At Fillmore East [Hybrid SACD] [Live]

Disc: 1
1. Statesboro Blues
2. Done Somebody Wrong
3. Stormy Monday - The Allman Brothers Band
4. You Don't Love Me
Disc: 2
1. Hot 'Lanta
2. In Memory of Elizabeth Reed
3. Whipping Post

At Fillmore East,The Allman Brothers Band,Mercury / Universal,Album Rock,Blues-Rock,Boogie Rock,Guitar Virtuoso,Hard Rock,Jam Bands,Pop,Rock,Rock/Pop,Slide Guitar Blues,Southern Rock,United States of America

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At Fillmore East [Hybrid SACD] [Live]

Average customer rating: True Flight Not flying... I liked this one You know, it's possible to get better tunes for free, just look... You DO Know Jack

Sweeping Up the Spotlight: Jefferson Airplane Live at the Fillmore East 1969 Jefferson Airplane Manufacturer: RCA ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Pop | Styles | Music Pop Rock | Pop | Styles | Music Folk Rock | Rock | Styles | Music General | Rock | Styles | Music General | Live Albums | Rock | Styles | Music General | Hard Rock & Metal | Styles | Music Hard Rock | Hard Rock & Metal | Styles | Music Psychedelic Rock | Classic Rock | Styles | Music Album-Oriented Rock (AOR) | Classic Rock | Styles | Music General | Live Albums | Classic Rock | Styles | Music Similar Items: Last Flight At the Kabuki Theatre Monterey International Pop Festival At Golden Gate Park Three from the Vault ASIN: B000O76UVW Release Date: 2007-05-15

Tracks:

1. Volunteers
2. Good Shepherd
3. Plastic Fantastic Lover
4. Uncle Sam Blues
5. 3/5 Of a Mile In 10 Seconds
6. You Wear Your Dresses Too Short
7. Come Back Baby
8. Medley: Won't You Try/Saturday Afternoon
9. The Ballad Of You & Me & Pooneil
10. White Rabbit
11. Crown Of Creation
12. The Other Side Of This Life

Amazon.com

Sweeping Up the Spotlight: Live at the Fillmore East 1969 features the definitive edition of Jefferson Airplane, icons of 1960s psychedelic rock and political agitation. Jack Casady and Spencer Dryden hold down the free-floating rhythms on bass and drums, Jorma Kaukonen launches feedback-laced guitar solos, and Paul Kantner adds rhythm guitar and backing vocals. Topping it all are the voices of Marty Balin and the '60s acid queen, Grace Slick. In concert, the Airplane were always more rough and ready than on their acid-hued vinyl. Outside the studio, they were ramshackle and punky, which is why they were sometimes referenced when talking about punk bands like X, who also had male and female lead singers. Despite having six albums under their belt, mostly consisting of original material, the Airplane's live set has a lot of mediocre blues and folk filler. Some of their more characteristic repertoire is sacrificed to workman-like renditions of "Uncle Sam Blues" and "Come Back Baby," albeit with some ripping Kaukonen guitar solos. Balin's raucous rant on "You Wear Your Dresses too Short" is embarrassing in its soul-singer aspirations. Assuming this was their set sequence, it takes a while for the Airplane to congeal on stage. They ride roughshod over much of their materiel, but pull it together two-thirds of the way through on one of their most complex tunes, "The Ballad of You and Me and Pooneil." With its shifting time signatures and overlapping vocal lines and harmonies, it's a challenge to pull off live, but they do, with soaring vocals from Balin and Slick and a long instrumental jam with a fractured guitar solo from Kaukonen and a feature slot for bassist Casady, the most innovative and powerful bassist from that era. That paves the way for a darker version of "White Rabbit," the mock celebration of "Crown of Creation," and their show closer, a hyped rendition of Fred Neil's ballad "The Other Side of This Life." As they always did, the Jefferson Airplane land high. --John Diliberto

Customer Reviews:

True Flight.......2007-07-24

Once this show gets moving and the band finds it's groove, this show rocks! The classic Jefferson Airplane line-up at a high point of their performing abilities. The last half of this disc shows what Jefferson AIrplane was truly capable of doing. While it's no "Bless It's Pointed Little Head", it is a stellar performance. Well, a combination of two shows, but still some amazing work by the group. This one is definatley worth the price of admission.

Not flying..........2007-07-24

This release is mostly well-recorded, but, well, the Airplane was not what it had been anymore. More rock-oriented than before and sometimes going nowhere (nowhere interesting, at least), the band sounds loud but flat, unimaginative, and, to make matters worse, the vocals are not in tune AT ALL. Grace's voice was not the same, it sounds ragged (notably on "White Rabbit") and Kaukonen's guitar is all over, but not to good results.
It is obvious that Dryden (a very, very, really very good drummer) was not suitable for the band anymore. Subtelty was just vanishing and the band ended being just a monotonous band.
The cd jacket features one of the most beautiful band photos, taken at golden times, by the way. Jorma's liner notes do not say much.
Well, I do not recommend this, as you can guess.
(For those lookinf for Airplane live recordings, I recommend , of course, "Blessed Its Pointed Little Head", "Fillmore East 1968" and the concert at Monterey Pop Festival (in that order).

I liked this one.......2007-07-12

There are some new previously unreleased live recordings of the Airplane on the market. This one is good, and from their best period. I loved the Airplane in that period, when I consumed illegal substances; crimes for which the statute of limitations has expired. This has material from early Airplane through Volunteers.

The Airplane's musical and technical genius is best reflected in their studio recordings. This is a very good live recording of an excellent sample of their music. If you think you don't have enough Jefferson Airplane records you can buy this one.

You know, it's possible to get better tunes for free, just look..........2007-07-11

"Casady, the most innovative and powerful bassist from that era"

Ha!

Hahaha!

You DO Know Jack.......2007-07-05

We can discuss whether or not this CD is as good as BIPLH or not. A couple things I'd like to mention from my perspective that make this CD different:
1) If you are a fan of Jack's, then you want this CD. He does a solo on Ballad of You and Me and Pooneil that is OFF THE FREAKING HOOK, my brothers and sisters. This solo--and Jack took way too few of them if you ask me-- feels like tectonic plates shifting. On the rest of the CD his playing absolutely ROARS as well. No one before or since has ever played bass like Jack. When Jorma joins in after the solo Jack even manages to feed on the energy and take it to still a higher level.

(Aside: To say the singing and harmonies are "uneven" is to be kind. Like so much of their live work, the vocal are just silly and indulgent.)

2) I really like how you can hear what Kantner was doing for a change. This must be a result of modern sound technology. It adds a dimension that we had to struggle to enjoy in the past and I am very glad they captured his work here.

Is it better than BIPLH? It's different. It's worth it if only for Jack's playing but there is so much more to enjoy too. Take care.

Average customer rating: legendary Duane, We Hardly Knew Ye Great live album but not the best out there Is there some way I can give it more than 5 stars? Best live album, but there's more!

The Allman Brothers at Fillmore East The Allman Brothers Band Manufacturer: Island / Mercury ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Jazz | Styles | Music Blues Rock | Rock | Styles | Music General | Rock | Styles | Music Rock Jam Bands | Jam Bands | Rock | Styles | Music General | Rock Guitarists | Rock | Styles | Music Jam Bands | Live Albums | Rock | Styles | Music General | Live Albums | Rock | Styles | Music General | Hard Rock & Metal | Styles | Music Hard Rock | Hard Rock & Metal | Styles | Music Southern Rock | Classic Rock | Styles | Music Album-Oriented Rock (AOR) | Classic Rock | Styles | Music Southern Rock | Live Albums | Classic Rock | Styles | Music Pop Rock | Pop | Styles | Music Slide Guitar | Blues | Styles | Music Pop | Styles | Blowout Music | Stores | Music Classic Rock | Styles | Blowout Music | Stores | Music Rock | Styles | Blowout Music | Stores | Music Alternative Rock | Styles | Blowout Music | Stores | Music Classical | Styles | Blowout Music | Stores | Music Jazz | Styles | Blowout Music | Stores | Music Hard Rock & Metal | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Eat a Peach Layla and Other Assorted Love Songs Blind Faith Beginnings Brothers and Sisters ASIN: B000003CMB Release Date: 1997-10-14

Tracks:

1. Statesboro Blues
2. Done Somebody Wrong
3. Storm Monday
4. You Don't Love Me
5. Hot 'Lanta
6. In Memory Of Elizabeth Reed
7. Whipping Post

Amazon.com essential recording

There has never been a better showcase for improvisational rock than this 1971 concert recording, and few (if any) live rock albums are in its rank. With only two studio albums (and plenty of touring) under their belt, the Georgia sextet tore into the Fillmore East with road-tested buoyancy. Titanic guitarist Duane Allman was at the peak of his powers, pushing his foil, Dickey Betts, to unsurpassed peaks. Vocalist-keyboardist Gregg Allman would have been a star in any other setting; here he's merely one more component in a brilliant ensemble. Duane Allman died shortly after At Fillmore East shipped, and the Brothers haven't scaled such heights since. But, then, neither has anyone else. --Steven Stolder

Customer Reviews:

legendary.......2007-05-17

I purchased this album to replace the one on LP. If you are a person who enjoys true southern rock , you shouldn't be without a copy of this one. Some of this work is at a level you will never hear again. Absolutely superb!

Duane, We Hardly Knew Ye.......2007-04-01

A spectacular collection of live jamming from the Brothers. IMHO Duane is the greatest lead guitar player ever. Hendrix was a spectacular virtuoso who could do things that no other player could. Clapton and the other contenders, tremendous technically, but Duane was in a league of his own in being able to communicate with his axe. To hear lead guitar at its best, go no further than this magnificent set!

Great live album but not the best out there.......2007-03-04

I've always been a fan of blues oriented rock music- especially live recorded music. This album is exceptional, no doubt, although I have to disagree with some of the previous reviews. I used to own this cd but gave it up after giving it a few tries. After reading these reviews I gave it another try. The sound quality is great and the performance is great too, but not the ultimate live album I was expecting. If you want to get some excellent electrified live blues rock music I'd recommend Rory Gallagher's Irish Tour or Ten Years After's Live at Fillmore East. Bottom line, buy The Allman Brothers at Fillmore East but don't expect it to be the best live album you've ever heard.

Is there some way I can give it more than 5 stars?.......2007-01-12

It's almost pointless to add another 5-star review to this album. This is way beyond the categories of "Southern rock" (Lynyrd Skynyrd and Molly Hatchet belong in that dubious realm) and "blues rock" (hate to sound politically incorrect, but there's never been a blues performer or band that's even come close to what these guys were capable of). Duane Allman's slide guitar squalls with the kind of expression that will put the fear of God into you and make you forget, for a moment, who Jimi Hendrix was.

