In terms of musical inventiveness, general Britishness and posthumous cool, few bands rival The Move, the ahead-of-its-time late-'60s combo led by cult pop genius Roy Wood. And this exhaustive three-CD, 54-track collection pays appropriate tribute, containing all of the group's pre-1970 releases plus a passel of previously-unheard rarities. With stylishly witty classics like "I Can Hear the Grass Grow," "Fire Brigade," and "Night of Fear," Movements is an essential purchase for any Move fan, and should be one for anyone curious about the roots of Britpop. --Scott Schinder
Product Description
Long unavailable, Demon/Westside are very pleased to offer this excellent value set once again. Mastered from the original tapes, this 54 track compilation contains every track released by The Move, prior to their signing with Harvest in 1971, including the LPs The Move, Shazam, Looking On & Something Else, along with some singles (As & Bs) & some previously unreleased outtakes and rare unissued tracks. Three standard jewel cases housed in a slipbox. 1997.
Movements,The Move,Westside UK,British Invasion,British Psychedelia,Pop,Pop/Rock,Prog-Rock/Art Rock,Psychedelic,Psychedelic Pop,Rock,Rock & Roll,Rock/Pop
Movements [Box set] [Import]
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György Ligeti Edition 1: String Quartets and Duets - Arditti String Quartet
Gyorgy Ligeti , David Alberman , Irvine Arditti , Garth Knox , Rohan deSaram , and Arditti String Quartet Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000029OY Release Date: 1997-01-21 |
Tracks:
- String Quartet No. 1 'Metamorphoses Nocturnes': Allegro Grazioso
- String Quartet No. 1 'Metamorphoses Nocturnes': Vivace, Capriccioso
- String Quartet No. 1 'Metamorphoses Nocturnes': Adagio, Mesto
- String Quartet No. 1 'Metamorphoses Nocturnes': Presto
- String Quartet No. 1 'Metamorphoses Nocturnes': Andante Tranquillo
- String Quartet No. 1 'Metamorphoses Nocturnes': Tempo Di Valse, Moderato, Con Eleganza, Un Poco Capriccioso
- String Quartet No. 1 'Metamorphoses Nocturnes': Allegretto, Un Poco Gioviale
- String Quartet No. 1 'Metamorphoses Nocturnes': Prestissimo
- String Quartet No. 2: Allegro Nervoso
- String Quartet No. 2: Sostenuto, Molto Calmo
- String Quartet No. 2: Come Un Meccanismo Di Precisione
- String Quartet No. 2: Presto Furioso, Brutale, Tumultuoso
- String Quartet No. 2: Allegro Con Delicatezza
- Hommage A Hilding Rosenberg
- Balada Si Joc: Balada Andante
- Balada Si Joc: Allegro Vivace
- Andante And Allegretto: Andante Cantabile
- Andante And Allegretto: Allegretto Poco Capriccioso
Amazon.com essential recording
This is a fine collection of moving, muscular performances by this seminal postwar composer. Surely the best known of the works on this disc is the Second String Quartet, one of the masterpieces of 20th-century music--although you might not know it's a masterpiece until the heartbreaking last movement. But the First String Quartet, written before Ligeti emigrated from Hungary to the West, is fascinating: it shows Ligeti working through the influence of Bartók, particularly Bartók's Third and Fourth Quartets--music Ligeti knew only silently, from the score, since performances of Bartók's music were banned by the Hungarian communist regime. This excellent recording provides a complete overview of Ligeti's compositional career through the medium of string chamber music, from homages to Bartók to the achievement of Ligeti's own groundbreaking style. --Joshua CodyCustomer Reviews:
Important, but not as interesting as the vocal works........2006-08-30
To me, the average amateur 'classical music' consumer, it is interesting, imaginative, and certainly 'new' when compared to 19th and early 20th century music, but it just doesn't seem to have the same cachet as the vocal works. While I would sooner listen to Ligeti's vocal works than most other modern music, I actually prefer Bartok, Berg, and Schoenberg for their instrumental works.
