Blues Traveler's sixth album is a bittersweet affair, originally dubbed Bridge out of Brooklyn in homage to founding bassist Bobby ("Brooklyn Bob") Sheehan, who died of an overdose in 1999. After much debate the band decided to simply call it Bridge, signifying both a subtle tribute to their fallen compatriot and a demarcation between the two segments in their career, Before Bob and After Bob. The album is formally dedicated to Sheehan, and his ghost wafts through many of the tracks--most poignantly on "Pretty Angry (For J. Sheehan)," written for the bassist's brother. The anxious lyrics reveal that John Popper and the band are not yet over his loss, only having worked their way through the second stage of grief, lamenting: "I don't know which was the bigger waste of time, missing you or wishing it was me." Besides allowing the band to mourn, Bridge also gives Blues Traveler a chance to clean house, recycling "The Way" and "Decision of the Skies," two rather grandiose songs once slated for the band's now-abandoned concept album. But on the whole Bridge is a rather lackluster affair, weighed down with clichés, lumbering and dispirited jams, and inane lyrics like "[Y]ou can start to give that inner brat a hug, till the dickhead pulls the rug," from "Rage." The one stand-out track is "Girl Inside My Head," a whimsical inner dialogue between Popper and his id, but other than this clever bit of fluff, Blues Traveler's Bridge is a dead end. --Jaan Uhelszki
Bridge,Blues Traveler,Interscope Records,Adult Alternative Pop/Rock,American Trad Rock,Jam Bands,Pop,Rock,Rock/Pop,United States of America
Bridge [Enhanced]
Average customer rating:
|
The Lord of the Rings: The Fellowship of the Ring
Manufacturer: Reprise / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005QZWI Release Date: 2001-11-20 |
Tracks:
- The Prophecy
- Concerning Hobbits
- The Shadow Of The Past
- The Treason Of Isengard
- The Black Rider
- At The Sign Of The Prancing Pony
- A Knife In The Dark
- Flight To The Ford
- Many Meetings
- The Council Of Elrond [featuring the song "Aniron (Theme For Aragorn And Arwen)" composed & performed by Enya]
- The Ring Goes South
- A Journey In The Dark
- The Bridge Of Khazad Dum
- Lothlorien
- The Great River
- Amon Hen
- The Breaking Of The Fellowship
- May It Be [composed & performed by Enya]
Amazon.com
Score composer Howard Shore has informed this first installment of the Lord of the Rings trilogy with his distinctly modern sensibilities. Revolving loosely around a brief, heroic brass theme, this epic is infused with a powerful rhythmic thrust and a musical range that encompasses centuries (from the Renaissance pastoralism of "Concerning Hobbits" to the fiery, Prokofiev-influenced drama of "A Knife in the Dark"). Key to the score's sense of mystery and magical place are the rich choral passages that are interspersed throughout, some so ominously gothic they make The Phantom Menace's "Duel of the Fates" sound almost sunny by comparison. Enya's contributions ("The Council of Elrond" and the song "May It Be") add a sense of organic tranquility, but it's Shore's Wagnerian-scaled orchestral score that should long be cherished by admirers of film music and hobbits alike. --Jerry McCulleyCustomer Reviews:
The music is good but the movie is better.......2007-04-10
A grand sountrack..........2007-01-10
Lord of the Rings Original Soundtracks, films 1 and 3.......2006-11-08
Awe inspiring!.......2006-10-02
It is the best of the three CDs!!!.......2006-09-10
I think that the other CDs are a bit repetitive once you've got this one, even if I still like the music of the second soundtrack 'The Two Towers'. As for the 3rd sequel, I seldom listen to it as there is only one track that I like, 'The Return of the King'.
Now, this first CD of the trilogy is actually very good. Thanks to Enya, it is haunting and the songs are beautiful. There are a few eery but melodious songs like 'The Council of Elrond', 'Lothlorien', 'May it Be'. I love the change of tempo, the balance between fast and slow movements in 'A Knife in the Dark', 'Flight to the ford', and 'Amon Hen' which is my favourite piece (the Death of Boromir) with the oboe sound mixed with the beat of the drums and finaly the haunting voice of the singer. Track 17 is also worth listening. I like this CD because you've got different tempos and melodies and Anya is a great singer to me. But I also enjoy listening to Emiliana Torrini's song 'