Drink Me [Import]

Drink Me [Import]

Track Listings

1. Pretty Like Drugs
2. Kitty Collar Tight
3. Siamese Almeida
4. Razorblade Sky
5. Sleeping Pill
6. Bed of Roses
7. My Silent Undoing
8. Desert Lullaby
9. Under a Floorboard World
10. Hotel Aftershow
11. For I Am the Way

Editorial Reviews

Product Description
Sophomore album for UK indie rock act formed from the ashes of Daisy Chainsaw. 'Not since Jane's Addiction has a rock band combined such a strong artistic bent with such unpredictability' - Kerrang!. 'With songs that are sharp stabs of guttural punk-devil rock dementia - Queen Adreena's star is emphatically born' NME. 2002.

Drink Me,Queenadreena,Rough Trade,Pop,Pop Vocals,Rock,Rock/Pop


Drink Me [Import]

Eat Me, Drink Me
Average customer rating: 3.5 out of 5 stars
  • l love Manson, but this disappoints
  • Marilyn Manson is truly back.
  • It grew on me.
  • AWFUL!
  • By Far His Worst Album
Eat Me, Drink Me
Marilyn Manson
Manufacturer: Nothing
ProductGroup: Music
Binding: Audio CD

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ASIN: B000PDZJ0S
Release Date: 2007-06-05

Tracks:

  1. If I Was Your Vampire
  2. Putting Holes In Happiness
  3. The Red Carpet Grave
  4. They Said That Hell's Not Hot
  5. Just A Car Crash Away
  6. Heart-Shaped Glasses (When The Heart Guides The Hand)
  7. Evidence
  8. Are You The Rabbit?
  9. Mutilation Is The Sincere Form Of Flattery
  10. You And Me And The Devil Makes 3
  11. Eat Me, Drink Me

Album Description

Four years since his last studio album, and following up on his highest charting radio single ever ("Personal Jesus", from Lest We Forget), Marilyn Manson returns with "Eat Me, Drink me". Art openings, soundtrack appearances, and personal circumstance have grabbed headlines for Manson in recent months, setting the stage for the release of Eat Me, Drink Me, which is unquestionably the artist's most personal statement yet. Always the provocateur, in what may be the ultimate subversion of the code of aggro-rock, the songs are immediately catchy - all jagged guitar hooks, anthemic choruses, with an overlying glam-rock sheen. Lyrically Manson has never been more riveting, seemingly having enough to draw from in his own life and from society at large to present a fresh, snarling vision.

Customer Reviews:

1 out of 5 stars l love Manson, but this disappoints.......2007-07-26

Listen............I love Manson's decadent, hedonistic, sometimes brutal music. But this.....disappoints. It's very understated, slow moving and has no Kick. No Punch. I will always support his output and listen to his material, but after many, many listenings, this album still bores me and makes me change the selection. Enough said. If u don't have any Manson, buy: "The Golden Age of Grotesque." Now THAT'S a Marilyn Manson tour-de-force!

5 out of 5 stars Marilyn Manson is truly back........2007-07-26

After taking nearly four years off from making new music; he has returned with "EAT ME, DRINK ME". Eleven powerful rock songs with a purpose. You have slow ballads like "Just A Car Crash Away" and uptempo pieces like "The Red Carpet Grave" and "Are You the Rabbit?". You have classic Manson in "Mutilation Is the Most Sincere Form of Flattery." And finally new Manson in "Putting Holes in Happiness" and "They Said That Hell's Not Hot". An amazing album that needs to be in every rock 'n roll fan's collection.

4 out of 5 stars It grew on me........2007-07-25

As a longtime MM fan, I wasn't overly impressed with this album when I first heard it. I bought it for an eight hour road trip, listened to it for pretty much the whole way, and decided it was ok - not fantastic, not awful. Then, a few days passed without me listening to it and I popped it in the cd player again...and really liked it! I've been listening to it since and enjoying it more and more with each listen. True, it's not MM's best album ever (to me, Mechanical Animals & Golden Age of Grotesque are tied for best MM albums), but it is good and it gets better with each listen.

Oh, I should mention that the lyrics are awful (same old, same old, just less clever/creative and perhaps more tired), but I for one don't listen to MM for the lyrics.

If you are a fan, I think this is worth buying.

1 out of 5 stars AWFUL!.......2007-07-22

Shoulda never duped "Your God" "Trent" your music is getting worse with each cd. Terrible!

2 out of 5 stars By Far His Worst Album.......2007-07-20

I have been a fan of MM since '98 and I have to say that this album is a real let down. Almost every single song has a long guitar solo at almost the exact place every time, and some songs even sound similar to another before it! Out of the entire album, only about two or three songs really stood out as ok, nothing really blew me away.

I'll give him points for his style change, which sounds like a record from the 70s, sadly however, most of the songs are just boring. I have liked all of his past records, Mechanical Animals is what made me a fan, but I just didn't care for "Eat Me, Drink Me" at all. Hopefully, the next CD will be better
Jerry Hadley - Golden Days - Tenor hits from the Golden Age of Operetta
Average customer rating: Not rated
    Jerry Hadley - Golden Days - Tenor hits from the Golden Age of Operetta

    Manufacturer: RCA
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000003FQQ
    Release Date: 1994-08-16

    Tracks:

    1. Song of the Vagabonds
    2. I'm Falling in Love With Someone
    3. Streets of New York
    4. Neapolitan Love Song
    5. Desert Song/One Alone
    6. Every Day Is Ladies' Day with Me
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    9. Drinking Song
    10. When You're Away
    11. I Love to Go Swimmin' With Wimmin
    12. I Might Be Your Once-In-A-While
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    Les Miserables (Highlights from the 1987 Original Broadway Cast)
    Average customer rating: 4 out of 5 stars
    • BEST OPERA MUSIC EVER
    • Time well spent.
    • Great Score, But Highlights Missing Critical Songs
    • Buy the full version, please
    • Argh Matey!
    Les Miserables (Highlights from the 1987 Original Broadway Cast)
    Alain Boublil , Claude-Michel Schonberg , and Colm Wilkinson
    Manufacturer: Decca U.S.
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000084TRM
    Release Date: 2003-01-28

    Tracks:

    1. Overture/Work Song
    2. I Dreamed a Dream
    3. Who Am I?
    4. Castle on a Cloud
    5. Master of the House
    6. Stars
    7. Do You Hear the People Sing?
    8. A Heart Full of Love
    9. One Day More
    10. On My Own
    11. A Little Fall of Rain
    12. Drink with Me
    13. Bring Him Home
    14. Javert's Suicide
    15. Empty Chairs at Empty Tables
    16. Wedding Chorale/Beggars at the Feast
    17. Finale

    Amazon.com

    While not overly generous at 55 minutes, the highlights album of the 1987 original Broadway cast recording of Les Miserables is intelligently selected and likely to prove satisfying to most fans. It includes the best-loved numbers of Alain Boublil and Claude-Michel Schönberg's score, beautiful ballads ("Bring Him Home," "I Dreamed a Dream") and rousing anthems ("One Day More," "Do You Hear the People Sing?") alike, but eliminates some choral numbers ("Lovely Ladies"), redundancies ("Red and Black"), and connective tissue that propels the plot along ("Valjean Arrested," "Come to Me (Fantine's Death)"). Sure, a more perfect selection could have lasted longer than half of the two-disc set's 104 minutes by adding "At the End of the Day" and "In My Life," among others, but it's still a good representation on a convenient single disc. Of course, those who always want to re-create the theatrical experience will never be satisfied with a highlights album.

