It's About Time [Import]

Product Description
Rare solo debut effort from ex-Black Crowes guitarist, currently playing with Ben Harper. Good roots style music, and he also contributed to the recent George Harrison tribute album. 15 tracks made up of a montage of songs he's been writing for years, featuring artists such as Gary Louris (Jayhawks), Warren Haynes, Allen Woody, & Matt Abts (Gov't Mule), & Craig Ross (Lenny Kravitz) to name a few.

It's About Time,Marc Ford,Rock/Pop

---

It's About Time [Import]

Average customer rating: Great Debut... A must-have Classic SWV, Classic CoCo, Classic Material.............. one of the stand-out albums of the 1990s girl group invasion! honest

It's About Time SWV Manufacturer: RCA ProductGroup: Music Binding: Audio CD General | Dance & DJ | Styles | Music House | Dance & DJ | Styles | Music General | Dance Pop | Dance & DJ | Styles | Music General | R&B | Styles | Music General | Soul | R&B | Styles | Music New Jack | R&B | Styles | Music General | Rap & Hip-Hop | Styles | Music Pop Rap | Rap & Hip-Hop | Styles | Music Similar Items: New Beginning Hummin' Comin' at 'Cha Release Some Tension Jade to the Max If I Ever Fall in Love ASIN: B000002WMU Release Date: 1992-10-27

Tracks:

1. Anything
2. I'm So Into You
3. Right Here
4. Weak
5. You're Always On My Mind
6. Downtown
7. Coming Home
8. Give It To Me
9. Blak Pudd'n
10. It's About Time
11. Think You're Gonna Like It
12. That's What I Need
13. SWV (In The House)
14. Weak (A Cappella)
15. Right Here (Human Nature Remix)

Amazon.com

Once En Vogue proved that old-fashioned gospel-soul female harmonies could create sparks with modern street beats, every record company went looking for young singers to hook up with new-jack-swing producers. Those efforts bear fruit with SWV, which stands for Sisters with Voices, and the three teenaged singers from New York really do have great pipes, capable of a distinctive sound that can dominate a production rather than the other way around. Cheryl "Coko" Gordon, the trio's lead singer, boasts a great range that allows her to sound tough and sultry in her gritty alto, and romantic and flirty in her trilling soprano. SWV's debut album includes 13 different songs, plus two alternate mixes, and the best tracks are the 10 written and produced by Brian Alexander Morgan, who knows how to create the melodies that all great harmonies must start with. The first single, "Right Here," features a very funky, push-and-pull rhythm track, but the three singers reclaim the song with harmonies that are very percussive themselves but with lots of melody and romantic personality as well. The single, "Weak," is a ballad that allows Gordon to confess her infatuated weakness without ever sounding like a weakling as she hits the beats confidently and purrs in anticipation. --Geoffrey Himes

Customer Reviews:

Great Debut..........2007-03-22

This is a great start to SWV's career but their second album "New Beginning" was their best album to date. On this album they had a lot of smash hits like "Weak", I'm so Into You, "Downtown",and "Human Nature". They had a few uptempo songs that sounded good, but they exceled on their ballads "It's About Time" and "What I Need". All the SWV fans should have this album and SWV is working on some new material so look out for them.

F.Y.I. Check out Lelee's interview on life after SWV in April 2007 edition of Sister 2 Sister magazine. You will be moved.

A must-have.......2007-01-05

This SWV CD was one of the best ones out at the time and you can still groove to the songs on this one.

Classic SWV, Classic CoCo, Classic Material.....................2006-11-25

Loved:
I'm So Into You
Weak
Anything
Downtown
You're Always on My Mind
It's About Time
Right Here
Black Puddin

one of the stand-out albums of the 1990s girl group invasion!.......2006-02-19

"It's About Time" takes me back to my young days, as a pre-teen. I remember well, listening to tracks on this album, on our local R&B radio station. What made SWV stand out, as a trio, was their great ability to blend different voice types together. They all had lower voices, but Coco, in particular, demonstrated her command of her lovely alto range. This is heard especially on tracks like "I'm So Into You" (with the infectious hook, and catchy melody) and "Weak" (which was later covered by that teen pop star, JoJo---their version is FAR superior to hers, by leaps and bounds). My favorite cut is "Right Here (Human Nature Remix)." This combines a sample of "Human Nature" by Michael Jackson, with their lovely vocals.

These are the types of songs you put on, when you and your sweetie are getting together for a romanctic evening. Just turn the tracks on, pour the wine, and enjoy these Sisters With Voices. ......

honest.......2005-09-15

Who doesn't remember 'weak'? This girl group was very good, I don't know why they broke up but they were good.

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Hungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Moscow Philharmonic Orchestra | ( M ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Rap & Hip-Hop | Styles | Music General | Soundtracks | Styles | Music General | Instructional | Miscellaneous | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Hungarian National Philharmonic Orchestra | ( H ) | Performers, A-Z | Classical Music Blowout | Stores | Music London Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music Moscow Philharmonic Orchestra | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music National Philharmonic Orchestra London | ( N ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4 The Mahler Symphonies: An Owner's Manual (includes 1 CD) The Young Person's Guide to the Orchestra (Book & CD) What to Listen for in Music Study of Orchestration, Third Edition ASIN: B00006O0NT Release Date: 2002-12-03

Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: jonas brothers ROCK!!!!!!!!! Great CD! My daughter loves this CD I LOVE THEM! Great soundtrack for the children

It's About Time Jonas Brothers Manufacturer: Sony ProductGroup: Music Binding: Audio CD General | Pop | Styles | Music Pop Rock | Pop | Styles | Music Teen Pop | Pop | Styles | Music General | Rock | Styles | Music Similar Items: Right Where You Want Me V Into The Rush [CD/DVD] Hannah Montana Soundtrack Hannah Montana ASIN: B000G7PNLI Release Date: 2006-08-08

Tracks:

1. What I Go To School For
2. Time For Me to Fly
3. Year 3000
4. One Day At A Time
5. 6 Minutes
6. Mandy
7. You Just Don't Know It
8. I Am What I Am
9. Underdog
10. 7:05
11. Please Be Mine

Customer Reviews:

jonas brothers ROCK!!!!!!!!!.......2007-07-15

I LOVE THE JONAS BROTHERS I HAVE THE CD IN MY IPOD THE BEST SONG IS THE YEAR 3000 AND I WENT TO THERE CONCERT ONE TIME AT THE RYMAN AT NASHVILLE TENNESSEE. AND NICK JOE KEVIN JONAS YOU ROCK.......

Great CD!.......2007-06-15

This CD is great! All of the lyrics are appropriate and positive. I definitely would recommend it!

My daughter loves this CD.......2007-05-21

My daughter loves the Jonas Brothers and I have enjoyed the music along with her. The content is very appropriate for her.

