One Night Only [Live]

One Night Only [Live]

Editorial Reviews

Amazon.com
In typically splashy style, Elton John rushed One Night Only, a document of his two-night Madison Square Garden stand, into release just weeks after the October 2000 shows. Basically a rundown of 30 years of chart hits smoothly played (if occasionally roughly sung), the disc is a solid buy for the Elton John fanatic. Others will have to decide if a plethora of guest stars--Mary J. Blige, Bryan Adams, Kiki Dee, Ronan Keating, and Anastacia--warrants owning new versions of old warhorses. Even without the sense of Event surrounding the performances, though, One Night Only satisfyingly captures the thrill of EJ's recent sets. --Rickey Wright

One Night Only,Elton John,Universal,Adult Contemporary,Album Rock,Glam Rock,Pop,Pop/Rock,Popular Music,Rock,Rock/Pop,Singer/Songwriter,Soft Rock


One Night Only [Live]

Jerry Hadley - Golden Days - Tenor hits from the Golden Age of Operetta
Average customer rating: Not rated
    Jerry Hadley - Golden Days - Tenor hits from the Golden Age of Operetta

    Manufacturer: RCA
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000003FQQ
    Release Date: 1994-08-16

    Tracks:

    1. Song of the Vagabonds
    2. I'm Falling in Love With Someone
    3. Streets of New York
    4. Neapolitan Love Song
    5. Desert Song/One Alone
    6. Every Day Is Ladies' Day with Me
    7. Donkey Serenade
    8. Softly, As in a Morning Sunrise
    9. Drinking Song
    10. When You're Away
    11. I Love to Go Swimmin' With Wimmin
    12. I Might Be Your Once-In-A-While
    13. Marianne
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    16. When I Grow Too Old to Dream
    17. Gypsy Love Song
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    One Night Only
    Average customer rating: 5 out of 5 stars
    • The Final Amazing Concert!
    • Extraordinary-One Night Only
    One Night Only
    The Bee Gees
    Manufacturer: Reprise
    ProductGroup: Music
    Binding: Audio CD

    DiscoDisco | Dance & DJ | Styles | Music
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    ASIN: B000EXZI14
    Release Date: 2006-06-06

    Tracks:

    1. Intro - You Should Be Daning/Alone
    2. Massachusetts
    3. To Love Somebody
    4. Words
    5. Closer Than Close
    6. Islands In The Stream
    7. Our Love (Don't Thrown It All Away)
    8. Night Fever/More Than A Woman
    9. Lonely Days
    10. New York Mining Disaster 1941
    11. I Can't See Nobody
    12. And The Sun Will Shine
    13. Nights On Broadway
    14. How Can You Mend A Broken Heart
    15. Heartbreaker
    16. Guilty
    17. Immortality
    18. Tragedy
    19. I Started A Joke
    20. Grease
    21. Jive Talkin'
    22. How Deep Is Your Love
    23. Stayin' Alive
    24. You Should Be Dancing

    Album Description

    Brothers Barry, Maurice, and Robin Gibb made musical history for close to four decades with their magnificent vocal harmonies and ever-evolving styles. Masters of orchestral pop, blue-eyed soul and R&B, dazzling dance grooves, and disco fever alike—as well as uniquely blended hybrids of all these genres and more—the Bee Gees delivered album classics and top chart hits throughout their enduring career. On this newly remastered edition, the amazing genetics of their harmonies shine, as does the ongoing artistic evolution that's made them one of contemporary music's most successful and legendary acts.

    Customer Reviews:

    5 out of 5 stars The Final Amazing Concert!.......2007-07-02

    "One Night Only" is a good a masterpiece of live recording as 1977's "Here At Last...Bee Gees...Live" was. All the great songs are here, plus a few odd album cuts that truly make this set shine. Highlights include, "Grease" with a thunderous crowd roaring approval; "(Our Love) Don't Throw It All Away', a true tearjerker with prerecorded Andy Gibb singing with his brothers and "Immortality", with a wonderful Celine Dion backed by the brothers. The CD is crisp, clean and clear. It is amazing to hear such fantastic producers who's studio recordings sound the same in concert. This is a classic CD!

    5 out of 5 stars Extraordinary-One Night Only.......2007-04-10

    The previous reviews we read before getting this production fell short to what we got...not only a flashback to our 'Saturday Night Fever' times but also the lasting impression it has left in our 11-yr old kid. He has managed to learn & sing all the selections, particularly "Words", "Lonely Days" and the "New York Mining Disaster". Absolutely EXTRAORDINARY!
    Instruments of the Orchestra
    Average customer rating: 4.5 out of 5 stars
    • Instruments of the Orchestra - Great Reference Material!
    • Beginner or Expert
    • Very Informative and Enjoyable
    • Frank's view
    • Excellent Intro for Those Not Familiar with the Orchestra
    Instruments of the Orchestra
    Various Artists
    Manufacturer: Naxos
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Symphonies | Classical | Styles | Music
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    ASIN: B00006O0NT
    Release Date: 2002-12-03

    Tracks:

    1. Overture To 'Tannhauser'
    2. Domna, Pos Vos Ay Chausida
    3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
    4. Hungarian Dance No.7
    5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
    6. Violin Concerto In D Major (Adagio)
    7. But For A Long Time It Was Seen As The Instrument Of The Devil.
    8. The Soldier's Tale: Triumphal March Of The Devil
    9. The Manipulative Seductiveness Of The Gypsy Violin.
    10. Csardas Music
    11. The Violin And The Initiation Of Nature
    12. The Four Seasons (Spring, Mvt 1)
    13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
    14. The Four Seasons (Summer, Mvt 1)
    15. Like The Devil, The Violin Is A Master Of Disguise.
    16. Old Viennese Dance No.3 'Schon Rosmarin'
    17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
    18. Tzigane
    19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
    20. Caprice No.24
    21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
    22. Variations On A Theme Of Frank Bridge (No.7)
    23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
    24. Romeo And Juliet: Act IV
    25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
    26. The Four Seasons (Winter, Mvt 1)
    27. The Violin Muted
    28. Clair De Lune
    29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
    30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
    31. The Pizzicato Violin
    32. Pizzicato Polka
    33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
    34. Violin Concerto No.2 In G Minor (Slow Mvt)
    35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
    36. The Planets (Mars - The Bringer Of War)
    37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
    38. Hungarian Dance No.4
    39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
    40. The Four Seasons (Autumn, Mvt 1)
    41. Now The Same Technique, But The Sound Might Have Come From Another World.
    42. Bolero
    43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
    44. Cadenza To The Violin Concerto By Brahms
    45. Now Compare That With A Real Violin Duet.
    46. Forty-Four Duos (No. 1: Teasing Song)
    47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
    48. Forty-Four Duos (No.2: Maypole Dance)
    49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
    50. Concerto In D Minor For Two Violins (Largo)
    51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
    52. Violin Concerto No.1 In D Major (Mvt 2)
    53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
    54. Symphony No.1 'Titan' (Mvt 1, Opening)
    55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
    56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
    57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
    58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
    59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
    60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
    61. Also Sprach Zarathustra (Of The Afterworldsmen)
    62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
    63. Variations On A Theme Of Frank Bridge (No. 4)
    64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
    65. Four Sea Interludes (Dawn) From 'Peter Grimes'
    66. To End This Outing With The Violins, A Charming Little Elfin Dance
    67. Elfenreigen

    Tracks:

    1. Introduction To The Viola
    2. Viola Concerto (Mvt 1)
    3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
    4. Gayane Suite No.1 (Armen's Solo)
    5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
    6. Passacaglia, Op.33b From 'Peter Grimes'
    7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
    8. Harold In Italy (Mvt 4)
    9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
    10. Cypresses (No.9)
    11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
    12. Symphony No.4 (Mvt 3)
    13. The 'Period' Viola In Bach
    14. Brandenburg Concerto No.6 (Last Mvt)
    15. The Cello: A Voice Of Unique Nobility
    16. Suite No.1 For Unaccompanied Cello (Prelude)
    17. Brahms And The 'Soul' Of The Cello
    18. Piano Concerto No.2 In B Flat Major (Mvt 3)
    19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
    20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
    21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
    22. Symphony No.3 'Eroica' (Finale)
    23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
    24. Elfentanz, Op.39
    25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
    26. The Protecting Veil (Opening)
    27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
    28. Flamenco
    29. Double-Stopping In The Lower Reaches Of The Cello's Range
    30. Solo Suiet For Cello And Piano (Sardana)
    31. It's In The Middle Register That The Cello Really Comes Into Its Own.
    32. Oriental Dance, Op.2 No.2
    33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
    34. Symphony No.9 (Finale)
    35. Introduction To The Double-Bass
    36. The Carnival Of The Animals (The Elephant)
    37. But The Double-Bass Can Be Intensely Expressive And Graceful.
    38. Elegy No.1 In D Major
    39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
    40. Capriccio Di Bravura
    41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
    42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
    43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

    Tracks:

    1. The Antiquity And Magic Of The Flute
    2. Prelude A L'Apres-Midi D'Un Faune
    3. The Versatility And Agility Of The Flute
    4. Orchestral Suite No.2 In B Minor (Badinerie)
    5. The Flute In Fifteenth-Century Spain
    6. Sa'Dawi
    7. Other Flutes: The Bass And Alto
    8. Chamber Music No.II
    9. The Piccolo - Aptly Named
    10. La Naissance D'Osiris (Mvt 6)
    11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
    12. Suite No.1 For Small Orchestra (Valse)
    13. A Variety Of Techniques
    14. Chamber Music No.II
    15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
    16. The Nutcracker (Act II, No.2: Scene)
    17. From The Transverse To The Vertical: The Baroque Recorder
    18. Recorded Suite In A Minor (Menuet II)
    19. An Unfamiliar, Early Vision Of The Instrument
    20. Naelden, Naelden
    21. The Bachian Oboe
    22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
    23. Introduction To The Cor Anglais Or 'English Born'
    24. Symphony No.9 'From The New World' (Mvt 2)
    25. The Loneliness Of The Cor Anglais
    26. The Swan Of Tuonela
    27. The Cor Anglais Joins The French Horn In Haydn.
    28. Symphony No.22 'The Philosopher' (Opening)
    29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
    30. Bolero
    31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
    32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
    33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
    34. Gayane Suite No. 1 (Mvt 5)
    35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
    36. The Range Of The Normal Clarinet Parts Goes Quite High...
    37. The Snow Maiden (Scene 5: Melodrama)
    38. ...And Quite Low.
    39. Peter And The Wolf (The Cat)
    40. The Clarinet As Concerto Soloist
    41. Clarinet Concerto In A Major (Rondo)
    42. But That's Not The Instrument Mozart Wrote It For; This Is:
    43. Clarinet Concerto In A Major (Rondo)
    44. Introduction To The Saxophone
    45. Hary Janos Suite (Mvt 4)
    46. The Soprano Saxophone Has Quite A Different Feel To It.
    47. L'Arlesienne Suite No.1 (Minuet)
    48. The Little Sopranino Sax Goes Even Higher.
    49. Bolero
    50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
    51. Pictures At An Exhibition (The Old Castle)
    52. The Saxophone Can Be Quite Contagiously Good-Humoured.
    53. Sax-O-Phun
    54. The Puffa-Puffa Image Of The Bassoon
    55. Peter And The Wolf (Grandfather)
    56. The Bachian Bassoon, In Accompanimental Mode
    57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
    58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
    59. And Ravel, Also In Spanish Mode, Does Likewise.
    60. Bolero
    61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
    62. Symphony No.3 (Opening)
    63. The Eerie Bassoon In Its Highest Register
    64. The Rite Of Spring (Opening)
    65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
    66. The Firebird Suite (1919, Berceuse)
    67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
    68. Bassoon Concerto In G Minor (Finale)
    69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
    70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
    71. The French Horn Under Its Woodwind Hat
    72. Wind Quintet, Op.43 (Last Mvt)
    73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
    74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
    75. The Horn In Harmonious Blend With Strings In Another Quintet
    76. Horn Quintet, K.407 (Finale)

    Tracks:

    1. The Trumpet As Virtuoso Soloist
    2. Brandenburg Concerto No.2 (Last Mvt)
    3. The Special Brillance Of Paired Trumpets
    4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
    5. The Ceremonial Trumpet
    6. Fanfare For The Common Man
    7. Trumpets And Drums - An Incomparable Alliance
    8. Messiah (The Trumpet Shall Sound)
    9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
    10. Piano Concerto In F (Slow Mvt)
    11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
    12. Carmen Suite No.2 (Habanera)
    13. The Trumpet As The Voice Of Strength And Courage
    14. Carmet Suite No.2 (Toreador's Song)
    15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
    16. Billy The Kid
    17. The Trumpet As Character Actor
    18. Pictures At An Exhibition (No.6)
    19. The Trumpet As The Voice Of God
    20. Mass In B Minor ('Et Exspecto')
    21. The Birth Of The Trombone
    22. Aenmerckt Nu Hier
    23. The Birth Of The Brass As A Family
    24. Canzon 12 In Double Echo
    25. The Trombone In The Eighteenth Century
    26. Trombone Concerto In B Flat Major (Finale)
    27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
    28. Hosannah
    29. The Trombones Become Part Of The Orchestra.
    30. Symphony No.5 (Finale)
    31. The Wagnerian Trombone:/Overture To 'Tannhauser'
    32. The Trombone As Caricaturist
    33. Pulcinella (No.19: Vivo)
    34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
    35. The Horn And The Hunt
    36. Horn Concerto No.4 In E Flat, K.495 (Finale)
    37. The Challenging Horn Of The Baroque
    38. Abaris Ou Les Boreades (Menuet)
    39. The Scarcity Of First-Rate Players In Handel's Time
    40. Walter Music (Minuet 1)
    41. The Horn As Magician/The Firebird Suite (1919, Finale)
    42. Horns And The Sound Of Nobility
    43. Overture To 'Tannhauser' (Opening)
    44. The Special Sound Of The Horn In Its Higher Register
    45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
    46. The Trumpet-Like Sound Of Massed Horns
    47. Symphony No.3 (Mvt 1, Opening)
    48. The Tuba - Unfairly Maligned?
    49. Symphony No.6 (Mvt 3)
    50. The Tuba Perfectly Cast By Ravel
    51. Pictures At An Exhibition (Bydlo)

    Tracks:

    1. Introduction. And We Begin With A Bang.
    2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
    3. At The Opposite Extreme Is The Triangle.
    4. Piano Concerto No.1 In E Flat (Scherzo)
    5. Categories Of Percussion: Tuned And Untuned. The Side Drum
    6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
    7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
    8. The Tambourine. One Of The Oldest Instruments In The World
    9. Den Hoboecken Dans
    10. Even Older Is The Originally Oriental Gong.
    11. Ma Mere L'Oye - Mother Goose (Laideronette)
    12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
    13. Gymnopedie No.2
    14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
    15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
    16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
    17. Rodeo (Hoe-Down)
    18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
    19. Scherzi Musicali (Damigella Tutta Belle)
    20. A Still Earlier Example From Fifteenth-Century Spain
    21. Yo M'Enamori D'Un Aire
    22. The Birth Of The Bongo
    23. Symphonic Dances From 'West Side Story'
    24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
    25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
    26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
    27. Onwards To The Tuned Percussion. First, The Timpani
    28. Also Sprach Zarathustra (Introduction)
    29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
    30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
    31. Taking Advantage Of Tunability
    32. Music For Strings, Percussion And Celeste (Mvt 2)
    33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
    34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
    35. Saint-Saens And The Xylophone
    36. The Carnival Of The Animals (Fossils)
    37. Ravel And The Xylophone
    38. Ma Mere L'Oye - Mother Goose (Laideronette)
    39. Introducing The Marimba/Carmen Suite (First Intermezzo)
    40. Introducing The Vibraphone
    41. The Treasure Of The Sierra Madre (Narange Dolce)
    42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
    43. Introducing The Hungarian Cimbalom
    44. Folk Dances
    45. The Cimbalom And The Symphony Orchestra
    46. Hary Janos Suite (Mvt 3)
    47. Introducing The Tubular Bells
    48. Hary Janos Suite (Viennese Musical Clock)
    49. A More 'Up-Front' Approach From Rodion Shchedrin
    50. Carmen Suite (Introduction)
    51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
    52. Introducing The Celeste
    53. The Nutcracker (Dance Of The Sugar Plum Fairy)
    54. Magic, In The Use Of Collective Percussion
    55. Miroirs (La Vallee Des Cloches)
    56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
    57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
    58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
    59. Brandenburg Concerto No.2 (Slow Mvt)
    60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
    61. Petrushka (Russian Dance)
    62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
    63. Music For Strings, Percussion And Celeste (Last Mvt)

    Tracks:

    1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
    2. Symphony No.3 'Organ' (Finale)
    3. But Things In Handel's Day Were Very Different.
    4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
    5. The Organ Is Difficult To Classify.
    6. An Unexpected, Organ-related Guest
    7. Concerto Pour Zampogna (Last Mvt)
    8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
    9. Les Miserables (Drink With Me)
    10. Outside Artefacts And The Power Of Association
    11. Mahler's Sleighbells
    12. Symphony No.4 (Opening)
    13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
    14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
    15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
    16. Don Quixote (Variation VIII)
    17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
    18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
    19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
    20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
    21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
    22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
    23. The Sitar Of India/Evening Raga: Bhapoli
    24. The Accordion For France (Especially Paris)/Paris Canaille
    25. The Zither For Vienna/The Third Man (Theme)
    26. The Cimbalom For Hungary/Folk Dances
    27. The Guitar As An Integral Part Of The Orchestra/Rondena
    28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
    29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
    30. Nocturnes
    31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
    32. The Carnival Of The Animals (The Cuckoo)
    33. The Flute As An All-purpose Aviary
    34. The Carnival Of The Animals (The Aviary)
    35. The Oboe As Duck
    36. Peter And The Wolf (The Duck)
    37. The Recording Of Reality. Does It Work As Well?
    38. The Pines Of Rome (The Pines Of The Janiculum)
    39. The Recording Of Reality Electronically Reborn In New Guises
    40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
    41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
    42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
    43. Some Improbable Casting: The Violin As Braying Donkey
    44. The Carnival Of The Animals (Persons With Long Ears)
    45. A Truly Orchestral Hee-haw To Be Reckoned With
    46. Overture To 'A Midsummer Night's Dream'
    47. A Thunderstorm In A Million
    48. Symphony No.6 'Pastoral (Allegro-Allegretto)
    49. the Instrumental Depiction Of A Silent World
    50. The Carnival Of The Animals (The Aquarium)
    51. Saint-Saens' Menagerie Takes A Curtain Call.
    52. The Carnival Of The Animals (Finale)

    Tracks:

    1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
    2. Forty-Four Duos (No.4)
    3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
    4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
    5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
    6. String Trio In B Flat (Menuetto)
    7. The String Quartet: Two Violins, Viola, And Cello
    8. String Quartet In F, Op.18 No.1 (Mvt 3)
    9. The String Quintet - When The Extra Instrument Is A Second Viola
    10. String Quartet No.5 In D, K.593 (Adagio)
    11. The String Quintet - When The Extra Instrument Is A Second Cello
    12. String Quintet In C (Mvt 3)
    13. The String Sextet: Two Violins, Two Violas, And Two Cellos
    14. String Sextet In B Flat (Mvt 2)
    15. The String Octet: The Standard String Quaret Times Two
    16. Octet In E Flat, Op.20 (Mvt 1)
    17. Double The String Octet: A Fully Fledged String Orchestra
    18. String Symphony No.2 (Finale)
    19. The Massed Strings Of A Symphony Orchestra
    20. Fantasia On A Theme Of Thomas Tallis
    21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
    22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
    23. In The First Variation It's The Horn That Gets The Lion's Share.
    24. Wind Quintet In A Minor, Variation 1
    25. In Variation Two The Torch Is Handed To The Bassoon.
    26. Wind Quintet In A Minor, Variation 2
    27. In Variation Three The Oboe Leads.
    28. Wind Quintet In A Minor, Variation 3
    29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
    30. Wind Quintet In A Minor, Variation 4
    31. And Variation Five is Dominated By The Clarinet.
    32. Wind Quintet In A Minor, Variation 5
    33. The Next To Be Featured Is The Virtuoso Flute.
    34. Wind Quintet In A Minor, Variation 6
    35. Individual Farewells And A Closing Chorus
    36. Wind Quintet In A Minor, Variation 7
    37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
    38. Octet In F (Mvt 3)
    39. The Early Classical Symphony Orchestra Of Haydn And Mozart
    40. Symphony No.29 In A, K.201 (Finale)
    41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
    42. Canzon 28
    43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
    44. Symphony No.5 (Finale)
    45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
    46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
    47. Symphoy No.6 'Tragic' (Mvt 1)
    48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
    49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
    50. When Large Doesn't Necessarily Mean Loud: Debussy
    51. Images (Gigues)
    52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
    53. Turangalila Symphony (Chant D'amour 1)
    54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
    55. Balle De Xerxes (Gavotte En Rondeau)
    56. Computer And Synthesiser: Friends Or Foes?
    57. Concerto In D Minor For Two Violins (Largo)
    58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

    Customer Reviews:

    5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

    This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

    5 out of 5 stars Beginner or Expert.......2007-03-12

    This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

    5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

    Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

    3 out of 5 stars Frank's view.......2006-08-19

    This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

    5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

    I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

    The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

    I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

    The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
    Dreamgirls in Concert (2001 Concert Cast)
    Average customer rating: 4 out of 5 stars
    • Dreamgirls 2001
    • Not the real "DREAM" experience
    • Absolutely brilliant!
    • Amazing!!!!!!
    • One Night Only
    Dreamgirls in Concert (2001 Concert Cast)
    Henry Krieger , Audra McDonald , Brian Stokes Mitchell , Emily Skinner , and Darius de Haas
    Manufacturer: Nonesuch
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Jazz | Styles | Music
    GeneralGeneral | Pop | Styles | Music
    GeneralGeneral | R&B | Styles | Music
    Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
    GeneralGeneral | Soundtracks | Styles | Music
    GeneralGeneral | Musicals | Broadway & Vocalists | Styles | Music
    Traditional Vocal PopTraditional Vocal Pop | Broadway & Vocalists | Styles | Music
    GeneralGeneral | Broadway & Vocalists | Styles | Music
    McDonald, AudraMcDonald, Audra | Divas | Opera & Vocal | Styles | Music
    Similar Items:
    1. Dreamgirls (1982 Original Broadway Cast)
    2. Dreamgirls: Music From The Motion Picture [2-CD Deluxe Edition]
    3. Dreamgirls
    4. Company (2006 Broadway Revival Cast)
    5. Grey Gardens - A New Musical (2006 Original Broadway Cast)

    ASIN: B00005Y4P4
    Release Date: 2002-02-26

    Tracks:

    1. I'm Looking for Something, Baby
    2. Goin' Downtown
    3. Takin' the Long Way Home
    4. Move (You're Steppin on My Heart)
    5. Scene: Fifty bucks says the Dreamettes don't win
    6. Fake Your Way to the Top
    7. Scene: It ain't working, Marty
    8. Cadillac Car
    9. Cadillac Car (On the Road)
    10. Cadillac Car (Recording Studio)
    11. Scene: I don't believe they can do that
    12. Steppin' to the Bad Side
    13. Scene: I'm working on a long shot
    14. Party, Party
    15. I Want You, Baby
    16. Scene: I'm a woman now
    17. Family
    18. Scene: What are you doing to that girl?
    19. Dreamgirls
    20. Press Conference
    21. Heavy
    22. Walkin' Down the Strip/Scene: Las Vegas
    23. It's All Over
    24. And I Am Telling You I'm Not Going

    Tracks:

    1. Opening Act II: Dreams Medley
    2. Scene: Effie White is the best singer you're gonna find
    3. I Am Changing
    4. Vogue Sequence
    5. When I First Saw You
    6. Ain't No Party
    7. I Meant You No Harm
    8. The Rap
    9. I Miss You, Old Friend
    10. One Night Only
    11. One Night Only (Disco Version)
    12. I'm Somebody
    13. Hard to Say Good-bye
    14. Dreamgirls (Reprise)

    Amazon.com

    A Chorus Line may be better known, but Dreamgirls was a towering achievement for director Michael Bennett. Loosely based on the Supremes' story, the 1982 musical told a typical show-biz tale of fame, backbiting, and survival. As is often the case for one-night only events, the cast in this concert version (recorded in New York on September 24, 2001) is led by an eye-popping assortment of Broadway powerhouses: Lillias White (The Life), Audra McDonald (Ragtime, Marie Christine), and Heather Headley (Ragtime). McDonald reveals a previously undisclosed comic streak, while Headley confirms her status as a rising star. Reprising the role of Effie Melody White (created by Jennifer Holliday), White belts the classic "And I Am Telling You I'm Not Going." But the beauty of Dreamgirls is that it's so packed with catchy, Motown-influenced R&B numbers that each lead can sink her teeth into some prime material and get a turn in the spotlight. This double-CD set really makes you wish you'd been there when the show was recorded: you can hear the crowd going berserk at times, and the temptation is strong to do the same thing in the comfort of your living room. --Elisabeth Vincentelli

    Customer Reviews:

    1 out of 5 stars Dreamgirls 2001.......2007-06-27

    This was the worst reproduction of Dreamgirls that I ever heard. I was so disappointed the CD went into the garbage. This is one CD that I would not sell to the public because I expect so much and get so little.

    4 out of 5 stars Not the real "DREAM" experience.......2007-04-04


    Forget about the film sountrack. Get this CD set. And it's far better than the original cast recording which goes lacking. More songs and more everything that makes a live performance just what it is. Live (compared to film where anything can be done to enhance a performance!) -- the energy, the excitement and the performances make this a rare treat for anyone wanting to share in the real DREAM experience.

    Isn't a full Broadway revival long over due. But wait: I've heard rumors that a rvial may be "in the works. I certainly hope so. Maybe this time it will receive the Tony award it deserved in the first place.

    5 out of 5 stars Absolutely brilliant!.......2007-01-28

    There is atleast 5 new songs on this album that were not in the movie! These girls kill it I mean they are just amazing singers, and this all live! This is needed for any Dreamgirls fanatic like me! You are gonna love it! Enjoy! love live laugh :)

    5 out of 5 stars Amazing!!!!!!.......2006-12-04

    As a theatre lover, this recording is amazing. I actually prefer this recording to the OBC. Sheryl Lee Ralph is okay, but can't touch Audra's Deena. The first time I heard Ms. White's "And I Am Telling You..", goosbumps all over my body. The only weak cast member in my opinon is Heather Headly. Vocally, she just isn't there. Too much Aida, not enough Dreamgirls. But all in all, a great live recording of a great show.

    5 out of 5 stars One Night Only .......2006-07-19

    I was lucky enough to attend this One Night Only concert performance of Dreamgirls and it was a night I will never forget!! The cast was brilliant and the cd is as good if not better than the Broadway cast recording because it is the entire show not just the songs. Bravo to everyone involved !!!
    Mendelssohn: The Masterworks [Box Set]
    Average customer rating: 4.5 out of 5 stars
    • Uneven quality but great value
    • A superb collection of Mendelssohn
    Mendelssohn: The Masterworks [Box Set]