    Re-creating their roles from the London production, Colm Wilkinson plays the heroic Valjean and Frances Ruffelle is the despondent Eponine. Randy Graff (Fantine), Terrence Mann (Javert), David Bryant (Marius), Judy Kuhn (Cosette), Michael Maguire (Enjolras), and Leo Burmester and Jennifer Butt (the Thénardiers) fill out the cast. --David Horiuchi

    Customer Reviews:

    5 out of 5 stars BEST OPERA MUSIC EVER.......2006-11-03

    This is the BEST!! I would highly recommend this to anyone who likes this kind of music!

    5 out of 5 stars Time well spent........2005-09-14

    Each member of the Les Miserables cast stands to deliver this musical to its audience. Within moments we are transported to France during their Restoration. We experience sadness, laughter and, indeed, want to join in their crusade. The music and deliverance, in my opinion, is excellent.

    4 out of 5 stars Great Score, But Highlights Missing Critical Songs.......2005-08-05

    Composers Alain Boublil and Claude-Michel Schönberg's score for "Les Miserables" is simply brilliant and the spectacular Broadway cast, led by Colm Wilkinson, Randy Graff, Terrence Mann, and Frances Ruffelle, help bring this incredible music to life!

    While I normally enjoy "highlight" cds, this one clocks in at a mere 55 minutes and could have easily included a couple of additional tunes (thus losing one star). Most notably missing: "At The End Of The Day", "Come To Me", "Red And Black", and "In My Life". The show's most memorable songs, however, are included.

    Best tracks:

    I Dreamed A Dream
    Master Of The House
    Stars
    Do You Hear The People Sing
    On My Own
    A Little Fall Of Rain
    Bring Him Home
    Empty Chairs At Empty Tables

    Great cast, great score ... even a good buy. But I would suggest the full double-disc score instead.

    2 out of 5 stars Buy the full version, please.......2005-01-20

    Highlights are never worth it. You will never get the little in-between songs which make a show complete, montages will be cut together badly instead of being full songs as they should be...so much is left out. This is a fantastic show and deserves to be heard in full.

    5 out of 5 stars Argh Matey!.......2004-11-22

    "Highlights" albums are not the full show, blah blah blah... THIS TAKES UP ONLY ONE SPACE IN YOUR CD RACK INSTEAD OF TWO LIKE THE FULL RECORDING. I rest my case.
    Instruments of the Orchestra
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    Instruments of the Orchestra
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    ASIN: B00006O0NT
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    Tracks:

    1. Overture To 'Tannhauser'
    2. Domna, Pos Vos Ay Chausida
    3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
    4. Hungarian Dance No.7
    5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
    6. Violin Concerto In D Major (Adagio)
    7. But For A Long Time It Was Seen As The Instrument Of The Devil.
    8. The Soldier's Tale: Triumphal March Of The Devil
    9. The Manipulative Seductiveness Of The Gypsy Violin.
    10. Csardas Music
    11. The Violin And The Initiation Of Nature
    12. The Four Seasons (Spring, Mvt 1)
    13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
    14. The Four Seasons (Summer, Mvt 1)
    15. Like The Devil, The Violin Is A Master Of Disguise.
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    17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
    18. Tzigane
    19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
    20. Caprice No.24
    21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
    22. Variations On A Theme Of Frank Bridge (No.7)
    23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
    24. Romeo And Juliet: Act IV
    25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
    26. The Four Seasons (Winter, Mvt 1)
    27. The Violin Muted
    28. Clair De Lune
    29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
    30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
    31. The Pizzicato Violin
    32. Pizzicato Polka
    33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
    34. Violin Concerto No.2 In G Minor (Slow Mvt)
    35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
    36. The Planets (Mars - The Bringer Of War)
    37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
    38. Hungarian Dance No.4
    39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
    40. The Four Seasons (Autumn, Mvt 1)
    41. Now The Same Technique, But The Sound Might Have Come From Another World.
    42. Bolero
    43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
    44. Cadenza To The Violin Concerto By Brahms
    45. Now Compare That With A Real Violin Duet.
    46. Forty-Four Duos (No. 1: Teasing Song)
    47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
    48. Forty-Four Duos (No.2: Maypole Dance)
    49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
    50. Concerto In D Minor For Two Violins (Largo)
    51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
    52. Violin Concerto No.1 In D Major (Mvt 2)
    53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
    54. Symphony No.1 'Titan' (Mvt 1, Opening)
    55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
    56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
    57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
    58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
    59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
    60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
    61. Also Sprach Zarathustra (Of The Afterworldsmen)
    62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
    63. Variations On A Theme Of Frank Bridge (No. 4)
    64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
    65. Four Sea Interludes (Dawn) From 'Peter Grimes'
    66. To End This Outing With The Violins, A Charming Little Elfin Dance
    67. Elfenreigen

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    1. Introduction To The Viola
    2. Viola Concerto (Mvt 1)
    3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
    4. Gayane Suite No.1 (Armen's Solo)
    5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
    6. Passacaglia, Op.33b From 'Peter Grimes'
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    9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
    10. Cypresses (No.9)
    11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
    12. Symphony No.4 (Mvt 3)
    13. The 'Period' Viola In Bach
    14. Brandenburg Concerto No.6 (Last Mvt)
    15. The Cello: A Voice Of Unique Nobility
    16. Suite No.1 For Unaccompanied Cello (Prelude)
    17. Brahms And The 'Soul' Of The Cello
    18. Piano Concerto No.2 In B Flat Major (Mvt 3)
    19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
    20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
    21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
    22. Symphony No.3 'Eroica' (Finale)
    23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
    24. Elfentanz, Op.39
    25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
    26. The Protecting Veil (Opening)
    27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
    28. Flamenco
    29. Double-Stopping In The Lower Reaches Of The Cello's Range
    30. Solo Suiet For Cello And Piano (Sardana)
    31. It's In The Middle Register That The Cello Really Comes Into Its Own.
    32. Oriental Dance, Op.2 No.2
    33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
    34. Symphony No.9 (Finale)
    35. Introduction To The Double-Bass
    36. The Carnival Of The Animals (The Elephant)
    37. But The Double-Bass Can Be Intensely Expressive And Graceful.
    38. Elegy No.1 In D Major
    39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
    40. Capriccio Di Bravura
    41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
    42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
    43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

