O-Town, short for Orlando, Florida, the cradle of teen-pop civilization, was created for the ABC reality show Making the Band. The group's debut was a frothy confection of slick dance-pop hits that sold 2 million copies. With two hard years of touring under their belts, group members have stayed together and moved into a house in Santa Monica, California, where they cowrote six of the songs on their second offering and enlisted one of rap's royalty to work with them. Nelly cowrote and produced "Favorite Girl" and adds his trademark vocals to "Make Her Say." Since leaving the world of TV, O-Town has moved away from their boy-band beginnings. Switching from hip-hop to dance to pop, they sometimes come across as a band in search of a sound. But O-Town's collective heart really seems to be in guitar-driven rock. They give Bon Jovi a run for their money on the rather overwrought "These Days," while "From the Damage" could have been lifted off a Goo Goo Dolls disc. O-Town is a band in transition, but give them credit for taking over the reins of their career. Maybe by the next album, they'll figure out what they want to be now that they've grown up. --Jaan Uhelszki
02,O-Town,J-Records,Dance-Pop,Pop,Popular Music,Rock,Rock/Pop,Teen Pop
02 [Enhanced]
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Lost Dogs
Pearl Jam Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000DYJM6 Release Date: 2003-11-11 |
Tracks:
- All Night
- Sad
- Down
- Hitchhiker
- Don't Gimme No Lip
- Alone
- In the Moonlight
- Education
- Black, Red, Yellow
- U
- Leavin' Here
- Gremmie Out of Control
- Whale Song
- Undone
- Hold On
- Yellow Ledbetter
Tracks:
- Fatal
- Other Side
- Hard to Imagine
- Footsteps
- Wash
- Dead Man Walking
- Strangest Tribe
- Drifting
- Let Me Sleep
- Last Kiss
- Sweet Lew
- Dirty Frank
- Brother
- Bee Girl
Customer Reviews:
PJ's Best since Yield.......2007-05-11
Great deal but a little warning.......2006-11-12
For example, on "Footsteps" a harmonica track was added - the original B-side didn't have that. It's cool to hear the harmonica and makes it sound different but I really enjoyed the more sparse rendition with just guitar and Eddie's voice.
"Alone" is also a different vesion than the original B-side. This one sounds a bit more raw (which can be good or bad) but it's just not the one I remember so dearly.
Once again, I love this album but just know that some of the songs sound different than the originals.
Lost And Found.......2006-09-22
From 'Wash' and "Dirty Frank' from the Ten era to the more recent 'Down' and 'Undone' from Riot Act, all the Pearl Jam songs that you may or may not have missed over the years are here.
You remember them...Yellow Ledbetter, Footsteps, Alone, Last Kiss, Leavin Here, Hard To Imagine, they're all here....
Some of my favourite PJ tracks of all time are on here. Special mention must go to 'Hold On', 'Let Me Sleep', the instrumental 'Brother' and 'Strangest Tribe' which reminds me of 'The Doors - Indian Summer'.
Also listen out for the hidden track at the end of disc 2, which is Eddie's ode to the late Layne Staley of Alice In Chains.
Lost Pearls.......2006-08-08
In Lost Dogs the band pass its life through all the 90s, since the early years with Ten and Vs, passing through the void that inspire No Code and Binaural, and finally arriving in the 2000s with the maturity of Riot Act. Essential.
pearl jam golden nugget collection .......2006-06-19
disc two review
as stated above i got round to listen to disc two last night at 111.pm and it really was a magical journey and i know it's an clinched saying but it truly was an beautiful grungy journey through the different evolutions of pearl jam
the disc started off well with the first three songs fatal other side and hard to imagine.. but it was just as "footsteps" started i was incarcerated by the music..this song was an stone gossard song that was left of the ten album..for what reason i don't know
then "wash" "as stated above from the cutting room floor of the ten album..
