| 1. Fly In the Batter |
| 2. Lost |
| 3. Raygun |
| 4. Hole In the Sky |
| 5. Children Of Sierra Leone |
| 6. Don Pardo Pimpwagon |
| 7. Legend Of Van Cleef |
| 8. Guitars SUCK |
| 9. Hall Of Souls |
| 10. Top Of the World |
| 11. R2 |
| 12. Time |
Editorial Reviews
Bumblefoot (aka Ron Thal) - NYC guitarist/vocalist. Other releases: "The Adventures Of Bumblefoot" (Shrapnel/Roadrunner Records 1995), "Wild Woody" video game soundtrack (SEGA CDROM 1996), "Hermit" (Shrapnel/Roadrunner Records 1997), "Hands" (hermit inc 1998).
Product Description
Quirky guitar-oriented hard rock crossing with varying styles - half-instrumental/half-vocal, innovative fretless guitar sounds, somewhere between Hendrix, Chili Peppers and Mr. Bungle.
100% OF BUMBLEFOOT'S PROFITS FROM THIS CD ARE BEING DONATED TO DISASTER RELIEF.
9.11,Bumblefoot,hermit inc,Quirky mix of instrumental guitar music and hard rock ala Chili Peppers, Zappa, Hendrix and Mr. Bungle - guest guitarists include Mattias Eklundh and Dweezil Zappa - 100% profits donated to disaster relief organizations.
9.11 [Explicit Lyrics]
Average customer rating:
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Chopin: Favorite Piano Works
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000427J Release Date: 1996-02-13 |
Tracks:
- Grande Valse brillante, op. 18
- Fantaisie Imprpmptu, Op. 66
- Nocturne In E flat Major, Op. 9 No. 2
- Waltz In A Minor, Op 34 No. 2
- Mazurka In D Major, Op. 33 No. 2
- Scherzo In B Flat Minor.D Flat Major, Op. 31
- Waltz In A flat Major, Op 69 No. 2
- Nocturne In F Sharp Major, Op. 15 No. 2
- Waltz In B Minor, Op. 69 No. 2
- Ballade In G Minor, Op. 23
- Mazurka In B Flat Major, Op. 7 No. 1
- Waltz In G Flat Major, Op. 70 No. 1
- Nocturne In B Major, Op 32 No. 1
- Polonaise In A Flat Major, Op. 53
Tracks:
- Ballade No3 In A Flat Major Op.47
- Prelude In C Sharp Minor, Op. 45
- Waltz In D Flat Major, Op. 64 No. 1 'Minute'
- Waltz In C Sharp Minor, Op. 64 No.2
- Etude In C Minor, Op. 10 No. 12 'Revolutionary'
- Etude In G Flat Major, Op.10 No.5 'Black Key'
- Nocturne In F Minor, Op. 55 No.1
- Polonaise In A Major, Op. 40 No. 1 'Military'
- Barcarolle In F Sharp Major, Op. 60
- Prelude In D Flat Major, Op.28 No. 15 'Raindrop'
- Etude In A Minor, Op. 25 No. 11 'Winter Wind'
- Etude In E Major, Op. 10 No. 3 'Tristesse'
- Scherzo No.3 In C Sharp Minor, Op.39
Customer Reviews:
Why are you waiting?.......2006-12-16
(Btw, Ashkenazy vs. Davidovich re. the impromptus is a toss up. But since the impromptus aren't on this disc, you can make that critical decision another time.)
Ashkenazy's scherzo #2 (op. 31) IS the best. Period. Other interpretations that your favorite classical music station may substitute are downright lame.
The rest are basically sublime. The first and 4th ballades will send shivers up your spine by Vlad's sheer technical ability. His artistry is second to none.
Chopin: Favorite Piano Works.......2006-07-25
Chopin: Favorite Piano Works (London 2 CD).......2006-02-24
chopins Mazurkas.......2005-08-08
REST FOR THIS WEARY SOUL.......2005-03-09
If you love Chopin, as I do, buy this recording it will sooth your soul as only great music can.