I agree with the top reviewer that the String Quartet No. 2 is the hit of the disk, but it doesn't blow me away in the same way that 'Lux Aeterna' does. That may be just the '2001' factor at work, but there you have it.
Still excellent and still evocative of other modernists, not the least of whom is Frank Zappa.
Not really my style..........2006-08-23
I bought the CD but I am returning it. Ligeti is very talented but his music (to me) is only tolerable in short bursts. I couldn't see myself listening to the whole CD time and again.
String works, includes his must-have glorious Second Quartet.......2004-12-07
String Quartet No. 1 ("Metamorphoses nocturnes") was written between 1953 and 1954, as the composer was struggling to express himself creatively in Stalinist Hungary. The work shows clear inspiration from Bartok's third and fourth quartets, which Ligeti knew only from their score as they had been suppressed. Similarly, Ligeti had no hope his own work would be performed, and it was written essentially "for his desk drawer". Ironically, when Ligeti submitted the piece to a Western competition, it was deemed too traditional for recognition. This first string quartet is a study in the juxtaposition of unlike sections; under a thin verneer of normality, the music is heterogenous. I think this is a fine work, and it is one of the composer's few pre-emigration pieces that do not sound like juvenalia in comparison with his later works.
String Quartet No. 2 (1968) was composed long after Ligeti's move to the West and so is entirely avant-garde, linked with the techniques of his other works of the 1960's. Ligeti was quite proud of this piece, claiming it as his favourite of his works of the time, and feeling that he had made a permanent contribution to the string quartet tradition. The work is indeed a part of his micropolyphonic style of the 1960's, but there is a great deal more here. It is a twitching, paranoid, nervous, neurotic piece with a grimy, constantly shifting texture, like the soundtrack to a Kafka story. It really must be heard to be believed, and this second quartet is the high point of this disc.
"Hommage a Hilding Rosenburg" for violin and cello (1982) is a short birthday greeting to that Swedish composer. It is the least important work on the disc and is really nothing more than something of a fanfare.
"Balada si joc" for two violins (Romanian "Ballad and dance", 1950) is a short string duet inspired by Ligeti's time spent in Romania collecting folk music during his music studies. The result uses no actual folk material, but is an authentic imitation of the music Ligeti encountered both in his boyhood and in his return to Transylvania at this later time. When it was later expanded to use an orchestra, it became the first two movements of his "Concert Romanesc" (found on "The Ligeti Project II"). The string duet, however, manages to create with but two instruments nearly the same moving passion as the later orchestration. The following "Andante and Allegretto" for string quartet (1950) is another early work, again inspired by folk music. It is not as successful as "Balada si joc", indeed even forgettable.
While there are other recordings of these works available, such as the recent recordings reissued in Deutsche Grammaphon's "Echo 20/21" series, this performance by the Arditti Quartet can certainly be seen as definitive. It takes a lot of talent to please Ligeti, one of the most demanding composers, especially in a crushingly difficult work like the second string quartet.
While I think "Gyorgy Ligeti Edition 3: Piano Works" or "The Ligeti Project IV" are better places to begin on this series of Ligeti's collected works, this set of string works should be one of the first Ligeti works you buy, especially for the String Quartet No. 2.
Great Recordings of Modern String Quartets.......2004-08-07
The recording of the 2nd quartet is, as usual with the Arditti Quartet, phenomenal, but what makes this recording is their production of his 1st quartet. The performance is very clean and precise, yet still very musical. Most impressive of all, Arditti stays true to Ligeti's tempi, including the blistering tempo of the end!
