Flowers

Amazon.com
Flowers, the third creditable installment of Echo and the Bunnymen's second honeymoon period, finds the stylish, duopolistic musical nucleus of Ian McCulloch's vocal somnolence and Will Sergeant's Eastern guitar mystique newly augmented by the work of bassist Alex Gleave, drummer Vinny Jamieson, and keyboard player Ceri James. Subtle psychedelic touches of theremin, organ, and backwards guitar pursue the colorization of a few monochromatic areas but, for the most part, Flowers is less the work of a new broom and more the affirmation of the Bunnymen's vintage vibe. Therefore, the opening "King of Kings" (think the Doors' "When the Music's Over") wouldn't sound out of sorts on Ocean Rain, while the pronounced garage pop of "Make Me Shine" and "Life Goes On" both build on past endeavors with a newly insistent, radiant vitality. The album's centerpiece--the careworn, love-scarred lamentation of the title track--exudes hard-earned maturity. And maturity is beginning to suit Echo and the Bunnymen very well indeed. --Kevin Maidment

Product Description
Echo & the Bunnymen, Ian McCullough and Will Sargeant, are back with a new record that measures up to the greatness of their past glory. 11 tracks of new Echo material. 2001 release.

Flowers,Echo & the Bunnymen,Cooking Vinyl,Alternative Pop/Rock,College Rock,England,Neo-Psychedelia,Pop,Post-Punk,Rock,Rock/Pop

Flowers

Average customer rating:

Not a CC from Hot Fuss
A stunning transformation
As good as Hot Fuzz... just different
doesnt measure up to hot fuss
I love it!

Sam's Town
The Killers
Manufacturer: Island
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Hot Fuss
Eyes Open
The Information
The Black Parade
The Open Door

ASIN: B000GY729M
Release Date: 2006-10-03

Tracks:

Sam's Town
Enterlude
When You Were Young
Bling (Confession of a King)
For Reasons Unknown
Read My Mind
Uncle Jonny
Bones
My List
This River Is Wild
Why Do I Keep Counting?
Exitlude

Amazon.com

The Killers five-million-selling debut, 2004's Hot Fuss, saw the stylish Las Vegas quartet mining inspiration from its favorite '80s British acts Duran Duran, the Cure, and the Smiths. On its follow-up, the group turns its focus homeward. First there's the album title, Sam's Town, which pays tribute to the old-school local casino where the band got its start. Then there's the music inside, a collection of windswept rockers in the vein of Bruce Springsteen that leave the indie-disco vibe of "Mr. Brightside" in the desert dust. Working with producers Alan Moulder and Flood (best known for their work with U2, Depeche Mode and Nine Inch Nails), everything here sounds bigger and shinier, with full-blown strings and choirs coloring epics like "When You Were Young" and "The River Is Wild." Coming soon to a stadium near you. --Aidin Vaziri

Customer Reviews:

Not a CC from Hot Fuss.......2007-07-24

The 2nd album from the killers doesn't dissappoint at all, it has 7 to 8 songs that easily could be picked as single, track 6 "read my mind" being my favorite. Sam's town, When You were young,Bling, For Reasons Unknowned, Uncle Johnny, Bones, This River is Wild, all great songs, and above all this is not a carbon copy from hot fuss.

A stunning transformation.......2007-07-24

SAM'S TOWN immediately hits the listener with a sound that is significantly different from HOT FUSS. If it wasn't for the vocals, it would be fair to say you were listening to a totally different band. This type of change is risky in a new band; the fear being that fans will be alienated. Personally, I love when bands continue to evolve and search for new sounds and themes. It keeps things from becoming boring and it prevents that, "Didn't I hear this before?" feeling.

The question is it successful? The answer is, "Yes."

Hard driving anthems relating to genuine emotions triumph over artifice and The Killers pull it off very well here. Flowers' voice strains for creditability when pushed, but he pulls it off and while lacking the force of many other rockers, his vulnerability makes the songs that much better. While they don't all come off with the same power , the songs hold up in their new settings and the total package comes together. While still not a classic, this is a worthy effort from The Killers and I hope they continue to push themselves to make music worth listening to.

As good as Hot Fuzz... just different.......2007-07-14

The title says the bulk of how I feel. I listen to the album in its entirety whenever I listen to it... I like every song though there are some that I like more than others (which is the same with Hot Fuzz).

The music is a bit bolder, and a bit more grandiose (musically and lyrically), but the synth is still there and after giving the album a listen or 3 you'll be singing along to each track. The lead singer's (Flowers) voice sounds a bit different to me on this album, but not for better or worse, just slightly different. The album definitely seems to be more mature (but I have no idea where the Springsteen analogy came from), the songs and the hooks aren't as poppy (at least not in every song) and it takes more than one listening for some songs to grow on you. (For instance I didn't like 'Sams Town' (track 1) the first couple times I heard it, but now its one of my favorites).

Overall, if you like popular music, or alternative music in general... its worth listening to, but I wouldn't expect a life altering experience.

doesnt measure up to hot fuss.......2007-07-09

sorry to all of you who really like this album, but in my own opinion, it can't measure up to 'hot fuss'

I love it!.......2007-06-27

The only thing that upset me was that there is no Killers c.d that has all my favorite songs by them on it. I do like most of the tracks on this one and on each c.d. that I bought they have great opening songs to start you out.

Average customer rating:

It IS a SACD Hybrid if the copyright is 2002 ABKCO
Not as advertised
Near Classic '66-67 Stones
Where The Summer of Love Found The Stones
Everybody Should Get Flowers

Flowers
The Rolling Stones , and Rolling Stones
Manufacturer: Abkco
ProductGroup: Music
Binding: Audio CD

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December's Children (And Everybody's)
Their Satanic Majesties Request
Out Of Our Heads
Between The Buttons
Beggars Banquet

ASIN: B00006AW2N
Release Date: 2002-08-27

Tracks:

Ruby Tuesday
Have You Seen Your Mother, Baby Standing in the Shadow?
Let's Spend the Night Together
Lady Jane
Out of Time
My Girl
Backstreet Girl
Please Go Home
Mother's Little Helper
Take It or Leave It
Ride on Baby
Sittin' on a Fence

Album Description

This Super Audio Compact Disc (SACD) recording offers high-resolution sound and is playable on both standard CD players and SACD-compatible devices.

Album Description

Remastered reissue of 1967 album, suitable for standard & 'Super Audio' CD players. Digipak.

Customer Reviews:

It IS a SACD Hybrid if the copyright is 2002 ABKCO.......2007-05-31

I just got mine and thought the same thing the last poster did -- that Amazon screwed up and this isn't a SACD hybrid as advertised. But it IS one. If you look on the disk itself, you will the DSD and Super Audio CD. I was angry at first because I already have the regular CD and wanted the SACD hybrid, but after opening it I am a happy camper. FWIW, it is in a cardboard case and the case says nothing about being a SACD hybrid.

Not as advertised.......2007-05-17

Flowers was advertised as a SACD hybrid, I received the remastered CD. This rating only reflects Amazons incorrect listing on the website.

Near Classic '66-67 Stones.......2007-03-12

"Flowers" holds the same place in the Stones' U.S. catalog that "Yesterday...and Today" held in the Beatles' - until the CD era, when the Beatles eliminated those bastardized US Capitol releases with UK editions of all catalog titles up to "Sgt. Pepper's", for it was those UK Parlophone albums that the Beatles and George Martin meticulously prepared and programmed. (This international uniformity lasted until enough time had elapsed to allow for nostalgia and commerce to warrant repackaging those American Beatles titles in expensive boxed sets).
But the Stones' UK catalog was never so clearly superior; the British Deccas are not necessarily superior to their US counterparts. Certainly original Decca vinyl was sonically preferable to London's 'fake stereo' in the '60s. Otherwise, however, the biggest difference was cultural: hit singles have always sold albums in the States. In England their inclusion on LPs was seen as redundant. If the Beatles always produced their albums in England, by 1964 The Stones were recording - in superb stereo - at Chicago's Chess Studios, and soon they stormed the charts and defined their times with 'The Last Time', 'Satisfaction' and other classics recorded at RCA in Hollywood. Partly this may have to do with Andrew Oldham's awareness that his role as producer was limited, and that to make great sounding records the Stones needed terrific engineers like Ron Malo (Chess) and Dave Hassinger (RCA). Which brings us to the rather maligned US-only "Flowers", like "December's Children" a hodge-podge that has steadily gained the status of near-classic, an album that sounds remarkably vital forty years after its release.
Not really, contrary to general assumption, a 'compilation', "Flowers" was issued in June 1967, the same month Brian Jones escorted Nico to the Montery Pop Festival where, still the wizard and true star ahead of the curve, he appeared onstage resplendent in his baubles and singular finery to introduce his friend Jimi Hendrix to America. But it was also a period of stress and crisis in the Stones' world, with the band unable to tour - Mick Jagger, Keith Richards, and Brian Jones (along with various friends and family) had all been busted for drugs during the preceding months, and the completion and release of "Their Satanic Majesties Request" would be delayed until November; radiant doomed Brian Jones was privately in the midst of a free-fall that would lead to his inevitable dismissal from the Stones, followed, just weeks later, by his death July 3, 1969.
At the time of release most of "Flowers" was new to the US audience (which might explain why it was another smash hit, reaching # 3 in "Billboard", during a 35 week chart run), containing tracks from UK versions of "Aftermath" and "Between The Buttons" that were deleted before Stateside release, along with two classic late '66 hit singles previously unavailable in album form. Three tracks had not been released anywhere by the Stones. As such "Flowers" at first sounds somewhat like a cross between the two previous studio albums. (It was, however, oddly flawed by the inclusion of three hits already available on the US editions of those albums - 'Let's Spend The Night Together,' 'Ruby Tuesday,' and 'Lady Jane').
Musically 1966 - 67 was the period during which Brian had lost interest in the guitar, instead coloring each song with an array of different instruments that always seemed to deepen the mood and power of the music. The Stones, with Ian Stewart and Jack Nitzche helping out, were experimenting, moving away from the classic American blues/r&b/soul/country forms that had inspired their first five albums. The music here is detailed and carefully textured, the songwriting sharp and acerbic, though often here with an introspective, late-night ambience that distinguishes it from the more willful "Buttons". "Flowers" does finally establish its own identity disctinct from the the two earlier classics, as exemplified by the English-folk/Appalachian tone of the exquisite closing track ('Sittin' On A Fence'). One is struck by the band's effortlessly great songwriting and ability to create fresh settings for each track. 'Sittin' On A Fence' is a brilliant example of the Stones' ambivilance (remember "Salt Of The Earth" or "Street Fighting Man")as well as a dramatic and effective climax to a great set. Elsewhere, 'Have You Seen Your Mother, Baby' remains a work of blistering power and density, its amphetemine fueled roar of guitar feedback, Wyman's impossibly heavy bass, and otherwordly pop-art horns concealing a dazzling lyric of Freudian sexual repression that demands to "tear through the shadow..." during its bridge. 'Out Of Time,' is both shorter and in a different mix from the UK version. The sole cover, 'My Girl' is lovely but minor, a bit too respectful of the Temptations' original to be considered inspired (compare the band's 1978 re-invention of 'Imagination'). Side two (of the vinyl album) provides one gem after another, from the waltz-time class analysis of 'Backstreet Girl', with Brian's gorgeous accordion and Mick's brutal yet tender vocal; 'Please Come Home' is 'Mona' on on acid, its relentless, hypnotic Diddleybeat transformed by Brian's theremin and what sounds like either synthesizer or mellotron, Keith's virtuosic guitar swirling through the mix atop Charlie Watts' perfect drumming (and, by the way, Shirley Watts makes a singular appearance here on backing vocals). 'Mother's Little Helper' is of course a classic single and another masterful track, with the droning guitar and Brian's sitar(?)providing a sense of dread and foreboding while Mick's vocal projects absolute confidence. 'Take It Or Leave It' is a pensive jewel, 'Ride On Baby' a unique rocker on which Keith's guitars are restrained but trenchant while Charlie's congas and Brian's harpsichord, bells, and harp (not harmonica) stand out as especially inventive.
Why not five stars? As stated, the three re-runs are simply lazy. Let us rewrite history by replacing them: open this album with another non-album single from '66, 'Sad Day'. Replace 'Let's Spend the Night' with 'Mother Baby's' B-side, the psychedelic blues 'Who's Driving Your Plane?' and insert the hotel room insomnia and restlessness of 'What to Do' as track five (in place of 'Lady Jane'). Now we have an album that is thematically and musically a far more cohesive statement. (And of course we use the full 5:37 'Out Of Time')...With the CD format and a multi disc changer anyone can program the album this way, and it's how I now choose to listen to it.
It doesn't matter anymore if this album was put out as stopgap. The 1966-67 Stones made accomplished, frequently startling music that can't be categorized as merely 'transitional', and some of the best appears on "Flowers", in remastering that, since the 2002 catolog upgrade, is superb. Finally, ponder the album jacket - on the front cover, Brian's is the only flower whose stem is without any leaves at all...

Where The Summer of Love Found The Stones.......2006-11-14

Crippled by drug busts and court appearances, the summer of '67 Stones had little time to come up with new material, much less an answer to the revolutionary pop of the Beatles' just-released Sgt. Pepper. Therefore Decca records was forced to put out this compilation of hits and outtakes dating back as far as Dec. '65 ( those being "My Girl," "Out of Time," "Mother's Little Helper," "Backstreet Girl" and "Sittin' On A Fence"). But that's hardly a raw deal, as the album is in essence a mini-greatest hits of the Stones at the peak of their mid-sixties creativity:
the shimmering Jan '67 single of "Ruby Tuesday"/ "Let's Spend The Night Together" (the latter of which makes its contemporary "Strawberry Fields" sound like a druggy chore by comparison), The anarchic energy of Aug '66's "Have You Seen Your Mother, Baby," the glorious chorus in "Out of Time" from the Aftermath album, and so on. But the true forgotten gems here are "Backstreet Girl," a decadent acoustic waltz with the late multi-instrumentalist Brian Jones on accordian (the fact that his flower on the album cover had no leaves was a band in-joke), with Mick's lyrics pointing the finger at the philandering of his fellow pop stars as much as himself, and "Sittin' On A Fence," Keith and Brian doing some lovely acoustic dueling as Mick ponders his old classmates and the life he could have led. An album released in summer, it's actually perfect for a cold winter's night, talented young men conjuring all kinds of visions for one's own darkness.

Everybody Should Get Flowers.......2006-08-29

OK...To understand Flowers, you have to first realize the context in which it was released. Flowers was released as an American only album of material that was not issued on previous albums, material that was cut from the American versions of albums released in their full 14 track format in Britain, or singles that had not made it into an album yet. Also don't forget that the Stones weren't touring at the time, attempting to find the same refuge that the Beatles had in their studio to try some experimentation a la Sgt. Peppers which became Satanic Majesties. Now that the proper context has been established, this album finds the Rolling Stones at the peak of their mid-60's creative power. Group founder Brian Jones had not yet cashed out on his drug and alcohol binges and he was totally into what has retrospectively been dubbed "flavoring" the albums and tracks that the Stones were putting out. The album is strung together with singles: "Ruby Tuesday" b/w "Let's Spend the Night Together", "Have You Seen Your Mother?", "Mother's Little Helper", and "Lady Jane". This material coupled with the leftovers from the British releases of Aftermath and Between the Buttons helps make this album somewhat eclectic like the other two albums but no less entertaining. The psycho-Bo Diddley "Please Go Home" is great 60's style garage-psyche rock. Anytime the Stones go Bo Diddley is worth listening to, by the way. "Out of Time" is a great companion piece to "Under My Thumb" from Aftermath, as it features much of the same instrumentation, with Brian Jones anchoring the song on his marimbas once again. "Back Street Girl" and "Ride on Baby" both fall into the same vein, with the use of the classical instruments on the rock tracks for that mock-Baroque feel that many of the 60's bands like the Kinks and Yardbirds went for with their use of harpsichords, etc. "Sitting on a Fence" and "Take It or Leave It" are also like songs, with similar feels and good acoustic guitar work. "My Girl" to me is the one oddity on the album but somehow it works with the eclecticness of the finished product.
This album was one of the first albums that I ever bought when I got into the Rolling Stones. It was also the first Stones album that I bought my fiancee when we were 16. We both loved it and I have never regretted that choice. For me, the albums Aftermath and Between the Buttons represent height of the Stones in the 60's before they changed directions forever. This album, Flowers, bridges the two in the same way that Rubber Soul and Revolver were bridged by Yesterday and Today. These albums form critical trilogies of albums at points where two bands were reaching critical mass just as the dream of the 60's was ending for so many.
Now for the disclaimer: as some reviewers have pointed out, this album is not part of the canon of Rolling Stones albums. That may be true but when you compare this album to others such as Exile on Main Street and Sticky Fingers or Beggars Banquet and Let It Bleed, but you are essentially comparing different bands and different times when holding Flowers against these rockers. Flowers is a great album that is completely misunderstood and underestimated. This album came out in 1967 and when compared with other albums of that time and place it shines with the best of them.

Average customer rating:

Welcome to "alternative" classical music!
It's Yo-Yo so it's Exquisite
Love it- great for weddings
Stellar album
**Superb**

Appalachia Waltz / Ma, Meyer, O'Connor

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Appalachian Journey
Heartland: An Appalachian Anthology
Uncommon Ritual
Short Trip Home
The Telluride Sessions

ASIN: B000002C0Y
Release Date: 1996-09-24

Tracks:

The Green Groves of Erin - The Flowers Of Red Hill
Appalachia Waltz
Chief Sitting In The Rain
Mama
Butterfly's Day Out
Druid Fluid
First Impressions
Etienne Et Petunia
F.C.'s Jig
College Hornpipe
Pickles
Old Country Fairytale
Schizoozy
Star of the Country Down
Speed The Plow Medley
Fair Dancer Reel

Customer Reviews:

Welcome to "alternative" classical music!.......2007-02-19

It's wonderful to hear three such talented musicians put together a collection of non-classical music on revered instruments. This is not "The Yo-yo Ma Show" with two other guys! The music is varied but the performances are great and -- in some cases, e.g. Appalachia Waltz -- fantastic. I was driving the first time I heard the title piece and immediately started sobbing and had to pull over; it was that beautiful! This would be a good CD choice for children to listen to, as it gives a fine exposure to the amazing sounds that the three instruments can make when in the right hands.

It's Yo-Yo so it's Exquisite.......2007-02-12

Yo-yo Ma has never been content to stick with the standard cello classics. Of course he has recorded the classics - the magnificent Bach Cello Suites (incredible and the visual DVD only enhances the effect), Vivaldi, Beethoven, Faure, Dvorak, etc. His evolution as an artist is an on-going process, thus there's Yo-Yo playing Tango (Astor Piazzolla), Yo-Yo playing Jazz (Claude Boling), Yo-yo playing Brazilian music or John Williams. And now we have the Apalachia Waltz, a beautiful, virtuoso and haunting piece.
I, too, found many of the sounds unique. For a real experience, listen in a darkened room with a pair of superior earphones - the things you pick up will shock. I literally turned my head several times, convinced that the artist was in the room.

As one reviewer noted, this is not supposed to be the rustic sound one might imagine or (the reverse) simply an intellectual exercise. The artist (with able assistance) seems to draw on some kind of inner reserve and literally pour his soul into his newest project. I, for one, applaud this widening of the boundaries between genres and hope that it continues.
Let's not forget the other artists, particularly Meyer. Many times the celebrity saps all the attention leaving a wake of sore feeling in their wake. Ma has always been one to give credit where credit is due and in this case it is due to those who ably assisted him. My grade - A

Love it- great for weddings.......2007-01-24

I used this and Appalachian Journey for my wedding music. I used Track 2 (Appalachian Waltz) as my entry music. The rest I just had playing on a cd player as background music while my guests were waiting on me. It was perfect for our outdoor Fall wedding. Hearing track 2 always brings the memory of our beautiful day flooding back.

Stellar album.......2006-11-10

This disc is top-notch in all respects. The playing is great by Ma and O'Conner for sure, but the bass work is awesome. Meyer is as good a player as there is in the world at the present time in my opinion. I am a cellist and bassist and find it difficult to believe that some of the things he does are possible. If you like top quality string playing, order this album today.

**Superb**.......2006-07-19

I absolutely love this album -- the music resonates with one's soul. Even if you don't have a cello fetish as I, you can't go wrong with this album. It offers a wonderful range from adagio to allegro.....A true musical feast. I especially enjoy Butterfly's Day Out and First Impressions. Dolce...

Classical Music for People Who Hate Classical Music

Average customer rating:

CD set is misnamed
Do not Buy
Classical Music for People Who Hate Classical Music
Seek better versions
It Is What It Is

Classical Music for People Who Hate Classical Music

Manufacturer: Compendia
ProductGroup: Music
Binding: Audio CD

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Best of the Millennium: Top 40 Classical Hits
25 Classical Favorites
25 Romantic Classics
The Most Relaxing Classical Album in the World...Ever!
The Most Relaxing Classical Music in the Universe

ASIN: B000003QWH
Release Date: 1994-06-09

Tracks:

Canon In D
'Brandenburg' Concerto No. 3: Allegro
The Four Seasons - The Winter: Largo And Allegro
Fanfare ('Masterpiece Theatre' Theme)
Camerata Romana: Air For The 'G' String
'Eine kleine Nachtmusik': Allegro
Piano Concerto No. 21 ('Elvira Madigan' Theme): Andante
Introduction To Symphony No. 5
'William Tell' Overture: Finale
'Aida': Triumphal March
On The Beautiful, Blue Danube Waltz
'The Nutcracker': Waltz Of The Flowers
'1812' Overture: Finale

Tracks:

Sabre Dance
'Light Cavalry' Overture: Finale
Carmen: The Toreadors
' Midsummer Night's Dream': Wedding March
Radetzky March
Symphony No. 9, 'Choral': Finale
'Prince Igor': Polovstian Dance No. 17
Jesu, Joy Of Man's Desiring
Peer Gynt: Solveig's Song
Sleepers, Wake
Water Music: Hornpipe
Symphony No. 9, 'From The New World': Largo
Emperor Waltz
'Emperor' Quartet: St. Anthony's Chorale
'The Tales Of Hoffman': Barcarolle
L'Arlesienne: Farandole
'The Nutcracker': Dance Of The Mirlitons
'The Nutcracker': Dance Of The Sugar-Plum Fairy
'Rhapsody In Blue': Highlight
'Orpheus In The Underworld': Can-Can

Tracks:

Introduction To 'Also sprach Zarathustra'
Symphony No. 4, 'Italian': Saltarello: Presto
Piano Concerto No. 20: Romance
'The Valkyrie': Ride Of The Valkyries
'The Four Seasons' - The Spring: Allegro
Toccata and Fugue
Trumpet Voluntary
'Royal Fireworks Music': la rejouissance: Allegro
'Moonlight' Sonata: Adagio Sostenuto
London Festival Orchestra: Overture To 'The Barber Of Seville'
Piano Concerto No. 2: Adagio Sostenuto

Tracks:

Carmina Burana: Introduction To 'Carmina Burana'
Peer Gynt: Dawn From 'Peer Gynt'
Lohengrin: Prelude To 'Lohengrin'
'Lieutenant Kije': Troika From 'Lieutenant Kije'
Adiago For Strings
'Carmen': Habanera From 'Carmen'
'Double' Concerto: Allegro From 'Double' Concerto
The Marriage Of Figaro: Overture To 'The Marriage Of Figaro'
(Rondo) Alla Turca
Xerxes: Largo From 'Xerxes'
Symphony No. 5: Allegro vivace From Symphony No. 5
'Swan Lake': Scene: Enchanted Lake From 'Swan Lake'
Clair De Lune
Bolero

Customer Reviews:

CD set is misnamed.......2007-06-08

They should have titled this "classical music for people who love classical music" because most of the selections are typical classical music. The title suggests it would be lively selections of "light classical" music that is more upbeat, i.e. Sabre Dance, etc. I really don't hate classical music at all and have many classical CDs in my collection but I really wanted to hear more exciting selections. I won't be purchasing any more of this set but if you like traditional classical music these are good one.

Do not Buy.......2007-02-21

I do know it says classical music for people who hate it, but serioulsly you would have better luck never listening to classical music again. The recordings are awfull and do not do justice to any of the composers. Buy something else.

Classical Music for People Who Hate Classical Music.......2007-01-30

We love this set of CD's. I just got a new copy because my kids keeping taking our first copy with them so that they can listen at work or in their bedrooms but then I can never find them.

Seek better versions.......2006-12-09

If you are fairly new to classical purchases then compilation CD's can be useful for deciding what to buy next. Sometimes you only need a small taste of a piece to inspire you to buy a release with the whole performance on. The problem with this compilation however is that most of the versions are poor in performance or recording quality (or both) when compared to the best versions and the fact that the conductors aren't even credited on the track listing made me suspect that this would be the case. One of my favorite classical pieces is Tchaikovsky's 1812 festival overture but if the first CD version I had heard had been the finale excerpt that is on this compilation I may not have gone on to buy the whole thing. Luckily I heard Adrian Leaper's version first and Adrian's version is rather good.
My classical CD buying experience is limited to only a couple of dozen discs but I have found that the Naxos and Deutshe Grammophon releases are fairly safe. Avoid any release which does not name the conductors on the track listing or sleeve notes.

It Is What It Is.......2006-10-27

It's fitting that this page is fraught with the same kind of silly snobbery that turns people off from classical music (and necessitates collections like this) in the first place.

Any criticism of this compilation, which focuses on the quality of the performances or the fact that many tracks are excerpts, misses the point. This is not a collection for people who consider such things, nor does it purport to be. The idea is to package as many ultra-famous classical melodies as possible in one affordable collection and market it to people who have never purchased a classical recording. As such, top-tier performances are likely too expensive to be sold so cheaply and are unnecessary anyway. Those of us who already know and love a piece or two can forgive the compilers the inclusion of sub-par recordings, when we are exposed to so many other beautiful pieces for the first time.

It probably comes as a shock for some to hear that most people are not familiar with these classics. We may hear snippets on TV or movies, but are left with no idea as to the composer or historical context. With that in mind, it is extremely intimidating to begin buying classical. I suppose those among us, who so thoroughly dismissed the very notion of a boxed set like this, would have us begin by buying full albums by reputable interpreters. Surprisingly enough though, the majority of people would consider that a tad cost-prohibitive.

To conclude, this is a STARTER collection. It will either affirm a listener's feelings about classical music or lead to an interest in purchasing better recordings. Ideally, I suppose the interpretations would be better, but, for reasons mentioned above, that just isn't in the cards for a collection of this nature. If you're familiar with 50 different recordings of "The Ring" series, or have season tickets to the New York Philharmonic, then this probably isn't for you. For us cretins with limited foreknowledge of classical music though, it serves as a succinct introduction with little to complain about.

Average customer rating:

Broken Flowers
Great collection
Well-themed soundtrack for an easy to watch movie.
good, but not as good as Ethiopiques
What's Good is GREAT

Broken Flowers: Music from the Film
Original Soundtrack , and Mulatu Astatqe
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Ethiopiques, Vol. 4: Ethio Jazz & Musique Instrumentale, 1969-1974
Dual Mono
Truly She Is None Other
Broken Flowers
The Life Aquatic with Steve Zissou

ASIN: B0009XT914
Release Date: 2005-08-02

Tracks:

There Is An End - The Greenhornes
Yegelle Tezeta - Mulatu Astatke
Ride Your Donkey - The Tennors
I Want You - Marvin Gaye
Yedermo Sew - Mulato Astatke
Not If You Were The Last Dandy On Earth - Brian Jonestown Massacre
Tell Me Now So I Know - Holly Golightly
Gubelye - Mulatu Astatke
Dopesmoker - Sleep
Requiem, Op.48 (Pie Jesu) - Oxford Camerata
Ethanopium - Dengue Fever
Unnatural Habitat - The Greenhornes

Amazon.com

Will this soundtrack do for Ethiopian composer and musician Mulatu Astatke what Titanic did for Celine Dion? Well...maybe on a much, much smaller scale. Astatke's circle of Western fans has already expanded thanks to the compilation Ethiopiques, Vol. 4: Ethio Jazz & Musique Instrumentale, 1969-¬1974, and Jim Jarmusch's movie puts his hypnotic instrumentals to great use. This isn't surprising, since Jarmusch is a filmmaker with a natural affinity for music and its use onscreen. Here, a three-minute excerpt from stoner-rock legend Sleep's titanic "Dopesmoker" only offers a sample of the song (it actually lasts an hour) but it still sounds awesome, especially stuck between an Astatke track and Gabriel Fauré's "Requiem, Op. 48 (Pie Jesu)." Garage vets the Greenhornes and Holly Golightly contribute tracks together and separately, while indie-rockers Brian Jonestown Massacre's "Not If You Were the Last Dandy on Earth" (an answer song to the Dandy Warhols' "Not If You Were the Last Junkie on Earth") sounds as bilious now as it did in 1997. This is a rare case of a soundtrack that pulls together a broad range of artists yet remains oddly consistent--no doubt because it was assembled by a director with vision instead of a focus group. --Elisabeth Vincentelli

Customer Reviews:

Broken Flowers.......2007-06-19

the movie was good, but the music almost ruined it for me. if this had better music, it would have definatly been a better movie. the times where there was music i couldn't concentrate on the movie, i just wanted to cover my ears. even so, please do see the movie.

Great collection.......2007-02-13

This is an excellent collection.. if you saw the movie Broken Flowers you will recognize some of the music. Very relaxing and inspiring tunes if you can get into this type of music.

Well-themed soundtrack for an easy to watch movie........2007-01-22

I walked into Broken Flowers expecting another low-key performance from Bill Murray like his role in Lost in Translation. Great movie to take in easily without loud distractions or tedious moments... quietly funny.

This mood could have been ruined, however, if the soundtrack did not assist the mood of the movie by providing casual transition music. The great additions of Astatke, Greenhornes, and Golightly have already been mentioned, but Marvin Gaye and Dengue Fever also add a sharp quality to an already wide-ranging soundtrack. Marvin Gaye's "I Want You" is a sensual classic that shows how his later period of work was evolving instrumentally as well as vocally. Dengue Fever's "Ethanopium" provides a jazz-funk background to the movie that fits in well to Broken Flowers' sometimes quirky plot. Although the tune is missing the Khmer style of vocalist Chhom Nimol, the track signifies the eclectic sound of the band.

Both artists, as well as those previously mentioned, make the soundtrack to Broken Flowers enjoyably unique.

good, but not as good as Ethiopiques.......2006-07-27

Great sound track. I loved the movie, mainly because I love watching Bill Murray, but even he couldn't have kept my interest if it wasn't for the music. It led me delightfully from one scene to the next. When I finished watching the movie, I said, "what was that music, and where can I get it."

What's Good is GREAT.......2006-07-23

Movie soundtracks (and anthologies in general) tend to be "hit-and-miss" affairs. The BROKEN FLOWERS soundtrack is no exception, but its "hits" are so good, it's hard to quantify an overall ranking for this CD vis-a-vis the misses.

I see the other reviews here rightly concentrate on the brilliant and haunting Ethiopian jazz of Mulatu Astatke. This is the music that drew me to the CD in the first place, and it is otherworldy in quality and sound. Also noteworthy are the two wonderful tracks featuring Holly Golightly.

That leaves a couple of indifferent tracks, and a couple of unlistenable ones courtesy of the Brian Jonestown Massacre and Sleep. Program these songs out and you have a shorter, 5-star CD. Leave them, and you have, uh, this!

Average customer rating:

Best Solo McCartney album
FLowers
Paul can bring these flowers anytime
not happy
Still Beatlesque, but full Sir Paul also... Great album!

Flowers in the Dirt
Paul McCartney
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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Off the Ground
Flaming Pie
Tug Of War
Driving Rain
Run Devil Run

ASIN: B000002UUM
Release Date: 1990-10-25

Tracks:

My Brave Face
Rough Ride
You Want Her Too
Distractions
We Got Married
Put It There
Figure Of Eight
This One
Don't Be Careless Love
That Day Is Done
How Many People
Motor Of Love
Ou Est Le Soleil

Amazon.com

Enlivened and challenged by his songwriting collaboration with Elvis Costello, who cowrote three songs here, McCartney made one of his best albums of the 1980s with Flowers in the Dirt. The Costello tracks, "My Brave Face," "You Want Her, Too," and "That Day Is Done," are complex and acerbic, qualities rarely applied to songs penned by McCartney alone. Yet Sir Paul rises to the occasion on "Put It There," a touching remembrance of his father, and some of his best pop-rockers in a while, such as "This One," "Figure of Eight," and "Rough Ride." --Daniel Durchholz

Customer Reviews:

Best Solo McCartney album.......2007-06-17

I just love this album, a great mix of old and new styles from Paul McCartney. If there is any post-Beatles McCartney albums you need to have then this is the one, even over Band on the Run (the classic Wings album, but over rated in my opinion). In many ways you can almost hear perhaps what the Beatles could have sounded if they had lasted together until 1990. Elvis Costello's influence is huge however, and the partnership honed the best out of Paul, just as Lennon and Harrison did in the 60s. Great clean production and great sounding tracks - top marks for this one Paul!

FLowers.......2007-01-29

Sacherine trivia
With the exception of the costello collaberations,this album misses the point by a country mile
I'm amazed at the majority of reviews here-obviously from McCartney fans.

The dedication to Chico Mendes is really a new low in McCartney lyric writing -trite,vacantly sentimental,and so loose in its generalizations
that I found it,frankly,embarassing !
McCartney's best work,Beatles apart,is his McCartney II album
and Band On The Run and Venus aand Mars

Otherwise,listen to to almost any other copyist to get better work than this sentimental slush.

Paul can bring these flowers anytime.......2007-01-24

I finally got tired of listening to the cassette version I bought -- wow, was it almost 18 years ago? Yikes. I know it's a cliche, but like wine, this album just gets better with age. The collaborations Paul made with Elvis Costello and so many other good musicians sound even better through the years.

One thing you'll notice, if you've been buying most of Paul's CDs like I have, is the strength of Paul's voice on this album. He is at his peak here, and still has a great range I don't hear on his latest, "Chaos and Creation in the Backyard." The combo of his voice, Elvis Costello's work and superb instrumentals just knock you out, especially if you haven't heard it in a while.

I'm not saying "Chaos" isn't a good CD, it has to rely more on his musicianship than vocals and I'm not sure yet that "Fine Line" and some of the other songs will stand the test of time. But of course, true Sir Paul fans won't really care, will we?

To sum it all up, this is Paul's best 1980s album and one of the top four in his solo career. Buy it!!!! You won't be sorry.

not happy.......2007-01-12

Sorry i even thought this would be any good, maybe one cut was any good and i gave that 1 star.

Still Beatlesque, but full Sir Paul also... Great album!.......2006-10-26

This is one of my "MUST HAVE 100 albums". A good friend of mine sent me the LP version from Spain a long time ago, as soon as it was put for sale at the record shop shelves in Madrid. Even when Paul McCartney cannot deny being still under the shadows of Beatles' influence, this album has terrific music, and really beautiful songs like "This One" and "Put It There" (a small musical jewel!). "Figures Of Eight", "My Brave Face", "Rough Ride" and even "We Got Married" bring the part of excellent PMcC Rock. Definitely one of McCartney's best!

Average customer rating:

Best of the best

Essential Tchaikovsky

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Essential Mozart: 32 Of His Greatest Masterpieces
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Essential Rachmaninov

ASIN: B000060O5I
Release Date: 2002-03-12

Tracks:

Piano Concerto No.1 In B Flat Minor, Op.23: I Allegro Non Troppo E Molto Maestoso (Excerpt) - Vladimir Ashkenazy
Romeo And Juliet: Love Theme - Wiener Philharmoniker
Symphony No.6 In B Minor, Op.74 'Pathetique': I Adagio - Allegro Non Troppo (Excerpt) - Philharmonia Orchestra
Swan Lake: Scene (Act III) - Herbert Von Karajan
Swan Lake: Waltz (Act I) - Herbert Von Karajan
Swan Lake: Dance Of The Little Swans - Herbert Von Karajan
Il Adagio Cantabile E Con Moto Souvenir De Florence, Op.70: II Adagio Cantabile E Con Moto - Academy Of St. Martin In The Fields
Melodie Souvenir D'un Lieu Cher, Op.42: Melodie - Philip Moll
June: Barcarolle The Seasons, Op.37b: June: Barcarolle - Vladimir Ashkenazy
Eugene Onegin: Waltz - Valery Gergiev
Piano Concerto No.1 In B Flat Minor, Op.23: II Andantino Semplice - Vladimir Ashkenazy
Sleeping Beauty: Pas D'action (Adagio) - Wiener Philharmoniker
Sleeping Beauty: Waltz - Wiener Philharmoniker
Marche Slave, Op.31 - Zubin Mehta

Tracks:

Violin Concerto In D Major, Op.35: I Allegro Moderato (Excerpt) - Kyung Wha Chung
Symphony No.5 In E Minor, Op.64: II Andante Cantabile, Con Alcuna Licenza - London Symphony Orchestra
The Nutcracker: Overture - Charles Dutoit
The Nutcracker: Dance Of The Sugar-Plum Fairy - Charles Dutoit
Serenade For Strings In C Major, Op.48: II Waltz - St. Petersburg Philharmonic Orchestra
String Quartet No.1 In D Major, Op.11: II Andante Cantabile - Gabrieli String Quartet
Eugene Onegin: Polonaise - Valery Gergiev
Capriccio Italien, Op.45 (Excerpt) - Valery Gergiev
Symphony No.4 In F Minor, Op.36: III Scherzo: Pizzicato Ostinato, Allegro - London Symphony Orchestra
Elegie For Strings - Royal Philharmonic Orchestra
None But The Lonely Heart, Op.6 No.6 - Dmitri Hvorostovsky
The Divine Liturgy Of St. John Chrysostom, Op.41: Otche Nash (The Lord's Prayer) - St. Petersburg Chamber Choir
Valse Sentimentale, Op.51 No.6 - Arthur Grumiaux
The Nutcracker: Dance Of The Reed Pipes (Mirlitons) - Wiener Philharmoniker
The Nutcracker: Waltz Of The Flowers - Wiener Philharmoniker
1812 Overture, Op.49 (Conclusion) - Zubin Mehta

Customer Reviews:

Best of the best.......2004-03-14

There's something for every Tchaikovsky lover on this disc. From Swan Lake to Onegin, many of Tchaikovsky's most-known melodies are on this disc. I'd have preferred more than an excerpt of the first movement of Piano Concerto No. 1, but this disc is a great introduction to Tchaikovsky's works.

Average customer rating:

This is a question
What a thrill to find this!
Pretty good album.

