Bird 3

Bird 3

Editorial Reviews

Keavin Wiggins - antiMusic, June 2001
"a great collection of songs that...cause the listener to sing along after the first listen"

Product Description
Have you heard the word? It's BIRD3. A band that's changing the face of mainstream rock and roll music. These three young gentlemen combine dynamics, emotion, strength and power with an intuitive sense of songwriting that’s more than captured in their live performances. Bird3 leaves their audience breathless and throttled, as well as uplifted and inspired.

Bird3's self-named collection is a vibrant breath of fresh rock 'n roll air that smartly combines the contemporary wit and edge of bands like Foo Fighters and Smashing Pumpkins with the timeless energy and spirit of classic artists like The Who and Neil Young. Produced by Nick DiDia (Pearl Jam, Stone Temple Pilots) with Richard Dashut (Fleetwood Mac and Matthew Sweet) and Bird3, the album features beautiful and powerful songs including the optimistic opening track "Fit", the memorable first single "Mess" and the touching standout "Glow".

Bird3 is Bird on vocals and guitar, Greg Coates on bass and backing vocals and Michael Miley on drums and backing vocals.

Bird 3

Bird 3,Bird 3,Immergent,Pop,Rock,Rock/Pop

Bird 3

Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
 Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Mahler Symphonies: An Owner's Manual (includes 1 CD)
  3. The Young Person's Guide to the Orchestra (Book & CD)
  4. What to Listen for in Music
  5. Study of Orchestration, Third Edition

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Si ji (Four Seasons)
Average customer rating: 5 out of 5 stars
  • Successful crossing over from East to West
  • One of the best solo guitar albums I have ever heard
  • Virtuoso playing and an unusual repetoire
 Si ji (Four Seasons)

Manufacturer: Gsp Records
ProductGroup: Music
Binding: Audio CD

Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
Similar Items:
  1. Romance de Amor
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ASIN: B000AXWHEY
Release Date: 2005-09-13

Tracks:

  1. Wang Huiran: Yi Dance
  2. He Luting: Shepherd Boy with Flute
  3. Dietmar Ungerrank: Intonation & 4 Sound-and-Image Compositions - Intonation
  4. Dietmar Ungerrank: Intonation & 4 Sound-and-Image Compositions - Long Out-stretched Pier with its Shadows
  5. Dietmar Ungerrank: Intonation & 4 Sound-and-Image Compositions - Wind on The Hill
  6. Dietmar Ungerrank: Intonation & 4 Sound-and-Image Compositions - Waiting for Guests
  7. Dietmar Ungerrank: Intonation & 4 Sound-and-Image Compositions - Land Circus
  8. Traditional - Heavenly Bird
  9. Tradional - Lantern Song
  10. Traditional - Mayila
  11. Evan Hirschelman: Meditation No.2
  12. Evan Hirshelman: Meditation No.1
  13. Stephen Goss: The Blue Kite
  14. Stephen Goss: Yellow Earth
  15. Stephen Goss: Farewell My Concubine
  16. Carlo Domeniconi: I Ching - 1 T'ai
  17. Carlo Domeniconi: I Ching - 3 Lin
  18. Carlo Domeniconi: I Ching - 4 T'ung len
  19. Carlo Domeniconi: I Ching - 5 Huan
  20. Carlo Domeniconi: I Ching - 6 K'uei
  21. Carlo Domeniconi: I Ching - 7 Chieh
  22. Stephen Funk Pearson: South China Sea Peace
  23. Thierry Rougier: Four Seasons - Spring
  24. Thierry Rougier: Four Seasons - Summer
  25. Thierry Rougier: Four Seasons - Autumn
  26. Thierry Rougier: Four Seasons - Winter

Customer Reviews:

5 out of 5 stars Successful crossing over from East to West.......2007-07-06

Nowadays many classical musicians move to 'cross-overs' between Western classics to exotic works, and Chinese musicians and composers pioneer in cross-overs from Chinese music to Western.
Alas, not all attempts are successful. Either there has not been enough nurturing in the Chinese repertoire, or the western playing style has not yet been fully developed.
Ms. Yang is a young classical guitarist. Gathering from what she said in her own introduction to this disc, she is a musician with a great ambition. It is true that the classical guitar may not have a substantial repertoire as other western instruments like the violin and piano. Hence drawing materials from other culture in a guitarist's repertoire is both a necessity and an endeavour.
A guitarist from Beijing, Ms. Yang is familiar with classical Chinese instruments like the gu qin, the zheng and the pipa. These ancient Chinese instruments are like the guitar- all are played by plucking strings set on wooden surfaces. So as Ms Yang herself noted - the guitar originated from the Middle East, a 'cross-over' area of Eastern and Western culture.
In many of the modern works recorded in this disc, Ms Yang played the guitar to the effect of those ancient Chinese instruments, and this is quite stunning. Her familiarity with the Eastern musical style is fully demonstrated, adding the requisite flavour of authenticity to her interpretation. There are a number of great compositions of the gu qing, the zheng as well as the pipa, and I truly look forward to Ms Yang's transcriptions of those to the guitar in due course.
A highly recommended recording for guitar players, guitar lovers and Chinese music fans alike.

5 out of 5 stars One of the best solo guitar albums I have ever heard.......2006-10-06

One of the most original CDs I've ever heard. This CD is full of incredible music. Yang XueFei plays with sensitivity, creativity and passion.
When I played this CD for my guitar teacher, he commented that it was rare for him not to have heard at least one piece on any particular classical guitar CD, yet all these pieces were new to him. Carlo Domeniconi (who wrote the masterpiece "Koyunbaba") has composed an outstanding suite based on the I Ching. The 3 pieces by Stephen Goss, which are based on Asian films, are themselves cinematic: "The Blue Kite" is a work of minimalist beauty. There are many other talented composers lending their gifts to this CD. Most of the selections are either composed for Yang Xuefei or are arrangements by her. All are inspired by Chinese culture and music. My favorite piece is "Long Outstretched Pier with its Shadow" (by Dietmar Ungerrank); it is elegantly written and the execution is sensual and rich.
Yang XueFei's technical agility, especially the right hand, (as in "Yi Dance") goes beyond that of her contemporaries. As impressive as this is, the passion she imbues into each work is what connects her to the songs and ultimately to the audience. Technique is there to help her express what is inside of her. It is as if the guitar is her lover. This just isn't a great guitar album; it is a great album period. Its emotional complexity deepens with each listening. Buy it!
I've also purchased "Romance de Amor" which is extremely good as well (listen to her version of "Requerdos de la Alhambra" as compared to one of her heroes, John Williams on "The Guitarist"), but "Si Ji" is totally unique. Don't miss it.
As an aside, If you do end up buying and enjoying this CD, you might listen to Lily Afshar. The influence of her Persian heritage is similar in effect to "Si Ji" by Yang XueFei. Both artists have breathed life into the modern repertoire of guitar music.

5 out of 5 stars Virtuoso playing and an unusual repetoire.......2005-10-26

I am a classical guitar student, and an over-the-top consumer. So I have a lot (many dozens) of classical guitar CDs. They are for the most part quite good, but they tend to blend. I might be able to distinguish Tennant's Rodrigo or Barrueco's Scarlatti, but too many guitarists play an awful lot of the same repetoire, and they play it quite similarly.