Average customer rating:
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Beethoven - The Complete String Quartets / Alban Berg Quartet
Ludwig van Beethoven , Alban Berg Quartet , and Gerhard Schulz, Hatto Beyerle, Thomas Kakuska, Valentin Erben Günther Pichler Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000026D4J Release Date: 1999-11-16 |
Tracks:
- Op. 18 No. 1 In F Major: I: Allegro Con Brio - Alban Berg Quartett
- Op. 18 No. 1 In F Major: II: Adagio Affettuoso Ed Appassionato - Alban Berg Quartett
- Op. 18 No. 1 In F Major: III: Scherzo (Allegro Molto) & Trio - Alban Berg Quartett
- Op. 18 No. 1 In F Major: IV: Allegro - Alban Berg Quartett
- Op. 59 No. 1 In F Major 'Rasumovsky': I: Allegro - Alban Berg Quartett
- Op. 59 No. 1 In F Major 'Rasumovsky': II: Allegretto Vivace E Sempre Scherzando - Alban Berg Quartett
- Op. 59 No. 1 In F Major 'Rasumovsky': III: Adagio molto e mesto : IV: Allegro (Th russe) - Alban Berg Quartett
Tracks:
- Op. 18 No.2 In G Major: I: Allegro - Alban Berg Quartett
- Op. 18 No.2 In G Major: II: Adagio cantabile - Alban Berg Quartett
- Op. 18 No.2 In G Major: III: Scherzo (Allegro) & Trio - Alban Berg Quartett
- Op. 18 No.2 In G Major: IV: Allegro molto, quasi presto - Alban Berg Quartett
- Op. 18 No. 6 In B Flat Major: I: Allegro con brio - Alban Berg Quartett
- Op. 18 No. 6 In B Flat Major: II: Adagio, ma non troppo - Alban Berg Quartett
- Op. 18 No. 6 In B Flat Major: III: Scherzo (Allegro) & Trio - Alban Berg Quartett
- Op. 18 No. 6 In B Flat Major: IV: Adagio (La Malinconia) - Allegretto quasi Allegro - Alban Berg Quartett
- Op. 135 In F Major: I: Allegretto - Alban Berg Quartett
- Op. 135 In F Major: II: Vivace - Alban Berg Quartett
- Op. 135 In F Major: III: Lento assai, cantante e tranquillo - Alban Berg Quartett
- Op. 135 In F Major: IV: Grave, ma non troppo tratto - Allegro - Alban Berg Quartett
Tracks:
- Op. 18 No. 3 In D Major: I. Allegro
- Op. 18 No. 3 In D Major: II. Andante con moto
- III. Allegro
- Op. 18 No. 3 In D Major: IV. Presto
- Op. 18 No. 5 in A Major: I. Allegro
- Op. 18 No. 5 in A Major: II. Menuetto & Trio
- Op. 18 No. 5 in A Major: III. Andante cantabile
- Op. 18 No. 5 in A Major: IV. Allegro
- Op. 95 In F Minor: I. Allegro con brio
- Op. 95 In F Minor: II. Allegretto ma non troppo
- Op. 95 In F Minor: III: Allegro assai vivace, ma serioso
Tracks:
- Op. 18 No. 4 In C Minor: I. Allegro ma non tanto
- Op. 18 No. 4 In C Minor: II. Scherzo (Andante scherzoso quasi Allegretto)
- Op. 18 No. 4 In C Minor: III. Menuetto (Allegretto) & Trio
- Op. 18 No. 4 In C Minor: IV. Allegro
- Op. 130 in B flat Major: I. Adagio ma non troppo - Allegro
- Op. 130 in B flat Major: II. Presto
- Op. 130 in B flat Major: III. Andante con moto, ma non troppo
- Op. 130 in B flat Major: IV. Alla danza tedesca (Allegro assai)
- Op. 130 in B flat Major: V Cavatina (Adagio molto espressivo)
- Grosse Fuge In B Flat Major, Op. 133
- Op. 130 in B flat Major: VI. Finale (Allegro)
Tracks:
- Op. 59 No. 2 In E Minor 'Rasumovsky': I: Allegro
- Op. 59 No. 2 In E Minor 'Rasumovsky': II: Molto Allegro
- Op. 59 No. 2 In E Minor 'Rasumovsky': III: Allegretto
- Op. 59 No. 2 In E Minor 'Rasumovsky': IV: Finale (Presto)
- Op. 127 In E Flat Major: I: Maaestoso - Allegro
- Op. 127 In E Flat Major: II: Adagio ma non troppo, molto cantabile
- Op. 127 In E Flat Major: III: Scherzando vivace
- Op. 127 In E Flat Major: IV: Finale
Tracks:
- Op. 59 No. 3 In C Major 'Rasumovsky': I: Introduzione (Andante con moto) - Allegro vivace
- Op. 59 No. 3 In C Major 'Rasumovsky': II: Andante con moto quasi allegretto
- Op. 59 No. 3 In C Major 'Rasumovsky': III: Menuetto (Grazioso) & Trio
- Op. 131 In C Sharp Minor: I: Adagio ma non troppo e molto espressivo
- Op. 131 In C Sharp Minor: II: Allegro molto vivace
- Op. 131 In C Sharp Minor: III: Allegro moderato
- Op. 131 In C Sharp Minor: IV: Andante ma non troppo e molto cantabile
- Op. 131 In C Sharp Minor: V: Presto
- Op. 131 In C Sharp Minor: VI: Adagio quasi un poco andante
- Op. 131 In C Sharp Minor: VI: Adagio quasi un poco andante
Tracks:
- Op. 74 In E Flat Major 'Harp': I Poco adagio - Allegro - Beethoven
- Op. 74 In E Flat Major 'Harp': II. Adagio ma non troppo - Beethoven
- Op. 74 In E Flat Major 'Harp': III. Presto - Beethoven
- Op. 74 In E Flat Major 'Harp': IV: Allegretto con Variazioni - Beethoven
- Op.132 In A Minor: I: Allegro sostenuto - Allegro - Beethoven
- Op.132 In A Minor: II: Allegro ma non tanto - Beethoven
- Op.132 In A Minor: III: Molto adagio - Beethoven
- Op.132 In A Minor: IV: Alla marcia, assai vivace - Beethoven
Customer Reviews:
A wonderful Beethoven cycle.......2007-06-18
A LONG TIME COMING AT THIS PRICE .......2007-06-02
I went immediately to Op. 135 and found it marvelous in concept, execution and recording. I've now listened to almost all the quartets, and the consistency is wonderful. Because I'm in the business I'm using only high end professional equipment for playback and the sound is truly "You Are There". The recordings capture the upper overtones of all the instruments without the least harhsness, no mean feat. The blend of the group and the hall is articulated in a way that happens on only a very few recordings. Ocassionally one can hear a minor difference in what might be placement of microphones, even from movement to movement. This could, in fact, be the result of a temperature or humidity change in the recording venue. You have to pay very close attention to notice this and it does nothing to diminish these sonic wonders) Worth thrice the price.
What more can be said?.......2007-02-03
With the Best of the Best.......2006-12-14
What sound problems????.......2006-11-14
I have been listening to this mostly Live set for a few years now on high end Audiophile equipment and notice NO problems with sound at all.
It is clear, clean, crisp, transparent and rich with no "glare" at all.
if it is "well lit", this would suit Beethoven's strings perfectly.
