The Devlins' fourth full-length is designed for lovesick dreamers. Is it any wonder their music has been popping up in such dark-tinged productions as HBO's Six Feet Under ("Waiting") or Mike Nichols' Oscar-nominated Closer ("World Outside," also from 1997s Waiting)? As Colin Devlin sings in "Someday," "Someday you'll find your place in time." A similar sense of longing permeates the entire moody, melodic enterprise. Colin, who also handles guitar duties, is joined by brother Peter on bass and Guy Rickarby on drums. Based in Dublin, the Devlins don't sound like any other Irish group that comes to mind (although they do resemble a few Scottish ones, like the Blue Nile ). At times on Waves, however, they evoke another notable sibling duo, New Zealand's Finn Brothers (Neil and Tim from Split Enz and Crowded House), but their sound is smoother, more subdued. Waves was engineered by Danton Supple of Coldplay fame. --Kathleen C. Fennessy
Waves,Devlins,Nettwerk Records,Pop,Rock,Rock/Pop
Waves
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Echoes of Nature: Ocean Waves
Various Artists Manufacturer: Delta ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001V38 Release Date: 1993-04-13 |
Tracks:
- Pleasant Beach
- Low Tide
- Big Surf
- Pebble Beach
Customer Reviews:
A natural calm.......2007-07-26
I am not a pill taker at all, and am into more natural ways to find peace and calm. I highly recommend this one.
Excellent.......2007-06-10
Best sleep aid without a prescription.......2007-04-28
great "ocean sounds" CD.......2007-04-09
Relaxing to Ocean Waves of the Echoes of Nature CD.......2007-01-27
the Gulf Coast of Florida and don't always get a chance to go to the
beach, so this is as close as I get. I love listening to the calming
sound of the waves rushing into the beach and I was pleasantly surprised
to hear the sea gulls. I highly recommend this CD as a relaxation tech-
nique for those like me who have trouble unwinding at the end of the day.
I also highly recommend the "Thundering Rainstorms" CD.
This society that we all live in is always, "Rush, Rush, Rush" and these
CD's have a real calming effect. LOVE THEM!!!!
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Permanent Waves
Rush Manufacturer: Island / Mercury ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001ESN Release Date: 1997-05-06 |
Tracks:
- The Spirit Of Radio
- Freewill
- Jacob's Ladder
- Entre Nous
- Different Strings
- Natural Science
Amazon.com essential recording
One of Rush's finest moments, second only to Moving Pictures. This album includes two classic songs, "The Spirit of Radio" (which has one of the most recognizable guitar riffs in all of rock) and "Freewill." There's also the epic-feeling "Jacob's Ladder," as well as "Entre Nous," a sort of intellectual love song (if such a thing can be said to exist). The introspective "Different Strings" and the anthemic "Natural Science" (which clocks in at over nine minutes) close the album. Though there are only six songs on Permanent Waves, it's enough; the material is rich enough that more of it would be like overdosing on chocolate. -- Genevieve WilliamsCustomer Reviews:
Rush backs off from the epics while still maintaining a very high technical standard .......2007-07-22
The lineup on Permanent Waves included bassist extraordinaire Geddy Lee (lead vocals Rickenbacker bass; Oberheim polyphonic synthesizer; OB-1; mini-moog synthesizer; and Taurus bass pedals); Neil Peart (drum kit; and lots of percussion including: tympani; timbales; orchestra bells; tubular bells; wind chimes; bell tree; triangle; and crotales); and Alex Lifeson (6 and 12 string electric and acoustic guitars; Taurus bass pedals). This group of only three individuals managed to churn out a wall of sound that sounded as if had been made by an ensemble twice that size. Their technical ability was astounding too: these guys could rock out in 7/8 just as easily as they could in common time (4/4). I do recall seeing Rush in concert as a teenaged prog rock fan back in 1981 (Moving Pictures tour) and just being wowed by the performances - Neil Peart still amazes me, both with his approach to the drums and his lyric writing ability. As I recall, his drum kit was at an absolute peak of "massiveness" in 1980 - 1981.