This CD is quite different. The pieces are all Asian in flavor and by composers I had never heard of. And they are quite beautiful. Ms. Yang appears to be quite young, so this could be the start of a long and interesting career. But at least one of the pieces was written for her, so she has already apparently developed a solid reputation.
M.F. Horn 3
Average customer rating: 4.5 out of 5 stars
  • Pop-influenced big band sound reaches maturity with this album
  • My Favorate Maynard Album
  • A Purely Subjective Review
 M.F. Horn 3
Maynard Ferguson
Manufacturer: Wounded Bird Records
ProductGroup: Music
Binding: Audio CD

Bebop GeneralBebop General | Bebop | Jazz | Styles | Music
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  1. M.F Horn 4 & 5 - Live at Jimmy's
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  3. M.F. Horn 2
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  5. Wow! The Formative Years

ASIN: B000LRZ04S
Release Date: 2007-02-27

Tracks:

  1. Awright, Awright
  2. Round Midnight
  3. Nice 'n Juicy
  4. Pocahontas
  5. Love Theme from "The Valachi Papers"
  6. Mother Fingers
  7. S.M.O.F.

Album Description

M.F. Horn 3 which reached #8 on The Billboard Jazz Albums chart and a respectable #128 on the Billboard Pop Albums chart. Again, Ferguson performs with his English band featuring other famed musicians including Pete Jackson, Randy Jones and Bruce Johnstone. On this volume, Ferguson steps back into Jazz mode, albeit with a more commercial edge. Wounded Bird. 2007.

Customer Reviews:

4 out of 5 stars Pop-influenced big band sound reaches maturity with this album.......2007-04-15

This album marks the point at which Maynard's band hit its stride in the era of the pop-rock-influenced big band sound. In the years just prior to this 1973 release, the band had relied heavily - but not always successfully - on interpretations of top-40 tunes to give it a contemporary sound and wider appeal (the "Ridin' High" album is a prime example of a less-than-successful effort). For this album, five of the seven tracks are original tunes written especially for the band in a contemporary rock-influenced style that would help set the standard for other groups that would follow. For example, "Mother Fingers" sounds like the type of material the Saturday Night Live band started to play a few years later.
The remaining two tracks ("Round Midnight" and "Love Theme from The Valachi Papers") are the ballad offerings of this set, done in a style more like Maynard's band of a decade earlier. Both are beautiful arrangements, and this rendition of "Round Midnight" may be the best big band version of that old standard ever recorded.
Trumpet enthusiasts may wish that Maynard had done more trumpet solos instead of switching to valve trombone for a couple of tunes, but it's always nice to hear what he does with the latter instrument, where he's not expected to play high notes all the time. Also, some listeners (myself included) would better enjoy the closing track "S.O.M.F." if it didn't open and close with solos by an Indian instrument identified as the "veen." Those who know Maynard's history recognize this as his homage to the time he spent in India in the 1960s, but it seems starkly out of place in a big band setting. (Note: The updated CD package mislabels this track as "S.M.O.F.")
For avid Maynard fans, especially those who heard him perform in the 1970s, this CD is a must-have. For others, this is good but not his best from this period - see my review of "M.F. Horn 4 & 5: Live at Jimmy's."

4 out of 5 stars My Favorate Maynard Album.......2007-04-11

This was my favorate Maynard Ferguson LP. The CD sounds just as good as the LP. Note, however, that it is also just as long as the LP. That means that you are paying for a CD with less than 40 minutes of music on it.

5 out of 5 stars A Purely Subjective Review.......2007-03-02

This happens to be my favorite Maynard album of all time. The clowns at Columbia/Sony took their sweet time (30+ years) allowing this one to be released on CD -- just in time for Maynard himself not to see it happen (you can tell I am a big fan of Columbia/Sony brass). This was the last of the original "MF Horn" series recorded with the original "English" crew, and for once, Columbia got the audio right. A great sounding album, along with great performances by all involved.
Haydn: Complete String Quartets
Average customer rating: 4.5 out of 5 stars
  • A superb Haydn benchmark
  • Perfect Dinner Music
  • Delightful Background Music
  • He truly is the father of string quartets!
  • A matter of taste?
 Haydn: Complete String Quartets
Angeles String Quartet
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

QuartetsQuartets | Chamber Music | Classical | Styles | Music
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All Works by Franz Joseph HaydnAll Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
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  5. Liszt: Piano Works

ASIN: B0000501PC
Release Date: 2001-05-22

Tracks:

  1. Str Qt in E flat, Op.0: I. Presto
  2. Str Qt in E flat, Op.0: II. Menuetto
  3. Str Qt in E flat, Op.0: III. Adagio
  4. Str Qt in E flat, Op.0: IV. Menuetto
  5. Str Qt in E flat, Op.0: V. Finale: Presto
  6. Str Qt in B flat, Op.1 No.1: I. Presto
  7. Str Qt in B flat, Op.1 No.1: II. Menuetto
  8. Str Qt in B flat, Op.1 No.1: III. Adagio
  9. Str Qt in B flat, Op.1 No.1: IV. Menuetto
  10. Str Qt in B flat, Op.1 No.1: V. Presto
  11. Str Qt in E flat, Op.1 No.2: I. Allegro
  12. Str Qt in E flat, Op.1 No.2: II. Menuetto
  13. Str Qt in E flat, Op.1 No.2: III. Adagio
  14. Str Qt in E flat, Op.1 No.2: IV. Menuetto
  15. Str Qt in E flat, Op.1 No.2: V. Presto
  16. Str Qt in D, Op.1 No.3: I. Adagio
  17. Str Qt in D, Op.1 No.3: II. Menuetto
  18. Str Qt in D, Op.1 No.3: III. Presto
  19. Str Qt in D, Op.1 No.3: IV. Menuetto
  20. Str Qt in D, Op.1 No.3: V. Finale: Presto

Tracks:

  1. Str Qt in G, Op.1 No.4: I. Presto
  2. Str Qt in G, Op.1 No.4: II. Menuetto
  3. Str Qt in G, Op.1 No.4: III. Adagio Ma Non Tanto
  4. Str Qt in G, Op.1 No.4: IV. Menuetto
  5. Str Qt in G, Op.1 No.4: V. Presto
  6. Str Qt in C, Op.1 No.6: I. Presto Assai
  7. Str Qt in C, Op.1 No.6: II. Menuetto
  8. Str Qt in C, Op.1 No.6: III. Adagio
  9. Str Qt in C, Op.1 No.6: IV. Menuetto
  10. Str Qt in C, Op.1 No.6: V. Finale: Presto
  11. Str Qt in A, Op.2 No.1: I. Allegro
  12. Str Qt in A, Op.2 No.1: II. Menuetto
  13. Str Qt in A, Op.2 No.1: III. Adagio
  14. Str Qt in A, Op.2 No.1: IV. Menuetto
  15. Str Qt in A, Op.2 No.1: V. Allegro Molto

Tracks:

  1. Str Qt in E, Op.2 No.2: I. Allegro Molto
  2. Str Qt in E, Op.2 No.2: II. Menuetto
  3. Str Qt in E, Op.2 No.2: III. Adagio
  4. Str Qt in E, Op.2 No.2: IV. Menuetto
  5. Str Qt in E, Op.2 No.2: V. Finale: Presto
  6. Str Qt in F, Op.2 No.4: I. Presto
  7. Str Qt in F, Op.2 No.4: II. Menuetto
  8. Str Qt in F, Op.2 No.4: III. Adagio
  9. Str Qt in F, Op.2 No.4: IV Menuetto: Allegretto
  10. Str Qt in F, Op.2 No.4: V. Allegro
  11. Str Qt in B flat, Op.2 No.6: I. Adagio
  12. Str Qt in B flat, Op.2 No.6: II. Menuetto
  13. Str Qt in B flat, Op.2 No.6: III. Presto: Scherzo
  14. Str Qt in B flat, Op.2 No.6: IV. Menuetto
  15. Str Qt in B flat, Op.2 No.6: V. Presto

Tracks:

  1. Str Qt in C, Op.9 No.1: I. Moderato
  2. Str Qt in C, Op.9 No.1: II. Menuetto: Un Poco Allegretto
  3. Str Qt in C, Op.9 No.1: III. Adagio
  4. Str Qt in C, Op.9 No.1: IV. Finale: Presto
  5. Str Qt in E flat, Op.9 No.2: I. Moderato
  6. Str Qt in E flat, Op.9 No.2: II. Menuetto
  7. Str Qt in E flat, Op.9 No.2: III. Adagio
  8. Str Qt in E flat, Op.9 No.2: IV. Finale: Allegro Molto
  9. Str Qt in G, Op.9 No.3: I. Allegro Moderato
  10. Str Qt in G, Op.9 No.3: II. Menuetto
  11. Str Qt in G, Op.9 No.3: III. Largo
  12. Str Qt in G, Op.9 No.3: IV. Finale: Presto
  13. Str Qt in d, Op.9 No.4: I. Moderato
  14. Str Qt in d, Op.9 No.4: II. Menuetto
  15. Str Qt in d, Op.9 No.4: III. Adagio Cantabile
  16. Str Qt in d, Op.9 No.4: IV. Finale: Presto

Tracks:

  1. Str Qt in B flat, Op.9 No.5: I. Poco Adagio: Theme And Vars
  2. Str Qt in B flat, Op.9 No.5: II. Menuet: Allegretto
  3. Str Qt in B flat, Op.9 No.5: III. Largo Cantabile
  4. Str Qt in B flat, Op.9 No.5: IV. Finale: Presto
  5. Str Qt in A, Op.9 No.6: I. Presto
  6. Str Qt in A, Op.9 No.6: II. Menuetto
  7. Str Qt in A, Op.9 No.6: III. Adagio
  8. Str Qt in A, Op.9 No.6: IV. Finale: Presto
  9. Str Qt in E, Op.17 No.1: I. Moderato
  10. Str Qt in E, Op.17 No.1: II. Menuet
  11. Str Qt in E, Op.17 No.1: III. Adagio
  12. Str Qt in E, Op.17 No.1: IV. Finale: Presto
  13. Str Qt in F, Op.17 No.2: I. Moderato
  14. Str Qt in F, Op.17 No.2: II. Menuet: Poco Allegretto
  15. Str Qt in F, Op.17 No.2: III. Adagio
  16. Str Qt in F, Op.17 No.2: IV. Finale: Allegro Di Molto

Tracks:

  1. Str Qt in E flat, Op.17 No.3: I. Andante Grazioso
  2. Str Qt in E flat, Op.17 No.3: II. Menuet: Allegretto
  3. Str Qt in E flat, Op.17 No.3: III. Adagio
  4. Str Qt in E flat, Op.17 No.3: IV. Allegro Di Molto
  5. Str Qt in c, Op.17 No.4: I. Moderato
  6. Str Qt in c, Op.17 No.4: II. Menuet: Allegretto
  7. Str Qt in c, Op.17 No.4: III. Adagio Cantabile
  8. Str Qt in c, Op.17 No.4: IV. Finale: Allegro
  9. Str Qt in G, Op.17 No.5: I. Moderato
  10. Str Qt in G, Op.17 No.5: II. Menuet: Allegretto
  11. Str Qt in G, Op.17 No.5: III. Adagio
  12. Str Qt in G, Op.17 No.5: IV. Finale: Presto
  13. Str Qt in D, Op.17 No.6: I. Presto
  14. Str Qt in D, Op.17 No.6: II. Menuet
  15. Str Qt in D, Op.17 No.6: III. Largo
  16. Str Qt in D, Op.17 No.6: IV. Finale: Allegro

Tracks:

  1. Str Qt in E flat, Op.20 No.1: I. Allegro Moderato
  2. Str Qt in E flat, Op.20 No.1: II. Menuet: Un Poco Allegretto
  3. Str Qt in E flat, Op.20 No.1: III. Affettuoso E Sostenuto
  4. Str Qt in E flat, Op.20 No.1: IV. Finale: Presto
  5. Str Qt in C, Op.20 No.2: I. Moderato
  6. Str Qt in C, Op.20 No.2: II. Capriccio: Adagio
  7. Str Qt in C, Op.20 No.2: III. Menuet: Allegretto
  8. Str Qt in C, Op.20 No.2: IV. Fuga A Quattro Soggeti: Allegro
  9. Str Qt in g, Op.20 No.3: I. Allegro Con Spirito
  10. Str Qt in g, Op.20 No.3: II. Menuet: Allegretto
  11. Str Qt in g, Op.20 No.3: III. Poco Adagio
  12. Str Qt in g, Op.20 No.3: IV. Allegro Di Molto

Tracks:

  1. Str Qt in D, Op.20 No.4: I. Allegro Di Molto
  2. Str Qt in D, Op.20 No.4: II. Un Poco Adagio E Affettuoso
  3. Str Qt in D, Op.20 No.4: II. Menuet Alla Zingarese
  4. Str Qt in D, Op.20 No.4: IV. Presto E Scherzando
  5. Str Qt in f, Op.20 No.5: I. Moderato
  6. Str Qt in f, Op.20 No.5: II. Menuet
  7. Str Qt in f, Op.20 No.5: III. Adagio
  8. Str Qt in f, Op.20 No.5: IV. Fuga A Due Soggetti
  9. Str Qt in A, Op.20 No.6: I. Allegro Di Molto E Scherzando
  10. Str Qt in A, Op.20 No.6: II. Adagio
  11. Str Qt in A, Op.20 No.6: III. Menuetto
  12. Str Qt in A, Op.20 No.6: IV. Fuga A Tre Soggetti: Allegro

Tracks:

  1. Str Qt in b, Op.33 No.1: I. Allegro Moderato
  2. Str Qt in b, Op.33 No.1: II. Scherzo: Allegro
  3. Str Qt in b, Op.33 No.1: III. Andante
  4. Str Qt in b, Op.33 No.1: IV. Presto
  5. Str Qt in E flat, Op.33 No.2 'The Joke': I. Allegro Moderato, Cantabile
  6. Str Qt in E flat, Op.33 No.2 'The Joke': II. Scherzo: Allegro
  7. Str Qt in E flat, Op.33 No.2 'The Joke': III. Largo Sostenuto
  8. Str Qt in E flat, Op.33 No.2 'The Joke': IV. Finale: Presto
  9. Str Qt in C, Op.33 No.3 'The Bird': I. Allegro Moderato
  10. Str Qt in C, Op.33 No.3 'The Bird': II. Scherzo: Allegretto
  11. Str Qt in C, Op.33 No.3 'The Bird': III. Adagio
  12. Str Qt in C, Op.33 No.3 'The Bird': IV. Rondo: Presto

Tracks:

  1. Str Qt in B flat, Op.33 No.4: I. Allegro Moderato
  2. Str Qt in B flat, Op.33 No.4: II. Scherzo: Allegretto
  3. Str Qt in B flat, Op.33 No.4: III. Largo
  4. Str Qt in B flat, Op.33 No.4: IV. Presto
  5. Str Qt in G, Op.33 No.5: I. Vivace Assai
  6. Str Qt in G, Op.33 No.5: II. Largo E Cantabile
  7. Str Qt in G, Op.33 No.5: III. Scherzo: Allegro
  8. Str Qt in G, Op.33 No.5: IV. Finale: Allegretto
  9. Str Qt in D, Op.33 No.6: I. Vivace Assai
  10. Str Qt in D, Op.33 No.6: II. Andante
  11. Str Qt in D, Op.33 No.6: III. Scherzo: Allegretto
  12. Str Qt in D, Op.33 No.6: IV. Finale: Allegretto
  13. Str Qt in d, Op.42: I. Andante Ed Innocentemente
  14. Str Qt in d, Op.42: II. Menuet
  15. Str Qt in d, Op.42: III. Adagio E Cantabile
  16. Str Qt in d, Op.42: IV. Finale: Presto

Tracks:

  1. Str Qt in B flat, Op.50 No.1: I. Allegro
  2. Str Qt in B flat, Op.50 No.1: II. Adagio Non Lento
  3. Str Qt in B flat, Op.50 No.1: III. Poco Allegretto
  4. Str Qt in B flat, Op.50 No.1: IV. Finale: Vivace
  5. Str Qt in C, Op.50 No.2: I. Vivace
  6. Str Qt in C, Op.50 No.2: II. Adagio Cantabile
  7. Str Qt in C, Op.50 No.2: III. Menuetto: Allegretto
  8. Str Qt in C, Op.50 No.2: IV. Finale: Vivace Assai
  9. Str Qt in E flat, Op.50 No.3: I. Allegro Con Brio
  10. Str Qt in E flat, Op.50 No.3: II. Andante Piu Tosto Allegretto
  11. Str Qt in E flat, Op.50 No.3: III. Menuetto: Allegretto
  12. Str Qt in E flat, Op.50 No.3: IV. Finale: Presto

Tracks:

  1. Str Qt in f#, Op.50 No.4: I. Allegro Spirito
  2. Str Qt in f#, Op.50 No.4: II. Andante
  3. Str Qt in f#, Op.50 No.4: III. Menuetto
  4. Str Qt in f#, Op.50 No.4: IV. Fuga: Allegro Moderato
  5. Str Qt in F, Op.50 No.5: I. Allegro Moderato
  6. Str Qt in F, Op.50 No.5: II. Poco Adagio
  7. Str Qt in F, Op.50 No.5: III. Menuetto
  8. Str Qt in F, Op.50 No.5: IV. Finale: Vivace
  9. Str Qt in D, Op.50 No.6 'The Frog': I. Allegro
  10. Str Qt in D, Op.50 No.6 'The Frog': II. Poco Adagio
  11. Str Qt in D, Op.50 No.6 'The Frog': III. Menuetto: Allegretto
  12. Str Qt in D, Op.50 No.6 'The Frog': IV. Finale: Allegro Con Spirito

Tracks:

  1. Str Qt inG, Op.54 No.1: I. Vivace Assai
  2. Str Qt inG, Op.54 No.1: II. Allegretto
  3. Str Qt inG, Op.54 No.1: III. Menuet
  4. Str Qt inG, Op.54 No.1: IV. Vivace
  5. Str Qt in C, Op.54 No.2: I. Vivace
  6. Str Qt in C, Op.54 No.2: II. Adagio -
  7. Str Qt in C, Op.54 No.2: III. Menuetto: Allegretto
  8. Str Qt in C, Op.54 No.2: IV. Adagio
  9. Str Qt in E, Op.54 No.3: I. Allegretto
  10. Str Qt in E, Op.54 No.3: II. Largo
  11. Str Qt in E, Op.54 No.3: III. Menuetto: Allegretto
  12. Str Qt in E, Op.54 No.3: IV. Finale: Presto

Tracks:

  1. Str Qt in A, Op.55 No.1: I. Allegro
  2. Str Qt in A, Op.55 No.1: II. Adagio Cantabile
  3. Str Qt in A, Op.55 No.1: III. Menuet
  4. Str Qt in A, Op.55 No.1: IV. Finale: Vivace
  5. Str Qt in f, Op.55 No.2 'The Razor': I. Andante
  6. Str Qt in f, Op.55 No.2 'The Razor': II. Allegro
  7. Str Qt in f, Op.55 No.2 'The Razor': III. Menuetto: Allegretto
  8. Str Qt in f, Op.55 No.2 'The Razor': IV. Presto
  9. Str Qt in B flat, Op.55 No.3: I. Vivace Assai
  10. Str Qt in B flat, Op.55 No.3: II. Adagio Ma Non Troppo
  11. Str Qt in B flat, Op.55 No.3: III. Menuetto
  12. Str Qt in B flat, Op.55 No.3: IV. Presto

Tracks:

  1. Str Qt in C, Op.64 No.1: I. Allegro Moderato
  2. Str Qt in C, Op.64 No.1: II. Menuet: Allegro Ma Non Troppo
  3. Str Qt in C, Op.64 No.1: III. Allegretto Scherzando
  4. Str Qt in C, Op.64 No.1: IV. Finale: Presto
  5. Str Qt in b, Op.64 No.3: I. Allegro Spirito
  6. Str Qt in b, Op.64 No.3: II. Adagio Ma Non Troppo
  7. Str Qt in b, Op.64 No.3: III. Menuet: Allegretto -

Amazon.com's Best of 2001

A massive set--67 string quartets on 21 discs in a budget-priced, shelf-friendly, compact box. So the obvious question is: do you need it? The equally obvious answer is a resounding "yes" if you love these endlessly inventive quartets and if you appreciate superbly played performances that capture both the letter and the spirit of Haydn's genius. The Angeles String Quartet isn't as well known as some ensembles that have recorded complete Haydn sets, but they are superior to all, with the arguable exception of the Tatrai Quartet. They demonstrate technical polish and rich, warm sound that's never cloying. And they give these works the forward-moving impetus they need within a classical framework, eschewing both anachronistic Romanticism and the mechanical astringency of period specialists.

The Angeles Quartet is unique in its mastery of early as well as late works, in tune with Haydn's stylistic development and sensitive to the attractions of each of these remarkable pieces. So they infuse the visionary slow movements of the late quartets with the appropriate depth and at the same time revel in the muscularity of the Opus 76 No.2's catchy Menuetto, the humor of the "Joke" Quartet, Opus 33 No.2, and the power of the Allegro con spirito of Opus 76 No.1. Most impressive is their way with the early quartets--no small matter when you consider that the contents of the first six discs precede the Opus 20 set generally considered as signaling the maturity of the form. The Angeles make even the earliest quartets, five-movement divertimentos for four strings, a habit-forming delight. Their playing here is full of exuberance, wittily playful and rough, peasantlike by turns. The sonics are outstanding, too, well-balanced, warm, and lifelike. An indispensable recording. --Dan Davis

Customer Reviews:

5 out of 5 stars A superb Haydn benchmark.......2007-06-28

It takes a lot of time to grasp Haydn's music, because there's much of everything: symphonies, piano sonatas, operas, piano trios, string quartets, choral works, songs, etc. - in sum, more than one thousand individual works. It will probably take more than a year listening to it all, and comprehend it as well (i.e., not as "background music"). Few, if any person, can have a complete grasp of everything he wrote.

But there are nonetheless good reasons trying to grasp Haydn's music, at least partly. This bargain set - 68 string quartets on 21 CDs - is a perfectly good reason. Haydn's string quartets contain some of his finest music. And the present recordings with Angeles Quartet are simply superb. Unlike many period instrument performers, Angeles Quartet avoids meticulous mannerism and plays this music with energy and passion, without loosing structural control. Furthermore, the recordings are excellent, with a rich, creamy and spacious sound. In short, great performances and excellent engineering. A benchmark recording, no less.

There are some rival complete sets: Aeolian Quartet (Decca), Festetics Quartet (period instrument performances, Arcana), Tátrai (Hungaroton), and Kodaly Quartet (Naxos). In terms of sound, the present set is clearly preferable. In terms of performances, the only serious rival is Tátrai Quartet's classic collection from the sixties. But Angeles Quartet is not a second choice. If you hesitate, you need both. Budget and shelf space minded collectors need not hesitate.

5 out of 5 stars Perfect Dinner Music.......2007-05-14

Some might be offended at the idea that music be played in the background to accompany a fine meal, but in fact most of us listen to music in the background. This entire set of 15-CDs is (to my ears) the perfect music to accompany a delicious meal with someone you love. I have owned this CD set for years and never tire of it.

I have found that after listening to it hundreds of times that using iTunes in shuffle mode keeps it fresh.

5 out of 5 stars Delightful Background Music.......2006-03-04

This music is a great buy, and wonderful to listen to while doing desk work or reading.

The Angeles String Quartet does an excellent job, and all of the works are so tuneful that I frequently found myself walking around the house humming the tunes after hearing a quartet for the first time.

5 out of 5 stars He truly is the father of string quartets!.......2005-09-27

This may not be true as far as the instrumentation is concerned, but Haydn is one of the first to explore them as more than a solo violin with a trio accompaniment (second violin, viola and cello), thus giving the chamber music a new dimension.

If you've already explored Haydn's universe through some of his glorious symphonies, these string quartets are an excellent way of further expanding your appreciation of Haydn's music. There are very few dull moments in this lot (and almost all of them are to be found in his early quartets, while there are a few in his very latest works, where he seems to have lost the energy and brio that had established him as one of the best composers of his time). His first works have five movements and ressemble the divertimenti or serenatas. Later on, his quartets took a form which was to become standard, both for Haydn and other composers: four movements - a fast one, a slow one, a minuet and trio and a fast finale.

If one listens to Haydn's string quartes in chronological order, one can feel and appreciate his growth and maturity as a composer. The motives introduced during the first movement are developed over the entire work entity, the increasing use of first movements that are monothematic, the expansion of harmonic usage, the combination of serious with funny, intellectual with ridicule, etc.

Both Mozart and Beethoven wrote famous series of string quartets, but I've always liked Haydn's quartets the most. My personal favorites are op. 76 (especially no 3, which later on became the German National Anthem), op. 64 (especially no 5 called "The lark") and op. 33 (where Haydn introduced special effects, like a birdcall, which gave the third quartet its name).

3 out of 5 stars A matter of taste?.......2005-05-31

It is something unpleasant about the sound here; it is resonant, yes, but not like the Takacs quartet. Comparing to the Takacs' take on op.76/1, 2 & 3, which I love, the Angeles' makes me think of a grey substance, sterile, antiseptic, of no life. Is it the sound quality? Or is it the way the quartet is playing? I think the latter, but it is difficult to figure out what is wrong; in fact I don't find any serious miscalculations. The problem is that the playing feels calculated; it is some kind of contrived perfection, it all feels too concious; I feel something wrong about the accent, the stress of the phrasings... but I give up: Suffice it to say that I regret I bought this collection of boring performances. Three stars for professional playing. If you like some human touch, go for the Aeolian quartet, less perfection, more life.
Moondog 1 & 2
Average customer rating: 5 out of 5 stars
  • This needs a more articulate review...
  • happy music
 Moondog 1 & 2
Moondog
Manufacturer: Beat Goes On
ProductGroup: Music
Binding: Audio CD

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ASIN: B00004YU0K
Release Date: 2000-11-06

Tracks:

  1. Theme
  2. Stamping Ground
  3. Symphonique No. 3 (Ode to Venus)
  4. Symphonique No. 6 (Good for Goodie)
  5. Minisym No. 1
  6. Lament, No. 1
  7. Witch of Endor
  8. Symphonique No. 1 (Portrait of a Monarch)
  9. Bells Are Ringing
  10. Voices of Spring
  11. What's the Most Exciting Thing
  12. All Is Loneliness
  13. My Tiny Butterfly
  14. Why Spend a Dark Night With Me
  15. Coffee Beans
  16. Down Is Up
  17. Be a Hobo
  18. Remember
  19. I Love You
  20. Nero's Expedition
  21. No, The Wheel Was Never Invented
  22. With My Wealth
  23. This Student of Life
  24. Some Trust All
  25. Wine, Women and Song
  26. Sadness
  27. Maybe
  28. Each Today Is Yesterday's Tomorrow
  29. Imagine
  30. You the Vandal
  31. Trees Against the Sky
  32. Behold
  33. Sparrow
  34. Pastoral

Customer Reviews:

5 out of 5 stars This needs a more articulate review..........2005-12-10

To tell the truth, the only reason I even listened to this disc in the store is because I spotted the cover, and wondered what the hell a guy who looked like that could sound like. I had a gushing smile on my face as I realized there was real talent and expression behind Moondog's odd facade. The first album on this disc (there are two herein) is made up of more "orchestral" material like none you've ever heard before (one of these tracks "stamping Grounds" is in "The Big Lebowski". The second album is made up of a series of short "rounds"; cyclical songs with naturally repetitive compositions (think row row row your boat, or three blind mice). Due to the familiar nature of such song forms, and the unique compositions employed by Moondog, the second album is quite buoyant and joyful. This is an all around great and very familiar listening experience, and quite a timeless set of albums. Get it while you still can!

5 out of 5 stars happy music.......2002-12-28

Moodog is a realy composer of all time. Is create a new conception of street music and universal sound
Paris, 27/12/02 France
Only Opera CD You'll Ever Need
Average customer rating: 1.5 out of 5 stars
  • Not worth buying!
  • Don't waste your money
  • Perfect for "drop the needle" style tests
  • A CD with Attention Deficit Disorder
  • This sucks...
 Only Opera CD You'll Ever Need

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003GA0
Release Date: 1997-10-14

Tracks:

  1. Antony & Cleopatra: 'Give Me My Robe' - Leontyne Price
  2. Fidelio: 'In des Lebens Fruhlingstagen...' - Ben Heppner
  3. Fidelio: Act II Quartet: 'Ach, du bist gerettet...' - Deborah Voigt
  4. Norma: 'Casta Diva' - Rosa Ponselle
  5. Candide: 'Glitter And Be Gay' - Harolyn Blackwell
  6. Candide: 'Make Our Garden Grow' - Jerry Hadley
  7. Carmen: Flower Song - Placido Domingo
  8. Carmen: Habanera - Rise Stevens
  9. Carmen: Toreador Song - Robert Merrill
  10. Les pecheurs de perles: Duet: 'Oui, c'est elle, c'est la deesse...' - Robert Merrill
  11. Mefistofele: 'Ecco il mondo' - Samuel Ramey
  12. La Wally: 'Eben, ne andro lontana' - ONLY OPERA CD YOU'LL EVER NEED
  13. Lakme: Bell Song - Lily Pons
  14. L'Elisir d'Amore: 'Una furtiva lagrima' - Tito Schipa
  15. Lucia di Lammermoor: 'Chi mi frena in tal momento...' - Carlo Bergonzi
  16. Lucia di Lammermoor: 'Spargi d'amaro pianto' - Anna Moffo
  17. Martha: 'M'appari tutto amor' - Jussi Bjoerling
  18. Porgy & Bess: 'Summertime' - Leontyne Price
  19. Porgy & Bess: 'Bess, You Is My Woman' - William Warfield
  20. Andrea Chenier: 'Come un bel di di maggio' - Ben Heppner
  21. Romeo et Juliette: Juliette's Waltz; 'Je veux vivre' - Ruth Ann Swenson
  22. Salammbo: Aria - Kiri Te Kanawa
  23. Hansel & Gretel: 'Suuse, liebe Susse - Helen Donath
  24. I Pagliacci: 'Vesti la giubba' - Enrico Caruso
  25. Cavalleria Rusticana: 'Viva il vino' - Jussi Bjoerling
  26. Cherubin: 'Lorsque vous n'aurez rien' - Dawn Upshaw
  27. Manon: 'Ah! Fuyez, douce image' - Richard Crooks
  28. Cosi fan tutte: 'Come scoglio immoto resta' - Leontyne Price
  29. Don Giovanni: 'La ci darem la mano' - Edith Mathis
  30. Don Giovanni: 'Deh! vieni alla finestra' - Ezio Pinza
  31. Don Giovanni: 'Non mi dir' - Carol Vaness
  32. Le nozze di Figaro: 'Non piu andrai...' - Alan Titus
  33. Le nozze di Figaro: 'Porgi, amor' - Carol Vaness
  34. Le nozze di Figaro: 'Deh vieni, non tardar' - Bidu Sayao
  35. Die Zauberflote: 'Dies Bildnis ist bezaubernd schon' - Fritz Wunderlich
  36. Die Zauberflote: Der Holle Rache - Zdislawa Donat
  37. Die Zauberflote: Papageno - Papageno Duet - Christian Boesch
  38. Boris Godunov: 'I v ljutomgore, nisposlannom Bogom...' - Alexander Kipnis
  39. Tales Of Hoffmann: Barcarolle - Montserrat Caballe
  40. La Gioconda: 'Cielo e mar' - Beniamino Gigli
  41. La Boheme: 'Che gelida manina' - Giuseppe Di Stefano
  42. La Boheme: 'Mi piaccion quelle cose...' - Licia Albanese
  43. La Boheme: 'Fremon gia nell'anima' - Luciano Pavarotti
  44. La Boheme: Musetta's Waltz Song - Judith Blegen
  45. Gianni Schicchi: 'O mio babbino caro' - Angela Gheorghiu
  46. Madama Butterfly: 'Ah, ti serro palpitante' - Placido Domingo
  47. Madama Butterfly: 'Un bel di' - Leontyne Price
  48. Manon Lescaut: 'Donna non vidi mai' - Jussi Bjoerling
  49. La rondine: 'Chi il bel sogno di Doretta - Anna Moffo
  50. TOSCA: 'Recondita armonia' - Placido Domingo
  51. TOSCA: 'Vissi d'arte' - Irina Oudalova
  52. TOSCA: 'E avanti a lui...' - Zinka Milanov
  53. TOSCA: 'E lucevan le stelle' - Mario Lanza
  54. Turandot: 'Signore, ascolta' - Renata Tebaldi
  55. Turandot: 'In questa reggia' - Birgit Nilsson
  56. Turandot: 'Nessun dorma' - Jussi Bjoerling
  57. Dido & Aeneas: 'When I Am Laid In Earth' - Leontyne Price
  58. Il Barbiere di Siviglia: 'Largo al factotum' - Robert Merrill
  59. Il Barbiere di Siviglia: 'Una voce poco fa' - Roberta Peters
  60. Samson et Dalila: 'Mon coeur s'ouvre' - Christa Ludwig
  61. The Bartered Bride: 'Wenn ich das einmal erfahre' - Teresa Stratas
  62. Elektra: 'Agamemnon' - Inge Borkh
  63. Der Rosenkavalier: 'Ist ein Traum' - Erna Berger
  64. Salome: 'Nicht in der Welt...' - Inge Borkh
  65. Eugene Onegin: Lenski's Aria - Placido Domingo
  66. Eugene Onegin: Tatiana's Letter Scene - Leontyne Price
  67. Aida: 'Celeste Aida' - Jussi Bjoerling
  68. Aida: 'Ritorna vincitor!' - Leontyne Price
  69. Aida: 'Gloria all'Egitto' - John Alldis Choir
  70. Aida: 'O patria mia' - Leontyne Price
  71. Un Ballo in Maschera: 'O docezze perdute! O memorie...' - Robert Merrill
  72. Don Carlo: 'Dio, che nell'anima infondere' - Placido Domingo
  73. Ernani: 'Emani, involami' - Leontyne Price
  74. La forza del destino: 'Or muoio tranquillo...' - Robert Merrill
  75. La forza del destino: 'Pace, pace mio dio' - Zinka Milanov
  76. Nabucco: 'Va, pensiero' - Oleg Reshetkin
  77. Otello: 'Credo' - Tito Gobbi
  78. Otello: Willow Song - Leonie Rysanek
  79. Otello: 'Niun mi tema' - Jon Vickers
  80. Rigoletto: 'Qesta o quella' - Alfredo Kraus
  81. Rigoletto: 'Caro nome' - Anna Moffo
  82. Rigoletto: 'La donna e mobile' - Jan Peerce
  83. Rigoletto: 'Bella figlia dell'amore' - Alfredo Kraus
  84. La Traviata: Brindisi - Montserrat Caballe
  85. La Traviata: 'Di provenza' - Sherrill Milnes
  86. La Traviata: 'Sempre libera' - Eleanor Steber
  87. La Traviata: 'Addio del passato' - Anna Moffo
  88. Il Trovatore: Anvil Chorus - Moscow Classical Chorus & Ensemble
  89. Il Trovatore: 'Di quella pira' - Placido Domingo
  90. Il Trovatore: 'Tacea la notte placido - Leontyne Price
  91. Die Meistersinger von Nurnberg: 'Morgenlicht leuchtend' - Set Svanholm
  92. Die Walkure: Ride Of The Valkyries - Staatskapelle Dresden
  93. Die Walkure: Wotan's Farewell - Lawrence Tibbett
  94. Siegfried: Song Of The Forest Bird - Norma Sharp
  95. Gotterdammerung: 'Starke Scheite schichtet mir dort' - Kirsten Flagstad
  96. Lohengrin: Bridal Chorus - Robert Shaw Chorale
  97. Lohengrin: 'In fernem Land' - Lauritz Melchior
  98. Tannhauser: 'Dich teure Halle' - Waltraud Meler

Customer Reviews:

1 out of 5 stars Not worth buying!.......2007-05-29

I found this recording basically worthless. It contains only very short excerpts of the song. Not enough to get into and enjoy!

1 out of 5 stars Don't waste your money.......2007-01-18

This is the worst purchase I have ever made. It is a truly dreadful piece of work.I was so disgusted with it that I threw it into the trash can.

5 out of 5 stars Perfect for "drop the needle" style tests.......2006-11-19

If you want to hear full recordings of arias, then this disc is not for you. It plays only tidbits of 99 arias. Contrary to the title, this is definitely not the only opera disc you'll ever need. You shouldn't take it seriously. This disc has next to no value for an opera neophyte. But for opera fanatics, there has never been a better test of your knowledge of operatic repertoire and singers. It's a great challenge for opera buffs. Sit down with your opera loving friends for an hour, play this disc, and try to be the first to identify the singer, composer, opera, and piece. If you're a music professor, this disc would make for an awesome pop quiz. Find out how well your students really know their opera repertoire.

1 out of 5 stars A CD with Attention Deficit Disorder.......2006-10-02

I don't know anyone who would enjoy this CD. It will drive opera fans nuts with a hundred exerpts that run about 30 seconds each, then fade out without the singers even finishing a single verse. It's more like an index of arias, or a volume of teasers that hucksters might use to sell opera CDs.

I never realized how much Bernstein's "Glitter and be gay" sounded like Delibes' "Bell Song" until I heard 35 seconds of one, followed 23 seconds of the other.

Maybe the TV show 'Jeopardy' could use this CD. 'What is "Hush little baby don't you..."??'

What a waste of beautiful voices and great music. 38 seconds of Enrico Caruso, followed by 31 seconds of Jussi Bjoerling, followed by 38 seconds of Dawn Upshaw.

My copy is going to go sailing into the wastebasket as soon as I finish this review.

1 out of 5 stars This sucks..........2006-03-31

I should only blame myself for not checking out more reviews... this is a CD filled with short, little snippets of great operas songs... and I mean SHORT, LITTLE snippets of 30 seconds or so, each. Don't buy this CD... it is a complete rip off... and that is saying ALOT since it is only $4.00... Again, my fault for not reading the reviews but I trusted that something called a "Music CD" would actually have complete songs... What else does this company offer? A "Music CD" that only has the intros or applause tracks to great songs...?