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    1. The Antiquity And Magic Of The Flute
    2. Prelude A L'Apres-Midi D'Un Faune
    3. The Versatility And Agility Of The Flute
    4. Orchestral Suite No.2 In B Minor (Badinerie)
    5. The Flute In Fifteenth-Century Spain
    6. Sa'Dawi
    7. Other Flutes: The Bass And Alto
    8. Chamber Music No.II
    9. The Piccolo - Aptly Named
    10. La Naissance D'Osiris (Mvt 6)
    11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
    12. Suite No.1 For Small Orchestra (Valse)
    13. A Variety Of Techniques
    14. Chamber Music No.II
    15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
    16. The Nutcracker (Act II, No.2: Scene)
    17. From The Transverse To The Vertical: The Baroque Recorder
    18. Recorded Suite In A Minor (Menuet II)
    19. An Unfamiliar, Early Vision Of The Instrument
    20. Naelden, Naelden
    21. The Bachian Oboe
    22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
    23. Introduction To The Cor Anglais Or 'English Born'
    24. Symphony No.9 'From The New World' (Mvt 2)
    25. The Loneliness Of The Cor Anglais
    26. The Swan Of Tuonela
    27. The Cor Anglais Joins The French Horn In Haydn.
    28. Symphony No.22 'The Philosopher' (Opening)
    29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
    30. Bolero
    31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
    32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
    33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
    34. Gayane Suite No. 1 (Mvt 5)
    35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
    36. The Range Of The Normal Clarinet Parts Goes Quite High...
    37. The Snow Maiden (Scene 5: Melodrama)
    38. ...And Quite Low.
    39. Peter And The Wolf (The Cat)
    40. The Clarinet As Concerto Soloist
    41. Clarinet Concerto In A Major (Rondo)
    42. But That's Not The Instrument Mozart Wrote It For; This Is:
    43. Clarinet Concerto In A Major (Rondo)
    44. Introduction To The Saxophone
    45. Hary Janos Suite (Mvt 4)
    46. The Soprano Saxophone Has Quite A Different Feel To It.
    47. L'Arlesienne Suite No.1 (Minuet)
    48. The Little Sopranino Sax Goes Even Higher.
    49. Bolero
    50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
    51. Pictures At An Exhibition (The Old Castle)
    52. The Saxophone Can Be Quite Contagiously Good-Humoured.
    53. Sax-O-Phun
    54. The Puffa-Puffa Image Of The Bassoon
    55. Peter And The Wolf (Grandfather)
    56. The Bachian Bassoon, In Accompanimental Mode
    57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
    58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
    59. And Ravel, Also In Spanish Mode, Does Likewise.
    60. Bolero
    61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
    62. Symphony No.3 (Opening)
    63. The Eerie Bassoon In Its Highest Register
    64. The Rite Of Spring (Opening)
    65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
    66. The Firebird Suite (1919, Berceuse)
    67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
    68. Bassoon Concerto In G Minor (Finale)
    69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
    70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
    71. The French Horn Under Its Woodwind Hat
    72. Wind Quintet, Op.43 (Last Mvt)
    73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
    74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
    75. The Horn In Harmonious Blend With Strings In Another Quintet
    76. Horn Quintet, K.407 (Finale)

    Tracks:

    1. The Trumpet As Virtuoso Soloist
    2. Brandenburg Concerto No.2 (Last Mvt)
    3. The Special Brillance Of Paired Trumpets
    4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
    5. The Ceremonial Trumpet
    6. Fanfare For The Common Man
    7. Trumpets And Drums - An Incomparable Alliance
    8. Messiah (The Trumpet Shall Sound)
    9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
    10. Piano Concerto In F (Slow Mvt)
    11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
    12. Carmen Suite No.2 (Habanera)
    13. The Trumpet As The Voice Of Strength And Courage
    14. Carmet Suite No.2 (Toreador's Song)
    15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
    16. Billy The Kid
    17. The Trumpet As Character Actor
    18. Pictures At An Exhibition (No.6)
    19. The Trumpet As The Voice Of God
    20. Mass In B Minor ('Et Exspecto')
    21. The Birth Of The Trombone
    22. Aenmerckt Nu Hier
    23. The Birth Of The Brass As A Family
    24. Canzon 12 In Double Echo
    25. The Trombone In The Eighteenth Century
    26. Trombone Concerto In B Flat Major (Finale)
    27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
    28. Hosannah
    29. The Trombones Become Part Of The Orchestra.
    30. Symphony No.5 (Finale)
    31. The Wagnerian Trombone:/Overture To 'Tannhauser'
    32. The Trombone As Caricaturist
    33. Pulcinella (No.19: Vivo)
    34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
    35. The Horn And The Hunt
    36. Horn Concerto No.4 In E Flat, K.495 (Finale)
    37. The Challenging Horn Of The Baroque
    38. Abaris Ou Les Boreades (Menuet)
    39. The Scarcity Of First-Rate Players In Handel's Time
    40. Walter Music (Minuet 1)
    41. The Horn As Magician/The Firebird Suite (1919, Finale)
    42. Horns And The Sound Of Nobility
    43. Overture To 'Tannhauser' (Opening)
    44. The Special Sound Of The Horn In Its Higher Register
    45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
    46. The Trumpet-Like Sound Of Massed Horns
    47. Symphony No.3 (Mvt 1, Opening)
    48. The Tuba - Unfairly Maligned?
    49. Symphony No.6 (Mvt 3)
    50. The Tuba Perfectly Cast By Ravel
    51. Pictures At An Exhibition (Bydlo)

    Tracks:

    1. Introduction. And We Begin With A Bang.
    2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
    3. At The Opposite Extreme Is The Triangle.
    4. Piano Concerto No.1 In E Flat (Scherzo)
    5. Categories Of Percussion: Tuned And Untuned. The Side Drum
    6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
    7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
    8. The Tambourine. One Of The Oldest Instruments In The World
    9. Den Hoboecken Dans
    10. Even Older Is The Originally Oriental Gong.
    11. Ma Mere L'Oye - Mother Goose (Laideronette)
    12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
    13. Gymnopedie No.2
    14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
    15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
    16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
    17. Rodeo (Hoe-Down)
    18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
    19. Scherzi Musicali (Damigella Tutta Belle)
    20. A Still Earlier Example From Fifteenth-Century Spain
    21. Yo M'Enamori D'Un Aire
    22. The Birth Of The Bongo
    23. Symphonic Dances From 'West Side Story'
    24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
    25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
    26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
    27. Onwards To The Tuned Percussion. First, The Timpani
    28. Also Sprach Zarathustra (Introduction)
    29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
    30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
    31. Taking Advantage Of Tunability
    32. Music For Strings, Percussion And Celeste (Mvt 2)
    33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
    34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
    35. Saint-Saens And The Xylophone
    36. The Carnival Of The Animals (Fossils)
    37. Ravel And The Xylophone
    38. Ma Mere L'Oye - Mother Goose (Laideronette)
    39. Introducing The Marimba/Carmen Suite (First Intermezzo)
    40. Introducing The Vibraphone
    41. The Treasure Of The Sierra Madre (Narange Dolce)
    42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
    43. Introducing The Hungarian Cimbalom
    44. Folk Dances
    45. The Cimbalom And The Symphony Orchestra
    46. Hary Janos Suite (Mvt 3)
    47. Introducing The Tubular Bells
    48. Hary Janos Suite (Viennese Musical Clock)
    49. A More 'Up-Front' Approach From Rodion Shchedrin
    50. Carmen Suite (Introduction)
    51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
    52. Introducing The Celeste
    53. The Nutcracker (Dance Of The Sugar Plum Fairy)
    54. Magic, In The Use Of Collective Percussion
    55. Miroirs (La Vallee Des Cloches)
    56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
    57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
    58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
    59. Brandenburg Concerto No.2 (Slow Mvt)
    60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
    61. Petrushka (Russian Dance)
    62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
    63. Music For Strings, Percussion And Celeste (Last Mvt)

    Tracks:

    1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
    2. Symphony No.3 'Organ' (Finale)
    3. But Things In Handel's Day Were Very Different.
    4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
    5. The Organ Is Difficult To Classify.
    6. An Unexpected, Organ-related Guest
    7. Concerto Pour Zampogna (Last Mvt)
    8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
    9. Les Miserables (Drink With Me)
    10. Outside Artefacts And The Power Of Association
    11. Mahler's Sleighbells
    12. Symphony No.4 (Opening)
    13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
    14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
    15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
    16. Don Quixote (Variation VIII)
    17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
    18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
    19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
    20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
    21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
    22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
    23. The Sitar Of India/Evening Raga: Bhapoli
    24. The Accordion For France (Especially Paris)/Paris Canaille
    25. The Zither For Vienna/The Third Man (Theme)
    26. The Cimbalom For Hungary/Folk Dances
    27. The Guitar As An Integral Part Of The Orchestra/Rondena
    28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
    29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
    30. Nocturnes
    31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
    32. The Carnival Of The Animals (The Cuckoo)
    33. The Flute As An All-purpose Aviary
    34. The Carnival Of The Animals (The Aviary)
    35. The Oboe As Duck
    36. Peter And The Wolf (The Duck)
    37. The Recording Of Reality. Does It Work As Well?
    38. The Pines Of Rome (The Pines Of The Janiculum)
    39. The Recording Of Reality Electronically Reborn In New Guises
    40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
    41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
    42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
    43. Some Improbable Casting: The Violin As Braying Donkey
    44. The Carnival Of The Animals (Persons With Long Ears)
    45. A Truly Orchestral Hee-haw To Be Reckoned With
    46. Overture To 'A Midsummer Night's Dream'
    47. A Thunderstorm In A Million
    48. Symphony No.6 'Pastoral (Allegro-Allegretto)
    49. the Instrumental Depiction Of A Silent World
    50. The Carnival Of The Animals (The Aquarium)
    51. Saint-Saens' Menagerie Takes A Curtain Call.
    52. The Carnival Of The Animals (Finale)

    Tracks:

    1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
    2. Forty-Four Duos (No.4)
    3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
    4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
    5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
    6. String Trio In B Flat (Menuetto)
    7. The String Quartet: Two Violins, Viola, And Cello
    8. String Quartet In F, Op.18 No.1 (Mvt 3)
    9. The String Quintet - When The Extra Instrument Is A Second Viola
    10. String Quartet No.5 In D, K.593 (Adagio)
    11. The String Quintet - When The Extra Instrument Is A Second Cello
    12. String Quintet In C (Mvt 3)
    13. The String Sextet: Two Violins, Two Violas, And Two Cellos
    14. String Sextet In B Flat (Mvt 2)
    15. The String Octet: The Standard String Quaret Times Two
    16. Octet In E Flat, Op.20 (Mvt 1)
    17. Double The String Octet: A Fully Fledged String Orchestra
    18. String Symphony No.2 (Finale)
    19. The Massed Strings Of A Symphony Orchestra
    20. Fantasia On A Theme Of Thomas Tallis
    21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
    22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
    23. In The First Variation It's The Horn That Gets The Lion's Share.
    24. Wind Quintet In A Minor, Variation 1
    25. In Variation Two The Torch Is Handed To The Bassoon.
    26. Wind Quintet In A Minor, Variation 2
    27. In Variation Three The Oboe Leads.
    28. Wind Quintet In A Minor, Variation 3
    29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
    30. Wind Quintet In A Minor, Variation 4
    31. And Variation Five is Dominated By The Clarinet.
    32. Wind Quintet In A Minor, Variation 5
    33. The Next To Be Featured Is The Virtuoso Flute.
    34. Wind Quintet In A Minor, Variation 6
    35. Individual Farewells And A Closing Chorus
    36. Wind Quintet In A Minor, Variation 7
    37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
    38. Octet In F (Mvt 3)
    39. The Early Classical Symphony Orchestra Of Haydn And Mozart
    40. Symphony No.29 In A, K.201 (Finale)
    41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
    42. Canzon 28
    43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
    44. Symphony No.5 (Finale)
    45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
    46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
    47. Symphoy No.6 'Tragic' (Mvt 1)
    48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
    49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
    50. When Large Doesn't Necessarily Mean Loud: Debussy
    51. Images (Gigues)
    52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
    53. Turangalila Symphony (Chant D'amour 1)
    54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
    55. Balle De Xerxes (Gavotte En Rondeau)
    56. Computer And Synthesiser: Friends Or Foes?
    57. Concerto In D Minor For Two Violins (Largo)
    58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

    Customer Reviews:

    5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

    This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

    5 out of 5 stars Beginner or Expert.......2007-03-12

    This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

    5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

    Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

    3 out of 5 stars Frank's view.......2006-08-19

    This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

    5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

    I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

    The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

    I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

    The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
    The MARIO LANZA Collection
    Average customer rating: 4.5 out of 5 stars
    • Selections from the Greatest Voice of the Last Hundred Years
    • A Must Have
    • The Mario Lanza Collection
    • The MARIO LANZA Collection
    • WONDERFUL!!!!!
    The MARIO LANZA Collection

    Manufacturer: RCA Victor
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Lehár, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by LeoncavalloAll Works by Leoncavallo | Leoncavallo, Ruggiero | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by MascagniAll Works by Mascagni | Mascagni, Pietro | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
    Romberg, SigmundRomberg, Sigmund | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by VerdiAll Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
    Chamber MusicChamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    Vocal & SongVocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    Lanza, MarioLanza, Mario | ( L ) | Featured Performers, A-Z | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    RomancesRomances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music
    Romantic (c.1820-1910)Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music
    GeneralGeneral | Opera & Vocal | Styles | Music
    FrenchFrench | Languages | Opera & Vocal | Styles | Music
    ItalianItalian | Languages | Opera & Vocal | Styles | Music
    OperettasOperettas | Opera & Vocal | Styles | Music
    Kern, JeromeKern, Jerome | H to L | Featured Composers, A-Z | Opera & Vocal | Styles | Music
    Hardelot, Guy d'Hardelot, Guy d' | H to L | Featured Composers, A-Z | Opera & Vocal | Styles | Music
    Lara, AgustinLara, Agustin | H to L | Featured Composers, A-Z | Opera & Vocal | Styles | Music
    Brodszky, NicholasBrodszky, Nicholas | A to B | Featured Composers, A-Z | Opera & Vocal | Styles | Music
    Buzzi-Peccia, ArturoBuzzi-Peccia, Arturo | A to B | Featured Composers, A-Z | Opera & Vocal | Styles | Music
    Capua, Eduardo diCapua, Eduardo di | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music
    GeneralGeneral | Jazz | Styles | Music
    Movie ScoresMovie Scores | Soundtracks | Styles | Music
    Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
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    GeneralGeneral | Vocal Pop | Pop | Styles | Music
    ClassicalClassical | Box Sets | Stores | Music
    Opera & VocalOpera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
    MusicalsMusicals | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
    Similar Items:
    1. Mario Lanza: At His Best!
    2. Christmas with Mario Lanza
    3. Mario Lanza ~ Opera Arias & Duets, from Andréa Chenier · La Bohème · I Pagliacci · Madama Butterfly · Otello
    4. American Caruso
    5. Lanza: Greatest Hits

    ASIN: B000003F6V
    Release Date: 1991-11-12

    Tracks:

    1. Be My Love
    2. I'll Never Love You
    3. Because You're Mine
    4. The Song Angels Sing
    5. Drink, Drink, Drink
    6. Serenade
    7. The Loveliest Night of the Year
    8. La Donna E Mobile
    9. Because
    10. For You Alone
    11. Golden Days
    12. Deep In My Heart, Dear
    13. If I Loved You
    14. Yours Is My Heart Alone
    15. One Night Of Love
    16. Beloved
    17. Beautiful Love
    18. With A Song In My Heart
    19. You Are My Love
    20. Call Me Fool

    Tracks:

    1. All The Things You Are
    2. My Song,My Love
    3. Love Is The Sweetest Thing
    4. Will You Remember
    5. Granada
    6. Lolita
    7. Serenade
    8. Temptation
    9. Lygia
    10. Lady of Spain
    11. This Land
    12. Lee-Ah-Loo
    13. Tina-Lina
    14. Boom Biddy Boom Boom
    15. The Bayou Lullaby
    16. The Lord's Prayer
    17. And Here You Are
    18. Song of Songs
    19. Somewhere A Voice Is Calling
    20. I Never Knew