As an added bonus, there are two very delightful duets for violins, which are very tonal and based on Hungarian folk tunes (these were written as part of graduation from the Budapest Academy of Music).
you must listen to Ligeti........2004-03-06
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Mendelssohn: Greatest Hits
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002A9I Release Date: 1995-06-13 |
Tracks:
- Symphony No. 4 In A Major, Op. 90 'Italian': I. Allegro vivace
- A Midsummer Night's Dream, Op. 61 (Excerpts): Scherzo
- Wedding march
- Violin Concerto In E Minor, Op. 64: III. Allegretto non troppo - Allegro molto vivace
- Spring Song, Op. 62, No 6
- IV. Symphony No. 4 In A Major, Op. 90 'Italian': Saltarello. Presto
- Athalie, Op. 74: War March Of The Priests
- Songs Without Words, Op. 67, No. 4: Spinning Song
- Symphony No. 3 In A Minor, Op. 56 'Scottish': II. Vivace no troppo
- On Wings Of Song, Op. 34, No. 2
- Octet In E - Flat Major, Op. 20: III. Scherzo. Allegro leggierissimo
- Octet In E - Flat Major, Op. 20: IV. Presto
- Six Children's Pieces, Op. 72: I. Allegro non troppo
- Six Children's Pieces, Op. 72: II. Andante sostenuto
- Six Children's Pieces, Op. 72: III. Allegretto
- Six Children's Pieces, Op 72: IV. Andante con moto
- Six Children's Pieced, Op. 72: V. Allegro assai
- Six Children's Pieces, Op. 72: VI. Vivace
- Symphony No. 5 In D Major, Op. 107 'Reformation': IV. chorale 'Ein feste burg ist unser Gott!'
Customer Reviews:
A terrific compilation.......2002-06-08
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The Illusionary Movements Of Geraldine And Nazu
Manufacturer: Rumor Mill Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000BKRHXC Release Date: 2005-06-21 |
Customer Reviews:
The Illusionary Movements of Geraldine and Nazu is amazing.......2006-03-21
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Movements
Booka Shade Manufacturer: Get Physical Music ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000EQHID2 Release Date: 2006-05-16 |
Tracks:
- Night Falls
- Body Language [Interpretation]
- Paper Moon
- Birds and the Beats/At the Window
- Darko
- Pong Pang
- Mandarine Girl [Album Version]
- Take a Ride
- Wasting Time
- In White Rooms
- Hallelujah USA
- Lost High
Album Description
Booka shade is Walter merziger and Arno kammermeier production masterminds behind the first 13 get physical releases. This is their second full-length release. In charge of their own Production Company and studio for the last 15 years, they have profoundly applied their wide range of talents to the realm of electronic music. Meanwhile, booka shade's own redefinition of dance music found its expression on their debut album, memento which drew on their back ground as pop producers and their ability to sculpt nocturnal yet melancholic music for the dance floor and beyond. When it was released at the tail end of 2004 memento hit with velvet coated sucker punches its prowling understated menace combined with Walter and Arno's knack of penning melodies and creating evocative mood mapping out a fresh alternative for electronic music. Get Physic. 2006Customer Reviews:
very good electronic music.......2007-06-09
Album of the year.......2007-05-09
awsome!.......2007-03-26
Vitalic.......2006-12-28
Done with tasteful restraint and intelligence, like in the case of it's primary anthem piece "Darko", unfolding before your ears with a measured self-assured pace from textbook IDM beeping into a dark, brooding, rich, textured epic crescendo while retaining the main theme throughout, playing with it and adapting it bit by bit like a musical queer eye for the straight guy. More pop than trance, more epic than house, more inspired than IDM, "Movements" stands on it's own.
