Measure

Measure

Track Listings

1. Measure 1
2. Sound and the Words
3. Hollows
4. Green Grass
5. Measure 2
6. Sugar House
7. New Fall
8. Competition
9. Flying Through the Scenery
10. Price of Spring
11. It's Over

Measure,Matt Pond PA,File 13,Chamber Pop,Emo,Indie Pop,Indie Rock,Pop,Rock,Rock/Pop


Measure

Beyond Measure
Average customer rating: 4 out of 5 stars
  • great cd
  • Yes, it's a little different. But give it a try.
  • One of my best if not the best Christian CD i've owned
  • Excellent!
  • This album is "Beyond Measure"
Beyond Measure
Jeremy Camp
Manufacturer: Bec Recordings / Emd
ProductGroup: Music
Binding: Audio CD

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  1. See the Morning
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ASIN: B000IHY9RU
Release Date: 2006-10-31

Tracks:

  1. Tonight
  2. What It Means
  3. Beyond Measure
  4. Let It Fade
  5. Feels Like
  6. When You Are Near
  7. No Matter What
  8. Take A Little Time
  9. Everything
  10. I Am Nothing
  11. Give You Glory
  12. Give Me Jesus

Customer Reviews:

5 out of 5 stars great cd.......2007-07-09

I have really enjoyed this cd. It is a real inspiration. I would recommend it to anyone that enjoys contemporary christian music

4 out of 5 stars Yes, it's a little different. But give it a try........2007-06-07

I love Jeremy Camp. He is one of the best things to happen to music (especially Christian Music) in a long time. The CD is not his usual and there are a few things I would say about it coming from a musicians point of view.

1. Sometimes the lyrics are a bit redundant. He rhymes words like seen, needs, memoRIES, vacanCY.... it goes on and on like that the whole song. As a songwriter he should know that sort of makes the song sound like a nursery rhyme. Maybe that's the effect of having two kids.

2. This is petty but he frequently uses the word CRAVE randomly. Maybe it's just me but I do not think this is a good word for describing how you need Jesus!

Overall, it is a newer, lighter, cleaner Jeremy Camp and I appreciately his work. It is not the usually LOUD rocker we are used to (with the exception of track 11), but if you buy for no other reason, buy it for "Give Me Jesus". It's simple, but powerful stuff.

5 out of 5 stars One of my best if not the best Christian CD i've owned .......2007-05-07

This project is nearly perfect. It has so much I cannot even describe it. Great vocals, great music, and great lyrics. That says it all!!!

5 out of 5 stars Excellent!.......2007-05-07

A highly recommended CD! Jeremy Camp combines great lyrics and upbeat music to make this one of his best albums.

5 out of 5 stars This album is "Beyond Measure".......2007-05-03

I am also a big Jeremy Camp fan. Initially, this album did not strike me as being as strong as his previous album. But let me tell you. The Holy Spirit is working (at least on me) through this album. It has grown on me is a very big way. The released tracks are not even my favorites, that speaks to the strength of the album. That said, I also have the "Special Edition" with the bonus tracks. The bonus track song "We Remember" is by far my favorite. Its not a pounding, intense songs like we all know an love. But the lyrics and music just .... not sure what so say but Awesome!. Tonight is great, What is Means is awesome, Give you Glory is great.

Camp fan's out there. Do not hesitate for a second to purchase this album. You will not be disappointed. Do not be lulled into the initial softness of the album.
The Last Samurai
Average customer rating: 4.5 out of 5 stars
  • The power of faith
  • This soundtrack....
  • Dances With Wolves in Japan
  • A Diverse Score from the Land of the Rising Sun
  • One of the best themes ever composed
The Last Samurai
Hans Zimmer
Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000DZTIW
Release Date: 2003-11-25

Tracks:

  1. A Way Of Life
  2. Spectres In The Fog
  3. Taken
  4. A Hard Teacher
  5. To Know My Enemy
  6. Idyll's End
  7. Safe Passage
  8. Ronin
  9. Red Warrior
  10. The Way Of The Sword
  11. A Small Measure Of Peace