An absolutely stunning performance with a Superb sound stage and sound.
All the other reviewers and the buyers who agree with their assessments (a hundred of them) can't be wrong.
With all due respect, Perhaps Mr. Townsend is listening to this on an Aiwa bookshelf System. Perhaps.
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The Most Relaxing Piano Album in the World...Ever!
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000059Q4Q Release Date: 2001-03-27 |
Tracks:
- II: Andante - Stephen Hough
- I: Adagio Sostenuto - Dame Moura Lympany
- Jesus Bleibet Meine Freude (Jesu, Joy Of Man's Desiring) - Dame Moura Lympany
- Nocturne No. 2 In E Flat - John Ogdon
- Clair De Lune - Dame Moura Lympany
- II: Adagio - Cecile Ousset
- Tango - Dame Moura Lympany
- Liebestraum No. 3 In A Flat - John Ogdon
- Waltz No. 9 In A Flat - Dmitri Alexeev
- Rhapsody On A Theme Of Paganini - Cecile Ousset
- Traumerei - Dame Moura Lympany
- La Maja Y El Ruisenor - Magda Tagliaferro
- Nocturne No. 5 In F-sharp Minor - Maurizio Pollini
- Gymnopedie No. 1 - Aldo Ciccolini
- Fur Elise - Dame Moura Lympany
- Etude In E 'Tristesse' - John Ogdon
- Fruhlingslied - Daniel Adni
- II: Andante - Dmitri Alexeev
Tracks:
- II: Adagio Cantabile - Walter Gieseking
- II: Romanze - Annie Fischer
- Aria - Maria Tipo
- II: Romance (Larghetto) - Garrick Ohlsson
- Granada - Gonzalo Soriano
- Waltz No. 15 In A Flat - Maura Lympany
- II: Largo - Andrei Gavrilov
- An Den Fruhling - Daniel Adni
- Nocturne No. 10 In A Flat - Daniel Adni
- II: Adagio Un Poco Mosso - Walter Gieseking
- La Fille Aux Cheveux De Lin - Dame Moura Lympany
- Cancons I Dansas No. 1 - Gonzalo Soriano
- II: Adagio Sostenuto (Opening) - Cecile Ousset
- Prelude No. 15 In D Flat 'Raindrop' - Dmitri Alexeev
- Gnossienne No. 1 - Aldo Ciccolini
- Berceuse - Jean-Philippe Collard
- Minuet In G - Dame Moura Lympany
- Berceuse In D Flat - Peter Donohoe
Customer Reviews:
something to have.......2007-03-14
Excellent Music.......2007-02-19
buy now.......2006-09-01
Lovely.......2006-02-22
Aesthetically Pleasing.......2005-09-14
As it says....it is the "Most Relaxing Piano Album in the World...Ever..." Well, I haven't listened to all piano albums in the world, but I don't need to, this one is just perfect for me, and I think you will agree!
I would say the pianists' are extremely accomplished. At times, I would admit-it's a bit 'spine tingling'!
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Art of the Fugue - 70th Anniversary Edition
Glenn Gould , and Bach Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006FI8C Release Date: 2002-09-03 |
Customer Reviews:
Gould's Most Errant Interpretation.......2007-02-13
Or, if you are attracted to the Art of Fugue rather than the Artist, you might listen to the performance of the Amsterdam Loeki Stardust Quartet, also available on CD. Though there is no historical justification for playing Bach's harpsichord music on recorders, the LSQ makes fine and insightful music on their wooden flutes, large and small. At times they sound more organistic than Mr. Gould on his modern behemoth.
THE VERY SOUL OF MUSIC.......2006-09-08
Gould's organ renderings ran into critical flak at the time, and whether for that reason or because organ-playing aggravated a shoulder condition that the maestro suffered from he never completed the project. The sound of the piano is a little below standard in C), with some background hiss and a slightly emaciated tone, but even it is not really bad, B) and D) are better, and E) better still sound-wise. The sound of the organs has been criticised, but I do not criticise it and indeed it suits me very well. Nothing in the sound-quality from start to finish interferes in any way with my appreciation of Gould's wonderful, visionary and unique Bach-playing.
This disc does not offer you the complete Art of Fugue, so anyone who wants what's here is going to want it for something special in the performance. Gould is always special I guess, but not special in ways that suit everyone. My feeling is that if you are of the school that wants the Art of Fugue played `expressively' you can probably leave this offering alone. Once Gould sets a tempo he sticks to it unflinchingly without rubato, and except for some build-up in the tone as D) progresses there is a very restricted range of dynamics within each piece, although the individual pieces are strongly contrasted in respect of both volume-level and pace. Interestingly, in those numbers which he gives in two different performances, he takes a markedly different approach each time. Conrapunctus II IV and IX are very much faster in the piano version than on the organ, but contrapunctus I on the piano is taken very slowly indeed, lasting nearly twice as long as in the organ account. It is a matter of one's own concept of the work basically. For me, the Art of Fugue is the ultimate in abstract `absolute' music. It is a monument of remote sublimity like pure mathematics or like the stars in the sky, and it is just there for us to wonder at and does not reach out to us or `express' anything. The player's task is to convey its grandeur, and for me Gould does that as no other version, (on any instruments whatsoever - Bach specifies none) has ever done for me, and I feel this most acutely in his much-criticised organ renderings. The organs he uses are not giants, and there is only limited use of the pedals. He uses mainly a detached fingering, although embracing a more legato style in contrapunctus VI. However it stands to reason that the parts in long sustained notes do not admit of the detached treatment, and I love Gould's selection of strongly contrasted stops to assist clarity further. These are the means he adopts. What these means are in furtherance of is an impression of utter grandeur in the sublime march of Bach's polyphony. It is even a privilege to be shown how this grandeur can be viewed from startlingly different angles in his alternative interpretations of 4 of the fugues.