Awsome.......2006-12-25
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Movements
Black Tie Dynasty Manufacturer: Idol Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000EWBMT2 Release Date: 2006-04-25 |
Tracks:
- Bells
- Once Around
- Debt
- I Like U
- Tender
- Lakes
- Ten Steps
- Antarctica
- Midnight Sun
- Trick Photography
- Devotion
Product Description
1. Bells
2. Once Around
3. Debt
4. I Like U
5. Tender
6. Lakes
7. Ten Steps
8. Antarctica
9. Midnight Sun
10. Trick Photography
11. Devotion
Format: CD
Customer Reviews:
No rip-offs here........2007-03-06
Great Band.......2007-02-19
better with age.......2007-02-14
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Classical Kids: Collection
Manufacturer: Children's Book Store Distribution ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000212C Release Date: 1995-01-09 |
Tracks:
- Orchestral Suite #3, 1/Minuet in G+/Gigue in G+ (French Suite #5) - Studio Arts Orchestra, The Toronto Boys' Choir
- Jesu, Joy of Man's Desiring/Chromatic Fantasy/Prelude in B - (WTC1) - Studio Arts Orchestra, The Toronto Boys' Choir
- Introducing the Orchestra/Organ: Chorale Preludes, "Allein Gott" - Studio Arts Orchestra, The Toronto Boys' Choir
- Brandenberg Concerto #5, MVT. 3 - Studio Arts Orchestra, The Toronto Boys' Choir
- Flute Sonata C+, MVT. 2/Organ; "Es Ist das Heil"/Orchestral Suite ... - Studio Arts Orchestra, The Toronto Boys' Choir
- Prelude in C (WTC1)/Orchestral Suite #2, MVT. 2 - Studio Arts Orchestra, The Toronto Boys' Choir
- Bist du Bei Mir - Studio Arts Orchestra, The Toronto Boys' Choir
- Orchestral Suite #2, Badinerie - Studio Arts Orchestra, The Toronto Boys' Choir
- Orchestrak Suite #3, Air for the G-String - Studio Arts Orchestra, The Toronto Boys' Choir
- Orchestral Suite #3, Gigue - Studio Arts Orchestra, The Toronto Boys' Choir
- "Adventure in Music" - Studio Arts Orchestra, The Toronto Boys' Choir
- Goldberg Variations/Art of Fugue - Studio Arts Orchestra, The Toronto Boys' Choir
- "Liebster Jesu"/Flute Sonata in C, MVT. 4 - Studio Arts Orchestra, The Toronto Boys' Choir
- "We Hasten, " Cantata #78 - Studio Arts Orchestra, The Toronto Boys' Choir
Tracks:
- Symphony #7, MVT. 2
- Symphony #5, MVT. 1
- Piano Sonata, Op 90, MVT. 2/Flute Serenade, Op 23, MVT. 3/Violin ...
- Pathue Sonata, Op 13, MVT. 2/Contradanse #1 in Major
- Symphony #5, MVT. 2/Piano Sonata, Op 14 #2, MVT. 2/Flute Serenade, ...
- Polonaise/La Marmotte/Country Dance in a Major/Fse/Flutnuhr
- Sonatina in G Major/Minuet in G Major/Violin "Spring" Sonata, MVT. 1
- Moonlight Sonata, Op 27 #2, MVT. 1
- Flute Serenade, MVT. 2
- Symphony #6, Storm
- Nel Cor Piu Variations
- Piano Concerto #1, MVT. 1/Piano Concerto #5, MVT. 2
- Bass Excerpts from Symphony #9/Violin"Spring Sonata"/Rage Over a ...