Amazon.com

Whether Tom Cruise's portrayal of a 19th century American soldier cum samurai warrior will be remembered with the same pangs of pop-cultural bemusement that befell John Wayne playing Genghis Khan remains to be seen. But its musical soundtrack does mark an auspicious occasion: pop musician-turned-composer Hans Zimmer's 100th score since beginning his film career in 1988. A pioneer of fusing both the electronic and orchestral and the Westernized with the indigenous, Zimmer does both here with skill, drawing heavily on samples of the traditional Taiko (a massive Japanese drum) for its rhythmic action sequences, while constructing a melodic Western motif for Cruise's character that's both centerpiece and counterpoint for the score's transcultural intent. Aside from the brief, ominous thunder of the expected action/suspense boilerplate, Zimmer has constructed passages of gentle, Asian-inflected pastoralism that have parallels with much of his evocative work on The Thin Red Line. Those cues are the score's very soul, a canvas against which his more traditional themes reverberate all the stronger. --Jerry McCulley

Customer Reviews:

5 out of 5 stars The power of faith .......2007-05-29

Sweet as lotus flower, strong as a the solid rock of the paith, sharp as a samurai sword... close your eyes and live in an magic ancient atmosphere

5 out of 5 stars This soundtrack...........2007-04-24

...is really amazing, so deep and great. The movie would never be so good without this great music.

4 out of 5 stars Dances With Wolves in Japan.......2007-04-10

If you liked Dances With Wolves this is it in Japan - I do think it is Tom C's best movie. The sound track is excellent - Zimmer also did Batman Returns which has a fantastic soundtrack - Hans is comming on

4 out of 5 stars A Diverse Score from the Land of the Rising Sun.......2007-03-02

I always love it when composers branch out and write music that you would never expect them to write, yet retaining their own trademark sound. Here, Hans Zimmer utilizes his own, recognizable sound, where you know it's him with eastern instrumentation, such as Taiko drums, the shakuhachi (a staple in Horner scores lately), and the koto harp. It's east meets west, a route in which Tan Dun took on in the film "Hero", and Zimmer's score follows many of those same musical ideas, only not quite as eastern sounding as Dun's score.
The main theme is a powerful 7-note anthem which tends to build its way up each time, as in "A Way of Life", "Spectres in the Fog", "Idyll's End", and "Safe Passage". You can tell it is a Zimmer theme just by its sound, but with the oriental flavor thrown in, it really adds to the mix.
The action music in the score is exciting with energetic Taiko drums keeping the pulse moving. They do not get tiresome, as you might think because Zimmer uses them more like a heartbeat, not a heart attack! "Red Warrior" is a powerful anthem, consisting of japanese warrior chants, which really add to the scope of the sound. Other noteworthy tracks are "Ronin" and "The Way of the Sword", which are enjoyable pieces of music.
I was pleased of the results of Zimmer's work here. It showcases Zimmer's diversity with his music. I hope he gets the opportunity to write more diverse scores such as this. The Da Vinci Code is certainly one of them!

5 out of 5 stars One of the best themes ever composed.......2007-02-28

This soundtrack is brilliant, and Hans Zimmer even more. He is truly one of the great film composers. The Last Samurai's sounds never fail to draw emotion from me.
Measure of a Man
Average customer rating: 4.5 out of 5 stars
  • I'm not one to usually complain, but this CD sucks!
  • FANTASTIC!!!
  • This artist has been horribly mis-managed.
  • CLAY IS A-OK!
  • I Must Commend Clay For Not Going Hip/Hop
Measure of a Man
Clay Aiken
Manufacturer: Rca
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000AGWEC
Release Date: 2003-10-14

Tracks:

  1. Invisible
  2. I Will Carry You
  3. The Way
  4. When You Say You Love Me
  5. No More Sad Songs
  6. Run to Me
  7. Shine
  8. I Survived You
  9. Solitaire (Bonus Cut)
  10. Perfect Day
  11. Measure of a Man
  12. Touch

Amazon.com

No one will lament the passing of the boy band phenomenon; now the American Idol runner-up Clay Aiken has released his first album. He's picked up right where 'N Sync and the Backstreet Boys left off, not only borrowing Andreas Carlsson, the Swedish songsmith who penned some of their biggest hits (also using the services of other well-known popmeisters like Desmond Child and Cathy Dennis), but turning out the same type of impeccable over-produced and seamless creations that the Orlando pop mafia rode up the charts at the dawn of the millennium. Several years into the new millennium it seems like there's still quite a bit of life left in that zeitgeist, since Aiken's Measure of a Man debuted at number one on the Billboard charts. Well crafted and well sung, but at times lacking discernable personality or endearing idiosyncrasies, many of Aiken's tunes sound the same, whether he's lamenting the lack of love in his life ("Invisible"), reveling in it ("Perfect Day"), or supporting his fellow man ("I Will Carry You"). As a made-for-TV pop star, it'll be interesting to see how Measure of a Man measures up in the years to come. --Jaan Uhelszki