Move on to something else... Amazon has a great selection... just not this one.
There Is Sweet Music: English Choral Songs, 1890 - 1950
Average customer rating: 5 out of 5 stars
  • A Cambridge Singers high point
  • How sweet it is
  • Something about British Choral Music...
  • Unbelievably gorgeous
 There Is Sweet Music: English Choral Songs, 1890 - 1950
Cambridge Singers , and Rutter
Manufacturer: Collegium
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Cambridge Singers a Capella
  2. Flora Gave Me Fairest Flowers
  3. Sing Ye Heavens - Hymns for All Time
  4. Cambridge Singers Christmas Album
  5. John Rutter Collection

ASIN: B00006O0OB
Release Date: 2003-02-25

Tracks:

  1. Stanford: Partsongs Op. 119 No 3, Bluebird
  2. Delius: To be sung of a summer night on the water, 2 songs for chorus
  3. Elgar: Partsongs for chorus, Op.53 No 1, There Is Sweet Music
  4. Elgar: My Love Dwelt in a Northern Land for Chorus, Op.18, No. 3
  5. Vaughan-Williams: Shakespeare Songs for chorus
  6. Moeran: The Sailor and Young Nancy, for chorus
  7. Traditional: Brigg Fair
  8. Irish Traditional: Londonderry Air (Danny Boy)
  9. Anon.: The Three Ravens
  10. Anon.: My Sweetheart's Like Venus
  11. Anon.: The Oak and the Ash
  12. Stanford: Quick! We Have But A Second for chorus
  13. Britten: Flower Songs for SATB chorus, Op. 47

Album Description

`I have rarely been so stunned by the opening track of a disc before. The performance of Stanford's The Blue Bird here attains the sublime.' Hi-Fi News & Record Review

Customer Reviews:

5 out of 5 stars A Cambridge Singers high point.......2005-10-17

One of the very best recordings this choir has produced, and a definitely top choice for anyone who loves this choir or English choral music in general. Absolutely first-rate singing...and the literature is just too gorgeous to be on a one disc and pass up. The Delius pieces will make you melt, and the Vaughan Williams 3 Shakespeare Songs are nothing short of phenomenal.

5 out of 5 stars How sweet it is.......2005-09-26

This disc is a bit different from many of the Cambridge Singers' discs in that it is exclusively secular songs. This was recorded at the Great Hall of University College School, London, in 1986, and originally released on vinyl. I cannot find an analog/digital code (many vinyl originals were first recorded in analog and then transferred to digital, sometimes clumsily) - despite this, the recording quality is crisp, clear, and vibrant.

--Music--
The music here is simply gorgeous. English musical tradition is long in the area of folk songs, but there was a waning of folk songs during Georgian and Victorian times. Also, despite the tradition of choral music which has been strong in England continuously, there was a definite resurgence of interest with the advent of the Oxford Movement in the nineteenth century.

The music here represents the work of many prominent English composers - Vaughan Williams, Holst, Britten, Delius, Stanford, and Elgar; others whose names are less well known generally are also represented, such as Moeran, Grainger, Chapman, and Bairstow. Vaughan Williams is represented in his setting of three Shakespeare texts to music ('Full Fathom Five', 'The cloud-capp'd towers', and 'Over Hill, Over Dale'). Britten is represented with Five Flower Songs. The title piece comes from a text chosen by Elgar - 'There is sweet music', according to Rutter, demonstrates a wonderful ability to match words to music in a way he describes as uncanny.

There is poetry in the texts and in the music here.

--Liner Notes--
The notes for this recording include the titles and words of each song together with source citations. There is also a brief essay on this musical period in English history. One thing conspicuously missing is much biographical information about John Rutter, or any descriptive information about the Cambridge Singers. This disc does not even have a list of the singers.

--John Rutter--
Rutter was born in London and educated at Clare College, Cambridge. This was where his career as a composer, arranger and conductor began. His early work was with groups at King's College Chapel at Cambridge as well as the Bath Choir and Philharmonic Orchestra. He has worked for the BBC providing music for educational series such as 'The Archaeology of the Bible Lands', until in 1979 he began forming the Cambridge Singers, and has continued a remarkable career of performance and recording as their director ever since.

--The Cambridge Singers--
The Cambridge Singers are a mixed choir of voices, many of whom were members of choir of Rutter's college, Clare College, Cambridge. While they specialise in English and Latin liturgical pieces, they have a wide range of recordings that span from modern compositions (including a remarkable requiem by Rutter) to English folk songs of the Middle Ages. Many are former members of the choir of Clare College and other Cambridge collegiate choirs (hence the name, Cambridge Singers). In the quarter-century since the founding, the Cambridge Singers have produced an impressive body of recordings.

This is a gorgeous recording.

5 out of 5 stars Something about British Choral Music..........2005-07-19

It is such pleasure to see this re-release of 1986 recording by John Rutter and the Cambridge Singers from the Great Hall of University College School, London. The original recording has long been a favorite of legions of devotees of the British Choral tradition and this collection remains one of the finest samplings of significant a capella songs available.

Opening with the hauntingly simple and beautiful 'The blue bird' by CV Stanford (to whom this album was dedicated), the tone of the CD is set as a stroll through the mists and bogs of the English countryside. Songs by Frederick Delius (one featuring the then unappreciated tenor soloist Mark Padmore!), Edward Elgar, various folk songs beautifully arranged for four-part chorus, the 'Five Flower Songs' by Benjamin Britten, and finally the extraordinary 'Three Shakespeare Songs' set to music by Ralph Vaughan Williams are all included in this generous recital.

Vaughan Williams songs are brief but immaculately written choral works. 'Full fathom five' and 'The cloud-capped towers' find all the mystery in Shakespeare's 'The Tempest' while 'Over hill, over dale' is the quintessential musical rendering of the fairies frolics from 'A Midsummer Night's Dream'. Rutter and the Cambridge Singers are splendid and the acoustic of the recording hall adds just the right amount of resonance to complete the magic of these songs. Highly recommended! Grady Harp, July 05

5 out of 5 stars Unbelievably gorgeous.......2005-04-09

This is one of my all-time favorite choral CDs -- from start to finish, the harmonies are gorgeous, the mood contemplative, and the singing (as usual with the Cambridge Singers) is inspired. The title track is stunning, and the Londonderry Air is one of the most beautiful wordless arrangements you'll ever hear. I also love "The Oak and the Ash," although it's hard to pick favorites on such a uniformly wonderful CD. I myself am a serious singer, and this is the kind of music that keeps me coming back to rehearsals. Buy it, you will definitely never regret it!
Haydn: String Quartets, Op. 33 "Russian", No. 3 "The Bird", 4 and 6
Average customer rating: 5 out of 5 stars
  • Haydn's Op 33 String Quartets
  • Haydn's Top 30 Quartets
 Haydn: String Quartets, Op. 33 "Russian", No. 3 "The Bird", 4 and 6

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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  1. Haydn: String Quartets, Op. 33 "Russian", No. 1, No. 2 "The Joke", No. 5 "How do you do?"
  2. Haydn: String Quartets, Op. 20 "Sun", Nos. 4-6
  3. Haydn: String Quartets Op. 76, Nos. 1-3
  4. Haydn: String Quartets, Op. 71, Nos. 1-3 "Apponyi Quartets"
  5. Haydn: String Quartets, Op. 76, Nos. 4, 5 and 6

ASIN: B0000013YF
Release Date: 1995-01-25

Tracks:

  1. Allegro Moderato
  2. Scherzo: Allegretto
  3. Adagio Ma Non Troppo
  4. Finale: Rondo-Presto
  5. Vivace Assai
  6. Andante
  7. Scherzo: Allegretto
  8. Finale: Allegretto
  9. Allegro Moderato
  10. Scherzo: Allegretto
  11. Largo
  12. Finale: Presto

Amazon.com

Haydn claimed that his Op. 33 string quartets were composed in a "new and special way," and ever since musical scholars have been arguing about what he meant. Was it mere advertising, or is something different really going on? One this is certain: in place of the usual minuet movement, Haydn invented something called a "Scherzo," which means "joke" in Italian--an innovation that was immediately taken up by Beethoven and just about every composer since. These were also the string quartets that inspired Mozart to compose his great Six Quartets Dedicated to Haydn, making them one of the most influential set of pieces in the history of music. Witty, sophisticated, and tuneful, the music itself is its own best advertisement. --David Hurwitz

Customer Reviews:

5 out of 5 stars Haydn's Op 33 String Quartets.......2007-02-19

I ordered this CD and its mate with the other three quartets of Opus 33. My interest in these six quartets was originally their importance as models for Mozart's six late quartets dedicated to Joseph Haydn. However, I discovered that these are great works on their own, in the same class as Mozart's. The differences between them show the differences in Mozart and Haydn's temperaments, rather than any difference in genius of the composer or excellence of workmanship.