- Symphony #9, MVT. 4
- Sonata Opus 49 #2, MVT. 2
- Symphony #6, Shepherd's Theme
Tracks:
- Lost in the Opera House: Oh Help Me (Zu Hilfe) - Nils Brown, St. Simon's Choir, Studio Arts Orchestra
- Papageno and the Birds: The Best Birdcatcher (Der Vogelfer) - Russell Braun, St. Simon's Choir, Studio Arts Orchestra
- Queen of the Night: You Must Free My Daughter (O Zittre Nicht) - Marjorie Sparks, St. Simon's Choir, Studio Arts Orchestra
- Pamina Arrives, Papageno's Magic Bells: A Girlfriend (Ein Mhen) - Russell Braun, St. Simon's Choir, Studio Arts Orchestra
- Castle of Sarastro: O Endless Night (O Ew'ge Nacht) - Nils Brown, St. Simon's Choir, Studio Arts Orchestra
- Magic Flute: O Listen (Wie Stark) - Nils Brown, St. Simon's Choir, Studio Arts Orchestra
- Escape: Let Us Hurry (Schnelle FWhat Tinkles So Brightly ... - Russell Braun, St. Simon's Choir, Studio Arts Orchestra, Monica Whicher
- Sarastro's Welcome: The Gods Above (O Isis) - Gordon McLeod, St. Simon's Choir, Studio Arts Orchestra
- Attack of the Queen: The Powers of Night (Der H Rache)/This ... - Marjorie Sparks, St. Simon's Choir, Studio Arts Orchestra
- Pamina's Lament: Oh, My Heart Is Broken (Ach, Ich F - St. Simon's Choir, Studio Arts Orchestra, Monica Whicher
- In the Labrynth: Seekers of the Light (Der, Welcher ...) - Nils Brown, Gordon McLeod, Marjorie Sparks, St. Simon's Choir, Studio Arts Orchestra, Monica Whicher
- Papageno and Papagena: Ring, O Bells (Klinget Glhen) - Adriana Braun, Russell Braun, St. Simon's Choir, Studio Arts Orchestra
- Conclusion: Our Journey Is Over [Bei Mern] - St. Simon's Choir, Studio Arts Orchestra
Tracks:
- Four Seasons, Spring, I, RV 269
- Piccolo Concerto, II, RV 293
- Arriving at the Pietour Seasons, Autumn, I RV 293/Guitar/Flute ...
- Violin Concerto in a Minor, I, RV 356
- Four Seasons, Winter, II, RV 297
- Guitar Concerto, II, RV 93
- Venice by Day/Guitar Concerto, III, RV 93/Four Seasons, Autumn, ...
- Sonata for Two Violins, II, RV 50/"Farnace", RV 711, [Recording Premier
- Violin Concerto in a Minor, II, RV 356
- Venice by Night/La Notte, I, II, III, RV 439
- Island of the Dead/Four Seasons, Autumn, II, RV 293
- Gardellino, RV 90/Beatus Vir, RV 597/Alma del Core/Violin Sonata ...
- Concert Preparations/Piccolo Concerto, I, RV 443/Guitar Concerto, III,
- Conclusion/Double Orchestra Concerto, II, RV 585/Guitar Concerto, ...
Customer Reviews:
It stays with them..........2005-10-24
It all started with Beethoven.......2004-02-03
Imagine my delight that they are now in one boxed set! Now when asked, I suggest this set. What a great way to get it ALL! I truly believe that by surrounding our children with a variety of good music (including POP music) and information they will grow up with a greater appreciation for music and the arts.
Not What I expected.......2002-09-20
Music, history, culture, & intriguing story -Amazing!.......2002-04-08
I only can wonder...what took whomever so long to broaden our horizons in such a way! BRAVO!
Great series, great collection.......2001-04-22
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Stravinsky Conducts Stravinsky: Symphony of Psalms/Symphony in 3 Movements
Manufacturer: CBS ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000026GK Release Date: 1990-10-25 |
Tracks:
- Symphony in Three Movements: I - Overture; Allegro
- Symphony in Three Movements: II - Andante; Interlude: L'istesso tempo
- Symphony in Three Movements: III - Con moto
- Symphony In C: I - Moderato alla breve
- Symphony In C: II - Larghetto concertante
- Symphony In C: III - Allegretto
- Symphony In C: IV - Largo; Tempo giusto, alla breve
- Symphony Of Psalms: Part I
- Symphony Of Psalms: Part II
- Symphony Of Psalms: Part III
Amazon.com essential recording
Stravinsky was seldom the best conductor of his own music, but this disc of his three symphonies is an exception. In the first place, none of them are all that difficult to conduct--at least compared to some of his earlier works--and he seems to have been in particularly good form throughout these recording sessions. He gets a particularly enthusiastic response from his Canadian forces in the Symphony of Psalms--one of this century's great choral masterworks, and seems to really enjoy the neo-classical elegance of the Symphony in C. Of all of the individual releases from Sony's complete Stravinsky edition, this one has pride of place. --David HurwitzCustomer Reviews:
Emotional Music of Great Composer, Adequate Conductor.......2007-07-21
Symphony in C was done during time of great illness for the composer, yet he persevered under commission.