    Manufacturer: Brilliant Classics
    ProductGroup: Music
    Binding: Audio CD

    OctetsOctets | Chamber Music | Classical | Styles | Music
    QuartetsQuartets | Chamber Music | Classical | Styles | Music
    QuintetsQuintets | Chamber Music | Classical | Styles | Music
    TriosTrios | Chamber Music | Classical | Styles | Music
    GeneralGeneral | Chamber Music | Classical | Styles | Music
    ConcertinosConcertinos | Concertos | Forms & Genres | Classical | Styles | Music
    GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
    SonatinasSonatinas | Sonatas | Forms & Genres | Classical | Styles | Music
    RomanticRomantic | Symphonies | Forms & Genres | Classical | Styles | Music
    Incidental MusicIncidental Music | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
    OverturesOvertures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
    Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
    Chamber MusicChamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
    Theatrical, Incidental & Program MusicTheatrical, Incidental & Program Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
    Vocal & SongVocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
    PianoPiano | Keyboard | Instruments | Classical | Styles | Music
    ClarinetClarinet | Reeds & Winds | Instruments | Classical | Styles | Music
    CelloCello | Strings | Instruments | Classical | Styles | Music
    ViolaViola | Strings | Instruments | Classical | Styles | Music
    ViolinViolin | Strings | Instruments | Classical | Styles | Music
    GeneralGeneral | Strings | Instruments | Classical | Styles | Music
    GeneralGeneral | Symphonies | Classical | Styles | Music
    GeneralGeneral | Sacred & Religious | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    All Works by MendelssohnAll Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
    GeneralGeneral | Opera & Vocal | Styles | Music
    OratoriosOratorios | Opera & Vocal | Styles | Music
    AnthemsAnthems | Vocal Non-Opera | Opera & Vocal | Styles | Music
    CantatasCantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music
    ChorusesChoruses | Vocal Non-Opera | Opera & Vocal | Styles | Music
    HymnsHymns | Vocal Non-Opera | Opera & Vocal | Styles | Music
    MassesMasses | Vocal Non-Opera | Opera & Vocal | Styles | Music
    MotetsMotets | Vocal Non-Opera | Opera & Vocal | Styles | Music
    OratoriosOratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
    PsalmsPsalms | Vocal Non-Opera | Opera & Vocal | Styles | Music
    Te DeumTe Deum | Vocal Non-Opera | Opera & Vocal | Styles | Music
    Blowout Box SetsBlowout Box Sets | Classical Music Blowout | Stores | Music
    More Titles at Least 20% OffMore Titles at Least 20% Off | Classical Music Blowout | Stores | Music
    All Classical Music BlowoutAll Classical Music Blowout | Classical Music Blowout | Stores | Music
    Mendelssohn, FelixMendelssohn, Felix | ( M ) | Composers, A-Z | Classical Music Blowout | Stores | Music
    Opera & VocalOpera & Vocal | Classical Music Blowout | Stores | Music
    Similar Items:
    1. Dvorák: The Masterworks [Box Set]
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    3. Vivaldi: The Masterworks (Box Set)
    4. Schubert: The Masterworks [Box Set]
    5. Brahms: The Masterworks (Box Set)

    ASIN: B00062FLJ2
    Release Date: 2004-11-30

    Customer Reviews:

    4 out of 5 stars Uneven quality but great value.......2007-04-30

    Brilliant Classics has found a niche with their extremely low-price multi-disc collections of the work of a single composer or performer. The Bach, Mozart and Chopin Complete Editions are legitimately considered to be artistic and economical triumphs. But the Masterworks series are more uneven. Currently available from Amazon France at about a buck per CD, they're still a bargain for those interested in quickly building a music library. But it's worth keeping a few things in mind. Unlike the Bach and Mozart Editions, these are not always historically informed performances. In this Mendelssohn set, the Hanover Band puts in a cameo (in Calm Sea and Prosperous Voyage), but most of the ensembles use modern instruments, techniques and proportions. This doesn't always work out, as in the case of the ponderously heavy recordings of the String Symphonies by an apparently full complement of Gewandhausorchester Leipzig strings (Mendelssohn likely wrote these early works for a much smaller group). The caliber of the performances varies too, ranging from good to poor, and from marquis musicians such as Dietrich Fischer-Dieskau to a few Dutch who-dats. The chamber musicians generally acquit themselves well (though the Octet recording is marred by an engineering flaw in the last movement, distortion, at least on my copy). But the symphonies suffer from some substandard performances, such as the Italian Symphony's live recording with not only audience noise but also ensemble flaws such as a distracting clarinet squeak in the first movement's recapitulation. Another strike is the lack of program notes. Brilliant's Complete Editions provide a booklet or CD-ROM with program notes, but here you'll need to do your own research.

    Despite these shortcomings, this set is still good value (at least at Amazon France's current price of 31 Euros). And it's a fine way to become acquainted with Mendelssohn's music.

    5 out of 5 stars A superb collection of Mendelssohn.......2007-03-24

    Let me preface this by saying that most of these works were not new to me - I own many other Mendelssohn CDs and have enjoyed his compositions for some time now. Also, this set is available much cheaper elsewhere, particularly from European retailers.
    The symphonies are well-performed. 'Reformation' is an inspired live recording. The 12 string symphonies, written in Mendelssohn's youth, are also included. The concertos are exceptional - the violin concerto is as good as you'll find anywhere. The oratorios Elijah and Paulus are included, as well as the complete chamber works and a diverse assortment of choral works. The last few discs include the Lied ohne worte, the epic organ sonatas, and excellent renditions of A Midsummer Night's Dream and Fingal's Cave. While there are a few sketchy performances in the choral and chamber works, the performances and recordings are generally very solid, and the body of work couldn't be better.
    One Night Only
    Average customer rating: 4.5 out of 5 stars
    • Excelente producto!!!
    • The Bee Gees sound great live!! this is no exception
    • bee gees 1
    • Great Concert CD
    • Great Night!
    One Night Only
    The Bee Gees
    Manufacturer: Polydor / Umgd
    ProductGroup: Music
    Binding: Audio CD

    DiscoDisco | Dance & DJ | Styles | Music
    GeneralGeneral | Pop | Styles | Music
    Soft RockSoft Rock | Pop | Styles | Music
    Pop RockPop Rock | Pop | Styles | Music
    GeneralGeneral | Adult Contemporary | Pop | Styles | Music
    Baroque PopBaroque Pop | Oldies | Pop | Styles | Music
    GeneralGeneral | Rock | Styles | Music
    GeneralGeneral | Live Albums | Rock | Styles | Music
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    1. Still Waters
    2. This Is Where I Came In
    3. Number Ones
    4. Bee Gees - One Night Only (DTS Edition)
    5. The Bee Gees - Their Greatest Hits: The Record

    ASIN: B00000DLUV
    Release Date: 2002-06-11

    Tracks:

    1. Intro - You Should Be Dancing/Alone
    2. Massachusetts
    3. To Love Somebody
    4. Words
    5. Closer Than Close
    6. Islands In The Stream
    7. Our Love (Don't Throw It All Away)
    8. Night Fever/More Than A Woman
    9. Lonely Days
    10. New York Mining Disaster 1941
    11. I Can't See Nobody
    12. And The Sun Will Shine
    13. Nights On Broadway
    14. How Can You Mend A Broken Heart
    15. Heartbreaker
    16. Guilty
    17. Immortality
    18. Tragedy
    19. I Started A Joke
    20. Grease
    21. Jive Talkin'
    22. How Deep Is Your Love
    23. Stayin' Alive
    24. You Should Be Dancing

    Amazon.com

    The wisdom of their wardrobes notwithstanding, the Bee Gees rank with ABBA as the ultimate '70s pop heavyweights. As the title suggests, the concert collection One Night Only captures the brothers in action, serving as a compendium of some of their greatest hits--"Stayin' Alive," "Night Fever," "More Than a Woman," "I Started a Joke"--fleshed out with Gibb-penned songs successfully recorded by others. Hence, the inclusion of "I Can't See Nobody" (recorded by Nina Simone, among others), "Guilty" (Barbra Streisand), and the Dolly Parton-Kenny Rogers classic "Islands in the Stream." Recorded in 1997, One Night Only shows the brothers' age somewhat, especially in Barry's falsetto, which sounds tinny and forced. But it's a small complaint amid strong live performances and the enduring sheen of the material itself. --Courtney Kemp

    Customer Reviews:

    4 out of 5 stars Excelente producto!!!.......2007-01-09

    El modo de empaque, estado del producto y tiempo de entrega estuvo dentro de lo anunciado por el vendedor.

    5 out of 5 stars The Bee Gees sound great live!! this is no exception.......2006-07-12

    They sound awesome on here! it just shows that even with age, the Brothers still sounded fantastic!! I especially loved hearing Heartbreaker, their own version (which was originally done by Dionne Warwick) and Immortality (sung by Celine Dion originally) was great....I loved their version even more than hers. A must have for all Bee Gees fanatics like me!

    3 out of 5 stars bee gees 1.......2006-06-28

    Very good. I enjoy and it arrived speedy and in goon shapr

    5 out of 5 stars Great Concert CD.......2006-02-15

    I really enjoyed this CD. I remember the Bee Gees from their Satruday Night Fever Soundtrack and of course their days during the disco era. I also have a couple of their albums on vinyl including the one with Nights on Broadway, a song that I can still remember my sister playing as a kid.

    I must say that this CD was a joy. First to hear the Bee Gees performing all their songs live was fantastic. They do a lot of their songs from the early hits to the later ones. Some of the older songs, before they were big in the disco era, are just wonderful. Also hearing The Bee Gees performing some of the songs that Barry Gibb wrote that were hits for others like Islands in the Stream and Grease is also great. And lastly I loved hearing them crank it up and do all their disco hits without all the studio synthesizers and tricks. And when Barry said, "this song is for Andy"... man that was really a wonderfully emotional moment.

    Great CD!