The last fugue from the Art, the unfinished contrapunctus XIV, is taken at a very slow pace and ends abruptly where the dying composer left it. In the normal way of things I detest this procedure - whatever Bach intended it wasn't that, and in a composition that is the ne plus ultra of method many competent musicians have supplied conclusions that must, in the very nature of the case, approximate to what Bach himself would have done. However this was a television performance, and I gather that the camera was made to freeze at this point with Gould's right hand poised dramatically in mid-air. Gould, who kicked Ravel's piano transcription of La Valse into touch and wrote his own, is having none of that when it comes to Bach, and under the circumstances I stifle my own normal reaction to this abrupt hiatus.
One of the most extraordinary things about Bach is how popular he manages to be for all his seeming severity. The Art of Fugue is innocent of the lyricism that was also part of Bach's infinite musical gift, it makes no compromises with us, but I would say to newcomers to the work that Gould's accounts, partial as they are, would be the best place to start to know this unique and towering masterpiece. It is not any indivisible entity in any case. Better, to start with, to hear some of it presented like this than the entire set in many another, perhaps indeed in any other, version.
Worth getting for Contrapunctus XIV, but for full performance look elsewhere.......2005-08-07
If you want a complete Art of Fugue on piano that's as close to Gould as it gets, go with Tatiana Nikolayeva's stellar 2 CD-recording on Hyperion (CDA66631/2). I have 9 AoF performances in my collection (piano, organ, string quartet, Hermann Scherchen's orchestral arrangement), and Nikolayeva's set is my favorite by far. (It also includes the two Ricercars from The Musical Offering BWV1079 and the four Duets BWV 802-805, originally for organ.)
However, if you're as much of a Bach nut as I am, the Gould CD is worth getting just for Gould's incredible performance of Contrapunctus XIV (the final unfinished fugue).
The Best Bach Interpreter of the Century.......2003-11-29
Who am I to judge Glenn? I just have had the privilege to listen closely to titans like S. Richter, E. Gilels, A. Rubinstein, A.Schnabel, S. Rachmaninoff, V. Horowitz, and many others. Not to mention that so far I have listened to the complete works of over 40 composers. Again, Glenn Gould plays beautifully, especially Bach's faster pieces, where even Emil Gilels and Sviatoslav Richter can't do such a precise and concise interpretation. But we must remember that Glenn is a great pianist, but a pianist that can't even match with the Genius of Johann Sebastian Bach (I have heard Glenn's compositions). It is ironic that listeners give so much credit to Gould that they absolutely forget that the only reason that he is able to play such beautiful pieces is because Bach has created them in the first place! With this in mind, we still can accept new ways of interpretation of Bach, BUT NOT TO THE POINT THAT IT DECREASES THE INTRINSIC VALUE OF BACH'S COMPOSITIONS. Glenn does not do this often, but it is shocking that he chose to show his over-interpretation on a work that is considered to be the most important one in the entire classical repertoire. If Glenn was made to play these pieces by his contractors then the flaws can be partially forgiven.
It all comes down to this: this work should by no means put Gould's abilities in question, since he is indeed the best Bach interpreter of this century. However, one must not be blinded and be focused on any singular performer for the interpretation of all the pieces in the classical repertoire - Gould might outdo Horowitz in performing the `Emperor Concerto' (Beethoven) and Gilels in playing Bach's `French Suites', but when it comes to pieces like Beethoven's "The Tempest," his staccato is not in its right medium and becomes a cat's play compared to the powerful fingers of Richter.
(I have heard over one hundred pieces by Gould and could barely notice his humming. Why? Because I hum with him! So please do not complain since a real classical listener should not even notice the humming. Imagine listening to someone talking and at the same time listening to Bach. As far as I am concerned, you shouldn't even be able to notice that that person even exists)
Excellent Rendition of the Art of the Fugue.......2003-03-08
Average customer rating:
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Mozart: Piano Sonatas
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00002DEH1 Release Date: 1999-11-09 |
Tracks:
- Piano Sonata In C Major, K. 46d: 1. Allegro
- Piano Sonata In C Major, K. 46d: 2. Menuetto I - II
- Piano Sonata In F Major, K. 46e: 1. Allegro
- Piano Sonata In F Major, K. 46e: 2. Menuetto
- Piano Sonata In C Major, K. 279: 1. Allegro
- Piano Sonata In C Major, K. 279: 2. Andante
- Piano Sonata In C Major, K. 279: 3. Allegro
- Piano Sonata In F Major, K. 280: 1. Allegro assai
- Piano Sonata In F Major, K. 280: 2. Adagio
- Piano Sonata In F Major, K. 280: 3. Presto
- Piano Sonata In B Flat Major, K. 281: 1. Allegro
- Piano Sonata In B Flat Major, K. 281: 2. Andante amoroso
- Piano Sonata In B Flat Major, K. 281: 3. Rondeau. Allegro
- Piano Sonata In E Flat Major, K. 282: 1. Adagio
- Piano Sonata In E Flat Major, K. 282: 2. Menuetto I - II
- Piano Sonata In E Flat Major, K. 282: 3. Allegro
Tracks:
- Piano Sonata In G Major, K. 283: 1. Allegro
- Piano Sonata In G Major, K. 283: 2. Andante
- Piano Sonata In G Major, K. 283: 3. Presto
- Piano Sonata In D Major, K. 284: 1. Allegro
- Piano Sonata In D Major, K. 284: 2. Rondo en Polonaise. Andante
- Piano Sonata In D Major, K. 284: 3. Andante - Thema - Variations I-XII
- Piano Sonata In C Major, K. 309: 1. Allegro con spirito
- Piano Sonata In C Major, K. 309: 2. Andante un poco adagio
- Piano Sonata In C Major, K. 309: 3. Rondeau. Allegretto grazioso
- Piano Sonata In D Major, K. 311: 1. Allegro con spirito
- Piano Sonata In D Major, K. 311: 2. Andante con espressione
- Piano Sonata In D Major, K. 311: 3. Rondo. Allegro
Tracks:
- Piano Sonata In A Minor, K. 310: 1. Allegro maestoso
- Piano Sonata In A Minor, K. 310: 2. Andante cantabile con espressione
- Piano Sonata In A Minor, K. 310: 3. Presto
- Piano Sonata In C Major, K. 330: 1. Allegro moderato
- Piano Sonata In C Major, K. 330: 2. Andante cantabile
- Piano Sonata In C Major, K. 330: 3. Allegretto
- Piano Sonata In A Major, K. 331: 1. Andante grazioso - Thema - Variations I - VI
- Piano Sonata In A Major, K. 331: 2. Menuetto - Trio
- Piano Sonata In A Major, K. 331: 3. Alla turca. Allegretto
Tracks:
- Piano Sonata In F Major, K. 332: 1. Allegro
- Piano Sonata In F Major, K. 332: 2. Adagio
- Piano Sonata In F Major, K. 332: 3. Allegro assai
- Piano Sonata In B Flat Major, K. 333: 1. Allegro
- Piano Sonata In B Flat Major, K. 333: 2. Andante cantabile
- Piano Sonata In B Flat Major, K. 333: 3. Allegretto grazioso
- Fantasia In C Minor, K. 475: Adagio - Allegro - Andantino - Piu allegro - Primo tempo
- Piano Sonata In C Minor, K. 457: 1. Molto allegro
- Piano Sonata In C Minor, K. 457: 2. Adagio
- Piano Sonata In C Minor, K. 457: 3. Allegro assai
Tracks:
- Piano Sonata In F Major, K. 533: 1. Allegro (K. 533)
- Piano Sonata In F Major, K. 533: 2. Andante (K. 533)
- Piano Sonata In F Major, K. 533: 3. Rondo. Allegretto (K. 494)
- Piano Sonata In C Major, K. 545: 1. Allegro
- Piano Sonata In C Major, K. 545: 2. Andante
- Piano Sonata In C Major, K. 545: 3. Rondo. Allegretto
- Piano Sonata In B Flat Major, K. 570: 1. Allegro
- Piano Sonata In B Flat Major, K. 570: 2. Adagio
- Piano Sonata In B Flat Major, K. 570: 3. Allegretto
- Piano Sonata In D Major, K. 576: 1. Allegro
- Piano Sonata In D Major, K. 576: 2. Adagio
- Piano Sonata In D Major, K. 576: 3. Allegretto
Customer Reviews:
Yes, perfect.......2007-07-11
Mozart-A prisoner of his own time........2006-09-08
As this cd shows, Mozart's music was sublime. But even he struggled with using this "harmony of the day". If you were to study the catalogues of Mozart's symphonies, sonatas, and chamber music, let's face it; you would hear a lot of turkies before you made it to the peacocks. We would have to wait until Chopin until the harmonies fattened up a little.
Having said that, you have to completely hail Mozart for taking what was available to him in his day and creating some of the most sublime music with it. It would be like for the next ten years all the world had available to eat was peas, and 200 years from now one man became immortal for the many interesting ways he was able to manipulate peas into a meal.
Good music and good value.......2006-08-28
Five and a half hours of joy for not much bucks.......2005-11-11
FINALLY.......2004-08-05
Anyways, Eschenbach plays these with all the virtuosity and feeling they demand. My favorite piano sonata is Mozart's 12th and he plays it flawlessly; the only thing remotely lacking is that he doesn't quite dig in as much as Alicia de la Roccha does when she plays it on the Allegro movement, but he more than makes up for it with his playing on the Adagio movement.
If it's not your cup of tea it might be worthwhile getting the de la Roccha box set, but personally I think the Eschenbach recording is the best out of all of them.