Finally the Symphony of Psalms, based on his coming to faith in latter life, which is based around Psalm 150 and here energetically performed by Canadian choir. His choice of Latin is spot on I believe, giving an aura of poetic movement and grandeur to the piece. The allegro is favorite, with its vision of Elijah's chariot climbing after the swinging low descent.
About as Good as Stravinsky (the composer) gets........2007-01-16
A prized recording.......2004-07-07
Essential.......2004-05-26
History more important than the Sound........2001-01-12
Never mind! You will never hear grander performances of these three works. Who better to interpret Stravinsky's music than the composer himself?
The two orchestral symphonies are wonderful, but the prize on this recording is the Symphony of Psalms. The first time I ever heard the piece was at a San Francisco Symphony concert with Stravinsky conducting-- an electrifying experience. This recording, though it's of a different performance, captures that moment perfectly. I can close my eyes and see Stravinsky's tight, coiled beat-- can watch the concertmaster's eyes as he was transfixed by the composer's every move-- can see the awe-struck chorus members as they nervously blended with the orchestra.
And I can relive that moment when the sound died finally away and the audience leaped as one person to its feet.
If music can change people (and it can), then this music will change people forever.
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Stravinsky: Works for Piano
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002XV2Z2 Release Date: 2005-02-15 |
Tracks:
- I. Allegro
- II. Vivo
- III. Andante
- IV. Allegro
- Scherzo
- 1. Con Moto
- 2. Allegro Brillante
- 3. Andantino
- 4. Vivo
- Souvenir D' Une Marche Boche
- Valse Pour Les Enfants
- 1. Andantino
- 2. Allegro
- 3. Allegretto
- 4. Larghetto
- 5. Moderato
- 6. Lento
- 7. Vivo
- 8. Pesante
- I. Qt. Note = 112
- II. Adagietto
- III. Qt. Note = 112
- I. Hymne
- II. Romanza
- III. Rondoletto
- IV. Cadenza Finala
Tracks:
- 1. Danse Russe: Allegro Giusto
- 2. Chez Petrouchka: Stringendo
- 3. La Semaine Grasse: Con Moto - Allegretto
- Piano Rag Music
- Tango
- I. Presto Doppio Movimento
- II. Andante Rapsodico
- III. Allegro Capriccioso, Ma Tempo Giusto
- I. Largo - Allegro
- II. Largo - Cadenza (Poco Rubato)
- III. Allegro
- I. Qt. Note = 110
- II. Qt. Note = 52
- III. Qt. Note = 72
- Qt. Note = 80
- Qt. Note = 104
Customer Reviews:
A large sampling of Stravinsky's piano music........2005-03-04
I'm not knowledgable as to whether this cd contains all Stravinsky's piano compositions but there is a lot here. Michel Beroff is a fine pianist and the recorded sound is very good. The liner notes are lacking but I've come to expect that from "bargain" classical cds.
This is a two cd package. For $12, I'm very glad to have this set in my collection.
