![On the Outside [Import]](http://images.amazon.com/images/P/B000B8Q8G6.01.MZZZZZZZ.jpg)
| 1. In the Crossfire |
| 2. Counterfeit Life |
| 3. In My Blood |
| 4. Faith Hope Love |
| 5. I Don't Know |
| 6. Way Back Home |
| 7. Keep Us Together |
| 8. Get Out While You Can |
| 9. This Time |
| 10. White Light |
| 11. Jeremiah |
Editorial Reviews
Product Description
Starsailor return with their third album, 'On The Outside'. Both their previous two albums have now sold in excess of 1.5 million copies worldwide and on the last campaign they hit number one in the French singles chart with 'Four To The Floor'. Starsailor never stopped working, they continuously toured, only pausing to write and record their new album, and in the process have created an impassioned statement, a record of real honesty and urgency. Much of the record was recorded live which has aided the directness and captured the passion. Galvanised like never before, the band have produced their best work to date. Featuring the fantastic comeback single 'In The Crossfire', the band's new album 'On The Outside' was produced by Rob Schnapf (Beck, The Vines, Elliott Smith) and looks set to take the band to the new heights they deserve. EMI. 2005.
Can happen in a show
You can make 'em laugh
You can make 'em cry
Anything
Anything can go....
The clown with his pants falling down
Or the dance that's a dream of romance
Or the scene where the villain is mean
That's entertainment!
The lights on the lady in tights
Or the bride with the guy on the side
Or the ball where she gives him her all
That's entertainment!
The plot and the hot simply teeming with $ex
A gay divorcee who is after her ex
It could be Oedipus Rex
Where a chap kills his father
And causes a lot of bother
The clerk who is thrown out of work
By the boss who is thrown for a loss
By the skirt who is doing him dirt
The world is a stage,
The stage is a world of entertainment!
This two CD set amply proves that the musical melodies and lyrics from the golden age of the Hollywood musical remain unsurpassed to this day. This generous two CD set offers 42 incredible songs from Hollywood classic musicals. Most of these fine numbers are indeed from MGM, as Amazon correctly notes; but there are some RKO numbers and even a little from Warner Brothers. Thank goodness, though, that most of these songs came from MGM movies; MGM was the only studio that could boast that it truly had "more stars than there are in the heavens."
I love so many songs on these two CDs. Of course, there's the unforgettable classic "Over The Rainbow" sung by Judy Garland; she also performs "Easter Parade" and "Get Happy" on this two CD set and she carries most of the tune for "I Got Rhythm" even though Mickey Rooney helps her a little. I love "Baby, It's Cold Outside" for its' romantic overtones; and Lena Horne's "The Lady Is A Tramp" is flawless! We also get a rare chance to hear Clark Gable sing in "Puttin' On The Ritz;" and Bing Crosby's "Going Hollywood" may be brief but it's a fun song anyway.
There are two "bonus" tracks on the first CD: "As Time Goes By" from Casablanca and "Lara's Theme" from Doctor Zhivago. "As Time Goes By" is a good choice; it is another unsurpassed classic song that brings back memories and touches even the hardest of hearts. "Lara's Theme," however, is from the mid 1960s and I don't consider this period to be part of the "golden age" of Hollywood musicals.
The liner notes are excellent and they offer wonderful photos of the stars as well. The cover art is well done and the reverse cover art tells which movie each song is from and who is performing each song. Moreover, the quality of the sound is excellent especially when you consider that these numbers were recorded quite a few decades ago.
In short, this superlative two CD highlights the glory of the Hollywood musical when a certain type of sophistication dominated professional movie production. I highly recommend this CD for fans of Hollywood musicals, classic pop vocals and fans of the artists and actors who perform on this two CD set.
The lineup is fantastic and gives the listener a variety of what musicals were all about in the "Golden Age of the Hollywood Musicals"
June Allyson, Kay Armen, Louis Armstrong, Fred Astaire, Ann Blyth, Jack Buchanan, Louis Calhern, Bing Crosby, Vic Damone, Doris Day, Nanette Fabray, Connie Francis, Ava Gardner, Judy Garland, Kathyrn Grayson, Georges Guetary, Lena Horne, Betty Hutton, Louis Jourdan, Howard Keel, Gene Kelly, Grace Kelly, Peter Lawford, Oscar Levant, Ann Miller, Ricardo Montalban, Page Cavanaugh Trio, Debbie Reynolds, Winifred Shaw, Nancy Walker, Ethel Waters, Esther Williams, Dooley Williams and Keenan Wynn.