I LOVE THEM!.......2007-05-17

This CD was amazing. I love every song, especially Mandy and 7:05, but also Year 3000 is a song that everyone in my whole family (my parents and my little brother age 6 and my little sis age 8) can all listen to in the car and sing along to. And until about a month ago, I wondered if they were truly as nice as they sound the CD. I went to the Easter Egg Roll at the White House and performed there. Not only did they sing live, but they play all there own instruments. Also, they stayed for hours after, taking pictures and signing autographs for everyone. Also they would just walk around and you could talk to them. This CD was wonderful and I would recommend this for all ages! GO JONAS BROTHERS! (though I e NICK THE BEST, he's the little 1)

Great soundtrack for the children.......2007-05-13

My daughter wanted this soundtrack. I bought it and listened to it before she did. It was nice to give her a cd that she likes and have no restrictions on it..I actually liked one or two of their songs..However, very popular cd amazon gave me a great price but I had to wait almost 5 weeks for it

Average customer rating: One Great Album Gran album really great

It's About Time Marc Ford ProductGroup: Music Binding: Audio CD General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: Weary and Wired This Magnificent Distance Brothers of a Feather Black Crowes: Who Killed That Bird Out On Your Windowsill Mule on Easy Street ASIN: B0001HN57W Release Date: 2006-09-05

Tracks:

1. Hell or Highwater
2. Long Way Down
3. Change of Mind
4. When You Go
5. Giving
6. Idle Time
7. Two Mules and a Rainbow
8. Cry, Moan and Wail
9. Shining Again
10. Elijah
11. Wake Up and Walk Away
12. Feels Like Doin' Time
13. California
14. Darlin' I've Been Dreamin
15. Just Let Go

Album Description

Rare solo debut effort from ex-Black Crowes guitarist, currently playing with Ben Harper. Good roots style music, and he also contributed to the recent George Harrison tribute album. 15 tracks made up of a montage of songs he's been writing for years, featuring artists such as Gary Louris (Jayhawks), Warren Haynes, Allen Woody, & Matt Abts (Gov't Mule), & Craig Ross (Lenny Kravitz) to name a few.

Customer Reviews:

One Great Album.......2005-08-18

This is truly one of the best albums I have listened to in the last 6 mos--why it is not released in the US puzzles me. This is better than alot of the Black Crowes albums. Marc is a great guitarist-very original-and an excellent singer and song writer. Why doesn't he get any regonition? He should and I am waiting for his next release. I guess I will have to wait for the next Black Crowes release to hear from him again--I will definitely go to the next concert. GET THIS CD!!!!!!!!!!!!

Gran album.......2004-05-17

Sincero y honesto disco el de Marc Ford, sin duda la gran pérdida de los Black Crowes. Influencias de Gram Parsons, Stones, Neil Young, The Band,...Una maravilla de principio a fin.

really great.......2004-04-02

much better than any other ex-Black Crowes records...
This sounds fresh and happy. Marc Ford rocks all along the record, even with ballads.
great job man.

Average customer rating: I expected good music from one parent to another parent A truly gifted artist who has an unbelievable voice It's a beautiful album Great if you are a new parent... lovely years, voice, lyrics and music = er, lovely!

The Lovely Years Fisher Manufacturer: Iris Records Label ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Pop | Styles | Music Singer-Songwriters | Pop | Styles | Music Pop Rock | Pop | Styles | Music Contemporary | Vocal Pop | Pop | Styles | Music Adult Alternative | Pop | Styles | Music General | Rock | Styles | Music Similar Items: One Uppers & Downers True North Angels & Demons Bleeding Heart Graffiti ASIN: B0008G2IH4 Release Date: 2005-04-26

Tracks:

1. Beautiful Life
2. Biggest Fan
3. All I Ask
4. The Lovely Years
5. Be Here
6. Now I Know
7. Sleepy Head
8. Turn Around
9. So Much
10. Surrender
11. You

Customer Reviews:

I expected good music from one parent to another parent.......2007-05-03

While her vocals are great (and very reminiscent of a blend of Alanis Morissette and Sarah McLachlan) and I did expect a collection of songs from the heart of a parent, I was disappointed to find language that would require a bar of soap in a household of children. I can't play this when my kids are around! What's the point in that?

A truly gifted artist who has an unbelievable voice.......2006-01-30

I discovered Kath Fisher on itunes and fell in love with her album "One". Her voice is truly her instrument, so controlled and multi-layered, soulful and capable of long notes and belts. She has a good range, with shades of Tori, Alanis, but with a deep tone that makes her truly unique. Her lyrics are cool, with an enunciation that makes them understandable. Her tunes are catchy, but not your typical radio pop, though I have heard her on San Diego radio. Standouts include "I will love you" on ONE; I love "Beautiful Life" which you may recognize from the Toyota commerical; and "The Lovely Years" from the new album of the same name. I actually have all of her albums, and all songs are just great. UPPERS AND DOWNERS is an album of 1/2 quick tempo songs and 1/2 slower songs, with lots of covers, including a cool version of "Dream On". If you are looking for a great, but for some reason undiscovered in the mainstream true talent, you can't go wrong with Fisher. Why isn't this girl famous?

It's a beautiful album.......2005-07-20

If you like Sarah, Tori or the Indigo girls you will love this album

Great if you are a new parent..........2005-06-15

I love Fisher's music, and bought this the day it came out. The music is good, but I was a little disappointed that the theme for the album was about how wonderful it is to be parents. Not that babies aren't wonderful, they are, but if you aren't a new parent you may not relate well to this album and True North would be a better pick.

lovely years, voice, lyrics and music = er, lovely!.......2005-05-07

new moms will be particularly attracted to the pretty songs. the lullaby "you" is especially nice -- one of only two Lullaby songs to actually make me weepy-eyed thinking about my wee one (who is now 8) (the other song was "baby mine" by alison krauss)

her voice is as lush and memorable as ever, and the music and arrangements are even better than on previous works.

stand outs other than "you": "all i ask" "beautiful day" "sleepy head" "lovely years" "turn around" and "be here".

good stuff! cd universe has the cd for $3 cheaper. i guess amazon gets their shipping cost one way or another.....