Average customer rating:
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Art of Segovia
Andres Segovia Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006B66L Release Date: 2002-10-08 |
Tracks:
- Andante
- Andantino
- Lento
- Romance De Los Pinos
- Madronos
- Serenata Burlesca
- Variations On A Theme From Mozart's 'The Magic Flute'
- Mesto E Calmo
- Theme, Variations & Finale
- Cancion Mexicana No.X
- Sevillana, Op.29
- Sarabanda
- Capriccio Diabolico, Op.85
- Tonadilla For Guitar On The Name Of Andres Segovia
- No.1 In E Minor
- No.3 In A Minor
- Guitarreo
- Segovia, Op.29
Tracks:
- If My Complaints
- Now, O Now I Need Must Part
- Sarabande
- 1. Prelude (Transposed In D Major)
- 4. Tempo Di Bourree
- Courante
- 3. Gavotte En Rondeau
- Aria E Corrente
- Moderato
- Menuet In G Major
- Andantino Variato
- No.7 In A Major
- 2. Canzonetta
- 2. Quasi Lento (Preludio)
- 1. Andantino Poco Allegretto (Allegretto)
- 2. Il Vecchio Castello
- Allegretto
- Tres Calme Et Doucement Expressif
- No.4 In E Flat Minor
- 5. Asturias. Leyenda - Preludio
- 7. Zambra Granadina
- Estudio Sin Luz
- Allegro Con Brio
Amazon.com
DG has put together a fascinating compilation of Segovia's art that reminds us what a protean figure he was. Segovia single-handedly put the instrument on the map by making classical guitar concerts popular events, broadening the instrument's repertory through commissions and transcriptions, and convincing even doubters that it could be a vehicle for serious music. He's heard here in brief pieces recorded between 1952 and 1969. Even in those made when he was well into his 70s, his fingers remain nimble and interpretations lively. Listening straight through, one hears many all-time Segovia favorites as Turina's Sevillana and Albeniz's Asturias and Zambra Granadina and renews appreciation for path-breaking composers like Castelnuovo-Tedesco. He wrote extensively for Segovia and his Capriccio diabolico and Tonadilla are pieces of real substance. Disc two is largely made up transcriptions and it's amazing how well so many of them work on the guitar, at least under Segovia's magic fingers. Thus the transformations of Bach's violin music and even a Chopin Prelude sound idiomatic, and the gorgeous melodies of the Canzonetta from Mendelssohn's Op. 12 String Quartet are irresistible here. An entrancing set. --Dan DavisCustomer Reviews:
A Man and His Art - Magnificently Captured.......2007-04-06
There are a total of 31 pieces played on these CDs and while a playlist would be an unnecessary use of space here, a list of the composers represented is not. More than the specific pieces Segovia gives us here, the range of composers chosen by the compilers and editors - with each piece rearranged by Segovia himself, tells us a great deal about his interests, talents and musical range. These composers include:
Isaac Albeniz, Johann Sebastian Bach, Mario Castelnuovo-Tedesco, Frederic Chopin, Claude Debussy, John Dowland, Manuel de Falla, Cesar Franke, Girolamo Frescobaldi, Edvard Grieg, George Frederic Handel, Felix Mendelsohn, Frederico Moreno Torroba, Modest Mussorgsky, Nicolo Paganini, Felipe Pedrell, Manuel Ponce, Jean-Philippe Rameau, Joaquin Rodrigo, Albert Roussel, Domenico Scarlatti, Alexander Scriabin, Segovia's own composition of Estudio sin luz, Fernando Sor, Francisco Tarrega, Joaquin Turina and Heitor Villa-Lobos. A truly magnificent and broad ranging collection held together by Segovia's unique personal style, approach and sound.
Largely self-taught, Andres Segovia did things with a guitar that others only imagined. He didn't just play Bach, for example - music written for an entirely different type of instrument (keyboards.) He went a step further, and recorder Bach's keyboard lessons written for his students (the Two and Three Part Inventions) and made them sound as if they had been written for the guitar! His artistry is evident to even the casual listener and in this collection, any devote of classical guitar and/or of Segovia as an individual artist, will not be disappointed.
Perfect listening for anytime. Hypnotic and, simply, unsurpassed. A necessary addition to any serious classical guitar collection.
What can you say - it's Segovia!.......2007-02-10
EVERYBODY KNOWS.......2007-01-13
Immortal guitar.......2006-08-02
WOW.......2006-02-23
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Children's Favorites
Manufacturer: Vox (Classical) ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004Y6T3 Release Date: 2000-09-05 |
Tracks:
- March Of The Tin Soldiers - Leon Jessel
- Variations On 'Twinkle Twinkle Little Star' - Walter Klien
- The Nutcracker: Dance Of The Reed Flutes - Pyotr Il'yich Tchaikovsky
- The Nutcracker: Dance Of The Sugar Plum Fairy - Pyotr Il'yich Tchaikovsky
- The Sorceror's Apprentice - Paul Dukas
- Peter And The Wolf (Extract) - Brandon de Wilde
- Invention No. 8 In F Major - Christiane Jaccottet
- Invention No. 11 in G Minor - Christiane Jaccottet
- Invention No. 13 in A Minor - Christiane Jaccottet
- Prelude And Fugue No. 21 In B Flat Major (Book 1) - Christiane Jaccottet
- Sonata For 2 Pianos In D Major, K. 448, 1st Mvt. - Rudolf Firkusny
- III. Allegretto - Walter Klien
- Kinderszenen: Of Strange Lands And People - Walter Klien
- Kinderszenen: Curious Story - Walter Klien
- Kinderszenen: Entreating Child - Walter Klien
- Kinderszenen: Perfect Happiness - Walter Klien
- Introduction And Royal March - Marylene Dosse
- The Elephant - Marylene Dosse
- Kangaroos - Marylene Dosse
- The Aquarium - Marylene Dosse
- Cuckoo In The Woods - Marylene Dosse
- Birds - Marylene Dosse
- Fossils - Marylene Dosse
- The Swan - Marylene Dosse
- Finale - Marylene Dosse
Customer Reviews:
Children's Favorites a solid purchase.......2006-03-09
The perfect package.......2005-10-23
Songs from the "Nutcracker" are familiar and comfortable for many children. What child wouldn't love "March of the Tin Soldiers?"
Selections from Saint-Saens' "Carnival of the Animals" is a must in my creative movement library. Every child should be exposed to this music. Well,I believe every age should be.
A Wonderful Introduction to the Classics.......2003-03-11
This disc is far superior than most other "Classics for Kids"-type recordings I've sampled for a number of reasons:
1) This album was expertly engineered. The production quality on this disc is first-rate from start to finish with crisp, clear sound.
2) The pieces were expertly picked. There is wonderful sonic variety here, spanning hundreds of years of wonderful melodies. There are orchestral pieces, harpsichord pieces, solo piano, and a piano concerto, capped off with Saint-Seans whimsical Carnival of the Animals. What kid (or adult) wouldn't love that?
