Product Description
One of the brightest and most famous projects of the entire punk/new wave scene, No New York was released in 1978 on Island's sub-label Antilles and became a total cult in the Indie scene. Featuring some of the most incredible rule-breaking bands of the underground New York art and music scene, the project, produced by Brian Eno, is a genuine snapshot of the massively creative NYC scene, from which innumerable trends started and became part of the modern pop music as we know it. Influential, powerful and ground breaking, this collection features four of the top icon-shattering Gotham City's no-wavers like James Chance (Contortions), Arto Lindsay and Ikue Mori (DNA), Lydia Lunch (Teenage Jesus) and Sumner Crane (MARS). This is the first time No New York has ever been released in the West. This CD digi-pak version includes a detailed booklet. The musical legacy of this collection runs right from the Swans and Sonic Youth straight through to Glenn Branca, Jon Spencer and all the current crop of New Wave Of No New Wave outfits (such as The Rapture, Yeah Yeah Yeahs, etc..) burning up hipster dance floors worldwide! 16 total tracks. Lilith. 2005.
No New York,Various Artists,Lilith,No Wave,Pop,Rock,Rock/Pop Collections,V/a Compilations
No New York
Average customer rating:
- How can you go wrong with Mozart?...Buy this and find out.
- 25 Mozart Favorites
- Wonderful collection and price!
- Nice Mozart selection - Nice price
- Mozart Listener
|
25 Mozart Favorites
Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- 25 Beethoven Favorites
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ASIN: B0000058HV
Release Date: 1996-08-20 |
Tracks:
- 'The Marriage Of Figaro': Overture
- Symphony No. 29 In A, K. 201: ll. Andante
- Symphony No. 25 In G Minor, K. 183: l. Allegro con brio
- Piano Concerto No. 9 In E Flat, K. 271: ll. Andantino
- Piano Concerto No. 17 In G, K. 453: l. Allegro
- 'The Magic Flute': Overture
- Symphony No. 40 in G minor: l. Molto Allegro
- Symphony No. 38 In D, K. 504 'Prague': lll. Finale: Presto
- Serenade In B-Flat For 13 Winds, K. 361/370A 'Gran Partita': lll. Andante
- Clarinet Concerto In A, K. 622: l. Allegro
- Flute Concerto No. 2 In D, K. 314: ll. Andante ma non troppo
- Clarinet Quintet In A, K. 581: ll. Larghetto
- Piano Sonata In C Minor, K. 457: ll. Adagio
- Piano Sonata In A Minor, K. 310: l. Allegro maestoso
- Piano Concerto No. 23 In A, K. 488: ll. Adagio
- Symphony No. 39 in E-flat, K. 543: lV. Finale: Allegro
- Horn Concerto No. 3 In E-Flat, K. 447: lll. Allegro
- Piano Concerto No. 21 In C, K. 467: ll. Andante
- Sinfonia Concertante For Violin And Viola In E-Flat, K. 364: l. Allegro maestoso
- String Quartet No. 17 In B-Flat, K. 458 'The Hunt': l. Allegro vivace assai
- Violin Concerto No. 4 In D, K. 218: ll. Andante cantabile
- Violin Concerto No. 5 In A, K. 219: ll. Adagio
- Eine Kleine Nachtmusik, K. 525: lV. Presto
- Requiem, K. 626: Confutatis Maledictis
- Exsultate Jubilate: Alleluia
Amazon.com
This is an astonishing collection of works - or parts of works - by Mozart that covers almost every aspect of his creative output: symphonic, religious music, concerti (for piano, horn, violin, clarinet, flute), chamber music, serenades (for strings; winds), a couple of opera overtures and more. Those who know and love Mozart's music will not need this, but it's a great introduction, a great overview. The selections are well-chosen and interestingly organized, with familiar pieces splrinkled among some not-so well known. A good primer. --Robert Levine
Customer Reviews:
How can you go wrong with Mozart?...Buy this and find out........2007-05-13
I was extraordinarely ignorant when I purchased this recording. I thought,"WOW!! Look at all the music you get in this CD set. The price cannot be beat!" When I received the CD, I discovered that you don't really get any music at all. This is a great sample CD, and should be bought by a person brand new to classical music. However, if you have any experience with classical music, you will want to pass on this CD.
Each of the pieces are hacked apart to the point of it being comical. It's interesting to listen to the greatest music in the world, only to have the development cut. All of a sudden I was thrust into a new key, I thought my ears were going crazy. Perhaps an effort by a decent high school orchestra, but this music is not up to snuff with any other recording.
Do yourself a favor and go out and purchase real recordings of Mozart, and not watered down stereotypes.
25 Mozart Favorites.......2007-05-12
Very pleased with product, delivery, cost and service. Will use this vendor again.
Wonderful collection and price!.......2007-05-11
I found this to be a nice collection of favorites, especially to keep in the car and listen to. It is a variety of well known compilations. Although not encompassing, it is perfect as a review for driving, relaxing, and enjoyment. Plus, the price is right!
Nice Mozart selection - Nice price.......2006-09-24
Nice selection of Mozart work that give us inner peace...
Mozart Listener.......2006-08-31
This is a good CD if you like Mozart's music. It is not the best CD I ever purchased. It is nice to listen to it in the morning before I go to work. And I sometimes listen to it in the evening before I go to bed. It is relaxing and soothing. I am not a music major or therapist. This is the best review I can write. Mary Agnes Cross
Average customer rating:
- What more could one ask for?