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Dunstable: Sweet Harmony - Masses and Motets
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000B6N67M Release Date: 2005-10-18 |
Tracks:
- Quam Pulchra Es
- Kyrie
- Gloria A 4
- Credo A 4
- Gloria: Jesu Christe Fili Dei
- Credo: Jesu Christe Fili Dei
- Sanctus
- Credo: Da Gaudiorum Premia
- Sanctus: Da Gaudiorum Premia
- Agnus Dei
- Veni Sancte Spiritus-Veni Creator
- Gloria In Canon
Customer Reviews:
Dunstable masses and motets: recording by Tonus Peregrinus.......2007-07-21
The harmonic building blocks of Renaissance music.......2006-06-07
Dunstable was a master of isorhythm, a technique that involved repetition of lengthy melodic and harmonic figures (sometimes in sync and sometimes in overlapping fashion). While isorhythm contributes to the compositional integrity of Dunstable's music, it's not readily discernible by modern ears. What's most apparent in the music of John Dunstable is the forceful delivery of a new style: the sweet harmony resulting from the use of parallel 3rd and 6th intervals. Dunstable's harmonic writing is not particularly disciplined: unprepared dissonances occur, sometimes in jarring fashion. But overall, a spirit of jubilation pervades Dunstable's work, which should impress modern listeners just as it did the European composers who heard it nearly six centuries ago.
Tonus Peregrinus, a vocal consort named for an ancient chant that Christ might have sung at the Last Supper, delivers an evocative performance of Dunstable's works. The group performs Dunstable's motets "Quam pulchra es" and "Veni Sancte Spiritus - Veni Creator", sandwiched around a collection of Mass movements. "Quam pulchra es" exhibits a stately, graceful quality later found in the works of Binchois, while the first "Sanctus" achieves an otherworldly beauty that may have influenced the motets of Dufay. The acoustics of this recording, captured in an echo-filled French abbey, create a sense of time and place that enhances the authenticity of the performance.
In 1476, music theorist Johannes Tinctoris remarked, "There is no composition written over forty years ago which is thought by the learned as worth of performance." Tinctoris' dismissal presumably included the works of Dunstable. Fortunately, Dunstable's music has survived Tinctoris' sentiment, and now awaits your discovery, courtesy of this fine recording.
THE GREAT LEAP FORWARD.......2005-11-29
England was not always `the land without music'. In particular, it seems that a sudden and spectacular leap in musical development occurred precisely there in the early 15th century, and, if we are to believe the musical historian of the time Tinctoris (cited by Pitts in his liner-note), the main driving-force behind this revolution was John Dunstable, whose innovations were picked up promptly by his contemporary Dufay and thereafter by Europe in general. My own knowledge of this period is deplorably patchy, but it is quite clear that by the 12th century the ecclesiastical tradition of monodic plainsong, believed to date from the 8th century, had not changed much, even at the hands of the frumious Hildegard of Bingen. There was a parallel secular tradition, probably more than one, but if the music of the troubadours during this same period is anything to go by it had primitive instrumental accompaniment for the voices, but nothing by way of genuine `harmony' much less polyphony or counterpoint.
Enter the English, Dunstable in the lead. Not a lot seems to be known about him except that he appears to have been associated with St Albans in Hertfordshire, where his name survives in the name of a town not far away, as does that of the author of Dunstable's epitaph and Abbot of St Albans Abbey John Wheathampstead. All this information is conveyed with admirable brevity in Pitts's notes, and I take it on faith entirely. Faith of another kind shows through his phraseology here and there, as in his dedication of the recording to `a God-fearing man' (not the kind of terminology one encounters much in England these days) and in his sniffy comment in his resume that he left the BBC in protest over its screening of `a blasphemous musical'. I would only remark that the BBC never actually broadcast anything by such a description, nor did the public in general realise that they were listening to such. At the musical level by and large the liner-note is awesomely learned but slightly heavy going. It is worth absorbing slowly, but the most significant thing it says is really its naïve proclamation of how marvellous the music is. This is the dawn of the elaborate harmonisation that makes European music, so far as I know, unique, and the thrill and sense of awe that go with that are enormous for one kind of listener at least.