    Tracks:

    1. Ciribiribin
    2. Wonder Why
    3. Come Dance With Me
    4. O Sole Mio
    5. Younger Than Springtime
    6. For the First Time (Come Prima)
    7. Never Till Now
    8. Arrivederci, Roma
    9. If You Were Mine
    10. Behold!
    11. A Night to Remember
    12. Love in a Home
    13. Do You Wonder
    14. Softly as in a Morning Sunrise
    15. One Alone
    16. Aida:Celeste Aida
    17. Carmen: Flower Song
    18. La Traviata: Brindisi
    19. Rigoletto:Questa O Quella
    20. Pagliacci:Vesti La Giubba
    21. Cavalleria Rusticana: Addio Alla Madre

    Customer Reviews:

    5 out of 5 stars Selections from the Greatest Voice of the Last Hundred Years.......2007-03-13

    Mario Lanza was, arguably, the greatest tenor and greatest singer of this and the last century. It is difficult to appreciate him without listening to a variety of selections. This collection has some of his best recordings and exhibits the versatility and variety that he possessed that permitted him to "crossover" from opera to popular music with a ease.

    I recommend this for those who already know Lanza to some extent but want to go into more depth and understand his marvelous skills.

    5 out of 5 stars A Must Have .......2006-12-12

    I had forgotten what a beautiful voice Mario Lanza had. This collection contains opera and pop selections that exhibit the power yet sweetness of his voice. Fortunately, we have his CD's and videos so we can remember and listen to his gorgeous, vibrant voice and personality. I highly recommend this collection along with his wonderful movies, especially The Great Caruso.

    5 out of 5 stars The Mario Lanza Collection.......2006-11-10

    I had forgotten just how beautiful a voice from the past was. It is a wonderful collection

    4 out of 5 stars The MARIO LANZA Collection.......2006-08-19

    extract from most important LPs. Brilliant sound quality from RCA. Also included are soundtrack recordings from some of his movies. The are several reissues from Mario Lanza but this one is a collection you should have.

    5 out of 5 stars WONDERFUL!!!!!.......2005-10-19

    The Mario Lanza Collection is a three CD set and it has 61 songs and they all sound great. The mastering on this set is excellent and the song choice is very very good. It would have been perfect if they added a forth CD with more Arias, Italian songs and Sacred Arias. BUT still this set is a great introduction to Lanza. Lanza's voice was powerful and beautiful; if you are a fan of great singing, you will love Lanza. Highlights on this CD set are; Be my Love, Because your Mine, Serenade, With a Song in My Heart, Temptation, The Lord's Prayer, Ciribirbin, O Solo Mio, Ariverducci Roma, and on and on. They are many many great songs on this set, and I highly recommend it.
    The Art of the Bawdy Song
    Average customer rating: 4 out of 5 stars
    • One of the best CD's out there!
    • a voice teacher and early music fan
    • Prelewd to Postlewd
    • Sounds like they're singing Christmas carols
    • A sly and rollicksome good time!
    The Art of the Bawdy Song

    Manufacturer: Dorian Recordings
    ProductGroup: Music
    Binding: Audio CD

    Baroque Dance SuitesBaroque Dance Suites | Ballets & Dances | Classical | Styles | Music | Allemandes | Courantes | Gigue | Sarabande
    D'Urfey, ThomasD'Urfey, Thomas | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
    Purcell, HenryPurcell, Henry | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
    GeneralGeneral | Purcell, Henry | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
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    4. Penny Merriments: Street Songs of 17th Century England
    5. On the Banks of Helicon: Early Music of Scotland

    ASIN: B000001Q93
    Release Date: 1993-02-11

    Tracks:

    1. Aniseed Robin
    2. Cuckolds All A-Row
    3. I Gave Her Cakes And I Gave Her Ale
    4. Taking His Beer With Old Anacharsis
    5. Fye, Nay, Prithee John
    6. Cold And Raw
    7. The Miller's Daughter
    8. Will Said To His Mammy
    9. The Old Fumbler
    10. Walking In a Meadowe Greene
    11. Celia Learning On The Spinnet
    12. Tom the Taylor
    13. My Lady's Coachman John
    14. The Irish Jig Or The Night Ramble
    15. Come Sirrah Jacke Hoe
    16. Dainty Fine Aniseed Water
    17. Most Men Do Love the Spanish Wine
    18. Argreers
    19. Gathering Peascods
    20. My Lady And Her Maid
    21. As Roger Last Night To Jenny Lay Close
    22. Pox On You
    23. Ladie Lie Near Me
    24. 'Tis Women Makes Us Love
    25. Sir Walter Enjoying His Damsel
    26. My Thing Is My Own
    27. Here Dwells a Pretty Maid
    28. My Man John Had a Thing That Was Long
    29. When First Amyntas Sued For a Kiss
    30. More Palatino
    31. Poor Owen
    32. Where They Drank Their Wine
    33. Come, Come, Let Us Drink

    Customer Reviews:

    5 out of 5 stars One of the best CD's out there!.......2007-05-10

    All ages and musical backgrounds love this CD. The Baltimore Consort are amazing. One really feels one is in a smoky pub in the 14oo's getting plastered with England's best musicians! Don't miss "Pox on You;" my kids absolutely howl with glee at the "bass fartophone." I haven't heard laughter like that come out of my little boy since he was a toddler. "Sweet Sir Walter" features one of the guys singing in a falsetto that sweeps lustily down into a Tim Curry-esque (think Dr. Frank-n-furter)gutteral guffaw of delight. So outrageously fun one forgets one is listening to Renaissance madrigals.

    4 out of 5 stars a voice teacher and early music fan.......2007-03-25

    These bawdy catches and ballads take us on a journey to the taverns and other social gathering places of the the real 'Merry Old England'. Some of us may be mildly shocked by the directness and earthiness of the text, but everyday life in the 17th century was much more 'down-to'earth- and forward. These texts-some blatant and other euphemistic-fully explore the spectrum of humor from the sly smirk to the back-slapping guffaw.
    The singing of both ballads and catches belongs to a long and venerable tradition in England. The natural habitat of the of the catch was the tavern, while the ballad was known in a wider variety of social settings as well as the stage. By the end of the 17th century, ballads were collected by connoisseurs of popular culture and published in anthologies. The main source for this recording, 'The Catch Club, or 'Merry Companions', was printed in 1762.
    A quote from the catch-philosopher (of 'Come, come let us drink') is offered by the Baltimore Consort: "...wine and good cheer will in spite of our fear inspire our hearts with mirth..the time we live, to wine let us give, since we all must turn to earth...."
    This is an excellent collection of songs; quite interesting and varied. The instruments are played skillfully, and the voices, for the most part, are good quality. However, as with all 'folk-like' songs, the diction is not always clear, and that is very true of several of these on this disc. The female voices were more difficult to comprehend much of the time. The text is printed out, so ultimately familiararity will make them easier to understand. I do like the disc, and think that it needed to be done.As to a previous criticism concerning the fact that it wasn't 'true' barroom singing. Of course, it's not!!!If it were, you would not understand any of it!!!!!Enough said.

    5 out of 5 stars Prelewd to Postlewd.......2005-09-28

    The Baltimore Consort, an ensemble of six players, was founded in 1980 with the purpose of performing 'broken consort' pieces of Elizabethan origin. 'Broken' here refers to the instrumentation - treble viol/violin, flue/recorder, lute, cittern, bandore and bass viol. Their repertoire expanded beyond these beginnings to include broader British fare, as well as French and Italian music of the time. This is a happy expansion, as it made this disc of older, bawdy (for its time) music possible.

