Prime Time

Product Description
The 2003 studio album for the acclaimed 80's/90's rock band! Includes 10 tracks: 1. Prime Time 2. Crash 3. Door To Door 4. Perfect Lie 5. Holding On 6. Body Language 7. I'm The One 8. Take Me Away 9. Home Tonight 10. Let Go

Prime Time,Firehouse,Discmakers,Melodic hard rock.,Pop,Rock,Rock/Pop

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Prime Time

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

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Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: Talented Rock Band A return to form? Well, kind of............. #1 Band in the World Still putting out great music! I don't know about this one...

Prime Time Firehouse Manufacturer: Discmakers ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Rock | Styles | Music General | Hard Rock & Metal | Styles | Music Pop Rock | Pop | Styles | Music Glam | Classic Rock | Styles | Music Similar Items: O2 Category 5 Firehouse 3 Good Acoustics Bring 'Em out Live ASIN: B00020NFL4 Release Date: 2004-05-18

Tracks:

1. Prime Time
2. Crash
3. Door to Door
4. Perfect Lie
5. Holding On
6. Body Language
7. I'm the One
8. Take Me Away
9. Home Tonight
10. Let Go

Product Description

1. Prime Time
2. Crash
3. Dor To Door
4. Perfect Lie
5. Holding On
6. Body Language
7. I'm The One
8. Take Me Away
9. Home Tonight
10. Let Go


Format: CD

Customer Reviews:

Talented Rock Band.......2005-10-20

I must admit that I am guilty of generalizing this entire genre of music as being mostly "cosmetic" with little musical content to justify its popularity. What I heard on Firehouse's Prime Time has really changed my thinking. Extremely well crafted vocal leads with tight harmonies and skillful guitar features all weave together to provide strong melodic and rhythmic development; something painfully lacking in today's pop hits. The band's creative braintrust; Bill Leverty, really has a talent for writing and performing. I sincerely enjoyed it and would recommend it to others.

A return to form? Well, kind of....................2004-08-13

OK, so here we are with Firehouse's 6th studio release. You really have to give credit to these classic 80s bands that still manage to produce decent albums well into the 21st century. Some albums are better than others, and I must admit to being a bit disappointed with 'O2'. So what we really want to know is is this a return to the form and energy of Firehouse's first 2 albums? Cause let's be honest, that's what most of us have been hoping for and what this CD supposedly is according to other reviews.

In a nutshell, the answer is yes and no. They have made a jolly good effort, and credit is due here, but it is a bit of a hit and miss album.

First the good news. There are a few gems on this album. `Crash' and `Door to door' are classic Firehouse all out rockers. `Door to door' features Michael Foster on vocals and he does a very good job. This track also features some outstanding guitar soloing from Bill which you will not be able to help play air guitar to! The standout track on the album is `Perfect Lie'. With it's heavy intro, great lyrics, emotion and catchy melodic chorus, this song ranks as one of Firehouse's best songs ever. `Body language' and `Take me away' are above average.

Now for the bad news. There are too many average tracks. The first and title track is the band trying to sound funky and modern (similar to a few tracks on `O2') which just does not suit the band. The chorus just does not have any `kick' to it for it to even hope of comparing to the openers of previous albums like `Rock on the radio', `Reach for the sky', or `Can't stop the pain'. The 2 tracks with Bill on vocals (`Holding on' and `I'm the one') are rather dull and disappointing, which is a shame as his song on 'O2' was pretty good. The singing should definitely be left to CJ next time. The one ballad at the end `Let go' shows much promise with it's emotional intro, but the chorus sounds a bit like a nursery rhyme which is a real shame.

So overall, this is a decent effort and better than 'O2', but could have been so much better. They have captured the sound of their heyday, but only on a few tracks. If you are an established Firehouse fan like me, I'd say this is a must have album as the 3 or 4 great tracks really are fantastic. If you are a newcomer, the first 2 albums are a better bet.

#1 Band in the World.......2004-07-04

There is no doubt about it that FireHouse is the best band around these days, no one can match them other than perhaps Tesla. This is a great album overall, really good stuff, give it a listen a couple of times. I agree with the other review, they should just let CJ Snare do the singing, he sings flat out better, and is amazing. But overall great job FireHouse!

Still putting out great music!.......2004-06-12

This continues on the Firehouse legacy. Another top studio CD from a great hard rock band. These guys have never stopped (unlike many of their other contemporaries) and there is good reason why. This is some solid music and a great live band.

I don't know about this one..........2004-05-09

I am a die hard Firehouse fan and find this addition to their collection disappointing...the worst yet. If you truly love all their prior efforts, you might find this one very sad as I did. More misses than hits to me. "Perfect Lie", IMO, is the best song on this album period. Just let CJ Snare sing all the songs next time guys....

Average customer rating: this is not your father's Ornette Coleman I don't get it. One of Ornette's Worst five years later, still a breath of fresh wind The new forms of harmelodics.

Tone Dialing Ornette Coleman & Prime Time Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD Avant Garde & Free Jazz | Jazz | Styles | Music General | Jazz | Styles | Music General | Funk | R&B | Styles | Music Similar Items: Virgin Beauty Hidden Man Three Women In All Languages Dancing in Your Head ASIN: B0000046Z6 Release Date: 1995-09-26

Tracks:

1. Street Blues
2. Search For Life
3. Guadalupe
4. Bach Prelude
5. Sound Is Everywhere
6. Miguel's Fortune
7. La Capella
8. OAC
9. If I Knew As Much About You (As You Know...)
10. When Will I See You Again
11. Kathelin Gray
12. Badal
13. Tone Dialing
14. Family Reunion
15. Local Instinct
16. Ying Yang

Customer Reviews:

this is not your father's Ornette Coleman.......2006-05-25

Yes, it's very different from Coleman's 60's records. Guess what - he's an evolving artist, even in his 60's and 70's! Actually compared to his other CD's from the 80's & 90's, such as "Virgin Beauty" and in "In All Languages", it's not THAT different.

This album took several listens to before I could wrap my brain around it. I won't repeat what previous reviewers have written. It's certainly very dense, challenging music which sometimes fools you into thinking it's just funky world beat, but then turns around and messes with your head. The lines the various instruments play are melodic and consonant, but the way they interact is somewhat disorienting at times, before falling back together. He manages to incorporate a huge variety of musical styles and influences and stir up something that could not possibly be anything other than Ornette! Overall this is fascinating music.

It's become one of my favorite Ornette Coleman albums (and yes, of course I love the 60's stuff!). Give this one several listens.

I don't get it. .......2005-09-01

I bought it a few years ago, played it once and hated it. I played it yesterday and hated it. Want my copy?

One of Ornette's Worst.......2005-05-24

I am huge fan of Ornette Coleman and own most of his albums. Tone Dialing is an attempt to break away from the acousic sound he used for so long and incorporate hip-hop and amplified instruments. He shoots and misses. His plastic horn is an afterthought behind the electric bass and heavy drums. And the reverb he uses is annoying. Simply, the group isn't nearly as good as his earlier groups. I would recommend The Shape of Jazz to Come, Change of the Century, or At the Golden Circle, anything but this one.

five years later, still a breath of fresh wind.......2000-10-31

In order to save a dying art form you have to break new ground in the genera. Enter "Tone Dialing", THE most original jazz album of the 90's. This album strengthened my belief that free jazz is the most variable, individual jazz out there, and this album is the next ticket into that unconquered sonic wild. The disc starts out with "street blues", which is laced with hip hop, the rhythm section and the sax interacting in an almost stream-of-consciousness feel. What "Street Blues" foreshadows, "Search for Life" run's with. This is very close to an actual hip hop song, complete with rhymes, along with lots of the band's improv. "Bach Prelude" is the strangest Bach-jazz piece I have heard, chock full of polyrythms. Now we get to "Sound Is Everywhere", a surreal dream of a piece perfect for late at night when you're half asleep. Although far different that the atonality of Webern, it captures the same general mood. You get the feeling upon listening, that the unconscious is so close to the surface you can see it's periscope. "Miguel's Fortune" sounds almost like a Jazz-Cuban grateful dead jam. The next few songs definitely have a Cuban feel. ""If I Knew" is an (not exactly atonal) atonal ballad (not exactly a ballad) that almost gave me an orgasm the first listen. The whole album has a mood of quiet lucidity. One of Ornettes best, and the only one like it because Coleman rarely repeats himself. The rest of the album is just as groundbreaking, but running short of space. . .

The new forms of harmelodics........2000-04-26

I don't think any artist has accomplished so many great breakthroughs in one album as Ornette Coleman as in Tone Dialing. The album consists of 18 tracks ranging from about 3 to 10 minutes each, and from the harmelodic interpretation of Bach's prelude to the integration of Ornette's own styling of rhythmic vitality along with the flavor of hip hop, Afro-Cuban, and many unclassified genres that cannot be defined by any musical subcultures except Ornette's own. As for the performance of these unique musical concepts, I don't think Prime Time has ever been in better shape than it is now at the release of this album. This is my absolute favorite of all the Prime Time albums (that I own). It's difficult to say what tradition this album is in, or what album I'd compare it to, since Ornette Coleman is in the habit of breaking tradition, and experiments with bold, original forms as often as possible (this being not one, but many of them), but I'd recommend it to anyone who like any of (but not limited to)0 the following albums by Ornette Coleman: Science Fiction, Song X, Free Jazz, In All Languages, or The Art of Improvisers.

If you've never heard any harmelodic or free Jazz before, this *might* not be the one to start with. I'd suggest Science Fiction first, and moving on from there at your own discretion.

Average customer rating:

Prime Time: 30 Hit TV Themes Houston Symphony Orchestra , and Newton Wayland Manufacturer: Proarte ProductGroup: Music Binding: Audio CD Movie Soundtracks | Soundtracks | Styles | Music Television Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music ASIN: B00000E5U3 Release Date: 1993-01-28

Tracks:

1. L.A. Law
2. Thirtysomething
3. Murder She Wrote
4. Cheers
5. Dynasty
6. Alfred Hitchcock
7. Lone Ranger
8. Don't Touch That Dial Meldey: Star Trek/Gilligan's Island/Odd Couple
9. St. Elsewhere
10. Crime Fighters Medley: Dragnet/The Untouchables/Peter Gunn/Batman/ ...
11. Andy Griffith
12. Jerry Goldsmith Medley: Man from Uncle/Dr. Kildare/Room 222/The ...
13. Looney Toones Theme

Average customer rating: INSANELY INCREDIBLE STUFF Joe Stark soars! Excellent ! Excellent ! Excellent ! All Natural

Joe Stark Joe Stark Manufacturer: Prime Time Music ProductGroup: Music Binding: Audio CD General | Rock | Styles | Music Pop Rock | Pop | Styles | Music ASIN: B00005BIZR Release Date: 2001-04-24

Tracks:

1. Comin' Down
2. Oh So Sad
3. Shadowbox
4. Love Takes Two
5. As If
6. Every Time I Breathe
7. Hang Together
8. Testify
9. Good as Gone
10. Weight of the World
11. Already Feels
12. Black Pearl

Customer Reviews:

INSANELY INCREDIBLE STUFF.......2004-01-10

This CD continues to amaze me. It has been on my main playlist for way over a year now and I love it. He sounds kinda like Stevie Ray meets Clapton meets Bryan Adams if you can dig that. I am involved in a small town Alabama music festival and we have had Joe play for two consecutive years!! He does not disappoint. His timing, his sound, and his ability to take the audience where he wants them to go is phenomenal.
I only give 5 stars to discs that I like EVERY SONG on (Purple Rain, Goodbye Yellow Brick Road, Journeyman) and it is amazing, but I mean it--FIVE STARS, BABY, YEAH!!!!

Joe Stark soars!.......2002-03-31

A definite "Yes"! I saw this entertainer live. Don't miss him! The sound, the seductive look, make him a +++ in the ladies' books!!

Excellent ! Excellent ! Excellent !.......2001-05-26

I am in awe of the talent coming out of this young man.There is a ritual that goes along with getting a new c.d. You get it and listen to it, analyze it, figure out what your favorite song is going to be,then, what is the weakest song ( the one you skip over )Well, I can't pick a favorite, every song that came on I said, " this is it... this is my favorite". Then the next track plays and that's my favorite.This happened 12 times.. with every track on the c.d.(I still haven't found a weakest track.) I'm a big fan of Blues, and Classic Rock , Jazz and Country and this has nuances of all of the best in all those genres.It's hard to believe that such soulful and heartfelt songs can come out of somebody who is so young. This is a c.d. well worth having. Joe is sure to go far, I'm glad I found him early in his career. It will be interesting to see where his musical growth takes him... and us.I'm looking foward to it.

All Natural.......2001-04-13

Today's world of music is filled with fast food. Prepared, over-processed, and loaded with fillers and additives. You know when reading the label how nothing seems natural in the entire product, sometimes one has to look at a natural alternative to all the crap to purge their system. Musically, Joe Stark is all natural.

Today's masses are told what to listen to by music channels and radio, they're all in the marketing game to make money, not music. Marketing, where bands are put together to bow to words like brand image and target markets. Like leaves that fall from a tree and die every season, these products, fade away with no measurable dent in the minds of people who know what good music really is. The roots of the tree are what stand the test of time and are what outlasts those leaves. Joe Stark is among these roots.

Music evolves every few of years but always come back to its roots. Rock and blues are two of the purest forms of music. Joe Stark's self-titled CD album hits this ideology home with a Louisville slugger. From track to track Joe Stark builds a house with a super solid foundation of real music. Highlights include "Testify", reminisce of solid and ripping guitar of Southern Rock, and radio-ready hits such as "Oh So Sad" and "As if". There are many well-written tight and punchy songs, most importantly; IT'S MUSIC YOU CAN RELATE TO.

This CD is for any one who appreciates real music. Whether you are a musician or one of these people from the brain-washed masses (you know who you are). You will come away from this listen with a better appreciation of a talented musician. Years down the line when your other junk food music has rotted with time, this one will preserve. Joe Stark is on tour this summer opening 40 dates with Bad Company, Styx and Billy Squier.

Mig Hamon

Average customer rating: One of the best Christian Rap cd's ever! Don't Bother

Prime Time Prime Minister Manufacturer: Junkyard Distribution (www.jydist.com) ProductGroup: Music Binding: Audio CD Christian Rap | Christian & Gospel | Styles | Music General | Christian & Gospel | Styles | Music General | R&B | Styles | Music General | Soul | R&B | Styles | Music General | Rap & Hip-Hop | Styles | Music Pop Rap | Rap & Hip-Hop | Styles | Music Dance Pop | Dance & DJ | Indie Music | Stores | Music General | Rap & Hip-Hop | Indie Music | Stores | Music General | R&B | Indie Music | Stores | Music Similar Items: The Millenium: Prime Time Part II Certified Southern Hits Principalities A Chosen One Inside Out ASIN: B000008TO8 Release Date: 2006-02-14

Tracks:

1. Life Or Death
2. I Wish (I Could've Told Ya)
3. Visions
4. Flossin' Up
5. Rocktown
6. Shout Outs
7. No Time 2 Rest
8. ABC...1..2..3..
9. Interview
10. So Low
11. Round & Round (The World Goes)
12. Raise The Roof
13. Devotions
14. Set It Off
15. H.U.S.H.
16. Outro

Customer Reviews:

One of the best Christian Rap cd's ever!.......2000-08-30

Prime Minister has proven himself to be better than all the rest of the Christian rappers, featuring 16 awesome tracks on this cd! It was a great move to feature Antonious on this album. The best songs are Round & Round (The World Goes), H.U.S.H., and I Wish (I Could've Told Ya). If you like Dr. Dre-like background music and awesome lyrics, this cd is for you. This is one awesome album!

Don't Bother.......2000-08-12

There's a reason that there are over 200,000 albums ranked before this one. Even if I was a big fan of rap, I would be a fan of bad rap. If you enjoy droning, monotone vocals with no real music to back it up then maybe this is for you, but even then I wouldn't recommend it. Maybe try Grits or something (try anything else... please!!).

Average customer rating: underappreciated music gets recognition

Prime Time Musicals (Studio Cast Re-recordings) Manufacturer: Varese Sarabande ProductGroup: Music Binding: Audio CD General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music Similar Items: Curtains (2007 Original Broadway Cast) ASIN: B00000152F Release Date: 1997-10-21

Tracks:

1. Aladdin: Come To The Supermarket - Gregory Jbara
2. No Man Can Tame Me: One Hand Tied Behind My Back - Alet Oury
3. Jack And The Beanstalk: One Starry Moment - Crista Moore
4. On The Flip Side: It Doesn't Matter Anymore - Guy Haines
5. Androcles And The Lion: Strangers - Pamela Winslow
6. Copacabana: Man Wanted - Jolie Jenkins/Suzanne Lorge, Bethany Samuelson/Kelli D. Shrewsbury/Linda Strasser/Gretchen Weiss
7. High Tor: One Day At A Time - Jason Graae
8. Hansel And Gretel: Too Happy Dancing - Jennifer Piech
9. Ruggles Of Red Gap: Ride On A Rainbow - Sally Mayes
10. Satins And Spurs: You're So Right For Me - Liz Larsen/Sal Viviano
11. Pinocchio: Listen To Your Heart - Michelle Nicastro
12. Junior Miss: Happy Heart - Lynnette Perry
13. The Canterville Ghost: I Worry/If You Never Try - Tammy Minoff/Shannon Stoeke
14. Copacabana: Who Needs To Dream - Christiane Noll
15. I'm Getting Married/Our Town: Getting Married/Love And Marriage - Beth Howland/Charles Kimbrough

Customer Reviews:

underappreciated music gets recognition.......2000-04-16

The best reason to own this CD is that you will not find many of these songs anywhere else. Some have been recorded on an album for the first time here. Others are only available on very rare LPs.

The difficulty in enjoying an album like this is that songs from musicals are often very contextual--if you haven't seen the show it's hard to relate. Because this is a collection of unrelated cuts and not an entire show, some of the songs seem orphaned. The best tracks are those songs with more or less universal themes--songs not dependent on a storyline to give them depth. A couple examples of this type are "Listen To Your Heart," "One Day At A Time" and "Who Needs To Dream."

The performances are hit and miss--a few lack any conviction ("Man Wanted" is a sassy tune but this rendition is flat). Other songs are simply beautiful ("It Doesn't Matter Anymore," "You're So Right For Me").

Hurray for producer Bruce Kimmel for collecting and gathering these little gems.

Average customer rating:

Symphony 9: Introduction to Dvorak Dvorak Manufacturer: Naxos ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Instructional | Miscellaneous | Styles | Music Similar Items: An Introduction to Brahms' Piano Concerto No. 2 An Introduction to Schubert's Piano Quintet "Trout" Classics Explained: Pastoral Symphony An Introduction to Vivaldi's "The Four Seasons" Classics Explained: Rite of Spring ASIN: B000069HGK Release Date: 2002-09-17

Average customer rating: A Must Have Prime Minister's the man of Christian rap THis is awesome see the authority this guy has good music

The Millenium: Prime Time Part II Prime Minister Manufacturer: Junkyard Distribution ProductGroup: Music Binding: Audio CD General | Dance & DJ | Styles | Music General | Dance Pop | Dance & DJ | Styles | Music Christian Rap | Christian & Gospel | Styles | Music General | Christian & Gospel | Styles | Music General | R&B | Styles | Music General | Soul | R&B | Styles | Music General | Rap & Hip-Hop | Styles | Music Pop Rap | Rap & Hip-Hop | Styles | Music General | Dance & DJ | Indie Music | Stores | Music Dance Pop | Dance & DJ | Indie Music | Stores | Music General | Rap & Hip-Hop | Indie Music | Stores | Music Similar Items: Prime Time A Chosen One Best Of True II Society Certified Southern Hits Inside Out ASIN: B00000JYAO Release Date: 2006-02-14

Tracks:

1. Once Upon A Prayer
2. Lift 'Em Up
3. Evangelistic
4. Ghetto Drama
5. The Ghetto
6. Real Love
7. Believe In Christ
8. The Interview
9. Thumpin'
10. My Mama
11. Confontation
12. Sanctified
13. All In The Game
14. Destined To Be

Customer Reviews:

A Must Have.......2006-12-31

This CD is tight. Out of all the tracks....well I like all of them. This is good riding music, straight TRUNK BEATER.

Prime Minister's the man of Christian rap.......2005-02-06

No matter if he's good or bad. He's still the man and keepin it real and staying closer. Today he's my favorite Christian rapper w/ B.B. Jay, The Procussions, Corey Red & Precise, Shai Linne, Lil Raskull, etc. Like this CD is rollin' and definitely a must-have for all Christian rap lovers and 'specially rap or non-rap fans alike.

If u luv 2Pac, Scarface, 50 Cent, Dr. Dre, DMX, Lil Raskull, NuWine, MC Hammer, among others, you must checkout this right here. He never cuss, he never talks dirty or raw or whatever. He talk spiritually to the Word of God.

I recommend this along w/ Inside Out and Flexx's God Is On My Side which consider be a CLASSIC. Christian rap rocks!

THis is awesome.......2002-10-19

I love this cd. I heard it once at a friends house and it was awesome so I had to go and get it. I found it at Target for cheaper than anywhere else. I was really happy about there great prices. Also my Mom works on the flow team at target so I can get a discount too..that was an advantage.(laughs) anyway for any of you that like rap out there this is the CD to buy. YOu'll love it. And buy it at target! I've checked all around and they have the best prices and the nicest store too.

see the authority this guy has.......2001-06-14

while listening to this album I was saying to myself"man this guy has a devine AUTHORITY." the album is full of creative and SMASHING rhythmns the lyrics are anointed, genuine & hardcore and full of authority.I am also from Jamaica

good music.......2000-10-25

i like prime minister tracks 5,12,10&14 were my favorite i think he is one of the best sounds a lot like scarface on the last track destined to be.

Average customer rating: list open mandible: rough THIS IS A GREAT CLASSIC IN NEW ORLEANS RAP

Duck Tape'n Partners-N-Crime , and Prime Time Manufacturer: South Coast Music ProductGroup: Music Binding: Audio CD Gangsta & Hardcore | Rap & Hip-Hop | Styles | Music General | Rap & Hip-Hop | Styles | Music Southern Rap | Rap & Hip-Hop | Styles | Music Pop Rap | Rap & Hip-Hop | Styles | Music ASIN: B000009TPX Release Date: 1998-07-28

Tracks:

1. Intro
2. Do You Really Wanna?
3. Uptown/Down Town
4. She's Giving Me Love
5. Coming Wit It!
6. I Knew He Had It
7. Crooked Cops
8. You Don't Wanna!
9. Make Money/Make Moves
10. Good Fellas Skit
11. We Act's A Ass
12. Boy Tell Me What'cha Bout
13. Tell Me Why
14. Roll Call
15. Where My Souljas At
16. Pump Tha Party World Wide '98 (Street)
17. Pump Tha Party World Wide '98 (Radio)

Customer Reviews:

list open mandible: rough.......2000-02-01

going gone rally pottery wind in the willows. saucers, saucers. tot tot too hot! racksbuckle! nope, tornado. well, trapped unlces don't rain cowabunga! plus

THIS IS A GREAT CLASSIC IN NEW ORLEANS RAP.......1999-06-19

THIS IS JUST ON OF MY FAVORITE CDS EVER A MUST FOR ANY FAN OF NEW ORLEANS RAP

Rap Music:

1. Rarities, B-Sides and Slow, Sad Waltzes [Import]
2. Really Sayin Something: the Platinum Collection [Import]
3. Regret Over the Wires
4. Rock Around the Clock [Original recording remastered]
5. Romantic Wealth [Enhanced]
6. Sam Prekop
7. Second Coming
8. Sex & Religion
9. Skyscraper National Park
10. Smile From the Streets You Hold

Rap Music

rap music

Recommended Music:

Vol. 1-This Is the Best of R & B [Import]

British Folk Songs

Fire & Song

Music: United DJs of America Vol. 5: Doc Martin: West Coast

Happy Birthday Rock N Roll [Limited Edition] [Original recording remastered] [Import]

Hip Hop Wars [Explicit Lyrics]

Golden Hymns of Christmas, Vol. 3

Dub Housing [Import]

Essence Ordinaire

Debussy: Images, Childrens Corner - Martino Tirimo

G Force [Import]

Early Spring 1951

Dream It

Everybody's Opera

Beautiful Soul