- Definitive Is Right
- Definitive Recordings of Copland's Popular Ballet Scores From Bernstein, NYPO
- American Music at its Highest
- The best of Copland
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Bernstein Century - Copland: Appalachian Spring, Rodeo, etc / Bernstein, New York PO
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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- Bernstein Century - Gershwin: Rhapsody in Blue, etc
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- Gershwin: Rhapsody In Blue/An American In Paris
- Stravinsky: Rite Of Spring, Fireworks, Petrouchka / Ozawa, Tilson Thomas, Chicago Symphony
ASIN: B0000029XG
Release Date: 1997-10-28 |
Tracks:
- Appalachian Spring: Very Slowly
- Appalachian Spring: Allegro
- Appalachian Spring: Moderato
- Appalachian Spring: Fast
- Appalachian Spring: Subito Allegro
- Appalachian Spring: As At First (Slowly)
- Appalachian Spring: Doppio movimento
- Appalachian Spring: Moderato - Coda
- Rodeo: Buckaroo Holiday - Allegro con spirito
- Rodeo: Corral Nocturne - Moderato
- Rodeo: aturday Night Waltz - Introduction - Slow Waltz
- Rodeo: Hoe-Down - Allegro
- Billy The Kid: Introduction. The Open Prairie
- Billy The Kid: Street In A Frontier Town
- Billy The Kid: Mexican Dance And Finale
- Billy The Kid: Prairie Night (Card Game At Night)
- Billy The Kid: Gun Battle
- Billy The Kid: Celbration (After Billy's Capture)
- Billy The Kid: Billy's Death
- Billy The Kid: The Open Prairie Again
- Fanfare for the Common Man: Molto deliberato
Amazon.com essential recording
Happy is the composer who has an advocate as passionate and talented as Leonard Bernstein. These Copland performances have been the preferred versions since they were first issued--better even than the composer's own, later recordings. Originally they were spread over two discs, but thanks to the extended playing time of the compact disc, you can now get all three great Copland ballets together, along with the ever popular Fanfare for the Common Man. Bernstein brings to this music the right sharpness of rhythm but also a typically open-hearted warmth. He coaxes a virtuoso response from the New York Philharmonic, which knows this music as well (or better) than anyone. Self- recommending. --David Hurwitz
Customer Reviews:
What more could one ask for?.......2007-06-27
Aaron Copland's masterful works are here interpreted by Bernstein. Nothing says the American sound like Copland, and there is no better interpreter than Bernstein. This recording is one of the best in my collection. I would recommend this to anyone (even non-classical music fans).
Definitive Is Right.......2007-02-27
I have the SACD version of these recordings (except for the "Fanfare" which, in this case, is the version taken from Bernstein's recording of Copland's Third Symphony) and I must agree with others here that the performances are definitive. The "Rodeo" has more energy than any other recording I know of, in fact it can almost go over the top! "Billy the Kid" is quiet and tender, dramatic and bold and "Appalachian Spring" is dead-on. The last section of this ballet is one of my very favorite pieces of music and Bernstein's tempo and phrasing here could well be called perfect.
Definitive Recordings of Copland's Popular Ballet Scores From Bernstein, NYPO.......2007-02-11
Without question, this splendid CD is my favorite recording of some of Aaron Copland's most popular orchestral ballet scores. In Leonard Bernstein he had both a good friend and a devout ally, who successfully championed Copland's music, helping to ensure his reputation as one of the greatest - if not the greatest - 20th Century American composer. Sony has done a superb job in digitally remastering this recording, offering some of the best sound I've heard from a vintage Leonard Bernstein/New York Philharmonic recording. But more importantly than the recording's superb sonic quality is the quality of these performances of Copland's scores. Bernstein leads in New York Philharmonic in these virtuoso performances, replete with lush, vibrant playing from the winds, horns and strings. His warm, truly heart-felt interpretation of "Applachian Spring" is truly mesmerizing, and the best I have heard from a recording. And yet, I am am just as impressed with his conducting of both "Rodeo" and "Billy the Kid"; the latter replete with superb solos from the orchestra's timpanist. An elegant performance of "Fanfare for the Common Man" closes out this CD recording. Fans of Aaron Copland, Leonard Bernstein, and the New York Philharmonic Orchestra shouldn't hesitate in acquiring this superb CD.
American Music at its Highest .......2007-02-04
If I was forced to recommend one CD of American music, I would feel very safe in backing this one. These interpretations have yet to be surpassed, and not even Copland himself could muster the same type of perfection that Bernstein and the New York Philharmonic did in this recording. Bernstein's way with Rodeo is unbelievable, and this alone is worth the price of the disc. The music on this recording has a lot to do with why, as Americans, we can all be proud of our place in the history of western music.
With 39 reviews under me, I will dispense with the adjectives to try and describe each interpretation of each piece on this disc, and simply say that these performances have been recommended by almost everyone (professional critics included of course) since they appeared; get it and find out why.
The best of Copland.......2007-01-09
For the Aaron Copland fan, this CD has the essentials: the most popular and easy listening of the Copland body of creations. Enjoy!
Average customer rating:
- Build Baby's Brain through Classics Vol 1
- Wonderful stimulating music for baby
- The greatest CD!!
- Forget baby, it's mine?
- Love this CD--why all the complaints?
|
Build Your Baby's Brain
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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ASIN: B00000AE72
Release Date: 1998-08-25 |
Tracks:
- Eine kleine Nachtmusik: Allegro - Philadelphia Orch; Ormandy, E.