    The Baltimore Consort play with life and vigour, with a good deal of improvisational flair, not being bound to texts and going through the production of notes as if mechanically. This is true to the spirit and nature of the early music, in which performers often had to 'play by ear', neither being able to read music nor having printed music even if they could. This is particularly true of the songs on this disc, where many are derivative of anonymous jokes and stories, and much of the music is likewise folk-tune and anonymously composed.

    Some of the songs can be rather shocking. As Mary Anne Ballard writes in the accompanying notes, 'We must remember that in the days before indoor plumbing and pooper-scooper laws, everyday life was of an earthier flavour than it is today.... The men of the singing clubs and the ladies of stage poked fun at themselves and their companions with wit, pleasantry and contrivance.'

    The names of many of the composers of these pieces have been lost to history, particularly the more folk-song oriented ones. However, some well-known composers are represented among the pieces here - Purcell, D'Urfey, Aldridge, and others.

    The regular players include Mary Anne Ballard (viols), Mark Cudek (cittern, guitar, recorder and bass viol), Custer LaRue (vocalist/soprano), Larry Lipkis (recorder, viols), Ronn McFarlane (lute), Chris Norman (flutes), Webb Wiggins (tambourine and 'virginals'). Some artists are known from other Dorian productions, such as Ronn McFarlane on the lute in the collection 'Greensleeves'.

    Added to the regular consort players are the Merry Companions, including Peter Becker (baritone), Alexander Blachly (baritone), Paul Shipper (bass, belch-canto), and James Weaver (baritone).

    One more addition includes a guest artist, Lorenzo Labbrobacio, playing of all things, the 'fartophone', a rather mysterious instrument indeed. Labbrobacio defies identification on the internet other than references to this disc, and so the mystery deepens.

    This is music that is interesting, truly fun to listen to, entertaining and has a quality about it that makes it a joy both in musical and humourous tones.

    2 out of 5 stars Sounds like they're singing Christmas carols.......2004-11-09

    This recording is professionally produced - perhaps too much so. I've been in a few taverns and heard my share of bawdy songs. I am used to hearing them sung with gusto, with a wink and a naughty smile, to the raucous and enthusiastic appreciation of the audience. The songs on this CD are performed entirely straight. The results are technically competent but fail utterly in conveying the spirit and fun that make this genre worth listening to.

    4 out of 5 stars A sly and rollicksome good time!.......2002-11-29

    On this recording, the Baltimore Consort and the Merry Companions are full of fun, both blatant and tongue-in-cheek. Soprano Custer La Rue and the instrumentalists of the Consort are joined by a quartet of classical male singers (Peter Becker, Alexander Blachly, Paul Shipper and James Weaver) with quite a theatrical sense of humor. The two groups take turns presenting ribald tavern songs of merry old England, interspersed by light, catchy instrumentals listed in the credits as the "Prelewd", the "Interlewd" and a "Fresh Ayre". Drinking, sex and other bodily functions are both celebrated and ridiculed in songs that are cleverly worded and enthusiastically sung, and in at least one case, accompanied by a mysterious instrument (reminiscent of P.D.Q. Bach) called a "fartophone". Especially amusing are the "catches" or rounds, and the new meanings that result from the staggering of words when several different verses are all sung together. It sounds silly, and is silly, but that's the point of it all--celebrating the "earthier flavor" of life 17th and 18th century England. My copy came with a parental advisory sticker stuck fast to the case, but my mother didn't seem overly concerned, and in fact enjoyed it too when I played it for her! For more fun Renaissance vocals, both salacious and serious, try "All At Once Well Met: English Madrigals" by the King's Singers, and "The King's Singers' Madrigal History Tour: Italy, England, France, Spain, Germany" by the King's Singers and the Consort of Musicke.
    Land of My Fathers: 100 Great Welsh Choir Favourites
    Average customer rating: Not rated
      Land of My Fathers: 100 Great Welsh Choir Favourites

      Manufacturer: Castle Pulse
      ProductGroup: Music
      Binding: Audio CD

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      ASIN: B0009SOFXG
      Release Date: 2005-08-01

      Tracks:

      1. Guide Me O Thou Great Redeemer (CWM Rhondda) - Caerphilly Make Voice Choir
      2. Land of My Fathers - Caerphilly Make Voice Choir
      3. Dies Irae
      4. Men of Harlech
      5. You'll Never Walk Alone
      6. Cadwyn O Emyn Donau Cymreig: Joanna (Trad./Elfion Wyn)/Crugybar (Trad.
      7. Old Folks at Home
      8. Il Liza Jane
      9. Faust/Soldier's Chorus - Caerphilly Make Voice Choir
      10. Vergine Degli Angeli
      11. Ballard of Rourke's Drift - Cwt-Y-Collen Choir
      12. My Hero
      13. God Bless the Prince of Wales - Caerphilly Make Voice Choir
      14. German Mass/Gloria
      15. German Mass/Sanctus
      16. Misbles/Master of the House/On My Own/Drink with Me/Empty Chairs at
      17. All Through the Night - Caerphilly Make Voice Choir
      18. Arwelfa
      19. Invictus
      20. Softly as I Leave You

      Tracks:

      1. Diolch l'R L
      2. Hine E Hine (Maori Lullaby)
      3. Pererin Wyf (Amazing Grace)
      4. Tribute to the USA: America the Beautiful (Ward/Bates)/God Bless ...
      5. Memories of Martha
      6. I Lombardi/The Crusaders' Chorus - Treorchy Male Choir
      7. Myfanwy - Treorchy Male Choir
      8. Tales of Hoffman/Barcarolle
      9. Creation's Hymn
      10. In the Spirit!
      11. Shall We Gather at the River
      12. Nos a Bore
      13. Very Best Time of Year
      14. Soon Ah Will Be Done
      15. Thanks Be to God
      16. Flower That Shattered the Stone
      17. Rhys - Treorchy Male Choir
      18. Where Shall I Be?
      19. Bywyd y Bugail
      20. Lord's Prayer

      Tracks:

      1. Ave Maria
      2. Pearl Fishers/Divine Brahma
      3. She Was Beautiful (Cavatina) - Treorchy Male Choir
      4. Cymru Fach
      5. Nidaros
      6. Jacob's Ladder - Treorchy Male Choir
      7. Watching the Wheat
      8. Pan Ddaw y Saint (When the Saints Go Marching In)
      9. Misbles/Stars
      10. Rachie
      11. Pirates of Penzance/With Cat-Like Tread - Treorchy Male Choir
      12. There Is a Balm in Gilead
      13. Rise Up Shepherd and Foller
      14. My Lord, What a Mornin'
      15. Bryn Myrddin
      16. Jesus Christ Superstar/Medley: Jesus Christ Superstar/Hosanna/The Last
      17. Finnish Forest (Suomen Salossa)
      18. Nabucco/The Glory of Israel
      19. Ride the Chariot
      20. Tydi a Roddaist - Treorchy Male Choir

      Tracks:

      1. Y Nefoedd
      2. Phantom of the Opera/Think of Me
      3. Morte Christe (When I Survey the Wondrous Cross)
      4. By Babylon's Wave
      5. I'm Gonna Sing
      6. Where Could I Go But to the Lord?
      7. Holy City - Treorchy Male Choir
      8. Mefistofele: Ave Signor, Degli Angeli
      9. Senzenina (Zulu Chant)
      10. That's All I Want from You
      11. Deep Harmony - Treorchy Male Choir
      12. Give Me Jesus
      13. Just a Closer Walk with Thee
      14. My Wish for You
      15. Jeptha/Waft Her Angels
      16. Mose in Egitto/Prayer
      17. Be Still My Soul (Finlandia Hymn)
      18. God's Choir in the Sky
      19. Floral Dance - Treorchy Male Choir
      20. Smilin' Through