On Disc One 21 Classic Songs from great musicals with songs in alphabetical order:
AS TIME GOES BY - Dooley Wilson with Elliot Carpenter, pianist (1942)
BABY, IT'S COLD OUTSIDE - Esther Williams & Ricardo Montalban (1949)
BLESS, YORE BEAUTIFUL HIDE - Howard Keel (1954)
EASTER PARADE - Fred Astaire & Judy Garland (1948)
FOR ME AND MY GAL - Gene Kelly & Judy Garland (1942)
GET HAPPY - Judy Garland (1950)
HALLELUJAH! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs (for Russ Tamblyn) (1955)
HONEYSUCKLE ROSE - Lena Horne with Benny Carter & His Orchestra (1943)
LARA'S THEME (MAIN TITLE) - M-G-M Studio Orchestra (1965)
LULLABY OF BROADWAY - Winifred Shaw & Dick Powell (1935)
MILKMAN, KEEP THOSE BOTTLES QUIET - Nancy Walker with Tommy Dorsey & His Orchestra (1944)
NIGHT AND DAY - Fred Astaire (1934)
PUTTIN' ON THE RITZ - Clark Gable & Company (1939)
'S WONDERFUL - Gene Kelly & Georges Guetary (1951)
SINGIN' IN THE RAIN - Gene Kelly (1951)
STRANGER IN PARADISE - Ann Blyth & Vic Damone (1955)
TAKING A CHANCE ON LOVE - Ethel Waters & Eddie "Rochester" Anderson (1943)
THAT'S ENTERTAINMENT - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant (1953)
THERE'S NO BUSINESS LIKE SHOW BUSINESS - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern (1950)
THEY CAN'T TAKE THAT AWAY FROM ME - Fred Astaire (1949)
TRUE LOVE - Bing Crosby & Grace Kelly (1956)
On Disc Two more memorable performances from the Golden Age of Hollywood Musicals:
A KISS TO BUILD A DREAM ON - Louis Armstrong (1951)
ABA DABA HONEYMOON - Debbie Reynolds & Carleton Carpenter (1950)
ALMOST LIKE BEING IN LOVE - Gene Kelly (1954)
BE A CLOWN - Judy Garland & Gene Kelly (1948)
BEST THINGS IN LIFE ARE FREE - June Allyson & Peter Lawford (1947)
CAN'T HELP LOVIN' DAT MAN - Ava Gardner (beautiful woman, who my youngest grandaughter is named after...Avalon) (1951)
CHEEK TO CHEEK - Fred Astaire (1935)
EMBRACEABLE YOU - Connie Francis (1965)
GIGI - Louis Jourdan (1958)
GOING HOLLYWOOD - Bing Crosby (1933)
I GOT RHYTHM - Judy Garland & Mickey Rooney (1943)
IF SWING GOES, I GO TOO - Fred Astaire (1946)
IT'S A MOST UNUSUAL DAY - Jane Powell (1948)
LADY IS A TRAMP - Lena Horne (1948)
LET'S FACE THE MUSIC AND DANCE - Fred Astaire (1936)
ON THE ATCHISON, TOPEKA AND THE SANTA FE - Judy Garland & Company (1946)
ONE FOR MY BABY (AND ONE MORE FOR THE ROAD) - Fred Astaire (1943)
OVER THE RAINBOW - Judy Garland (became her theme song for the rest of her life) (1939)
PUT 'EM IN A BOX - Doris Day & the Page Cavanaugh Trio (1948)
THE TROLLEY SONG - Judy Garland & MGM Studio Chorus (1944)
WUNDERBAR - Kathryn Grayson & Howard Keel (two of MGM's favorite singing duos) (1953)
It was once said by the songwriters of that era - "There are two artists you want perform your songs on the big screen, they are Fred Astaire and Judy Garland they sing it just the way we wrote it, for which you will have a guaranteed hit on your hands"...well, this collections certainly has some merit to that statement...because with Judy Garland and Fred Astaire performing seven songs each, there must be something to it.
This collection of musicals still has the magic that we remember from those bygone years...but as long as we have the labels and networks who play and show these wonderful films of yesteryear, they will never be forgotten...hats off to Rhino Records, George Feltenstein (producer) and Doug Schwartz (engineer) and Turner Classic Movies for sharing those 42 selections from 42 films...celebrating decades of the tunes and artists that gave it their all...from what it commonly called "The Hollywood Dream Factory"...The Golden Age of Hollywood Musicals is still among us...gotta love it!
Total Time: 2-CD-Set ~ Rhino Records 78323 ~ (6/02/2002)
Be that as it may, Counterfeit Life, This Time, Keep Us Together and White Light are the stand-out tracks.
Finally, as an import: the cd is "protected".
If you're on Windows, insure that you either hold the "Shift" key when you insert the CD OR (better) turn-off "Auto Play" of Audio-CDs.
If you're on a Mac, track one will be a bit jittery, but, otherwise things should be OK.
There are a couple other reasons I gave this a 3 instead of a 4:
1) I bought the "import" version of this album which originated in Argentina, because where I live (Portland, Oregon, USA) Starsailor are all but unknown and the album has not been released here (yet?). Sadly, the copyright protection made it rather difficult for me to copy the album to my Rio, which is *perfectly legal.* Even worse, when you toss this CD into your computer's CD-rom, a 3rd party audio player launches and plays the album at radio quality. None of my standard audio players could decipher the copyright protection, so I was forced to listen to the album in raspy 128-bit mp3 quality. The audio player sucks, it's a piece of crap.
2) The vast majority of the songs on this album stick to the same 4-5 chords (I play guitar. Trust me, I know). This isn't a terrible thing, but it really slows down the progression of the album to the point where you wonder, "Did I just hear this song....oh no wait, this is a new song, but with the *exact* same sound."
Again, this is a decent album. I rarely give 5 stars, so a 3 star rating from me means "buy it," but don't expect the album to inspire you/lower your taxes/save money on car insurance. It's worth the XX dollars you pay for it!
On the Outside on the other hand, comes much closer to proffering the listener a sense of the live Starsailor. It has a raw, immediate feel to it, yet it does not forgo a tightness and flow that also marks their live appearances. Until Starsailor releases a live concert album, On the Outside is an excellent effort. Starsailor fans will see it as yet another step in their maturation as artists, and newcomers will receive a great introduction to the band.
Note: If you are unfamiliar with Starsailor, you might recognize the first track of On the Outside, "In the Crossfire." It has been getting airplay on alternative stations in the States, they performed it for their Tonight Show appearance last summer, and it was featured on the CBS television network promoting its Sunday night fall lineup. After their own tour in the States and Canada, Starsailor also supported James Blunt during a portion of his U.S. concert tour late in 2006. Just recently they opened for the Stones in Europe.