    5 out of 5 stars Great Night!.......2005-11-26

    This is a great live album showcasing just some the Bee Gees greatest hits! This albums gets 5 stars for a number of reasons. Firstly you get to hear live Bee Gees' versions of hits they wrote for other artists ('Heartbreaker' - Dionne Warwick', 'Islands In The Stream' - Kenny Rogers, 'Grease' - Frankie Valli, 'Guilty' - Barbra Streisand).
    Also there are different takes on songs here. 'Lonely Nights' is turned into a rock number while the memorable/eerie reunion with the late Andy Gibb sounds even more beautiful than the original. Also you get to hear from Maurice Gibb on, for me, one of the the group's slickest songs 'Closer Than Close'.
    All the Disco hits are here to get the crowd cronked up but the earlier hits are not forgotten ('How Can You Mend A Broken Heart) as well as new hits ('Alone'). Not even Celine Dion, whom I can't stand, can ruin this album.
    These are not minus points but I would have prefered if Robin Gibb had perhaps sang 'Love Me' or 'I've Gotta Get A Message To You' instead of 'The Sun Will Shine'. It would have gotten a much bigger reaction from the audience. Finally while Barry's voice can become a little strained on the falsettos at times he's still great and Robin is in fantastic form here.
    Live! One Night Only
    Average customer rating: 5 out of 5 stars
    • This Is Also on Home Video You Know
    • YOU'LL LOVE THIS CD!
    • A JUST GOTTA HAVE CD!!
    • PATTI ROCKS ON THIS ONE!
    • Live! One night Only - Patti at her best
    Live! One Night Only
    Patti LaBelle
    Manufacturer: Mca
    ProductGroup: Music
    Binding: Audio CD

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    5. Flame

    ASIN: B00000C2CN
    Release Date: 1998-09-22

    Tracks:

    1. I Believe
    2. When You Talk About Love
    3. Flame
    4. He Doesn't Love You
    5. New Attitude
    6. If You Asked Me To
    7. If Only You Knew
    8. You Are My Friend
    9. Lord's Side

    Tracks:

    1. The Bells
    2. Is It Still Good To You
    3. Don't Make Me Over
    4. If You Love Me
    5. On My Own
    6. Sparkle
    7. Got To Be Real
    8. Lady Marmalade
    9. Patti Talk
    10. A Change Is Gonna Come
    11. Hold On
    12. Somewhere Over The Rainbow
    13. I Believe I Can Fly

    Amazon.com

    This double CD does as good a job of capturing the full-throated, shoe-tossing glory of a Patti LaBelle show as any recording could. Its success as a home-listening experience, however, is diminished by the explosive vocal runs that the singer insists on tossing into every song, whether appropriate or not. Smartly programmed, the album offers a first disc that leans heavily on LaBelle's signature pieces ("New Attitude," "You Are My Friend") and a second that pays homage to Sam Cooke ("A Change Is Gonna Come"), Ashford and Simpson (a duet with O'Jay Eddie Levert on "Is It Still Good to You"), and the Cheryl Lynn disco classic "Got to Be Real" (with another guest, Mariah Carey). Probably a must for fans but a pass for those who haven't already followed her for years. --Rickey Wright

    Customer Reviews:

    5 out of 5 stars This Is Also on Home Video You Know.......2004-12-23

    There's not too much of that unnecessary cutesy-poo note manipulation that guest star Mariah Carey is known for on this CD package. Neither Mariah nor anybody else who has come down the pike can TOUCH Patti LaBelle on what she can do with HER marvelous throat. (I'd love to see the irksome Mariah TRY though). This is actually routine Patti but it's a great opportunity to hear her in concert (or to see her if you get the MCA video). I believe this work goes back to 1998, but you may come to consider it as timeless. Patti has made a lot of cover versions of other singers' songs but she more than does justice every time. The Burt Bacharach tune made popular by Dionne Warwick in the early 60s, "Don't Make Me Over", does not suffer in the hands of the exquisite Ms. Labelle. Sam Cooke's "A Change is Gonna Come" has been recorded by no less than 60 other artists or groups but none have surpassed Patti's rendition on this CD set. Go for it, I say.

    5 out of 5 stars YOU'LL LOVE THIS CD!.......2002-09-28

    I MUST SAY,PATTI WAS GREAT IN THIS CD.ORDER IT SEE FOR YOURSELF!

    5 out of 5 stars A JUST GOTTA HAVE CD!!.......2001-08-14

    PATTI LABELLE IS THE MOST DYNAMIC SINGER OUT THERE.SHE HAS THE MOST MAGNIFICENT VOICE I'VE EVER HEARD.I SAW HER IN CONCERT IN BALTIMORE AND WHEN SHE SANG THE SONG IN MEMORY OF HER SISTER I DON'T THINK THERE WAS A DRY EYE IN THE PLACE.THIS IS ONE CD YOU WILL NEVER GET TIRED OF LISTENING TOO.IT'S A MUST HAVE CD.KEEP PUTTING OUT THOSE WONDERFUL CD'S AND YOU'LL HAVE A FAN FOR LIFE!!!!

    4 out of 5 stars PATTI ROCKS ON THIS ONE!.......2001-03-22

    I've believed for a while now that if I was stuck on a desert island, and had only one CD set to bring along, all I'd need is Patti LaBelle's Live! One Night Only. It's as if I'll never get enough of this masterpiece of a live performance. Upon hearing the CD, I became a fan, and no one's voice in my 21 years has touched my soul the way such tracks as "You Are My Friend" and "Change is Gonna Come" have. If Patti simply released live recording after live recording for the rest of her career, I will be one happy young man. So deeply am I inspired by Patti's sheer artistry that New Year's Eve last, I chose to have my own "countdown" with Patti--with my earphones on, I welcomed to my heart Patti's "I Believe" in hopes that it would have an effect on my singing soul for the remainder of the year. It has done that tremendously. Pick this one up, and be inspired over and over again!

    5 out of 5 stars Live! One night Only - Patti at her best.......2000-07-22

    OK this is a must have for any true Patti Fan, along with the Cd, the video is a must have. This is Patti at her best. From the breath taking opening "I believe", you know Patti is ready to give her all like only she can do. "When You Talk About Love" is just funky. "Is it still good to you" gives me the chills. "Don't make me over"- WOW!! not to mention "If You Love Me". There are some many moments on this Cd that show Patti as the true Legend she is. Her interpretation and phrasing is unique and her power is too good to be true. Although you can find better live versions of "If You Asked Me To", "New Attitude" and "On My Own" on earlier live recordings and videos, this Cd and video is a must have. Patti is one of the best entertainers and she is at her best on this recording. One can't help admire her energy, the chemistry with her fans, and her ability to take a song to new heights. When you hear her sing, you know it is from the heart and it is always done with much style and technique that most singers could only wish for. She blows every performer from Mariah to Whitney out of the water. Patti has got some serious talent and everyone should experience a Patti Labelle concert at least once.
    One Night Only
    Average customer rating: 3.5 out of 5 stars
    • Fans can never be objective...
    • Elton does a great job - but this could be so much more...
    • WHERE IS THE REAL ELTON??
    • Still the king
    • Takes Time
    One Night Only
    Elton John
    Manufacturer: Umvd Labels
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000051Y1V
    Release Date: 2000-11-21

    Tracks:

    1. Goodbye Yellow Brick Road
    2. Philadephia Freedom
    3. Don't Go Breaking My Heart
    4. Rocket Man
    5. Daniel
    6. Crocodile Rock
    7. Sacrifice
    8. Can You Feel The Love Tonight?
    9. Bennie & The Jets
    10. Your Song
    11. Sad Songs (Say So Much)
    12. Candle In The Wind
    13. The Bitch Is Back
    14. Saturday Night's Alright (For Fighting)
    15. I'm Still Standing
    16. Don't Let The Sun Go Down On Me
    17. I Guess That's Why They Call It The Blues

    Amazon.com

    In typically splashy style, Elton John rushed One Night Only, a document of his two-night Madison Square Garden stand, into release just weeks after the October 2000 shows. Basically a rundown of 30 years of chart hits smoothly played (if occasionally roughly sung), the disc is a solid buy for the Elton John fanatic. Others will have to decide if a plethora of guest stars--Mary J. Blige, Bryan Adams, Kiki Dee, Ronan Keating, and Anastacia--warrants owning new versions of old warhorses. Even without the sense of Event surrounding the performances, though, One Night Only satisfyingly captures the thrill of EJ's recent sets. --Rickey Wright

    Customer Reviews:

    3 out of 5 stars Fans can never be objective..........2006-05-06

    From the OBJECTIVE reviewer...Elton and "live" have never gone well together, but surprisingly this is his best live CD because it has a polish others lack. And when you have the power vocals of Anastacia thrown in it shows that the right vocals make a great Elton song.

    3 out of 5 stars Elton does a great job - but this could be so much more..........2005-03-30

    Elton John has certainly cemented his place in the history of music. He is a legendary performer who has rode a wave of success unlike any artist. Elton John first came on the music scene in 1969. Once his 1970 hit "Your Song" of his self-titled "Elton John" (his second) album was released, it would begin one of the most consistent music careers in the history of music. In fact, from 1969 until 1991 - there wasn't a calendar year that passed without the release of some sort of Elton John album. Even after that, Elton would only miss 2 calendar years without a release between 1991 and 2004 (those years being 1998 and 2003). With the exception of a slight downward spiral in the late 1970s, Elton would also consistently become a "hit" machine. While Elton has released several live compilations throughout his career, this collection "Elton John - One Night Only Greatest Hits" is the only one that provides a good cross section from Elton's early 1970s work through his work in the 1990s. "One Night Only" does deliver some very good Elton John live performances, but it is not without it's flaws.

    First up, this was not a single night performance. It actually is a compilation of two performances recorded in Madison Square Garden in October 2000. It seems kind of puzzling of all of the names to call this disc, "One Night Only" was picked (considering it somewhat misrepresents the collection). I usually consider it a cardinal mistake when a live disc is taken as a compilation of live performances from several shows instead of from a single night. By having a compilation of live songs as opposed to a live concert, the flow is disrupted. You also don't get the opportunity to hear the CD as if it were the concert preventing you from getting the full experience. There is something magical about hearing a great performance on a single night. In fairness to this collection, the reason why this was built from two performances was because of the guest vocalists that perform duets with Elton John. It is worth noting that this collection is assembled very nicely and does a pretty good job at trying to simulate that the tracks are from one continuous performance - even though they are not.

