14 hook-heavy remixed masterpieces from some of the hippest underground artists & DJ's from across the globe. Each putting their own twist on the music of Thrill Kill Kult the band that is still redefining dance music, live performance after 13 years. Digipak. 2002.
Golden Pillz: The Luna Remixes,My Life with the Thrill Kill Kult,Underground Inc,Alternative Dance,Electronica,House,Industrial Dance,Pop,Rock,Rock/Pop
Golden Pillz: The Luna Remixes
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Golden Pillz: The Luna Remixes
My Life with the Thrill Kill Kult Manufacturer: Underground Inc ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000645IA Release Date: 2002-04-30 |
Tracks:
- Temptation Serenade (Smell The Heel Remix)
- Asylum Disiple (Set It Free Remix)
- Radio Silicon (Silverado Remix)
- Hour Of Zero (Don't Mess With Illinoize Remix)
- Girl Without A Planet (Zodiac Girl Remix)
- Flesh Playhouse (1 On 1 Remix)
- Temptation Serenade (Bombasic Remix)
- Radio Silicon (Consumed Remix)
- Asylum Disciple (.38 Remix)
- Flesh Playhouse (Give Us Flesh Remix)
- Jungle Of Love (Juju Remix)
- Hour Of Zero (On Fire Remix)
- The Untouchable Class (Megatroid Remix)
- Flesh Playhouse (Eat You Up Remix)
Album Description
14 hook-heavy remixed masterpieces from some of the hippest underground artists & DJ's from across the globe. Each putting their own twist on the music of Thrill Kill Kult the band that is still redefining dance music, live performance after 13 years. Digipak. 2002.Customer Reviews:
Remix the TKK.......2004-10-04
2001 saw the project release The Reincarnation of Luna, a collection of titillating discotheque favorites and esoteric jazzy lounge tunes that should have Angelo Badalamenti squirming from the competition. 2002 has been gloriously christened with Golden Pillz: The Luna Remixes and without a doubt the year will be better for it.
Golden Pillz is a stylized reworking of an already good album. We're not polishing a turd, here; TKK's material is good, damn good. To screw up these songs up would be like screwing up your own funeral. The notable differences are basically the same as with all remix albums. The vocals have a varying array of digital effects added to them and the sequences are reconfigured in an attempt to distinguish it from the original number. Markedly different on this particular release is the use of acid house bass lines in addition to or in place of TKK's groovy slap bass style. In the end the tunes are punched way up for the dance floor, and the outcome is well worth the price of admission.
By Christopher Curry
What a shocker, it's good!.......2003-08-07
Also check out the Elektrik Inferno Live CD. Again I thought it would be poor quality but it kicks...!
I'm disappointed :(.......2003-06-01
Yes!!!!!! Excellent!!!!.......2002-05-13
TKK 2002.......2002-05-11
"Golden Pillz" features 14 remixes from that project, most of them done by individuals outside the band, so this gives it a haphazard quality that provides interesting but uneven results.
The best cuts seem to be the ones that stick close to TKK's original game plan. The curious appearance of movie samples has always been a hallmark of Thrill Kill Kult, and while their appearance on "Luna" was spare, here they crop up in several places. "Asylum Disciple" gets two different retreads, most effectively by Jonathan Cox. Julian Beeston from Nitzer Ebb provides a mix of "Radio Silicon" that contains the throbbing synths that were characteristic of his former band, and it works here as well. The album track "Flesh Playhouse" also gets several revisions here, most notably by Bill Van Ryn, who recasts the album version in a sleazier environment, replete with campy samples that hearken back to the Kult's glory days. Buzz McCoy himself contributes several of the mixes, with "Untouchable Class" being revised as an aggressive stormer with robotic vocals, and "Girl Without a Planet" repositioned as a giddy instrumental romp akin to something off of 1999's "Dirty Little Secrets" project.
There are several misfires too, that could be seen as either curious experiments or blatant mistakes. The repitition of some of the tracks gets to be a little exhausting (did there really need to be three different versions of ANY of the songs?). The truncated length of the tracks also prevents "Golden Pillz" from providing anything truly suitable for current dancefloors, stunting any ability to draw a dancefloor in with lengthy passages, builds, or breaks. Rather, "Golden Pillz" seems designed more as an odd radio collection, giving a number of producers the chance to inject their own madness into the mythos of Thrill Kill Kult.
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