Average customer rating: A furious barrage of free jazz and intense performances The Lost Quintet Live - The Power & Dynamic is just AWESOME! Miles Moves Forward A Smokin' Performance Better than Bitches'

Live at the Fillmore East (March 7, 1970): It's About That Time Miles Davis Manufacturer: Sony ProductGroup: Music Binding: Audio CD General | Jazz | Styles | Music Jazz Fusion | Jazz | Styles | Music General | Live Albums | Jazz | Styles | Music Pop Rock | Pop | Styles | Music Jazz Funk | Funk | R&B | Styles | Music Similar Items: Dark Magus: Live At Carnegie Hall [2-CD SET] Live-Evil Black Beauty: Miles Davis at Fillmore West Pangaea Agharta ASIN: B00005M0N2 Release Date: 2001-08-21

Tracks:

1. Directions
2. Spanish Key
3. Masqualero
4. It's About That Time/The Theme

Tracks:

1. Directions
2. Miles Runs The Voodoo Down
3. Bitches Brew
4. Spanish Key
5. It's About That Time/Willie Nelson

Amazon.com

Miles Davis took the stage of New York's Fillmore East with five other players on March 7, 1970. Leaning heavily on the soon-to-be-released Bitches Brew and looking back no further than 1962's "Masqualero," they rumbled, squawled, and stomped through two sets that might have surprised even fans of Davis's new rock-influenced sound. At times edgier than even the challenging Brew, the music was nonstop, polyrhythmic, and crashing while remaining groove-oriented. With Miles blowing one aggressive solo after another, saxophonist Wayne Shorter and drummer Jack DeJohnette rise to the moment while providing reminders of the angular sound of the '60s trio. While "Bitches Brew" itself appears in a drastically shortened but still relatively hushed treatment, the first of two versions of "It's About That Time" breaks away from In a Silent Way's midtempo meditation into full-tilt tumult. These 90 minutes capture Miles headed in the direction of Jack Johnson, stopping to give the rock audience a glimpse of himself working at another peak. --Rickey Wright

Customer Reviews:

A furious barrage of free jazz and intense performances.......2006-09-07

This live March 7, 1970 release is burning hot and intense. Oddly enough, Miles was warming up for the Steve Miller Blues Band and Neil Young and the response from the audience is halfhearted and lukewarm. It seems likely that fans of the comparatively more straightforward material of those two bands were in no way shape or form prepared for this wild barrage of free jazz, jazz-rock, and unfettered experimentation. It's too bad too - this is easily the best set I have heard from this period of Miles (1969-1971) and reinforces in my mind the incalculable impact he had on music.

Alongside Miles (trumpet) is a virtual who's who of the jazz rock scene: Chick Corea (Fender Rhodes electric piano); Jack DeJohnette (drums); Dave Holland (electric bass guitar and acoustic bass); Wayne Shorter (soprano and tenor saxophone); and Airto Moreira (percussion). These guys are all top shelf musicians and turn in some of the most "out there" performances I have ever heard. Chick Corea is especially wild and simply tears the electric piano up - the furious, free-form barrage with Dave Holland during the first set is simply unbelievable. Speaking of the bassist, I happen to like Dave Holland quite a lot - a lot more in fact than Motown bassist Mike Henderson (who played on the Live Evil album, 1971). Dave is a technically superior player and he truly interacts with the other players rather than just laying down an ostinato. Jack DeJohnette is also in top form and churns out a swirling mass of impenetrably dense rhythms, while Wayne Shorter cuts loose with furious torrents of notes that recall free jazzer Eric Dolphy at his most intense. Whew. Let us just say that the performances on this live recording are hot.

Tracks 1-4 comprise a 42 minute jam that holds your attention all the way through, while the second set provides more of the same. Musically, the pieces incorporate elements of free jazz, although some influences taken from James Brown and other soul/funk musicians can be heard as well - even though they really take a back seat to the free jazz and experimental jazz rock.

If you enjoyed this live album, you might also like Bitches Brew (1970); Live Evil (1971); A Tribute to Jack Johnson (1971); and On the Corner (1972). This is all simply amazing stuff and Miles was an extremely forward thinking musician. Very highly recommended.

The Lost Quintet Live - The Power & Dynamic is just AWESOME!.......2006-09-03

The playing on these two discs is masterful and intense. The Fillmore audience full of stoned teens and college students must have been taken aback by this sonic assault. There's some polite applause here and there but they must have been wondering "WTF was that?"

Holland and DeJohnette provide a punishing, pulsing, swinging foundation to the other players to improvise upon - Shorter and Miles go wild. As usual, I am not wild about Corea's distorted electric Fender Rhodes with that Ring Modulator gadget (not a particular good effect in my opinion but it must have been "trippy" at the time), but his playing is fabulous. I will say this disc is probably only for the die-hard Electric Miles collector. Some listeners are going to hate it because there's a lot of "free jazz" (in the Ornette Coleman sense of the expression) going on in here and the cacauphony will be a bit overwhelming at times. This is not a collection I can listen to at any ol' time and it certainly isn't "background music", but I am glad I purchased it.

Just because you like Bitches Brew, Big Fun, Jack Johnson, and On the Corner doesn't mean you are going to like this. The playing is very hot but it's also very free form in places. Some of it even reminds me of Holland and Corea's Circle - The Paris Concert with Anthony Braxton. Fidelity is a little muddy for bass and drums but don't let that put you off. Apparently, according to the Cellar Door Sessions booklet, the engineers were still trying to figure out how to record this band with this concert took place.

Miles Moves Forward.......2006-08-30

Miles Davis' 1969-1970 performances, which saw - or rather heard - the trumpeter fusing the eerily open-ended logic of BITCHES BREW with the screaming stagecraft of the then-burgeoning arena rock scene, represent one of the most exciting links in the solid gold chain of breakthroughs which was his singularly stellar career. Long unavailable in the US, these shows have hit the shelves in a big way over the past nine years as Columbia Records continues its hell-for-leather efforts to get every note Miles ever recorded for the label out to the public. Happily, IT'S ABOUT THAT TIME, like other releases from the same era, more than justifies such a policy.
With saxophonist Wayne Shorter here playing his final gig with Miles, TIME could easily get by on historic importance alone. But riding atop one of Davis' - indeed, one of jazz's - greatest rhythm sections (Chick Corea on electric piano and assorted bizarre circuitry, Dave Holland on bass guitar and Jack DeJohnette on drums and on fire), the two great blowers and composers are given no chance to rest on their laurels. Tunes from BREW and IN A SILENT WAY here coalesce into forty-five-minute suites of crashing, keening, thundering improvisational elan and fearlessly forward momentum. Whether this sort of thing is your cup of tea or not, it's impossible to dismiss; few if any acts in either the jazz or rock sphere could have offered a more powerful concert experience than this in what must surely rank as the absolute peak period for live music of any sort. Never once sinking into either the safety of convention or the lethargy of chaos, this version of the Miles Davis Quintet/Sextet was and remains a formidable unit.
And IT'S ABOUT THAT TIME is a formidable pair of discs. Whether it's the best way to hear Miles and Company at this juncture, however, is rather hard to say. I'd actually call the long-deleted Japan-only release 1969 MILES, recorded in Antibes a month before BITCHES BREW itself, a somewhat more interesting document, as it applies the scorched-earth logic of this band to a broader cross-section of Davis' repertoire, including such pre-electric classics as "'Round Midnight" and "Footprints." By the same token, Shorter's departure, regrettable as it may have been, didn't prevent his bandmates from continuing to jell and explore, with the result that BLACK BEAUTY, recorded a month after this set with Steve Grossman on soprano sax, seems to my ears to achieve the impossible by reaching an even more torrential level of intensity, if only in a few spots.
Nevertheless, with no other recording of this particular combo tackling this particular program currently available, IT'S ABOUT THAT TIME meets five-star criteria for both the sound and significance of its content. Miles forever!