      Tracks:

      1. Calon Lan
      2. True Love
      3. Mor Fawr Wyt Ti (How Great Thou Art)
      4. Aberystwyth
      5. Comrades in Arms
      6. Cats/Memory
      7. They Led My Lord Away
      8. State Fair/It's a Grand Night for Singing
      9. When I Fall in Love
      10. Let's Face the Music and Dance
      11. Windmills of Your Mind
      12. How Soon
      13. Non Nobis Domine
      14. Rhythm of Life
      15. Kalinka
      16. Sound an Alarm
      17. Neapolitan Trilogy: It's Now or Never (Di Capua/Schroeder/Gold)/Mo ...
      18. Turandot/Nessun Dorma
      19. Christus Redemptor
      20. Ann Evening's Pastorale

      Album Details

      Choirs Include the Morriston Orpheus Choir, the Pontadrddulais Male Voice Choir, the Caerphilly Male Voice Choir, the Cwrt-y-gollen Choir, the Treorchy Male Choir and the Lucknow Male Voice Choir.
      Hamlet: Original Motion Picture Soundtrack (1996 Film)
      Average customer rating: 4.5 out of 5 stars
      • Hamlet sound track - Patrick Doyle
      • Beautiful masterpiece!!
      • Fantastic collaborations
      • Patrick Doyle's finest score
      • sudhir
      Hamlet: Original Motion Picture Soundtrack (1996 Film)

      Manufacturer: Sony
      ProductGroup: Music
      Binding: Audio CD

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      ASIN: B0000029V8
      Release Date: 1996-12-10

      Tracks:

      1. The Original Motion Picture Soundtrack Of 'Hamlet': In Pace
      2. The Original Motion Picture Soundtrack Of 'Hamlet': Fanfare
      3. The Original Motion Picture Soundtrack Of 'Hamlet': 'All That Lives Must Die'
      4. The Original Motion Picture Soundtrack Of 'Hamlet': 'To Thine Own Self Be True'
      5. The Original Motion Picture Soundtrack Of 'Hamlet': The Ghost
      6. The Original Motion Picture Soundtrack Of 'Hamlet': 'Give Me Up The Truth'
      7. The Original Motion Picture Soundtrack Of 'Hamlet': 'What A Piece Of Work Is A Man'
      8. The Original Motion Picture Soundtrack Of 'Hamlet': 'What Players Are They'
      9. The Original Motion Picture Soundtrack Of 'Hamlet': 'Out Out Thou Strumpet Fortune'
      10. The Original Motion Picture Soundtrack Of 'Hamlet': 'To Be Or Not To Be'
      11. The Original Motion Picture Soundtrack Of 'Hamlet': 'I Loved You Once'
      12. The Original Motion Picture Soundtrack Of 'Hamlet': 'Oh, What A Noble Mind'
      13. The Original Motion Picture Soundtrack Of 'Hamlet': 'If Once A Widow'
      14. The Original Motion Picture Soundtrack Of 'Hamlet': 'Now Could I Drink Hot Blood'
      15. The Original Motion Picture Soundtrack Of 'Hamlet': 'A Foolish Prating Nave'
      16. The Original Motion Picture Soundtrack Of 'Hamlet': 'Oh Heavy Deed'
      17. The Original Motion Picture Soundtrack Of 'Hamlet': 'Oh Here They Come'
      18. The Original Motion Picture Soundtrack Of 'Hamlet': 'My Thoughts Be Bloody'
      19. The Original Motion Picture Soundtrack Of 'Hamlet': 'The Doors Are Broke'
      20. The Original Motion Picture Soundtrack Of 'Hamlet': 'And Will 'A Not Come Again?'
      21. The Original Motion Picture Soundtrack Of 'Hamlet': 'Alas Poor Yorick'
      22. The Original Motion Picture Soundtrack Of 'Hamlet': 'Sweets To The Sweet - Farewell'
      23. The Original Motion Picture Soundtrack Of 'Hamlet': 'Give Me Your Pardon Sir'
      24. The Original Motion Picture Soundtrack Of 'Hamlet': 'Part Them They Are Incensed'
      25. The Original Motion Picture Soundtrack Of 'Hamlet': 'Goodnight, Sweet Prince'
      26. The Original Motion Picture Soundtrack Of 'Hamlet': 'Go Bid The Soldiers Shoot'

      Customer Reviews:

      3 out of 5 stars Hamlet sound track - Patrick Doyle.......2006-03-10

      I spent a lot of time trying to get hold of this CD but I must say I am mildly disappointed. I thought Patrick Doyle's music for Branagh's Henry V was brilliant and that was why I was determined to obtain this sound track as well. Henry V is not Hamlet in terms of theme and plot but I think the music here tends to be too low key and lacking in drive, unlike Henry V. It is still very good in places and clearly the work of an excellent composer, but not quite up to Doyle's previous standard.

      5 out of 5 stars Beautiful masterpiece!!.......2002-02-22

      Patrick Doyle has truly composed an awesome piece of work. The score is so well done that you can feel the emotion coming through the music alone. This is by far my favorite soundtrack and I listen to it quite often.

      5 out of 5 stars Fantastic collaborations.......2001-06-12

      Doyle fans are aware that he collaborates regularly with actor/director, Kenneth Brannagh. With the Hamlet score, he again writes powerful complementary music which also stands alone as worthy to be performed in concert. I would be interested to hear lengthier tracks such as accompanied the lengthy, but indeed beautiful and patient, movie. (The only mistake was Billy Crystal in the movie. I thought Robin Williams did fine work.) Although, I confess, this is my least listened to in my soundtrack collection, I do enjoy it, and believe it deserves accolades.

      5 out of 5 stars Patrick Doyle's finest score.......2000-06-26

      This is certainly one of my top 3 Patrick Doyle scores and a towering achievement. The score unfolds like a great romantic symphony encompassing several moods from serenity and inner peace ("In Pace"), to violence and lush gothic undertones ("The Ghost", "Now, could I drink hot blood"), and a finaly sense of joyous celebration ("Fanfare", "What Players are they?"). After listening constantly to Mr. Doyle's scores for "Henry V", "Much ado about nothing" and "Frankenstein", I thought he could never top such achievements and somehow he did: "Hamlet" is a masterpiece of thematic inventiveness and dramatic power. The playing is wonderful and the engineering is very clear, taking full advantage of Air Lyndhurst's glorious acoustics. If you are a fan of british classical music or a Shakespeare fan (or even better, a fan of Patrick Doyle), don't pass up this CD. Great film music. No: great music. Period!