3) The performances are, without exeption, expert! The pieces were definately screened for quality as well as content. Many are simply a joy to behold. Walter Klein is a particular stand-out, almost giddily prancing through Schumann's pieces. Believe it or not, he sounds even more impressive when backed up by the always inspiring Minnesota Orchestra on Mozart's Piano Concerto #17.
In short, this album is a great album even before you factor in the great price. You and your children are almost guaranteed to enjoy every 6-cents worth!
Average customer rating:
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The Most Relaxing Classical Album In the World Ever, Volume II
Gabriel Faure , Frederic Chopin , Antonio Vivaldi , Gustav Mahler , Claude Debussy , Sir Neville Marriner , Maris Jansons , Lorin Maazel , Sir Adrian Boult , Miklos Rozsa , Riccardo Muti , Stephen Cleobury , Sir John Barbirolli , New Philharmonia Orchestra , Philharmonia Orchestra & Chorus , Academy of St. Martin in the Fields , and Berlin Philharmonic Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00002439O Release Date: 2003-03-11 |
Tracks:
- Sheep May Safely Graze - Sir Neville Marriner
- Serenade In G 'Eine Kleine Nachtmusik' - Sir Neville Marriner
- Violin Concerto No.1 In G Minor, Op.26 - II. Adagio - Yedudi Menuhin
- Nocturne No.2 In E Flat Op.9 No.2 - John Ogdon
- Miserere Mei, Deus - Stephen Cleobury
- Schindler's List - Tasmin Little
- Traumerei - Dame Moura Lympany
- Dance Of The Sylphs - Sir Neville Marriner
- Water Music - Berlin Philharmonic Orchestra
- Symphony No.9: II. Largo - Oslo Philharmonic Orchestra
- Jean De Florette - Toots Thielemans
- Concerto For Lute And Two Violins - II. Largo - Anthony Bailes
- Cello Concerto In E Minor Op.85 - III. Adagio - Jacqueline De Pre
- Waltz No.15 In A Flat - Dame Moura Lympany
- Romance - Piers Lane
- Pavane - Maurice Handford
- Woodbrook - Micheal O Suilleabhain
- Time To Say Goodbye - Orchestra
Tracks:
- The Four Seasons - Concerto No.1 In E 'Spring' - Yehundi Menuhin
- Dance Of The Blessed Spirits - New Philharmonia Orchestra
- Double Violin Concerto In D Minor - II. Largo Ma Non Tanto - Yehudi Menuhin
- Prelude No.7 In A Op.28 No.7 - Tzimon Barto
- Cantique De Jean Racine - MONKS AND CHOIRBOYS OF DOWNSIDE ABBEY
- The Lark Ascending - Hugh Bean
- 'Pathetique Sonata Op.13 - II. Adagio Cantabile - Leonard Pennario
- Pie Jesu - Choir Of King's College, Cambridge
- Salut D'Amour - Richard Hickox
- La Fille Aux Cheveux De Lin (The Girl With Flaxen Hair) - Dame Moura Lympany
- The Coventry Carol - Medeval Babes
- Pavane For A Dead Princess - New Philharmonia Orchestra
- Liebestraum No.3 In A Flat - John Ogdon
- Panis Angelicus - Elisabeth Schwarzkopf
- Piano Concerto No.2 In F Op.102 - II. Andante - Dmitri Alexeev
- Agnus Dei - Peter Barley
- Symphony No.5 In C Sharp Minor - IV. Adagietto - New Philharmonia Orchestra
- My Heart Will Go On - Orchestra
Customer Reviews:
The Most Relaxing Classical Album In the World Eveer, Volume II.......2006-08-28
Great music listein to while you read in bed.......2005-08-21
A must buy for the non-snobbish classical music fan........2004-10-22
A bliss of spirit........2004-09-18
Joy, Tears, Love.
Good LUCK!
Boring.......2004-05-11
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Liszt: 10 Hungarian Rhapsodies
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005AVML Release Date: 2001-04-10 |
Tracks:
- Hungarian Rhaps, S.244: No.2 in c#
- Hungarian Rhaps, S.244: No.6 in D flat
- Hungarian Rhaps, S.244: No.8 in f#
- Hungarian Rhaps, S.244: No.9 in E flat 'Carnival In Pest'
- Hungarian Rhaps, S.244: No.10 in E
- Hungarian Rhaps, S.244: No.11 in a
- Hungarian Rhaps, S.244: No.12 in c#
- Hungarian Rhaps, S.244: No.13 in a
- Hungarian Rhaps, S.244: No.14 in f
- Hungarian Rhaps, S.244: No.15 in a
Customer Reviews:
A Joy to Hear!.......2006-06-19
Among my favorites is the short but delightful number 11 in A minor. It is a joy to hear but, then again, all of these are.
Do not expect orchestral arrangements. This is for the piano by itself.
Listen and enjoy!
Musical Perfection of the First Order!.......2006-01-11
to see if he could outdo Horowitz's performance of the #2 Rhapsody. But after buying it, I realized Horowitz dressed up the original score to create the ultimate Hungarian Rhapsody #2, namely his own. He engineered a truely mind-boggling Showpiece. But to my knowledge, he didn't create a more complex variation with any other of Liszt's works. However, I now truly believe and feel (literally) after hearing Cziffra, that he wins first prize in regard to absolute mastery on all levels for these 10 Rhapsodies choosen to be recorded. And why not? He's playing from his soul literally, being that his parents were both Hungarian gypsies. In the excellent linear notes is written the following - "More succinctly, for Marcel Dupre, Cziffra was 'la reincarnation de Liszt'". I don't doubt that for a moment.
Rhapsodies to snap you out of your doldrums.......2005-10-26
one of the uptempo, renegade pieces that always satisfied.