Tchaikovsky: Greatest Hits

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Mozart: Greatest Hits
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ASIN: B000003F68
Release Date: 1991-09-06

Tracks:

Swan Lake - Waltz
Symphony No. 6 Pathetique - Allegro Con Grazia
Eugene Onegin - Polonaise
Pas De Deux
Waltz Of The Flowers
Andante Cantabile
Serenade For Strings - Waltz
Marche Slave
Swan Lake - Final Scene
1812 Overture

Customer Reviews:

This is a question .......2006-08-03

I was directed to this CD from an online link is track #8 conducted by Aruther Fiedler????

What a thrill to find this!.......2004-05-27

I have looked and looked for "The Polonaise" from "Eugene Onegin" and began to think I never would find it. It is one of my very favorites. However, sitting through that entire opera for just this one piece was a bit tiring. Although, it really was worth it to be transported for just a few minutes. I don't remember where I even got this CD, but played it and was estatic to hear "The Polonaise"! Beautiful piece, beautifully done. This is not to say that the rest of the CD is not 5 star, too. It is!
I hope you enjoy this CD as much as I.

Pretty good album........1999-08-03

I think that these are my favorite Tchaikovsky songs, but there are much better classical albums out there, so buy others.

Classical Masterpieces of the Millennium [20 CD Set]

Average customer rating:

Mill. Classical review
classical music for the unitiated
Some little gems there that I had forgotten!
A very helpful collection
Excellent!

Classical Masterpieces of the Millennium [20 CD Set]

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000K1C9
Release Date: 1999-08-24

Tracks:

Brandenbutg Concerto No.3 In G First Movement
Overture No.3 In D Second Movement
Violin Concerto In E First Movement
Prelude In C minor
Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
Overture No.2 In B minor Minuet And Badinerie
Oboe Concerto In D minor Second Movement
Brandenburg Concerto No.4 In G Third Movement
Musical Offering - Fuga canonica
Easter Oratorio - Overture
Minuet In D minor
Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
Brandenburg Concerto No.1 In F Second Movement
Art Of The Fugue - Contrapunctus 9
Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
Overture No.4 In D - Réjouissance
Concerto No. 1 in E: Spring
Concerto No. 1 in E: Spring
Concerto No. 1 in E: Spring
Concerto No. 2 in G minor: Summer
Concerto No. 2 in G minor: Summer
Concerto No. 2 in G minor: Summer
Concerto No. 3 in F: Autumn
Concerto No. 3 in F: Autumn
Concerto No. 3 in F: Autumn
Concerto No. 4 in F minor: Winter
Concerto No. 4 in F minor: Winter
Concerto No. 4 in F minor: Winter
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto Grosso in A minor, Op. 3, no. 8
Concerto Grosso in A minor, Op. 3, no. 8
Concerto Grosso in A minor, Op. 3, no. 8
Water Music - Alla Hornpipe
Xerxes - Ombra Mai Fu (Largo)
Messiah - And The Glory Of The Lord
Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
Organ Concerto In F, Op. 4, No. 4 Allegro
Water Music - Air
Messiah - For Unto Us A Child Is Born
Concerto Grosso In B flat, Op. 3, No. 2 - Largo
Salomon - Sinfonia, Act 3
The Choice Of Hercules - While For Thy Arms
Water Music - Allegro (Suite No. 1)
Suite No. 5 In E - Air With Variations
Jephtha - How Dark, O Lord
Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
Water Music - Andante Allegro Da Capo
Concerto for Trumpet & Orchestra in E-flat: First Movement
Symphony No. 94 in G: Surprise Symphony-second movement
Concerto for Violin No. 2 in D: Third Movement
Flute Trio No. 31 in G: Second Movement
Symphony No. 31 in D: Hornsignal-First Movement
String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
Concerto for 2 Horns & Orchestra in E-flat: Second Movement
Symphony No. 88 in G: Fourth Movement
String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
Notturno No. 1 in C: Second Movement
Symphony No. 98 in B: Londoner No. 4-Fourth Movement
Eine Kleine Nachtmusik - first movement
Piano Concerto in A - second movement
Flute Concerto in D - Rondeau
Serenade - Minuet
Violin Concerto - first movement
Symphony No. 40 in G minor - first movement
Clarinet Concerto - second movement
Turkish March
Divertimento - Minuet
Horn Concerto No. 3 in E-flat - first movement
Symphony No. 5 in C minor, Op. 67-First Movement
Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
Overture
O welche Lust (Prisoners' Chorus)
Ha, welch ein Augenblick (Pizarros's Aria)
Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
Concerto for Violin and Orchestra in D, Op. 61: Third Movement
Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
Sympony No. 6 in F, Op. 68: Pastorale-First Movement
Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
German Dance No. 1 In C
Impromptu Op. 90, No. 3 In G-Flat
Heidenroslein
Ave Maria
Der Lindenbaum
Quintet In A 'Trout Quintet' - Andante
Mass No. 6 In E-Flat - Kyrie
Die Schone Mullerin Des Mullers Blumen
German Dance No. 2 In G
Piano Sonata In B-Flat
Nachtgesang Im Walde
Winterreise - No. 15: Die Krahe
German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
Symphony No. 8 In B Minor 'Unfinished' - Second Movement
Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
Nocturne in E-flat, Op. 9, no. 2
Etude in G-flat, Op. 10, no. 5
Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
Mazurka in D minor, Op. 33, no. 2
Prelude in D-flat, Op. 28, no. 15 Raindrop
Etude in C, Op. 10, no. 1
Nocturne in D-flat, Op. 27, no. 2
Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
Scherzo in B minor, Op. 20
Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
Violin Concerto - second movement
The Sleeping Beauty - Waltz
Capriccio Italien, Op. 45
Swan Lake - Waltz
Eugene Onegin - Polonaise
The Nutcracker - Waltz of the Flowers
Orchestral Suite No. 4 - Mozartiana - Third Movement
Swan Lake - Dance of the Swans
Symphony No. 6 in B minor - Pathétique - Third Movement
Hungarian Dance No.5
Lullaby
Symphony No.1 in C minor, Op. 68 - Third Movement
Intermezzo in E-flat, Op.117, no. 1
Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
Waltz, Op. 39, no. 15
Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
String Quintet in G, Op. 111 - Second Movement
Symphony No.4 in E minor, Op. 98 - Third Movement
Intermezzo in A minor, Op. 76, no. 7
Hungarian Dance No.1 in G minor
German Requiem Selig sind die Toten (Final Chorus)
Die Fledermaus - Overture
Kaiser Waltz, Op.437
Thunder And Lightning Polka, Op. 324
Roses From The South Waltz, Op. 388
AnnenPolka, Op. 117
Vienna Blood Waltz, Op. 354
Eljen A Magyar Polka, Op. 332
Wine, Women and Song Waltz, Op. 333
On The Beautiful Blue Danube Waltz, Op. 134
Die Meistersinger Von Nurnberg - Overture
Tannhauser - Die Pilger sind's (Pilgims' Chorus)
Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
Lohengrin - Act 3 Prelude and Bridal Chorus
The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
Die Walkure - Ride of the Valkyries
Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
Tristan und Isolde - Liebestod
Thus sprach Zarathustra, Op. 30 (excerpt)
Don Juan, Op. 20
Eine Alpensinfonie, Op. 64, I.Nacht
Don Quixote, Op.35, first movement: Introduction
Salome, Op. 54, Dance Of The Seven Veils
Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
Piano Concerto 2 In C minor, Op. 18 - First Movement
Vocalise, Op.34, No. 14
Prelude In G Sharp minor, Op. 32, No. 12
Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
Symphony No. 2 In E minor, Op. 27 - Third Movement
Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
Rhapsody, Op. 43 On A Theme By Paganini
Hungarian Rhapsody No.2
Liebestraum No.3 in A-flat
Piano Concerto No.1 in E-flat - third movement
Angelus
Mephisto Waltz No.1 (Dance in a Village Tavern)
Prelude and Fugue on B-A-C-H
Dante Symphony - Finale. - Purgatorio - Magnificat
Les Préludes
Boléro
Daphnis et Chloé first movement: Nocturne
Rhapsodie Espagnole
Shéhérazade - first movement: Asie
Ma Mère l'Oye - fourth movement: La Belle et la Bête
Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
La Valse
Slavic Dance No. 1 in C, Op. 46, no.1
Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
Humoresque, Op. 101
Slavic Dance No. 8 in G minor, Op. 46, no. 8
Serenade for String Orchestra, Op. 22 - second movement
Romance for Violin and Orchestra In F minor, Op. 11
Symphony No. 7 in D minor - third movement
Melodie (Songs My Mother Taught Me)
Carneval Overture, Op. 92
Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
Symphony No.4 In A, Op. 90. Italian - First Movement
Frühlingslied In A, Op. 62, No. 6
Wedding March (From A Midsummer Night's Dream, Op.61)
Duetto In F, Op.30, No.6 (From Songs Without Words)
String Symphony No.9 In C. Schweitzer Symphony - Third Movement
Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
Notturno (From A Midsumment Night's Dream, Op. 61)
Rondo Capriccioso, Op.14
String Symphony No. 12 In G minor - First Movement
Venetian Gondola Song In F Sharp minor, Op.30, No.6
Scherzo (From A Midsumment Night's Dream, Op. 61)
Violin Concerto In E minor, Op.64 - Third Movement
Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
Holberg Suite, Op. 40 - IV. Air. Andante religioso
Arietta, Op. 12, no. 1
Homage March from Sigurd Jorsalfar, Op. 56
Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
Wedding Day at Troldhauen, Op. 65, no. 6
The Last Spring, Op. 34, no. 2
Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
Nordic Melody Op. 63
Notturno, Op. 54, no. 4
Elegie, Op. 47, no. 5
Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
Piano Concerto in A minor, Op. 16 - Allegro
Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
Traumerai (from Kinderszenen, Op. 15)
Mondnacht (from Eichendorff-Liederkreis, Op. 39)
Aufschwung (from Fantasietucke, Op. 12)
Triolett, Op. 114, no. 2
Tanzlied (No. 1 from Duets, Op. 78)
Symphony No. 4 in D minor, Op. 120 - second movement
Frühlingsgruss
Abschied (from Waldszenen Op. 82)
Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
Manfred Overture, Op. 115
Romance in F sharp, Op. 28, no. 2
Die Rose stand im Tau
Liebesgarten (from Four Duets, Op. 34)
Warum? (from Fantasiestucke, Op. 12)
Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
Von fremden Landern und Menschen (from Kinderszenen, Op. 15)