On the new album the band takes a decided harder sound, but instead of the crunching guitars or piano that Coldplay in known for, Starsailor instead assaults you with a wall of noise. Not coincidentally the inventor of the Wall of Sound, Phil Spector helmed their previous two albums, but wasn't around for this one. Instead the disk was produced by Rob Schnaph who has worked with the like of Beck and Elliot Smith. The one-two punch of In the Crossfire and Counterfeit Life come out you full force while lead singer James Welsh is found screaming at times which only builds the effect even more and isn't afraid to reach for notes throughout the album. The emotion in the music and the singing never lets down on the whole album which could be attributed to the record being record live in the studio.
But it's not all a melodic wall of noise, I Don't Know is a straight ahead rocker filtered through American blues that is reminiscent to mid-eighties U2. Get out While You Can goes from a haunting acoustic guitar and piano verse to a more melodic chorus and back again. Jeremiah is a slow moving acoustic song with a lyric, "And every time I see the sun go down I think of you," that can easily get stick in your head and is a great way to cap off the album (bonus track excluded). Speaking of the bonus track, Empty Streets, it is the closest song on the album that has the same melodic feel as previous works such as Good Souls.
There is anger in the lyrics that coincide with the harder sound whether it's love, "See that poor girl with the glint in her eye, she could turn you that way" (I Don't Know), political, "I don't see myself when I look at the flag. Thank God for that" (In the Crossfire), globalization, "A war for corporate glory re-told as a fairy story" (Counterfeit Life), and life itself, "Tired of living in this modern land, too many ideals to meet with its demands" (Faith Love Hope). On the Outside may be a step backwards in trying to get commercial success stateside, but it is a step in making better music.
When I heard the cut, "Tip Of My Tongue" on San Francisco's "KSAN The Jive 95," I rushed to the music store to get my copy of "Outside Inside." I was so impressed with "Tip Of My Tongue," that even if it had been the only good tune on the tape, I would have counted it worth the cost.
This is why I'm so shocked to read other amazon reviewers writing that the only good tune is the first track, "She's A Beauty." I'm sorry, but that is just a false statement. I know people all have their own tastes, etc., but it's just untrue to say that all of the other tunes are just "filler."
My tastes in music have never been what anyone would call mainstream. There are no best of the 70s or best of the 80s or best of the 90s compilations out there that have even ONE tune on them that represents what I like. Therefore, I think I'm qualified to make the following statement: The Tubes DID present a more commercial type of music on "The Completion Backwards Principle," and "Outside Inside." However, just because it is more comercial doesn't mean it's not good. Those two albums are excellent - the songs show talent in all areas: Writing, singing, musicianship and recording technique.
Could it be that the reason they titled this album "Outside Inside" is because for YEARS they were thoroughly OUTside the mainstream in their approach to music, and then they put together two albums which were closer to being INside the mainstream? It's a thought. Even if this is true, there's STILL enough of the Tubes' own individualism and signature to keep these two albums very interesting. (You gotta love it when Martha sings, "You better keep that thing on a chain!" on "Monkey Time.")
If you are an 80s music fan, these two albums are mandatory to your collection.
The first song everyone "knows" and is decent. The rest, just not very good.
I rarely remove things from my iTunes library, but everything but the first song was deleted here.
fendemos
Starsailor return with their third album, 'On The Outside'. Both their previous two albums have now sold in excess of 1.5 million copies worldwide and on the last campaign they hit number one in the French singles chart with 'Four To The Floor'. Starsailor never stopped working, they continuously toured, only pausing to write and record their new album, and in the process have created an impassioned statement, a record of real honesty and urgency. Much of the record was recorded live which has aided the directness and captured the passion. Galvanised like never before, the band have produced their best work to date. Featuring the fantastic comeback single 'In The Crossfire', the band's new album 'On The Outside' was produced by Rob Schnapf (Beck, The Vines, Elliott Smith) and looks set to take the band to the new heights they deserve. EMI. 2005.
On the Outside,Starsailor,EMI Int'l,Alternative Pop/Rock,England,Pop,Rock,Rock/Pop
On the Outside [Import]
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Somewhere over the Rainbow: The Golden Age of Hollywood Musicals
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ASIN: B000066RO5 Release Date: 2002-06-04 |
Tracks:
- Singin In The Rain - Gene Kelly
- Theres No Business Like Show Business - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern
- 'S Wonderful - Gene Kelly & Georges Guetary
- Thats Entertainment! - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant
- Stranger In Paradise - Ann Blyth & Vic Damone
- Easter Parade - Judy Garland & Fred Astaire
- Lullaby Of Broadway - Winifred Shaw, Dick Powell & Chorus
- Get Happy - Judy Garland
- Night And Day - Fred Astaire
- True Love - Bing Crosby & Grace Kelly
- Honeysuckle Rose - Lena Horne w/ Benny Carter & His Orchestra
- They Cant Take That Away From Me - Fred Astaire
- Milkman, Keep Those Bottles Quiet - Nancy Walker & The M-G-M Studio Chorus w/ Tommy Dorsey & His Orchestra
- Baby, Its Cold Outside - Esther Williams & Ricardo Montalban
- For Me And My Gal - Gene Kelly & Judy Garland
- Puttin On The Ritz - Clark Gable & Co.
- Hallelujah! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs & Co.
- Bless Yore Beautiful Hide - Howard Keel
- Taking A Chance On Love - Ethel Waters & Eddie "Rochester" Anderson
- As Time Goes By - Dooley Wilson w/ Elliot Carpenter (Bonus Track)
- Laras Theme (Main Title) - The M-G-M Studio Orchestra (Bonus Track)
Tracks:
- Over The Rainbow - Judy Garland
- Its A Most Unusual Day - Jane Powell
- Wunderbar - Kathryn Grayson & Howard Keel
- Cant Help Lovin Dat Man - Ava Gardner
- Going Hollywood - Bing Crosby
- The Trolley Song - Judy Garland, The M-G-M Studio Chorus
- Gigi - Louis Jourdan
- I Got Rhythm - Judy Garland, Mickey Rooney & Co.