"dead man" "dead man walking soundtrack" this is an fantastic song.. with eddie vedder playing guitar on his own.
and the song didn't even make the dead man walking soundtrack
the next four songs are from the 1991 fan club christmas single and are all superb.
sweet lew left off the binaural album is an warped sophicated song..one of my favorites
"dirty frank" from the ten peroid it's increbily, in your face and it acts as it protrays
brother[ten era] another song that could of been a major smash hit!!!
now comes to the end and my favorite song of both albums
"bee girl" from the radio broadcast rockline
it's a beautiful intimicy, between jeff ament and eddie vedder
this is one of their all time classics!!!
get the album if you love PJ and what more of the diversity of post ten era
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Mozart's Magnificent Voyage
Manufacturer: Children's Group ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000061XU Release Date: 1998-10-13 |
Tracks:
- Horn Concerto, K.495, Movt 3
- Clarinet Quintet, K.581, Movt 2
- Symphony No.1, K.16, Movt 2
- Piano Sonata In F, K.332, Movt 3
- Medley: We Are Three Spirits ('Drei Knabchen')/Magic Flute, K.620
- Overture, Marriage Of Figaro, K.492
- Arrival At Court: Child's Minuet in C
- Medley: Symphony No.1, K.16, Movt 1/Variations On 'La Ci Darem,' By Beethoven
- Evening Falls ('Abendempfindung'), K.523
- Flute Quartet, K.285, Movt 2
- Symphony No.40, K.550, Movt 1
- Arrival In Rome
- Miserere Mei, By Allegri
- Cassation in C, K.63
- Minuet, Don Giovanni, K.527
- Medley: Barrel-Organ Var On 'Deh Vieni,'/Don Giovanni, K.527
- Variations On 'Twinkle, Twinkle, Little Star,' K.265
- Letter Duet, ('Canzonetta Sull'aria'), Marriage Of Figaro, K.492
- Eine Kleine Nachtmusik, K.525, Movt 4
- Ave Verum Corpus, K.618
- Medley: Waldstein Sonata, Op.53, By Beethoven/Piano Concerto in C, K.467, Movt 1...
- Medley: Piano Sonata in A, K.331, Mvt 1/Gran Partita, K.361, Movt 7
- Blow Softly, You Breezes ('Soave Sia Il Vento'), Cosi Fan Tutte, K.588...
Product Description
GENERAL FEATURES: The Dream Children are about to be written out of Mozart's most famous opera. Hoping to change their fate, they enlist the help of the composer's young son Karl. Together the children embark on an incredible journey that takes them back in time to Mozart's childhood as well as far into the future. Along the way, Karl learns much about his father and comes to understand his legacy of timeless music. Educational entertainment for all ages.Customer Reviews:
Too busy.......2006-07-14
good product and fast service.......2005-09-11
what a road trip.......2005-02-21
Mesmerized and moved mom to tears.......2005-01-26
Daughter loves it.......2003-03-27
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Claude Bolling: Suite for Cello & Jazz Piano Trio
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000025XO Release Date: 1990-10-25 |
Tracks:
- Suite For Cello & Jazz Piano Trio: Baroque In Rhythm
- Suite For Cello & Jazz Piano Trio: Concertante
- Suite For Cello & Jazz Piano Trio: Galop
- Suite For Cello & Jazz Piano Trio: Ballade
- Suite For Cello & Jazz Piano Trio: Romantique
- Suite For Cello & Jazz Piano Trio: Cello Fan
Customer Reviews:
Never fails to entertain..........2007-07-04
Claude Bolling Jazz CDs.......2006-11-10
Great music, but ..........2006-09-20
Ma continues to Expand his Repertoire.......2003-10-17
Ma has traveled from the beautiful solitude of the solo Bach Sonatas to the ravishing sensuousness of the Tango to "modern" chamber music and now to sophisticated jazz settings. Each of these pieces seems written with him in mind (and maybe that was the case) and if not, it is as near a perfect fit as one can imagine. The yearning of the cello combines with the other instruments to produce some of the most beautiful sounds around. This is a winner.
Bolling and Ma--a combination made in heaven!.......2002-10-07
"Baroque in Rhythm" opens the album with a, well, baroque sound. Ma serenely carries the first few minutes of the song himself, when Bolling and his bassist and drummer come in for back-up. The result is pure, propulsive magic. "Galop" has the feel of a musical dressage session, with Ma's cello richly filling the role of spirited horse, and Bolling's piano providing a prancing, mincing sound to back up the illusion. "Romantique" starts off sounding as though it's actually going to be a cheesy lounge ballad, but it soon turns mystical and minor and rich. Bolling can pack regret and memory and smoky sadness into piano-playing like practically no one else I know. "Romantique" is truly a magically evocative composition. On the song "Cello Fan," Bolling's piano and Ma's cello playfully sound as though they're racing each other, or else talking to each other at very high speed, each rushing to outdo the other. It's great breathless fun, and the whole album is a treasure.