A Smokin' Performance.......2006-06-08

There are numerous official and bootleg albums dating from the early electric phase of Miles Davis. But It's About That Time is the best that is currently available. The material features a band operating loud and proud, with the solos by Davis and Shorter nothing short of brilliant.

Looking back more than 35 years later, one can easily hear why jazz fans/critics were critical of Davis (in actuality, what else was new) while he took "fusion" into major rock venues, while opening for popular rock acts of the time.

The music is as thrilling to hear today as it certainly was live in 1970. The CD is an essential part of a collector's library who wants to hear Davis and his band tearing it up and get a real understanding in what fusion meant at its inception.

Better than Bitches'.......2005-09-28

I'm a neophyte to Fusion in general, but I think that the rumours are true - this CD set is much better than the legendary Bitches Brew.

My favorite track is "Bitches Brew" itself, in a version that is shorter, harsher and more focussed than the album version. Besides, it doesn't have all those bizarre edits and tape loops that made the album so hard for me to digest.

"Spanish Key", in two versions, is also funkier than the album version, with fine soloing by Wayne Shorter. I prefer the second set's version.

Note that both sets end with the "Go-Go" theme, with which Miles Davis ended all his sets in the 1950s-60s - that and the tune "Masqualero" are the only remnants of Miles' pre-electric past.

Average customer rating: The Price Club A living legend not your daddy's old timey spiritual Immaculate Vocals of Leontyne Price Great Gospel Stuff

The Essential Leontyne Price: Spirituals, Hymns & Sacred Songs Manufacturer: RCA ProductGroup: Music Binding: Audio CD All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Price, Leontyne | ( P ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Folk | Styles | Music Gershwin, George | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Gounod, Charles | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Schubert, Franz | Q to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music Anonymous | A to B | Featured Composers, A-Z | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Folk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music Price, Leontyne | Divas | Opera & Vocal | Styles | Music General Christmas | Holiday | Miscellaneous | Styles | Music General Christmas | Holiday Music | Special Features | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Leontyne Price: The Ultimate Collection Leontyne Price Christmas Songs Chants de Noel.Weihnachtslieden Wiener Philharmoniker Herbert Von Karajan Amazing Grace: Jessye Norman Spirituals in Concert Spirituals ASIN: B000003FWE Release Date: 1997-01-14

Tracks:

1. Ev'ry Time I Feel The Spirit - Various Artists
2. Let Us Break Bread Together On Our Knees - Various Artists
3. His Name So Sweet - Various Artists
4. 'Roun' About The Mountain - Various Artists
5. Swing Low , Sweet Chariot - Various Artists
6. Sit Down, Servant - Various Artists
7. Were You There - Various Artists
8. He's Got The Whole World In His Hands - Various Artists
9. Deep River - Various Artists
10. Honor! Honor! - Various Artists
11. My Soul's Been Anchored In De Lord - Various Artists
12. On Ma Journey - Various Artists
13. A City Called Heaven - Various Artists
14. Ride On, King Jesus - Various Artists
15. I Wish I Knew How It Would Feel To Be Free - Various Artists
16. Sinner, Please Don't Let This Harvest Pass - Various Artists
17. Sweet Little Jesus Boy - Various Artists
18. There Is A Balm In Gilead - Various Artists
19. Let Us Cheer The Weary Traveler - Various Artists
20. Ev'ry Time I Feel The Spirit - Various Artists
21. My Way Is Cloudy - Various Artists
22. Nobody Knows The Touble I've Seen - Various Artists
23. I Couldn't Hear Nobody Pray - Various Artists

Tracks:

1. Holy, Holy, Holy - Leontyne Price
2. Lead, Kindly Light - Leontyne Price
3. Blessed Assurance - Leontyne Price
4. Ave Maria - Leontyne Price
5. What A Friend We Have In Jesus - Leontyne Price
6. Amazing Grace - Leontyne Price
7. The Lord's Prayer - Leontyne Price
8. Pass Me Not, O Gentle Savior - Leontyne Price
9. The Church's One Foundation - Leontyne Price
10. Bless This House - Leontyne Price
11. I Need Thee Every Hour - Leontyne Price
12. Schlesische Volkslieder: Fairest Lord Jesus - Leontyne Price
13. I Wonder As I Wander - Leontyne Price
14. Ave Maria - Leontyne Price
15. Porgy And Bess: Summertime - Leontyne Price
16. America The Beautiful - Leontyne Price
17. Lift Ev'ry Voice And Sing - Leontyne Price
18. A Mighty Fortress Is Our God - Leontyne Price
19. Battle Hymn Of The Republic - Leontyne Price

Customer Reviews:

The Price Club.......2005-04-28

"I am here," said Leontyne Price when interviewed as she opened the new Metropolitan Opera with Samuel Barber's underrated ANTONY AND CLEOPATRA, "and you will know that I am the best and will hear me. The color of my skin or the kink of my hair or the spread of my mouth has nothing to do with what you are listening to." Back in the 1960s Price was one of the greatest divas in all of opera, and it wasn't just her voice but her magnificent stage presence, combined with her social activism. All of the above come into play in this collection of secular songs and ditties, some of them traditional plantation chanties and others, art songs and a scattering of pop music. And some of them, like Gershwin's "Summertime," cross the ever-permeable boundaries between Broadway and classical. These recordings were made at different times in Price's career, and her voice, while always angelic, has different shadings and reaches a different range of timbre in each separate recording date, but there is no question that, as time goes by, she is able to impart a richness of life experience noticeably absent from some of her earlier work.

"Ave Maria" sounds heavenly no matter which way you slice it, and as for "I Wonder As I Wander," it brings tears to your eyes. If you have a heart that's beating you will be moved by this rendition. "Ein feste Burg" is pretty strong, but Price seems more comfortable with the traditional spirituals, though perhaps it is the slightly off-kilter sounds of the Ambrosian Singers (what a name) who back her up on many of these tracks, that detract slightly from the experience. Compare "Lead Kindly Light" for a clear sense of what constitutes authority vs. what is a wee bit overproduced. If you had this compilation, and perhaps one of Leontyne Price's Christmas albums, you could attain nirvana any time you wanted to, just flip a switch and close your eyes, let her lift you up on wings of song.

