Phantom Moon

Phantom Moon

Editorial Reviews

Amazon.com
Still remembered primarily for the catchy, but ultimately forgettable single "Barely Breathing" off his self-titled debut record, Duncan Sheik's Phantom Moon continues down the same, increasingly melancholic road he began to chart in earnest on his 1998 sophomore effort, Humming. Here, Sheik slows everything down and wrings bittersweet romance from these songs, which feature lyrics written by New York playwright Steven Sater. Embellished with pianos, strings, and occasional, understated drum work, the music Sheik puts around Sater's poetic stories is moody but not acutely passionate. While his expression is heartfelt, it always feels like he's just passing through these sentiments. Songs like "Mouth on Fire," while lovely and sonically intriguing, never attain those touches of intense individuality that mark the best troubadours. Nevertheless, Moon is a solid effort, and it shows off Sheik's growing musical prowess and confidence. Perhaps he simply needs life to throw him a few more low balls before his work finds the sad, brilliant heart it, for now, only alludes to. --Matthew Cooke

Phantom Moon,Duncan Sheik,Nonesuch,Adult Alternative Pop/Rock,Pop,Popular Music,Rock,Rock/Pop,Singer/Songwriter


Phantom Moon

Star Wars Episode III: Revenge of the Sith - Original Motion Picture Soundtrack
Average customer rating: 4.5 out of 5 stars
  • Star Wars: A Musical Journey (2005) (V)
  • Not one of his bests, but very close
  • John Williams' finest work
  • A Great Conclusion to the Prequel Trilogy
  • Williams is slumming it
Star Wars Episode III: Revenge of the Sith - Original Motion Picture Soundtrack

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Star Wars Episode II: Attack of the Clones - Original Motion Picture Soundtrack
  2. Star Wars Episode I: The Phantom Menace - Original Motion Picture Soundtrack
  3. Star Wars Trilogy
  4. Star Wars: Episode VI - Return of the Jedi
  5. Star Wars: Episode IV - A New Hope

ASIN: B000850IS6
Release Date: 2005-05-03

Tracks:

  1. Star Wars and The Revenge Of The Sith
  2. Anakin's Dream
  3. Battle Of The Heroes
  4. Anakin's Betrayal
  5. General Grievous
  6. Palpatine's Teachings
  7. Grievous and the Droids
  8. Padme's Ruminations
  9. Anakin vs. Obi-Wan
  10. Anakin's Dark Deeds
  11. Enter Lord Vader
  12. The Immolation Scene
  13. Grievous Speaks to Lord Sidious
  14. The Birth Of The Twins and Padme's Destiny
  15. A New Hope and End Credits

Amazon.com

John Williams' lovely and moving score for the sixth Star Wars film brings thirty years of collaborating on George Lucas' beyond-popular intergalactic franchise to a close. (Is this really the end of Star Wars? Can't Lucas and Williams work together on a prequel to these prequels? Let us hope so, and that Jar Jar Binks is nowhere near it.) As this music accompanies the most exciting Star Wars film in many a moon, the soundtrack itself is more fun, more evil, more nasty and bumpy. Many of the heroic, anthemic themes woven throughout Episode Three: Revenge of the Sith will necessarily be familiar to any fan of the series, from the "Imperial March" to the main theme. It's remarkable how stirring the latter can be, no matter how many times you've heard it, and even for those who do not have all their money invested in S.W. memorabilia. There is a lot of new music here, and the lush, extensive range of both Williams and the London Symphony Orchestra is on display, most notably in the menacing, percolating "General Grievous" and the rousing "New Hope" end theme. --Mike McGonigal

The Force Is Also with:


Star Wars Trilogy soundtrack box set

Star Wars Episode II sountrack

Star Wars Episode II, Attack of the Clones

Star Wars Episode I, The Phantom Menace

Star Wars Trilogy on DVD

Star Wars, Episode III - Revenge of the Sith

Customer Reviews:

5 out of 5 stars Star Wars: A Musical Journey (2005) (V).......2007-06-21

product: Star Wars: A Musical Journey (2005) (V), included as bonus disc in Episode III soundtrack.

The bonus dvd with this soundtrack was the reason I purchased. I enjoy film soundtracks, and science fiction, but this dvd was a real highlight for me. I got the soundtrack cd out of the local library. The cd was missing from the case, but I found this wonderful dvd instead that I went out to purchase later.

With optional segments of dialog from Ian McDiarmid, this film is a stunning visual and musical overview of the full epic story of episodes I-VI of Star Wars. For those of us who felt that eps. IV-VI fell short of our expectations, this film presents them well as parts of the whole story. The Musical Journey also stands as a summary of the entire SW opus for someone who is not familiar with the Star Wars characters and plot. Highly recommended.

Options: no subtitles or other options.

4 out of 5 stars Not one of his bests, but very close.......2007-05-21

The Episode III soundtrack is very good. Not great, but very, very good. You can tell that Williams is getting old, but he still manages to weave together a very memorable score.

My favorite tracks are "Battle of the Heroes," "Anakin's Betrayal," Palpatine's teachings, "Anakin vs. Obi-Wan," and the "Immolation Scene."
The others are very good as well, but these are especially nice. "Battle of the Heroes" is Dual of the Fates for Revenge of the Sith. "Anakin's Betrayal" is a very sad track that is, in my opinion, one of William's most powerful pieces. "Palpatine's Teachings" is really, really neat. It's very dark and moody, a perfect piece for the evil emperor. The only weird thing is the end. "Anakin vs. Obi-Wan" is the action piece that plays during the battles of Anakin and Obi-Wan, and Yoda and the Emperor. Finally, "The Immolation Scene" is another sad piece, even more so than "Anakin's Betrayal."

Although I really like this CD, there are some things that are missing (as usual). First, the whole sequence where the droids are looking for Obi-Wan after he was shot. You see Obi-Wan in his ship with Senator Organa on the Hologram (or whatever it is), and Obi-Wan says that his clones turned on him. That was some pretty awesome music that OF COURSE was left out of the CD. Then there was Dual of the Fates in the movie, but completely absent from the CD. And probably the most annoying was that whole piece of music before Obi-Wan and Anakin fight. It was so touching and sad and I CAN'T BELIEVE THEY LEFT IT OUT! Absolutely amazing. Also, did anyone notice that some little bits were cut out? For example, in Anakin vs. Obi Wan, they cut out about a second or two of choir. What?! What the heck is with that? It's when Anakin is running on the long thing and jumps on the droid on the lava. Also, there was some pretty cool drumming when you see Yoda and the Emperor fighting, and you can see the whole stadium (the big room). There's also drumming in "Enter Lord Vader" that is muted in the soundtrack.

Oh well...if I'm going to collect movie scores, I'm going to have to get used to the fact that in almost all cases there's not going to be every bit of music. I've experienced this in both Pirates of the Caribbean, Jurassic Park I (there was very little left out on this score), and almost everything else. At the moment, I'm just waiting for the 22nd, for the Pirates of the Caribbean 3 soundtrack. It's gonna be amazing.

See Yu

5 out of 5 stars John Williams' finest work.......2007-04-20

There is little more I can say that hasn't already been said about the soundtrack to Episode 3, especially what Amazon contributor Dan Mohr wrote in his review of the soundtrack on 2/2/2006. His review captured almost all the thoughts, feelings, and emotions I had when I first listened to the soundtrack, and was, IMO, the best review of John Williams' greatest masterpiece.

Having said that, I will say that few soundtracks have ever so perfectly captured the underlying emotional currents of their respective movie; in the case of ROTS, the contemporaneous tragedies of Anakin's fall to the Dark Side, the extermination of the Jedi, and the rise of the oppressive Empire. The listener is confronted with the depth and totality of the evil that has beset the entire galaxy to a degree that the film could not reach in only 2 hours.

Bravo, Dan Mohr, and BRAVO John Williams!