Album Description

An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.

Customer Reviews:

Mill. Classical review.......2007-05-13

This is a great set of recordings for the money, the only problem was I've had to clean some of the CD's before they played correctly.

classical music for the unitiated.......2007-04-01

This set is a good way to start listening to classical music. It's very well produced and easy to listen to. I purchased it to use as part of my world history high school class. It would have been nice to have some bio information on the composers. However, the product is exactly as advertised and good value for the money. The students were intrigued by how many of the excerpts they had heard before.

Some little gems there that I had forgotten!.......2007-03-30

Although I studied classical music at school, I had all but forgotten it until I bought this set. I heard several tracks I haven't heard for over 30 years, and I had been humming Brahms's 'Hungarian Dance no. 5' for years without ever knowing what it was and it was on the disc, so that was nice.

I found it to be a very good selection overall, but I felt too much had already been heard on TV, which of course is what lots of newcomers to classical music might appreciate. I managed to find about 2 hours of tracks that I wanted to keep, which works out quite expensive per disc, but I did find some wonderful music I had completely forgotten about, so it was worth it. All in all, it represents good value, and I have only knocked one star off as so much of it had been used in adverts.

It is definitely a good introduction to classical music, and it has made me want to listen to more of it, so I don't regret this 'expensive' purchase one bit!

Classical Masterpieces of the Millennium [20 CD Set]

A very helpful collection.......2007-03-24

I define this set as an excellent way to find out who you like, and who you don't, among 20 of the important composers. It opens the door to purchasing more complete pieces by composers you do like, and can save a lot of time and money in the process.
To criticize the set for not containing more composers, or more than just snippets of those who are in the set, is missing the point: it is a helpful introduction to finding your way in the huge maze of classical music. It succeeds admirably in this.
Sound quality is uniformly very good on an audiophile system.
Highly recommended.

Excellent!.......2007-03-08

A great way to start a classical music collection. It's nice to have a full CD of each composer. It makes it easy to keep track of selections/composers I already have and what composers I still need to puchase to complete my collection.

The Ultimate Gilbert & Sullivan Collection

Average customer rating:

Well worth the price
Not Exactly "The Ultimate" Collection...
Where's the chicks?!?!
Not quite the ultimate....
Great Music - Questionable Selection

The Ultimate Gilbert & Sullivan Collection
Arthur Sullivan , Isidore Godfrey , Royston Nash , New Symphony Orchestra of London , Royal Philharmonic Orchestra , Colin Wright , Donald Adams , George Cook , Gillian Knight , Jean Hindmarsh , Jeffrey Skitch , John Ayldon , John Reed , Joyce Wright , Kenneth Sandford , Lyndsie Holland , Owen Brannigan , Pauline Wales , Peggy Ann Jones , Thomas Round , Valerie Masterson , and D'Oyly Carte Opera Company
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD