The second part of this October 14, 1977 show. From 'Running Hard' and 'Mother Russia' to 'Ashes Are Burning' (which turns into a 28-minute improvisation), they generally do credit to themselves and their repertory. The concert is rounded out with 'Prologue' in a live performance from in Asbury Park, N.J., and a previously unissued studio cut, 'You (Pts. 1 & 2).'
King Biscuit Flower Hour, Vol. 2,Renaissance II,King Biscuit Flower,Pop,Prog-Rock/Art Rock,Rock,Rock/Pop
King Biscuit Flower Hour, Vol. 2 [Live]
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King Biscuit Flower Hour, Vol. 2
Renaissance II Manufacturer: King Biscuit Flower ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000005EJ7 Release Date: 1997-03-25 |
Tracks:
- Running Hard
- Midas Man
- Mother Russia
- Touching Once (Is So Hard To Keep)
- Ashes Are Burning
- Prologue
- You: Part 1/Part 2
Album Description
The second part of this October 14, 1977 show. From 'Running Hard' and 'Mother Russia' to 'Ashes Are Burning' (which turns into a 28-minute improvisation), they generally do credit to themselves and their repertory. The concert is rounded out with 'Prologue' in a live performance from in Asbury Park, N.J., and a previously unissued studio cut, 'You (Pts. 1 & 2).'Customer Reviews:
The best Renaissance live album (part 2).......2005-11-10
The stunning track here, though, is a performance of the band's usual encore, "Ashes are Burning". Several live versions have been released, but this one is by far the best. All five band members are given the chance to shine in featured sections. Worth the price for this song alone.
The compilers had extra room on the CD, so two tracks are added. A version of "Prologue" from a 1979 show is listed. However, on early pressings, an edited version of "A Song for All Seasons" (presumably from the same show) was included instead by mistake. Not that that's a problem -- both good songs. Just beware if you're picking up a used copy.
The last song is what was then a new studio track, "You". It was recorded much later, in the 80's, when the group had abandoned prog-rock in favor of a more commercial New Wave pop sound. Despite some interesting bass work from Jon Camp, this track stands out like a sore thumb, coming after some classic Renaissance performances. It's also now available on the outtakes compilation "Songs from Renaissance Days", where it at least sounds more in place.
However, this doesn't distract from the fantastic live concert. Neither do the minor problems with sound. Old fans will love the great performances, and new fans will get a great overview of Classic Renaissance songs. Get both volumes!
It is not as bad as all that..........2004-03-06
For the last six years there has rarely been another CD in my machine besides either of these volumes. I am a classical buff and I am familiar with most art rock, symphonic rock, prog-rock, or whatever you wish to term the synthesis of a rock band and symphonic orchestra, and this is the best of the best. The group is mature and at their peak in both Vols. I and II of this set and display cohesion and individual musicianship which has been somewhat subdued in previous live recordings.
The Royal Philharmonic is outstanding in their supportive role and Annie Haslam gives a phenomenal performance. Most notable is her duo with a xylophone in 'Running Hard' and mimicking of the horn section in 'Touching Once'. Jon Camp's bass is more effectual than ever, especially a solo in 'Ashes are Burning'.
Forget about the reviews criticizing sound quality. Once you start listening, appreciating, and feeling this performance the minor technical gliches won't mean a thing.
TRUE Renaissance fans: Do NOT waste your money on this CD!.......2003-11-03
This COULD have been such a great recording. As another reviewer mentioned, shortly into this concert, something happens with the sound system wiring (on Disc One), and for the remainder of the ENTIRE CONCERT, we are subjected to the annoying buzz of bad grounding. I was appalled enough by this, but to add insult to injury, there is miscrophone feedback at WAY too many intervals throughout the remainder of the show as well. (Listen closely to Ashes Are Burning...you WILL groan.) I sat through both of these CD's shaking my head in utter disbelief...could it have been that the roadies or the King Biscuit crew had indulged in a bit too much ganja at the pre-show sound check?
It is beyond me how Renaissance could have approved the releasing, let alone the recording, of these performances. I say again: I love this band dearly, and they DO have a great concert recording in their Live At Carnegie Hall release. THIS concert, along with its bad mike-ing (there are sections when you can't hear certain sections of the orchestra at all) & the way the grand piano sounds muffled, ends up being nothing less than a bad joke. If Annie and the band DID actually approve of this travesty being released to their loving (& unwitting) fans, then they have lost a great deal of my respect & admiration...I am giving them the benefit of the doubt, however, & choosing to believe that they were not aware of its being released. Let's all hope this is the case.
It's less complete than"Live at Carnagie..",but is memorable.......2002-12-10
Recommended to all the Renaissance's fans, but it's not an essential place to start ...
Another gem in the Renaissance crown..........2001-09-01
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