    It's also worth noting that this is not a complete collection from the two nights. This compilation takes 17 Elton John tracks focusing mostly on Elton's commercially successful "hits". However - there are several songs missing that were performed on the two nights in Madison Square Garden. Most notably missing are: "Funeral For a Friend", "Little Jeannie", "Tiny Dancer", "Club at the End of the Street", "Blue Eyes", "The One", "I Don't Wanna Go on With You Like That", "Sorry Seems to be the Hardest Word", and "Come Together". I would have liked to have seen any one of these tracks instead of "Sacrifice" or "Can You Feel the Love Tonight?". It seems like there was an attempt to try to get this album released as a single disc. I still think it would have made a big difference if they included all of the songs and released this as a two-disc collection. All of these omitted songs are included on the DVD version of "Elton John - One Night Only". In addition, even though "One Night Only" includes "Goodbye Yellow Brick Road", the duet version that Elton did with Billy Joel on one of the two nights has been omitted. This duet is also on the DVD version, so I can't see there being copyright problems on why this was omitted. Some may say it isn't worth releasing an audio CD that mirrors the video. I tend to disagree. The progressive Rock band Rush released an audio CD for "Rush in Rio" that mirrored the DVD - namely because the band saw some magic with the performance. Perhaps Elton John should have done the same here - because there are some very good performances.

    Elton does a very good job on vocals and piano on all of the tracks. Perhaps the tracks that stand out the most are the duets. While Elton is now an "elder statesman" of Rock, he has always been an artist who likes to work with young and upcoming artists as well as established artists. Two of the better duets are with young artists - "I Guess That's Why They Call it the Blues" (with Mary J. Blige) and "Saturday Night's Alright for Fighting (with Anastasia). Elton performs "Sad Songs" with Bryan Adams - the two have worked together before (Prince's Trust Concert), but I could have thought of better tracks for this duo to perform. The fourth duet is with British Vocalist Ronan Keating who performs "Your Song" with Elton. Finally, Elton does his famous duet with Kiki Dee - "Don't Go Breaking My Heart". While I think it's good that Elton reunites with Kiki Dee, I think it would have been nicer if Elton had brought in another guest vocalist to do that duet with him. I know this may not be a popular position - but from a personal standpoint, Kiki's act has worn thin. This isn't meant to knock the performance - the duet still comes off very well.

    In general, there are no bad performances on this collection. Other notable standout performances are "Rocket Man", "Philadelphia Freedom", "I'm Still Standing", and "Don't Let the Sun Go Down on Me".

    The liner notes contain a terrific biographical write-up of Elton John written by John Tobler. It also contains band and musician credits as well as the production credits. While Elton does deliver some solid live performances on this collection, this collection had the potential to be so much more. Probably the weak point is the fact that there are so many missing songs from these performances. Despite the flaws, the quality of Elton's work remains the overriding factor - therefore, I'd recommend this.

    2 out of 5 stars WHERE IS THE REAL ELTON??.......2005-02-18

    Although there is a bunch of great Elton's early classics and also the sound of the band is really big, Elton's voice is depressing!! Even his outfits do not remember the great 70's and early 80's Elton John's, I mean the personality that he used to transmit on stage. That hairstyle he's wearing is ridiculous!! But the mean problem is about his voice. Elton has better live albums, such as "Here and There" or "17-11-70". Sorry, for me this one can go directly to the trash can.

    4 out of 5 stars Still the king.......2004-12-25

    Even without hitting the high notes,Elton proves he can deliver his old hits with sheer passion and style.This Cd captures a 1999 show that features Kiki Dee and Bryan Adams among others.Classics such as DON"T GO BREAKIN' MY HEART and SAD SONGS sound reenergized and anew.The duet with Mary J.Blige gives a new soulful flavor to I GUESS THAT's WHY THEY CALL IT THE BLUES.

    4 out of 5 stars Takes Time.......2004-07-17

    When I first listened to this CD I was very disappointed. He didn't hit the high notes like I remembered. Listened to it once and then put it on the shelf. Later I received the DVD of this concert as a gift and after "watching" the concert, I learned to like this CD too.
    Erich Kunzel - Andrew Lloyd Webber (Phantom of the Opera, Cats, Evita, Sunset Boulevard, Jesus Christ Superstar, Starlight Express, Joseph and the Amazing Technicolor Dreamcoat) / Cincinnati Pops Orchestra
    Average customer rating: 4 out of 5 stars
    • Kunzel's different perspective on ALW's musicals
    Erich Kunzel - Andrew Lloyd Webber (Phantom of the Opera, Cats, Evita, Sunset Boulevard, Jesus Christ Superstar, Starlight Express, Joseph and the Amazing Technicolor Dreamcoat) / Cincinnati Pops Orchestra
    Andrew Lloyd Webber , Erich Kunzel , Ernest [organ] Hoffman , Randolph Bowman , Timothy Berens , and Cincinnati Pops Orchestra
    Manufacturer: Telarc
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000003D18
    Release Date: 1996-01-23

    Tracks:

    1. The Phantom Of The Opera
    2. The Music Of The Night
    3. Think Of Me
    4. Wishing You Were Somehow Here Again
    5. All I Ask Of You
    6. Angel Of Music
    7. As If We Never Said Goodbye
    8. The Greatest Star of All
    9. With One Look
    10. Memory
    11. I Don't Know How To Love Him
    12. Gethsemane (I Only Want To Say)
    13. King Herod's Song
    14. Don't Cry For Me, Argentina
    15. Starlight Express
    16. Any Dream Will Do

    Customer Reviews:

    4 out of 5 stars Kunzel's different perspective on ALW's musicals.......2005-11-06

    Kunzel's offering of Andrew Lloyd Webber suites is a worthwhile tribute to this modern-day titan of globalised musicals. Although this album has a different feel from the original cast albums, Kunzel and the Cincinnati Pops still perform these affectionate arrangements of Lord Lloyd Webber's musicals expertly, superbly and voluptiously. The creative arrangements by Crafton Beck and Steven Reineke are tastefully and, for the most part, faithfully done, and allow Kunzel to offer a fresh perspective to these musicals in their orchestral settings. And as always Telarc provides its trademark audiophile-quality recording - surround sound quality with a sumptuous spatialiser such that you might be overwhelmed by the Phantom's laughter in the Phantom suite.

    Kunzel contrasts the dramatic and lyrical sides of the PHANTOM and SUNSET BOULEVARD suites as if they were written for the Pops. The Phantom suite gains from a breathtaking organ introduction of the Phantom's theme, and from the contrasts in Music of the Night that match the lyrics perfectly, even without the cast album. The tender arrangement of Think of Me cleverly weaves the Angel of Music melody as a counterpoint, while All I Ask of You, complete with some of the details of the original orchestrations, makes a calming answer to Christine's Wishing You Were Somehow Here Again. The JESUS CHRIST SUPERSTAR suite depicts the contrasting and conflicting moods of this groundbreaking rock opera, from the contrasts in I Don't Know How to Love Him to the sheer anguish in Gethsemene (I Only Want to Say).

    There are some interesting arrangements on this ALW offering, especially the arrangement of Don't Cry for Me Argentina from EVITA. Although some listeners might be offended when it transmorphs itself into the Ravel Bolero after doing an about-turn from its lush, Spanish feel, it still depicts Evita's rise to power and her manipulative trait in her character, well-suiting an orchestral concert arrangement of the tune and fitting in with the spirit of the musical. Another interesting arrangement is the rousing theme-and-variation finale of Any Dream Will Do from JOSEPH, which incorporates many different musical styles throughout the variations, from ballroom waltzing to jazz, movie music (Magnificent Seven) and circus-style music. I know some listeners might be offended, but in their own inimitable and creative way, Kunzel and the Pops still pay tribute to this early ALW musical by evoking the myriad of colours on the coat and the diversity of musical styles in the original JOSEPH musical. This arrangement certainly fits the trademark style of the Pops perfectly.

    The only fault with this collection is in the arrangement of Memory from CATS. Here, this song is treated as a flat-out romantic ballad, rather than as the haunting anthem for respect that Grizabella sings. Nevertheless, the arrangement by Tommy Newsom (who wrote this arrangement for a Doc Severinson album) is innofensive to this well-loved ALW melody (this is the only arrangement that Crafton Beck or Steven Reineke didn't write for this album). Also, I wish that Kunzel had included Love Changes Everything and Whistle Down the Wind, but given the fact that this was a 1996 recording, ALW hadn't written Whistle down the Wind as yet. But these are minor caveats, since Kunzel offers much to savour in these infectuous and spirited performances.

