![Where to Now [Original recording remastered]](http://images.amazon.com/images/P/B000AOGM5I.01.TZZZZZZZ.jpg)
| 1. Pilot of the Airwaves |
| 2. Falling |
| 3. Sad Old World |
| 4. Where to Now? |
| 5. Sleepless |
| 6. Fear of Flying |
| 7. Wise Owl |
| 8. Hula Valley |
| 9. Pickin' Apples O-Sweetheart |
| 10. Sweetheart |
Editorial Reviews
Product Description
Lemon Records once again digs out a gem from the Island Records vaults, a pearl which has not seen the light of day for over 20 years! Originally released in 1979, Where to Now? features the smash hit 'Pilot of The Airwaves' (which reached #13 in the American Hot 100) alongside many other classic Dore tracks. Since the release of Where To Now? Charlie has had a great deal of success through her songwriting, with artists such as Celine Dion, Tina Turner, Sheena Easton, Lisa Stansfield and Hayley Westenra all choosing to record her songs. The album has never been previously released on CD and has also been completely remastered. 2005.
Gershwin and Gershwin must be among the top composers of the last century and this opera showcases their talents more than anything I've heard. Ella and Louis are peerless as a vocal duo and though I doubt the West End performance will capture the magic in the same way they did, I still remain very keen to go see it. Is it opera or is it a jazz performance? I don't really know. I just know that I love it. And strongly recommend it.
But after its premiere in 1935, no less than Duke Ellington said, "It has grand music and a swell play, but the two didn't go together. It does not use the Negro musical idiom --- the times are here to debunk Gershwin's lampblack Negroisms."
A quarter of a century later, the producers of the film version had trouble assembling a cast. Harry Belafonte rejected their offer to play Porgy. Sidney Poitier took the part --- and wished he hadn't. Poitier later wrote that the movie insulted black people; when he chose clips of his best performances for his tribute at the American Film Institute, he picked nothing from "Porgy and Bess."
And in 1985, when Grace Bumbry was a sensation as Bess in a Metropolitan Opera production, she slammed the opera: "I thought it beneath me, I felt I had worked far too hard, that we had come far too far to have to retrogress to 1935."
All that may be. All I know is that I have, in a long life, rarely been confronted with more genius than in the Fitzgerald/Armstrong recording of "Porgy & Bess." Set aside the achievement of George and Ira Gershwin in transforming DuBose Heyward's novel into a folk opera. Let's just focus on Armstrong and Fitzgerald, who were at the peak of their popularity when this record was made in 1957.
"Summertime" --- the first song --- sets the tone. A baleful horn figure, then violins. And then Armstrong's trumpet: slow, steady, dignified. But wait --- here comes a slurred note. And a cool little improvisation. Just enough of each. Very tasty.
Fitzgerald sings a verse. She is cool and formal. A lady. Not to be taken lightly. Now it's Armstrong's turn. Tender, but let's not kid ourselves --- this is not singing as others define it. This is melodic speech: rough, gutteral. And thus he is ideally cast: His Porgy may have his charms, but he'll have to stretch to keep Bess.
And so it goes throughout the CD. Trumpet mastery --- Armstrong has dazzling control. His tone is bright, but never shrill; there's a warmth in his playing no one else could produce. And Fitzgerald is just a study in inevitability; to hear her is to wonder how anyone could sing these songs any other way.
"I Got Plenty O' Nuttin'." "Bess, You Is My Woman Now." "A Woman Is a Sometime Thing." "There's a Boat Dat's Leavin' Soon for New York." "Bess, Oh Where's My Bess?" "Oh Lawd, I'm on My Way."
All brilliantly conceived, orchestrated and recorded.
The greatest trumpet player in this history of jazz.
The father of scat singing.
The queen of the jazz vocal.
There are no-brainers, and then there is this Ella Fitzgerald-Louis Armstrong collaboration --- music that imprints on your soul.
A must have for everyone!
Please buy it.
The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).
This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.
I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.
This cast recording makes me wish I was old enough to have seen them during the original Broadway run.
Consider buying the DVD to the movie to accompany this DVD. That way, you'll also get to see Ben Vereen at his best. I will warn you that the movie was a bit indulgent with extended scenes whose length is not justified by their contribution to the overall film. It's about 20-30 minutes too long. But the musical and dance numbers are really great. Who doesn't love Fosse?
My biggest complaint about this CD release is that it is not complete. You think that Decca Records would do a complete Cd release as previous musical soundtracks have done. This is a direct copy of the Lp released so many years ago. There is so much more music in this film that I was disapointed when I found it it was only a Cd of the original album. With Cd's fitting up the 80 minutes of music it is very surprising that this truncated version was released. Maybe because it's not considered a classic. This is am underrated film as far as I am concerned and in my opinion a far better score than Chicago (with all due respect to Bob Fosse who directed this film) This would be a great CD if only it wasn't abbreviated.
In any case - most people getting this set will already have the Mikado, and very probably Pirates and Pinafore for that matter, so you're really getting it for the others.
So just for the record - someone has to say this!
The Mikado is (of course) a wonderful piece, but it enjoys its long running status as the most successful of all the G&S operettas very largely for "extra-musical" reasons. It is visually so wonderful, with all those great authentic costumes, and the whole idea of satirising English institutions by pretending they are Japanese is of course brilliantly funny.
Again, Pirates and Pinafore enjoy a lot of their acclaim simply because we have heard them so often. And at least part of the initial success of these (admittedly very funny and entertaining) pieces was the vogue for "nautical drama" on the popular Victorian stage.
Iolanthe, Ruddigore, and Yoemen are all MUCH stronger musically than any of what another reviewer here keeps calling the "trilogy". Patience, Princess Ida, and the Gondoliers all excel either "nautical" operetta, at least musically, although not, perhaps, the Mikado. And I have had a lot of fun listening to my recording of the Sorcerer - although I think most at least of the other G&S operettas are even more interesting.
As for "Trial by Jury" it is really another thing altogether - but in its kind the most perfect thing either Gilbert or Sullivan had anything to do with!
This leaves Utopia and the Grand Duke.
Both of these were produced after the long running friendship between G&S had soured, and they have been sadly neglected ever since. Utopia is none the less both musically beautiful and very funny, and well worth taking an effort to come to grips with. The main point of the satire (which many commentators and reviewers seem to miss) is the way that the English language and British (especially English) institutions were being adopted, often rather uncritically, by countries around the world (most, but not all, of them members of the British Empire, of course). India is perhaps the country Gilbert had most in mind, but you could set it in any of a dozen other countries. The residual problems this has left in the post-colonial world ensure that this work is still far from dated. In some ways this operetta is about globalisation! What could possibly be LESS dated than that!
The Grand Duke, on the other hand, is a bit of an odd man out - I suppose you still have to say it is the weakest of all the G&S efforts. It's the ONLY one that didn't score a very respectable run on its first outing. Surprisingly, however, if an attempt is made to duplicate the musical and (especially) dialogue cuts that G&S would have done themselves if they had not by this time been at each other's throats all the time, a very entertaining piece can be made of it. I was very agreeably surprised by the Ohio Light Opera recording, which does just that - and I am coming round to the idea that the only thing really wrong with the Duke is that it is too long.
ANYWAY:
For all people (especially callow youth) who remain convinced that G&S only wrote three operettas worth listening to - all I can say is, buy this set, and give the lesser known ones a chance. Make sure you have a libretto in your hands as you listen, of course. It may even just need a single hearing in some cases, but otherwise, be patient. In the meantime, you really cannot have any conception of what you are missing.
But her fan base is so small and select, even illegal mp3's were rarely found on the web.
It is a shame that this reissue didn't include any supplimental material or bonus tracks. If anyone actually remembers the hit "Pilot of the Airways" they will be disappointed because the album version is very different from the single that played on the radio. The should have at least added the single version.
I wish real audiophile label had released the reissue. Compared to the wonderful reissues of artists like Chad & Jeremy Of Cabbages & Kings, Harper's Bizarre Anything Goes or The Free Design You Could Be Born Again, this is a disappointment.
Lemon Records once again digs out a gem from the Island Records vaults, a pearl which has not seen the light of day for over 20 years! Originally released in 1979, Where to Now? features the smash hit 'Pilot of The Airwaves' (which reached #13 in the American Hot 100) alongside many other classic Dore tracks. Since the release of Where To Now? Charlie has had a great deal of success through her songwriting, with artists such as Celine Dion, Tina Turner, Sheena Easton, Lisa Stansfield and Hayley Westenra all choosing to record her songs. The album has never been previously released on CD and has also been completely remastered. 2005.
Where to Now,Charlie Dore,Lemon Records,Adult Contemporary,Pop,Rock,Rock/Pop
Where to Now [Original recording remastered]
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Porgy & Bess
Ella Fitzgerald , and Louis Armstrong Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD  All Works by Gershwin
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ASIN: B0000046Z5 Release Date: 1990-10-25 |
Tracks:
- Overture
- Summertime
- I Wants To Stay Here
- My Man's Gone Now
- I Got Plenty O'Nuttin'
- Buzzard Song
- Bess, You Is My Woman Now
- It Ain't Necessarily So
- What You Want Wild Bess?
- A Woman Is A Sometime Thing
- Oh, Doctor Jesus
- Medley: Here Come De Honey Man/Crab Man/Oh, Deh's So Fresh And Fine (Strawberry Woman)
- There's A Boat Dat's Leavin' Soon For New York
- Bess, Oh Where's My Bess
- Oh Lawd, I'm On My Way
Amazon.com
Getting the two most personable voices in jazz to sing an hour's worth of George Gershwin's opera Porgy & Bess (Ella doing all the female parts, Satchmo all the male) was a good idea, but not quite as great as it sounded. Armstrong savors the down-and-dirty Charlestonisms that inspired the cadences of the music and lyrics, and they fit his happy rasp like an old shoe; Fitzgerald, conversely, sounds almost prissy every time she has to sing the word "ain't," though her melodic genius gets Gershwin's bold, supple tunes over. The arrangements are full-throttle Broadway, with a few leaps into Dixieland (including some fine Armstrong trumpet solos), but the disc works best when the vocalists break character and let their jazz side out. --Douglas WolkCustomer Reviews:
Absolutely peerless.......2006-11-17
Gershwin and Gershwin must be among the top composers of the last century and this opera showcases their talents more than anything I've heard. Ella and Louis are peerless as a vocal duo and though I doubt the West End performance will capture the magic in the same way they did, I still remain very keen to go see it. Is it opera or is it a jazz performance? I don't really know. I just know that I love it. And strongly recommend it.
once-in-a-lifetime greatness.......2006-10-06
But after its premiere in 1935, no less than Duke Ellington said, "It has grand music and a swell play, but the two didn't go together. It does not use the Negro musical idiom --- the times are here to debunk Gershwin's lampblack Negroisms."
A quarter of a century later, the producers of the film version had trouble assembling a cast. Harry Belafonte rejected their offer to play Porgy. Sidney Poitier took the part --- and wished he hadn't. Poitier later wrote that the movie insulted black people; when he chose clips of his best performances for his tribute at the American Film Institute, he picked nothing from "Porgy and Bess."
And in 1985, when Grace Bumbry was a sensation as Bess in a Metropolitan Opera production, she slammed the opera: "I thought it beneath me, I felt I had worked far too hard, that we had come far too far to have to retrogress to 1935."
All that may be. All I know is that I have, in a long life, rarely been confronted with more genius than in the Fitzgerald/Armstrong recording of "Porgy & Bess." Set aside the achievement of George and Ira Gershwin in transforming DuBose Heyward's novel into a folk opera. Let's just focus on Armstrong and Fitzgerald, who were at the peak of their popularity when this record was made in 1957.
"Summertime" --- the first song --- sets the tone. A baleful horn figure, then violins. And then Armstrong's trumpet: slow, steady, dignified. But wait --- here comes a slurred note. And a cool little improvisation. Just enough of each. Very tasty.
Fitzgerald sings a verse. She is cool and formal. A lady. Not to be taken lightly. Now it's Armstrong's turn. Tender, but let's not kid ourselves --- this is not singing as others define it. This is melodic speech: rough, gutteral. And thus he is ideally cast: His Porgy may have his charms, but he'll have to stretch to keep Bess.
And so it goes throughout the CD. Trumpet mastery --- Armstrong has dazzling control. His tone is bright, but never shrill; there's a warmth in his playing no one else could produce. And Fitzgerald is just a study in inevitability; to hear her is to wonder how anyone could sing these songs any other way.
"I Got Plenty O' Nuttin'." "Bess, You Is My Woman Now." "A Woman Is a Sometime Thing." "There's a Boat Dat's Leavin' Soon for New York." "Bess, Oh Where's My Bess?" "Oh Lawd, I'm on My Way."
All brilliantly conceived, orchestrated and recorded.
The greatest trumpet player in this history of jazz.
The father of scat singing.
The queen of the jazz vocal.
There are no-brainers, and then there is this Ella Fitzgerald-Louis Armstrong collaboration --- music that imprints on your soul.
We love this album.......2006-08-22
Simply great.......2006-03-04
A must have for everyone!
Porgy and Bess.......2005-10-14
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Broadway - The American Musical (PBS Series)
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ASIN: B00064ADMK Release Date: 2004-10-19 |
Tracks:
- Give My Regards To Broadway- Joel Grey
- Swanee- Al Jolson
- When The Moon Shines On The Moonshine- Bert Williams
- A Pretty Girl Is Like A Melody- John Steel
- My Man- Fanny Brice
- Fascinating Rhythm- Fred Astaire, Adele Astaire
- If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
- Someone To Watch Over Me- Gertrude Lawrence
- Bill- 78 rpm Version Helen Morgan
- Ol' Man River- Paul Robeson
- Ain't Misbehavin'- Louis Armstrong & His Orchestra
- Ten Cents A Dance- Ruth Etting
- Body And Soul- Libby Holman
- Brother, Can You Spare A Dime- Bing Crosby
- Night And Day- Fred Astaire
- Heat Wave- Ethel Waters
- Smoke Gets in Your Eyes- Tamara
- You're The Top- Ethel Merman
- Summertime- Anne Brown
- September Song- Walter Huston
- My Heart Belongs To Daddy- Mary Martin
- It Never Entered My Mind- Shirley Ross
- Bewitched, Bothered, Bewildered- Vivienne Segal
- Oh, How I Hate To Get Up In The Morning- Irving Berlin
- Oh, What a Beautiful Mornin'- Alfred Drake
Tracks:
- New York, New York- Cris Alexander,Adolph Green,John Reardon
- If I Loved You- John Raitt,Jan Clayton
- Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
- There's No Business Like Show Business- Ensemble
- How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
- Once In Love With Amy- Ray Bolger
- Wunderbar- Alfred Drake,Patricia Morison
- Some Enchanted Evening- Ezio Pinza
- Lost In The Stars- Todd Duncan
- Diamonds Are A Girl's Best Friend- Carol Channing
- Luck Be A Lady- Robert Alda,Guys
- Getting To Know You- Gertrude Lawrence
- Who Cares?- Jack Carson,Betty Oakes
- Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
- Ballad Of Mack The Knife- Gerald Price
- Hey There- from "The Pajama Game" John Raitt
- Whatever Lola Wants- Gwen Verdon
- I Could Have Danced All Night- Julie Andrews
- Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
- The Party's Over- Judy Holliday
- Glitter And Be Gay- Barbara Cook
- Tonight- Larry Kert, Carol Lawrence
Tracks:
- Seventy-Six Trombones- Robert Preston
- I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
- Everything's Coming Up Roses- Ethel Merman
- My Favorite Things- from "The Sound Of Music" Mary Martin
- Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
- Try To Remember- Jerry Orbach
- Camelot- from "Camelot" Richard Burton
- Love Makes The World Go 'Round- Anna Maria Alberghetti
- I Believe In You- Robert Morse And Co.
- The Sweetest Sounds- Diahann Carroll,Richard Kiley
- Comedy Tonight- Zero Mostel
- What Kind Of Fool Am I?- Anthony Newley
- As Long As He Needs Me- Georgia Brown
- Hello, Dolly!- Carol Channing,Cast
- People- Barbra Streisand
- Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
- If I Were A Rich Man- Zero Mostel
- Night Song- Sammy Davis, Jr.
- The Impossible Dream- Richard Kiley
- If My Friends Could See Me Now- Gwen Verdon
- Open a New Window- from Mame Voice
Tracks:
- Willkommen- from "Cabaret" Joel Grey
- Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
- I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
- The Ladies Who Lunch- from "Company" Elaine Stritch
- Tea For Two- Roger Rathburn,Susan Watson
- I'm Still Here- Yvonne De Carlo
- I Don't Know How To Love Him- Yvonne Elliman
- We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
- Corner Of The Sky- John Rubinstein
- Send In The Clowns- Glynis Johns
- Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
- One- from "A Chorus Line" Cast
- All That Jazz- Chita Rivera,Ensemble
- Tomorrow- Andrea Mcardle
- Don't Cry For Me Argentina- Patti Lupone
- Come Follow The Band
- Lullaby Of Broadway- Jerry Orbach
- And I'm Telling You I'm Not Going- Jennifer Holliday
- The Bells Of St. Sebastian- Raul Julia
Tracks:
- Memory- Betty Buckley
- I Am What I Am- George Hearn
- Move On- Bernadette Peters,Mandy Patinkin
- Do You Hear The People Sing?- Michael Maguire,Cast
- The Music Of The Night- Michael Crawford
- You're Nothing Without Me- James Naughton,Gregg Edelman
- The American Dream- Jonathan Pryce,Cast
- Doctor Jazz- Gregory Hines,Company
- With One Look- Glenn Close
- On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
- Le Jazz Hot- Julie Andrews,Ensemble
- Seasons Of Love-
- Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
- I Wanna Be A Producer- Matthew Broderick,Ensemble
- Dancing Queen- Louise Plowright,Jenny Galloway
- Good Morning Baltimore- Marissa Jaret Winokur
- Movin' Out- Michael Cavanaugh,Band
- I Go To Rio- Hugh Jackman,Company
- Defying Gravity- Kristin Chenoweth,Idina Menzel
Customer Reviews:
Fabulous for any Broadway-lover.......2007-01-30
Top Shelf.......2007-01-04
TERRIFIC CD'S.......2006-03-23
Great Collection of Broadways greatest Songs .......2005-06-14
Great Compilation!.......2005-01-17
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Dowland - The Collected Works / The Consort of Musicke, Rooley
John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne Manufacturer: Decca ProductGroup: Music Binding: Audio CD Pavanes
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ASIN: B000004CYV Release Date: 2007-03-13 |
Tracks:
- First Booke Of Songes: I. Unquiet Thoughts
- First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
- First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
- First Booke Of Songes: IV. If My Complaints Could Passions Move
- First Booke Of Songes: V. Can She Excuse My Wrongs
- First Booke Of Songes: VI. Now, O Now, I Needs Must Part
- First Booke Of Songes: VII. Dear, If You Change
- First Booke Of Songes: VIII. Burst Fourth My Tears
- First Booke Of Songes: IX. Go Crystal Tears
- First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
- First Booke Of Songes: XI. Come Away, Come Sweet Love
- First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
- First Booke Of Songes: XIII. Sleep, Wayward Thoughts
- First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
- First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
- First Booke Of Songes: XVI. Would My Conceit
- First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
- First Booke Of Songes: XVIII. His Golden Locks
- First Booke Of Songes: XIX. Awake, Sweet Love
- First Booke Of Songes: XX. Come, Heavy Sleep
- First Booke Of Songes: XXI. Away With These Self-Loving Lads
Tracks:
- Second Booke Of Songs: I. I Saw My Lady Weep
- Second Booke Of Songs: II. Flow My Tears
- Second Booke Of Songs: III. Sorrow, Stay
- Second Booke Of Songs: IV. Die Not Before Thy Day
- Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
- Second Booke Of Songs: VI. Time's Eldest Son
- Second Booke Of Songs: VII. Then Sit Thee Down
- Second Booke Of Songs: VIII. When Others Sing Venite
- Second Booke Of Songs: IX. Praise Blindness Eyes
- Second Booke Of Songs: X. O Sweet Woods
- Second Booke Of Songs: XI. If Floods Of Tears
- Second Booke Of Songs: XII. Fine Knacks For Ladies
- Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
- Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
- Second Booke Of Songs: XV. White As Lilies Was Her Face
- Second Booke Of Songs: XVI. Woeful Heart
- Second Booke Of Songs: XVII. A Shepherd In A Shade
- Second Booke Of Songs: XVIII. Faction That Ever Dwells
- Second Booke Of Songs: XIX. Shall I Sue
- Second Booke Of Songs: XX. Toss Not My Soul
- Second Booke Of Songs: XXI. Clear Or Cloudy
- Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here
Tracks:
- Third Booke Of Songs 1603: I. Farewell, Too Fair
- Third Booke Of Songs 1603: II. Time Stands Still
- Third Booke Of Songs 1603: III. Behold A Wonder Here
- Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
- Third Booke Of Songs 1603: V. Me, Me, And None But Me
- Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
- Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
- Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
- Third Booke Of Songs 1603: IX. What If I Never Speed?
- Third Booke Of Songs 1603: X. Love Stood Amazed
- Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
- Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
- Third Booke Of Songs 1603: XIII. O What Hath Overwrought
- Third Booke Of Songs 1603: XIV. Farewell, Unkind
- Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
- Third Booke Of Songs 1603: XVI. Fie On This Feigning!
- Third Booke Of Songs 1603: XVII. I Must Complain
- Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
- Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
- Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
- Third Booke Of Songs 1603: XXI. Come When I Call
Tracks:
- A Pilgrimes Solace: I. Disdain Me Still
- A Pilgrimes Solace: II. Sweet Stay Awhile
- A Pilgrimes Solace: III. To Ask For All Thy Love
- A Pilgrimes Solace: IV. Love, Those Beams That Breed
- A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
- A Pilgrimes Solace: VI. Were Every Thought An Eye
- A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
- A Pilgrimes Solace: VIII. Tell Me, True Love
- A Pilgrimes Solace: IX. Go Nightly Cares
- A Pilgrimes Solace: X. From Silent Night
- A Pilgrimes Solace: XI. Lasso vita mia
- A Pilgrimes Solace: XII. In This Trembling Shadow Cast
- A Pilgrimes Solace: XIII. If That A Sinner's Sights
- A Pilgrimes Solace: XIV. Thou Mighty God
- A Pilgrimes Solace: XV. When David's Life
- A Pilgrimes Solace: XVI. When The Poor Cripple
Tracks:
- A Pilgrimes Solace: XVII. Where Sin Sore Wounding
- A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
- A Pilgrimes Solace: XIX. Up Merry Mates
- A Pilgrimes Solace: XX. Welcome Black Night
- A Pilgrimes Solace: XXI. Cease, Cease These False Sports
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae
Tracks:
- Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
- Mr. Henry Noell Lamentations: II. Domine ne in furore
- Mr. Henry Noell Lamentations: III. Miserere mei Deus
- Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
- Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
- Mr. Henry Noell Lamentations: VI. De profundis
- Mr. Henry Noell Lamentations: VII. Domine exaudi
- Lachrimae: Lachrimae Antiquae
- Lachrimae: Lachrimae Antiquae Novae
- Lachrimae: Lachrimae Gementes
- Lachrimae: Lachrimae Tristes
- Lachrimae: Lachrimae Coactae
- Lachrimae: Lachrimae Amantis
- Lachrimae: Lachrimae Verae
- Lachrimae: Mr. John Langton's Pavan
- Lachrimae: Mr. Nicholas Gryffith His Galiard
- Lachrimae: Sir John Souch His Galiard
- Lachrimae: Semper Dowland Semper Dolens
- Lachrimae: Mr. Giles Hobies Galiard
- Lachrimae: The King Of Denmark's Galiard
- Lachrimae: Sir Henry Umpton's Funerall
- Lachrimae: Mr. Henry Noell His Galiard
- Lachrimae: The Earl Of Essex Galiard
- Lachrimae: Mr. Bucton His Galiard
- Lachrimae: Mr. George Whitehead His Almand
- Lachrimae: Captain Digorie Piper His Galiard
- Lachrimae: Mr. Thomas Collier His Galiard
- Lachrimae: Mrs. Nichols Almand
Tracks:
- Sacred Songs: Sorrow, Come!
- Sacred Songs: I Shame At Mine Unworthiness
- Sacred Songs: An Heart That's Broken And Contrite
- Psalms: Psalm 100: All People That On Earth Do Dwell
- Psalms: Psalm 38: Put Me Not To Rebuke O Lord
- Psalms: Psalm 130: Lord To Thee I Make My Moan
- Psalms: Psalm 104: My Soul Praise The Lord
- Psalms: Psalm 100: All People That On Earth Do Dwell
- Psalms: Psalm 134: Behold And Have Regard
- A Prayer For The Queen's Most Excellent Majesty
- Instrumental Music: Solus cum sola pavan
- Instrumental Music: Lachrimae
- Instrumental Music: Galliard
- Instrumental Music: Pipers Pavan
- Instrumental Music: Lachrimae
- Instrumental Music: Lady Rich Galliard
- Instrumental Music: Earl Of Essex Galliard
- Instrumental Music: If My Complaints
- Instrumental Music: Lachrimae Doolande
- Instrumental Music: Lord Willoughbie's Welcome Home
- Instrumental Music: My Lord Chamberlaine His Galliard
- Instrumental Music: Comagain
- Instrumental Music: Pavan Lachrymae
- Instrumental Music: Sorrow Stay
Tracks:
- Lute Music: Preludium
- Lute Music: Lachrimae
- Lute Music: Can She Excuse
- Lute Music: Dr. Case's Pavan
- Lute Music: Melancholy Galliard
- Lute Music: Sir John Smith, His Almain
- Lute Music: Fantasia
- Lute Music: A Dream
- Lute Music: Almain
- Lute Music: The Queen's Galliard
- Lute Music: Coranto
- Lute Music: Resolution
- Lute Music: Mrs. Vaux Galliard
- Lute Music: Almain
- Lute Music: Mr. Dowland's MIdnight
- Lute Music: Fantasia
- Lute Music: Loth To Depart
- Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
- Lute Music: The Earl Of Essex, His Galliard
- Lute Music: Pavan
- Lute Music: John Dowland's Galliard
- Lute Music: Aloe
- Lute Music: The Lady Clifton's Spirit
- Lute Music: What If A Day
- Lute Music: Mr. Giles Hobie's Galliard
- Lute Music: Come Away (Song arrangement)
- Lute Music: Galliard
- Lute Music: Fancy (Fantasia)
Tracks:
- Lute Music: Lachrimae (Basic Version)
- Lute Music: Galliard To Lachrimae
- Lute Music: [Jig]
- Lute Music: Galliard On 'Wasingham'
- Lute Music: Complaint (Ballad Setting)
- Lute Music: Mignarda (Galliard)
- Lute Music: Semper Dowland Semper Dolens (Pavan)
- Lute Music: The Frog Galliard
- Lute Music: A Fancy (Fantasia)
- Lute Music: Fancy (Fantasia)
- Lute Music: Piper's Pavan
- Lute Music: Captain Digorie Piper's Galliard
- Lute Music: Lady Laiton's Almain
- Lute Music: Dowland's Galliard
- Lute Music: Dowland's First Galliard
- Lute Music: Tarleton's Jig
- Lute Music: Walsingham (ballad Setting)
- Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
- Lute Music: Sir Henry Guilforde, His Almain
- Lute Music: Pavan (Related To 'Lachrimae')
- Lute Music: Mr. Langton's Galliard
- Lute Music: Mrs. Clifton's Almain
- Lute Music: Galliard
- Lute Music: Lady Hunsdon's Puffe (Almain)
- Lute Music: Galliard
- Lute Music: Go From My Window (Ballad Setting)
- Lute Music: Fancy (Fantasia)
Tracks:
- Lute Music: Pavana Johan Douland
- Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
- Lute Music: La mia Barbara
- Lute Music: Sir Henry Umpton's Funeral (Pavan)
- Lute Music: Lachrimae
- Lute Music: Farewell Fancy (Chromatic Fantasia)
- Lute Music: Farewell (On The 'In Nomine' Theme)
- Lute Music: The King of Denmark's Galliard
- Lute Music: Mrs. Vaux's Jig
- Lute Music: Mrs. Nichol's Almain
- Lute Music: Galliard
- Lute Music: Lord Strang's March
- Lute Music: Mrs. Winter's Jump
- Lute Music: Can She Excuse (Galliard)
- Lute Music: The Shoemaker's Wife, A Toy
- Lute Music: Mrs. Norrish's Delight
- Lute Music: Galliard
- Lute Music: Mrs. White's Thing (Almain)
- Lute Music: Mrs. White's Nothing
- Lute Music: The Frog Galliard
- Lute Music: Solus cum sola
- Lute Music: The Lord Viscount Lisle, His Galliard
- Lute Music: Orlando Sleepeth (Ballad Setting)
- Lute Music: Robin (Ballad Setting)
- Lute Music: Galliard (On A Galliard By Daniel Bacheler)
- Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)
Tracks:
- Lute Music: The Lady Russell's Pavan
- Lute Music: Fancy (Fantasia)
- Lute Music: Sir John Langton's Pavan
- Lute Music: Earl Of Derby, His Galliard
- Lute Music: A Coy Toy
- Lute Music: Fortune My Foe
- Lute Music: [Almain]
- Lute Music: Mr. Knight's Galliard
- Lute Music: Sir John Souch His Galliard
- Lute Music: Tarletone's Riserrectione
- Lute Music: The Lady Rich, Her Galliard
- Consort Music: Lachrimae Pavan
- Consort Music: Can She Excuse Galliard
- Consort Music: Captain Piper's Pavan And Galliard
- Consort Music: The Frog Galliard
- Consort Music: Round Battell Galliard
- Consort Music: Fortune My Foe
- Consort Music: Dowland's First Galliard
- Consort Music: Katherine Darcie's Galliard
- Consort Music: Tarleton's Jigge
- Consort Music: Almain a 2
- Consort Music: Mistress Nichols Almain a 2
- Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
- Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
- Opusculum: Mr. John Langton Pavan And Galliard
- Opusculum: La mia Barbara Pavan and Galliard
- Opusculum: Lachrimae Antiquae Novae Pavan and Galliard
Tracks:
- Consort Music: Mistress NIchols Almain
- Consort Music: Volta a 4 ('Ioh. Douland')
- Consort Music: Were Every Thought an Eye
- Consort Music: Lady If You So Spite Me
- Consort Music: Pavan a 4
- A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
- A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
- A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
- A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
- A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
- A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
- A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
- A Musicall Banquet: VIII. Far From Triumphing Court
- A Musicall Banquet: IX. Lady, If You So Spite Me
- A Musicall Banquet: X. In Darkness Let Me Dwell
- A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
- A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
- A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
- A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
- A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
- A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
- A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
- A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
- A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
- A Musicall Banquet: XX. O bella piu (Anon, Italian)
Customer Reviews:
The greatest songs ever?.......2007-07-26
Please buy it.
A musical treasure-box.......2006-09-10
The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).
This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.
I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.
a beautiful journey into melancholy.......2001-06-15
Dowland, a contemporary of Shakespeare, discovered that meditating on a sad theme is, at the same time, a way of discovering a special beauty that we tend to avoid (maybe because of the "tragic" heritage of the Romantics). So, in the end, meditating on sadness is an uplifting experience! This box set is a journey into melancholy that includes songs, chamber music, pieces for lute, some rare sacred music and -as a highlight- Dowland's beautiful collection of seven pieces for viola which he called "Lachrimae" (Tears).
Average customer rating: 
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You've Stolen My Heart: Songs from R.D. Burman's Bollywood
Kronos Quartet , and Asha Bhosle Manufacturer: Nonesuch Records ProductGroup: Music Binding: Audio CD Chamber Music
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ASIN: B0009X1PAM Release Date: 2005-08-23 |
Tracks:
- Dum Maro Dum - Take Another Toke
- Rishte Bante Hain - Relationships Grow Slowly
- Mehbooba Mehbooba - Beloved, O Beloved
- Ekta Deshlai Kathi Jwalao - Light a Match
- Nodir Pare Utthchhe Dhnoa - Smoke Rises across the River
- Koi Aaya Aane Bhi De - If People Come
- Mera Kuchh Saaman - Some of My Things
- Saajan Kahan Jaoongi Main - Beloved, Where Would I Go?
- Piya Tu Ab To Aaja - Lover, Come to Me Now
- Dhanno Ki Aankhon - In Dhanno's Eyes
- Chura Liya Hai Tum Ne - You've Stolen My Heart
- Saiyan Re Saiyan - My Lover Came Silently
Amazon.com
The Kronos Quartet have been luminaries of modern Western classical music for more than thirty years. So despite their previous forays into world music, a headlong dive into the alternative universe of Bollywood (Bombay-plus-Hollywood) soundtracks may seem somewhat incongruous. But Kronos leader David Harrington is a longtime fan of composer R.D. Burman¹s florid pop extravaganzas, which propelled an already saturated palette into day-glo and beyond. To get the project off the ground, he had to convince one of India¹s prolific and versatile "playback" singers to come on board. The legendary Asha Bhosle is a renowned Burman interpreter so securing her services was a major coup. To replicate the reverb-laden "wall of sound" typical of Burman arrangements, Kronos and Ashaji, accompanied by Indian percussionist Zakir Hussain and Chinese pipa virtuoso Wu Man, overdubbed themselves into a teeming multitude. However, there is nothing soulless or "canned" about the results; indeed, composer and singer emerge refreshed and more vivid than ever before, shaking their stuff amid swirling Technicolor veils of tongue-in-cheek mystery and sensuality. --Christina RodenAlbum Description
Sumptuous and surreal, the Kronos Quartet and Asha Bhosle's You've Stolen My Heart is not unlike the colorful, melodramatic Indian film musicals to which it pays tribute. Eight of its twelve tracks feature superstar Bollywood film playback singer Asha Bhosle, widely considered the world's most recorded vocalist. The songs were chosen from the repertoire of her husband, the late composer R.D. Burman, who revolutionized the sound of the movies produced at Mumbai's (formerly Bombay) fabled studios, a.k.a. Bollywood.Customer Reviews:
Warning: this CD is addictive.......2007-01-12
Clever, but...........2006-04-07
Bhosle, Pavrotti, Sinatra.......2006-02-12
Cheap music.......2006-01-02
I Think They Should Have Selected a More Contemporary Singer.......2005-11-05
Average customer rating:
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Sweet Charity (1969 Film Soundtrack)
Cy Coleman , Shirley MacLaine , and Sammy Davis Jr. Manufacturer: Decca ProductGroup: Music Binding: Audio CD Classic Vocalists
| Broadway & Vocalists
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ASIN: B0000AYL1W Release Date: 2003-08-26 |
Tracks:
- Overture
- My Personal Property
- Big Spender
- The Pompeii Club
- If My Friends Could See Me Now
- There's Gotta Be Something Better Than This
- It's A Nice Face
- Rhythm Of Life
- Sweet Charity
- I'm A Brass Band
- I Love To Cry At Weddings
- Where Am I Going?
- Finale
Customer Reviews:
Sweet Charity: Sweet Memories.......2007-07-13
Sammy Davis Jr. is awesome.......2007-01-10
Great Memories (better than current 2005 Broadway Revival).......2005-08-06
This cast recording makes me wish I was old enough to have seen them during the original Broadway run.
Consider buying the DVD to the movie to accompany this DVD. That way, you'll also get to see Ben Vereen at his best. I will warn you that the movie was a bit indulgent with extended scenes whose length is not justified by their contribution to the overall film. It's about 20-30 minutes too long. But the musical and dance numbers are really great. Who doesn't love Fosse?
long-overdue reissue of the classic soundtrack.......2003-10-09
The score was heavily revised for the move to celluloid. "You Should See Yourself" was replaced by "My Personal Property", "I'm the Bravest Individual" was replaced by "It's a Nice Face". The melody for "Sweet Charity" was re-jigged for a more uptempo feel. Songs cut from the score altogether included "Baby Dream Your Dream", "Too Many Tomorrows" and "Charity's Soliloquy".
Shirley MacLaine was joined by a cast including veteran Broadway talents Paula Kelly and Chita Rivera, John McMartin (recreating the role he originated on Broadway opposite Gwen Verdon) as Oscar Linquist, Sammy Davis Jr. as Daddy Brubeck, Stubby Kaye as Herman and Ricardo Montalban.
Shirley MacLaine sings her numbers with her sweet pixie-esque voice, gliding through showstoppers like "I'm a Brass Band" and "If My Friends Could See Me Now" with great ease.
Another fantastic package from Decca Broadway. Peter Filichia, as always, offers comprehensive liner notes, and sound quality is quite good. In addition to this CD I also recommend the still-superb 1966 original Broadway cast album with Gwen Verdon.
Sweet Charity.......2003-09-14
My biggest complaint about this CD release is that it is not complete. You think that Decca Records would do a complete Cd release as previous musical soundtracks have done. This is a direct copy of the Lp released so many years ago. There is so much more music in this film that I was disapointed when I found it it was only a Cd of the original album. With Cd's fitting up the 80 minutes of music it is very surprising that this truncated version was released. Maybe because it's not considered a classic. This is am underrated film as far as I am concerned and in my opinion a far better score than Chicago (with all due respect to Bob Fosse who directed this film) This would be a great CD if only it wasn't abbreviated.
Average customer rating: 
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The Michael Feinstein Anthology
Manufacturer: Elektra / Wea ProductGroup: Music Binding: Audio CD All Works by Gershwin
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ASIN: B000065DVH Release Date: 2002-05-21 |
Tracks:
- Nice Work If You Can Get It
- Isn't It Romantic
- Swinging On A Star
- Ask Me Again
- Rhode Island Is Famous For You
- 'S Wonderful
- Wonder Why
- Too Marvelous For Words
- Where Do You Start
- Theme From The Bad And The Beautiful
- Easy To Love
- Alexander's Ragtime Band
- Who Are You Now?
- You're An Education
- You Are There
- Sophisticated Swing
- Love Can Change The Stars
- Come Out, Come Out Wherever You Are
- Half Of April (Most Of May)
- Marianne
- They Can't Take That Away From Me
- I Love A Piano
Tracks:
- That's Entertainment
- My Favorite Year
- Ten Feet Off The Ground (With Rosemary Clooney)
- I Never Felt Better
- Someone To Watch Over Me
- Kiss Her Now
- The Ugly Bug Ball
- For You, For Me, Forever More
- The Mole People
- And So To Bed
- You're All The World To Me
- Old Friend
- Isn't It A Pity (with Rosemary Clooney)
- Pattisserie
- Open Your Eyes
- For Love Alone
- I Won't Send Roses/Time Heals Everything
- Get Out And Get Under The Moon (with Page Cavanaugh)
- My Romance
- Love Is Here To Stay
- Violin (with Liza Minnelli)
Amazon.com
The line between evangelist and entertainer has always been somewhat indistinct. But as showcased on this 43-track, double-disc collection culled from his '87-'96 recordings for Elektra/Nonesuch/Atlantic, Michael Feinstein's dedication to spreading the gospel of the American song often blurs it beyond recognition. While the singer's pedigree for the task is impeccable (a long-term stint as Ira Gershwin's assistant and early career sponsorship by Liza Minnelli), his interpretations often succeed by playing off a tense axis of fervent emotionalism and a joyous sense of irreverence.If his readings of romantic standards can sometimes tend toward the precious, they're often balanced here by sheer dramatic power and telling insights ("Isn't It Romantic" fairly bristles with ironic chauvinism) and a few loopy curves ("The Mole People," the Sherman Brothers' "The Ugly Bug Ball," and the previously unreleased "Rhode Island Is Famous for You"). Feinstein's dedicated song archaeology is also showcased on several gems: "Violin," a duet with Liza Minnelli; "My Favorite Year," a rejected ballad for the film of that name; the sublime "lost" Gershwin classic "Ask Me Again."
Sprinkled with live performances (the forum where Feinstein's talents seem most energized) and studio outtakes and featuring a lengthy print interview with the singer, the set chronicles both the pioneering efforts of one of pop music's most successful revivalists and, crucially, the cream of his beloved American songwriters, from stalwarts Gershwin, Berlin, and Porter to later legends like Herman, Styne, Lane, Martin, and Mercer. --Jerry McCulley
Album Description
The definitive collection of performances by the Grammy nominated singer features 43 tracks from 14 albums released by Elektra, Elektra Nonesuch, and Atlantic labels from 1987-1996. Plus 8 previously unreleased live tracks only available here 'Rhode Island is Famous For You', 'S Wonderful', 'Alexander's Ragtime Band', 'I Love A Piano', 'Patisserie', 'Get Out And Get Under The Moon' (with Page Cavanaugh), 'Love Is Here To Stay' & 'Violin' (with Liza Minnelli). 2 Digipacks housed in a slipcase with a booklet. Rhino Records. 2002.Customer Reviews:
Mixed feelings.......2005-10-05
Your love for this superb collection will be here to stay..........2002-07-18
He's done it again.......2002-07-15
This is perfect background music for a dinner party for a whole group but especially for two. Light, romantic and just gorgeous. You just can't go wrong when Michael Feinstein is your musical choice.
Way to go Michael, you've done it again!
Absolutely 'S WONDERFUL!.......2002-06-10
This collection not only contains all the favorites one would expect, but a neat group of surprises too. I especially love the duets with people like Liza Minnelli and Rosemary Clooney, and the various collaborative efforts with songwriters like Jule Styne and Burton Lane accompanying Michael at the piano.
This collection is a classic to be treasured. Bravo Michael!
Bravo Rhino!
A beautiful 2 disc CD-another hit for Michael.......2002-06-09
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The Complete Gilbert & Sullivan (Box Set)
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Ballets
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| Sullivan, Arthur
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ASIN: B00008LJEO Release Date: 2003-05-13 |
Customer Reviews:
Don't underestimate those "unknown" Operettas!!.......2005-07-07
In any case - most people getting this set will already have the Mikado, and very probably Pirates and Pinafore for that matter, so you're really getting it for the others.
So just for the record - someone has to say this!
The Mikado is (of course) a wonderful piece, but it enjoys its long running status as the most successful of all the G&S operettas very largely for "extra-musical" reasons. It is visually so wonderful, with all those great authentic costumes, and the whole idea of satirising English institutions by pretending they are Japanese is of course brilliantly funny.
Again, Pirates and Pinafore enjoy a lot of their acclaim simply because we have heard them so often. And at least part of the initial success of these (admittedly very funny and entertaining) pieces was the vogue for "nautical drama" on the popular Victorian stage.
Iolanthe, Ruddigore, and Yoemen are all MUCH stronger musically than any of what another reviewer here keeps calling the "trilogy". Patience, Princess Ida, and the Gondoliers all excel either "nautical" operetta, at least musically, although not, perhaps, the Mikado. And I have had a lot of fun listening to my recording of the Sorcerer - although I think most at least of the other G&S operettas are even more interesting.
As for "Trial by Jury" it is really another thing altogether - but in its kind the most perfect thing either Gilbert or Sullivan had anything to do with!
This leaves Utopia and the Grand Duke.
Both of these were produced after the long running friendship between G&S had soured, and they have been sadly neglected ever since. Utopia is none the less both musically beautiful and very funny, and well worth taking an effort to come to grips with. The main point of the satire (which many commentators and reviewers seem to miss) is the way that the English language and British (especially English) institutions were being adopted, often rather uncritically, by countries around the world (most, but not all, of them members of the British Empire, of course). India is perhaps the country Gilbert had most in mind, but you could set it in any of a dozen other countries. The residual problems this has left in the post-colonial world ensure that this work is still far from dated. In some ways this operetta is about globalisation! What could possibly be LESS dated than that!
The Grand Duke, on the other hand, is a bit of an odd man out - I suppose you still have to say it is the weakest of all the G&S efforts. It's the ONLY one that didn't score a very respectable run on its first outing. Surprisingly, however, if an attempt is made to duplicate the musical and (especially) dialogue cuts that G&S would have done themselves if they had not by this time been at each other's throats all the time, a very entertaining piece can be made of it. I was very agreeably surprised by the Ohio Light Opera recording, which does just that - and I am coming round to the idea that the only thing really wrong with the Duke is that it is too long.
ANYWAY:
For all people (especially callow youth) who remain convinced that G&S only wrote three operettas worth listening to - all I can say is, buy this set, and give the lesser known ones a chance. Make sure you have a libretto in your hands as you listen, of course. It may even just need a single hearing in some cases, but otherwise, be patient. In the meantime, you really cannot have any conception of what you are missing.
A few details.......2004-03-28
Wonderful set, if a little inconsistent at times........2003-07-07
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Snoopy!!! The New Musical Entertainment (1975 San Francisco Cast)
Hal Hackady Manufacturer: Drg ProductGroup: Music Binding: Audio CD Movie Soundtracks
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ASIN: B000000PG3 Release Date: 1992-04-10 |
Tracks:
- Overture : The World According To Snoopy
- Edgar Allan Poe
- Woodstock's Theme
- I Know Now
- The Vigil
- Clouds
- Where Did That Little Dog Go?
- Daisy Hill
- Friend
- The Great Writer (It Was A Dark And Stormy Night)
- Poor Sweet Baby
- Don't Be Anything Less
- The Big Bow-Wow
- Just One Person
Customer Reviews:
This Shouldn't Be Getting Good Revues.......2007-01-03
I love the music.......2005-02-21
Not to sing an old tune but..........2004-07-26
Snoopy is good, but London's is better........2003-06-22
From a SNOOPY Expert.......2003-06-20
Still, it's a sweet, subtle production with no social relevance and little ability to inspire anyone. It's nothing more than a vaudeville of Charles Schultz characters that is supremely difficult to be successful with. I mean, please, how plausible is a quintet of 5-year-olds singing about "Edgar Allen Poe" anyway? Still, once you've hurtled the point of annoyance, it's suddenly easy to appreciate the delicious rhymes employed and the hidden maturity of the themes and, sometimes, of the characters (cough cough, Linus).
Why only three stars? Because this recording is inferior to the London recording. I've only heard the other once, but it's an instanteous reaction: realizing that only a rethinking of the original can improve the whole. First, this CD only has piano accompaniment vs. the other's small band. It's surprising how different (and more entertaining) a small ensemble can make of this show. Also, this CD omits "The World According to Snoopy--Reprise" and "Snoopy's Song" for no good reason. The performances aren't particularly appealing either. I found Snoopy's unrefined, wobbly voice unsuited for the dry character and almost cowardly (believe it or not). Linus isn't all too great (I should know, remember?) and suffers from the same lack of confidence that Snoopy does. Not even the famous Pamela Myers could redeem this recording for me: she's too much of a screamer even for the caustic Peppermint Patty. I did like Sally, but she has little material to sing, unfortunately.
So, yeah. Buy the 1983 London recording (it even has some extra songs written for it!). It really is a quaint, lovable little piece that is perfect for children and children-at-heart. Just think...a musical about characters we all can't help but loving. Almost brings a tear to my eye.
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Broadway: America's Music 1935-2005
Manufacturer: Decca Broadway ProductGroup: Music Binding: Audio CD All Works by Bernstein
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ASIN: B000B8I93Q Release Date: 2005-10-18 |
Tracks:
- Oh What a Beautiful Mornin'
- Summertime
- I Could Write a Book
- It Never Entered My Mind
- I Can Cook Too
- Make It Another Old Fashioned, Please
- If I Loved You
- My Heart Belongs to Daddy
- Thou Swell
- I Left My Heart at the Stage Door Canteen
- There's No Business Like Show Business
- South American Way
Tracks:
- Shall We Dance
- Ohio
- Luck Be a Lady
- Mack the Knife
- There's a Small Hotel
- Once in Love with Amy
- Yodel Blues
- Lazy Afternoon
- There Must Be Somethin' Better Than Love
- You're Just in Love
- Now Is the Time
Tracks:
- Impossible Dream
- Love Makes the World Go 'Round
- Try to Remember
- Put on a Happy Face
- I Say Hello
- Happiness
- She Loves Me
- What Kind of Fool Am I?
- Shy
- Consider Yourself
- Poor Little Person
Tracks:
- Magic to Do
- They're Playing My Song
- I Don't Know How to Love Him
- I Won't Send Roses
- Good Morning Starshine
- Don't Cry for Me, Argentina
- Hard Candy Christmas
- Diamonds Are a Girl's Best Friend
- Won't You Charleston with Me?
- Applause
Tracks:
- Phantom of the Opera
- Memory
- On My Own
- Muddy Water
- How Could I Ever Know
- American Dream
- I Know Him So Well
- Dr. Jazz
- Me and My Girl
- Suddenly Seymour
Tracks:
- Mamma Mia!
- Popular
- Seasons of Love
- Oh, the Thinks You Can Think
- Whatever Lola Wants
- Crazy
- How Deep Is Your Love
- Stars
- People Like Us
- I Go to Rio
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Where to Now
Charlie Dore Manufacturer: Lemon Records UK ProductGroup: Music Binding: Audio CD General
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ASIN: B000AOGM5I Release Date: 2005-09-26 |
Tracks:
- Pilot of the Airwaves
- Falling
- Sad Old World
- Where to Now?
- Sleepless
- Fear of Flying
- Wise Owl
- Hula Valley
- Pickin' Apples O-Sweetheart
- Sweetheart
Album Description
Lemon Records once again digs out a gem from the Island Records vaults, a pearl which has not seen the light of day for over 20 years! Originally released in 1979, Where to Now? features the smash hit 'Pilot of The Airwaves' (which reached #13 in the American Hot 100) alongside many other classic Dore tracks. Since the release of Where To Now? Charlie has had a great deal of success through her songwriting, with artists such as Celine Dion, Tina Turner, Sheena Easton, Lisa Stansfield and Hayley Westenra all choosing to record her songs. The album has never been previously released on CD and has also been completely remastered. 2005.Album Details
Originally Released in 1979, Where to Now? features the Smash Hit 'pilot of the Airwaves' (Which Reached No. 13 in the American Hot 100) Alongside Many Other Classic Dore Tracks. Since the Release of 'where to Now?' Charlie Has Had a Great Deal of Success Through her Songwriting, with Artists Such as Celine Dion, Tina Turner, Sheena Easton, Lisa Stansfield and Hayley Westenra all Choosing to Record her Songs. The Album Has Never Been Previously Released on CD and Has also Been Remastered by Universal.Customer Reviews:
A Missed Opportunity Yes but ..........2007-06-28
A Missed Opportunity.......2007-03-25
But her fan base is so small and select, even illegal mp3's were rarely found on the web.
It is a shame that this reissue didn't include any supplimental material or bonus tracks. If anyone actually remembers the hit "Pilot of the Airways" they will be disappointed because the album version is very different from the single that played on the radio. The should have at least added the single version.
I wish real audiophile label had released the reissue. Compared to the wonderful reissues of artists like Chad & Jeremy Of Cabbages & Kings, Harper's Bizarre Anything Goes or The Free Design You Could Be Born Again, this is a disappointment.
Rap Music:
- World Machine
- You Broke My Heart, So I Busted Your Jaw [Original recording remastered] [Import]
- You're The One
- And I Know You Wanna Dance/Whisky a Go-Go Revisited [Original recording remastered] [Import]
- Beware of Darkness
- Booth and the Bad Angel
- Breathe [CD-single] [Import]
- Castles
- Chicago VIII [Original recording remastered]
- Clouds in My Coffee 1965-1995 [Box set]
Recommended Music:
Hosanna! Music Sampler: Times of Worship
Near To You [CD-single] [Import]
Johnny Hallyday, Vol. 2 [Import]
MacDowell: Suites Nos. 1 & 2, Hamlet & Ophelia / Ulster Orchestra, Yuasa
Juke Box Saturday Night [Import] [Limited Edition] [Original recording remastered]
Tchaikovsky: Serenade for Strings; Francesca da Rimini [Hybrid SACD]