| 1. A Flower That Sears In Silence |
| 2. All the Seasons Of Madness |
| 3. Laying Together Again |
| 4. Bescreen'd |
| 5. Who Is Hiding |
| 6. Crucifige |
| 7. XCVII |
| 8. The Night, Then Him |
| 9. So Death Would Be Just A Bad Dream |
Editorial Reviews
About the Artist
This one's got it all. Beyond My Grey Wake burns with a quiet intensity until it crashes with thickly muscled chording. A deep dark atmospheric doom pervades the acoustic loveliness, until death rumblings offset the clean female vocals. It's called dynamics, and this band has it in spades, to create a unique metal equilibrium between the passionate and the profane.(Mike G, Metal Maniacs, 2003)
Product Description
A potent blend of several musical genres spanning heavy metal, orchestral, doom, gothic and more. Four men and four women comprise HLAW with a variety of instrumentation (violins, piano, acoustic and electric guitar, male and female vocals-clean and aggro). Likened in their earlier stages to bands like My Dying Bride, Anathema and Moonspell, HLAW has come to a more mature place in their musical development and carved out a niche of melancholy and remembrance all their own.
If Agalloch hadn't done that to me first, this album would have gotten five stars. Any fan of Doom should surely own this album.
The coolest thing about this album is definitely the drumming. Some of the off-time kick patterns are AWESOME. Why don't more band's do that? You can bet your last dollar that they will now.
They know how to record a doom album too. This record is so clean, so heavy it will knock you on your ass. Then so mellow, then so heavy. A good record and one band to look forward to hearing from again
The CD starts out with A Flower That Sears in Silence which is a great doom laden song. Expressive growls by pianist/vocalist Dust start the song off as female voices chime in during the later parts of the song.
The next song, All the Seasons of Madness, which I believe to be the highlight of the album, is a lengthy song (7:57) that changes greatly throughout the entire piece. The song starts off with the band members chanting, "I hope into this morning..." and is then torn apart by growling. Slow passages soon embrace the listener and a violin comes in. The song is changed in tempo throughout the entire song, but goes back to its original lyrics and tone towards the end.
Laying Together Again starts off with a lengthy piano solo and clean male vocals come in towards the middle. The song's vocals are mostly chanted and create a desolate mood while female vocals offset the chorus.
Bescreen'd, is in vain of Shakespeare's balcony scene in Romeo and Juliet and is also a lengthy song (10:37), but unlike All the Seasons of Madness, it keeps its tempo consistent throughout the entire song. There is no growling in this song, only clean male vocals and the violin is heard here perhaps the most in any track.
Who is Hiding, is an instrumental piano solo reminiscent of romantic period composers. While it's their shortest song, it still has much to offer. Dust really showcases his piano skills in this track leaving the listener wishing the song would be longer.
Crucifige is one of the more faced paced songs on the album. It starts off with sounds of nails being hit onto a cross. Vocals are both growled and clean in this piece which adds variety, while female vocals are only heard to the end when reciting a passage from the bible with the male counterpart.
In XCVII, the band displays their love for Shakespeare by creating a song in which they get their name. Only the piano and violin are mostly heard throughout this song while the male vocals are more spoken than sung. The female voice takes hold after every quatrain (4 lines in a sonnet) in a quite operatic feel.
The Night, Then Him starts off with about a minute of abstract noises. Growling soon interrupts the beginning in which female voices sing amidst them. A short violin solo leads way to female singing in which then leads to more growling.
How Like a Winter end their album with an instrumental, So Death Would Be Just a Bad Dream. It's mostly a piano solo once again. Towards the end of the song, silence occurs for a couple of minutes and then the listener hears chanting to finish off the record.
All in all, HLAW is not for everyone. Many will be dismissed just from looking at their name. It should be noted, however, that HLAW's music is far from being clichéd. Many may argue the My Dying Bride influences, but they create music of their own leading the listener with a cold kiss in their heart.
Recommendations: The Sins of thy Beloved, Theatre of Tragedy, Macbeth, and Draconian.
This one's got it all. Beyond My Grey Wake burns with a quiet intensity until it crashes with thickly muscled chording. A deep dark atmospheric doom pervades the acoustic loveliness, until death rumblings offset the clean female vocals. It's called dynamics, and this band has it in spades, to create a unique metal equilibrium between the passionate and the profane.(Mike G, Metal Maniacs, 2003)
Product Description
A potent blend of several musical genres spanning heavy metal, orchestral, doom, gothic and more. Four men and four women comprise HLAW with a variety of instrumentation (violins, piano, acoustic and electric guitar, male and female vocals-clean and aggro). Likened in their earlier stages to bands like My Dying Bride, Anathema and Moonspell, HLAW has come to a more mature place in their musical development and carved out a niche of melancholy and remembrance all their own.
Beyond My Grey Wake,How Like a Winter,Martyr Music Group,Heavy Metal,Pop,Rock
Beyond My Grey Wake
Average customer rating:
|
Beyond My Grey Wake
How Like a Winter Manufacturer: Martyr Music Group ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008NG9H Release Date: 2003-03-04 |
Tracks:
- A Flower That Sears In Silence
- All the Seasons Of Madness
- Laying Together Again
- Bescreen'd
- Who Is Hiding
- Crucifige
- XCVII
- The Night, Then Him
- So Death Would Be Just A Bad Dream
Album Description
A potent blend of several musical genres spanning heavy metal, orchestral, doom, gothic and more. Four men and four women comprise HLAW with a variety of instrumentation (violins, piano, acoustic and electric guitar, male and female vocals-clean and aggro). Likened in their earlier stages to bands like My Dying Bride, Anathema and Moonspell, HLAW has come to a more mature place in their musical development and carved out a niche of melancholy and remembrance all their own.Customer Reviews:
Awesome..........2006-01-10
If Agalloch hadn't done that to me first, this album would have gotten five stars. Any fan of Doom should surely own this album.
The coolest thing about this album is definitely the drumming. Some of the off-time kick patterns are AWESOME. Why don't more band's do that? You can bet your last dollar that they will now.
They know how to record a doom album too. This record is so clean, so heavy it will knock you on your ass. Then so mellow, then so heavy. A good record and one band to look forward to hearing from again
Find A Nearby Forest Trail and Listen.......2005-11-20
Lengthy Music with Desolate Overtones.......2005-05-16
The CD starts out with A Flower That Sears in Silence which is a great doom laden song. Expressive growls by pianist/vocalist Dust start the song off as female voices chime in during the later parts of the song.
The next song, All the Seasons of Madness, which I believe to be the highlight of the album, is a lengthy song (7:57) that changes greatly throughout the entire piece. The song starts off with the band members chanting, "I hope into this morning..." and is then torn apart by growling. Slow passages soon embrace the listener and a violin comes in. The song is changed in tempo throughout the entire song, but goes back to its original lyrics and tone towards the end.
Laying Together Again starts off with a lengthy piano solo and clean male vocals come in towards the middle. The song's vocals are mostly chanted and create a desolate mood while female vocals offset the chorus.
Bescreen'd, is in vain of Shakespeare's balcony scene in Romeo and Juliet and is also a lengthy song (10:37), but unlike All the Seasons of Madness, it keeps its tempo consistent throughout the entire song. There is no growling in this song, only clean male vocals and the violin is heard here perhaps the most in any track.
Who is Hiding, is an instrumental piano solo reminiscent of romantic period composers. While it's their shortest song, it still has much to offer. Dust really showcases his piano skills in this track leaving the listener wishing the song would be longer.
Crucifige is one of the more faced paced songs on the album. It starts off with sounds of nails being hit onto a cross. Vocals are both growled and clean in this piece which adds variety, while female vocals are only heard to the end when reciting a passage from the bible with the male counterpart.
In XCVII, the band displays their love for Shakespeare by creating a song in which they get their name. Only the piano and violin are mostly heard throughout this song while the male vocals are more spoken than sung. The female voice takes hold after every quatrain (4 lines in a sonnet) in a quite operatic feel.
The Night, Then Him starts off with about a minute of abstract noises. Growling soon interrupts the beginning in which female voices sing amidst them. A short violin solo leads way to female singing in which then leads to more growling.
How Like a Winter end their album with an instrumental, So Death Would Be Just a Bad Dream. It's mostly a piano solo once again. Towards the end of the song, silence occurs for a couple of minutes and then the listener hears chanting to finish off the record.
All in all, HLAW is not for everyone. Many will be dismissed just from looking at their name. It should be noted, however, that HLAW's music is far from being clichéd. Many may argue the My Dying Bride influences, but they create music of their own leading the listener with a cold kiss in their heart.
tears.......2005-05-03
Great Album.......2004-11-17
Recommendations: The Sins of thy Beloved, Theatre of Tragedy, Macbeth, and Draconian.
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