Kiddies, this is what rock concerts used to be. Never mind! This is too real for you. Go back to blogging about how great fill-in-the-blank is.

Best live album, but there's more!.......2007-01-11

This Live album has been the standard for all others to be measured by for over 30 years. Every musician is at the top of his game. Duane Allman's guitar playing still reveals new thrills after 3 decades of listening. Dickey Betts does a great job of keeping up. (To tell them apart, Duane's guitar is a little smoother and seems to sing.) This recording still feels fresh and vital. You do not need to be a southern rock or blues fan to enjoy the music. However, do yourself a favor and opt for double The Fillmore Concerts instead. The recording mix is a little more balanced and there are some alternate takes that pack the discs with over 130 minutes of music. If you agree (and you most likely will) that this is the best live album, then the additional music on the additional disc is the second best live labum. With the extended album you will get a deeper appreciation for a band that played until the sun rose. This is not an album to be mixed into an iPod shuffle. Relax, sit down with your favorite beverage and immerse yourself. The music will take you away.

Average customer rating: Lower the price or finish the show! Don't question the Master and buy it! Live at the Fillmore East - Classic Crazy Horse Neil Young and Crazy Horse Live at Fillmore East Long Lost Neil Young Live Returns and SHINES!

Live at the Fillmore East Neil Young and Crazy Horse Manufacturer: Reprise / Wea ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Canada | North America | International | Styles | Music Singer-Songwriters | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Rock | Styles | Music General | Live Albums | Rock | Styles | Music Similar Items: Live at Massey Hall (CD/DVD) The Road to Escondido West Endless Wire Neil Young: Under Review 1966-1975 ASIN: B000I5X80G Release Date: 2006-11-14

Tracks:

1. Everybody Knows This Is Nowhere
2. Winterlong
3. Down By The River
4. Wonderin'
5. Come On Baby Let's Go Downtown
6. Cowgirl In The Sand

Amazon.com

For years, fans of Neil Young and Crazy Horse have been waiting for an official chance to hear Crazy Horse live with original leader Danny Whitten, the insanely talented guitarist who died of a heroin overdose in late 1972, inspiring Tonight's the Night. Tuned-in fans have been awaiting this very set for at least a dozen years, as it was originally to be tacked onto the end of a Decade-style triple CD of outtakes. Thankfully, this well-recorded live set from the infamous Fillmore East was well worth the wait. Here are scorching, extended takes of "Down by the River," "Winterlong," and "Cowgirl in the Sand," each propelled by guitar interplay so delightful you have to keep rewinding to hear it again. In fact, bits of it seem to prefigure the ways that Richard Lloyd and Tom Verlaine would feed off each other in the band Television, only with less of a sweet edge. But the world doesn't need any more arguments that Young was a proto-punk; what the world does need is at least a dozen more releases from Neil's archives! And hopefully, with this awesome live album, the floodgates have truly been opened and there are many more to come, in the vein of Dylan's Bootleg series. This disc is worth it alone for the version of "Wondering," a tune not officially recorded until many years later in Neil's weird '80s rockabilly phase. --Mike McGonigal

Album Description

The first release of Neil Young's archive performance series.

Customer Reviews:

Lower the price or finish the show!.......2007-06-09

I don't care how many times I've blasted "Everyone Knows This is Nowhere" and "Down By The River" from this CD and thoroughly enjoyed them or how it's such a great look into a critical period of so many critical periods of such an amazing aritist...it's either over priced or more profoundly too lacking in sheer length. As a Neil fan I had to get it but it's hard not to feel slightly ripped off. Makes me skeptical about buying further such releases.

Don't question the Master and buy it!.......2007-05-30

I also have the 2-10-70 bootleg and feel that a comparison is in order to appreciate this Fillmore show. Neil's very intimate with the crowd at the Cincinatti show, but frustrated at times, even asking two people to be quiet so he can "get into it" for the rest of the audience. Then, at the beginning of the electric set Neil complains about a shock that he's getting from the equipment, and in the middle of "Down by the River" (18 minutes long!) he clearly says "I quit" during the chorus. So, that show is not going to be one of his favorites even if the music is amazing. It is a shame that this Fillmore release is missing the acoustic set and the ubiquitous "Cinnamon Girl" closer, which I heard was not as well preserved. However, what is here is the best sounding live Neil you have ever heard! It's not just the quality of the recording, either, which is rich, but the band itself. Let's take the "River" as our vehicle of comparison. Neil's voice has more inflection, his solos are more varied and aggressive, and despite being 12 minutes long it is a superior version. Also, instead of "It Might Have Been" from Cincinatti we get "Cowgirl" which blows the studio version away. Obviously, Neil felt better at the Fillmore show, so don't question the Master and treat yourself.

Live at the Fillmore East - Classic Crazy Horse.......2007-05-13

If you want a piece of Neil Young and Crazy Horse History, this is the ticket. Sure it might not be the whole concert and it is short compared to most CDs today, but I'll take quality over quanity anyday! The sound quality is fantastic!

Neil Young and Crazy Horse Live at Fillmore East .......2007-05-06

Neil Young and Crazy Horse are brilliant. It is a live version of " Everybody Knows this is Knowhere" The version of "Winterlong" is superb" There is little crowd noise. I would have enjoyed more tracks on the CD. All in all well worth the purchase price

Long Lost Neil Young Live Returns and SHINES!.......2007-04-12

Amzing this collection is. A must have along with Live at Massey Hall. Neil sounds like you remember especially if you saw him with Crazy Horse at the late Bill Graham's Fillmore East a favorite with the hippies in New Yorks Greenwich Village in the late sixties time of flower and beads! . A young Neil Young voice, rather than the mature version that comes with age and mileage. An incredible collection of well produced and well performed live tracks that can only bring you back to thw Woodstock era. Well worth the listen!

Average customer rating: I just spent seven bucks too much for this edicion MUY, MUY recomendable!! How Alvin Lee should be heard Ten Years After - 'Live At The Fillmore East' (Capitol) 2-CD Ten Years After Live

Live at the Fillmore East Ten Years After Manufacturer: Capitol ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Blues Rock | Rock | Styles | Music General | Rock | Styles | Music General | Live Albums | Rock | Styles | Music General | Hard Rock & Metal | Styles | Music Hard Rock | Hard Rock & Metal | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: Pure Blues Performance: Rockin' the Fillmore A Space in Time Cricklewood Green Anthology 1967-1971 ASIN: B00005K1ZD Release Date: 2002-01-08

Tracks:

1. Love Like A Man
2. Good Morning Little Schoolgirl
3. Working On The Road
4. The Hobbit
5. 50,000 Miles Beneath My Brain
6. Skoobly-Oobly-Doobob/I Can't Keep From Crying Sometimes/Extension On One Chord

Tracks:

1. Help Me
2. I'm Going Home
3. Sweet Little
4. Roll Over Beethoven
5. I Woke Up This Morning
6. Spoonful

Amazon.com

With its devotion to '50s rock and blues coupled to a manic, if decidedly middlebrow performance tack, Ten Years After could seem positively Jurassic, even by late-'60s standards. This collection culls magnificently recorded performances (kudos to Hendrix/ELP engineer Eddie Kramer) from a February 1970 weekend stand at the Fillmore East, capturing the band at its post-Woodstock performing peak. The running times of most of the tracks (three-quarters of which clock in at seven-plus minutes) will tip listeners to the show's jam-heavy take on covers of Sonny Boy Williamson (an ominous, revamped "Good Morning Little Schoolgirl"), Willie Dixon (a slow, 16-minute burn through "Help Me"), and Chuck Berry (atypically economic romps of "Sweet Little Sixteen" and "Roll Over Beethoven"). But with the band's own primordial originals (the titles "Skooby-Oobly-Doobob" and "Extension on One Chord" speak for themselves) there's an elemental, effusive--and, dare we say it--Ramones-like stoopidity to the tracks. Even Alvin Lee's trademark fret-burner "I'm Going Home" is hard to resist. This set perfectly captures one of the era's hardest working bands in a concise, double-disc time capsule. --Jerry McCulley

Album Description

UK live compilation for the British blues-rock quartet. Featuring 12 tracks recorded during two nights at the legendary venue, September 27th & 28th 1968. Highlights include, 'Spoonful' & 'The Hobbit'. 2001.

Album Details

Double disc digitally remastered set from Alvin Lee & Co.'s heyday. These recordings from the classic Fillmore East venue showcase the band at their best from their formative years. Includes 'The Hobbitt', which appeared in an evolved form on the 'Recorded Live' album many years later as well as 'Spoonful', 'Good Morning Little Schoolgirl', 'Sweet Little Sixteen', 'I'm Going Home and so many more. Essential for fans of boogie rock!

Customer Reviews:

I just spent seven bucks too much for this.......2007-05-02

which really, really bites. The sound quality is great. The band is tight. Just keep in mind that Alvin Lee has one solo that he plays in every frickin' number the band does. You'll know it when you hear it, trust me. The songs themselves are great, and of course Lee is a tremendous guitarist, but Ritchie Blackmore he ain't. Still, if you were to make a choice between this and "Recorded Live," take this. I've always thought "Recorded Live" sounded uninspired, mostly. This has got many of the same pieces, but done better. You don't get "Choo Choo Mama," but you get a much better "Hobbit" and an "I can't keep from crying" that doesn't sound like it was recorded under a bathtub full of water.

edicion MUY, MUY recomendable!!.......2007-03-02

lo mejor que alguien puede hallar en una placa en vivo es esa sensacion de "haber estado alli" y con estos 2 discos te aseguro que la sentis! gran sonido, grandes canciones, una guitarra fuera de control pidiendo pista...crudeza y sentimiento autentico...el fraseo y la garra de alvin lee son impresionantes..booklet digno con el relato de esas actuaciones...concluyendo, una edicion gratificante, que nos regala la actuacion de una banda que seguramente merecio mejor suerte que la que tuvo!!

How Alvin Lee should be heard.......2007-01-09

Alvin Lee had his own sound and if you are old enough to remember it, get this cd and remember the high--if you have never heard Alvin Lee on guitar you are missing the rocker before Mark Knofler. They even due spoonful.