- Fse
- Arrival of the Queen of Sheba from "Solomon"
- Alla Turca
- Quintet in a Major for Piano and Strings, Op. 114 "Trout"
- Concerto No. 1 in E Major, RV. 269 "Spring" (From the Four Seasons)
- "Jesu Joy of Man's Desiring" from Cantata No. 147
- Canon in D
- Quintet in a Major for Piano and Strings, Op. 114 "Trout"
- Air ("On the G String") From Orchestral Suite No. 3, BWV 1068
- Sheep May Safely Graze from Cantata No. 208
- Water Music, HWV 348-350 (Wassermusik)
- Piano Concerto No. 21 in C Major, K. 467 "Elvira Madigan"
- Serenade No. 13 in G Major, K. 525 "Eine Kleine Nachtmusik"
- "Dove Sono" from le Nozze Di Figaro, K. 492
- "Li Darem la Mano" from Don Giovanni, K. 527
- Bist du Bei Mir, BWV 508
Amazon.com
Hundreds of compilation recordings have been thrust on the market in recent years on the theory that classical music makes a nice, non-threatening accompaniment to everything from working out to making love. And here we have one compilation promising to make your baby smarter. It's offensive enough that the music featured on these compilations is spliced up so that the most you hear of any work is a single movement; what's really annoying is the poor quality of so many of the featured performances. So it is some consolation that the artists here include such 20th-century legends as the Cleveland Orchestra under Szell and the Budapest String Quartet with Mieczyslaw Horszowski. Of course if these folks were alive, one can imagine their violent objection to this presentation of their work. --Gwendolyn Freed
Customer Reviews:
Build Baby's Brain through Classics Vol 1.......2006-07-25
I am a true fan of Classical music and this was purchased as a gift for a co-worker who is adopting a child from China. Therefore I did not open it nor listen to it. The recipient is now overseas picking up their daughter so I know they haven't had the opportunity to listen to it. I think it's a great idea, though, and purchased a used set for my Grandson.
Wonderful stimulating music for baby.......2006-06-23
I am sorry for the previous review who said that intelligence is hereditary. If that is true, all mankind would have been doomed from the start.
Intelligence is not hereditary, but rather a result of stimulation during infancy and birth. Sure, it isn't a guarantee that your child *will* become a genius if you attempt to educate them from birth, but there is no doubt that real educational stimulation of a young mind is a powerful indicator that the child will be more advanced than the average child.
Music is not just notes played. Music--real music--is everything. Though the music of today will fade, classical music will always be around because it is classic. It fits no matter what era you place it in. There is always a home for it. The artists are timeless just as the beautiful melodies are.
I certainly believe that babies who listen to music will become more familiar with and more easily understand music and instruments. Therefore, they will be quicker of mind. It is just a fact that people who play instruments are usually of higher intelligence.
I don't think that people are destined to be stupid or geniuses. I believe it is a question of environment. I feel I'm a great mother but I haven't done everything I could have been doing to help my son's mind expand as an infant. Now that he is a toddler (18 months) I am teaching him to read and exposing him to the magic of classical music in hopes that it will help mold him and set him apart from the rest.
Minds are trainable. You just have to work at it. This CD compiled of beautiful pieces composed by instrumental geniuses will help you do just that.
The greatest CD!!.......2006-01-17
I received this CD free when I had my first baby and it instantly became my fav cd of all time. I have it on my computer and I had another copy made because I just can not imagine not having it.
And as for the comment that the music has nothing to do with intellingence, you stand alone on that front. Besides, what does it hurt? It's great, soothing music and the babies enjoy it.
Forget baby, it's mine?.......2005-09-01
I love my child, but the first time I heard this CD, It immediately went from her recorder to mine. I take it practically everywhere I go. I know it's technically "Her" CD, but the selections are so soothing; and you need that type of comfort when stuck in traffic. Honestly, we both enjoy it - and I'm glad someone thought enough to give it as a gift.
Love this CD--why all the complaints?.......2004-08-30
I'm not sure what people were expecting when they purchased this. For one thing it tells you exactly what is on the CD. Its not a mystery!! If you buy it on amazon it has listed every title on it so I"m not sure about the people who said they were dissapointed because they already own those titles. Obviously you should glance at the list of titles on this CD if you have a large classical collection already. However if you don't already have a classical collection this is by far excellent .I'll be honest and admit I listen to one of the volumes daily regardless of who is in the room. It's marketed for babies but it is really for anyone. There are SO many classical pieces out there. What they have done is to take the best of the best and also the ones that are known to appeal to babies. For some reason many reviewers thing they just took a random sampling of classical music. In reality they have put together those that appeal most to children. I can tell you that my 1 year old daughter actually dances to these. She really likes them a lot. I consider the whole collection a must have for any household.
Average customer rating:
- Fantastic oldy but goody...
- Authoritative Performances...
- Incredible excitement from a cello
- Slava! Electrifying stuff!