The six tunes on Permanent Waves range in length from 3'48" to 9'17" with most in the 3-6 minute range (this album is a bit short overall). There is a broad spectrum of music on the album that includes the densely arranged, yet shorter pieces that (somehow) managed to get radio play, to the more prog rock pieces that got me into the band in the first place including Jacob's Ladder and the incredible, riff-heavy progger Natural Science. The two tracks that I always enjoyed listening to and that somehow seem to fall through the cracks include Entre Nous and Different Strings - both are somewhat quieter and a bit more reflective, yet do not lose the distinctive stamp of Rush's unique brand of progressive hard rock/heavy metal. Geddy's use of synthesizers is very tasteful and he generates some fairly atmospheric moments in-between the more powerhouse sections of wall shaking, "thinking man's" progressive metal that made the band famous.
This remastered version of the album is about as close as it will get for those folks that never owned the vinyl (the original photos and lyrics to each piece have been included). As somebody who did buy this on vinyl when it came out, the CD will never hold the same magic, but it did (admittedly) bring back some fond memories. The sound quality is superb and the production by Terry Brown is excellent.
All in all, this is a fantastic example of progressive hard rock/heavy metal and is very highly recommended along with A Farewell to Kings (1977); my personal favorite (Hemispheres, 1978), and Moving Pictures (1981). For those folks that like this particular brand of progressive rock, a few albums by Kansas are highly recommended including Leftoverture (1976) and Point of Know Return (1977).
The Awesome Prelude To Moving Pictures.......2007-07-08
The Spirit Of Radio - One of the all-time great Rush tunes along with Closer To The Heart and Tom Sawyer and so many more. This is awesome. A nod to the greatness of radio as a whole and the freedom of musical expression. The clever homage to Simon & Garfunkel's "The Sound Of Silence" is great and most people don't notice it. S&G: "...the words of the prophets are written on the subway walls...tenement halls!" Rush: "For the words of the prophets were written on the studio wall....concert hall!" Both great songs. One of Rush's best.
Freewill - Another killer tune. Freewill was a live stape for years and years. A host of holy horrors to direct our aimless dance. Neil's lyrics shine here. Perfect.
Jacob's Ladder - A brooding, moody epic tune. Again, Neil's lyrics are inventive and clever. Alex wails here. An often-overlooked song.
Entre Nous - Middle of the road Rush. If Permanent Waves has a weak link, this would be it along with the next tune. This song isn't terrible in any way, it just doesn't have the punch of the earlier tunes.
Different Strings - Much like Cinderella Man from their previous album, Geddy wrote the lyrics here. This song starts out slow and light and pretty much stays there. Geddy isn't a bad lyricist, he's just not Neil Peart. The diet coke of Rush, just one calorie, not Rush enough.
Natural Science - I was delighted when they started to do this song live a some of years back. It's always been one of my favorites. In the same vein as Cygnus X-1 and the latter The Camera Eye, Natural Science is one of the multi-part mini-concept songs that Rush was so good at creating. Computerized clinic, for superior cynics, who dance to a synthetic band... Awesome!
All in all, Permanent Waves is a great album. Entre Nous and Different Strings and its production keep it from being as truly great as Moving Pictures, but it is very close. Always one of my favorites, you wouldn't go wrong starting out here if you were new to Rush. If you are an old fan like me, it's clearly one of their best efforts!
Dig it!
One of a number of personal favorites........2007-06-18
signals.......2007-06-10
Do not miss the concert June 15, 2007 at the sound advice amphitheater in West Palm Beach .
A classic album (4.5 stars).......2007-04-06
Permanent Waves is one of Rush's best albums. This is a total 180 degree change in direction from the prior album, Hemispheres; the songs on this album are much more accessible and radio friendly. Geddy Lee's singing also started to be singing, rather than screaming, starting with this one. Even though this is a 27 year old album, it still sounds fresh and current. Every single song on this album is a winner (my personal favorites are "Freewill" and "Jacob's Ladder"). I think the only negative about Permanent Waves is that you can start to feel the limits of Terry Brown's production abilities starting on this album (which is why Rush dropped him two albums later). Anyway, this is a classic album and highly recommended for any fan of good rock music.