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The Vienna I Love, Waltzes From My Heart
Johann Strauss Orchestra Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001GBL Release Date: 1997-01-14 |
Tracks:
- 'The Merry Widow': Strauss Party: Radetzky March - William Tell Overture - Light Cavalry Overture - Grisette Can Can From 'The Merry Widow' - Aviators March - Can Can From 'Orpheus In The Underworld'
- The Veleta
- Petersburg Sleigh Ride
- Volga Song
- The Skaters
- Egyptian March
- Gypsy Fiddles Playing
- Barcarole
- Emperor's Waltz
- Anne's Polka
- Meditation
- Morning Papers
- Carnival de Venice - Drinking Song - Carnival Of Venice - Estudiantina 1 - Estudiantina 2 - Over The Waves - The Bat
Amazon.com
If Rieu is not the most outstanding purveyor of Viennese waltzes and similar light-hearted fare, he is certainly the most popular and well-known. There are plenty of fun pieces on this album, although, to be just a tad pedantic, more of it is Italian and French than remotely Viennese. But it's all fun, and it's all well-played. --Sarah Bryan MillerCustomer Reviews:
Music different from title.......2007-05-26
André Rieu - The Vienna I love - Waltzes From My Heart.......2006-07-17
Excellent choice.......2006-05-03
Pop Strauss, et al.......2004-04-30
Depressed? Listen to this!.......2002-09-25
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From A Late Night High Rise
Matthew Ryan Manufacturer: 00:02:59 ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000N24LVY Release Date: 2007-01-30 |
Tracks:
- Follow The Leader
- And Never Look Back
- Babybird
- Gone For Good
- Providence
- Misundercould
- Everybody Always Leaves
- All Lit Up
- Love Is The Silencer
- Victory Waltz
- June Returns For July
- The Complete Family
Product Description
It's been a nice surprise to see High Rise being recognized as one of the best of '06. The reviews have been amazing and it turns out that the record is acheiving top 50 on itunes for weeks in a row. We've also been receiving some unsolicited radio play all over the country. I want to thank all of you who've been so supportive from it's very quiet beginning. I encourage the sharing of music, so if you know someone that might like a song off High Rise burn or share it with them. Ok? We started out selling High Rise on itunes and hard copies via 2minutes59.com Now the growing interest has pursuaded us to put the records in stores. Right now we're striking an agreement with The Coalition of Independent Record Stores / Junketboy. So, High Rise will be available in traditional hard copy exclusively through independent record stores. I'll share a list of these stores soon so you'll know where you can find it in your city! Don't forget about the February tour with Tim Easton. Dates are posted on my myspace homepage. Happy New Year MCustomer Reviews:
Stop and think.......2007-05-03
What a beauty.......2007-04-10
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Carnegie Hall - 4/6/02
Ani DiFranco Manufacturer: Righteous Babe ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000EHQ7KQ Release Date: 2006-04-04 |
Tracks:
- God's Country
- Subdivision
- Angry Any
- Educated G
- Not So Soft
- 2 Lil Girls
- Gratitude
- Detroit Annie...
- In The Way
- 2nd Intermission
- Names & Dates
- Serpentine
- Work In Progress
- Out Of Range
- Bonus Track 1
Customer Reviews:
Great Live Album!.......2006-11-03
Remarkable for early versions of "Serpentine" and "Self Evident".......2006-10-07
"Carnegie Hall 4.6.02" (15 tracks, 68 min.) was recorded on the same tour that would give us the "So Much Shouting" release, but this recoding is very different: for one, this is just Ani solo, no backing band. For another, this recording includes early versions of 2 epic songs within the Ani DiFranco catalogue: the 10 min. "Serpentine", in which Ani assails anything and everything that represents "authority", including Democrats and Republicans alike, but of course also "big business". (The fleshed out version of this song was eventually released on the 2003 album "Evolve".) The other piece is the 9+ min. "Self Evident": not a song, but a spoken piece in which Ani resets the 9/11 tragedy in her own words and world ("On the day that America fell onto its knees"). While I don't see the connection, Ani has no trouble linking 9/11 to her beliefs that there is no freedom of the press here and that America is not a democracy. Does it not strike anyone as ironic that Ani is not bothered by anyone saying these things and makes a living, and a very nice one at it, performing all over this country and proclaiming these "truths"?
I saw Ani and her band in concert on that Spring, 2002 tour, and when she brought "Self Evident" (which was a new piece at that time), the entire theater was just bowled over by the performance. I don't necessarily agree with her view of things, but one cannot help but admire the "art" and the "artist" in such a performance. The "Carnegy Hall" album is not essential as such in Ani's catalogue (if you don't have it yet, check out the "So Much Shouting" live album), but this album does bring a fascinating "snapshot of a moment", as Ani puts it herself in the excellent liner notes.
Recommended for all........2006-08-10
This one won out over reprieve.
Don't get me wrong, I don't think I totally know reprieve from five minutes of samples, and I plan to but it too, but for that day, that moment with a spare twenty dollar bill in my hand, this live album was better than reprieve. (or, at least, it will be until I buy reprieve and like it better.)
I've only been following ani's works for about two years, so I'm not totally familiar with all her material. However, my two favorite tracks are Self Evident and Serpentine; They are both on this album, one after another. And, at the time of this recording, they were just works in progress. It's cool to hear the way they progress from this live show to their respective album versions. And, while I still don't get the concept of "official bootlegs" (how can a bootleg be official, exactly?) I plan on buying every other ani bootleg. That is, after I buy reprieve.
A Must-Have for any Avid Ani Fan..........2006-04-12
While there are only a few songs from way back in the day, it's a fine compilation of some of her best work. After years of being an Ani fan, I still find myself astounded by her brilliance and talent as an artist and musician.
Carnegie Hall is a solo album...just Ani with her guitar. Though many of the songs are new, it is very reminescent of a lot of her earlier work.
For new Ani fans, get this CD and listen to: The first three tracks, Gratitude, and, of coursre, Out of Range.
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Ultimate Guitar Collection
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000I9M1 Release Date: 1999-03-09 |
Tracks:
- Allegro Giusto
- Largo
- Allegro
- Packington's Pound
- Greensleeves
- Fantasia 'A Fancy'
- Canarios
- Sonata In D
- Leyenda (Asturias)
- The Three Cornered Hat: The Millar's Dance
- Recuerdos De La Alhambra
- Choros No.1
- Andantino Espressivo
- Poco Animato
- En Los Trigales
- Allegro Con Spirito
- Adagio
- Allegro Con Brio
Tracks:
- Mallorca, Op. 202 - Albeniz
- Cataluna
- Granada
- Sevilla
- Cadiz
- Cordoba
- Dedicatoria
- La Maja De Goya
- Danza Espanola No. 4
- Valses Poeticos - Granados
- Danza Espanola No. 5 - Granados
- Fandango
- Passacaglia
- Zapateado
Customer Reviews:
Like a rainy day in a good bookstore.......2007-07-10
Not "Ultimate", but Wonderful!.......2007-03-29
As good a guitarist as Julian Bream is, one must begin by acknowledging that the title of this 2-CD set containing 32 admittedly seminal pieces written for hand-played strings ( primarily, the lute) is a tad hyperbolistic. An "Ultimate" collection of anything would have to be more complete, by definition, than any two CDs can be and, again, it almost goes without saying that no two people are apt to be in total agreement about what should or should not have been included in any such collection. All caveats considered and aside, this is, indeed, a thoughtfully selected and masterfully performed collection of what is, unarguably, some of the very best classical pieces ever written for the lute. Bream plays some of them on the guitar and others on a renaissance lute - the latter giving a somewhat truer indication of the stylings and musical nuances intended by the various composers. But, even the pieces he plays on the guitar - an instrument that, in it's current form, did not exist when many of the pieces were originally composed - are sensitive and lyrical interpretations that sound as if they MIGHT have been composed for the guitar.
Without spending space here reiterating the specific pieces, their titles and lengths, I will simply list the composers whose works Bream presents so nicely in this collection. They span a range of about five centuries beginning in the time of England's Elizabeth I and spanning the years through to the 20th Century's premier Spanish and Brazilian classical guitar composers. The list reads like a `Whose Who" of classical plucked-string instrument music and of composers whose keyboard compositions work particularly well on the strings of a lute or guitar, and includes;
- John Dowland
- Francis Cutting
- Antonio Vivaldi
- Gaspar Sanz (*)
- Mateo Albeniz (*)
- Manuel de Falla
- Enrique Granados (*)
- Hector Villa-Lobos, and
- Joaquin Rodrigo
(*) = Pieces originally written for keyboard play.