- Stunning Shostakovich
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Shostakovich: Cello Concerto No1, Op107; Violin Concerto No1 (revised), Op99
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Similar Items:
- Dmitry Shostakovich: String Quartet Nos. 2,3,7,8 & 12
- Great Recordings Of The Century - Beethoven: Triple Concerto; Brahms: Double Concerto / Oistrakh, Rostropovich, Richter
- Shostakovich: Symphonies no 5 and 9 / Haitink
- Dvorák: Cello Concerto; Tchaikovsky / Karajan, Rostropovich,
- Bach: Cello Suites Nos. 1-6
ASIN: B000007QCK
Release Date: 1998-06-16 |
Tracks:
- Concerto For Violin And Orchestra No. 1 In A Minor, Op. 99: I. Nocturne, Adagio
- Concerto For Violin And Orchestra No. 1 In A Minor, Op. 99: II. Scherzo, Allegro non troppo
- Concerto For Violin And Orchestra No. 1 In A Minor, Op. 99: III. Passacaglia, Andante
- Concerto For Violin And Orchestra No. 1 In A Minor, Op. 99: IV. Burlesca, Allegro con brio
- Concerto For Cello And Orch No. 1 In E-Flat Major, Op. 107: I. Allegretto
- Concerto For Cello And Orch No. 1 In E-Flat Major, Op. 107: II. Moderato
- Concerto For Cello And Orch No. 1 In E-Flat Major, Op. 107: III. Cadenza
- Concerto For Cello And Orch No. 1 In E-Flat Major, Op. 107: IV. Allegro con molto
Amazon.com
Sony has brought together Shostakovitch's greatest concertos in first recordings made soon after their American premieres by the artists most closely identified with them. Neither performance has been bettered, though some, such as Vengerov's Teldec Violin Concerto, come close. The Violin Concerto is in solid, detailed mono; the Cello Concerto in fine stereo. Oistrakh goes to the heart of the violin work, playing with extraordinary tonal magnificence and emotional power. He's matched by Mitropoulos, whose identification with the score is apparent. Rostropovitch is as good in the Cello Concerto, getting excellent support from Ormandy's Philadelphians. Both performances share the white heat of fresh discovery and have stood the test of time to become classic recordings. --Dan Davis
Amazon.com
Eugene Ormandy was Shostakovich's great interpreter (along with Bernstein) in the West, and he was entrusted with many U.S. premiers of the great Russian composer's symphonies and concertos. This recording of the First Cello Concerto was made while both the composer and his cellist friend were on tour in the United States, so it has the imprimatur of Shostakovich himself. The Violin Concerto similarly was recorded just days after its U.S. premiere in New York with the Oistrakh, for whom it was written. This is as distinguished a pair of performances as you're likely to hear, and although the Violin Concerto is mono, the sound never gets in the way of your enjoyment. An event. --David Hurwitz
Customer Reviews:
Fantastic oldy but goody..........2007-07-12
I rediscovered the Shost cello concerto. Turns out I had bought a copy on LP back in the 50's. I had forgotten it, but recognised the cover picture on the insert. I haven't played it in many years.
After hearing of Slava's death, I decided to add him to my collection, especially any DSCH pieces. I was pleasantly surprised to re-aquaint myself with an old friend. The sound of these older recordings are fantastic, stereo or not. If you want to collect authentic Shostakovich, you must collect this CD.
Authoritative Performances..........2007-02-02
I have owned both LPs and worn them out with repeated listenings. I feel these performances are breathtaking in their energy and emotion. I only wish there was such a paring on CD of the 2nd Violin and 2nd Cello Concertos with these soloists.
Incredible excitement from a cello.......2006-10-24
I'm a great fan of piano concerti, not string concerti, definitely not cello concerti. But this one makes me go weak in the knees. I first heard it performed by Rostropovich 30 years ago. It made my heart pound. It still does. This performance is the best I've heard. The sound quality is excellent, the orchestra is excellent, and Rostropovich is at the height of his powers. The concerto is modern, but not in the ugly atonal way of much modern orchestral music. It has a driving pulse, simple but powerful melodic lines that linger in the memory, a passionate, almost erotic, exoticism. A friend of mine who didn't like it referred to it as "cosmic debris." I can sort of understand his metaphor, but this trails a glorious plume on re-entry.
The violin concerto was for me just something extra on the disc. But after a careful listening, I'm impressed. Oistrakh was a top-notch violinist, and he was in exteme good form for this performance. The sound quality is good, but not as good as in the cello concerto. The orchestra is dazzling. I won't be skipping over this performance to get to the cello concerto - they make a fine pair in this recording. This disc is a must-have for any lover of 20th century concert music.
Slava! Electrifying stuff! .......2006-03-14
These are absolutely gorgeous recordings of both pieces. Indeed, these are the first ever recordings of both pieces, both recorded just months after their world premieres in the USSR, in 1956 and 1959. Sony have done an excellent job with the remastering, and the sound is crisp and clean.
As for the playing - Oistrakh and Rostropovich in their prime, with Shostakovich present and advising during both recordings - what more needs to be said. Shostakovich dedicated the First Cello Concerto to Rostropovich, his pupil and friend, and he almost seems to breathe the music. Oistrakh is magnificent in the Violin Conecrto, especially in the fast and furious finale. The New York Philharmonic under Mitropoulos and the Phildaelphia Orchestra under Ormandy are pretty damn good as well, and both pieces are fiendishly difficult in places.
Sorry this is praise is a little over the top, but it is entirely deserved!
Stunning Shostakovich.......2005-05-17
Rostropovich in the Cello Concerto is superb and, without question, this is the greatest STUDIO account of the Violin Concerto. But please note: Oistrakh and Mitropoulos gave the American premiere of the Violin Concerto in a LIVE radio broadcast performance on New Year's Day 1956, and the studio recording on this Sony CD was made the following day. That LIVE premiere performance can be heard (excellent sound!) in a 10-disc box set from the New York Philharmonic called "The Historic Broadcasts 1923 to 1987." It's an expensive set ($225), but it contains some other extraordinary items, such as Stravinsky conducting Tchaikovsky's 2nd Symphony, Artur Rubinstein's finest account of the Chopin Piano Concerto #1 with Bruno Walter, Kirsten Flagstad and Walter in an incredible Immolation Scene from Wagner's Gotterdammerung, Stokowski's only recording of Mendelssohn's "Scotch" Symphony, and a great performance by Heifetz with Toscanini of the Brahms Violin Concerto. While I'm not a great fan of Heifetz, this was his finest account of the Brahms.