Ten Years After - 'Live At The Fillmore East' (Capitol) 2-CD.......2006-12-04

Fantastic two disc archive live release from a true music legend,the British blues rockers Ten Years After. 'Live At The...' took place over a two-night stand on September 27-28,1968.My only regret is not ONLY wasn't I there myself,but I've never seen these guys play live.Twelve track concert,with a duration of a little under two hours.You can't go wrong by picking up a copy of this title. Sound quality is great.Also priced pretty nice. Most memorable cuts are "Love Like A Man", "50,000 Miles Beneath My Brain" (one of my personal favorites), the bluesy (also fun)"Skoobly-Oobly-Doobob", "I'm Going Home", "I Woke Up This Morning" and their two Chuck Berry covers, "Sweet Little Sixteen" and "Roll Over Beethoven". Would make a great gift for an old school fan. Highly recommended.

Ten Years After Live.......2005-12-23

This is one of the best live albums that I have. Alvin Lee is one of the must unterrated lead players in the world. His solo on HELP ME is simply the best the speed that he plays some on some of the songs is breath taking. Their verson of SPOONFUL is better then CREAM did on their live album. You can't go wrong buying this album. Also I would compare Alvin Lee's lead playing to Jimmi Hendrix and Eric Clapton any time He is one of the best in the world.

Average customer rating: jimi hendrix live at the filmore east cd Essential if you already have Band of Gypsys 1 No Need to be Wary At All! Varying performances and quality, but good overall! ANOTHER GREAT LIVE COMPILATION BY HENDRIX'S "BAND OF GYPSYS!"

Live at the Fillmore East Jimi Hendrix Manufacturer: Experience Hendrix ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | R&B | Styles | Music Blues Rock | Rock | Styles | Music General | Rock | Styles | Music Guitar Gods | Rock Guitarists | Rock | Styles | Music Rock Guitarists | Live Albums | Rock | Styles | Music General | Live Albums | Rock | Styles | Music General | Hard Rock & Metal | Styles | Music Hard Rock | Hard Rock & Metal | Styles | Music Psychedelic Rock | Classic Rock | Styles | Music Album-Oriented Rock (AOR) | Classic Rock | Styles | Music General | Live Albums | Classic Rock | Styles | Music General | Classic Rock | Styles | Music Pop Rock | Pop | Styles | Music Pop | Styles | Blowout Music | Stores | Music Classic Rock | Styles | Blowout Music | Stores | Music Rock | Styles | Blowout Music | Stores | Music Alternative Rock | Styles | Blowout Music | Stores | Music R&B | Styles | Blowout Music | Stores | Music Hard Rock & Metal | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Jimi Hendrix: Live At Berkeley Band of Gypsys BBC Sessions Live at Woodstock First Rays of the New Rising Sun ASIN: B00000I5JT Release Date: 1999-02-23

Tracks:

1. Stone Free
2. Power Of Soul
3. Hear My Train A Comin'
4. Izabella
5. Machine Gun
6. Voodoo Child (Slight Return)
7. We Gotta Live Together

Tracks:

1. Auld Lang Syne
2. Who Knows
3. Changes
4. Machine Gun
5. Stepping Stone
6. Stop
7. Earth Blues
8. Burning Desire
9. Wild Thing

Amazon.com

Though it was made largely to help disentangle Hendrix from a thorny contractual dispute, 1970's live Band of Gypsys LP--six tracks pulled from four concerts recorded over New Year's Eve and Day in 1969-70--stands as one of Hendrix's most remarkable guitar statements, and an integral part of his recorded legacy. This two-CD set accounts for a large portion of the remainder of those concerts, and though uneven and ragged in spots, it offers some minor revelations. Highlights include a stunning jam in a revamped "Stone Free," "Auld Lang Syne" as only Hendrix could have played it, a playful "Who Knows" with an improvised New Year's lyric, alternate versions of the guitar showcases "Machine Gun" and "Voodoo Child (Slight Return)," and a downright weird "Earth Blues." Drummer Buddy Miles (with bassist Billy Cox, the Band of Gypsys in full) takes the spotlight on the funky--if very out-of-tune--"Stop." Clearly, Hendrix did well to select the cream of these gigs for the far more consistent original Gypsys album. Still, as his legend deepens, thirsty Hendrix devotees will find plenty of refreshment here. --James Rotondi

Customer Reviews:

jimi hendrix live at the filmore east cd .......2007-06-30

ook if u are a fan of hendrix u already own this u proly already own the band of gypsys on record to its the same show with more songs better one would think it would be i gess he did three or to shows there this is only the highlights come on theres more stuff in the vaults if other bands can relases the full live cd then why cant hendrix like i said get it if u are a fan if not then pick up band gypsys

Essential if you already have Band of Gypsys 1.......2007-04-02

I don't understand some of the low votes for this great album, even if some just don't like the editing. As others have said, bootlegs exist for those who want the shows in their entirety but this more commercially viable 2 CD set provides a sensible alternative. Because it is so much longer than the original classic, which also has a version of 'Machine Gun' which is undisputably better, it does not seem to have the same impact as that one does, but the music's just as good, if unsurprisingly with a different, but equally good sound mix. I'm surprised at complaints about sound quality. I have hundreds of live music CDs from this era and the sound quality is up there with the best. To anyone considering getting this, first try the original Band of Gypsys, preferably the 3 track extended version if you can track it down without paying too much. As it's a matter of taste, and many people who enjoy plenty of other Hendrix concerts may not like this one, see if you enjoy the single disc first before investing in this one. And if you're not outraged by the sound quality of the 3 bonus tracks (I believe 'Hear My Train' was lifted from videotape) of the original, you'll be more than pleased with the sound quality here.

I'm astonished that some people criticize the fact that some songs on the first album are not on this one. I would have been annoyed to find too much overlapping of songs on the 2 releases, and the choice as to whether to put an unheard version of a song on the album as opposed to a classic version available everywhere for over 30 years should be a no-brainer.

Whatever one may say about Buddy Miles, whose singing personally I find great but vocal scat singing and screaming intrusive, the fact is that there is far greater, more sophisticated playing from Hendrix here than on many earlier Experience concerts like Monterey for example, which were really exciting visual experiences but whose audio tracks may not contain as much great playing as a show when he was focusing more on the audio than the visual side. Even the version of 'Wild Thing' presented here has more in it musically than the early ones.

Some may have problems with Experience Hendrix, but one must admit that their releases have been light years ahead of most of those released since Hendrix died. Remember the awful mixes and edits of the Alan Douglas era, the space cadet liner notes of Michael Fairchild, Douglas's sidekick who wrote a book that pulls quotes out of Hendrix songs to prove that Jimi was on a mission to Earth to warn us of our impending destruction by a giant asteroid, and even some of the weird cover art. Now we have great clean mixes, no horrible echo or obtrusive studio effects, sensible informative liner notes, and great photos and overall artistic sensibility, extending also to their Dagger Records range of releases. So thank you Experience Hendrix, you're doing a great job, and are criticized only by those who have forgotten or have no memory of how the Hendrix legacy was handled in the past.

No Need to be Wary At All!.......2006-12-21

I put off buying this CD because of the negative reviews I had read. What a load of rubbish.

Band of Gypsys is one of the great live recordings released in the 60's and 70's. I always loved the Gypsys rhythm section as opposed to the Experience and always wanted to hear more from this line-up. On these Fillmore concerts, Buddy Miles is right there on the beat, there's no hesitation, no pussyfooting around, he's commital and right there on the beat, rock steady - folks in the Hendrix circle used to call him "the funky cememt mixer". Anyway, I figured if Band of Gypsies was so stunning, how bad could the out-takes from these concerts be?

I'm really amazed that it took until 1999 to get this material out to the public, especially considering all the marginal material that was peddled off to the fans. This is a great, great find for Hendrix fans. If you enjoyed Band of Gypsys then you definitely want to purchase this. I really have no criticisms at all. I am "tickled" that this is so good. Sure, Machine Gun isn't quite up to the same standard as the landmark version that appeared on Band of Gypsys, but both versions are still good. Stone Free is incredible, the "New Rising Sun" material sounds great live and the band is very tight. The Gypsys are a far tighter sounding band than Experience sound on their live releases. This is not just a jam band folks. Michael Jeffries was a complete idiot for working to destroy this lineup.

Let's face it, Jimi's live releases, apart from Band of Gypsys, are very much hit or miss affairs, track back track, CD by CD. Band of Gypsys is the fantastic exception and Live at The Fillmore isn't that far off the mark. It's grrrrrrrrreat! Buy at once!

Varying performances and quality, but good overall!.......2006-12-13

"Live at the Fillmore East" was one of those long-awaited purchases for me. After having heard "Band of Gypsys" almost 20 years ago on cassette and again on CD, I was excited to hear about the release of more footage from one of my favorite concerts ever.

When I finally did get it, I felt disappointed at first. Edits sounded clumsy, the microphones are way off on some tracks (because of technical problems, I learned later), and the performances are variable or take some getting used to, at least.

Highlights: my favorite is the jam on "Auld Lang Syne", even though the sound quality is bad and takes some getting used to, Jimi and company bring the 1970's to New York in style. "Hear My Train A Comin'" is the most intense version I've heard yet of Hendrix's deeply personal song, and "Izabella" has more life than his version from Woodstock. "Who Knows" takes some getting used to if you've heard the excellent version on the "Band of Gypsys" CD, because it departs quickly into a jam session, with Jimi even apologizing to the crowd. But on its own, no apologies are necessary, and you call tell that the band is tight and having fun. "Stepping Stone" also translates well with vibrant intensity on stage.

Indifferent: Two versions of "Machine Gun" are interesting to hear, and good performances, but nowhere near the version on Band of Gypsys. (Then again, how can you come close to that definitive version?) "Earth Blues", "Stop", "Voodoo Child" and "Changes". The last one ("Changes") starts and sounds almost identically to the "Band of Gypsys" CD version until it reaches a part where Buddy Miles improvises vocals. I prefer the other version with fewer vocals.

Not so good: Sound quality and the remaining tracks. Even the weakest songs aren't that bad though.

Overall, I have to say that I prefer the Band of Gypsys ensemble over The Experience. Nothing against Noel Redding or Mitch Mitchell, but Billy Cox and Buddy Miles provided a more cohesive sound and I always got the impression that Hendrix-Miles-Cox love the blues, which is a must if you were to play with Hendrix. In addition, with the Band of Gypsys group, the music is more 'simple' (if you want to call it that), but it is the music, rather than showmanship, that take center stage. I think that Buddy Miles made an excellent foil to Hendrix, with the additional talent of having lead and backup vocals that worked well with the music, allowing Hendrix to focus more on his guitar.