If I understand Pitts aright, the various sections of the mass here - including 2 glorias, 3 credos and 2 settings of the sanctus - don't incorporate one specific `mass' although they approximately follow the order of the parts normally set to music: indeed if there were a single coherent mass in it what would be the point of such duplications? The way they have sequenced it all is appropriate to isolated settings, sensibly programmed so as to avoid having the same text in successive tracks. The recital starts with one motet and ends with another, followed by a gloria that `we' have completed from the restored but deficient MS. `We' have done just brilliantly if I may say so - this is what music-making is all about, but it needs the right level of talent. The performing artists consist of 2 sopranos, 1 female and 1 male alto, 3 tenors and a single bass. I have to take the historical authenticity of this, just as I have to take the tempi adopted, on faith once again. I believe the phrase is `It works for me'. What is beyond much question is the sheer quality of the singing, and what I want to sing my own praises of is the recording, which has a perfect sense of spaciousness together with perfect clarity.
I hope I will be believed when I say that I have no link of any kind with Naxos. I collect their discs because of what these are and because of what my tastes and standards in good music are. This particular disc is from this very year 2005, and the recording was done in Chancelade Abbey in the Dordogne. Over and above the learned inputs of Mr Pitts we are given brief resumes of all the performers, and all texts are provided with English translations. These latter are a great deal better than many I have seen in the last year or two. My suspicions having relaxed, I have been less hawk-eyed than sometimes, and I don't believe that there are any serious misrenderings. In the Veni Creator if the text is right at lines 11-12 the meaning must be `Thou duly enriching our mouths with the promised utterance of the Father'; 4 lines later `perpetim' is a simple misprint for `perpeti', but as usual the translator thinks `perpeti' is some kind of adjective. It is a prolative infinitive, and lines 15-16 therefore mean `Strengthening what in our bodies is weak so as to be steadfast through virtue'.
Go forth in droves at the Christmas season and acquire this disc.
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William Grant Still: Afro-American Symphony; In Memoriam; Africa (Symphonic Poem)
Manufacturer: Naxos American ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0007ORDYU Release Date: 2005-03-22 |
Tracks:
- In Memoriam
- Land Of Peace
- Land Of Romance
- Land Of Superstition
- Moderato Assai
- Adagio
- Animato
- Lento, Con Risoluzione
Customer Reviews:
Great Music.......2007-05-13
The Very American Music of William Grant Still.......2005-08-05
That truth is even more evident in the Afro-American Symphony. You have to sit up and take notice when a symphony begins with a blues refrain that's quickly answered by a quirky little jazz riff in the winds. It's like a little scene from a musical of the 1930s: chase your blues away, says that little jazz riff. But then you realize this is a genuine symphonic first movement in well-argued sonata form, and you've got to be impressed.
The notes to this recording point out that the bouncy third movement (with banjo obbligato, first time in a symphony certainly!) has a main theme very similar to George Gershwin's "I Got Rhythm." Actually, Still came up with his melody before Gershwin wrote his song, but Still and Gershwin supposedly influenced one another, so maybe Gershwin cribbed a bit from Still. Hearing the very dramatic episodes in the first and last movements that seem to forecast scenes in "Porgy and Bess," I wonder if Still didn't influence Gershwin much more than the reverse.
Be that as it may, I find, as with "Africa," that the symphony is let down a bit by the finale, though it does end with an appropriately dramatic peroration, leaving a bold impression. All things considered, this is one of the best symphonies written by an American and certainly one of the most American of all.
I have nothing but praise for the performances. The Fort Smith Symphony takes this music to heart and presents it with great feeling and with the kind of abandon that comes when musicians have lived with music for a while and have gotten it into their blood. Sure, this is a regional orchestra instead of one of America's Big Five, but if so, these excellent performances just speak to the general quality of American orchestras even out in the hinterlands. Conductor John Jeter probably deserves a good deal of credit as well. And while I'm at it, kudos to the Naxos engineers too. The recording has fine presence and detail. Given Naxos' price, this disc is the way to go if you want to acquire William Grant Still's classic.
Long Lost Symphony.......2005-07-28
Catherine Parsons Smith (author of WILLIAM GRANT STILL: A STUDY IN CONTRADICTIONS)
Amazing!.......2005-04-21
Dynamic Orchestra.......2005-04-10
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