But the REAL highlight of that NY Phil. set: the SUPERLATIVE performance by Oistrakh and Mitropoulos in the Shostakovich Violin Concerto. While this Columbia studio recording is indeed wonderful, it doesn't quite touch the inspired intensity of Oistakh's "live" premiere. Of course, not all "live" performances are better than their studio counterparts (e.g., I much prefer Sviatoslav Richter's studio Liszt concertos on Philips to his "live" concert recording on BBC Legends). But Oistrakh and Mitropoulos in the premiere tightened the screws and threw off sparks "live" that even this superb studio performance doesn't quite match.
This Sony Columbia Masterworks CD is worth its price just to have the outstanding account of the Cello Concerto with Rostropovich. But if you want to hear Oistrakh's interpretation of the Violin Concerto at its absolute zenith, you should try to hear the NY Phil. set too.
Highly recommended.
Average customer rating:
- Universal music
- Long-Time Favorite
- Best Copland Album I've Ever Listened To
- Test of Time--Passed with honors!
- the PERFECT Bernstein recording
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Copland: Appalachian Spring/Fanfare For The Common Man/El Salón México/Danzón Cubano
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Similar Items:
- Gershwin: Rhapsody In Blue/An American In Paris
- Copland: Rodeo/Billy The Kid
- Mussorgsky: Pictures at an Exhibition; Night on Bald Mountain
- Aaron Copland: Billy the Kid and Rodeo Suite; Ferde Grofé:Grand Canyon Suite
- Barber's Adagio
ASIN: B0000025MO
Release Date: 1990-10-25 |
Tracks:
- Appalachian Spring: Very Slowly
- Appalachian Spring: Allegro
- Appalachian Spring: Moderato
- Appalachian Spring: Fast
- Appalachian Spring: Subito allegro
- Appalachian Spring: As At First (Slowly)
- Appalachian Spring: Doppio movimento (Shaker Melody 'The Gift To Be Simple')
- Fanfare For The Common Man
- El Salon Mexico
- Danzon Cubano
Amazon.com
If Copland's own recordings of his music have the warmth of a soft summer night, those by Leonard Bernstein convey the blazing heat of noon. In his later remakes of several of these scores for Deutsche Grammophon, Bernstein exhibited a tendency toward overly-nuanced readings. But his earlier accounts with the New York Philharmonic, recorded by CBS in the late 1950s and early 1960s, are still incomparable in their vitality and impetus. Bernstein's way with the Western ballets is exuberantly personal and persuasive. He has the ability to move between delicacy and brashness, always getting the gestures right, and he delivers magical characterizations of both scores. The Phiharmonic's playing, while sometimes a bit raw, is confident and rhythmically secure; there is certainly nothing to apologize for here. There is a wonderful sense of immediacy to Bernstein's account of the Appalachian Spring Suite, in which the New Yorkers give a virtuosic account of themselves, playing in a rhythmically incisive fashion that puts Copland's account with the London Symphony in the shadows. The couplings are a mixed bag, however. Bernstein always had the measure of El Salon Mexico, and gives a rousing account of it here. But the so-called Fanfare for the Common Man is lifted from his recording of the Third Symphony; its beginning is not the same as that of the real fanfare. Both recordings have been wonderfully remastered by their original producer, John McClure, and have excellent presence and a palpable sense of atmosphere in the quiet pages. --Ted Libbey
Amazon.com
Leonard Bernstein was a friend of Aaron Copland's, and he approaches this music with rare flair and verve--as well as with sympathy and warmth--and, we can assume, with a good idea of the composer's intentions regarding it. This is a classic album, containing several of the works in the essential Copland oeuvre; the sound is not as good as you'll find in a more contemporary recording, but for most listeners the spirit will make up for that. --Sarah Bryan Miller
Customer Reviews:
Universal music.......2006-07-14
This recording, aside of bringing back great memories of a live performance of Mr. Bernstein more than 25 years ago directing Mexico State Philarmonic Orchestra playing Salon Mexico, is of grand quality and Aaron Coplands music selection is escellent as is performed and recorded. My mom (77) and my daughter (8) enjoy it just the same.
Long-Time Favorite.......2005-03-16
When I was in the fifth grade, there was a district-wide competition called music memory, and one of the pieces I had to memorize for the competition was the last movement of Appalachian Spring. And I fell in love with that song. I went and bought the cassette of Appalachian Spring with Bernstein conducting the New York Philharmonic, and I listened to it almost every night before going to sleep. I even remember that one night I was listening to that final movement through my walkman as I was laying in bed. Evidently, I was humming along without realizing it, and I woke my parents, who slept downstairs and across the house, with my humming. Anyway, that's how good this recording is. And I'm still amazed at what great taste I had at that age. Now, eleven years later, I have upgraded to a CD, but I still listen to Copeland's masterpiece just about as much. I've heard a lot of great music in those intervening years, but I've still never heard anything quite this perfect. I doubt I ever do.
Best Copland Album I've Ever Listened To.......2004-05-15
I love Appalachian Spring Suite! When I went out to buy the music CD, I got This one because of the cool newspaper cover and it turned out to be the best one out there. I've listened to other recordings of Appalachian Spring performed by other orchestras, they just aren't as good. This is the absolute best one. Not only is this one of my favorite classical albums of all time, it's one of my favorite albums period. Every single track on this CD is money.
Test of Time--Passed with honors!.......2003-07-21
I have been a fan of Aaron Copland's from an early age--in fact, so early that I can hardly remember not knowing "Fanfare for the Common Man". As I became older, my appreciation grew and deepened. I still remember my first exposure to the "Gift to Be Simple" section of Appalachian Spring...it was in history class, played as part of a presentation. I can't even remember the subject of the presentation anymore--all I remember is that at that wild, joyous crescendo, I was not in the room. I was somewhere far away, flying. That is the power in a piece like this, and the standard to which I hold any musical recording.