I'd recommend this to fans of later Hendrix, but I'd recommend people to get the "Band of Gypsys" CD first, since it contains the definitive performances and is also less expensive, being one disc versus two. Only then should you venture into "Live at the Fillmore East", and with the strong caveat that the sound travels into uneven territory that is unexpected from a digitally remastered release.

ANOTHER GREAT LIVE COMPILATION BY HENDRIX'S "BAND OF GYPSYS!".......2006-10-03

I will be doing a review on the legendary historic landmark 2-CD live compilation set entitled "Jimi Hendrix - Band Of Gypsys - Live At The Fillmore East" by the late great guitar legend Jimi Hendrix. As always, I will be editing this review from time to time so that you the consumer will get the best and most accurate review possible. In case you haven't read my previous review on the "Band Of Gypsys" DVD documentary, this is actually a continuation review of the "Band Of Gypsys" saga, this time focusing and highlighting on some of Jimi's unreleased song performances that were performed "Live At The Fillmore East" on 31 December 1969 and 1 January 1970. This latest 2-CD set, like the DVD documentary, were both separately released in 1999 and includes additional unreleased song performances that were not included in the original partial six song live compilation released in 1970 entitled "Hendrix - Band Of Gypsys." In case you don't remember, there was another live compilation (a sequel) of additional unreleased performances that was released by Capitol Records on vinyl and cassette in 1986, but not on CD, entitled "Jimi Hendrix - Band Of Gypsys 2."

With this new latest 1999 2-CD live compilation collection, along with the original 1970 and the then latest 1986 collection, these new unreleased performances shed a new light in the "Band Of Gypsys" saga and legacy resulting in bringing these partial Fillmore East concerts to life. With this being fact, these newly released performances add much more to the "Band Of Gypsys" legend and is clearly becoming more evident of being a truer testament in showing the further advancement of the band's fully creative side while performing live, in how mixing and combining Rock n' Roll, Soul, R&B, Blues and Funk can result in a new powerfully explosive sound of music.

Before I go any further, I would like to go way back to the beginning. In my DVD documentary review, I have stressed many contributing factors on the ideas and beginnings resulting in the birth and formation of the "Band Of Gypsys," along with the many contributing factors and incidents that would fatally prove disastrous and eventually break up the "Band Of Gypsys." In this latest 2-CD release, I will go further and stress another important contributing factor that was not discussed in my previous DVD documentary review. This is another one of many contributing factors that would result in the birth of the "Band Of Gypsys."

According to numerous Hendrix biographies and the attached liner booklet that accompanied this 2-CD live compilation set, the genesis, the root of the beginning that started all of this actually evolved from a serious problem Jimi neglected which began back in 1965. In 1965, Jimi was then, a typical hungry musician, who would sign any contract or any piece of paper in hopes that it would further advance his career. Having signed numerous contracts and many pieces of paper to many, unfortunately, for Jimi, there was one piece of paper that Jimi signed that would haunt him after he became famous. Since Jimi did not fulfill his obligations with this particular company, as was the case for the many others Jimi forgot about, the plaintiff's and attorneys representing this opposing company would file a lawsuit against Jimi demanding satisfaction. With this lawsuit pending, Jimi figured that the only way to resolve and settle this lawsuit was to give them something that would satisfy and resolve this issue. With this in mind, Jimi would contact and approach his long time friend and Army buddy named Billy Cox and explained what had happened. It was at this point, when it was decided by Jimi to settle out of court by giving the company plantiff's a new studio album recording for them to release. Cox's reply to this statement was, "lets go for it!" Also during this time, while Hendrix and Cox were discussing these matters further into details, and Jimi's Drummer Mitch Mitchell taking a break in England, Buddy Miles was a frequent visitor as well as a spectator in the studios with Jimi and Billy. When Miles was told about Jimi's misfortunes and his circumstances surrounding his situation, Miles decided the same fate and results as Billy. Miles reply was, "lets help our friend in need." With Jimi sharing and explaining his new ideas for a new sound with Cox and Miles, the two would agree on liking Jimi's new ideas and would help in fulfilling these goals by playing a mixture and a combination of Rock n' Roll, Soul, R&B, Blues and Funk. With these new goals and the stage now being set, this newly born trio would eventually become known as, the "Band Of Gypsys." With Cox's and Miles' full cooperation and their loyalty to Jimi, Jimi now felt a little at ease and believed that a resolution would soon be in the works in his legal matter.

In order to create this ultimate new sound for this new album, Jimi elected in preparing fresh new original material. Jimi really wanted to record these fresh new original songs in the studio for the sole purpose, and hopes, of fulfilling his legal obligations to this company by giving them a new studio album recording for them to release, and resolve and close this legal matter. But with the Fillmore East shows coming up, preparations such as practicing and rehearsing the new song material as well as the familiar songs for the upcoming shows, and with little time remaining, would soon become the main priority resulting in the postponement of the studio recordings of the new songs and therefore, laid aside.

With Jimi and his Management being harassed and subjected to increasing pressure from the company plaintiff's attorneys, in order to satisfy the Capitol / PPX settlement, a new decision was made by Jimi's Manager Mike Jeffery to record all four of the forthcoming Live Fillmore East Concert Performances. This decision was rendered in hopes of releasing a live compilation album rather than a studio album. With all of this in mind, and showtime about to commence, ALL FOUR concert performances spanning two evenings, were recorded onto tape on 31 December 1969 and 1 January 1970. Sadly, these 2-CD live compilation performances contain only sixteen of the many numerous songs that were performed in those four shows. However, it is also evident that these sixteen live song tracks do clearly audibly indicate and show the brilliance and expertise of some of the new genuine original and well-performed song material besides the regularly well known popular Hendrix songs. These sixteen live song tracks sounded EXCELLENT! The sixteen live song tracks contained and listed in this 2-CD live compilation set are reviewed as follows: DISC 1 (1.) "Stone Free," (1 January 1970, second show) (EXCELLENT SONG!) (2.) "Power Of Soul," (1 January 1970, first show) (EXCELLENT SONG!) (3.) "Hear My Train A Comin'," (31 December 1969, first show) (EXCELLENT WELL PERFORMED slow blues song!) (4.) "Izabella," (31 December 1969, first show) (EXCELLENT SONG!) (5.) "Machine Gun," (1 January 1970, second show) (one of the very first live recordings of this legendary song. It is a POWERFUL and EXPLOSIVE song WELL PERFORMED! EXCELLENT! OUTSTANDING! As I've stressed in my other past reviews concerning this legendary song, I've described this song in this manner; "Jimi actually presents and brings the Vietnam war to the Fillmore East audience crowd resulting in firing rounds of machine gun bullets through his powerfully explosive and violent guitar and ending with an EXCELLENT BREATHTAKING GUITAR SOLO from Jimi.") (6.) "Voodoo Child" (Slight Return) (1 January 1970, second show) (an EXCELLENT VERSION of one of my favorites) and (7.) "We Gotta Live Together." (1 January 1970, second show) (EXCELLENT SONG! WELL PERFORMED!) DISC 2 (1.) "Auld Lang Syne," (31 December 1969, second show) (Well performed the Jimi Hendrix and "Band Of Gypsys" way) (2.) "Who Knows," (31 December 1969, first show) (EXCELLENT! OUTSTANDING! GREAT SONG!) (3.) "Changes," (31 December 1969, first show) (EXCELLENT SONG!) (4.) "Machine Gun," (31 December 1969, second show) (another EXCELLENT WELL PERFORMED VERSION. Refer to DISC 1 for my review of the other version of "Machine Gun." My opinions of these two songs are the same. This version is also EXCELLENT! OUTSTANDING!) (5.) "Stepping Stone," (1 January 1970, first show) (EXCELLENT SONG!) (6.) "Stop," (1 January 1970, first show) (another EXCELLENT SONG!) (7.) "Earth Blues," (1 January 1970, second show) (another EXCELLENT SONG!) (8.) "Burning Desire" (1 January 1970, first show) (EXCELLENT SONG!) and (9.) "Wild Thing." (1 January 1970, second show) (the Troggs classic song performed the Hendrix and "Band Of Gypsys" way. an EXCELLENT WELL PERFORMED VERSION!)

As story has it, and according to the attached CD liner notes and numerous Hendrix biographies, Technical problems RUINED the two New Years Eve concerts. A malfunctioning microphone at the outset of the first show rendered energetic versions of "Power Of Soul" and "Lover Man" UNUSABLE. Similar problems hampered the start of the second concert set, compromising the fidelity of the "Auld Lang Syne / Who Knows" medley. Nonetheless, these minor trifles made little impact on Jimi and the "Band Of Gypsys."

In closing, My DVD documentary review stressed on the MANY main incidents and problems that resulted in disasters and the MANY contributing factors which would lead Jimi into a deep depression and therefore, begin his demise and decline of his health. Sadly, the "Band Of Gypsys" era would prove to be , SHORT LIVED, courtesy of the EVIL CROOKED PLOTTED SCHEMES of Jimi's Manager, Mike Jeffery. It may have also been at this point; (despite all of the incidents and disasters that unfolded in the past, the most recent and the MANY NUMEROUS ones STILL TO COME) that bitter tensions and bad differences would develop, intensify and continually worsen the relationship between Hendrix and Jeffery. Despite all of the tensions and disasters, Jimi Hendrix IS STILL UNDOUBTEDLY, THE GREATEST GUITARIST THAT EVER LIVED. Also, despite being held back and limiting his masterful creativity by Jeffery, Jimi STILL PERFORMED AND PLAYED HIS GUITAR AT A PEAK UNMATCHED BY MANY OF THE GREAT GUITAR LEGENDS. Jimi Hendrix is quite simply, EXTREMELY RARE, UNIQUE AND IRREPLACEABLE. Jimi Hendrix's mark in Rock n' Roll history is FOREVER SECURED. There will NEVER be another Jimi Hendrix. Thanks for your time in reading my long lengthy review and I hope you enjoyed reading it as much as I enjoyed writing it for all of you. I also hope that you will read all of my other reviews in the near future when time permits. JIMI LIVES! LONG LIVE ROCK N' ROLL! Rock out always. Take care, J.L.

Average customer rating: THE BEST RE-RELEASED ISSUE OF THE LEGENDARY FILLMORE EAST CONCERTS TO DATE. The Allman Brothers Band at their peak!!! Should be more than 5 stars- greatest live album of all time Good stuff from the Allmans One of the greatest...