5 out of 5 stars A Great Conclusion to the Prequel Trilogy.......2007-04-07

This is a great work of art. I rank it 4th among Star Wars soundtracks after A New Hope, The Empire Strikes Back and The Phantom Menace. I had a hard deciding which I thought was better, The Phantom Meance or Revenge of the Sith, but I decided that The Phantom Menace lays the foundation for so much that is in this soundtrack and is thus the more masterful work. But that doesn't mean that this score still isn't great. Every piece is a thrill to listen to and pace never lets up. "Battle of the Hereos" is an amazing piece and the rendition of the "Funeral Theme" from Episoded I captures the film's tragety magnificently. Also I do not think John Williams could have portrayed the Jedi's extinction more perfectly than he did in "Anakin's Betrayal". This is without a doubt the best score of 2005 and one of the best of the decade.

2 out of 5 stars Williams is slumming it.......2007-04-01

Williams's score for Revenge of the Sith is almost entirely overbearing, lacking any emotional subtlety. The music is overcomplicated and even a bit confusing, especially in the tracks that correspond to action sequences in the movie. His overuse of choral tracks and vocals is too bombastic and irritating to be listened to without the explosions and laser blasts of the soundtrack to soften them. (Yes, this music is actually softened by the sounds of warfare.) Worst of all, much of the music has simply been lifted from earlier scores. At times his self-imitation was so blatant that I actually wondered whether the editor who had complied this score had made a mistake and I was listening to The Empire Strikes Back or A New Hope. Also suffers from not including the entire score, in some cases cutting out musical segues in obvious and awkward ways.
The 3 Tenors in Concert 1994
Average customer rating: 4.5 out of 5 stars
  • Un gran concierto
  • Give em a 3.5
  • The Most Enjoyable Evening IN !!!!!!!!!!!
  • Hmmmm....
  • Last Encore of songs missing off C.D.
The 3 Tenors in Concert 1994

Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Carreras · Domingo · Pavarotti ~ the three tenors in concert / Mehta
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  3. Paris 1998
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  5. The 3 Tenors in Concert 1994 / William Cosel

ASIN: B000002IZE
Release Date: 1994-08-30

Tracks:

  1. Le Cid: O Souverain, O Juge, O Pere
  2. Maravilla: Amor, Vida De Mi Vida
  3. Werther: Pourquoi Me Reveiller
  4. Spring Is Here: With a Song In My Heart
  5. Granada
  6. Non Ti Scordar Di Me
  7. 'A Tribute to Hollywood': My Way
  8. Tribute To Hollywood: Moon River
  9. Tribute To Hollywood: Because
  10. 'A Tribute to Hollywood': Singin' In the Rain
  11. Tu, Ca Nun Chiagne
  12. Pagliacci: Vesti la Giubba
  13. Turondat: Nessun Dorma!
  14. 'Around the World': America
  15. 'Around the World': All I Ask Of You
  16. 'Around the World': Funiculi, Funicula
  17. 'Around the World': Sous Les Ponts De Paris
  18. 'Around the World': Brazil
  19. 'Around the World': Be My Love
  20. 'Around the World': Marechiare
  21. 'Around the World': Lippen Schweigen
  22. 'Around the World': Santa Lucia Luntana
  23. 'Around the World': Those Were the Days
  24. 'Around the World': Te Quiero Dijiste
  25. 'Around the World': Torna A Surriento
  26. Encores: La Donna E Mobile
  27. Encores: Libiamo Ne' Lieti Calici

Amazon.com

It's not opera; it's not a pop concert; it's not Broadway. It's all of these and none of them. Once you accept the fact that this sequel to the original blockbuster concert recording is less about music and more about entertainment and the power of musical personalities, you can appreciate what you're hearing as an event--phenomenal and bizarre, momentous and frivolous. This is an occasion to celebrate the voices and egos of three huge superstars, and to have fun listening as Luciano Pavarotti, Placido Domingo, and Jose Carreras interact, bouncing lines off each other and playing to the overwhelmingly enthusiastic audience. Much of the fun and flavor of the concert is dependent on seeing the action, though, and without the visuals you notice flaws in the singing much more. Domingo comes off as the more solid performer, and his voice is in far better shape than the other two. But if you crave big, high, and loud--and you don't take your opera too seriously--you'll love this disc. --David Vernier

Customer Reviews:

5 out of 5 stars Un gran concierto.......2005-07-19

Yo tenia el Cd de este concierto, pero sin duda el DVD presenta la realidad, lo sublime de este evento, porque ademas de ver las interpretaciones, trae varios puntos y canciones extras. Carreras creo que esta bien, saca la tarea. Placido Domingo en Amor vida de mi vida, logra llevar el concierto a su punto mas alto en ese momento, punto superado unicamente por Pavarotti en Nessum Dorma. Pavarotti como siempre sublime como dije en Nessum Dorma, Ave maria y en los popurris. La calidad del DVD es genial, con full screen y sonido digital. Otro punto buenisimo es la aparicion de Frank Sinatra en la cancion My way y de otras luminarias del cine y la política. Espero que este comentario sirva de ayuda para aquellos que quieran este DVD.

3 out of 5 stars Give em a 3.5.......2004-01-25

The Three Tenors has/have become a cottage industry, churning out one CD after another for every imaginable event and in every combination. This does not mean that the results are necessarily inferior but it does imply a commercial, layman's approach. And maybe this is better - spreading the joys of fine music to the masses. After all, where besides figure skating and cartoons do most people have a chance to even hear opera?

This event, like the first one in Rome, has a magnificent setting but, like Rome, the show was marketed mainly to the American audience. They still include the dreadful "Maria" with the hilarious pronunciation and even added "With a Song In My Heart" (or, as Carreras is wont to sing, "Weeth a Soeeng een My Haht"). Though some may deride the choice of encores, they were almost perfect. The Three Tenors, despite their prior celebrity, are creations of our culture of entertainment in ways that Caruso could only dream about.

Synopsis: Carreras stands out, Domingo substitutes volume for quality and Pavarotti soars when he doesn't have to.

5 out of 5 stars The Most Enjoyable Evening IN !!!!!!!!!!!.......2003-05-01

I am not a regular Opera fan, hoever these THREE are the Best. their songs they sing together are SUPER!!! And the range of NOTES REACHED ARE REMARKABLE. tHE MIXTURE of songs is a treat for all, even if you are not an OPERA FAN!!!! Great show!!!!!!

3 out of 5 stars Hmmmm...........2002-04-21

Not what I thought it was going to be. I like only about 4 of the 20+ tracks on this CD. I shoudl have just bought the DVD instead and actually watched them perform. Much, much more entertaining.

5 out of 5 stars Last Encore of songs missing off C.D........2002-02-06

The Three Tenors are my absolute favourite singers. The 1994 Concert was undoubtedly their best in my view. I taped this live concert from the television, and have played and played and played it!! I also taped it on a cassette, however, when I bought the C.D. I was really disappointed that they did not include the last set of encore songs, which included O Sole a Mio (don't know if I've spelt that correctly), where Placido and Jose try and outdo Luciano!! It received such a fantastic reception from the crowd, (one of the many standing ovations), and really showed how much the Three Tenors seemed to enjoy performing the concert. How come this was not included? I don't know if it was on the Video because I play my own.