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Cieli di Toscana
Paolo Gianolio , Margherita Graczyk , Gary Miller , John Reid , Luis Jardim , Francesco Sartori , Mauro Malavasi , and Massimo Guantini Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005OWJV Release Date: 2001-10-16 |
Tracks:
- Melodramma
- Mille Lune Mille Onde
- E Ara 'A Settembre (Someone Like You)
- Chiara
- Mascagni
- Resta Qui
- Il Mistero Dell 'Amore
- Se La Gente Usasse Il Cuore
- Si Volto'
- L 'Abitudine
- L 'Incontro
- E Mi Manchi Tu
- Il Diavolo E L 'Angelo
- L 'Ultimo Re
Amazon.com
Not content with the simplistic "crossover" formula, superstar tenor Andrea Bocelli has been pursuing alternative paths since he emerged as a vocal phenomenon in the mid-1990s: operatic classics and contemporary popular song. The singer's last few albums have showcased his love for the former (including homages to his beloved Verdi: the Requiem and Verdi aria collection). But Cieli di Toscana ("Tuscan Skies") marks a triumphant return to the pop idiom last explored on Sogno, offering a highly varied series of the kind of beautifully crafted contemporary melodies that initially won Bocelli acclaim.The familiar cast of songwriter-collaborators (including Francesco Sartori, responsible for the smash success "Time to Say Goodbye") mixes with new blood; Bocelli himself unveils his songwriting talents on "Il Diavolo e l'Angelo." It's a highly produced affair, but behind all the gloss, Bocelli sings with a newfound, relaxed, even mellow quality. There are intimately touching moments--"L'Incontro," a tribute to his first son featuring Bocelli's own poetry as read by U2's Bono--as well as soaring flights of lyricism (the duet "L'Abitudine" with Italian singer Helena). And on "Mascagni," with its quotes from that composer's operas, Bocelli makes another nod to his classical affinities. But whatever the style, Bocelli is a singer who knows how to go straight to his listeners' hearts. --Sarah Chin
Album Description
Exclusive UK version of Bocelli's third pop release includes the exclusive bonus track 'Tornera La Neve' and CD-ROM. The album also features 'L'Incontro' a duet with Gerard Depardieu. David Foster co-composes some of the tracks on this album as well. 2001.Customer Reviews:
See Other Andrea Bocelli Review.......2007-07-06
Emotional therapy!.......2007-05-14
This album helped me process a lot of emotional residue affiliated with the strain of difficult dynamics between my mom and myself.
Don't get me wrong. The music isn't sad; it's pure heart and emotion, so it may evoke emotions. The last cut, "L'Ultimo Re" is gorgeous with the way his voice soars!
E.A. Davis, author: Waiting for Wings: Accompanying a Parent to the Edge of Life
Great music!.......2006-12-18
Cieli di Toscana.......2006-08-25
LOVE IT!!!!.......2006-08-25
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Ocean Surf
Dan Gibson Manufacturer: Solitudes ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001CZF Release Date: 1995-08-22 |
Tracks:
- Ocean Surf
Product Description
Enjoy the soothing and powerful sounds of the ocean. Play at a low volume to relax or at a high volume for an invigorating effectCustomer Reviews:
Relaxing Ocean sounds.......2007-05-18
Ocean Surf, nature sounds audio cd.......2007-05-13
Annoying rocks.......2007-01-17
PURE OCEAN; use this with Deep Breathing! Therapy for the Soul.......2006-12-11
lovely.......2006-11-12
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Sounds of the Earth: Ocean Waves
Various Artists Manufacturer: Oreade Music ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000ICLA Release Date: 2005-03-08 |
Tracks:
- Ocean Waves-Sounds Of The Earth
Customer Reviews:
Almost Perfect ! .......2007-05-05
The microphone would be placed higher and further back from the ocean to produce a sound that was not filled with so many specific details (for my optimum ocean recording) but at least there are no birds or foghorns or passing ships or airplanes (OR MUSIC!) so this recording is pretty gosh-darned good, but not perfect!
good CD.......2007-04-10
Sounds of th4 Earth: Ocean Waves.......2007-01-27
Very Good.......2007-01-17
Very nice recording of the ocean.......2005-06-02
Average customer rating:
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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Ocean Waves (Alpha Relaxation Solution)
Dr. Jeffrey D. Thompson Manufacturer: Relaxation ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000H9I13M Release Date: 2006-09-12 |
Tracks:
- Ocean Waves
Customer Reviews:
Peaceful Ocean Waves.......2007-05-22
Remember, You have to like the sound of the ocean to like this.