Every classical guitarist has his own recognizable style and approach to the instrument and the material. An experience listener would not confuse Bream's work with that of Andres Segovia, for example: but it is not that one is better than the other. Each, in his own distinctive way, is simply superb. Though the Spanish influence is clearly audible with both musicians, Bream's stylings have a more contemporary lilt and inflection than do those of Segovia; he makes each piece his own. One suspects that each time he plays a piece it comes out differently according to the moment, his mood, the instrument and God knows what else. Segovia, on the other hand, was well known for his constancy once he had found a version of each piece that fully suited his own ear and temperament.
While I am admittedly a Segovia fan, I find Bream's renditions to be noticeably fresher and each infused with an aura of presence in the here-and-now which I find especially enjoyable.
The collection is neither complete not `ultimate', but it is VERY good and well worth having in any collection of classical guitar music. In fact, for audiophiles not familiar with this genre, it is a fair place to begin to develop an ear for and a listener's knowledge of and experience with the classical guitar.
I recommend it highly.
Everyone would love this album!.......2007-01-16
Incredible.......2005-10-24
He is especially amazing in the second CD, with some of the solo guitar transcriptions of Albeniz. His rendition of Rodrigo's three pieces is also sublime.
I can't imagine anybody buying this cd then regretting it.
One well worth the price of two.......2004-09-25
Speaking as a musician I find the selections and the production of the first cd problematic. We get a few of the more lightweight examples of renaissance lute and baroque guitar (but no JS Bach and no (solo) baroque lute work); we get no vihuela repertoire and nothing truly representative of classical period composition. We do have all six movements from two contrasting concertos but the remainder of the cd consists mostly of neo-romantic repertoire from the twentieth century. Worse still, the recording quality is highly variable; for example one of the Villa Lobos pieces sounds as though it was recorded in an indoor swimming complex. Given the cd's title more care should have been taken to better represent Bream's career and musical diversity. In the opinion of one familiar with Bream's output this is a disappointing selection. Well played but not representative of the artist nor the art form.
However the opposite is the case with the second cd. These recordings were made at a time when Bream set out to commit to (then) vinyl, via the guitar, the musical heritage of Spain. Bream here was at the height of his interpretive power - and a fine film documentary also resulted from this endeavour.
The inclusion of the Rodrigo set makes this cd a better buy than the original Albeniz and Granados recording, although those who find this compilation rewarding might perhaps profit from researching Bream's catalogue, and adding the complete recording from which the Rodrigo is sourced (circa 1980-90) to their collection.
As for the Albeniz and Granados Bream offers his own transcriptions. These tread a fine line between fidelity to the piano scores and Bream's concept of what works on the guitar. As a general observation Bream seeks to include significantly more of the original score's textures than do many of his peers (e.g. J Williams, P Romero). At the same time he is not averse to significantly modifying the original (e.g. amongst others 'Granada' and 'Cordoba'). Such a process is part of any transcription but here the results are not only excellent but also personal to Bream, as a result we have further confirmation of the craft of a great performing artist.
Every listener will discover their own favourites and I have more than space allows me to relate. I believe that Bream brings more expression to his performances of the Valses Poeticos by Granados than any other guitarist I have heard, and the Passacaglia by Rodrigo is played with such a sense of a brooding menace that my spine tingles every time I listen to it.
The second cd alone is worth twice the compilation's asking price.
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Basso Profondo From Old Russia
Manufacturer: Russian Season Fr. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000JQGJ Release Date: 1999-08-10 |
Customer Reviews:
Enjoyment of old Russian liturgical nusic.......2007-01-09
Finally, a recording I can sing along with!.......2006-11-04
I still find it amazing that these singers can make notes in the midrange still sound low! Enjoy!
Good Music from Russia.......2005-07-21
Great CD.......2003-03-02
Well Below the Bass Range.......2002-01-15
is a musical rarity that shouldn't be missed. These basses have a gripping effect, with a timbre resembling that of an organ's pedal tones. These basses can sing the low A below the bass range. They are, simply, extraordinarily powerful voices. Savor the unearthly sound of them. Who knows - you might just get to like Russian polyphonic liturgical chant, as well.
