a Minor Op.77 - Budapest Strings, Zoltan Tokos
Tracks:
- Concierto de Aranjuez: Allegro Con Spirito - Monika Rost
- Concierto de Aranjuez: Adagio - Monika Rost
- Concierto de Aranjuez: Allegro Gentile - Budapest Strings,
- Sonata Op.22: Allegro - Budapest Strings,
- Sonata Op.22: Adagio - Budapest Strings,
- Sonata Op.22: Menuetto - Budapest Strings,
- Sonata Op.22: Rondo. Allegretto - Budapest Strings,
- Spanish Dance No. 2 - Budapest Strings
- Castilla No. 7 - Budapest Strings,
- Hommage Debussy - Budapest Strings,
- Spanish Dance - Budapest Strings,
Album Description
This heavenly 20-CD set brings together the most beautiful music of all time...it must be what angels listen to! Float in the clouds as you listen to Vivaldi's Four Seasons, Bach's Brandenburg Concertos and Rodrigo's Concierto de Aranjuez... to name just a few. This Concert Collection will take a winning position in anyone's music library.Customer Reviews:
Heavenly.......2007-06-06
What a value!.......2005-07-26
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- Addictions, Vol. 2 [Import]
- African Force [Import]
- Athens Traffic Live [Import]
- BBC Sessions [Import]
- Best Bit EP [EP]
- Best of...Live/The Next Voice You Hear: The Best of Jackson Brown [Live] [Import]
- Beware! The Ides of March Live [Live]
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