A living legend.......2005-03-10

Leontyne Price (still alive) and already passing into immortality amongst vocal artists, both classical and popular. Leontyne Price stands at the pinnacle of her classical art, but those who only know her work in La Forza del destino or the Verdi Requiem are in for a heart rending treat with this album where Leontyne Price goes home to her roots in Mississippi and gives an unabashed account of the classic spirituals she sang as a young woman. Like John Mc Cormacks rendering of Irish songs there is a personal longing and devotion expressed here that reveals a side of the artist not known in the bulk of their "classical" repetoire. A sense of going home like Citizen Kane's rosebud, or as Dorothy Gale observes at the end of the Wizard of Oz "everything I could ever have wanted was right in my own backyard "

not your daddy's old timey spiritual.......2004-06-23

Agreed this is a good cd for a beautiful voice, but this is not, repeat not, for someone who wants to hear that old-timey religious fervor that you think of when you've been to a Black Baptist hand-clapping, standing, swaying, and singing service.

Immaculate Vocals of Leontyne Price.......2003-12-31

IMMACULATE, SUPERB vocal range and style! There's no other words that can complement Miss Leontyne Price's vocal arrangements. Miss Price's voice is strong, and shrills very nicely to the instruments played on many songs listed on this double CD which is a joy to treasure; every song listed are songs I was raised to hearing and singing. Miss Price is the reason why many of these songs remain in popularity and presently used. Miss Leontyne Price has been incredible in many of her past performances. This is my fourth CD of Miss Price and I am glad to own this particular CD forever and ever. Many thanks to the executors who found this remarkable album and upgraded it to a CD format! **Angi**

Great Gospel Stuff.......2001-04-12

This is a great CD. The only problem I have with it is that on some of the selections there is a boy's choir screaming in the background, and this takes away (a bit) from her performance. That said, her best selections are those that are either unaccompanied or those where her voice is not buried. Songs that strike me are - His Name So Sweet, He's Got The Whole World, Were You There, I Wonder as I Wander, Lift Every Voice and Sing, and my all time favourite Summertime. Enough said.

Average customer rating: "It's About Time" Christina Made a Good CD It's About Time for some good R&B Something went wrong... It's About Time - actually 2.5 stars Not a Bad Album in the Least

It's About Time Christina Milian Manufacturer: Island ProductGroup: Music Binding: Audio CD General | R&B | Styles | Music General | Soul | R&B | Styles | Music General | Dance Pop | Dance & DJ | Styles | Music Similar Items: So Amazin' Christina Milian A Girl Like Me Concrete Rose Nina Sky ASIN: B00027JYQ2 Release Date: 2004-06-15

Tracks:

1. Intro (Christina Milian/It's About Time)
2. Dip It Low
3. I Need More
4. Whatever U Want
5. Someday One Day
6. Highway
7. I'm Sorry
8. Get Loose
9. L.O.V.E
10. Peanut Butter & Jelly
11. Miss You Like Crazy
12. Oh Daddy

Amazon.com

Just when you thought the current surplus of pop princesses would cause the leather-miniskirted bottom to drop out, along vamps Christina Milian with a crackling new CD whose 12 songs outshine "AM to PM," her 2001 hit. In the Cuban-American Milian, J-Lo has found her heir apparent (not that she was looking): The songs spotlight a similar sex-i-fied energy, jumbling attitude, vulnerability, and a jigger of jadedness into a heaving, R&B-leaning, red-hot heap. The secret is whip-smart production--credit players who have worked with Alicia Keys, J-Lo, and Mariah Carey--especially on "I Need More," which showcases an array of pings, pulses, and from-the-gut guitar. When we're not singing along to lyrics like "It'll be a cold day in hell before you see your girl shed another tear, boy you better hear me," bottom lip pushed out for emphasis, we're shouting "go, girl" from the sidelines. Or at least wanting to. If the radio hit "Dip It Low" hasn't pushed you to pick up this disc already, it is, in fact, about time. --Tammy La Gorce

Album Description

You know her from the infectious single "AM To PM" which hit the top position on Billboard's Hot 100 Singles chart in 2001, yet that was just a taste of what this multi-faceted young woman is capable of.Christina Milian is a multi-talented phenomenon whose resume includes film, television, theater and music. With starring roles in feature films and her highly-anticipated debut album "It's About Time" ready for release, Milian is poised to take the entertainment industry by storm. One listen to "It's About Time" and it is clear that Christina is in a decidedly more mature space. "I'm older now. When "AM To PM" came out I was a teenager. Now I'm 22 and so songs on this album have a little more depth to them." The depth is evident by the album's R&B vibe and lyrics that have a bit more edge. You can feel the sexy point of view on cuts like the up-tempo "Love." Produced by Warryn Campbell and featuring label mate Joe Budden, "Love" vibrates with a retro 80's dance club feel.

Customer Reviews:

"It's About Time" Christina Made a Good CD.......2006-12-03

Do you remember Christina Milian? Probably not. In 2001, the former junior journalist for the Disney Channel landed a single called "AM to PM" on the charts. It fared moderately well, while the album it came from did not. Three years later, Milian returns in her early twenties and marks the occasion with a clever and ubiquitous slice of high-class raunch called "Dip It Low." This turns out to be the biggest -- but not only -- highlight of her second album. It falls somewhere between Beyoncé's Dangerously in Love and Jennifer Lopez' This Is Me... Then in sound and scope, and yet it isn't quite as remarkable as either. Bloodshy & Avant, the two primary producers who reprise their roles from Milian's first album, hand the singer at least three other songs that have the potential to be played on radio and television with at least half as much frequency as the lead single. This should push her well beyond one-smash-and-out status. The club tracks work best and easily outrank the slower songs. Despite the album's handful of bright spots, Milian will need to be more convincing during the ballads next time out in order to be considered a true force.

Also check out her latest album, "So Amazin'" and if you can, get ahold of "Christina Milian", her debut.

It's About Time for some good R&B.......2006-06-24

I must say that after hearing Christina's UK only album i had my doubts that i would ever be a huge christina fan. I mean her 1st album was good but nothing great. This time around its a different story. Her new cd is much more up beat with fairly catchy hooks. Even the beats are pretty good. L.O.V.E. and Get Lose are really good songs. I Need More is interesting. This cd is MUCH better than her new one Ao Amazin'. Pick it up and hear it for yourself

Something went wrong..........2006-06-16

After listening to 'Dip It Low,' you would figure that this would be a good dance Pop/R&B album. You would be horribly wrong. The album lacks everything, from depth and melody, to organization and reason. Though not so great, there are a few good songs that stand out.

1. Dip It Low- Catchy and cool. 8/10.
2. I Need More- Too many sounds going on. 3/10.
3. Whateva U Want- Good, but too average. 6/10.
4. Someday One Day- Better. 7/10.
5. Highway- Different and sexy. 6/10.
6. I'm Sorry- No melody or organization. 4/10.
7. Get Loose- Slick dance track. 7/10, but plain.
8. L.O.V.E.- Different with an 80`s vibe, but a little much at times. 7/10.
9. Peanut Butter Jelly- Horrible. 2/10.
10. Miss U Like Crazy- Just good. 6/10.
11. Oh Daddy- Emotional, but good. 6/10.
62/110- 56%: ** - **1/2

It's About Time - actually 2.5 stars.......2006-05-23

I was curious to hear this entire disc because other than the single, DIP IT LOW, the only thing I'd heard about Christina Milian was in the acting realm. After listening to it for a few times, I'd rank her vocal ability against Mya, Ashanti, J Lo, Ciara, Rhianna, etc. The one thing that all of them have in common is that they're attractive females with limited vocal skills.

In comparison to Mya & Ashanti's last releases, Ms. Milian just didn't take enough chances with the disc so in a few of the songs her voice sounds almost exactly like Jennifer Lopez but not as strident as J Lo's voice. Christina has a sweet, gentle quality to her voice which lends itself well to the ballads but sometimes gets lost in the more beat oriented dance tracks.

The tracks that I really liked are: DIP IT LOW, SOMEDAY ONE DAY, I NEED MORE (reminds me of old school Janet Jackson), MISS YOU LIKE CRAZY, HIGHWAY, GET LOOSE (very J Lo-esque) & PEANUT BUTTER & JELLY.

I'd recommend it to those who like "hip pop" and have enjoyed discs by any of the females mentioned above. It's a disc that definitely keeps up with others released in this genre of music but is not groundbreaking in any way - her vocals are not distinctive enough to distinguish her disc from the others and truthfully the only two songs that made a real impression on me were DIP LOW AND PEANUT BUTTER & JELLY so if you can download those two that may be your best bet.

Not a Bad Album in the Least.......2006-05-20

IT'S ABOUT TIME isn't the first release by Christina Milian, but it is the first release to get some attention. During the release of this album you couldn't miss ubiquitous first single "Dip It Low" on TV or on radio. What is unfortunate is, despite the nearly gold sales of this album, it still was under recognized compared to Milian's rivals including Britney Spears, J. Lo, Beyonce, and etc... IT'S ABOUT TIME isn't the second coming where pop music or music is concerned, but it isn't a bad album in the least.

Milian's follow-up to IT'S ABOUT TIME (SO AMAZIN') is a much more urban-driven album compared to this. Here, Milian deals with her pop leanings, evidence by "Dip It Low". While "Dip It Low" is the standout from this album, there are other very capable singles including the incredibly fun "I Need More" and "Whatever U Want". Then later on, Milian slows the pace down with the enjoyable mid-tempo ballad "I'm Sorry". However, Milian isn't particularly consistent with hits and filler material as there is extraordinary material next to average material.

A boost for IT'S ABOUT TIME is the production. Like most dance-pop divas, Milian's voice isn't particularly full, but thin. The production highlights her voice to make her sound very credible as vocalist. Also compared to her R&B counterparts (i.e. Ashanti, etc...) she isn't nearly as modest where vocal nuance and melisma are concerned. It is no surprise this album received a Grammy nomination, however it is certainly not extraodinary in anyway. It is a nice dance-pop set, but it isn't truly innovative in any sense. Nobody can deny how great "Dip It Low" is/was though. 3 Stars.

Average customer rating: Thanx For The Trip Back In Time Thanks for the Memories ENTIRE ALBUM An "old" fan Song that should have been a number 1 hit

It's About Time Kit Kats Manufacturer: Jamie / Guyden ProductGroup: Music Binding: Audio CD General | Pop | Styles | Music General | Oldies | Pop | Styles | Music Baroque Pop | Oldies | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music General | Rock | Styles | Music General | Pop | Indie Music | Stores | Music Similar Items: Philly Doo Wop Classics, Vol. 2 Capitol Collectors Series: The Outsiders The Best of the Ohio Express: Yummy Yummy Yummy Listen, Listen: The Definitive Collection Love (CD + Audio DVD) ASIN: B00003L9H8 Release Date: 1999-11-16

Tracks:

1. Let's Get Lost on a Country Road
2. Won't Find Better Than Me
3. That's the Way
4. Breezy
5. Need You
6. Sea of Love
7. Funny How Love Can Be
8. Cotton Fields
9. Cold Walls
10. Oh My Angel
11. My Favorite Things
12. Can't Live Without Her
13. Nut Rocker
14. You've Got to Know
15. Find Someone
16. Won't Find Better Than Me
17. Liza Jane

Tracks:

1. Won't Find Better Than Me
2. Won't Find Medley: Need You/Oh My Angel
3. Puddin 'N' Tain
4. From Here on In
5. You're So Good to Me
6. Money Game
7. Distance
8. Hey Saturday Noon
9. Love of the Common People
10. Look Away
11. He Was a Friend of Mine
12. Gregorian
13. Radio Spots

Customer Reviews:

Thanx For The Trip Back In Time.......2007-04-13

It was summer of 67 or 68 and I met my first love in Wildwood while listening to the Kit Kats at the Elmyra not the Riptide and with this album I enjoyed the time all over again.From what I here that first real girlfriend went on to marry Kit.I was sorry to here of Kits passing.I hope Louise and family are doing well.I think of those times often and always with a smile.I am back in Wildwood now but it will never be as good. Joe Z

Thanks for the Memories.......2004-12-11

As a college kid in Lancaster, PA in the mid-60's, I was at the old Village every time the Kit Kats came to town, and it was never often enough. With Daisy Mae dancing and the band playing, life was good.

I agree with some of the other reviewers that these guys were ahead of their time. I wonder about their management, because when you look at some of the no-talent groups playing on a national stage at the time, why didn't these guys make it big-time? And right in Dick Clark's backyard.

I have owned the alblum since its original relaese and regretted not playing it when the world moved to tapes and CDs. When a buddy told me about the CD, I thought I died and went to heaven.

I'm not a mucician and can't talk about the technical aspects of their music. All I can tell you is the Kit Kats sounded great then and they still do on this CD.

This is a must-have for anyone who loves good old-fashioned rock and roll.