      5 out of 5 stars sudhir.......1999-12-02

      the movie album is very good .and kate in the movie is very beatiful and she looks very good
      A Tribute
      Average customer rating: 5 out of 5 stars
      • Awesome voice, exquisite performances
      • It may take you a little time to love her voice
      A Tribute

      Manufacturer: Decca
      ProductGroup: Music
      Binding: Audio CD

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      ASIN: B0000A9DYO
      Release Date: 2003-10-14

      Tracks:

      1. What Is Life To Me Without Thee?
      2. Che Puro Ciel
      3. Art Thou Troubled?
      4. Ombra Mai Fu
      5. An Die Musik
      6. Der Musensohn
      7. Gretchen Am Spinnrade
      8. Die Junge Nonne
      9. Woe Unto Them
      10. O Rest In The Lord
      11. Er, Der Herrlichste Von Allen
      12. Geistliches Wiegenlied
      13. Sapphische Ode
      14. Botschaft
      15. Like As The Love-Torn Turtle
      16. A Soft Day
      17. Go Not Happy Day
      18. Come You Not From Newcastle
      19. The Keel Row
      20. Ma Bonny Lad
      21. Kitty My Love
      22. Blow The Wind Southernly

      Tracks:

      1. Ye Banks And Braes
      2. I Have A Bonnet Trimmed With Blue
      3. Down By The Salley Gardens
      4. The Stuttering Lovers
      5. Drink To Me Only
      6. Hark! The Echoing Air
      7. Father Of Heaven
      8. O Thou That Tellest Good Tidings To Zion
      9. He Was Despised
      10. Have Mercy, Lord On Me
      11. Agnus Dei
      12. All Is Fulfilled
      13. Du Bist Die Ruh' - Bruno Walter
      14. Romance - Bruno Walter
      15. Ich Bin Der Welt Abhanden Gekommen
      16. Ich Atmet' Einen Linden Duft
      17. Um Mitternacht

      Customer Reviews:

      5 out of 5 stars Awesome voice, exquisite performances.......2006-08-27

      These two CDs contain a great selection of classical, operatic and folk songs in English, German and Italian by the famous contralto (1912 - 1953). Highlights on the first CD include What Is Life from Orfeo et Euridice, Art Thou Troubled from Rodelina, Woe Unto Them and O Rest In The Lord from Elijah and the traditional song Blow The Wind Southerly.

      My personal favorites appear on the second CD. The first is the divine Drink To Me Only With Thine Eyes, the Ben Jonson poem, which is a most mystical and transcending listening experience. The buoyant Stuttering Lovers is most catchy and appealing. Both of the aforementioned are sung to the piano accompaniment of pianist Phyllis Spurr.

      Backed by the London Philharmonic, Ferrier renders splendid versions of Father Of Heaven from Judas Maccabaeus and O Thou That Tellest Good Tidings To Zion from The Messiah. These are truly awesome, the first one slow and somber, the second joyous and triumphant. Other highlights on this second CD include He Was Despised from The Messiah and All Is Fulfilled from St John Passion by Bach.

      The informative CD booklet contains black and white photographs, a short biography in English, French and German, plus complete information on the recording of the tracks: composers, dates, venues, conductors and musicians. Kathleen Ferrier was a unique vocalist who made a magnficent contribution to classical and folk music.

      5 out of 5 stars It may take you a little time to love her voice.......2004-08-19

      Kathleen Ferrier has one of the most instantly recognizable voices in music. And it's a voice that might take you time to love. As an eight year old I heard her version of Blow the Wind Southerly many times on British radio and intensely disliked it. I wasn't sure if it was a man or a woman, adult or child, such is the nature of her contralto. But over the years, especially hearing Ferrier sing Handel and Mahler, I've come to treasure her recordings alongside Callas, Sutherland, Flagstad and Baker. This two disc set contains performances which are about 45-55 years old. Many favourites are here especially the folk songs and selections from Bach, Handel and Mahler. The sound quality is excellent. The sleeve notes mention that Ferrier's vocal delivery may sound old fashioned to our ears. But her remarkable voice which stirs one's deepest emotions, transcends any thought of quaintness or mannerism. She is, quite simply, the greatest contralto ever. This selection will have you seeking out her other recordings on Amazon.com. And it might also lead you to Virginia Rodrigues, a Brazilian contralto with a superb voice who, like Ferrier, makes everything she sings, her own.
      (Not) Your Standard Spike Jones Collection
      Average customer rating: 4.5 out of 5 stars
      • Great set of wartime rarities
      • Cure for the Blues
      • Standard Transcription Collection
      (Not) Your Standard Spike Jones Collection
      Spike Jones
      Manufacturer: Collector's Choice
      ProductGroup: Music
      Binding: Audio CD

      GeneralGeneral | Jazz | Styles | Music
      GeneralGeneral | Miscellaneous | Styles | Music
      GeneralGeneral | Comedy | Miscellaneous | Styles | Music
      Contemporary ComedyContemporary Comedy | Comedy | Miscellaneous | Styles | Music
      Novelty MusicNovelty Music | Comedic Music | Comedy | Miscellaneous | Styles | Music
      GeneralGeneral | Comedic Music | Comedy | Miscellaneous | Styles | Music
      Similar Items:
      1. Strictly for Music Lovers
      2. Spike Jones - Greatest Hits
      3. Fonk
      4. Spiked!: The Music of Spike Jones
      5. The Spike Jones Story

      ASIN: B00007JR3K
      Release Date: 2003-04-08

      Album Description

      Holiday blues comin' on? Well, put a spike in `em! Here's the zaniest, wildest and just plain sickest Collectors' Choice Music exclusive yet—79 tracks from Spike Jones and his City Slickers! These represent Spike's complete Standard Transcription sides, but these tunes are anything but standard; Mr. Jones brought his full bag of tricks for these non-commercial recordings (made in Hollywood during the early `40s). Add to that the fact that most of these have never been on CD or even LP, and any lover of Spike's mayhem-filled mixture of laughs and hot licks is going to flip over this set! Notes and great pictures accompany this 3-CD walk on the wacky side from the greatest novelty band of all time.

      Customer Reviews:

      5 out of 5 stars Great set of wartime rarities.......2003-05-14

      Spike Jones was the king of the novelty song performers, with hits like "Der Fuehrer's Face" and the parody version of "Sheik of Araby" becoming huge hits during World War II. This is a swell 3-CD set, gathering a full eighty-one of Jones' best tracks from his 1940s heyday, drawn from an extensive archive of radio broadcasts made for the Standard Transcription service. The tightness of his City Slickers band is amply demonstrated in these manic, kookily orchestrated performances. Toots, squonks, blatts and bleats whiz by at lightning speed, as one daffy song after another will delight devoted fans. Amazingly, Jones had the unusual, almost unique ability to perform a repertoire almost entirely made up of comedic material, and yet still be quite listenable and engaging. His jazz chops were hardly in question, and from time to time Jones would dash off a non-novelty ballad or two, just to give the rubes something to think about. Of course, just as often he would perform a song that *sounded* like a straight ballad, but would turn out to be another goof. (One great example of this is the sultry "Serenade To A Jerk," sung in slinky, burlesque tones by Myrtle Horwin.) This collection may seem a little overwhelming, but like his studio recordings, these radio performances have a certain brilliance and joie de vivre about them that will leave you enchanted. Definitely worth checking out!

      5 out of 5 stars Cure for the Blues.......2003-04-25

      Here's the zaniest, wildest and just plain sickest Collectors' Choice Music exclusive yet-79 tracks from Spike Jones and his City Slickers! These represent Spike's complete Standard Transcription sides, but these tunes are anything but standard; Mr. Jones brought his full bag of tricks for these non-commercial recordings (made in Hollywood during the early `40s). Add to that the fact that most of these have never been on CD or even LP, and any lover of Spike's mayhem-filled mixture of laughs and hot licks is going to flip over this set! Notes and great pictures accompany this 3-CD walk on the wacky side from the greatest novelty band of all time.

      4 out of 5 stars Standard Transcription Collection.......2003-04-12

      This collection has remastered material from the large stack of Standard Transcription discs from the early 1940's. There are many songs not recorded on RCA, many on the theme of wartime ("48 Reasons Why"), and the quality is excellent. The packaging is threadbare but this is an essential CD package for true music lovers.

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