Customer Reviews:

1 out of 5 stars I'm not one to usually complain, but this CD sucks!.......2007-06-21

Why did I buy it, you might ask? Because Clay has a wonderful voice, that's why! I heard Bridge Over Troubled Water and was blown away. I had to have this CD. But it's garbage. I thought Jewel's Pieces Of You CD was bad. At least she had a couple of songs that saved it from being a pointless, mindless waste of time. This CD has one and I mean ONE song that is tolerable and that's Measure Of A Man. But to be honest, I didn't sit through one song here because I couldn't. The lyrics that they had written for Clay were OK but none of it seemed believable when he sang to me. Nothing. OK, maybe Invisible was but I still didn't like that song either. I have no problem with adult contemporary (if that's what you call this) because Mariah used to do wonders with it. However, Clay didn't pull it off at all. And this CD barely does anything to showcase his voice. All there seemed to be was mindless, pointless dribble coming from the stereo for the twenty minutes I spent skipping through this CD. It is completely unlistenable!

You can buy it, but don't say I didn't warn you!

5 out of 5 stars FANTASTIC!!!.......2007-05-11

I love this cd. Clay Aiken is wonderfully talented and has an awesome voice. I highly recommend this-all the songs are great!!!

5 out of 5 stars This artist has been horribly mis-managed........2007-04-08

Clay Aiken is truly a gifted singer and entertainer. He has such a fantastic voice and mesmerizing stage presence. The only reason I can see as to why he isn't more popular or releasing new material has to be because of poor management. He needs to clean house- fire all his "people" and start over from scratch. He deserves better- and so do his legions of loyal fans.

Having now gotten off my soapbox, I can now offer up my opinion on this album. I must say that this is a great debut album. Clays vocals are showcased very well and several of the songs really touched me deeply. Having had a similar "non-relationship" with my biological father, I can only imagine the pain and regret he feels when singing 'Solitaire' and 'Measure of a Man'.
I highly recommend this to anyone- whether you're an Aiken fan or not. But having listened to his great voice, I don't know how you could walk away and not appreciate this man's talent.

5 out of 5 stars CLAY IS A-OK!.......2007-02-05

I LIKE TO LISTEN TO SONG SAMPLES BEFORE I ORDER ANY CD FROM AN ARTIST I'M NOT FAMILIAR WITH. LIKED CLAY AIKEN'S VOICE. THIS IS A GREAT CD. I HAVE TWO CD'S OF CLAY, AND LIKE THEM BOTH.

4 out of 5 stars I Must Commend Clay For Not Going Hip/Hop.......2007-01-16

This guy is much wiser than the other American Idol folks. He knows his voice, obviously likes a good lyric and melody and didn't want to waste time putting a lot of "fillers" on his album.

Obviously, the record companies convinced both Fantasia Barrino and Ruben Studdard that they MUST be hip/hop in order to sell records (forget the fact that they can REALLY sing!) Their albums sound just like the rest of that boring hip/hop junk. What a shame!

Hip/hop wasn't what got them the title of "American Idol". I remember one contestant who came out and did a hip/hop number and was promptly voted off the next week. AI always chooses strong songs that make sense, not the moronic hip/hop stuff. Hooray to Clay for knowing his voice and keeping his taste in tact.
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Orchestral Excerpts for Violin
Average customer rating: 4.5 out of 5 stars
  • valuable asset
  • Hats off, gentlemen, a genius!
  • This man is a genius!
Orchestral Excerpts for Violin
William Preucil , Bedrich Smetana , Wolfgang Amadeus Mozart , Ludwig van Beethoven , Felix Mendelssohn , Johannes Brahms , Robert Schumann , and Richard Strauss
Manufacturer: Summit(Classical)
ProductGroup: Music
Binding: Audio CD