Ultimate Relaxation.......2007-01-09
Average customer rating:
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Moving Waves
Focus Manufacturer: Red Bullet ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005B364 Release Date: 2001-02-19 |
Tracks:
- Hocus Pocus
- Clochard
- Janis
- Moving Waves
- Focus II
- Eruption: Orfeus/Answer/Orfeus/Answer/Pupilla/Tommy/Pupilla/Answer/The
- Answer (Eruption)
- Orfeus (Eruption)
- Answer (Eruption)
- Pupilla (Eruption)
- Tommy (Eruption)
- Pupilla (Eruption)
- Answer (Eruption)
- Bridge (Eruption)
- Break
- Euridice (Eruption)
- Dayglow (Euruption)
- Endless Road (Eruption)
- Answer (Eruption)
- Orfeus (Eruption)
- Euridice (Eruption)
Album Description
Reissue of 1971 album for Dutch progressive rock act best known for their 1973 hit single 'Hocus Pocus', included here. 2001 release. Standard jewel case.Album Details
Digitally Remastered Version of the Dutch Progressive Rockers' Second Album, which Includes the Worlwide Smash Hit that Made Yodeling Chic for 15 Minutes, 'hocus Pocus'. Includes Some of the Finest Guitar Work by Jan Akkerman.Customer Reviews:
A quirky album that plays to their strengths..........2006-11-18
Pop. Rock. Progressive rock. Arty pop. Call it what you like. Just listen to it....Brilliant!.......2006-05-10
The album kicks off with the one that was released as a 45, "Hocus pocus" a thunderous, relentless rocker composed by Akkerman and van Leer. Comical, but brilliant and hailed by many as a so-called rock classic, it has lots of novelties, tricks and dazzling guitar licks. Keyboardist Thijs (pronounced Tys) van Leer plays the jester with his wild flute playing, whistling, yodelling and other crazy vocal gymnastics, effortlessly hitting notes higher than Brian and Carl Wilson ever went on any Beach Boys recording. Not to be outdone, guitarist Jan Akkerman provides a lot of the thrills and excitement with his amazing gibson les paul guitar antics. Cracking job by the rhythm section, drummer Pierre van der Linden and bassist Cyril Havermans.
In contrast to this, on the next track Jan displays his talent on classical guitar by playing his own composition, the gentle, haunting "Le clochard(bread)". Lovely touch by Thijs with the mellotron accompaniment which adds a bit of weirdness and eerieness to the piece. GORGEOUS! Track 3 "Janis", another Akkerman composition features Thijs on multitracked, interwoven flute parts. The impressionistic title piece "Moving waves" (one of the few actual songs with words that Focus ever did) is one the sayings of Hazrat Inayat Khan set to music by Thijs on vocals and piano. Listen to the words with the music that van Leer has written. The rippling piano chords and the crescendos and diminuendos conjur up the image of ocean waves as they "become excited and then all calm together". The ascending last few chords rise with the waves as they "reach upwards" (to the moon). This is good composing. Track 5, oh yes! Thijs van Leer's "Focus II" with classical and jazz influences and beautifully sensitive guitar playing by Jan. It is typical of Akkerman to add expression with the use of dynamics and subtle phrasing to enhance a melody as he does on this magical piece. Nobody does this better than him. STUNNING!
However, the best is yet to come. The final piece is made up of several compositions, most by Thijs who came up with the overall concept "Eruption", aptly titled lasting 23 minutes. It commences with a line borrowed from Monteverdi's "L'Orfeo" with hammond organ, bass guitar and Jan Akkerman's violin guitar effect (guitar volume control tweaking. You hear a smooth note without the sound of the plucking). The sound is mesmerising and really grabs your attention. After a minute or two, it bursts into life taking you on a journey through the most amazing music, including stunning guitar solos and a couple of incredibly skillful drum solos which add hugely to the overall piece and don't lose your interest for a second. The variety of musical styles in "Eruption" is incredible; from the renaissance style compositions "Orpheus" and "Dayglow" to the Santana-esque organ break segment of "The bridge". Thijs's rock/jazz hammond organ playing is fabulous. In "Euridice" he shows his talent as a flautist producing the richest timbres achievable on a flute. The richly melodic guitar oriented segment "Pupilla/Tommy" is spine-tinglingly SUBLIME! As mentioned in an earlier Amazon review of this album by Ryle Shermatz, a lot of the impact of these individual pieces comes from the contrast between each one and the next. The whole is greater than the sum of the parts.