The performances of the Kodaly Quartet are uniformly first-rate, and the quality of the reproduction is excellent.


5 out of 5 stars Haydn's Top 30 Quartets.......2005-07-29

This is general review of the Naxos series of Haydn's string quartets.

You know the old saying, "you get what you pay for." This is usually true for sure ... but once in a while in life something comes around whose quality and value far exceed the price. Such is the case with the Naxos recordings of the Kodaly Quartet. These are performances of top caliber recorded with very good to excellent sound quality.

But, where to start with so many Haydn quartets? One suggestion is to get the Naxos SETS of these works which are an even more stellar bargin. But, if you are buying one CD at-a-time (which perhaps allows for more appreciation and slower savoring), you might focus on what is known as "Haydn's Top 30." This is a list of Haydn's quartets that are recognized by many experts as his finest: Op. 3 (no. 3,5) - Op.9 (no. 2) - Op. 17 (no. 5) - Op. 20 (no. 4,5,6) - Op. 33 (No. 2,3,6) - Op. 50 (no. 6) - Op. 54 (no. 1,2,3) - Op. 64 (all) - Op. 74 (no. 1,2,3) - Op. 76 (all) - Op. 77 (no. 1,2).

Quartets prior to Op. 17 have more of a simpler, pleasant "galante" style and are quite enjoyable for "everyday listening" ... Op. 20 sees Haydn fully in his "Storm & Stress" period with bold harmonies and dynamic rhythms ... By Op. 33 Haydn was over his pre-Romantic-era emotive composing and returned to a more lyrical style .... Op. 64 has a really gorgeous and relaxed style ... then in Op. 76 & 77 we see the pinnacle of Haydn's craft late in his life with quartets rich in intelligent construction, complex part writing and more grand 'symphonic' harmonies - part due to his writing for large London audiences. A good place to start is to get one CD each from roughly Haydn's early-middle-late periods - like Op. 3, Op. 33 and Op. 76 and see the development that occured as Haydn literally gave birth to the modern string quartet.

Another quartet with a keen affinity for Haydn is the Austrian quartet, Quatuor Mosaiques, whose vivid recordings of Op. 20, 33, 64, 76 and 77 have won critical acclaim for their in-depth readings and beautiful sound. Using period instruments, the Mosaiques' recordings in general are more dramatic in style and tone generally than the Kodaly Quartet (using modern instruments) and are considered by most to be the finest of any period-instrument quartet right now. Their award-winning Op. 20 recording is most exceptional and dramatic. But the Kodaly Quartet with their lucious, smooth-sounding Haydn recordings gets universally high marks from most reviewers and is the finest value bar none. Go for the sets for the best value.
Gamma 3
Average customer rating: 4.5 out of 5 stars
  • Unfortunate, shut the plastic keyboards up!
  • an all time favorite
  • One of my very favorites
  • Still a breath of fresh air to hear after all these years
  • Not qutie as hard rockin as first two cd's still excellent
 Gamma 3
Gamma
Manufacturer: Wounded Bird Records
ProductGroup: Music
Binding: Audio CD

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  1. Gamma 2
  2. Gamma 1
  3. Gamma 4
  4. Warner Bros Presents Montrose
  5. The Speed of Sound

ASIN: B00006RY5W
Release Date: 2002-10-15

Tracks:

  1. Whats Gone Is Gone
  2. Right The First Time
  3. Moving Violation
  4. Mobile Devotion
  5. Stranger
  6. Condition Yellow
  7. Modern Girl
  8. No Way Out
  9. Third Degree

Album Description

Gamma was the group that Ronnie Montrose started after his group Montrose broke up. They released three albums on Elektra Records between 1979 and 1982. Gamma 3 hit the Billboard charts in 1982 and rose to #72. Wounded Bird. 2002.

Customer Reviews:

3 out of 5 stars Unfortunate, shut the plastic keyboards up!.......2006-11-11

Let's face it, most music to come along in the 80's was garbage, pretty much designed for the mindless L.A. crowd and gay dance clubs. This is really unfortunate since this album had so much potential with Ronnie's guitar abilities. Unfortunately Ronnie is relegated to the background by Froom who is determined to drown everyone out by using twice the volume for his techno-pop-bubblegum junk. Everytime Ronnie starts to solo, there's the keyboard right in your face, twice as loud as an irritating distraction saying "look at me" and making a mess of it all. At least Rush, and UFO during this period knew when too silence keyboards during a song so that something else could emerge on their albums, but I guess Ronnie and Dave Pattison were just too nice to say anything, which is unfortunate for us!

5 out of 5 stars an all time favorite.......2005-11-29

This is the best of the Gamma releases. I don't see where some of the other reviewers see this one as less hard-hitting; I listen to Denny Carmassi on No Way Out and get tired just imagining what he's doing with those drums. Ronnie proves how great he is at writing, and his teaming up with Mitch Froom was a great move. I'm not sure I have a favorite song; they are all awesome. After all these years, this music still gives me chills. It's good to see it released on CD. BTW, I was quite disappointed with Gamma 4. I don't know what happened between 3 & 4, but it wasn't good.

5 out of 5 stars One of my very favorites.......2004-11-03

Others might like one or both of the previous Gamma albums, but for me, Gamma 3 will always be my favorite.

For years, this cassette lived in my sports car, and made bad trips good, and good trips great. By the time the opening anthem, "What's Gone is Gone" finished, I'd be driving at least 30 mph faster than the limit, and hoarse from singing at the top of my lungs, and in need of new speakers, 'cuz I blew them out.

And the rest of the album is just as good. "Right the First Time" gives me chills just thinking about it. "Stranger" is burned into my brain - at least that guitar/voice part.

The brilliance that briefly showed up in "Space Station #5" ("Montrose") is all here, in spades. You're going to love this album.

I, too, have been waiting for this to come out on CD for decades, and look forward to buying it.

BTW - Ronnie Montrose also put out "Speed of Sound", which is an awesome album.

5 out of 5 stars Still a breath of fresh air to hear after all these years.......2003-02-28

This cd or it was an album back oh, say 21 years ago still is very good to listen, too. It isn't quite as hard rocking as the first two cd's, but that doesn't mean it isn't as good as they are because it is just as good and maybe better overall even though it doesn't have the hard hitters like Solar heat/Ready for action or Mayday. What it does have is a lot of very good to excellent progresive songs and ronnie does play quite a bit still throughout the cd. My favorites are the third degree, moving violation, condition yellow, and stranger. If you don't have this cd and have the first two don't be afraid to pick it up because you will like better and better through the years.

5 out of 5 stars Not qutie as hard rockin as first two cd's still excellent.......2003-01-11

This cd is a little more oriented towar the keyboars instead of guitars. My favorites are Moving Violation, Condtion Yellow, Stranger, and Third degree although all songs are quite good on this cd.
Hail to the Chief
Average customer rating: 4.5 out of 5 stars
  • Hail To the Thief!
  • Hail to the Chief
  • Another Great Altissimo! Release
  • Hail to the Chief
 Hail to the Chief

Manufacturer: Altissimo Records
ProductGroup: Music
Binding: Audio CD

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