All Works by BeethovenAll Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
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All Works by Wolfgang Amadeus MozartAll Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by MendelssohnAll Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by Robert SchumannAll Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by SmetanaAll Works by Smetana | Smetana, Bedrich | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by StraussAll Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
ClassicalClassical | Symphonies | Forms & Genres | Classical | Styles | Music
RomanticRomantic | Symphonies | Forms & Genres | Classical | Styles | Music
Incidental MusicIncidental Music | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
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Tone PoemsTone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
Theatrical, Incidental & Program MusicTheatrical, Incidental & Program Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Symphonies | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
Similar Items:
  1. Orchestral Excerpts for Cello
  2. Orchestra Excerpts for Viola
  3. Violin Mastery: Interviews with Heifetz, Auer, Kreisler and Others (Dover Books on Music)

ASIN: B00000F1UN
Release Date: 1998-11-17

Tracks:

  1. Don Juan
  2. Don Juan
  3. The Bartered Bride
  4. The Bartered Bride
  5. Sym No.39
  6. Sym No.39
  7. Sym No.39
  8. Sym No.39
  9. Sym No.39
  10. Sym No.39
  11. Sym No.39
  12. Sym No.39
  13. Sym No.39
  14. Sym No.39
  15. SymNo.3
  16. SymNo.3
  17. SymNo.3
  18. SymNo.3
  19. SymNo.3
  20. SymNo.3
  21. SymNo.3
  22. SymNo.3
  23. Sym No.9
  24. Sym No.9
  25. Midsummer Nights Dream
  26. Midsummer Nights Dream
  27. Sym No.2
  28. Sym No.2
  29. Sym No.2
  30. Sym No.2
  31. Sym No.2
  32. Sym No.2
  33. Sym No.2
  34. Sym No.2
  35. Sym No.2
  36. Sym No.2
  37. Sym No.2
  38. Sym No.2
  39. Sym No.2
  40. Sym No.2
  41. Sym No.2
  42. Sym No.2
  43. Sym No.2
  44. Sym No.2
  45. Closing Comments

Customer Reviews:

5 out of 5 stars valuable asset.......2006-03-15

This cd is a valuable asset for the aspiring professional violinist. It's the next best thing to having a lesson on these orchestral excerpts.

4 out of 5 stars Hats off, gentlemen, a genius!.......2002-12-10

Severance Hall, 3rd row center, Beethoven Concerto, Preucil and the Cleveland Orchestra...

...musical nirvana

(Bill, do you need a roadie?)

5 out of 5 stars This man is a genius!.......1999-04-12

The first time I heard William Preucil play "live," it was the Symphony No. 5 by Shostakovich. He was a young man and my expectations weren't ready for what came next. Having collected all of the top recordings, I ran home after the concert to confirm, this guy played -- far and away -- better than any recording I had ever heard. The last time I heard William Preucil play "in person," it was a Mozart Divertimento with a chamber orchestra. How often do you go crazy over a violin solo from a Mozart Divertimento? Although Mr. Preucil's solos were extended, not a single note went by without the entire audience sitting on the edge of their seats, riveted. Years later, I was in a CD shop talking about recordings of violinists when the shop owner mentioned, "the most memorable" violin solo he had ever heard. It was William Preucil's performance that night, of this Mozart Divertimento. I wasn't the only one to maintain that recollection. Next, I was in a movie theater where the New York City Ballet's production of the Nutcracker had been released as a feature film. Having recently studied and listened to EVERY recording available to Tchaikovsky's Sleeping Beauty Ballet, I was surprised during the film to hear the big violin solo from Sleeping Beauty suddenly begin during a film adaptation of Nutcracker. More surprising, it was obvious to me that the violinist here was better than any recording (ever made, probably) of the Sleeping Beauty ballet. My precise thoughts were, "This playing is as good as William Preucil...I guess violinists are getting better because I thought only he was this good!" I waited through the end credits, because I had to know the name of this violinist whose playing is equal to my memory of William Preucil. I had to smile when the end credits said, "William Preucil, concertmaster." Not surprisingly, William Preucil is now concertmaster of the Cleveland Orchestra. There is nobody like him on the planet and all I can say is, if you are interested in violin playing at all, you cannot afford to pass up on this incredible opportunity to hear Mr. Preucil play and give "advice" on some great excerpts from the orchestral literature for violin. The man is a genius!
Measure of a Man
Average customer rating: 5 out of 5 stars
  • Great CD!!
  • Everything went well
  • the remake
  • Kevin Sharp's CD
  • A great country voice
Measure of a Man
Kevin Sharp
Manufacturer: Asylum Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Contemporary Country | Country | Styles | Music
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Similar Items:
  1. Love Is
  2. Calm Before the Storm
  3. Old Enough to Know Better
  4. Goodnight Sweetheart
  5. Michael Peterson

ASIN: B000002HMQ
Release Date: 1996-09-24

Tracks:

  1. Measure Of A Man
  2. Nobody Knows
  3. If You Love Somebody
  4. There's Only You
  5. She's Sure Taking It Well
  6. The Strength To Love
  7. Love Bomb
  8. I'm Already Loving You Too Much
  9. Population 4000 Minus 1
  10. Somebody's Baby
  11. Love At The End Of The Road

Customer Reviews:

5 out of 5 stars Great CD!!.......2007-06-08

I had to get this CD after seeing Kevin Sharp at the hospital where I work! (He came for a Nurse's Day Celebration!) This is a wonderful cd, the songs are great and Kevin has a beautiful voice! It's fabulous!

5 out of 5 stars Everything went well.......2005-08-19

My order was processed and delivered without any problems. It was just fine.

5 out of 5 stars the remake.......2005-08-12

tony rich project also did the "nobody knows" song to help the other reviewer :)

4 out of 5 stars Kevin Sharp's CD.......2005-05-20

I'm not a big country music fan but once in a while I like it and this CD is good. I bought it for the song "Love At The End Of The Road." Other than that, I'm not really qualified to evaluate a country music CD.

Note for: Please Help Me Find this song, May 18, 2000
Reviewer: "rbkjohnston" - See all my reviews

This is the best CD you'll ever buy. There is a song on here titled "Nobody Knows." It was remade by someone else. I want this song extremely bad but can't seem to find it anywhere or find who the artist is. Any help would be greatly excepted. thanks Rebecca
---------------------------------------------------------
I'm sure you must have found out by now that Babyface did the most popular version of "Nobody Knows." If not, well I hear it all the time on LOVE 94, a smooth-jazz station in Miami but available on the Internet to be listened to. Good luck.

5 out of 5 stars A great country voice.......2000-12-17

Kevin Sharp is a true survivor and an inspiration to all those battling cancer. His cover of Tony Rich's "Nobody Knows" is really good with a touch of country. He has a good country sound, and the songs on this cd range from ballads to up-tempo numbers. I recommend this album to anyone who enjoy country artists like Colin Raye or John Michael Montgomery. One of the highlights on this album is the gorgeous romantic ballad "There's only you".
Measure
Average customer rating: 4 out of 5 stars
  • Atlanta Fan
  • Seek this out.
  • Little gem
  • Chamber Pop
Measure
Matt Pond PA
Manufacturer: File 13
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
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  1. Green Fury
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ASIN: B00004TIO7
Release Date: 2001-03-20

Tracks:

  1. Measure 1
  2. Sound and the Words
  3. Hollows
  4. Green Grass
  5. Measure 2
  6. Sugar House
  7. New Fall
  8. Competition
  9. Flying Through the Scenery
  10. Price of Spring
  11. It's Over

Customer Reviews:

4 out of 5 stars Atlanta Fan.......2001-06-19

I won't make any of those "dreaded comparisons". I think this record sounds wholly inspired. It's beautifully sad and hopeful at the same time. I look forward to what they come up with next.

5 out of 5 stars Seek this out........2001-03-04

I was driving home from work yesterday trying to figure out what exactly Matt Pond PA sounds like. I came up with Steven Kilby and Grant McLennan writing songs for 1982 Robert Smith to sing. All without a trace of irony.

This is a beautiful cd full of memorable pop hooks and thoughtful instrumentation. If they'd been a little more electric, they might be huge; but the almost classical structure of some of the songs may be a little too "arty" for those who don't understand. Still, if they were electric, they might be gigantic.

Measure, The Hollows, and Green Grass put forth enough pop punch to stay with you for days afterward. Very hummable. It's not often that I'll listen to something in the car then run in to the stereo to throw the same thing in when I get home. I've had this cd for months and it just gets better and better.

Recommended for fans of The Go Betweens, 1980's Church, Cardinal, Eric Matthews, and Richard Davies.

One of the best releases of the last decade (no kidding!).

4 out of 5 stars Little gem.......2000-06-01

Wow. What a sweet cd. It reminds me of early Cure and The Go Betweens. Cello, flute, french horn and painfully sad lyrics. Don't miss this one.