Many thanks for your time,

With kind regards,
Pam Sargeant.
Broadway - The American Musical (PBS Series)
Average customer rating: 5 out of 5 stars
  • Fabulous for any Broadway-lover
  • Top Shelf
  • TERRIFIC CD'S
  • Great Collection of Broadways greatest Songs
  • Great Compilation!
Broadway - The American Musical (PBS Series)

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:
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  4. Broadway - The American Musical (PBS Series)
  5. Somewhere over the Rainbow: The Golden Age of Hollywood Musicals

ASIN: B00064ADMK
Release Date: 2004-10-19

Tracks:

  1. Give My Regards To Broadway- Joel Grey
  2. Swanee- Al Jolson
  3. When The Moon Shines On The Moonshine- Bert Williams
  4. A Pretty Girl Is Like A Melody- John Steel
  5. My Man- Fanny Brice
  6. Fascinating Rhythm- Fred Astaire, Adele Astaire
  7. If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
  8. Someone To Watch Over Me- Gertrude Lawrence
  9. Bill- 78 rpm Version Helen Morgan
  10. Ol' Man River- Paul Robeson
  11. Ain't Misbehavin'- Louis Armstrong & His Orchestra
  12. Ten Cents A Dance- Ruth Etting
  13. Body And Soul- Libby Holman
  14. Brother, Can You Spare A Dime- Bing Crosby
  15. Night And Day- Fred Astaire
  16. Heat Wave- Ethel Waters
  17. Smoke Gets in Your Eyes- Tamara
  18. You're The Top- Ethel Merman
  19. Summertime- Anne Brown
  20. September Song- Walter Huston
  21. My Heart Belongs To Daddy- Mary Martin
  22. It Never Entered My Mind- Shirley Ross
  23. Bewitched, Bothered, Bewildered- Vivienne Segal
  24. Oh, How I Hate To Get Up In The Morning- Irving Berlin
  25. Oh, What a Beautiful Mornin'- Alfred Drake

Tracks:

  1. New York, New York- Cris Alexander,Adolph Green,John Reardon
  2. If I Loved You- John Raitt,Jan Clayton
  3. Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
  4. There's No Business Like Show Business- Ensemble
  5. How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
  6. Once In Love With Amy- Ray Bolger
  7. Wunderbar- Alfred Drake,Patricia Morison
  8. Some Enchanted Evening- Ezio Pinza
  9. Lost In The Stars- Todd Duncan
  10. Diamonds Are A Girl's Best Friend- Carol Channing
  11. Luck Be A Lady- Robert Alda,Guys
  12. Getting To Know You- Gertrude Lawrence
  13. Who Cares?- Jack Carson,Betty Oakes
  14. Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
  15. Ballad Of Mack The Knife- Gerald Price
  16. Hey There- from "The Pajama Game" John Raitt
  17. Whatever Lola Wants- Gwen Verdon
  18. I Could Have Danced All Night- Julie Andrews
  19. Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
  20. The Party's Over- Judy Holliday
  21. Glitter And Be Gay- Barbara Cook
  22. Tonight- Larry Kert, Carol Lawrence

Tracks:

  1. Seventy-Six Trombones- Robert Preston
  2. I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
  3. Everything's Coming Up Roses- Ethel Merman
  4. My Favorite Things- from "The Sound Of Music" Mary Martin
  5. Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
  6. Try To Remember- Jerry Orbach
  7. Camelot- from "Camelot" Richard Burton
  8. Love Makes The World Go 'Round- Anna Maria Alberghetti
  9. I Believe In You- Robert Morse And Co.
  10. The Sweetest Sounds- Diahann Carroll,Richard Kiley
  11. Comedy Tonight- Zero Mostel
  12. What Kind Of Fool Am I?- Anthony Newley
  13. As Long As He Needs Me- Georgia Brown
  14. Hello, Dolly!- Carol Channing,Cast
  15. People- Barbra Streisand
  16. Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
  17. If I Were A Rich Man- Zero Mostel
  18. Night Song- Sammy Davis, Jr.
  19. The Impossible Dream- Richard Kiley
  20. If My Friends Could See Me Now- Gwen Verdon
  21. Open a New Window- from Mame Voice

Tracks:

  1. Willkommen- from "Cabaret" Joel Grey
  2. Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
  3. I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
  4. The Ladies Who Lunch- from "Company" Elaine Stritch
  5. Tea For Two- Roger Rathburn,Susan Watson
  6. I'm Still Here- Yvonne De Carlo
  7. I Don't Know How To Love Him- Yvonne Elliman
  8. We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
  9. Corner Of The Sky- John Rubinstein
  10. Send In The Clowns- Glynis Johns
  11. Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
  12. One- from "A Chorus Line" Cast
  13. All That Jazz- Chita Rivera,Ensemble
  14. Tomorrow- Andrea Mcardle
  15. Don't Cry For Me Argentina- Patti Lupone
  16. Come Follow The Band
  17. Lullaby Of Broadway- Jerry Orbach
  18. And I'm Telling You I'm Not Going- Jennifer Holliday
  19. The Bells Of St. Sebastian- Raul Julia

Tracks:

  1. Memory- Betty Buckley
  2. I Am What I Am- George Hearn
  3. Move On- Bernadette Peters,Mandy Patinkin
  4. Do You Hear The People Sing?- Michael Maguire,Cast
  5. The Music Of The Night- Michael Crawford
  6. You're Nothing Without Me- James Naughton,Gregg Edelman
  7. The American Dream- Jonathan Pryce,Cast
  8. Doctor Jazz- Gregory Hines,Company
  9. With One Look- Glenn Close
  10. On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
  11. Le Jazz Hot- Julie Andrews,Ensemble
  12. Seasons Of Love-
  13. Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
  14. I Wanna Be A Producer- Matthew Broderick,Ensemble
  15. Dancing Queen- Louise Plowright,Jenny Galloway
  16. Good Morning Baltimore- Marissa Jaret Winokur
  17. Movin' Out- Michael Cavanaugh,Band
  18. I Go To Rio- Hugh Jackman,Company
  19. Defying Gravity- Kristin Chenoweth,Idina Menzel

Customer Reviews:

5 out of 5 stars Fabulous for any Broadway-lover.......2007-01-30

Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.

5 out of 5 stars Top Shelf.......2007-01-04

This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.

5 out of 5 stars TERRIFIC CD'S.......2006-03-23

THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.

5 out of 5 stars Great Collection of Broadways greatest Songs .......2005-06-14

This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway

5 out of 5 stars Great Compilation!.......2005-01-17

If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway
Pavarotti & Friends 2
Average customer rating: 3.5 out of 5 stars
  • Artifice not art
  • Live Audience, Variety=Enjoyable Listening Experience
  • Fun
  • Excellent live album
  • torture
Pavarotti & Friends 2

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B000004272
Release Date: 1995-06-06

Tracks:

  1. Chitarrra romana
  2. Moon River
  3. All I Ask Of You
  4. Mattinata
  5. Santa Lucia luntana
  6. Night Fire Dance
  7. Verranno a te
  8. Please Forgive Me
  9. Who Wants To Live Forever
  10. Notte 'e piscatore
  11. O Silver Moon
  12. 'O Sole mio
  13. Ave maria, dolce Maria
  14. All For Love
  15. Brindisi

Customer Reviews:

1 out of 5 stars Artifice not art.......2005-04-20

This album is a big tub of artifice not art. Brian Adams is awful and simply has no voice and probably has nodes on his vocal cords. Pavarotti obviously stands out because he chose the other singers and despite the enormity of his talent (benefit charity or not) offers up shlock. Gustafson has a nice voice, but shouldn't sing Moon River until she learns the words - her voice serves the classical genre better. As for Boceli; I would rather eat worms than listen to another of his tremulous renditions. Sorry, this is pure junk for the ears, regardless of its attempts to raise funds. It does not raise artistic standards!

5 out of 5 stars Live Audience, Variety=Enjoyable Listening Experience.......2002-09-12

O.k., I admit it, I bought this CD because I'm a die hard Andrea Bocelli fan, but I discovered I really love the variety of singers and the spontaneity and excitement of the live performance at the Parco Novi Sad in Modena. Particular favorites--Bryan Adam's "Please Forgive Me," Pavarotti and Giorgia's "Santa Lucia Luntana," and the ensemble singing of "Brindisi." The combination of voices and styles, the live
audience, and the knowledge that the event was performed for charity, all add up to a very enjoyable listening experience.

5 out of 5 stars Fun.......2002-02-07

This is a fun CD with many great singers and a good one. Of Course Pavarotti is one of the greatest voices ever; and along with Bocelli, Nancy Gustafson and Giorgia this CD is filled with great singing and Brian Adams is a good singer. Its just fun to hear Adams singing O Sola Mio with Pavarotti; and its Fun to Hear Pavarotti sing Moon River All for Love, etc.,. Highlights are Santa Lucia Luntana with Pav and Gustafson, Who Wants To Live Forever with Giorgia, Notte 'e Piscatore with Pav and Bocelli, and the two encores with everyone singing (All For Love and Brindisi). The Production of the CD is excelent as well.