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Stories Of Schumann And Grieg
Manufacturer: Vox (Classical) ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001KCV Release Date: 1995-04-16 |
Tracks:
- Symphony No. 3 In E-flat Major, Op. 97: 'Rhenish' - Lebhaft
- Andante And Variations In B-Flat Major
- Symphonic Etudes, Op. 13
- Toccata In C Major, Op. 7
- Kreisleriana, Op. 16
- Piano Concerto In A Minor, Op. 54: Allegro Vivace
- Carnaval, Op. 9
- 'Dedication', Op. 25/1
- Symphony No. 4 in D Minor, Op. 120: Introduction - Vivace
- Papilons, Op. 2
- Op. 25-3: 'The Nut Tree'
- Symphony No. 3 In E-flat Major, Op. 97: 'Rhenish' - Lebhaft-Schneller
- Piano Quintet In E-flat Major, Op. 44: Allegro ma non troppo
- Piano Concerto In A Minor, Op. 54: Allegro affettuoso
- Carnaval, Op. 9: Waltz
- Album For The Young, Op. 68: The Merry Farmer
- Scenes From Childhood, Op. 15: Dreams
- Cello Concerto In A Minor, Op. 129: Nicht au schnell
- Symphony No. 3 In E-flat Major, Op. 97: 'Rhenish' - Feierlich
- Peer Gynt Suite No. 1, Op. 46, No 1
- Lyric Suite, Op. 54-2: Norwegian Rustic Dance
- Op. 12 No. 4: Elf Dance
- Op. 35, No. 1: Norwegian Dances
- Elegiac Melodies
- Op. 64, No. 4: Symphonic Dances
- Op. 35, No. 2: Norwegian Dances
- Op. 5-3: 'I Love Thee'
- Op. 43, No. 1: Butterfly
- Op. 65, No. 6: Wedding Day At Troldhaugen
- Peer Gynt Suite No. 1, Op. 46, No. 3: Anitra's Dance
- Peer Gynt Suite No. 2, Op. 55, No. 4: Solveig's Song
- Peer Gynt Suite No. 1, Op. 46, No. 4: In The Hall Of The Mountain King
- Piano Concerto In A Minor, Op. 16: Allegro moderato; Allegro marcato
- Holberg Suite, Op. 40: Prelude: Allegro vivace
- Lyric Suite, Op. 54, No. 3: Dance Of The Dwarfs
- Homage To Chopin
- Sigurd Jorsalfar Suite, Op. 56, No. 3: Homage March
- Peer Gynt Suite No. 1, Op. 46: Morning Mood
- Peer Gynt Suite No. 1, Op. 46: The Death Of Aase
- Peer Gynt Suite No. 1, Op. 46: Anitra's Dance
- Peer Gynt Suite No. 1, Op. 46: In The Hall Of The Mountain King
- Peer Gynt Suite No. 2, Op. 55: III The Return Of Peer Gynt
- Peer Gynt Suite No. 2, Op. 55: IV Solveig's Song
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Singin' in the Rain (1952 Film Soundtrack) (Deluxe Edition)
Nacio Herb Brown , Gene Kelly , and Arthur Freed Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006JOF3 Release Date: 2002-10-01 |
Tracks:
- Main Title/Singin' In The Rain - Gene Kelly
- Fit As A Fiddle (And Ready For Love) - Gene Kelly
- Tango (Temptation) - MGM Studio Orchestra
- All I Do Is Dream Of You - Debbie Reynolds
- All I Do Is Dream Of You (Outtake) - Gene Kelly
- Make 'Em Laugh - Donald O'Connor
- Beautiful Girl Montage - MGM Studio Orchestra & Chorus
- Beautiful Girl - Jimmie Thompson
- You Were Meant For Me - Gene Kelly
- You Are My Lucky Star (Outtake) - Debbie Reynolds
- Moses - Gene Kelly
- Good Morning - Gene Kelly
- Singin' In The Rain - Gene Kelly
- Would You? - Betty Noyes
- Broadway Melody Ballet - MGM Studio Orchestra & Chorus
- Would You? End Title - Gene Kelly
- Singin' In The Rain (In A-Flat) - Debbie Reynolds
- Finale - Gene Kelly
- Main Title (Alternate Version) - MGM Studio Orchestra
- Beautiful Girl (Alternate Version/Tempo Track) - Gene Kelly
- Would You? (Unused Version) - Debbie Reynolds
- Would You (Duet) (Unused Version) - Gene Kelly
- Beautiful Girl (Unused Original Version) - Jimmie Thompson
- Singin' In The Rain (Alternate Vocal) - Gene Kelly
- Should I (Unused Instrumental) - MGM Studio Orchestra
Tracks:
- The Broadway Melody - Charles King
- You Were Meant For Me - Charles King
- The Wedding Of The Painted Doll - James Burroughs