4 out of 5 stars Chamber Pop.......2000-05-29

A Great little pop record that has snuck out of a burgeoning Philly scene. Bea-utiful, restained passionate pop song, all framed by conscise cello and violin. I don't want to make those dreaded comparisons, but I can tell you their classic song, "Measure" ended up on a mix tape between some old XTC and some new Belle and Sebastian, and sounded quite at home.
The Legend of Bagger Vance: Music from the Motion Picture (2000 Film)
Average customer rating: 5 out of 5 stars
  • A soundtrack as wonderful as the movie!
  • Why is this soundtrack so hard to find?
  • The Legend of Bagger Vance
  • This soundtrack was worthy of an oscar.
  • This is my favorite CD
The Legend of Bagger Vance: Music from the Motion Picture (2000 Film)

Manufacturer: Chapter III Records
ProductGroup: Music
Binding: Audio CD

Movie ScoresMovie Scores | Soundtracks | Styles | Music
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  1. The Cider House Rules: Music from the Miramax Motion Picture
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ASIN: B0000508VR
Release Date: 2000-11-07

Tracks:

  1. My Best Wishes - Fats Waller
  2. The Legend Of Bagger Vance
  3. Savannah Needs A Hero
  4. Bagger Offers To Caddy For Junuh
  5. Bagger & Hardy Measure The Course At Night
  6. The Day Of The Match Dawns
  7. Birdie
  8. Junuh Sees The Field
  9. Hole In One
  10. Junuh Comes Out Of The Woods
  11. Bagger Leaves
  12. Old Hardy Joins Bagger By The Sea
  13. Bluin' The Blues - Muggsy Spanier
  14. Mood Indigo - Duke Ellington

Amazon.com

Robert Redford's fable of a cynical, young, white war veteran (Matt Damon) learning the perfect golf swing--and the meanings of life--from a mysterious black caddy (Will Smith) is typically rich in subtexts, from racial discrimination to armchair existential philosophy. As she did for the period dramaThe Cider House Rules, English composer Rachel Portman imbues Vance with an American sense of time and place. Bookended by the bluesy jazz of Fats Waller, Mugsy Spanier, and Duke Ellington, Portman's elegant orchestral score is rich in powerful brass and string-driven melody and emotional nuances. Portman once again displays a strong affinity for the plaintive resolve and emotionally longing colors of Aaron Copland's most familiar works, and there are moments here that subtly evoke passages of that composer's Lincoln Portrait. It's a fine irony of modern film that one of Copland's spiritual heirs and most effective practitioners of his essentially male American musical ethos is a soft-spoken Englishwoman. --Jerry McCulley

Customer Reviews:

5 out of 5 stars A soundtrack as wonderful as the movie!.......2005-08-17

When I first saw the picture, the music was one of the two bigger impacts it had on me (cinematography being the other). I had one of those experiences where as soon as the credits were finished I was already planning on purchasing the soundtrack. Problem is the average CD store did not hold it. Lucky for all of us there is Amazon.com!
The music composed by Rachel Portman is nothing short of wonderful! Very American in its orchestration and has often reminded me of the score to JFK (John Williams) & The Natural (Randy Newman/ironically another Redford film). From the scenes where Damon's on the golf course and the camera performs its classic Hitchcock maneuver, to the humorous driving sound as Theron's character takes on the city councilmen, this score proves to be one that must be cherished by all movie music goers.
This is a soundtrack that can inspire people with imagination and heighten the experience of outdoor activities. I myself have played this score while hiking back home and it has performed beautifully. When I play this in my free time it has allowed me to drift away from troubles and distress.
As for the tracks that aren't Portman's composition, they are equally enjoyable. The sound of Muggsy Spanier, Ellington, & Fats Waller are just pure boogie, woogie, oogie know what I mean? Makes you wanna swing.
It's a good soundtrack, one that I am lucky to have in my horde. If you can get it, I highly recommend it.

5 out of 5 stars Why is this soundtrack so hard to find?.......2004-02-18

It goes without saying that a good score can either brilliantly enhance or possibly downright destroy a movie. With the film "The Legend of Bagger Vance" you have a beautiful story accented by beautiful scenery and beautiful period sets and costumes. Anything less than a beautiful score could lessen the appeal and, ultimately, the certain quality that could make this good movie great. Rachel Portman has developed a reputation for making okay movies unforgettable. Any less of a score could have ruined "The Cider House Rules" or even more so "Chocolat". Ms. Portman's score is a perfect example of how image and sound should come together to create something beautiful. In addition to the evocative and nostalgic opening fanfare-like theme, Ms. Portman welds together at least three other prominent themes, as well as a virtual abundance of recurring motifs. But, unlike her recent score CD for "The Human Stain", this album contains a much more varied mix of music that, most times, leaves the listener simply wanting more, but at the same time feeling totally satisfied. Unfortunately, if this review has successfully whet your appetite for this album, all you have to do now is find a copy for a reasonable amount of money. This soundtrack is highly reccommended, but good luck finding it.