    Yet I still feel that Kunzel's ALW offering is a winner in its lush orchestral suite arrangements of his well-loved and great musicals, far superior to any shopping-mall synthesised arrangement. This would surely count towards another feather in Kunzel's cap and stand pride of place with his rousing offering of Rodgers & Hammerstein. I'm sure Lord Lloyd Webber would have been proud.
    Andrew Lloyd Webber: Now & Forever
    Average customer rating: 4.5 out of 5 stars
    • I waited for this for five years
    • Excellent collection but BIG PUBLISHING MISTAKE!
    • ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS
    • SUCH MAGICAL MUSIC OF THE NIGHT!
    • A Must Have for Sir Andrew fans
    Andrew Lloyd Webber: Now & Forever
    Various Artists
    Manufacturer: Decca Broadway
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B00005R5UJ
    Release Date: 2001-11-20

    Tracks:

    1. Jesus Christ Superstar: Overture - Andrew Lloyd Webber
    2. Jesus Christ Superstar: Everything's Alright - Yvonne Elliman/Murray Head/Ian Gilllan
    3. Jesus Christ Superstar: I Don't Know How To Love Him - Yvonne Elliman
    4. Jesus Christ Superstar: Gethsemane (I Only Want To Say) - Steve Balsamo
    5. Jesus Christ Superstar: Superstar - Murray Head
    6. Evita: Oh What A Circus/Sing You Fools - Antonio Banderas
    7. Evita: I'd Be Surprisingly Good For You - Elaine Paige/Joss Ackland
    8. Evita: Another Suitcase In Another Hall - Barbara Dickson
    9. Evita: Don't Cry For Me Argentina - Julie Covington
    10. Evita: High Flying, Adored - Mandy Patinkin/Patti LuPone
    11. Cats: The Jellicle Ball - Andrew Lloyd Weber
    12. Cats: Memory - Elaine Paige
    13. Cats: Gus: The Theatre Cat - Susan Jane Tanner/John Mills
    14. Cats: Mr Mistoffelees - Paul Nicholas
    15. Song And Dance: Take That Look Off Your Face - Marti Webb
    16. Song And Dance: Tell Me On A Sunday - Marti Webb
    17. Song And Dance: Unexpected Song - Sarah Brightman
    18. Song And Dance: Nothing Like You've Ever Known - Sarah Brightman
    19. Song And Dance: Introduction - Andrew Lloyd Webber
    20. Song And Dance: Variations 1 -4 - Andrew Lloyd Webber

    Tracks:

    1. Starlight Express: Starlight Express - El Debarge
    2. Starlight Express: Crazy - Greg Ellis/Reva Rice/Caron Cardelle/Samantha Lane/Voyd
    3. Starlight Express: Next Time You Fall In Love - Reva Rice/Greg Ellis
    4. Starlight Express: I Am The Starlight - Lon Satton/Ray Shell
    5. Starlight Express: Light At The End Of The Tunnel - The Company
    6. Requiem: Hosanna - Placido Domingo
    7. Requiem: Pie jesu - Sarah Brightman/Paul Miles-Kingston
    8. The Phantom Of The Opera: The Phantom Of The Opera - Michael Crawford/Sarah Brightman
    9. The Phantom Of The Opera: The Music Of The Night - Michael Crawford
    10. The Phantom Of The Opera: All I Ask Of You - Sarah Brightman/Steve Barton
    11. The Phantom Of The Opera: Entr'acte - Andrew Lloyd Webber
    12. The Phantom Of The Opera: Masquerade - The Company
    13. The Phantom Of The Opera: Wishing You Were Somehow Here Again - Sarah Brightman
    14. Aspects Of Love: Aspects Of Aspects - Orchester Der Vereinigten Buehnen Wien
    15. Aspects Of Love: Love Changes Everything - Michael Ball
    16. Aspects Of Love: Seeing Is Believing - Michael Ball/Ann Crumb
    17. Aspects Of Love: The First Man You Remember - Kevin Colson/Diana Morrison
    18. Aspects Of Love: Anything But Lonely - Sarah Brightman
    19. Aspects Of Love: Chanson D'Enfance - Sarah Brightman

    Tracks:

    1. Joseph And The Amazing Technicolor Dreamcoat: Any Dream Will Do - Jason Donovan
    2. Joseph And The Amazing Technicolor Dreamcoat: Joseph's Coat - Maria Friedman/Richard Attenborough/Donny Osmond
    3. Joseph And The Amazing Technicolor Dreamcoat: Close Every Door - Donny Osmond
    4. By Jeeves: Travel Hopefully - John Scherer/Martin Jarvis/Don Stephenson
    5. By Jeeves: When Love Arrives - Steven Pacey/Diana Morrison
    6. By Jeeves: Half A Moment - Sarah Brightman
    7. Sunset Boulevard: With One Look - Glenn Close
    8. Sunset Boulevard: New Ways To Dream - Glenn Close/Alan Campbell
    9. Sunset Boulevard: The Perfect Year - Glenn Close/Alan Campbell
    10. Sunset Boulevard: Sunser Boulevard - Alan Campbell
    11. Sunset Boulevard: As If We Never Said Goodbye - Glenn Close
    12. Whistle Down The Wind: Whistle Down The Wind - James Graeme/Lottie Mayor
    13. Whistle Down The Wind: Cold - Everly Brothers
    14. Whistle Down The Wind: No Matter What - Children/Adult Chorus
    15. Whistle Down The Wind: The Nature Of The Beast - Marcus Lovett/Lottie Mayor
    16. The Beautiful Game: Overture - Andrew Lloyd Webber
    17. The Beautiful Game: The Beautiful Game - The Company
    18. The Beautiful Game: Our Kind Of Love - Hannah Waddingham
    19. The Beautiful Game: Dont Like You - Josie Walker/David Shannon
    20. The Beautiful Game: Let Us Love In Peace - Josie Walker/Omagh Youth Community Choir

    Tracks:

    1. Oh What A Circus - David Essex
    2. Memory - Betty Buckley
    3. The Phantom Of The Opera - Sarah Brightman/Steve Harley
    4. All I Ask Of You - Sarah Brightman/Cliff Richard
    5. Love Changes Everything - Michael Ball
    6. Any Dream Will Do - Donny Osmond
    7. Amigos Para Siempre (Friends For Life) - Sarah Brightman/Jose Carreras
    8. As If We Never Said Goodbye - Barbra Streisand
    9. The Perfect Year - Dina Carroll
    10. With One Look - Petula Clark
    11. You Must Love Me - Madonna
    12. The Heart Is Slow To Learn - Kiri Te Kanawa
    13. A Kiss Is A Terrible Thing To Waste - The Metal Philharmonic Orchestra
    14. Whistle Down The Wind - Tina Arena
    15. No Matter What - Boyzone
    16. The Vaults Of Heaven - Tom Jones
    17. Try Not To Be Afraid - Boy George
    18. Pie Jesu - Charlotte Church

    Tracks:

    1. Make Believe Love - Wes Sands
    2. Down Thru' Summer - Ross Hannaman
    3. I'll Give All My Love To Southend - Ross Hannaman
    4. Believe Me I Will - Sacha Distel
    5. Joseph And The Amazing Technicolor Dreamcoat (1969 Radio Luxembourg Commercial) - Joseph Consortium/Pete Murray
    6. Try It And See - Rita Pavone
    7. Come Back Richard Your Country Needs You - Time Rice And The Webber Group
    8. Goodbye Seattle - Paul Raven
    9. John 19:41 - The Andrew Lloyd Webber Orchestra
    10. What A Line To Go Out On - Yvonne Elliman
    11. Disillusion Me - Gary Band
    12. The Ballad Of Robert And Peter - Tim Rice
    13. Christmas Dream - Maynard Williams
    14. It's Only Your Lover Returning/All Through My Crazy And Wild Days/Don't Cry For Me Argentina - Julie Covington
    15. It's Easy For You (1977 Jungle Room Session Version) - Elvis Presley
    16. Magdalena - Tony Christie
    17. Buenos Aires - The Roja Rockers
    18. Pollicle Dogs And Jellicle Cats - Andrew Lloyd Webber
    19. Mungojerrie And Rumpleteazer (Live At The Sydmonton Festival 1980) - Gemma Craven
    20. I Could Have Given You More - Petula Clark
    21. I've Been In Love Too Long - Marti Webb
    22. Benedicite - The Stephen Hill Singers

    Album Description

    Disc 1: Selections from Jesus Christ Superstar, Evita, Cats, and Song and Dance

    Disc 2: Selections from Starlight Express, Requiem, Phantom of the Opera, and Aspects of Love

    Disc 3: Selections from Joseph nad the Amaziong Technicolor Dreamcoat, By Jeeves, Sunset Boulevard, Whistle Down the Wind, and The Beautiful Game

    CD 4: 1. "Oh What a Circus" --David Essex 2. "Memory" - Betty Buckleey 3. "The Phantom of the Opera" -Sarah Brightman, Steve Harley 4. "All I Ask of You" --Sarah Brightman, Cliff Richard 5. "Love Changes Everything"--Michael Ball 6. "Any Dream Will Do"--Donny Osmond 7. "Amigos Para Siempre (Friends for Life)"--Sarah Brightman, Jose Caerras 8. "As if We Never Said Goodbye"--Barbra Streisand 9. "The Perfect Year"--Dina Carroll 10. "With One Look" --Petula Clark 11. "You Must Love Me" 12. "The Heart Is Slow To Learn" --Kiri Te Kanawa 13. "Whistle Down the Wind"--Tina Arena 14. "A Kiss Is a Terrible Thing To Waste"--The Metal Philharmonic 15. "No Matter What"--Boyzone 16. "The Vaults of Heaven"--Tom Jones and Sounds of Blackness 17. "Try Not To Be Afraid"--Boy George 18. "Pie Jesu"--Charlotte Church

    Disc 5: (All tracks available for the first time) 1. "Make Believe Love"--Wes Sands 2. "Down Thru' Summer"--Ross Hannaman 3. "I'll Give All My Love to Southend"--Ross Hannaman 4. "Believe Me I Will"--Sacha Distel 5. "Joseph and the Amazing Technicolor Dreamcoat: 1969 Luxembourg Radio Commercial--The Jospeh Consortium, Pete Murray 6. "Try It and See"--Rita Pavone 7. "Come Back Richard Your Country Needs You"--Tim Rice and the Webber Group 8. "Goodbye Seattle"-- Paul Raven 9. "John 19:41"--The Andrew Lloyd Webber Orchestra 10. "What a Line To Go Out On"--Yvonne Elliman 11. "Disillusion Me" --Gary Bond 12. "The Ballad of Robert and Peter"--Tim Rice 13. "Christmas Dream" --Maynard Williams 14. "It's Only Your Lover Returning/All through My Wild and Crazy Days/Don't Cry for Me Argentina--Julie Covington 15. "It's Easy for You" (1977 Jungle Room Session version)--Elvis Presley 16. "Magdalena"--Tony Christie 17. "Buenos Aires"--The Rioja Rockers 18. "Pollicle Dogs and Jellicle Cats"--Andrew Lloyd Webber original demo 19. "Mungojerrie and Rumpleteazer" (Live at Sydmonton Festival 1980)-Gemma Craven 20. "I Could Have Given You More"--Petula Clark 21. "I've Been in Love Too Long"--Marti Webb 22. "Benedicte"-- Stephen Hill Singers

    Customer Reviews:

    3 out of 5 stars I waited for this for five years.......2006-06-30

    Between Amazone, Ebay and Napster, I don't usually buy CDs anymore, and I usually wait till I can buy them cheaper "new and used". When this set came out, I was excited, mainly by Disc 5, but wasn't going to spend $70 on it. I waited till it was cheap enough, and got it for Father's day this year.
    It was worth the wait.