- Aba Daba Honeymoon - Debbie Reynolds, Carleton Carpenter & M-G-M Studio Chorus
- The Lady Is A Tramp - Lena Horne
- The Best Things In Life Are Free - June Allyson & Peter Lawford
- Cheek To Cheek - Fred Astaire
- A Kiss To Build A Dream On - Louis Armstrong
- Put 'Em In A Box - Doris Day & The Page Cavanaugh Trio
- If Swing Goes, I Go Too - Fred Astaire
- Almost Like Being In Love - Gene Kelly
- Lets Face The Music And Dance - Fred Astaire
- Be A Clown - Gene Kelly & Judy Garland
- Embraceable You - Connie Francis
- On The Atchison, Topeka And The Santa Fe - Judy Garland & Co.
- One For My Baby (And One More For The Road) - Fred Astaire
Amazon.com
The "Golden Age" referred to here spans The Jazz Singer and the advent of the talkies to the death throes of the old studio system in the 1960s. So vast was the era's musical landscape that even this 42-track, double-disc anthology can't encompass all its peaks. Not surprisingly, the bulk of this collection originated with the Tiffany's of the screen musical, M-G-M, a body of work whose riches here encompass both pop-cultural bedrock ("Over the Rainbow," "Singin' in the Rain," "There's No Business Like Show Business," etc.) and some less familiar, if equally delightful star turns: Clark Gable gamely "Puttin' On the Ritz"; the sassy, 1948 original of "The Lady Is a Tramp" by Lena Horne; and a loopy duet of "Baby, It's Cold Outside" by Esther Williams and Ricardo Montalban. Fred Astaire's elegant, epochal reign at RKO and M-G-M is represented by "Night and Day," "Let's Face the Music and Dance," and three others, while Metro mainstays Gene Kelly and Judy Garland share equal time and billing. It's not perfect--Cagney's "Yankee Doodle Boy" and/or some Sinatra seem more logical choices than the odd "bonus" duet of Casablanca's "As Time Goes By" and "Lara's Theme" from Dr. Zhivago that close out disc one--but it's a stunning, surprisingly comprehensive primer on the Hollywood film musical nonetheless. --Jerry McCulleyCustomer Reviews:
They were right--there is NO business like the show business they did way back when !!!.......2006-11-18
Can happen in a show
You can make 'em laugh
You can make 'em cry
Anything
Anything can go....
The clown with his pants falling down
Or the dance that's a dream of romance
Or the scene where the villain is mean
That's entertainment!
The lights on the lady in tights
Or the bride with the guy on the side
Or the ball where she gives him her all
That's entertainment!
The plot and the hot simply teeming with $ex
A gay divorcee who is after her ex
It could be Oedipus Rex
Where a chap kills his father
And causes a lot of bother
The clerk who is thrown out of work
By the boss who is thrown for a loss
By the skirt who is doing him dirt
The world is a stage,
The stage is a world of entertainment!
This two CD set amply proves that the musical melodies and lyrics from the golden age of the Hollywood musical remain unsurpassed to this day. This generous two CD set offers 42 incredible songs from Hollywood classic musicals. Most of these fine numbers are indeed from MGM, as Amazon correctly notes; but there are some RKO numbers and even a little from Warner Brothers. Thank goodness, though, that most of these songs came from MGM movies; MGM was the only studio that could boast that it truly had "more stars than there are in the heavens."
I love so many songs on these two CDs. Of course, there's the unforgettable classic "Over The Rainbow" sung by Judy Garland; she also performs "Easter Parade" and "Get Happy" on this two CD set and she carries most of the tune for "I Got Rhythm" even though Mickey Rooney helps her a little. I love "Baby, It's Cold Outside" for its' romantic overtones; and Lena Horne's "The Lady Is A Tramp" is flawless! We also get a rare chance to hear Clark Gable sing in "Puttin' On The Ritz;" and Bing Crosby's "Going Hollywood" may be brief but it's a fun song anyway.
There are two "bonus" tracks on the first CD: "As Time Goes By" from Casablanca and "Lara's Theme" from Doctor Zhivago. "As Time Goes By" is a good choice; it is another unsurpassed classic song that brings back memories and touches even the hardest of hearts. "Lara's Theme," however, is from the mid 1960s and I don't consider this period to be part of the "golden age" of Hollywood musicals.
The liner notes are excellent and they offer wonderful photos of the stars as well. The cover art is well done and the reverse cover art tells which movie each song is from and who is performing each song. Moreover, the quality of the sound is excellent especially when you consider that these numbers were recorded quite a few decades ago.
In short, this superlative two CD highlights the glory of the Hollywood musical when a certain type of sophistication dominated professional movie production. I highly recommend this CD for fans of Hollywood musicals, classic pop vocals and fans of the artists and actors who perform on this two CD set.
One of the best cds I ever bought. .......2006-06-07
Never Sounded Better.......2006-03-16
Somewhere Over The Rainbow.......2006-02-24
"Hollywood Musicals of the Golden Age are still among us".......2005-07-13
The lineup is fantastic and gives the listener a variety of what musicals were all about in the "Golden Age of the Hollywood Musicals"
June Allyson, Kay Armen, Louis Armstrong, Fred Astaire, Ann Blyth, Jack Buchanan, Louis Calhern, Bing Crosby, Vic Damone, Doris Day, Nanette Fabray, Connie Francis, Ava Gardner, Judy Garland, Kathyrn Grayson, Georges Guetary, Lena Horne, Betty Hutton, Louis Jourdan, Howard Keel, Gene Kelly, Grace Kelly, Peter Lawford, Oscar Levant, Ann Miller, Ricardo Montalban, Page Cavanaugh Trio, Debbie Reynolds, Winifred Shaw, Nancy Walker, Ethel Waters, Esther Williams, Dooley Williams and Keenan Wynn.