5 out of 5 stars The Legend of Bagger Vance.......2003-02-20

Great soundtrack, very relaxing and emotional. Very pleased with the cd music, but disappointed in what I had to pay for it. Also, the seller represented it as NEW and it was not. It had been resealed!

4 out of 5 stars This soundtrack was worthy of an oscar........2002-11-07

When I saw this film I remember thinking, "what an extraordinary soundtrack" and I immediately went out and got the cd. And now a few years later it almost always is in my cd player. I love, love, love soundtracks and this is a homerun to me. I don't remember what the competititon was for the oscars that year but I wish it would have won. I don't even remember if it got a nomination. If you like Randy Newman's work, Aaron Copeland and maybe Hans Zimmer, you will like this cd. She did a really wonderful job. I wish I knew more about the composer.

5 out of 5 stars This is my favorite CD.......2001-11-04

I purchased this CD to find a music selection for my daughter's skating routine. I had previously purchased "Cider House Rules" soundtrack and thoroughly enjoyed it, so we purchased this after listening to the samples on Amazon.com. This soundtrack has to be the best one I have heard! I watched the movie after I had listened to the CD, and I must say that Rachel Portman's music brings the movie to a whole new emotional level. I, too, wonder why this was not nominated for an Oscar. Rachel Portman has that special gift to communicate through her music. I look forward to purchasing more of her works.
Measure for Measure
Average customer rating: 4.5 out of 5 stars
  • Simply Classic
  • Cool songs on this one!
Measure for Measure
Icehouse
Manufacturer: Wea International
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006HCR8
Release Date: 2002-10-21

Tracks:

  1. Paradise
  2. No Promises
  3. Mr Big
  4. Angel Street
  5. The Flame
  6. Regular Boys
  7. Cross The Border
  8. Spanish Gold
  9. Lucky Me
  10. Baby Youre So Strange
  11. Too Late Now
  12. Into The Wind
  13. Just A Word
  14. The Perfect Crime
  15. The Flame (Live)
  16. No Promises (Live)
  17. Sister (Live)

Album Description

2002 digitally remastered reissue of the Aussie alternative act's 1986 album that's unavailable domestically. Includes 5 bonus tracks 'Just A Word', 'The Perfect Game', 'The Flame' (Live), 'No Promises' (live) & 'Sister' (live). Available at mid-price for a strictly limited time! Diva Records.

Album Details

Digitally Remastered with Bonus Tracks.

Customer Reviews:

4 out of 5 stars Simply Classic.......2005-02-22

4 and a half is my real score

This one is a big 80s album, The Icehouse big-jump to the Rock (in a classic way, not post punk as the Flowers album).

With Measure For Measure, Iva Davies has reached a balanced pop-rock-synth album with very good songs.

The lyrics and the musical work are clear and effective, most of the songs show us the exceptional creativity of the group to fill many styles. The Mastering work is pretty good (with total respect to the original 80's release)

My pick-up songs (almost all): No promises, Paradise (of the best Icehouse's work), Angel Street (so Beautiful), The Flame (Powerful), Too Late Now (Subblime), Just a Word (Good New Wave-style Ballad) Regular Boys and Cross The Border (Booth good songs).

The half of the star empty is for Lucky in Me (the album 'filler') and Baby you're so strange (I Wonder why the boys selected this one as a single when any other song is better).

But that's all the complain, the rest of the songs are fine, the album worth the importation's price,and in global this is simply a good material from a good band.