5 out of 5 stars Excellent live album.......2001-11-08

This is the 2nd in the 'Pavarotti and Friends' series of benefit concerts. Although there are not the large amount of "superstars" on this cd as later 'Friends' albums were to have, this is an excellent live recording, and I could and have listened to it many times. I don't understand the previous reviewers, but to each his own! This album also introduced me to the beautiful voice of Nancy Gustafson, and I definately want to check out her other work now. And who can resist the wonderful pairing of Pavarotti and Bryan Adams on "O Sole Mio". Worth the price in itself. One thing though .. I know this album and concert was done for charity, but nowhere in the booklet or cd cover does it say which charity is benefitting. The booklet includes lots of photos from the night. Recommended.

1 out of 5 stars torture.......2001-09-25

i would rather ingest shards of glass than listen to this schlock again. whoever thought up the idea of having the phenomenal pavarotti sing with such morons as bryan adams should be forced to stand in the corner and then go to bed without supper. i don't care if this was for a good cause. big deal. give to the red cross or something. but don't make me listen to this horrific CD ever again. it's painful.
Very Best Of Moon Martin
Average customer rating: 5 out of 5 stars
  • Great response
  • The best of a great song writter.
Very Best Of Moon Martin

Manufacturer: Phantom Sound & Vision
ProductGroup: Music
Binding: Audio CD

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ASIN: B00002DEXF
Release Date: 2005-02-08

Tracks:

  1. Hot Nite In Dallas
  2. Victim Of Romance
  3. Cadillac Walk
  4. Bad Case Of Lovin' You
  5. Nite Thoughts
  6. I've Got A Reason
  7. She Made A Fool Of Me
  8. Dreamer
  9. Hot House Baby
  10. Rolene
  11. No Chance
  12. Five Days Of Fever
  13. Signal For Help
  14. Pushed Around
  15. Love Gone Bad
  16. Breakout Tonight
  17. Bad News
  18. Whispers
  19. Cross Your Fingers
  20. Paid The Price
  21. Don't You Double (Cross Me Baby)
  22. Aces With You

Album Description

Import exclusive 22-track best of collection for one of the more curious characters of the new wave movement. Capitol. 2004.

Album Details

Hit Collection Compiled in Sweden! Moody Pop Artist Sounds Like Warren Zevon.

Customer Reviews:

5 out of 5 stars Great response.......2005-07-08

Thank you for your quickness in mailing this item in time for my husbands fathers day present. So easy through Amazon isn't it.

5 out of 5 stars The best of a great song writter........2005-05-10

The story goes something like this. Moon Martin was working with Linda Ronstadt's back up band in the early seventies. The band wanted to stay together and go out on their own. Moon Martin decieded not to join them and he went on as a solo song writter and recording artist on his own. Oh yeah, the other players from the Ronstadt Band became- The Eagles.
I'm glad Moon didn't join the Eagles because I would have never heard these great songs. Moon Martin ia usually known (if at all) for writting Robert Palmers hit "Bad Case Of Loving You" and Willie "Mink" DeVille's "Cadallac Walk". Buy this CD and you can hear the original versions.
I first became aware of him when he opened for ROCKPILE at the Ritz Club in NYC in the early 80's. Moon recorded four albums for Capitol Records in the late seventies early eighties. This is a compilation of those four albums. Moon' albums always sound more like professional song demos than finished projects. At first you may think this sounds a little strange, but as time passes you realize that the simplicity of these arrangements make you really appreciate the great writting. There are no blazing guitar or keyboard solos-just simple songs with catchy great lyrics and catchy melodies that you can't get out of your head.
In the late 80s and 90s Moon has had a number of CDs issued in Europe. If you like this Best of CD- search for these other import CD releases. They are all just as good.
Harem World Tour: Live from Las Vegas
Average customer rating: 4 out of 5 stars
  • AMAZING! She is so much better live!
  • AMAZING! She is so much better live!
  • Inspiring, Beautiful and The Sweetest Voice!
  • astounding performance
  • Great, of course
Harem World Tour: Live from Las Vegas
Sarah Brightman
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B0002VYPCG
Release Date: 2004-09-28

Tracks:

  1. Kama Sutra
  2. Harem Overture (Cancao do Mar)
  3. It's a Beautiful Day
  4. Dust in the Wind
  5. Who Wants to Live Forever
  6. Anytime, Anywhere
  7. La Luna
  8. Nessun Dorma
  9. The War Is Over
  10. Free
  11. A Whiter Shade of Pale
  12. The Phantom of the Opera Suite
  13. WIshing You Were Somehow Here Again
  14. Time To Say Goodbye
  15. Question of Honor
  16. Snow on the Sahara (Bonus studio track)

Amazon.com

While the sales of Sarah Brightman's ambitious, Middle Eastern-themed 2003 album Harem may have fallen short of its predecessor, the veteran UK chanteuse's popularity as a live performer has only mushroomed. This live recording of her ambitious, sold-out Harem World Tour engagement at Las Vegas' MGM Grand Arena is testament to that appeal, begging the question: Will Brightman become the Grateful Dead of classical crossover? Indeed, abetted by the rich sonic textures of longtime producer/collaborator Frank Peterson, the worldbeat conceits of her recent studio recordings are folded into a larger, even more expansive live vision here. Brightman's overt dramatic instincts and oft-chaemeleonic vocal abilities drive a slate of material that stretches from the Arabian Nights/Madame Butterflypastiche of Harem's seductive "It's A Beautiful Day" through surprisingly effective classical/rock reinventions of Kansas' "Dust in the Wind" and The Moody Blues' chestnut "Nights in White Satin" to expected classical bowings "Nessun Dorma" and the obligatory nod to "Phantom of the Opera" Amazon.com

Sarah Brightman Photos

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Time to Say Goodbye

Classics

Eden

Diva: The Video Collection

Live from Las Vegas

La Luna (Live in Concert)

Customer Reviews:

5 out of 5 stars AMAZING! She is so much better live!.......2006-12-02

This CD rocks! This is Sarah Brightman on her Harem World Tour, and this performance was recorded at her stop in Las Vegas. The first two tracks, "Kama Surta" and "Harem Overture" debut from her newest album, entitled HAREM. The two tracks are connected, but in the actual Harem Tour, the full piece "Harem" is sung. If you go to www.youtube.com and type in "Harem Tour" in the Search Bar, you can see live videos. I would prefer that the album has placed "Harem" instead of these other two tracks. The third track, "It's A Beautiful Day", is from Madame Butterfly, written by Puccini. This version is Brightman's twist, which some more pop and some English. It's pretty cool. The fourth track on the album, "Dust in the Wind" is from EDEN, an amazing album. Track 5 is, "Who Wants to Live Forever", and it seems as though Brightman never creates a tour without putting this piece in it. It's a beautiful tribute to Queen's rendition. Track Six is "Anytime, Anywhere", also from EDEN. I'm not really into the Foreign Language - English songs, but this works very well, especially because she ends the song with the classical foreign language. The seventh track is Brightman's rendition of Dvorak's "Song to the Moon", or "La Luna". The track is beautiful! The eighth track is Puccini's "Nessun Dorma", and Sarah masters this beautifully! There is no other soprano I know that can sing this piece one octave up and can hold the ending note for ever!!! Track 9 is "The War is Over", which is followed by "Free", both from HAREM. Track 11 is "A Whiter Shade of Pale", from LA LUNA. It's beautiful to listen to. Sarah's version is very gentle, but has a lot of energy in the chorus. The twelfth track on this album is "Twisted Every Way", followed by an instrumental version of "The Phantom of the Opera" Theme. The next track is "Wishing You Were Somehow Here Again", which is extended at the end, in which you hear some men cry out "WE LOVE YOU SARAH!", and she responds cutely with an, "I love you, too." The audience laughs! Track 14 is "Time to Say Goodbye", the duet that made Andrea Bocelli famous, and skyrocketed as the number one single sold in German history! The last live track on the album is "A Question of Honour", from "Fly", which is awesome! The last track on the album is a bonus track, which I don't really prefer. However, the whole album is simply amazing. I much prefer Sarah when she is live. She has a more magical quality! If you love Sarah Brightman, then you will love this album.