On Disc One 21 Classic Songs from great musicals with songs in alphabetical order:
AS TIME GOES BY - Dooley Wilson with Elliot Carpenter, pianist (1942)
BABY, IT'S COLD OUTSIDE - Esther Williams & Ricardo Montalban (1949)
BLESS, YORE BEAUTIFUL HIDE - Howard Keel (1954)
EASTER PARADE - Fred Astaire & Judy Garland (1948)
FOR ME AND MY GAL - Gene Kelly & Judy Garland (1942)
GET HAPPY - Judy Garland (1950)
HALLELUJAH! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs (for Russ Tamblyn) (1955)
HONEYSUCKLE ROSE - Lena Horne with Benny Carter & His Orchestra (1943)
LARA'S THEME (MAIN TITLE) - M-G-M Studio Orchestra (1965)
LULLABY OF BROADWAY - Winifred Shaw & Dick Powell (1935)
MILKMAN, KEEP THOSE BOTTLES QUIET - Nancy Walker with Tommy Dorsey & His Orchestra (1944)
NIGHT AND DAY - Fred Astaire (1934)
PUTTIN' ON THE RITZ - Clark Gable & Company (1939)
'S WONDERFUL - Gene Kelly & Georges Guetary (1951)
SINGIN' IN THE RAIN - Gene Kelly (1951)
STRANGER IN PARADISE - Ann Blyth & Vic Damone (1955)
TAKING A CHANCE ON LOVE - Ethel Waters & Eddie "Rochester" Anderson (1943)
THAT'S ENTERTAINMENT - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant (1953)
THERE'S NO BUSINESS LIKE SHOW BUSINESS - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern (1950)
THEY CAN'T TAKE THAT AWAY FROM ME - Fred Astaire (1949)
TRUE LOVE - Bing Crosby & Grace Kelly (1956)
On Disc Two more memorable performances from the Golden Age of Hollywood Musicals:
A KISS TO BUILD A DREAM ON - Louis Armstrong (1951)
ABA DABA HONEYMOON - Debbie Reynolds & Carleton Carpenter (1950)
ALMOST LIKE BEING IN LOVE - Gene Kelly (1954)
BE A CLOWN - Judy Garland & Gene Kelly (1948)
BEST THINGS IN LIFE ARE FREE - June Allyson & Peter Lawford (1947)
CAN'T HELP LOVIN' DAT MAN - Ava Gardner (beautiful woman, who my youngest grandaughter is named after...Avalon) (1951)
CHEEK TO CHEEK - Fred Astaire (1935)
EMBRACEABLE YOU - Connie Francis (1965)
GIGI - Louis Jourdan (1958)
GOING HOLLYWOOD - Bing Crosby (1933)
I GOT RHYTHM - Judy Garland & Mickey Rooney (1943)
IF SWING GOES, I GO TOO - Fred Astaire (1946)
IT'S A MOST UNUSUAL DAY - Jane Powell (1948)
LADY IS A TRAMP - Lena Horne (1948)
LET'S FACE THE MUSIC AND DANCE - Fred Astaire (1936)
ON THE ATCHISON, TOPEKA AND THE SANTA FE - Judy Garland & Company (1946)
ONE FOR MY BABY (AND ONE MORE FOR THE ROAD) - Fred Astaire (1943)
OVER THE RAINBOW - Judy Garland (became her theme song for the rest of her life) (1939)
PUT 'EM IN A BOX - Doris Day & the Page Cavanaugh Trio (1948)
THE TROLLEY SONG - Judy Garland & MGM Studio Chorus (1944)
WUNDERBAR - Kathryn Grayson & Howard Keel (two of MGM's favorite singing duos) (1953)
It was once said by the songwriters of that era - "There are two artists you want perform your songs on the big screen, they are Fred Astaire and Judy Garland they sing it just the way we wrote it, for which you will have a guaranteed hit on your hands"...well, this collections certainly has some merit to that statement...because with Judy Garland and Fred Astaire performing seven songs each, there must be something to it.
This collection of musicals still has the magic that we remember from those bygone years...but as long as we have the labels and networks who play and show these wonderful films of yesteryear, they will never be forgotten...hats off to Rhino Records, George Feltenstein (producer) and Doug Schwartz (engineer) and Turner Classic Movies for sharing those 42 selections from 42 films...celebrating decades of the tunes and artists that gave it their all...from what it commonly called "The Hollywood Dream Factory"...The Golden Age of Hollywood Musicals is still among us...gotta love it!