When I began seeking a full version of Appalachian Spring for my own collection, I had the good fortune to get a "recommendation" of sorts for the definitive recording: Richard Wright, keyboardist of Pink Floyd, has more of a Copland influence than you might suspect. When I read his article in Record Collector Magazine, the particular rendition he recommended was this one--the 1962 recording for CBS, of which he seemed to have the original LP. Imagine my surprise and delight to find that it was still in print and easy to find in stores!
"Aaron Copland's an American classical composer," summarizes Mr. Wright, "and [Appalachian Spring] is his most famous work...Like all of my favourite music there's something in his material that touches me; I think it's the chordal progression and the melodic lines just above them that do it for me here - and the fact that it's very peaceful. When I listen to a lot of the stuff that I've played over the years I feel I've been heavily influenced by Copland, albeit subconsciously." (Note to Pink Floyd fans: Comparing the basic approach in "Shine On You Crazy Diamond" and Copland's "Quiet City" may prove interesting.)
I am in full agreement here...it is absolutely striking what Copland was capable of creating. In his hands, simple, traditional harmonies were transformed into breathtakingly original works that reflect the best of the American spirit...innovative, beautiful, optimistic, and slightly wild. It never ceases to amaze me how he could weave such a beautiful musical texture with so few notes at times--it is indeed a gift to be simple. But Copland's work is not boring by any means--he also knows the place for grand, sweeping statements and shockingly unique, beautiful chord changes that occur seemingly out of nowhere.
As soon as I heard this disc, in comparison to other recordings I'd sampled, it was immediately obvious why this one survived the test of time, why it was still so vivid in the mind of Richard Wright. Copland and Bernstein seem always to be a good match for each other, but there was something very special going on the night this was recorded. Even if you own other renditions of "Appalachian Spring", even if you are interested in no other composition on this disc, this is an absolute must-have.
As for the other pieces, recorded in the early 60s as well, there's a similar magic--even though the "Fanfare" version is radically different, it's a real ear-opener. The pitch changes are done with a shocking fluidity, but it brings new interest to the piece. It is no replacement for the original; it's probably best to treat it as a different song. "Salon Mexicano" and "Danzón Cubano" are also excellently rendered and timeless.
All in all, this is a fantastic album--a must for any classical collection.
the PERFECT Bernstein recording.......2002-12-16
I have heard A LOT and i mean A LOT of Bernstein recordings...and...as far as post-Beethoven works go...this is it...this may only be comparable to his multiple Beethoven 5th Symphonies...
If you own ANYTHING with Leonard Bernstein's name on it...one should say "Beethoven's Fifth Symphony" on it...and the other should be this disc.
Average customer rating:
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The Dvorak Album
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Similar Items:
- Simply Baroque
- Paris La Belle Époque
- Vivaldi's Cello
- Yo-Yo Ma Plays Ennio Morricone
- Yo-Yo Ma - Simply Baroque II ~ Bach & Boccherini / ABO, Koopman
ASIN: B0002VEPIU
Release Date: 2004-09-07 |
Tracks:
- Concerto in B minor for Cello and Orchestra, Op. 104
- Klid (Silent woods) for Cello and Orchestra, Op. 68, No. 5
- Slavonic Dance No. 2 in E minor, Op. 72
- Humoresque No. 7 in G-flat Major, Op. 101
- Songs My Mother Taught Me from Gypsy Melodie, Op. 55
Amazon.com
This compilation of music by Dvorak played by Yo-Yo Ma is just beautiful. Ma seems to understand just when Dvorak wants to be super-Romantic and sappy and when he is in fact being merely his usual expressive self. The former comes into bloom with the Slavonic Dance, in which he's accompanied by Itzhak Perlman and "Songs My Mother Taught Me," with Patricia Zander at the piano. But when it comes to revealing Dvorak as one of the most insightful and truly passionate of composers, with a particular understanding of the cello, Ma's playing of the B minor Concerto (under Kurt Masur, with the New York Philharmonic), the latter description comes into play. Ma gets every nuance out of the cello, and the way in which Masur, for instance, leads the winds against the cello at the start of the 2nd movement is just gorgeous. "Klid" ("Silent Woods") is given a deeply affecting reading as well, under Seiji Ozawa. 2004 is the 100th anniversary of Dvorak's death; this CD is fine tribute. --Robert Levine
Customer Reviews:
Yo-Yo Ma is a genius .......2004-11-16
words fail me on how to describe performance in this CD.It's very good, one of the best interpretations I have heard in a very long time. I must confess that since i discovered Ma du Pre I have not been able to listen to anything else nor did I attempt to do so. But out of the blue I bumped into this CD by chance & after hearing Yo Yo Ma's phraising especially the 1st movement infact the whole of Dvorak Cello was like something new to me.Ma plays with passion,emotions & strong commitment to the music in a different way.The Ochestra is in top form & allows the solo cello to shine at the right time.I never thought there is another interpretation that could surpass M.Rostropovich(Im sorry to say this I know he is a living legend & the 1969 record with Karajan is held in high esteem). Ma is accompanied by my favourate violinist Itzhak Perlman on "Humosresque no.7 for piano" & "Slavonic Dance no.10 in E minor"- the results are so sweet as many people know Perlman is a romantic specialist his tone with Ma's cello is heavenly.With regard to the "songs my mother taught me" the cello sounds good not best for the track personally im so used to hear the song being played on violin.There's nothing wrong with the cello it's just that it 's tone is a bit too strong for the composition but it's very well interpreted by Ma. They call this transcription in musical terms. Actually Ma deserves an apology as im one of those who have accused him of lacking in emotions &"look at me now i can play anything" attitude.I think those allegations are baseless & unwarranted when u hear this CD u will know u are into something beautiful. Overall grab this very fast before many people realise Yo-Yo Ma 's greatest gift of song.