ENTIRE ALBUM.......2004-11-15

IN 1966/67 THEY WERE THE BUILDER OF MEMORIES AT NUMEROUS KAPPA SIG FRAT. PARTIES. I LISTENED TO THEM WITH BOTH AWE AND ENVY(ON FAR TOO MANY NIGHTS OF THE WEEK)PLAY AT "THE VILLAGE" IN LANCASTER ALONG WITH THEIR FAVORITE FEMALE - DAISY MAE. THEIR CREATIVITY, BLENDING, USE OF INVERSIONS AND SUBTLE REOCCURANCES OVER NUMEROUS TRACKS (PARTICULARLY OF 'WON'T FIND BETTER THAN ME') WAS WAY AHEAD OF IT'S TIME. THEY WERE ALREADY USING TECHNIQUES SO UNIQUE, THEY WERE NOT HEARD UNTIL THE BEATLES' SGT.PEPPER/ABBEY ROAD ERA. MUSICAL GENIUS. A DEFINITE "MUST OWN" FOR THOSE WHO KNEW THEM AND FOR THOSE INTERESTED IN THE BIRTH OF BOTH NEW AND YET TIMELESS MUSIC. SPECIALISTS IN LISTENING TO THESE CDS OR THE ORIGINAL ALBUM WILL NOTICE IMMEDIATELY SOMETHING NOT NOTICED IN THE 60s, EACH MAN A STAR. ALL TOGETHER - A NEW-BORN GALAXY. BIG JOHN'S VOICE (BEST HEARD IN "FUNNY HOW LOVE CAN BE")WHEN COUPLED WITH THE ECLECTIC AND BRILLIANT PIANO (BEST HEARD IN "NUT ROCKER")-CARL, YOU WERE THE MAN= KIT'S (ON DRUMS) VISION AND A ROCK-SOLID BASS(RON, YOU WERE QUITE AND SOMETIMES WENT LESS THAN APPRECIATED(AS IS THE CASE WITH MANY BASS PLAYERS). BUT YOU THE CEMENT DUDE)-A MUSICAL GARDEN OF EDEN. A GARDEN FERTILIZED AND WATERED BY MESSRS. HAUSMAN & STEWART. I DON'T THINK JAMIE RECORDS IN PHILLY KNEW WHAT THEY HAD ON THEIR HANDS.AND WHILE COMPLIMENTARY, THE LOCAL DJs AT WFIL, WBAL AND WIBG HAD NO IDEA WHAT THEY WERE PLAYING. A LINE ON THE BACK COVER READ,"THE KIT KATS, IT'S JUST A MATTER OF TIME, AND THAT TIME IS NOW!". NAIVE OBSERVATION. THEIR TIME WAS YET TO COME BASED ON WHAT THEIR MUSIC SAID - THEIR TIME, TO THIS MUSICIAN ANYWAY, IS FOREVER. TO THOSE WHO HAVE LISTENED TO THIS ALBUM AND DISAGREE- LISTEN AGAIN AND LISTEN CLOSELY. BEETHOVEN, MOZART, CHOPIN...VERY FEW PEOPLE THEN REALLY LISTENED TO THEIR SOUNDS. WHEN THEY FINALLY DID, WHAT THEY HEARD CAUSED THEM TO LISTEN FOREVER---AND SMILE----AND DREAM. THE TITLE OF THE ALBUM SAID IT ALL - "IT'S JUST A MATTER OF TIME..." THE KIT KATS KNEW THEN. THE REST OF US - ALL OF US- DIDN'T KNOW UNTIL MUCH LATER.GENTLEMEN-THANKS FOR THE MEMORIES AND A SPECIAL THANKS FOR PUSHING THE ENVELOPE WITH YOUR CREATIVE PASSION. WE(AND MUSIC ITSELF)CHANGED BECAUSE OF YOU. MY ONLY TWO WISHES? TO THANK YOU IN PERSON AND TO HEAR AND FEEL YOU PLAY... ONE LAST TIME.

An "old" fan.......2004-06-21

Wow!! I have the 33 1/3 album of the music of the "Kit Kats "(actually "New Hope"). I've added this to my cart and can't wait til the end of the month to have it shipped. I'm also getting copies for my two daughters. I tried to make a copy onto tape for them one time, but was unsuccessful. They love the Kit Kats music too.
Carl Hausman was my best friend growing up. I used to love to sit and listen to him practice, while waiting for him to go out and play stickball and other kid stuff on the streets of Fishtown (that's in Philly). I was always amazed at his talent. We used to collect old newspapers from neighbors in our wagons to recycle for a few cents.
I, too, don't understand why they never made it nationally. I'm looking forward to hearing a clean copy of "Let's Get Lost On a Country Road" and "Won't Find Better Than Me" on the stereo in my SUV instead of the worn, scratchy record I have now. It will take me back to our days on Montgomey Ave. and the times I sat in his living room listening to him play. (It has been almost 50 years.)

Song that should have been a number 1 hit.......2004-05-22

It was summer 1970. I was just a kid. Kept hearing this great song on the radio all summer. The song has looped through my memory since then and I never knew who sang it or exactly what the name of the song was. I determined to find the song on the net recently armed only with "Wont Find Better". I found the song and the Kit Kats. It came in the mail today, I'm listening to it now and am floating back to summer 1970....SWEET!

Average customer rating: A Terrific Album Its about time Carlson's Timely Return Warrants A Well-Deserved Homecoming It sure is about time!!

It's About Time Paulette Carlson Manufacturer: Pandean Records ProductGroup: Music Binding: Audio CD General | Contemporary Country | Country | Styles | Music General | Country | Styles | Music Contemporary | Bluegrass | Country | Styles | Music Similar Items: Getting Somewhere Memphis Princess Men & Mascara All American Bluegrass Girl Reunited ASIN: B000FDFS6S Release Date: 2006-06-13

Tracks:

1. I knew A Good Thing When I had It
2. That Old Glass Case
3. I Wish You Wouldn't Stand Quite So Close
4. Cowgirl Angel
5. Only In Your Dreams
6. My Love Is In America
7. He's Funny that Way
8. She Rides For The Brand
9. Twenty Years Ago
10. Thank You Vets
11. Rejoice For The Moment
12. It's About Time Mpw

Album Description

With "It's About Time," Paulette Carlson returns to country music with songs about life, love, family and the universal human experinces that unite us. The same voice that sent sparks through country radio leading the groundbreaking multi-platinum selling band Highway 101 has returned with a compelling collection of new songs that will quickly remind listeners of Carlson's place in country music. Produced by Paulette in Nashville, Carlson wrote 10 of the 12 cuts. The songs perfectly showcase the gloriously textured voice that is instantly identifiable.