Technically brilliant with a lot of feel and a real understanding of music, Jan Akkerman is one of the most versatile guitarists in the business. Drummer Pierre van der Linden has a lot of musicality, not only providing the beat and rhythm, but hugely augmenting the music with his incredibly creative and expressive, skillful drumming. Cyril Havermans (later replaced by Bert Ruiter) plays a highly musical, rhythmic and solid bass. Multi-talented keyboardist, flautist and vocalist Thijs van Leer has a great gift for composition and has written music which stands among THE MOST EXCITING, ORIGINAL AND BRILLIANT ROCK/POP MUSIC EVER PRODUCED.
Get "Moving waves" if you are interested in hearing something dramatically different. You won't believe your ears and you will not be disappointed!
Simply the Greatest Prog Rock LP of All Time.......2006-01-14
I should quickly explain that as we grow up, we all have awakening experiences that open up new dimensions of life to us. Some we can remember, some we can't. For me, however, at age 15-16 or so, hearing Focus' "Moving Waves" around 1972-73 on a cruddy console stereo in a friend's basement was surely a defining musical experience in my life. I'd grown up (like everyone else) with the Beatles & Stones and the rest of the great British invasion sounds, and they certainly deserve their spot in the firmament of R&R heaven. But "Moving Waves" was (and is) a unique synthesis of rock, jazz, classical, all fused into an in-your-face whole that grabbed me by the throat and shook me for the rest of my life.
I will not presume on your attention any longer than necessary except to point out that the fury and swagger of Jan Akkerman's guitar solos has NEVER been equaled by any other guitarist in my hearing. Yeah, you could call "Hocus Pocus" (by Focus) "silly", but you'd be WRONG WRONG WRONG. This is a band completely hitting its stride, a band that can do ANYTHING and if you got a problem with the yodeling, go buy the new Bobby Sherman album instead. What other band has had the sheer audacity to even consider such a thing and pull it off with such blistering panache?
I cannot close without trying to impart some of the emotional majesty of side two's (yeah, I'm an LP era guy) track-long opus "Eruption;" several instrumental themes are introduced and repeated over the course of a 20+ minute "suite." It's all a more than worthy effort, and I won't belabor your attention with a blow-by-blow description, but the BIG MOMENT comes toward the middle of the piece--the section titled "The Bridge" concludes with two smashing chords repeated as a launching pad for Akkerman's blistering descending Gibson Les Paul custom runs; repeated three times with variations by the angelically-inspired Akkerman, he's left snarling in the void on his own with no accompaniment. Closing with a final descending left-hand only tear-off riff (I know of no other guitarist who could do this), the section ends abruptly, segueing to flautist/organist Thijs Van Leer's sublime "Euridice" (pron. "you-rid-a-sea" for the benefit of those not aware of Greek mythology), a gentle flute/piano duo eventually adding the entire quartet that is as close to perfection as I can imagine. It's not just the beauty of the composition--it's the amazing, stark contrast between the "over the cliff" fury of Akkerman's guitar followed by the Johann Sebastian consonance of Van Leer's singular genius. I KNOW I can't be the only person in the world totally captured for life by this moment. But let me hear from you.
FOCUS deserves a lot more love than this forum can lavish on them, and those who are harmonious with my assessment of "Moving Waves" should advance quickly to "Hamburger Concerto," two albums later and almost equally sublime (Van Leer is ascendent on HC, and that is NOT a bad thing). EVERY Focus album has something GREAT, including their "worst" album, 1975's "Mother Focus" which still has one of the greatest short compositions of all time, "Focus V." Very few bands ever working in "rock" had the musical chops that Focus did, and NONE came anywhere close to the absolutely unique synthesis of styles they achieved. If you're willing to give this recording a chance I do believe it can still echo down your life as it has with mine.
Best work by a good instrumental band.......2005-12-30
pretty good.......2005-09-06
space puppy, out
Average customer rating:
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Some Kind of Strange
Collide Manufacturer: Noise Plus Music ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000090PEX Release Date: 2003-04-22 |
Tracks:
- Crushed
- Euphoria
- Modify
- Somewhere
- Slither Thing
- Inside
- Mutation
- Tempted
- Shimmer
- Complicated
- So Long
Album Description
Sensual, powerful, exotic, and alluring ...The orchestrated layers of sound and emotion unravel an expressive journey, exploring one's place within themselves and the universe. Meaningful lyrics and hypnotic vocals combine with an aural sculpture to form a unique listening experience. "Some Kind of Strange" is seductively captivating on many levels from the primal to the sublime. Collide creates a distinctive harmony and clashing of sounds.