Total Time: 2-CD-Set ~ Rhino Records 78323 ~ (6/02/2002)
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ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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Honey And Salt
Dead Rock West Manufacturer: Cindy Wasserman ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000NO3VA4 Release Date: 2007-04-20 |
Product Description
12-track CD on Populuxe, 2007.Customer Reviews:
Fresh. I love it........2007-07-18
Habit forming ... .......2007-07-12
Average customer rating:
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| Rap & Hip-Hop
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ASIN: B000001ZDM Release Date: 1994-05-24 |
Tracks:
- Long Distance-Intro
- Lick'em Up Shot
- Crumbz 2 Brixx
- Players Night Out
- Sesshead Funk Junky
- So What U Sayin'
- No Sellout
- Anotha Day In Tha Hood
- No Mercy
- On Tha Outside Lookin' In
- Break-A-Bitch College
- Lay It Down
Customer Reviews:
Memphis Duo Comes Hella Hard on This Jizoint.......2006-10-13
Classic Ball N' G.......2005-10-09
Inside Looking Out.......2005-07-03
ANOTHER CLASSIC ALBUM BY THE DUO.......2001-04-15
true classic 4 meh.......2000-05-29
Average customer rating:
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On the Outside
Starsailor Manufacturer: EMI Int'l ProductGroup: Music Binding: Audio CD General
| Alternative Rock
| Styles
| Music
Britpop
| British Alternative
| Alternative Rock
| Styles
| Music
Indie Rock
| Indie & Lo-Fi
| Alternative Rock
| Styles
| Music
Britain
| British Isles
| Europe
| International
| Styles
| Music
General
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Rock
| Imports
| Stores
| Music
Similar Items:
ASIN: B000B8Q8G6 Release Date: 2005-11-22 |
Tracks:
- In the Crossfire
- Counterfeit Life
- In My Blood
- Faith Hope Love
- I Don't Know
- Way Back Home
- Keep Us Together
- Get Out While You Can
- This Time
- White Light
- Jeremiah
- Empty Streets [*]
Album Description
Starsailor return with their third album, 'On The Outside'. Both their previous two albums have now sold in excess of 1.5 million copies worldwide and on the last campaign they hit number one in the French singles chart with 'Four To The Floor'. Starsailor never stopped working, they continuously toured, only pausing to write and record their new album, and in the process have created an impassioned statement, a record of real honesty and urgency. Much of the record was recorded live which has aided the directness and captured the passion. Galvanised like never before, the band have produced their best work to date. Featuring the fantastic comeback single 'In The Crossfire', the band's new album 'On The Outside' was produced by Rob Schnapf (Beck, The Vines, Elliott Smith) and looks set to take the band to the new heights they deserve. EMI. 2005.Album Details
The Album was Recorded and Mixed in La During April and May this Year. It Has Been Produced by Rob Schnapf (Beck, Vines, Elliot Smith).Customer Reviews:
Third time is still a charm.......2007-05-18
Another Classic from Starsailor.......2006-08-05
Nice followup.......2006-05-02
Be that as it may, Counterfeit Life, This Time, Keep Us Together and White Light are the stand-out tracks.
Finally, as an import: the cd is "protected".
If you're on Windows, insure that you either hold the "Shift" key when you insert the CD OR (better) turn-off "Auto Play" of Audio-CDs.
If you're on a Mac, track one will be a bit jittery, but, otherwise things should be OK.
Coming from any other band, this would be a breakthrough!.......2006-03-02
There are a couple other reasons I gave this a 3 instead of a 4:
1) I bought the "import" version of this album which originated in Argentina, because where I live (Portland, Oregon, USA) Starsailor are all but unknown and the album has not been released here (yet?). Sadly, the copyright protection made it rather difficult for me to copy the album to my Rio, which is *perfectly legal.* Even worse, when you toss this CD into your computer's CD-rom, a 3rd party audio player launches and plays the album at radio quality. None of my standard audio players could decipher the copyright protection, so I was forced to listen to the album in raspy 128-bit mp3 quality. The audio player sucks, it's a piece of crap.
2) The vast majority of the songs on this album stick to the same 4-5 chords (I play guitar. Trust me, I know). This isn't a terrible thing, but it really slows down the progression of the album to the point where you wonder, "Did I just hear this song....oh no wait, this is a new song, but with the *exact* same sound."
Again, this is a decent album. I rarely give 5 stars, so a 3 star rating from me means "buy it," but don't expect the album to inspire you/lower your taxes/save money on car insurance. It's worth the XX dollars you pay for it!
Neat follow up........2006-02-17
Average customer rating:
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On the Outside
Starsailor Manufacturer: Adrenaline Music ProductGroup: Music Binding: Audio CD General
| Alternative Rock
| Styles
| Music
Britpop
| British Alternative
| Alternative Rock
| Styles
| Music
Indie Rock
| Indie & Lo-Fi
| Alternative Rock
| Styles
| Music
Britain
| British Isles
| Europe
| International
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Similar Items:
ASIN: B000GI3Q3O Release Date: 2005-10-17 |
Tracks:
- In the Crossfire
- Counterfeit Life
- In My Blood
- Faith Hope Love
- I Don't Know
- Way Back Home
- Keep Us Together
- Get Out While You Can
- This Time
- White Light
- Jeremiah
- Empty Streets [*]
Album Description
1.In the Crossfire 2.Counterfeit Life 3.In My Blood 4.Faith Hope Love 5.I Don't Know 6.Way Back Home 7.Keep Us Together 8.Get Out While You Can 9.This Time 10.White Light 11.Jeremiah 12.Empty Streets (Bonus Track)Album Description
Starsailor have created an impassioned statement, a record of real honesty and urgency. Galvanized like never before, this UK band have produced their best work to date. CD contains the bonus track "Empty Streets", not available outside the US.Customer Reviews:
An Album Worthy of a Great Live Artist.......2007-07-05
On the Outside on the other hand, comes much closer to proffering the listener a sense of the live Starsailor. It has a raw, immediate feel to it, yet it does not forgo a tightness and flow that also marks their live appearances. Until Starsailor releases a live concert album, On the Outside is an excellent effort. Starsailor fans will see it as yet another step in their maturation as artists, and newcomers will receive a great introduction to the band.
Note: If you are unfamiliar with Starsailor, you might recognize the first track of On the Outside, "In the Crossfire." It has been getting airplay on alternative stations in the States, they performed it for their Tonight Show appearance last summer, and it was featured on the CBS television network promoting its Sunday night fall lineup. After their own tour in the States and Canada, Starsailor also supported James Blunt during a portion of his U.S. concert tour late in 2006. Just recently they opened for the Stones in Europe.
I Hear Them Screaming on the Radio.......2006-08-26
On the new album the band takes a decided harder sound, but instead of the crunching guitars or piano that Coldplay in known for, Starsailor instead assaults you with a wall of noise. Not coincidentally the inventor of the Wall of Sound, Phil Spector helmed their previous two albums, but wasn't around for this one. Instead the disk was produced by Rob Schnaph who has worked with the like of Beck and Elliot Smith. The one-two punch of In the Crossfire and Counterfeit Life come out you full force while lead singer James Welsh is found screaming at times which only builds the effect even more and isn't afraid to reach for notes throughout the album. The emotion in the music and the singing never lets down on the whole album which could be attributed to the record being record live in the studio.
But it's not all a melodic wall of noise, I Don't Know is a straight ahead rocker filtered through American blues that is reminiscent to mid-eighties U2. Get out While You Can goes from a haunting acoustic guitar and piano verse to a more melodic chorus and back again. Jeremiah is a slow moving acoustic song with a lyric, "And every time I see the sun go down I think of you," that can easily get stick in your head and is a great way to cap off the album (bonus track excluded). Speaking of the bonus track, Empty Streets, it is the closest song on the album that has the same melodic feel as previous works such as Good Souls.
There is anger in the lyrics that coincide with the harder sound whether it's love, "See that poor girl with the glint in her eye, she could turn you that way" (I Don't Know), political, "I don't see myself when I look at the flag. Thank God for that" (In the Crossfire), globalization, "A war for corporate glory re-told as a fairy story" (Counterfeit Life), and life itself, "Tired of living in this modern land, too many ideals to meet with its demands" (Faith Love Hope). On the Outside may be a step backwards in trying to get commercial success stateside, but it is a step in making better music.
Average customer rating: 
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1964: Shakin' All Over (Time Life Music Classic Rock)
Major Lance , Brenda Holloway , The Hondells , Jumpin' Gene Simmons , The Velvelettes , Jimmy Hughes , Bobby Bland , The Impressions , The Searchers , and Gerry and the Pacemakers Manufacturer: Time-Life Music ProductGroup: Music Binding: Audio CD ASIN: B000FPHJBS |
Product Description
Song listing: 1 Roy Orbison Oh, Pretty Woman (2:58) 2 Major Lance Um, Um, Um, Um, Um, Um (2:22) 3 Peter & Gordon I Don't Want To See You Again (2:01) 4 Chuck Berry Nadine (Is It You?) (2:34) 5 Brenda Holloway Every Little Bit Hurts (2:53) 6 Beach Boys, The Don't Worry Baby (2:49) 7 Hondells, The Little Honda (2:05) 8 Jumpin' Gene Simmons Haunted House (2:35) 9 Velvelettes, The Needle In A Haystack (2:26) 10 Dionne Warwick Walk On By (2:53) 11 Gerry & The Pacemakers Don't Let The Sun Catch You Crying (2:37) 12 Diana Ross & The Supremes Baby Love (2:39) 13 Searchers, The Don't Throw Your Love Away (2:17) 14 Ventures, The Walk, Don't Run '64 (2:25) 15 Marvelettes, The Too Many Fish In The Sea (2:30) 16 Little Anthony & The Imperials I'm On The Outside (Looking In) (3:09) 17 Jimmy Hughes Steal Away (2:28) 18 Bobby Bland Ain't Nothing You Can Do (2:31) 19 Jan & Dean Drag City (2:17) 20 Martha Reeves & The Vandellas Quicksand (2:36) 21 Impressions, The Talking About My Baby (2:32) 22 Bobby Vinton Mr. Lonely (2:39)
Average customer rating: 
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Outside the Lines
Cory Morrow Manufacturer: Write on ProductGroup: Music Binding: Audio CD General
| Country
| Styles
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General
| Country
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ASIN: B000062RBF Release Date: 2002-02-19 |
Tracks:
- Outside The Lines
- (Love Me) Like You Used To Do
- In Spite Of Spite
- Friend Of The Devil
- Take Me Away
- More Than Perfect
- Straight To Hell
- Drinkin' Alone
- Dance By The Rio Grande
- Misty Shade Of Blue
- All Over Again
- Better Than Being In Love With You
- Sunday Drivin'
Amazon.com
Popular on the Lone Star college circuit and barely known outside it, Cory Morrow is a very fortunate son of Texas. His native state has given him plenty of roadhouse troubadours to emulate, a loyal audience that embraces him as its own, and the pick of Austin-based musicians to add substance to an artistry that might otherwise seem pretty shallow. Co-produced by the ubiquitous Lloyd Maines (Joe Ely, Jerry Jeff Walker, Pat Green), Morrow's music substitutes pleasant and sincere for striking and original. Though he shows more thematic ambition than on previous releases (reaching a little too far on the vaguely spiritual "In Spite of Spite"), his material still tends toward the clichéd ("Take Me Away") and the generic ("Dance by the Rio Grande"). A serviceable cover of the Grateful Dead's "Friend of the Devil" highlights that song's bluegrass roots, while Morrow's version of Drivin N Cryin's "Straight to Hell" bristles with more conviction than he brings to his own material. --Don McLeeseCustomer Reviews:
Great American Singer/Songwriter.......2002-05-22
Maturing work from Texas troubadour.......2002-04-17
This release finds Morrow's songwriting maturing from his earlier booze-soaked works (not entirely missing, mind you) to introspective songs of romance, morality and faith. Celtic-flavored love songs such as "More Than Perfect" and lamentations like "(Love Me) Like You Used To Do," find Morrow probing deeply into the complexities of relationships. Many of the tracks, fleshed out with producer Lloyd Maines, lean on acoustic playing, but Morrow still kicks up some electric two-steppers, including the title tune and "Straight to Hell." The standout "Drinkin' Alone" combines a shuffle rhythm with fiddle and steel to make a danceable tune out of a rather sad tale.