ALSO RECOMMENDED : Since there is so much Sarah Brightman to choose from, I also recommend EDEN, TIME TO SAY GOODBYE, LA LUNA, CLASSICS, and DIVA.

5 out of 5 stars AMAZING! She is so much better live!.......2006-12-02

This CD rocks! This is Sarah Brightman on her Harem World Tour, and this performance was recorded at her stop in Las Vegas. The first two tracks, "Kama Surta" and "Harem Overture" debut from her newest album, entitled HAREM. The two tracks are connected, but in the actual Harem Tour, the full piece "Harem" is sung. If you go to www.youtube.com and type in "Harem Tour" in the Search Bar, you can see live videos. I would prefer that the album has placed "Harem" instead of these other two tracks. The third track, "It's A Beautiful Day", is from Madame Butterfly, written by Puccini. This version is Brightman's twist, which some more pop and some English. It's pretty cool. The fourth track on the album, "Dust in the Wind" is from EDEN, an amazing album. Track 5 is, "Who Wants to Live Forever", and it seems as though Brightman never creates a tour without putting this piece in it. It's a beautiful tribute to Queen's rendition. Track Six is "Anytime, Anywhere", also from EDEN. I'm not really into the Foreign Language - English songs, but this works very well, especially because she ends the song with the classical foreign language. The seventh track is Brightman's rendition of Dvorak's "Song to the Moon", or "La Luna". The track is beautiful! The eighth track is Puccini's "Nessun Dorma", and Sarah masters this beautifully! There is no other soprano I know that can sing this piece one octave up and can hold the ending note for ever!!! Track 9 is "The War is Over", which is followed by "Free", both from HAREM. Track 11 is "A Whiter Shade of Pale", from LA LUNA. It's beautiful to listen to. Sarah's version is very gentle, but has a lot of energy in the chorus. The twelfth track on this album is "Twisted Every Way", followed by an instrumental version of "The Phantom of the Opera" Theme. The next track is "Wishing You Were Somehow Here Again", which is extended at the end, in which you hear some men cry out "WE LOVE YOU SARAH!", and she responds cutely with an, "I love you, too." The audience laughs! Track 14 is "Time to Say Goodbye", the duet that made Andrea Bocelli famous, and skyrocketed as the number one single sold in German history! The last live track on the album is "A Question of Honour", from "Fly", which is awesome! The last track on the album is a bonus track, which I don't really prefer. However, the whole album is simply amazing. I much prefer Sarah when she is live. She has a more magical quality! If you love Sarah Brightman, then you will love this album.

ALSO RECOMMENDED : Since there is so much Sarah Brightman to choose from, I also recommend EDEN, TIME TO SAY GOODBYE, LA LUNA, CLASSICS, and DIVA.

5 out of 5 stars Inspiring, Beautiful and The Sweetest Voice!.......2005-08-21

What an album, absolutly beautiful!
We, the fans of this great artist finelly have in our hands a live album, and it's amazing:
-The voice is totaly live, she sang about 24 complete songs in the show, but the album only contains 15.
-Snow In The Sahara is a lovely song.

If you have the chase of get this alubum, don't doubt and get it; It wond disapoint you!

5 out of 5 stars astounding performance.......2005-06-07

an impeccable concert experience that successfully elevates the album to majestic heights. I had long been a fan of Dead Can Dance and the unparalleled work of Lisa Gerrard. When Sarah Brightman ventured into these Middle Eastern sounds on the Harem disc, I thought it was too derivative of the Dead Can Dance sounds (there is even a sample used on one of SB's songs that had previously been used within DCD).

However, experiencing this epic and intensely mystical concert compelled me to realize the individual and unique glory of Sarah Brightman. Also, this concert is so phenomenally entertaining at many levels that I couldn't help but fall absolutely in love with the special magic of Sarah Brightman. Obviously, the expansive Middle Eastern milieu can accommodate more than one angelic vocalist!

I now consider Lisa Gerrard and Sarah Brightman to be geniuses who both warrant goddess status in the pantheon of lyrical greats. To see either one of them perform live is surely one of the most powerful and memorable sensory experiences one could ever have!

4 out of 5 stars Great, of course.......2005-03-18

Sarah's voice and style are terrific, as usual. However, I have to say that her version of Anggun's "Snow on the Sahara" is fairly bland, especially compared to the original Anggun version. Sarah has the chops but lacks soul on this great song. Everything els here is very nice.
The Maury Yeston Songbook
Average customer rating: 4.5 out of 5 stars
  • a wonderful surprise
  • What!? How is this possible?
  • Beauty and grace, charm and wit - Maury's got it all
  • A perfect marriage of music and lyrics
  • The Maury Yeston Songbook
The Maury Yeston Songbook
Maury Yeston , Christine Andreas , Brent Barrett , Betty Buckley , Liz Callaway , Alice Ripley , Sutton Foster , Brian d'Arcy James , and Philip Chaffin
Manufacturer: P.S. Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B00008H2LJ
Release Date: 2003-04-08

Tracks:

  1. Please Let's Not Even Say Hello - Alice Ripley
  2. Only with You - Brent Barrett
  3. I Want to Go to Hollywood - Sutton Foster
  4. Danglin' - Johnny Rodgers
  5. I Had a Dream About You - Betty Buckley
  6. My True Love - Philip Chaffin
  7. A Call from the Vatican - Alice Ripley
  8. Now and Then - Laura Benanti
  9. You're There Too - Christopher Fitzgerald
  10. Is Someone Out There? - Eden Espinosa
  11. New Words - Brent Barrett
  12. My Grandmother's Love Letters - Christine Ebersole
  13. By the River - Christine Andreas
  14. I Am Longing - Philip Chaffin
  15. Home - Laura Benanti & Robert Cuccioli
  16. Another Day in the Modern World - Michael Holland
  17. Simple - Liz Callaway
  18. Unusual Way - Brian d'Arcy James
  19. Be On Your Own - Betty Buckley
  20. No Moon - Howard McGillin

Amazon.com

Despite racking up Tony nominations and/or box-office success with Nine, Grand Hotel, and Titanic, Maury Yeston remains a relatively unknown Broadway auteur. And yet, what a fabulous songwriter he is. Listen to "Home," for instance: This excerpt from Phantom (the other adaptation of Phantom of the Opera) has great melodic hooks, along with natural sweep and unrestrained emotion. Like every song on this CD, it also has such dramatic drive that it easily stands on its own outside of its regular narrative frame. This collection of new recordings provides an excellent overview of Yeston's talent, juxtaposing numbers from his three best-known scores (though there's only one from Titanic) with rarities and a generous selection from his 1991 song cycle December Songs. Christine Ebersole, Liz Callaway, and Betty Buckley turn in expectedly strong performances, but watch also for Laura Benanti (the star of the 2003 revival of Nine), Christine Andreas, and Foster Sutton, who completely make the material theirs. --Elisabeth Vincentelli

Description

The Tony Award-winning composer/lyricist -- who's given us the smash hit musicals Titanic, Phantom and Grand Hotel, and whose first stage show, Nine, is currently being revived in New York with Antonio Banderas -- is celebrated in song by the best stars o

Customer Reviews:

4 out of 5 stars a wonderful surprise.......2007-07-22

Like others, I bought this CD primarily for Sutton Foster's rendition of "I Want to Go to Hollywood." And while that's wonderful, the real surprises here are the songs from Yeston's song cycle "December Songs." Christine Ebersole and Christine Andreas give absolutely lovely, technically proficient, completely heartfelt renditions of "My Grandmother's Love Letters" and "By the River", respectively. I'd heard Andrea Marcovicci's recording of "December Songs" and was seriously underwhelmed. These two tracks just prove that Yeston might have over-estimated Marcovicci's range and technical ability. "By the River" is a revelation in the right hands, and Ms. Andreas's rendition is just four minutes of wonderful. I also want to mention Howard McGillin's "No Moon". This little song from "Titanic" is just so moving. Pulled out of context, it becomes a little jewel of metaphor.

The CD as a whole is beautifully recorded, with an intimacy and clarity that makes you feel like you're in the first row of a very small theatre. If you come across this and you're on the fence, take a chance. I bet that you'll be as pleasantly surprised and deeply moved as I've been.

3 out of 5 stars What!? How is this possible?.......2007-01-20

How could one put together a Maury Yeston Songbook cd without a track from Andrea Marcovicci? He wrote a song cycle for her. Granted there are some great singers here but a grave oversight to not include Ms Marcovicci.

5 out of 5 stars Beauty and grace, charm and wit - Maury's got it all.......2006-11-14

Maury Yeston may be musical theatre's unsung genius to the public at large, but I've heard his praises sung many times. A friend convinced me to buy the original Broadway cast of "Nine", and while there were some fantastic songs and an undeniable melodic gift throughout, it left me lukewarm. The same with "Grand Hotel". And I couldn't stand "Titanic" - too big, too self-important, too reliant on booming low brass and bombastic orchestral swells.

"Phantom" was the only one of his scores that touched something other than distanced admiration in me. It was everything Sir Lloyd Webber's popera travesty could never quite aspire to - epic yet human, beautiful and touching, with songs that showed actual details and emotions. So it was with that in mind that I purchased this, figuring that maybe Maury could prove me wrong, shorn from the restrictions of a book musical format.

And by God, did he prove me right and then some.

Maybe it's the singers. Maybe it's the perfect orchestrations. Maybe it's just the absence of a plot to follow. More than likely, it's all three, but this is one of the most gorgeous, enjoyable, heartbreaking albums I've ever purchased. Yeston has assembled an impressive cast to give voice to his music - such heavy Broadway hitters as Alice Ripley, Brent Barrett, Betty Buckley, Christine Ebersole and Howard McGillin mix with up-and-comers like Eden Espinosa, Sutton Foster, and Brian d'Arcy James. But the most impressive turns are given by people I'd never heard of before - Johnny Rodgers (who?) has a voice spun from gold, and he's absolutely perfect in "Danglin'", a simple and powerful song despite some odd lyric choices by Yeston. Likewise Philip Chaffin in "My True Love" and "I Am Longing", and Michael Holland displays a warm and untrained performance of "Another Day in the Modern World". These three men, who I'd never heard of before, absolutely stole the show. It doesn't hurt that they're given some of the best songs from the album.

Of course, the rest of the ensemble uniformly turns in worthwhile performances. The professionalism of Broadway is gloriously evident here, each singer making their song uniquely theirs. Brent Barrett made me hear "Only With You" as if for the first time. Betty Buckley is surprisingly vulnerable in "I Had A Dream About You". Alice Ripley is her usual bundle of raw emotion in "Please Let's Not Even Say Hello", and turns in a rare comic performance in "Call From The Vatican" to great effect (listen to that surprise high note near the end! Wow, Alice!). Christine Ebersole is heartbroken, elated, vulnerable, and tough all in the course of "Grandmother's Love Letters"' 4 minutes.

There are some weak spots - Eden Espinosa is mostly one-note during her song, and while it's certainly a high note, it's nothing you haven't heard her do better elsewhere. Laura Benanti's "Now and Then" goes by without much notice, which is a shame for this talented actress. And Betty Buckley goes back to her usual high-volume stridence in "Be On Your Own", which despite its chilling music deserves a more nuanced performance than Buckley gives here. But these songs would be standouts on any other album, and it's only the company they keep that prevent them from being excellent.

Oh, and "Unusual Way", possibly Yeston's best-known song, is so beautifully performed here by Brian d'Arcy James and a three-piece band that I nearly cried hearing it. And that's quite a feat for a song that I swore never to listen to again after the seventeenth girl in a day auditioned with it (badly). But the gender swap works perfectly, and d'Arcy James' golden Irish tenor swings through the music effortlessly.

As for the band - there are no missteps here. Each song is given exactly what it needs, from the Romantic-with-a-capital-R string section on "Home", to the jazzy saxophone on "Letter From the Vatican", to "Be On Your Own", which is given a Herrmann-esque string section. Some particular touches stand out - that lovely acoustic guitar on "Danglin'", the simple piano line on "Modern World", and the sublime cello/piano outro in "Unusual Way" really stuck with me after the album stopped playing. And the recording is without fault - crisp, encompassing, personable and expansive as the mood requires. The whole album sounds fantastic.

There is such a wide range of style and substance here that each song would deserve purchasing individually. As a collection? It's bliss. If you're a fan of theater music, appreciate great vocals, or just need something to keep you company on long nights, this is required purchase.

5 out of 5 stars A perfect marriage of music and lyrics.......2006-09-07

I think Yeston must be the most underrated talent in music theatre. And not just music theatre ... for as far as I know, "Danglin'" is not from a show - a jewel of a song ... and a disarmingly honest rendition from Johnny Rogers (what a beautiful voice! Why hasn't he made more CD's?) Some other favourites are "New Words" (not enough parent-child love songs out there ... and I can't imagine it could be sung any better than this), "You're there too" (with a charming and unexpected twist), "Simple" (Callaway is superb), "Only With You" (loveable rogue!) ... to name but a few. Inspired music theatre writing. A must for any musical buff, composer or singer seeking repertoire that will help them stand out from the crowd.

3 out of 5 stars The Maury Yeston Songbook.......2006-08-30

A good album sung by good singers. I have been an admirer of Maury Yeston for a number of years . I am a great fan of "Nine"
which I consider his best work.(If possible try to listen to the
Australian Cast Recording with John Diedrich) I enjoy listening to artists like Alice Ripley, Brent Barrett, Sutton Foster,and my very favourite singer Liz Callaway. All in all a great CD to just sit back ,relax and enjoy Les Breen
OHM: The Early Gurus of Electronic Music
Average customer rating: 4 out of 5 stars
  • excellent but uncomplete
  • To call it music may be a bit limiting.
  • A worthwhile collection
  • OhMyGodHowDreadful
  • Kid Stockhausen
OHM: The Early Gurus of Electronic Music
Various Artists
Manufacturer: Ellipsis Arts
ProductGroup: Music
Binding: Audio CD

WaltzesWaltzes | Ballets & Dances | Classical | Styles | Music
Cage, JohnCage, John | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by MessiaenAll Works by Messiaen | Messiaen, Olivier | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
Reich, SteveReich, Steve | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
Riley, TerryRiley, Terry | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
Stockhausen, KarlheinzStockhausen, Karlheinz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by TchaikovskyAll Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
ElectronicElectronic | Instruments | Classical | Styles | Music | Computer
GeneralGeneral | Classical | Styles | Music
AmbientAmbient | Dance & DJ | Styles | Music
GeneralGeneral | Dance & DJ | Styles | Music
ElectronicaElectronica | Dance & DJ | Styles | Music
ElectronicaElectronica | Compilations | Dance & DJ | Styles | Music
GeneralGeneral | Dance Pop | Dance & DJ | Styles | Music
Minimal TechnoMinimal Techno | Techno | Dance & DJ | Styles | Music
Avant Garde & Free JazzAvant Garde & Free Jazz | Jazz | Styles | Music
GeneralGeneral | New Age | Styles | Music
Movie ScoresMovie Scores | Soundtracks | Styles | Music
Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
GeneralGeneral | Soundtracks | Styles | Music
Pop RockPop Rock | Pop | Styles | Music
GeneralGeneral | Vocal Pop | Pop | Styles | Music
Progressive RockProgressive Rock | Progressive | Rock | Styles | Music
Experimental RockExperimental Rock | Rock | Alternative Styles | Alternative Rock | Styles | Music
Experimental MusicExperimental Music | Miscellaneous | Styles | Music
GeneralGeneral | Dance & DJ | Box Sets | Stores | Music
ElectronicaElectronica | Dance & DJ | Box Sets | Stores | Music
GeneralGeneral | Dance & DJ | Indie Music | Stores | Music
ElectronicaElectronica | Dance & DJ | Indie Music | Stores | Music
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  1. An Anthology of Noise & Electronic Music, Vol. 3: 1952-2004
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ASIN: B00004T0FZ
Release Date: 2000-04-25

Tracks:

  1. Valse Sentimentale - Clara Rockmore
  2. Oraison - Ens D'Ondes De Montreal
  3. Etude Aux Chemins De Fer - Pierre Schaeffer
  4. Williams Mix - John Cage
  5. Klangstudie II - Herbert Eimert/Robert Beyer
  6. Low Speed - Otto Luening
  7. Dripsody - Hugh Le Caine
  8. Forbidden Planet: Main Title - Louis Barron/Bebe Barron
  9. Elektronische Tanzste: Concertando Rubato - Oskar Sala
  10. Poem Electronique - Edgard Varese
  11. Sine Music (A Swarm Of Butterflies Encountered Over The Ocean) - Richard Maxfield
  12. Apocalypse-Part 2 - Tod Dockstader
  13. Kontakte - James Tenney/William Winant
  14. Wireless Fant - Vladimir Ussachevsky
  15. Philomel - Milton Babbitt
  16. Spacecraft - MEV

Tracks:

  1. Cindy Electronium - Raymond Scott
  2. Pendulum Music - Sonic Youth
  3. Bye Bye Butterfly - Pauline Oliveros
  4. Projection Esemplastic For White Noise - Joji Yuasa
  5. Silver Apples Of The Moon, Part 1 - Morton Subotnick
  6. Rainforest Version 1 - David Tudor
  7. Poppy Nogood - Terry Riley
  8. Boat-Woman-Song - Holger Czukay
  9. Music Promenade - Luc Ferrari
  10. Vibrations Composees: Rosace 3 - Francois Bayle
  11. Mutations - Jean-Claude Risset
  12. Hibiki-Hana-Ma - Iannis Xenakis
  13. Map Of 49's Dream The Two Systems Of Eleven Sets Of Galactic Intervals: Drift Study '31/69 c.... - La Monte Young

Tracks:

  1. He Destroyed Her Image - Charles Dodge
  2. Six Fants On A Poem By Thomas Campion: Her Song - Paul Lansky
  3. Appalachian Grove - Laurie Spiegel
  4. En Phase/Hors Phase - Bernard Parmegiani
  5. On The Other Ocean - David Behrman
  6. Stria - John Chowning
  7. Living Sound, Patent Pending Music For Sound-Joined Rooms Series - Maryanne Amacher
  8. Automatic Writing - Robert Ashley
  9. Canti Illuminati - Alvin Curran
  10. Music On A Long Thin Wire - Alvin Lucier
  11. Melange - Klaus Schulze
  12. Before And After Charm (La Notte) - Jon Hassell
  13. Unfamiliar Wind (Leeks Hills) - Brian Eno

Amazon.com

Opening with Clara Rockmore's reworking of Tchaikovsky with the theremin, and finishing with one of Brian Eno's ambient soundscapes, OHM artfully succeeds in its goal of giving a representative (as opposed to the impossible, comprehensive) overview of the first several decades of electronic music. Over 3 discs, 42 compositions, and 96 pages of notes and photos, OHM clearly illustrates the producers' and contributing writers' point that early electronic music is much of the foundation of contemporary music. Herein lies the connective tissue bridging musique concrète, 20th-century classical, electronic experimentation, and the theoretical avant-garde to psychedelia, ambient, dub, techno, electro, and synthpop and the globalization of sound. The groundbreaking uses of loops, sampling, drones, remixes, and cut-and-paste technology are put fully into context. The diversity of music included makes any sort of summation impossible, but that is also the point: electronic music is not really a genre, but an open field of endless possibility. From John Cage's famous "William's Mix" of tape snippets to Karkheinz Stockhausen's electronic orchestral compositions, from David Tudor and Holger Czukay's experiments in unrelated blendings of audio elements to David Behrman's supremely peaceful duet between computers and musicians, the aural renegades on OHM tread where none (save a few of their contemporaries) had gone before. The liner notes convey the incredible amount of hard work and experimentation it took to stitch together many of these pieces in the predigital era. Putting aside the inevitable quibbles about what's missing (much of it due to legal and/or logistical issues), a more complete collection of musical eggheads, eccentrics, and visionaries is hard to imagine. --Carl Hanni

Customer Reviews:

4 out of 5 stars excellent but uncomplete.......2006-11-12

Althought most of the music here is an excellent collection of electronic music history, this 3 CDs lack of the important contribution given by the RAI phonology studios of Milan, Italy in the 50s
(which was bigger than Koln's WDR studios) with Bruno Maderna, Luciano Berio and Luigi Nono.
This is a big mistake. Milans studios were the biggest of europe and produced many important electroacoustic pieces.
If the collection aim to describe faithfully electronic music history, it should include this artists too.

4 out of 5 stars To call it music may be a bit limiting. .......2006-10-24

Some of the tracks on here are "music". That is that they contain all the bits we're trained to experience as music -- melody, etc. Some are not, and the composers would be the first people to tell you that. A lot of these works are reactions to ingrained rules, so they're bound to be jarring.

A more successful way to approach such a broad and varied collection of audio experimentation is to think of it as curated sound. This isn't something to wash the dishes to, or to seduce someone to (although if you did manage to seduce someone with the recordings on this anthology, HOLD ON TO THAT PERSON, because they've got to be a keeper). These are unique sound textures that deserve a close, probably solitary listen, and I think if you're in the right frame of mind, it can be a very rewarding listen.

My main complaint is sequencing: each dicrete piece follows it's own internal logic, so there are more than a couple rough gear changes. However, since each piece is so different, and the collection is so varied, I'm not sure that you could totally escape that.

4 out of 5 stars A worthwhile collection.......2006-01-11

The OHM collection contains some of those ground breaking electronic compositions that have shaped today's styles, from the early electronic instruments of Theremin and Martenot, through Pierre Schaeffer's Music Concrete tape music and the electronic music of Stockhausen and Subotnick, to the mainframe computer output of Risset and Chowning.

It is unfair to mark this collection down due to the production quality and 'musicality' of its contents, to do so would be to staggeringly miss the point of the development of electronic music through the 20th Century. What this collection shows is the ideas behind those at the cutting edge of the genre before many could even conceive of such output. That said it is hard going at points, as experimental music can be.

Highlights for me are no doubt Olivier Messiaen's 'Oraison' on CD 1, David Tudor's 'Rainforest Version 1' on CD 2 and on CD 3 David Behrman's 'On the Other Ocean' and Maryanne Amacher's 'Living sound Patent Pending'.

1 out of 5 stars OhMyGodHowDreadful.......2005-08-15

Ok, this collection is supposed to be early works and, thus not expected to be very sophisticated or polished. But the OHM collection sounds like the first attempt of a spastic cat turned-loose on a Moog keyboard. When it is not boreing, this collection of random and dissonant sounds (I can't call it music) is without any redeeming qualities to make it worth while. Don't get me wrong, I am a long-time fan of Wendy (nie Walter) Carlos and some other real pioneers of electronic music. However, I find that the Ohm collection has no similar qualities and is a major disappointment.

5 out of 5 stars Kid Stockhausen.......2003-01-17

This is required listening for anybody interested in the history of electronic music. Although implicitly aiming for the techno music audience, this audio history is overwhelmingly focused on the classical avant-garde of electro-acoustic composers. The closest you'll get to pop electronica is the Brian Eno track at the end of the third disc. No Kraftwerk, no Moroder, etc. Instead "OHM" manages to point to the continuities between, say, John Cage and artists currently working at the experimental edges of electronica (so-called IDM). It seems to be saying, "You think Kid 606 is visionary? Well check out this Stockhausen track from '59!"

Admittedly, some of the songs are much more interesting to think about than they are to listen to. Some of the early pieces that were made through thosuands of hours of pains-taking tape-splicing could be made today in an afternoon with a digital audio editor and a few effects plug-ins.

It is a beautiful package, containing a 90 page booklet of essays, quotations from the featured artists, and photographs. What all music should be: an education in daring.
Pianoforte Opus 5: Broadway
Average customer rating: 5 out of 5 stars
  • Pianoforte Opus 5: Broadway Delight!
  • Music that is great to accompany any quiet project or event.
Pianoforte Opus 5: Broadway
Christopher Peacock , Lionel Bart , Leonard Bernstein , George Gershwin , Andrew Lloyd Webber , Eduardo Toldra , Tommy Wolf , and Vincent Youmans
Manufacturer: Pure & Simple
ProductGroup: Music
Binding: Audio CD

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ASIN: B000008S3V
Release Date: 1996-09-24

Tracks:

  1. One Hand, One Heart/Somewhere from 'West Side Story'
  2. Memory from 'Cats'
  3. I Don't Know How To Love Him from 'Jesus Christ Superstar'
  4. Sun & Moon /Why God Why from 'Miss Saigon'
  5. Think Of Me from 'The Phantom Of The Opera'
  6. The Ballad Of The Sad Young Men from 'The Nervous Set'
  7. Love Changes Everything from 'Aspects Of Love'
  8. Without A Song from 'Great Day'
  9. Embraceable You/Summertime from 'Crazy For You And Porgy & Bess'
  10. Don't Cry For Me Argentina from 'Evita'
  11. Where Is Love from 'Oliver'
  12. With One Look from 'Sunset Blvd.'

Customer Reviews:

5 out of 5 stars Pianoforte Opus 5: Broadway Delight!.......2007-03-20

Christopher Peacock is an extremely talented pianist. This CD is both exciting and soothing. I play it in my office as background music and use the auto reverse mode! I am planing to purchase additional CDs of his.

5 out of 5 stars Music that is great to accompany any quiet project or event........1998-09-27

This CD is my favorite when I work on my computer especially after a long day at work. The music is current and liked by teens as well as adults. My niece asked her parents to buy a copy after hearing it during Easter dinner at our house. The music simply makes me feel good.
Phantom Moon
Average customer rating: 4 out of 5 stars
  • I don't know who I'm kidding, imagining you'll care, but....
  • Phantom Moon Soars
  • A rare album that can touch spiritually/emotionally
  • a balance of beauty and melancholy
  • Wow! So Profoundly Original it is shocking!
Phantom Moon
Duncan Sheik
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
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  1. Humming
  2. Daylight
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  4. Duncan Sheik
  5. A Home at the End of the World

ASIN: B000059LYY
Release Date: 2001-02-27

Tracks:

  1. The Wilderness (Prelude)
  2. Longing Town
  3. Mr. Chess
  4. The Winds That Blow
  5. Mouth On Fire
  6. Sad Stephen's Song
  7. Time And Good Fortune
  8. Far Way
  9. This Is How My Heart Heard
  10. A Mirror In The Heart
  11. Lo And Behold
  12. Requiescat
  13. The Wilderness

Amazon.com

Still remembered primarily for the catchy, but ultimately forgettable single "Barely Breathing" off his self-titled debut record, Duncan Sheik's Phantom Moon continues down the same, increasingly melancholic road he began to chart in earnest on his 1998 sophomore effort, Humming. Here, Sheik slows everything down and wrings bittersweet romance from these songs, which feature lyrics written by New York playwright Steven Sater. Embellished with pianos, strings, and occasional, understated drum work, the music Sheik puts around Sater's poetic stories is moody but not acutely passionate. While his expression is heartfelt, it always feels like he's just passing through these sentiments. Songs like "Mouth on Fire," while lovely and sonically intriguing, never attain those touches of intense individuality that mark the best troubadours. Nevertheless, Moon is a solid effort, and it shows off Sheik's growing musical prowess and confidence. Perhaps he simply needs life to throw him a few more low balls before his work finds the sad, brilliant heart it, for now, only alludes to. --Matthew Cooke

Customer Reviews:

4 out of 5 stars I don't know who I'm kidding, imagining you'll care, but...........2006-02-17

This is not actually a review of "Phantom Moon", but a mini-rant in the defense of Duncan Sheik's some-years-ago hit "Barely Breathing", which is described by the reviewer up top as "catchy but ultimately forgettable."

I realize that Amazon is not a forum for readers to argue with each other, but I just can't let that one pass.

There is no sense in dismissing "Barely Breathing" just because it is popular, any more than there is sense in overvalueing Sheik's successive work because it is not. While it certainly does not hold that "good" music will always succeed while "bad" music will always submerge into obscurity (actually I often think the opposite is true), in this case the song hit because it really was good. In other words, it has resonance because it resonated. That is why I still hear it on the radio, and rightly so.

One of my favorite writers, George Orwell, wrote that the best books tell you what you already know. What he really meant, of course, was that the best books tell you what you already felt, but were unable to bring into words yourself. The same goes for songs and song lyrics. Think about it:

I know what you're doing
I see it all to clear
I only taste the same when i kiss away your tears
You really had me going wishing on a star
But the black holes that surrounded you are heavier by far
I believed in your confusion you were so completely torn
It must've been that yesterday was the day that i was born
There's not much to examine there's nothing left to hide
You really can't be serious you hafta ask me why
I say goodbye...?
Cause I am barely breathing
And I can't find the air
Don't know who I'm kidding
Imagining you care
And I could stand here waiting
A fool for another day
I don't suppose it's worth the price worth the price
The price that I would pay
(But I'm thinking it over anyway)

Everyone keeps asking what's it all about?
I used to be so certain and I can't figure out
What is this attraction? I only feel the pain
There's nothing left to reason and only you to blame
Will it ever change?

Is there person alive that hasn't experienced this for themselves in their own love life? I sure as hell have. And obviously Sheik has too: what make it special is way he communicates that common experience. He knows he's a fool; he knows he should leave; it's ridiculous to pay such a price; yet he is "thinking it over, anyway." And after all this, "I've come to find/I may never know/your changing mind/is it friend or foe?/I rise above/or sink below/every time/you come and go/please don't come and go." Again, he expresses the thought we all have from time to time, that the person we're sharing our bed with is in the end a complete stranger to us; and that the power we voluntarily give to those we love can be used for pain as much as pleasure.

And that, my fellow fans, is not "forgettable."

Here endeth the rant.

5 out of 5 stars Phantom Moon Soars.......2004-07-27

This is without a doubt the most emotionally affecting new pop album I've heard in many years. Sheik's songwriting has established a new benchmark, and his soulful singing of Sater's exquisite lyrics make for a true classic. Unlike anything else out there. It restores your faith in the power of songwriting, and leaves you with a bigger feeling of your own heart.

5 out of 5 stars A rare album that can touch spiritually/emotionally.......2004-02-25

A powerful collaberative work.
The sculptures of the arrangements are worth many a listen alone. Incredible use of various instruments,voicings and layers of orchestral sound. Great open tuning guitar work and feeling.Duncans vocals are so powerful on Simeon...the song brought me to my knees. Whatever you did my friend I hope you can stay with it and be an integral part of more music with this type of depth,power and soul..

5 out of 5 stars a balance of beauty and melancholy.......2003-11-29

If what you enjoy about Sheik's music is the comfortable balance he strikes between beauty and sadness, then you will enjoy this album. I own all of his CDs, and this is the one I pick out to play on days when I feel like listening to something melancholic and even-tempered. The mood is reminiscent of Nick Drake's "Pink Moon", yet is purely Duncan Sheik in its somber yet soothing tone. I found a sound artistic partnership in this collaborative effort, with Sheik's music complimenting the simplicity and fragility of Sater's words. This album is a must-have for hardcore fans, but the more casual Sheik listener might first try picking up something that runs a wider gamut when in comes to tempo and mood, like "Humming" or "Daylight"

5 out of 5 stars Wow! So Profoundly Original it is shocking!.......2002-07-17

Spent some time listening and really falling in love with Sheik's first release recently-then went out and grabbed this cd. As good as the first cd is, Phantom Moon is one of the most wonderful creative and unique cd's I have heard in years. Sheik can get you into a rythym and change the entire direction of the music so subtly that you don't even notice. What a beautiful creation this is-now I have to run out a grab Humming....PS he also has a great website....

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