Customer Reviews:
Some Kind of Fantastic.......2007-07-20
Pretty good...but repetitive........2007-04-18
Now for this album: It wasn't horrible. "Crushed" is very a catchy song with an atmosphere of subtle vengefulness to it. "Euphoria" is also another amazing song that has a nice sultry and down-tempo, shoe-gazing type of feel to it sided with an electronic edge. The song seems very mellow at first, but around the third repeat of the chorus it picks up a bit and really climaxes, leaving you completely hypnotized with the song's ending.
The rest of the album isn't bad either and has its high and low points like any other album. After the first two songs, the rest of its tracks pretty much maintain one constant tempo, which is undoubtedly part of Collide's magic, but can get a bit monotonous after awhile. I guess the listener's own preferences would play a part in whether or not they can tolerate some slight monotony. I must say though, the down tempo feel really creates a carthartic atmosphere.
There are some other good songs to this album too, such as "Tempted" and "Slither Thing" which takes on a different and almost unexpected feel...and a few other, also.
Overall this album was pretty good...not Collide's best....but certainly not horrible. I'd only suggest it to those who have already been exposed to Collide, however. Chasing the Ghost would have to be the suggested album for those just discovering this band.
Very Atmospheric (feels like being somewhere both beautiful and dark).......2007-04-13
Some of my personal favorites include:
"Euphoria", "Somewhere", "Slither Thing", "Complicated"
Also, "Vortex" (A double disc Collide remix album) is definitely worth checking out. It is probably one of the most interesting remix albums I have ever heard.
Beyond good.......2007-04-13
The music of collide is sensual and energetic and is just beyond anything that music today has to offer. The maturity of sound and lyrics is in scope with stuff from Nine Inch Nails.
Recently i began buying other albums by this phenomenal group and Some Kind of Strange has captivated me. Euphoria is one of the best songs on the album but its not the only thing it has to offer.
Describing the sound and energy isn't enough, it can only be experianced.
-CoucH
Some Kind of Strange -- Inspiration divine!.......2007-04-13
Average customer rating:
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Violin Favourites & Virtuoso Showpieces
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0007WQHVW Release Date: 2005-04-12 |
Tracks:
- Variations on an original theme, Op.15
- Romance, Op.78, No.2
- Mazurka, Op.81, No.1
- Hungarian Dance No.1 in G minor-Transcr. Joseph Joachim
- Cantabile, Op.17
- Scherzo-Tarantelle, Op.16
- Nigun (Improvisation)
- Perpetuum mobile
- The Prophet Bird
- Spanish Dance No.1
- Waves at play (Wellenspiel)
- Carmen Fantasy, Op.25 - Arr. Waxman
Tracks:
- Praeludium and Allegro
- Schosmarin
- Tambourin chinois
- Caprice viennois op.2
- La Preuse (in the style of Louis Couperin)
- Liebesfreud
- Liebesleid
- La Gitana
- Berceuse Romantique (Caprice)
- Polichinelle (Snade)
- Rondino on a Theme by Beethoven
- Tempo di menuetto (in the style of Pugnani)
- Toy Soldiers' March
- Allegretto (in the style of Boccherini)
- Marche miniature viennoise
- Aucassin and Nicolette (canzonetta medievale)
- Menuet (in the style of Porpora)
- Sicilienne and Rigaudon (in the style of Francois Francoeur)
- Syncopation
Customer Reviews:
beautiful ,beautiful.......2007-05-27
Great Recording.......2007-01-04
Rap Music:
- Way Live
- We Are Not Alone [Clean] [Enhanced]
- 43 Minutes [Import]
- Along for the Ride
- And Now It's Come to This
- And the Glass Handed Kites [Import]
- Anthology [Import]
- Axes [Live]
- Azure d'Or
- Beautiful Yesterday
Recommended Music:
Come With Us Ep [Enhanced] [Import]
Masterpieces of the Romantic Piano Concerto
Music: 24 Hours: One Night in Bangkok
Nationwide 2 Ghetto Pass: The Compilation
My Own Prison [Australia CD Single #1] [Import] [Extra tracks]
Michael Jackson Tribute [Import]
Mendelssohn: String Quartets Nos. 1 & 2, Opp. 12 & 13
Miserarete: Elegant Jazz [Import]
Never Enough [Explicit Lyrics]