Customer Reviews:

A Terrific Album.......2007-04-15

If you are not familiar with Paulette's voice think a less melancholy Tammy Wynette (one of my favorites). Paulette's work with Highway 101 is well documented but she has some wonderful guest appearances, especially on The Nitty Gritty Dirt Band's Circle II.
The first number on the album, I Knew a Good Thing When I Had It, should be a major country hit. Lively and very catchy you have a hard time getting this song out of your head. That Old Glass Case is a really good song about a family heirloom. He's Funny That Way and Twenty Years Ago are two more fine numbers that like all of Paulette's tunes has hooks that grab you and have you singing along. It's About Time Now is a high energy tune with good use of the fiddle that will start your foot tapping and before you know it you will be dancing to this one.
I saved Thank You Vets for last, although every song is very good this one is extremely moving for me, a Viet Nam Vet. Paulette's brother Gary is a Nam Vet and the lyrics on this song come straight from her heart. She tells all Nam Vets that she appreciates them and the country now appreciates them even though it is late in coming from our country...better lat than never I say. The song has a great melody and has the hooks she is known for but there is a lot of power in this number and the heartfelt lyrics. It is the song that brought Paulette out of retirement and we are the beneficiary of that decision. Paulette dedicates this album to all Viet Nam Vets. Buy the CD, you won't be disappointed, even if you are not a country fan.
Here is hoping this very talented and caring lady continues to record. If she plays in your area do yourself a favor and catch her live.

Its about time.......2006-08-08

Finally Paulette has given us a new CD. With 10 original songs, she has written precious stones to share with all who listen. No one writes more personal and meaningful songs then Paulette has on this CD. Besides songs such as The Old Glass Case and He's Funny That Way. She has,written a song for the Vietnam vets. Where have the other writers been on this subject. Easily showing she can express any feelings she has, even on a subject to difficult for most to tackle.

Once again if this isn't enough, she shows us no one can actually sing their songs with the emotion and energy that she gives to every line. No wonder Highway 101 was the most popular group of its day.

Thanks Paulette.

Carlson's Timely Return Warrants A Well-Deserved Homecoming.......2006-06-27

Prime Cuts: Only in Your Dreams, He's Funny That Way, That Old Glass Case

It's about time for her return -- after a 9 year hiatus, where she has chosen the venerable prerogative of raising a family -- Paulette Carlson's finally back. Vocally this petite blonde is still packed with emotions when she croons a ballad and when she rocks she still can cause barns to be ablazed. And, despite the fact that country music has gone through transformational maelstroms led by the assault of pop and rap that shook its identity at its core, Carlson's new CD still comes across as if time has not changed. With a throwback to the days when she was heading the multiple-number-one group Highway 101, "It's About Time" still relies on those wonderful rustic rudiments such as steel guitars, fiddles and piano to parlay these newly recorded 12 paeans. However, with "It's About Time," Carlson makes two departures. Instead of relying on the scribes at Music Row, Carlson has penned 10 out of the 12 cuts. Further, she has chosen to helm the album by herself, a fleet she has had never done before.

Most ambitious among this oeuvre is the heart wrenching ballad "That Old Glass Case," a story song that finds echoes with Dolly Parton's "Coat of Many Colors." Here Carlson waxes nostalgia about her deceased parents incurred via an old glass case, a priced family heirloom. Though it is easy to give in the tooth-decaying mawkishness on such songs, but Carlson redeems this track with the way she caresses each note with care dripped with emotions. Also, in the inspirational mode is "Rejoice for the Moment," a ode to carpe diem in the lyrically alley of Tim McGraw's "Live Like You Were Dying," though it lacks the urgency of McGraw's hit. And when inspiration turns to patriotism, a couple is represented here: lead single "Thank You Vets" is a slice of personal tribute Carlson wrote in remembrance of her brother who died in the Vietnam War. Though the sentiments are to be commended, but the marching drums sounds trite; a simpler backing would be more effective. While "She Rides for the Brand" offers a graphic narrative perspective of the agonizing toil of war on the families of the vets.

Lest one gets the impression that this is an inspirational CD, the songs that deal with romance abound. The choice cut here being the exhilaratingly upbeat "He's Funny That Way" where Carlson provides a litany of why her man is indispensable. Surrounding herself with a wall of wailing fiddles, Carlson bears her heart on the hurt-drenched "Only in My Dreams," this is stuff the heart is proud of. "Twenty Years Ago" and "My Love is in America" are the only non-Carlson penned tracks. Of which, the former was a Kenny Rogers' hit which Carlson's version strips this ballad from Rogers' 80s pop synth-feel. But the latter, "My Love is in America," is a offbeat ballad that suffers too much from some unfortunate chord progressions thus diffusing the melody as a result.

Though Carlson's return is much anticipated, there is a feeling that such a return was a little rushed as far as the song selection of the CD is concerned. There's nothing that really jumps out that spells "hit" all over. Neither is there an entry that will etch into the listener's conscience the way "(Do You Love Me) Just Say Yes" or "I'll Start With You" had on listeners those years ago. Nevertheless, there are enough good tunes to warrant one's listening time. In short, this is a timely return that deserves one's endorsement.

It sure is about time!!.......2006-06-21

Finally..a new cd from the voice of Highway 101, Ms Paulette Carlson. Coming out of 'retirement', this cd was released last year (albeit with different cover art) and has been available on her official website. Anyone who likes Paulette or Highway 101 will want to buy this cd anyway but you wont be dissapointed. Every track is a gem and her voice sounds as beautiful as ever. Simple country songs of love and loss (I knew a good thing... ,I wish you wouldent stand.. & Only in your dreams) along with heartfelt nostalgia (That old glass case & Twenty years ago)and 'traditional' songs (My love is in America & Rejoice for the moment). Also featured are 'Americana' songs, "She rides for the brand", "Its about time" and the reason for Ms Carlson returning to the spotlight - "Thank you Vets" are all really accessable. As a 35 year old guy from England I really have no real knowledge/conection to the Vietnam war. Despite this I was actually very moved by the heartfelt sincerity of the lyrics and the emotion in her voice in "Thank You Vets". Paulette has once again shone through with her songwriting and has written all but 2 tracks. This is certainly a welcome return and hope this to be the first of many more cds we can expect to get from this wonderful and very talented lady!!

Rap Music:

1. Killer Lords [Original recording remastered] [Import]
2. Ladie's Love Oracle [Bonus Track]
3. Laughing Water [Live]
4. Live at World Cafe [EP] [Live]
5. Live [Live]
6. Long Live the New Flesh [Extra tracks]
7. Long Way from Home [Import]
8. Majikat [Live]
9. Manage the Damage
10. Merry Merry Merry Frickin' Christmas/Jessie's Girl [CD-single]

Rap Music

rap music

Recommended Music:

Schranzwerk V.5

6 Impromptus

1957

Music: New Jazz Science

70 Ounces of Gold: Rock & Gold

Back on the Street

A Procura

13

A Musica De Baden Powell [Import]

Allegri: Miserere/Handel: Zadok the Priest [Import]

A Guitar Thing

16 Most Requested Songs

21st Century Crisis/There She Goes [CD-single] [Explicit Lyrics]

Barber: Canzonetta for Oboe and String Orchestra/Strauss: Concerto for Oboe and Small Orchestra/Wolf-Ferrari: Idillio

Unappreciated