Average customer rating:
- Superb
- Powerful and Moving
- Barber's adagio
- My inner beauty
- Oscar Wilde plays Barber?
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Barber's Adagio
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Similar Items:
- Barber: Adagio for Strings, Op. 11/Orchestral Music; Leonard Slatkin
- Mussorgsky: Pictures at an Exhibition; Night on Bald Mountain
- Copland: Appalachian Spring/Fanfare For The Common Man/El Salón México/Danzón Cubano
- Gershwin: Rhapsody In Blue/An American In Paris
- Agnus Dei: Music of Inner Harmony
ASIN: B0000025TX
Release Date: 1990-10-25 |
Tracks:
- Adagio For Strings, Op. 11
- Fantasia On A Theme Of Thomas Tallis
- Fantasia On 'Greenleaves'
- String Quartet No. 1,. Op. 11: 'Andante Cantabile' - Tchaikovsky
- Symphony No. 5 In C Sharp Minor: 'Adagietto'
Customer Reviews:
Superb.......2007-05-15
Bernstein's usual wonderful interpretations of 5 pieces.
This is probably the best performance of Barber's Adagio you can find and I have heard them all. One other note is Williams' Fantasia on a theme by Thomas Tallis... it is spellbinding. This cd is definately worth the price if you are into slower strings.
Powerful and Moving.......2007-02-07
Barber's Adagio for Strings has become my favorite piece of music ever since hearing this recording several years ago. I definitely recommend this for anyone who likes violin music.
Barber's adagio.......2007-02-01
This sounds like a great recording of the Adagio adopted for orchestra.
I personally discovered another cd called Cathedral Classics recorded by Dale Warland Singers which gives a superior recording of the same music.
Dale Warland gives an unmatched quality that is available on the Internet.
My inner beauty.......2007-01-20
This music brings thoughts to my mind. I relax and think about good memories. But something in the music makes me sad sometimes and I can't stop listening to it because it is so beautiful. I want this CD to be played at my funeral. Only because it would bring good thoughts to people who know me now, but also just because it is so serene.
Oscar Wilde plays Barber?.......2005-07-12
Apparently, Thomas R. Brown is the only reviewer who has actually listened to this disc.
The performance of the Barber is not only the worst performance of the Adagio that I've ever heard; it's probably the worst performance of any piece by a major orchestra that I've ever heard, live or recorded. The complete lack of synchronization between the various string sections is embarrassing; the sloppy entrances are distracting and graceless. The orchestra sloshes from phrase to phrase like water in a bucket being carried over rough terrain. One wonders whether Bernstein was bothering to conduct at all, or was making everyone guess. This performance would have been unacceptable from my Youth Orchestra 25 years ago.
The other tracks are considerably better, but it's hard to make up for such a pathetic effort on the lead track.
Average customer rating:
- Schubert 8 and 9th Symphonies - Bernstein, N.Y. Phil.
- Outstanding Schubert!...
- Magnificent! Who would have thought?
- Marvelous!
- The Great Indeed
|
Schubert: Symphonies Nos. 8 "Unfinished" & 9 "The Great"
Manufacturer: Sony
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- Mendelssohn: Symphonies 3 & 4 / Karajan, Berlin Philharmonic Orchestra
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- Schumann: The 4 Symphonies
- Tchaikovsky: Symphonies no 4, 5, & 6 / Karajan, Berlin PO
ASIN: B00003WGO4
Release Date: 2000-01-11 |
Customer Reviews:
Schubert 8 and 9th Symphonies - Bernstein, N.Y. Phil........2007-07-14
Bernstein and the Philharmonic play the 8th in full-blown Romantic pitch. An excellent choice. The Great
C-Major, however, is the jewel in this recording. I probably have more records of Bernstein leading the Philharmonic in my collection than any other interpreters of classical music. Many I like, and others I don't much care for. To me, the C-Major is the best Bernstein I've heard him conduct. I always cherished the old Furtwangler and Toscanni recordings, but Bernstein's hard driving approach and excellent EMI sound quality make this performance not only a bargain but at the top of anyone's list looking for the ultimate in Schubert performance.
Hal Denton, Cookeville, TN
Outstanding Schubert!..........2007-03-12
.
Usually I prefer Bohm and the BPO with Schubert: they bring a Brucknerian reading.
But I've just gotta say that Lenny and the NYP really had some chemistry going on with the realization of Schubert's two great symphonies: one might say they bring a Mahlerian reading to the scores.
Really good.
.
Magnificent! Who would have thought?.......2005-09-18
Even though critics never mention them, these readings of the Schubert 'Unfinished' and Sym. #9 could be anybody's first choice. I own a hundred Bernstein CDs and yet had passed this one over, thinking that the performances would be romantically exaggerated and out of style. In fact they are wonderful: propulsive, lyrical, and really focused on the musicality of Schubert. Good, clear recordings in the big NY Phil. style of those days, and except for a punchy ending to the first movement of the Ninth, I was carried along by the buoyancy and joy of Bernstein's approach in every bar.
Marvelous! .......2005-08-15
When I first heard (and learnt) of Schubert's symphonies,
that the man who had composed many of the best ensemble
pieces of all time had also composed as many symphonies as
Beethoven, I thought I should stick to his ensemble pieces
and not venture into his orchestra work, thinking that the
understatement and subtlety of his small ensemble composition
would not translate well for large ones. But when I first
listened to the first movement of his 8th, I knew the guy had
mastered the symphony also. His style is reminiscent of
(not surprisingly) Beethoven, mixing the Romantic with the
Classical.