5 out of 5 stars Cool songs on this one!.......2004-09-02

This cd includes some of the best Ice house songs. Check it out: Paradise (my personal favorite one), Spanish Gold, No Promises, Angel Street. Really cool songs. If you are a big fan, or even if you only know about Ice House for Electric Blue or Crazy, Go, "Cross the Border" and Don't miss this one!
Unit of Measure
Average customer rating: 5 out of 5 stars
  • Can't get this one out of my head-and that's good.
  • More fine work by TRU
  • More great Rice music
  • Relaxing yet Enthralling Album!
  • I wish these guys would tour again
Unit of Measure
Tony Rice Unit
Manufacturer: Rounder / Umgd
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Blues | Styles | Music
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  1. Backwaters
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ASIN: B000050HZS
Release Date: 2000-11-07

Tracks:

  1. Manzanita (1st Variation)
  2. House Of The Rising Sun
  3. Shenandoah
  4. Gold Rush
  5. Jerusalem Ridge
  6. High Noon
  7. Beaumont Rag
  8. Swing 42
  9. An Olde Irish Aire (Danny Boy)
  10. Sally Goodin

Amazon.com

This unexpected summit from the Tony Rice Unit communicates deeply and wisely--without a single sung word. Tony Rice's damaged vocal chords may still be healing, but his guitar playing--as captured in these previously unreleased sessions from 1996--has remained nimble, adventurous, and inviolable. With one ear to his bluegrass roots and the other to jazz liberation, he leads the Unit (featuring brother Wyatt on guitar, Rickie and Ronnie Simpkins on fiddle and bass respectively, and mandolinist Jimmy Gaudreau) through 10 instrumentals, beginning with a radically reimagined version of "Manzanita" (the title track from their 1979 album) and ending with a wild 1993 concert performance of "Sally Goodin," the Unit's long-time finale. Along the way the group cooks up traditional songs and standards by Bill Monroe and Django Reinhardt, all with patient, tasteful intelligence. There's also a serene, stately solo-guitar reading of "An Olde Irish Aire (Danny Boy)" from 1999. Rice calls the unbearably lovely arrangement of "Shenandoah" "a culmination of ideas that come into focus over a long period of time." No description could get closer to the essence of these thrilling, finely calibrated performances. --Roy Kasten

Customer Reviews:

5 out of 5 stars Can't get this one out of my head-and that's good........2002-04-04

This is my first exposure to the Tony Rice Unit, though I had listened to David Grisman's Hot Dawg (with T.R. on guitar) some years back. I can't say enough good here- somewhat out of the deep bluegrass genre perhaps, this CD blends guitar, fiddle, mandolin and bass together in smooth, haunting melody and foot-stomping frolic in the most seamless manner imaginable. You will not be disappointed.

4 out of 5 stars More fine work by TRU.......2002-02-24

An excellent collection. Everything is very clean, very musical, and the arrangements are skillful and appropriate. More straigt-ahead bluegrass than I expected, but there is still a variety here. Not as "space-grassy" as I would like it to be. One of my favorite records is "Backwaters," and this seems like a step backwards stylistically from that, hence my rating of 4 stars instead of 5. However, there is nothing to complain about other than I would have liked to hear more jazz on this record.

5 out of 5 stars More great Rice music.......2001-09-12

This album is one song after the other of great jazzgrass from one of the masters. I normally don't write reviews, but I felt obligated this one time to say buy this album for Sally Goodin' if nothing else. I have heard plenty of Tony Rice(by himself and with others) and several different bands' cuts of Sally Goodin' and I have never heard better of either. Holy S*%t. That's all I have to say. It is unbelievable anyone can play that hard and that fast for over 8 minutes. The rest of the album is great also, but Sally Goodin', wow. That's all I'm gonna say.

5 out of 5 stars Relaxing yet Enthralling Album!.......2001-04-10

It isn't often that I come across an album that can soothe as well as excite and amaze me. Everyone on the album shines. Rice uses just the right amount of technicality in his playing to keep me absorbed mentally yet allow me to relax and enjoy the music. I find this album even more exciting and adventurous than his similar 1979 album Manzanita. This whole CD is done without vocals, instead utilizing tons of solos by everyone! The tracks flow quite well together too. This album is probably best suited for any fan of Tony Rice, bluegrass, flat picking, and especially those who love intelligent bluegrass compositions without vocals.

5 out of 5 stars I wish these guys would tour again.......2001-03-03

If you are a fan of bluegrass/acoustic music and haven't heard this cd yet, buy it now. You won't be disappointed. This has got to be one of the most talented lineups around. The guitar work between Tony and Wyatt is amazing and the fiddle playing is so nice it has to be heard. This is a great one. Hit the road soon TRU.

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  7. Pearls/Time Gone By
  8. Prime Cuts [Enhanced]
  9. Psychedelia at Abbey Road: 1965-1969 [Original recording remastered] [Import]
  10. Restless Night [Extra tracks]

Rap Music

rap music

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