The craft and balance of Morrow's latest situates his music between the singer-songwriter sound of Bruce Robison and the graceful sophistication of Clint Black. It's a mix that would play well outside of Texas, if only Morrow could find the time to tour abroad.
3-1/2 stars, if Amazon.com allowed fractional ratings.
Mediocrity Celebrated.......2002-03-14
Great Album.......2002-03-06
Great Album.......2002-03-06
Average customer rating:
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Outside Inside
The Tubes Manufacturer: Bgo - Beat Goes on ProductGroup: Music Binding: Audio CD General
| Alternative Rock
| Styles
| Music
New Wave
| New Wave & Post-Punk
| Alternative Rock
| Styles
| Music
General
| Pop
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
General
| Rock
| Styles
| Music
Album-Oriented Rock (AOR)
| Classic Rock
| Styles
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Arena Rock
| Classic Rock
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Rock
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ASIN: B0000074L8 Release Date: 1993-05-10 |
Tracks:
- She's a Beauty
- No Not Again
- Out of the Business
- Monkey Time
- Glass House
- Wild Women of Wongo
- Tip of My Tongue
- Fantastic Delusion
- Drums
- Theme Park
- Outside Lookin' Inside
Album Description
Reissue of 1983 Capitol release from San Francisco pop rock act. Featuring guest appearances from Patti Austin & Martha Davis (Motels). 11 tracks including the hits 'She's A Beauty' & 'The Monkey Time'. Remastered from original masters. Additional sleevenotes. Faithfully restored artwork. Standard jewel case.Album Details
The Tubes' 1983 top 20 album that spawned the top 10 hit 'She's a Beauty' & made the group (at least for a while) the darlings of MTV. Also features the Curtis Mayfield standard 'Money Time', plus 'Outside Lookin' Inside', 'No Not Again' & seven more.Customer Reviews:
"Outside Inside" might be the title for a reason.......2007-02-23
When I heard the cut, "Tip Of My Tongue" on San Francisco's "KSAN The Jive 95," I rushed to the music store to get my copy of "Outside Inside." I was so impressed with "Tip Of My Tongue," that even if it had been the only good tune on the tape, I would have counted it worth the cost.
This is why I'm so shocked to read other amazon reviewers writing that the only good tune is the first track, "She's A Beauty." I'm sorry, but that is just a false statement. I know people all have their own tastes, etc., but it's just untrue to say that all of the other tunes are just "filler."
My tastes in music have never been what anyone would call mainstream. There are no best of the 70s or best of the 80s or best of the 90s compilations out there that have even ONE tune on them that represents what I like. Therefore, I think I'm qualified to make the following statement: The Tubes DID present a more commercial type of music on "The Completion Backwards Principle," and "Outside Inside." However, just because it is more comercial doesn't mean it's not good. Those two albums are excellent - the songs show talent in all areas: Writing, singing, musicianship and recording technique.
Could it be that the reason they titled this album "Outside Inside" is because for YEARS they were thoroughly OUTside the mainstream in their approach to music, and then they put together two albums which were closer to being INside the mainstream? It's a thought. Even if this is true, there's STILL enough of the Tubes' own individualism and signature to keep these two albums very interesting. (You gotta love it when Martha sings, "You better keep that thing on a chain!" on "Monkey Time.")
If you are an 80s music fan, these two albums are mandatory to your collection.
just not very good.......2006-12-27
The first song everyone "knows" and is decent. The rest, just not very good.
I rarely remove things from my iTunes library, but everything but the first song was deleted here.
BGO finally gets it right..........2006-06-22
fendemos
Solid piece of commercial rock.......2005-08-31
There's more here...........2004-09-27
Average customer rating:
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On the Outside
The Marked Men Manufacturer: Dirtnap Records ProductGroup: Music Binding: Audio CD General
| Alternative Rock
| Styles
| Music
Punk
| Hardcore & Punk
| Alternative Rock
| Styles
| Music
Punk Revival
| Hardcore & Punk
| Alternative Rock
| Styles
| Music
Garage Punk
| Hardcore & Punk
| Alternative Rock
| Styles
| Music
General
| Rock
| Styles
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Similar Items:
ASIN: B0001WJMUG Release Date: 2004-05-18 |
Tracks:
- On The Outside
- Don't Lose It
- Gone Away
- Broken Record
- No Time
- So What
- Right Here With You
- Doctor Dan
- Set You Right
- Still Waiting
- Cool Devices
- 4,000 Times
- Master Wicked
Customer Reviews:
this won't make or break me, it's just my OCD . . . .......2005-05-03
These Men are Marked for success..........2005-02-08
Rap Music:
- Outside Inside
- Overdose of Heavy Psych
- Passion
- Red Alert [Explicit Lyrics]
- Remember the Future [Original recording remastered] [Import]
- Remembrance Days/A Different Kind of Weather
- Reptilia [CD-single] [Import]
- Revolution
- Rocks The Folks/Meanwhile Back At The Whiskey A-Go-Go [2 on 1] [Live]
- Salt Peter
Recommended Music:
Music: Brazilian Beats, Vol. 4
Final Fantasy VIII: Piano Collections [Soundtrack] [Import]
Copland: Concerto for piano; Menotti: Concerto for piano in F