At Fillmore East The Allman Brothers Band Manufacturer: Island / Mercury ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Jazz | Styles | Music Blues Rock | Rock | Styles | Music General | Rock | Styles | Music Rock Jam Bands | Jam Bands | Rock | Styles | Music General | Rock Guitarists | Rock | Styles | Music General | Live Albums | Rock | Styles | Music General | Hard Rock & Metal | Styles | Music Hard Rock | Hard Rock & Metal | Styles | Music Southern Rock | Classic Rock | Styles | Music Album-Oriented Rock (AOR) | Classic Rock | Styles | Music Pop Rock | Pop | Styles | Music Slide Guitar | Blues | Styles | Music Similar Items: Live at the Atlanta International Pop Festival: July 3 & 5, 1970 Eat a Peach Live at Ludlow Garage 1970 Beginnings An Anthology ASIN: B0000ADY9I Release Date: 2003-09-23

Tracks:

1. Statesboro Blues
2. Trouble No More
3. Don't Keep Me Wonderin'
4. Done Somebody Wrong
5. Stormy Mondy
6. One Way Out
7. In Memory Of Elizabeth Reed
8. You Don't Love Me
9. Midnight Rider

Tracks:

1. Hot 'Lanta
2. Whipping Post
3. Mountain Jam
4. Drunken Hearted Boy

Album Description

Made up of two 1971 (March 12 & 13 along with June 27) visits by Les Brers to New York, 'The Allman Brothers Band at Fillmore East' has long been regarded as one of rock's great live albums, but portions of those legendary performances have also wound up on albums like 'Eat A Peach' (the awesome, half-hour 'Mountain Jam') & the Duane Allman anthology. Now, for the first time, all recordings (in their original mixes) lifted from the Fillmore East dates have been assembled together into a two disc double gatfold digipak package with a slipcase boasting rare photos, notes & over two hours of some of the finest musicianship & improvisation in all of rock. 13 tracks. Mercury.

Customer Reviews:

THE BEST RE-RELEASED ISSUE OF THE LEGENDARY FILLMORE EAST CONCERTS TO DATE........2007-03-26

I will be writing a review on the legendary historic live Two-CD Deluxe Edition set album entitled "THE ALLMAN BROTHERS BAND AT FILLMORE EAST" by one of Rock's most greatest legendary bands ever. I give you one of America's favorite sons and one of Jacksonville, Florida's pride and joy's, THE ALLMAN BROTHERS BAND. "THE ALLMAN BROTHERS AT FILLMORE EAST" was originally released in 1971 on Vinyl/LP and 8-Track on the Capricorn Records label. This new special Two-CD Deluxe Edition was originally re-released in 2003 on the Mercury Records Label in association with The Island Def Jam Music Group which is distributed by Universal Music & Video Distribution Corp. As always, if I hear any new additional information concerning this legendary live album or the artist, I will edit this review immediately so that you the consumer will get the best informative and most accurate review possible.

THE ALLMAN BROTHERS BAND are truly one of the early pioneers of Southern Rock music joining the ranks of legendary bands such as LYNYRD SKYNYRD, THE CHARLIE DANIELS BAND and THE MARSHALL TUCKER BAND. When brother's Gregg Allman on organ, piano and vocals and the late great Duane Allman on lead and slide guitars met up and joined forces with Dickey Betts on lead guitar, the late great Berry Oakley on bass, Jai Johanny "Jaimoe" Johanson on drums, congas and timbales and Butch Trucks on drums and tympani, the line-up would be complete and THE ALLMAN BROTHERS BAND would be born to Rock. The band would release two albums prior to "THE ALLMAN BROTHERS AT FILLMORE EAST" album to critically high acclaim raves. But it was live in concert that THE ALLMAN BROTHERS band would really get the lead out and shine resulting in raising the south and making it proud. In my opinion, "THE ALLMAN BROTHERS AT THE FILLMORE EAST" is one of the greatest concerts and live albums ever recorded. This legendary concert is another one of Rock's greatest moments during one of Rock's finest hours. It is also my opinion that this legendary concert stands as a true testament of the greatness and musical genius of six extremely talented individuals and a fine fitting tribute to a great band that was indeed, ahead of their time.

It is now time to let the Rock n' Roll music speak for itself and do all of the talking. PLEASE NOTE: THIS IS ANOTHER GREAT LIVE ALBUM THAT SHOULD BE PLAYED EXTREMELY LOUD. DISC ONE of this legendary live album begins with the blasting Southern Blues Rocker "Statesboro Blues," the fast paced Southern Rocker "Trouble No More," the blistering killer Southern Rocker "Don't Keep Me Wonderin'," the incredible Elmore James rendition Blues classic "Done Somebody Wrong," the slow and beautiful T-Bone Walker rendition Blues classic "Stormy Monday," the legendary groundbreaking Southern Blues Rocker "One Way Out," the thirteen minute slow soothing and beautiful Southern Rocker "In Memory Of Elizabeth Reed," the breathtaking nineteen minute Southern Rocker "You Don't Love Me" and the forever amazing ALLMAN BROTHERS trademark mild Southern Rocker "Midnight Rider." END OF DISC ONE.

DISC TWO begins with the guitar screeching and blasting "Hot 'Lanta," the twenty-three minute merciless killer Southern Rocker "Whipping Post," the unbelievable thirty-four minute Jazz and Southern Rocker "Mountain Jam" and the slow Blues number "Drunken Hearted Boy." May I also add that Duane Allman's blistering slide guitar playing is the true stuff of legend. Also, both Duane Allman's and Dickey Betts' blistering guitar licks and riffs were sizzlin' red hot and on fire during the recording of these live shows. YOU HAVE TO HEAR THIS CONCERT TO BELIEVE IT.

Overall, this is one hell of a legendary live album worth seeking further into and checking out especially if you are a diehard ALLMAN BROTHERS BAND fan or a devout music collector. As for the newcomers or new beginners to the sound and music of THE ALLMAN BROTHERS BAND, I would definitely buy this album. YOU WON'T BE SORRY.

I would like to highly recommend purchasing this legendary historic live album to own a valuable and important part of his or her own personal music collection. This legendary live album has already proven to stand the test of time and will always be around to be enjoyed, appreciated and cherished for many years to come, NOW AND FOREVER. This is one great live album that no music fan or devout music collector would want to be without.

In closing, "THE ALLMAN BROTHERS BAND AT FILLMORE EAST" would be released to highly critical acclaim and be hailed as one of the greatest live albums ever recorded. At this point in the band's career, all was well in THE ALLMAN BROTHERS BAND until tragedy struck. Following the release of their live album, guitarist Duane Allman would die in a motorcycle accident on 29 October 1971. To make matters worse, the following year, bass player Berry Oakley would also die in a motorcycle accident on 11 November 1972. However, THE ALLMAN BROTHERS BAND would persevere and carry on in order to keep the memory and legend alive of both Duane Allman and Berry Oakley. THE ALLMAN BROTHERS BAND have continued to release new albums and perform to sell out audiences the world over to this very day. In 1995, THE ALLMAN BROTHERS BAND received the highest ultimate honor of being inducted into the Rock n' Roll Hall Of Fame. With that in mind, THE ALLMAN BROTHERS BAND has left their mark in Rock n' Roll history and will never be forgotten. So here's to you late great Duane, Gregg, Dickey, late great Berry, Jaimoe and Butch. Thanks for the great memories. Keep Persevering. Keep The Faith. DUANE ALLMAN LIVES. BERRY OAKLEY LIVES. And as the saying goes, "AND THE REST IS ROCK N' ROLL HISTORY," need I say more? Thanks for reading my review and I hope you have enjoyed reading it as much as I have enjoyed writing it for your reading pleasure. I also hope that you will read all of my other reviews in the near future when time permits. THE ALLMAN BROTHERS BAND RULES. R.I.P DUANE ALLMAN, Born 20 November 1946, Died 29 October 1971 at age 25. Also R.I.P BERRY OAKLEY, Born 4 April 1948, Died 11 November 1972 at age 24. Long Live Rock n' Roll. Rock out always and take it easy. Forever In Rock, John L.

The Allman Brothers Band at their peak!!!.......2007-02-14

"The Allman Brothers Band at the Fillmore East" has been long regarded as one of the greatest live albums of all time. Indeed by the time 1971 rolled around, the ABB was on a musical roll honening their musical chops to perfection. When they hit the Fillmore East for the recording of this album, the band was definitely on fire.
The original release of the "Fillmore East" album (which is still available as a single CD) includes seven of the best tracks from these concerts. Later on, more music from the Fillmore concerts showed up on subsequent albums and compilations - notably 1972's "Eat A Peach". Now, with the release of the two-disc "Deluxe Edition", all of the music released from these historic performances are together in one place. While this shouldn't be taken as a complete concert (which by the way is not), it's truly the music that matters.
The Allmans' blues chops are in full force here as represented by the opening five tracks - among them being "Statesboro Blues", "Trouble No More" and "Stormy Monday". Duanne Allman's slide guitar work is at its best here and brother Gregg's soulful vocals never falter.
As the music progresses, so does the flawless musicianship within the band. The 13-minute "In Memory Of Elizabeth Reed" and the 19-minute jams of "You Don't Love Me" offer a glimpse of what's to come in the second half of the collection. By the time we get to disc two, the band is smokin' with the instrumental tour-de-force "Hot'lanta" and the relentless 23-minute concert staple "Whipping Post" which leads directly into the monumental 33-minute "Mountain Jam". As mentioned above, the Deluxe Edition does not present a complete concert but the way it's sequenced creates the illusion that the band were warming up at the beginning just to pull out all the stops at the end. Honestly, by the end of this edition, they certainly do.
The sound quality of the Deluxe Edition is amazing with an extra added crack to the drums and bite to the guitars. The packaging is pretty impressive as well with several great photos of the band onstage and some brief but insightful liner notes from music critic Dave Thompson.
Whether or not the Deluxe Edition of The Allman Brothers at the Fillmore East is definitive over the original album is a matter of opinion and preference. However, one cannot deny that regardless of which edition you buy, there is some flawless and amazing music here no matter what.

Should be more than 5 stars- greatest live album of all time.......2006-12-10

First off, I'm not a kid, I just don't want to get an account
And second, this is a great album, one of the greatest live albums of all time.
The album alternates between long jams (Whipping Post, Mountain Jam, You Don't Love Me, In Memory of Elizabeth Reed) and shorter intense songs (Statesboro Blues, Trouble No More, Hot 'lanta, Done Somebody Wrong, One Way Out)
The original Fillmore Album had just seven songs, Statesboro Blues, Done Somebody Wrong, Stormy Monday, Elizabeth Reed, You Don't Love Me, Hot 'lanta, and Whipping Post. All of them showcase the amazing guitar abilities of both Duane Allman and Dickey Betts. On "Whipping Post" each of them take a long solo that slowly builds to a furious crescendo, with Duane especially seeming to pull freakish notes out of nowhere. One of the few songs that he actually plays with straight guitar, rather than his normal slide guitar.
"Statesboro Blues" is one of the best examples why he was a great slide guitarist. It opens this album and the original. Not a studio song on any album, it was nonetheless a concert favorite. Rolling Stone magazine called it Duane's signature song on guitar in their 100 Greatest Guitarists magazine (they ranked him #2) If you're not really sure what the slide guitar should sound like, listen to this beatiful, fiery rendition.
"Stormy Monday" is a slow blues that showcases not only the dual guitarists' superpowers, but Greg Allman's blues sensibilities. He sings this blues classic with conviction, and this song has one of Dickey Betts' best guitar solos.
"Hot 'lanta" is a great instrumental with great instrumental work from everyone in the band, including the two drummers, Jaimoe and Butch Trucks.
"Done Somebody Wrong" is solid as well, a song that really characterizes what the Allman Brothers were all about.
"In Memory of Elizabeth Reed" is a 13 minute instrumental written by Dickey Betts. The opening lines of the song are especially mesmerizing, with Duane and Dickey each turning in mindblowing guitar solos, with Duane especially ripping off notes like they were the last notes he would ever play.
"You Don't Love Me" is a long 19 minute boogie jam. Out of all the longer jams, this is my least favorite, but it is still quite excellent. I do think however it should have stopped about 7-8 minutes in. But it still very good, just not the best on the album.
The Deluxe edition of Fillmore East tacks on extra tracks from the concerts that originally appeared on Eat a Peach, Dreams, and Anthology. The notable addition is the 33 minute "Mountain Jam." Some people might dismiss it as way too long, and I do admit you really have to be in the mood to listen to this song. But it is still a classic example of how the Allman Brothers could sustain a song for a really long time. This song was so long it took up 2 record sides on "Eat a Peach." It contains a really cool double drum solo, an earthquake like bass solo, and really cool guitar solos. One of Duane's trademarks was making his guitar sound like a crying bird, and he does this quite nicely on this track.
"Trouble No More" and "One Way Out" also came from "Eat a Peach" Like "Done Somebody Wrong" I think "Trouble No More" really epitomizes the Southern rock sound of the Allman Brothers Band. "One Way Out" has a nice funky little riff.
"Midnight Rider" is a solid version of one of Greg Allman's most famous songs. "Don't Keep Me Wonderin'" is rockin, and one of the encores, "Drunken Hearted Boy," is haunting, eerie, and awesome.
All in all, get the Deluxe Edition of the Allman Brothers At Fillmore East. YOu won't be sorry. Duane Allman was truly one of the greatest, underrated guitarists of all time. All 6 of them were great. Berry Oakley-Bass guitar, Jaimoe and Butch Trucks- Drums and Percussion, Duane Allman- Lead and Slide Guitars, Dickey Betts-Lead Guitar, Greg Allman- Vocals and Keyboards

Good stuff from the Allmans.......2006-07-31

For those who may have purchased this music when it was first released as an LP or cassette, you'll want this CD with much crisper detail in the delivery. The Allman Brothers Live at the Fillmore is a classic. Any collector will have a CD version of Sgt. Pepper, the Best of the Dave Clark 5, and others but lovers of southern rock put this at top of the list, you'll need to have this live collection from the Allmans. Anyone who saw them in concert, when all the original members were alive, know that 'impromptu" changes in the songs were a trademark of their concerts. Even the longer version songs are a treat to listen to and remain fresh without boredom. This is definitely the best.

One of the greatest..........2005-11-14

Robert Johnson would have been proud... if not a little shocked at how far real southern rock has come since his time.

While there might not be anything new as far as content goes, this CD is the best compilation of all those songs you know and love from The Allman brothers. If you are either new to the Allman Brothers or do not own the other Fillmore releases, this CD is a must buy. Despite some negative reviews regarding the deluxe edition, it sure does have some enhanced sound so this is the CD to buy if you don't own the songs already somehow.

Key songs on the CD include Stormy Monday, Statesboro Blues, In Memory Of Elizabeth Reed (which sounds ten times better than any other release I've heard of it for some reason), and Midnight Rider. Great songs for a great compilation... a bit pricy, I know, but well worth it I assure you!!!

Probably one of the greatest music compilations ever... certainly the best as far as southern rock goes. The second CD is much shorter than the first but includes some extended songs - for example the well-known extended live version of Whipping Post (a song which is downright amazing).

Amazing stuff, much better reviews can be found on the site from music enthusiasts with much more experience in southern rock than I have but all and all this CD was well worth giving my 5 stars.

Average customer rating: A Classic with controversial remixes Classic Album, Poor Packaging, Could have beem better Last reviewer a bit confused FINALLY, in SACD ! Unfortunately it could have been better. The Definitive Version

At Fillmore East The Allman Brothers Band Manufacturer: Island / Mercury ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Blues Rock | Rock | Styles | Music General | Rock | Styles | Music Rock Jam Bands | Jam Bands | Rock | Styles | Music General | Rock Guitarists | Rock | Styles | Music Jam Bands | Live Albums | Rock | Styles | Music General | Live Albums | Rock | Styles | Music General | Hard Rock & Metal | Styles | Music Hard Rock | Hard Rock & Metal | Styles | Music Southern Rock | Classic Rock | Styles | Music Album-Oriented Rock (AOR) | Classic Rock | Styles | Music Southern Rock | Live Albums | Classic Rock | Styles | Music Pop Rock | Pop | Styles | Music Slide Guitar | Blues | Styles | Music Similar Items: Eat a Peach Brothers in Arms Dark Side of the Moon 30th Anniversary Edition Layla and Other Assorted Love Songs Slowhand ASIN: B0002IQAN6 Release Date: 2004-08-24

Tracks:

1. Statesboro Blues
2. Done Somebody Wrong
3. Stormy Monday - The Allman Brothers Band
4. You Don't Love Me

Tracks:

1. Hot 'Lanta
2. In Memory of Elizabeth Reed
3. Whipping Post

Customer Reviews:

A Classic with controversial remixes.......2004-12-19

I cut my teeth on jamming listening to Cream. So the Allmans' Live was not a revelation just a stunning album and purchased on release in Australia. I know it all by heart -just burnt into the synapses.

In 1992 Tom Dowd did a full concert remix and remaster as "The Fillmore Concerts". This is where the controversy starts cause it sounds different and so it should - Tom transferred the original 16 track master tapes to digital and remixed. Taking advantage of the wider dynamic and frequency range, he produced a mix with the bass guitar stronger and drums clearer and more dynamic. Unfortunately the guitar freaks found the relatively lower level guitar sound unacceptable but the bass freaks loved Berry's sound (more bottom end).

Now we have the SACD stereo, multi-channnel and Audio Stereo remaster release of the original 2 record set accurately split over 2 cds. It should fit on one but there is marketing to us baby boomers. But I gotta say they did perform split sets so it does reasonably capture the night.

And more controversy - the stereo CD layer is a remix closer to the original LP release. Drums are further back but the bass guitar bottom end is retained. The tracks are identical to the original release but not on the SACD layer with the Fillmore Concert's "Stormy Monday" used, which is the unedited version including the harmonica break, and a different edit to end "Whipping Post". On the SACD layer the tympany start to "Mountain Jam" is rapidly faded out and applause overdubbed which is annoying if you want the sonic continuity when following up with the jam from the "Eat A Peach" SACD.

Sound of both layers is excellent with SACD preferred because you can adjust the bottom end via the sub control. The surrounds give some reverb and audience noise - "Play all night". The centre has plenty of bass guitar, some drums and some of Greg's vocals (reinforcing the original centre-left positioning of the vocals). I would have preferred the drums a bit higher in the centre.

I can feel the SACD Deluxe "Fillmore Concerts" is on its way - the wallet is already feeling lighter.

Classic Album, Poor Packaging, Could have beem better.......2004-10-15

One of the best live albums of all time, I was hoping for more when they released this as a Hybrid 5.1 SACD.
1) Its now 2 cds again. And you would think they would have 2 seperate holders for the cds. They just piled them on top one another.
2) The surround sounds don't use the backs enough. I think the quality of the recording hinders the effectiveness of surround sound. I never feel like I am at the concert, unlike other surround sound discs.
Update:
I had a problem with the back speakers on my stereo.
Now, it sounds like the audience is behind you.
I now feel like I am at the concert. It's amazing

Last reviewer a bit confused.......2004-09-28

The Fillmore Concerts that came out in the 90's was actually "corrected" from the spliced versions of the original, to include the full, uncut versions. It pretty much is a different album altogether from the first. Both are great, but many would consider the first release to be the definitive and "best" version. There is no grave rolling or shame in releasing this greatest live album of all time in SACD.

FINALLY, in SACD ! Unfortunately it could have been better........2004-09-09

I've been a major fan of The Allman Brothers-Live at the Fillmore since it originally came out in vinyl. The interplay between Duane and Dickie as well as Butch and Jaimoe was unbeatable to this day. I believe in the 90's, the late,great producer, Tom Dowd went through the original master tapes and improved the recording even more by splicing songs together from different performances seemlessly as well as remixing/remastering the entire recording. It also included tracks that originally appeared on EAT A PEACH as well as the song, DRUNKEN HEARTED BOY with Elvin Bishop. All these tracks are missing from the Hybrid SACD version. The titles are as they originally appeared when the lp was first released.
Personally if a cd is going to get the deluxe SACD treatment, it should have had the material that Tom Dowd labored so hard to improve. Now that he's gone he must be spinning in his grave seeing the original recording being used.
Sure sonically it's simply phenomenal but it could've been over 2 1/2 hours long yet the first cd clocks in at about 37 minutes far below the 80 min. capacity of any cd. Universal, the company that distributed the cd should be ashamed. They'd have sold many, many more had they used the aformentioned improved tapes rather than the original. All in all however, it still sounds fantastic but it could've been SO much better.

The Definitive Version.......2004-08-25

I have already posted a review for the normal CD describing my views on this recording. Suffice it to say that this is, in my opinion, the greatest recording by any rock group, and by a considerable margin.

The long-awaited SACD version simply elevates it to another plane -- it is a mesmerizing listening experience that really must be heard to be believed.

If you don't have the equipment to play a multi-channel SACD, buy it. Then buy this SACD and prepare to be amazed.

Average customer rating: Bottom line: DVD is a ripoff A big Improvement Great CD-DVD ??? Some people just don't get it!!!!!!!!!!! A Pretty Good Run

Live at the Fillmore East (CD/DVD) Neil Young and Crazy Horse Manufacturer: Reprise / Wea ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Canada | North America | International | Styles | Music Singer-Songwriters | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Rock | Styles | Music General | Live Albums | Rock | Styles | Music General | Hard Rock & Metal | Styles | Music Hard Rock | Hard Rock & Metal | Styles | Music Album-Oriented Rock (AOR) | Classic Rock | Styles | Music Similar Items: Live at Massey Hall (CD/DVD) Living with War - "In the Beginning" If I Could Only Remember My Name (CD + DVD-Audio) Neil Young: Under Review 1966-1975 Voyage ASIN: B000IU3Y3W Release Date: 2006-11-14

Tracks:

1. Everybody Knows This Is Nowhere
2. Winterlong
3. Down By The River
4. Wonderin'
5. Come On Baby Let's Go Downtown
6. Cowgirl In The Sand

Album Description

The first release of Neil Young's archive performance series. DVD version includes high-resolution audio of album plus a photo montage.

Customer Reviews:

Bottom line: DVD is a ripoff.......2007-06-20

C'mon, get real for a minute. How many of you bought the DVD for the better sound quality? Now, how many of you bought the DVD version simply thinking that it had concert footage (and I don't mean "still" pictures)?

A big Improvement.......2007-05-13

This release is a big improvement to what was already largely available in the bootleg arena. These dates didn't circulate heavy but there was material available from this era. The sounds quality is excellent. Much has been made of the DVD imagery lacking, and it does, its rolling B&W pics. The DVD is all about the sound. The playing is just as good and its really nice to have vintage version of Winterlong and Wonderin'.

Great CD-DVD ???.......2007-05-12

The music's fantastic-the dvd is not much-just the same few photos over & over & over-c'mon!

Some people just don't get it!!!!!!!!!!!.......2007-05-08

All of the people who have dissed the dvd in this set as not being worth it, don't understand what the intent is. it is not a bonus extra with photos on it. it is a higher resolution music version of the cd.
cd's are recorded at 16 bits resolution and at a sampling rate of 44.1khz. the dvd is recorded at 24 bits of resolution and sampling rate of 48 or 96 khz. it does sound better!!!. i understand some people wont care, but for those of us that want the utmost in fidelity will want this version (provided that you have a dvd player instead of a cd player in your "music" system.) neil has been releasing albums in this form since warner brothers dropped the "dvd-audio format"(i wont even go into what that is, suffice it to say another specialized audio format) that neil embraced as well

A Pretty Good Run.......2007-04-30

Neil Young has been having a pretty good run these past few years. First, in the shadow of a medical crisis, Young created PRAIRE WINDS--one of the finest records he ever made and a more fitting companion to HARVEST than the otherwise excellent HARVEST MOON. M.S. then put together a good film of Young and his friends performing and the Ryman in Nashville. (This comes from someone who rarely cares for music videos.) These accomplishments were then followed by the dreadful LIVING WITH WAR.

Whether you share Young's passion or politics, LIVING WITH WAR had all the artistic grace of a political commercial one week before an election. Yes, album was the critics darling and it ended up on several *best album lists* for 2006; but the whole album has none of the power and cogency of Young's 1970 single *Ohio*. The artist is perfectly entitled to act as Young the pamphleteer. Nonetheless there is little of interest that will draw new listeners in the future.

2006, however, also saw a brighter highlight with this release from Young's massive archives. Like much of the folklore surrounding him, these recordings are so behind the scenes, so personal, so promised and hopes unfilled that fans and critics alike have began to suspect they would have to await Young's demise before these recordings would be released to the public at large. Therefore, Young faced the prospect that the *real thing* could not measure up to expectations.

First, we have to get the negative out of the way. The DVD is a complete disappointment. I thought we were going to be treated so some archival video footage. What we get is a series of about a dozen black and white photographs looped to the same audio tracts found on the CD. Who actually thought this would make anyone happy? These photographs can be found from several available sources. Less than zero points here.

Like many, I also have a bootleg copy of same live performance. Sonically LIVE AT THE FILLMORE EAST is vastly superior. Bootlegs tend to be clear as mud--especially those from the early 1970's. Unlike others, I do not complain about the missing songs that can be found on the unauthorized releases. In all likelihood, we will see these missing performances one day. More significantly, the improved clarity and definition really are that important.

By design or accident, this particular selection of songs draws one to focus on the interplay between Young and Crazy Horse. Aside from the odd love/hate musical relationship with Steven Stills, Young has had few partnerships as powerful as that he had with Danny Whitten. It was Young's great misfortune that Whitten would die of an overdose soon after these performances. Young would go on to create HARVEST. He would gather for himself a short lived household name; but he blamed himself for Whitten's death. This resulted in a depression he would endure for much of the rest of the 1970's.

*Everybody Knows This Is Nowhere* is a striking beginning to this electric set. Originally a minor but important song from the album of the same name, it has been translated well into a lively reinvention. To my ears, it has a similar arrangement style that would be found on HARVEST.

*Winterlong * has never been a favorite of mine. The lyrics are something of a dud with no emotional resonance. The power interpretation here does little to make it better.

*Wonderin'* is a better song in a goofy sort of way. Not great; but fun. Strangely, it would be given a rockabilly treatment on 1982's EVERYBODIES ROCKIN'.

*Come On Baby Let's Go Downtown* is a jaunty song that I am ambivalent about. Given its subtext of searching for a heroin fix, there is much to hate about it. This song would resurface on Young's most difficult album TONIGHT'S THE NIGHT as a centerpiece. On TONIGHT'S THE NIGHT it would have more power in context of the rest album than it does here. The best thing about it here is Young's introduction of the members of the band.

The cream of this recording belongs to both *Down By The River* and *Cowgirl In The Sand*. Several hours of close listening and enjoyment are found on these two cuts alone. The intense interplay between Young and Whitten as they fire walk across their respective fletboards creates a musical wind shear in front of the bass and drums. We don't hear extensive guitar soloing much like this in our time. This kind of instrumental display in a traditional rock setting began with Cream about 1968 and tapered off around 1975--perhaps because that particular vein had been all mined out or because a newer rock audience sought something else. It was an oddity of its time that began with the British blues revival and ended with the passing of Southern/Country rock. Depending on your sensibilities, either you mourn its absence or relieved one doesn't have to endure one more guitar solo before you get to the good stuff.

Be that as it may, this recording finds Young at the dawn of the 1970's with the future of rock before him and the rock "kinship" at its most communal. In some ways he was at the peek of his creative powers and stood as a pioneer to what was to come. Young has been regarded these days as proto-punk and the godfather to grunge. These would be nice compliments if it wasn't for the fact that both punk and grunge could be found in their infancy in the garage bands in the 1960's. Never mind...another subject...another day. If your musical christening began with Nirvana or (God forbid!) Justin Timberland, you owe it to yourself take a bite from this feast. There really was a time when the battle cry of "sex, drugs and rock and roll" actually meant something more than sex, drugs, and rock and roll.

Average customer rating: A furious barrage of free jazz and intense performances The Lost Quintet Live - The Power & Dynamic is just AWESOME! Miles Moves Forward A Smokin' Performance Better than Bitches'

Live at the Fillmore East (March 7, 1970): It's About That Time Miles Davis Manufacturer: Sony ProductGroup: Music Binding: Audio CD General | Jazz | Styles | Music Jazz Fusion | Jazz | Styles | Music General | Live Albums | Jazz | Styles | Music Pop Rock | Pop | Styles | Music Jazz Funk | Funk | R&B | Styles | Music Similar Items: Dark Magus: Live At Carnegie Hall [2-CD SET] Live-Evil Black Beauty: Miles Davis at Fillmore West Pangaea Agharta ASIN: B00005M0N2 Release Date: 2001-08-21

Tracks:

1. Directions
2. Spanish Key
3. Masqualero
4. It's About That Time/The Theme

Tracks:

1. Directions
2. Miles Runs The Voodoo Down
3. Bitches Brew
4. Spanish Key
5. It's About That Time/Willie Nelson

Amazon.com

Miles Davis took the stage of New York's Fillmore East with five other players on March 7, 1970. Leaning heavily on the soon-to-be-released Bitches Brew and looking back no further than 1962's "Masqualero," they rumbled, squawled, and stomped through two sets that might have surprised even fans of Davis's new rock-influenced sound. At times edgier than even the challenging Brew, the music was nonstop, polyrhythmic, and crashing while remaining groove-oriented. With Miles blowing one aggressive solo after another, saxophonist Wayne Shorter and drummer Jack DeJohnette rise to the moment while providing reminders of the angular sound of the '60s trio. While "Bitches Brew" itself appears in a drastically shortened but still relatively hushed treatment, the first of two versions of "It's About That Time" breaks away from In a Silent Way's midtempo meditation into full-tilt tumult. These 90 minutes capture Miles headed in the direction of Jack Johnson, stopping to give the rock audience a glimpse of himself working at another peak. --Rickey Wright

Customer Reviews:

A furious barrage of free jazz and intense performances.......2006-09-07

This live March 7, 1970 release is burning hot and intense. Oddly enough, Miles was warming up for the Steve Miller Blues Band and Neil Young and the response from the audience is halfhearted and lukewarm. It seems likely that fans of the comparatively more straightforward material of those two bands were in no way shape or form prepared for this wild barrage of free jazz, jazz-rock, and unfettered experimentation. It's too bad too - this is easily the best set I have heard from this period of Miles (1969-1971) and reinforces in my mind the incalculable impact he had on music.

Alongside Miles (trumpet) is a virtual who's who of the jazz rock scene: Chick Corea (Fender Rhodes electric piano); Jack DeJohnette (drums); Dave Holland (electric bass guitar and acoustic bass); Wayne Shorter (soprano and tenor saxophone); and Airto Moreira (percussion). These guys are all top shelf musicians and turn in some of the most "out there" performances I have ever heard. Chick Corea is especially wild and simply tears the electric piano up - the furious, free-form barrage with Dave Holland during the first set is simply unbelievable. Speaking of the bassist, I happen to like Dave Holland quite a lot - a lot more in fact than Motown bassist Mike Henderson (who played on the Live Evil album, 1971). Dave is a technically superior player and he truly interacts with the other players rather than just laying down an ostinato. Jack DeJohnette is also in top form and churns out a swirling mass of impenetrably dense rhythms, while Wayne Shorter cuts loose with furious torrents of notes that recall free jazzer Eric Dolphy at his most intense. Whew. Let us just say that the performances on this live recording are hot.

Tracks 1-4 comprise a 42 minute jam that holds your attention all the way through, while the second set provides more of the same. Musically, the pieces incorporate elements of free jazz, although some influences taken from James Brown and other soul/funk musicians can be heard as well - even though they really take a back seat to the free jazz and experimental jazz rock.

If you enjoyed this live album, you might also like Bitches Brew (1970); Live Evil (1971); A Tribute to Jack Johnson (1971); and On the Corner (1972). This is all simply amazing stuff and Miles was an extremely forward thinking musician. Very highly recommended.

The Lost Quintet Live - The Power & Dynamic is just AWESOME!.......2006-09-03

The playing on these two discs is masterful and intense. The Fillmore audience full of stoned teens and college students must have been taken aback by this sonic assault. There's some polite applause here and there but they must have been wondering "WTF was that?"

Holland and DeJohnette provide a punishing, pulsing, swinging foundation to the other players to improvise upon - Shorter and Miles go wild. As usual, I am not wild about Corea's distorted electric Fender Rhodes with that Ring Modulator gadget (not a particular good effect in my opinion but it must have been "trippy" at the time), but his playing is fabulous. I will say this disc is probably only for the die-hard Electric Miles collector. Some listeners are going to hate it because there's a lot of "free jazz" (in the Ornette Coleman sense of the expression) going on in here and the cacauphony will be a bit overwhelming at times. This is not a collection I can listen to at any ol' time and it certainly isn't "background music", but I am glad I purchased it.

Just because you like Bitches Brew, Big Fun, Jack Johnson, and On the Corner doesn't mean you are going to like this. The playing is very hot but it's also very free form in places. Some of it even reminds me of Holland and Corea's Circle - The Paris Concert with Anthony Braxton. Fidelity is a little muddy for bass and drums but don't let that put you off. Apparently, according to the Cellar Door Sessions booklet, the engineers were still trying to figure out how to record this band with this concert took place.

Miles Moves Forward.......2006-08-30

Miles Davis' 1969-1970 performances, which saw - or rather heard - the trumpeter fusing the eerily open-ended logic of BITCHES BREW with the screaming stagecraft of the then-burgeoning arena rock scene, represent one of the most exciting links in the solid gold chain of breakthroughs which was his singularly stellar career. Long unavailable in the US, these shows have hit the shelves in a big way over the past nine years as Columbia Records continues its hell-for-leather efforts to get every note Miles ever recorded for the label out to the public. Happily, IT'S ABOUT THAT TIME, like other releases from the same era, more than justifies such a policy.
With saxophonist Wayne Shorter here playing his final gig with Miles, TIME could easily get by on historic importance alone. But riding atop one of Davis' - indeed, one of jazz's - greatest rhythm sections (Chick Corea on electric piano and assorted bizarre circuitry, Dave Holland on bass guitar and Jack DeJohnette on drums and on fire), the two great blowers and composers are given no chance to rest on their laurels. Tunes from BREW and IN A SILENT WAY here coalesce into forty-five-minute suites of crashing, keening, thundering improvisational elan and fearlessly forward momentum. Whether this sort of thing is your cup of tea or not, it's impossible to dismiss; few if any acts in either the jazz or rock sphere could have offered a more powerful concert experience than this in what must surely rank as the absolute peak period for live music of any sort. Never once sinking into either the safety of convention or the lethargy of chaos, this version of the Miles Davis Quintet/Sextet was and remains a formidable unit.
And IT'S ABOUT THAT TIME is a formidable pair of discs. Whether it's the best way to hear Miles and Company at this juncture, however, is rather hard to say. I'd actually call the long-deleted Japan-only release 1969 MILES, recorded in Antibes a month before BITCHES BREW itself, a somewhat more interesting document, as it applies the scorched-earth logic of this band to a broader cross-section of Davis' repertoire, including such pre-electric classics as "'Round Midnight" and "Footprints." By the same token, Shorter's departure, regrettable as it may have been, didn't prevent his bandmates from continuing to jell and explore, with the result that BLACK BEAUTY, recorded a month after this set with Steve Grossman on soprano sax, seems to my ears to achieve the impossible by reaching an even more torrential level of intensity, if only in a few spots.
Nevertheless, with no other recording of this particular combo tackling this particular program currently available, IT'S ABOUT THAT TIME meets five-star criteria for both the sound and significance of its content. Miles forever!

A Smokin' Performance.......2006-06-08

There are numerous official and bootleg albums dating from the early electric phase of Miles Davis. But It's About That Time is the best that is currently available. The material features a band operating loud and proud, with the solos by Davis and Shorter nothing short of brilliant.

Looking back more than 35 years later, one can easily hear why jazz fans/critics were critical of Davis (in actuality, what else was new) while he took "fusion" into major rock venues, while opening for popular rock acts of the time.

The music is as thrilling to hear today as it certainly was live in 1970. The CD is an essential part of a collector's library who wants to hear Davis and his band tearing it up and get a real understanding in what fusion meant at its inception.

Better than Bitches'.......2005-09-28

I'm a neophyte to Fusion in general, but I think that the rumours are true - this CD set is much better than the legendary Bitches Brew.

My favorite track is "Bitches Brew" itself, in a version that is shorter, harsher and more focussed than the album version. Besides, it doesn't have all those bizarre edits and tape loops that made the album so hard for me to digest.

"Spanish Key", in two versions, is also funkier than the album version, with fine soloing by Wayne Shorter. I prefer the second set's version.

Note that both sets end with the "Go-Go" theme, with which Miles Davis ended all his sets in the 1950s-60s - that and the tune "Masqualero" are the only remnants of Miles' pre-electric past.

Average customer rating: Special & Unique No-point landing Wow!!! Flashing back ...ABX

Live at the Fillmore East Jefferson Airplane Manufacturer: RCA ProductGroup: Music Binding: Audio CD General | Pop | Styles | Music Pop Rock | Pop | Styles | Music Folk Rock | Rock | Styles | Music General | Rock | Styles | Music General | Live Albums | Rock | Styles | Music General | Hard Rock & Metal | Styles | Music Hard Rock | Hard Rock & Metal | Styles | Music Psychedelic Rock | Classic Rock | Styles | Music General | Live Albums | Classic Rock | Styles | Music General | Classic Rock | Styles | Music Arena Rock | Classic Rock | Styles | Music Similar Items: Bless Its Pointed Little Head Crown of Creation Cleared for Take Off After Bathing at Baxter's Volunteers ASIN: B000006380 Release Date: 1998-04-28

Tracks:

1. Intro/The Ballad Of You & Me & Pooneil
2. She Has Funny Cars
3. It's No Secret
4. Won't You Try/Saturday Afternoon
5. Greasy Heart
6. Star Track
7. Wild Tyme
8. White Rabbit
9. Thing
10. Today
11. The Other Side Of This Life
12. Fat Angel
13. Watch Her Ride
14. Closing Comments
15. Somebody To Love

Customer Reviews:

Special & Unique .......2007-07-13

Maybe it's the 40th Anniversary of the Summer of Love. Maybe it's the Iraqi war and it's uncomfortable deja vu with Vietnam, or George W. Bush's enhanced impersonation of Richard M. Nixon. But lately I've been on a Jefferson Airplane bender. I've been a diehard fan since I was 14, and nothing makes me happier than the recent surplus of live concerts from JA. Since I went to every Airplane performance at the Fillmore East, I'm sure I was at one of the shows recorded for this disc. It really takes me back to a special time and place in my life.

I bought Live At The Fillmore East concert after buying Sweeping Up the Spotlight, the newest concert release. This CD doesn't compare to SUTS soundwise. Live At the Fillmore East should be digitally remastered. The band is playing some amazing music here. But sometimes the vocals are way up front, and the musicians sound like a 9 Volt transistor AM radio. Jorma suffers the most. His guitar occasionally sounds tinny and low. Spencer Dryden's drums are also off in the distance. It seems to phase in and out. It takes a little getting used to. Best played really, really loud!

Sweeping Up the Spotlight does a much better job putting everything in balance, letting Jorma, Jack, Spencer, and even Paul Kantner's under-appreciated rhythm guitar skills, shine. But overall, the sound for Live at the Fillmore East isn't bad, and gets better as the songs play on. Grace keeps asking if a mic is working. Maybe that explains the phase in/phase out quality.

What makes this concert really unique and special is that it captures the Airplane at a really creative and transitional point in their career. The period right after After Bathing at Baxter's and on the threshold of Crown of Creation. 1968. Live versions of Greasy Heart, and Star Track, are worth the price of admission. Also, there are some live Baxter cuts that I hadn't heard before - Watch Her Ride is a highlight. I always loved the studio version, but the live version is played with passion and energy. Very good version of Won't You Try / Saturday Afternoon. Pooneil, a core staple live, is focused and strong, as usual a star piece for Jack Casady to take the bass to heights never seen before or after. He should be required listening for any musician thinking of playing this instrument in a rock band.

Thing, the jam that grew up to be Bear Melt, misses the lyrics and vocals from Grace, but is a lovely space for the band to stretch out and play. You get the feeling from this concert that it was a work in progress, that you get to hear in completion on Pointed Head.

Having the vocals way up front is a blessing, for the most part, and occasionally a curse. As always, sometimes Marty, Paul and Grace stumble all over each other. There are some monumentally flat and off key moments. So what. That was the Airplane live. Marty Balin relies a little too heavily on his upper range for my taste. On a couple of occasions he yelps like a puppy. But he does a beautiful job sweetly singing Today. Not in love with the funked out Other Side of This Life. Wild Tyme is pretty much a mess. Very ragged.

This is definitely Paul Kantner's time to shine. He was the primary writer and singer on most of the stand out cuts, especially Fat Angel, which is as good, maybe better than Pointed Head's version.

But Grace Slick, in particular, is doing some amazing singing. She's in full throttle wailing mode. Her solo turns are off the hook! She demolishes the studio version of Greasy Heart, making this one the definitive version for me. White Rabbit and Somebody to Love are strong and focused. It's possibly her strongest live performance. She's taking risks, and for the most part, they work.

As mentioned before, this is the transitional point from Marty's version of the Airplane to Paul's version. Marty is still very much engaged with the band. As time would move on, he would become more distant, and finally, gone. It's a fun show, on a good night. I even like the goofy audience chatter. Feels like being there again.Sweeping Up the Spotlight: Jefferson Airplane Live at the Fillmore East 1969Bless Its Pointed Little Head

No-point landing.......2007-01-15

Many '60s bands were great in concert- but not all. Some played their hits very much