    The concept is great. The packaging is great. The recording is great. Disc five is really cool for an ALW aficionado. There are a few real gems on it; my favorites are Petula Clark's "I Could Have Given You More" and "Benedicite."
    I've always thought "Gus the Theatre Cat" made a great medley on the piano with "Unexpected Song" and "I DOn't Know How to Love Him," but wished there was an alternate lyric to match the other two songs. Now that I know there *is*, and it's a good lyric, it's a dream come true.
    The melody of "Benedicite" is one of my favorites from _Sunset_ (the book mis-identifies it as "SUrrender"; it's actually "The Lady's Paying" and "Eternal Youth is Worth a Little Suffering"). The lyrics are the canticle from Daniel 3, which comes up every odd Sunday in the Divine Office, so it's nice to have cool music to sing it with.

    I haven't bought _By Jeeves_ or _THe Beautiful Game_ yet, to it was great to sample them.

    There are other parts of the CD taht aren't found in my collection. I like CD 4 "The Hits."

    But the selections on CDs 1-3 don't make sense.

    First, any self-respecting ALW fan has the Original London Cast of _Phantom_, so six tracks are totally useless. Why not draw from the Canadian cast with Colm Wilkinson? Or pull out some obscure recordings never published.

    Why two different tracks with Michael Ball singing "Love Changes Everything", yet they're hardly any different?

    On Disc 5 is "It's Only Your Lover Returning," sung by Julie Covington. It's an early draft of the song (Lloyd Webber and Rice went through several suggested titles) and quite nice. The very thing one expects on a Boxed Set.
    So why have the Julie Covington "Don't Cry for Me" on disc 1?? The only difference is a few words, but it's otherwise identical. Why not Elaine Paige or Patti Lupone or Madonna?

    The _Evita_ section is otherwise the best, choosing a sample from each major recording, though I'd have chosen slightly differently (as above).

    There is a great selection of "Mungojerrie and Rumpleteazer" from the Sydmonton festival, using the original music that was changed when _Cats_ went to Broadway_. It would have been nice if they'd included more recordings from Sydmonton, like the original lyric of "All I Ask of You" shown on the second DVD to the _Phantom_ movie.

    With so many great actress-singers who've played Norma Desmond, why does the collection beat us over the head with Glenn Close?

    Paul Miles Kingston must be set for life in royalties, for the number of albums the original recording of "Pie Jesu" has appeared on. "Amigos Para Siempre" is nice, but it reminds me of Shari Lewis's "The Song that Doesn't End," especially when it's been used on so many compilations.

    In short, this is a great collection for the obscure material, if you can get it cheap. But for a boxed set, it's a poor sampling, drawn mostly from the most familiar recordings.

    5 out of 5 stars Excellent collection but BIG PUBLISHING MISTAKE! .......2006-01-10

    Please beware they made a mistake on this. It's actually the shortened Ray Shell version of STARLIGHT EXPRESS from the original 1984 London cast - NOT the El Debarge single from 1987 like it says on the box. I don't know how they let that goof pass. Sorry to Ray Shell. Having said that, this is an outstanding compilation of Lloyd Webber's greatest hits.

    4 out of 5 stars ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS.......2005-03-21

    Regardless of the fact that some of his latest efforts (most notably, The Woman in White) are disappointing, there can be little doubt that Andrew Lloyd Webber is one of the greatest composers ever to work in the musical theatre. Ever since his "Jesus Christ Superstar" hit the stage in the early 70-is, it was clear that the conception and perception of musicals are never going to be the same again. Many of his songs became standards not only in the theatre history, but also as tops on the charts. Even though he's British, his influence on the shape of the modern musical theatre expanded over the West End boundaries long ago and has thus made an enormous impact on Broadway. Two of his shows ("Cats" and "The phantom of the opera") hold the record as two the longest running shows in the history of Broadway. He has also been the only composer to have three of his shows running at Broadway concurrently. Some of his awards include three Grammies, a Golden Globe, an Oscar and a bunch of Tony awards. But perhaps most of all, Lloyd Webber is responsible for bringing the musicals and the theatre appealing to the wide audiences, who in different circumstances would not consider seeing a musical. The secret of his success is probably the mixture of beautiful and catchy melodies, interesting subject matter (though some, like Starlight Express, are too thin) and grandiose staging.

    Over the years many compilations of his work have emerged. In the late 80-is and early 90-is it was the "Encore" series and lately the one-disc collection called "Gold". The one in question here can be considered one of the best currently on the market. First, it includes a 3-disc selections from all of his shows, minus the latest one, i.e., "The Woman in White", which, considering the triviality of the score, is no great lost. The fourth disc covers some of his most known songs sung by the famous artists. Then, there is the fifth disc with previously unreleased material, most of which are the songs ALW wrote with Tim Rice for various artists during the 70-is. The disks are all neatly packed in a hardcover book that features 67 pages of pictures and text with information about each of ALW's shows. One of the other assets here is the perfect sound quality, since all of the tracks have been digitally remastered.

    Here are my basic impressions and comments regarding the material on the discs:

    * Disc #1 has the selections from "Jesus Christ Superstar", "Evita", "Cats" and "Song & Dance". The Superstar material mostly comes from the Concept Recording. Although the songs sound beautiful as always, their orchestration is a bit dated now. Only Steve Balsamo's "Gethsemane" from the 1996 revival cast has a modern rock sound. "Evita" comes with the material from all of the major recordings: London, Broadway and the movie productions, as well as the Concept album. No objections here; since this is one of ALW's most satisfying works, every song is just perfect, although Patti LuPone, the Broadway and overall the best Evita, is left with only a couple of lines. With the selections from "Cats", however, I have some doubts. A plus to the choice of the "Jellicle ball" impressive orchestral sequence from the 1998 movie version and "Mister Mistoffelees" from the 1981 London cast. One of the best known ALW's songs, "Memory", also comes from that album. It's a pretty version and Elaine Paige's rendition cannot be matched, but why include this when the definite version, featuring an 80-piece orchestra and Elaine Paige with much better interpretation, can be found in the same movie version. Thusly, one has to buy Elaine Paige's latest 2-disc compilation "Centre Stage: The very best of Elaine Paige" to get that one. And "Gus the theatre cat" is more a recital than a song, so there was not much point in including that. Marti Webb brings her vocal charm to the "Song & Dance" sequence, Sarah Brightman sings "Unexpected song" with her famous soprano, but as much as I like her version, Bernadette Peters, who was in this show on Broadway is strangely left out here.

    * Disc # 2 starts with "Starlight Express". This was never one of my favorite ALW's shows; the plot is even lighter than in "Cats" and the 1984 original cast recording is terribly dated. Yet, here we have one terrific duet, "I am starlight" from the original together with three songs from the later revivals and it seems that fresh orchestrations were just the thing Starlight needed. My favorite remains a touchy ballad, "Next time you fall in love". "Requiem" is the most solemn of all ALW's compositions, written in 1985 to commemorate the death of his father. Placido Domingo's tenor rides together with the chorus all the way through the strong "Hosanna", only to be joined by Sarah Brightman in the final moments of this song. She then gives an echoing deliverance of "Pie Jesu". What can be said of ALW's next show, "The Phantom of the Opera"? A phenomenon in its own right, it's easy to see from the six numbers included here why this is one of the best and most beloved musicals of all time. The cast, the music, the story - everything is perfect. Although "Aspects of love" was never a popular hit, it does have some of the most beautiful love melodies ALW has ever written. "Love changes everything" sung by Michael Ball is probably one of the best tunes ever about love. The rest of the selected material here has a dreamy love flavor and the melodies find their way into your brain in the best Lloyd Webber way.

    * ALW's first musical, "Joseph and the amazing Technicolor dreamcoat" was more successful in its revival form than the original from the 70-is. The three songs included here are sung by the show stars, Jason Donovan and Donny Osmond. Maria Friedman was not a lucky choice to play the narrator, as the track from the 1998 movie version shows. "By Jeeves" was ALW's only big flop when it came to the stage in the 70-is. The 1995 revival sounds much better though, full of funny numbers in the best manner of the musical comedy. "Travel hopefully" remains one of the show's highlights on this compilation. "Sunset Boulevard" comes