Pity the poor piano!.......2005-10-25
Cziffra makes a joke of these pieces. This becomes evident when listening to others play them, particularly Szidon and Hofmann.
I know that Cziffra can be restrained; he plays Liszt's piano concertos beautifully. Why he chose to takes these so lightly I'm not sure.
An Excellent 20th Century Piano Player.......2005-05-01
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Star Wars Episode III: Revenge of the Sith - Original Motion Picture Soundtrack
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000850IS6 Release Date: 2005-05-03 |
Tracks:
- Star Wars and The Revenge Of The Sith
- Anakin's Dream
- Battle Of The Heroes
- Anakin's Betrayal
- General Grievous
- Palpatine's Teachings
- Grievous and the Droids
- Padme's Ruminations
- Anakin vs. Obi-Wan
- Anakin's Dark Deeds
- Enter Lord Vader
- The Immolation Scene
- Grievous Speaks to Lord Sidious
- The Birth Of The Twins and Padme's Destiny
- A New Hope and End Credits
Amazon.com
John Williams' lovely and moving score for the sixth Star Wars film brings thirty years of collaborating on George Lucas' beyond-popular intergalactic franchise to a close. (Is this really the end of Star Wars? Can't Lucas and Williams work together on a prequel to these prequels? Let us hope so, and that Jar Jar Binks is nowhere near it.) As this music accompanies the most exciting Star Wars film in many a moon, the soundtrack itself is more fun, more evil, more nasty and bumpy. Many of the heroic, anthemic themes woven throughout Episode Three: Revenge of the Sith will necessarily be familiar to any fan of the series, from the "Imperial March" to the main theme. It's remarkable how stirring the latter can be, no matter how many times you've heard it, and even for those who do not have all their money invested in S.W. memorabilia. There is a lot of new music here, and the lush, extensive range of both Williams and the London Symphony Orchestra is on display, most notably in the menacing, percolating "General Grievous" and the rousing "New Hope" end theme. --Mike McGonigal
The Force Is Also with:
Star Wars Trilogy soundtrack box set |
Star Wars Episode II sountrack |
Star Wars Episode II, Attack of the Clones |
Star Wars Episode I, The Phantom Menace |
Star Wars Trilogy on DVD |
Star Wars, Episode III - Revenge of the Sith |
Customer Reviews:
Star Wars: A Musical Journey (2005) (V).......2007-06-21
The bonus dvd with this soundtrack was the reason I purchased. I enjoy film soundtracks, and science fiction, but this dvd was a real highlight for me. I got the soundtrack cd out of the local library. The cd was missing from the case, but I found this wonderful dvd instead that I went out to purchase later.
With optional segments of dialog from Ian McDiarmid, this film is a stunning visual and musical overview of the full epic story of episodes I-VI of Star Wars. For those of us who felt that eps. IV-VI fell short of our expectations, this film presents them well as parts of the whole story. The Musical Journey also stands as a summary of the entire SW opus for someone who is not familiar with the Star Wars characters and plot. Highly recommended.
Options: no subtitles or other options.
Not one of his bests, but very close.......2007-05-21
My favorite tracks are "Battle of the Heroes," "Anakin's Betrayal," Palpatine's teachings, "Anakin vs. Obi-Wan," and the "Immolation Scene."
The others are very good as well, but these are especially nice. "Battle of the Heroes" is Dual of the Fates for Revenge of the Sith. "Anakin's Betrayal" is a very sad track that is, in my opinion, one of William's most powerful pieces. "Palpatine's Teachings" is really, really neat. It's very dark and moody, a perfect piece for the evil emperor. The only weird thing is the end. "Anakin vs. Obi-Wan" is the action piece that plays during the battles of Anakin and Obi-Wan, and Yoda and the Emperor. Finally, "The Immolation Scene" is another sad piece, even more so than "Anakin's Betrayal."
Although I really like this CD, there are some things that are missing (as usual). First, the whole sequence where the droids are looking for Obi-Wan after he was shot. You see Obi-Wan in his ship with Senator Organa on the Hologram (or whatever it is), and Obi-Wan says that his clones turned on him. That was some pretty awesome music that OF COURSE was left out of the CD. Then there was Dual of the Fates in the movie, but completely absent from the CD. And probably the most annoying was that whole piece of music before Obi-Wan and Anakin fight. It was so touching and sad and I CAN'T BELIEVE THEY LEFT IT OUT! Absolutely amazing. Also, did anyone notice that some little bits were cut out? For example, in Anakin vs. Obi Wan, they cut out about a second or two of choir. What?! What the heck is with that? It's when Anakin is running on the long thing and jumps on the droid on the lava. Also, there was some pretty cool drumming when you see Yoda and the Emperor fighting, and you can see the whole stadium (the big room). There's also drumming in "Enter Lord Vader" that is muted in the soundtrack.
Oh well...if I'm going to collect movie scores, I'm going to have to get used to the fact that in almost all cases there's not going to be every bit of music. I've experienced this in both Pirates of the Caribbean, Jurassic Park I (there was very little left out on this score), and almost everything else. At the moment, I'm just waiting for the 22nd, for the Pirates of the Caribbean 3 soundtrack. It's gonna be amazing.
See Yu
John Williams' finest work.......2007-04-20
Having said that, I will say that few soundtracks have ever so perfectly captured the underlying emotional currents of their respective movie; in the case of ROTS, the contemporaneous tragedies of Anakin's fall to the Dark Side, the extermination of the Jedi, and the rise of the oppressive Empire. The listener is confronted with the depth and totality of the evil that has beset the entire galaxy to a degree that the film could not reach in only 2 hours.
Bravo, Dan Mohr, and BRAVO John Williams!
A Great Conclusion to the Prequel Trilogy.......2007-04-07