- Singin' In The Rain - Cliff Edwards
- Should I - Charles Kaley
- Beautiful Girl - Sam Ash
- All I Do Is Dream Of You - Gene Raymond
- Broadway Rhythm - Frances Langford
- I've Got A Feelin' Your Foolin' - Robert Taylor
- You Are My Lucky Star - Marjorie Lane
- Would You - Jeanette MacDonald
- Good Morning - Judy Garland
- Singin' In The Rain - Judy Garland
- All I Do Is Dream Of You - Judy Garland
- Dignity - MGM Studio Orchestra
- Stunt Montage (Extended Version) - MGM Studio Orchestra
- First Silent Picture (Extended Version) - MGM Studio Orchestra
- Have Lunch With Me - MGM Studio Orchestra
- Dancing On A Rainbow - Arthur Freed
- Singin' In The Rain (Radio Broadcast) - Arthur Freed
- Broadway Melody Ballet (Original Version) - Gene Kelly
Amazon.com
A vibrant tribute to MGM's legendary confluence of brains, talent, hard work, ambition--and dare we say it?--massive egos, Singin' in the Rain long ago took its rightful place among the first rank of the studio's dizzying catalog of film musicals. This double-disc, 46-track 50th-anniversary edition features all of the film's familiar songs, as well as numerous outtakes and extended versions, many culled directly from the film's original recording masters. Its second disc also chronicles the film's clever--if studio imposed--self-referential musical gambit of recycling a slate of Arthur Freed/Nacio Herb Brown songs from Metro's first decade by including 14 of the originals, including performances by Jeanette McDonald, Judy Garland, Mickey Rooney, and Freed himself. Featuring a dozen previously unreleased recordings and an illustrated booklet containing the insightful reminiscences of the film's original writers, Betty Comden and Adolph Green, it's the ultimate musical companion to one of cinema's magical, enduring masterpieces. --Jerry McCulleyAlbum Description
The complete 50th Anniversary Edition and a bonus disc featuring the original recordings that inspired the 1952 MGM classic! Includes 12 previously unreleased tracks 'Would You?' (duet) (unused version), 'Beautiful Girl' (unused original version), 'Singin' In The Rain' (alternative vocal), 'Should I' (unused instrumental), 'You Were Meant For Me', 'All I Do Is Dream Of You', 'Broadway Rhythm', 'You Are My Lucky Star', 'Would You?', 'Dancing On A Rainbow' plus 'Broadway Melody Ballet' (original version). Rhino. 2002.Customer Reviews:
the perfect movie.......2007-03-10
Who can say what is beatiful? Look at faces of Gene and Stan during the shooting on the set: whole concentration and attention for everything.
This is a unique moment in their story, and in the story of cinema.
Unforgettable.
I LOVE MY FAVORITE SONG, AND THANKS TO THIS CD I CAN LISTEN TO IT ALL DAY LONG!!.......2007-01-28
Wonderful Soundtrack to a Wonderful Movie.......2006-06-16
Great CD.......2006-03-20
musical memories.......2006-03-14
Rap Music:
- 20th Century Masters - The Millennium Collection: The Best of Wayne Fontana & The Mindb [Original recording remastered]
- 48 Original Tracks [Original recording remastered] [Import]
- 9.11 [Explicit Lyrics]
- All The Way...A Decade Of Song [SACD]
- Almost Here
- Are You Sitting Comfortably
- B [EP]
- Back Door Men
- Best of David Soul [Import]
- Best of Reparata and the Delrons
Recommended Music:
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Seabiscuit [Enhanced] [Soundtrack]
Ryde or Die, Vol. 3: In the "R" We Trust [Explicit Lyrics]
Slowhand [Original recording remastered]
Paul Chihara: Guitar Concerto; Mistletoe Bride; Grass
Shot Callers, Vol. 2: Big Tyme Heavy Weighters [Explicit Lyrics]