Bernstein's interpretation is nothing but masterful, but in the first movement of the 8th, I would have liked it more if he had quickened the tempo/pace of the piece. The NY Phil. performs admirably under his baton.
The Great Indeed.......2000-10-25
This cd is absolutely necessary for anyone who wants a well-rounded cd collection. It is an impeccable recording (as are most Bernstein Century recordings) of two excellent pieces. The low strings have a unity that is entirely impressive, and the brass simply adds a flavor to the music that enthralls the listener. I obviously give this recording the highest recommendation.
Average customer rating:
- Flawless and moving
- Grandioso...
- Outstanding Performance
- Too pure to be true and yet it is
- Three cheers for Beethoven and his mediant modulations :-D
|
Beethoven: Piano Concerto No. 5 "Emperor"
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Similar Items:
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ASIN: B0000025M5
Release Date: 1990-10-25 |
Tracks:
- Concerto No. 5 In E-Flat Major For Piano & Orchestra, Op. 73 'Emperor': I - Allegro
- Concerto No. 5 In E-Flat Major For Piano & Orchestra, Op. 73 'Emperor': II - Adagio un poco mosso
- Concerto No. 5 In E-Flat Major For Piano & Orchestra, Op. 73 'Emperor': III - Rondo: Allegro
Customer Reviews:
Flawless and moving.......2006-02-01
This was the recording that introduced me to Beethoven's 5th Piano Concerto, making me wonder how I had missed it in all my years (15+) of listening to classical music. I listened to my cassette until it was completely ruined. Although I have yet to hear other renditions of this piece, I can compare it to my other Beethoven symphonies (among others). In that light, I find this particular recording to be flawless. The piano is fluid and seems to dance with the orchestra, and it reminds me of watching a pair of excellent dancers--you watch one, then the other, then back, and marvel. It's the same with this piece. It has no hiccups, no glitches.
Grandioso..........2004-12-16
Beethoven escribio este grandioso concierto, una joya musical.
Leonard Bernstein dirije en forma sobresaliente a una impecable Filarmonica de Nueva York y Rudolf Serkin nos deslumbra en forma extraordinaria. Es una presentacion colosal.
El concierto que tiene un inicio sublime se empieza a energizar y se convierte en una sesion de vigor intenso; luego un adagio sutil, sentimental, profundo va poco a poco destinado a explotar en un allegro generoso, potente y vibrante.
Es de verdad una interpretacion soberbia en uno de las mejores grabaciones de este concierto.
Busquen la edicion real (Sony Classical - CD azul) en que se incluyen el concierto N°3 y el N°5.
Outstanding Performance.......2004-10-16
I have listened to many performances and recordings of this beloved concerto and this one, in my opinion, always ends up on top. It defines musical perfection. The majesty of the Emperor, its delicacy, its sweetness, its passion are all captured with such clarity it is impossible to listen to this performance without getting caught up in the emotions of this great concerto. If one has to choose which performance to get, this should be number one! The quality of this recording is also excellent.
Too pure to be true and yet it is.......2002-08-09
Beethoven is most successful in this piece. The bright sun of the piano, and the pianist Beethoven himself, dominates the orchestra that is led by it into joyful tuttis and variations in spite of the violin and some strings that try to deprive him of his leadership. Just let them try. The piano always comes after its and their plaintive moanings to stop and stifle them. The strings take the lead in the second movement. But there comes the piano who pushes them into the wings with their sighing sobs to impose his crystal clear vision of inner life. The strife of a vision of light against doubts and hesitations that dominates any rumbling protest from any sides and quarters and imposes its dynamism to all other instruments even the strings that kindly and gracefully concede defeat though the piano nags them and teases them. It's one happy moment when Beethoven is able to dictate his conducting will to the world. It is a moment of triumph when the world follows him to the end. He is the emperor of the title.
Dr Jacques COULARDEAU
Three cheers for Beethoven and his mediant modulations :-D.......2002-07-03
An emotionally stirring, great performance of an [excellent]piece! I am sooo asking for this for my 21st b-day :-p
Average customer rating:
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25 Handel Favorites
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ASIN: B00004Y6SY
Release Date: 2000-09-05 |
Tracks:
- Hallelujah Chorus (Messiah)
- Pastorale (Messiah)
- Bourree (Music For The Royal Fireworks) - Anthony Newman
- Overture (Water Music)
- Adagio E Staccato (Water Music)
- Allegro I (Water Music)
- Air (Water Music)
- Bourree (Water Music)
- Hornpipe (Water Music)
- Aria (Con Grosso No. 12 In B Minor)
- Grand Fugue No. 3 In B Minor - Anthony Newman
- Chorus & March (Judas Maccabaeus) - Anthony Newman
- Allegro II (Concerto Grosso No. 5 in D Major)
- Allegro V (Concerto Grosso No. 5 in D Major)
- Overture (Music For The Royal Fireworks)
- La Paix: Sarabande (Music For The Royal Fireworks)
- La Rejouissance: Allegro (Music For The Royal Fireworks)
- Minuet (Music For The Royal Fireworks)
- Silent Worship (Tolomeo) - Mary Ann Hart
- Lascia Ch'io Pianga (Rinaldo) - Madeline Tsingopoulos
- And The Glory Of The Lord (Messiah)
- For Unto Us A Child Is Born (Messiah)
- All We Like Sheep (Messiah)
- Why Do The Nations (Messiah)
- Worthy Is The Lamb (Messiah)
Customer Reviews:
25 Handel Favorites.......2007-01-12
Absolutely what I expect of Handel! Good stuff, if this is your "bag".
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- Polydistortion
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Rap Music
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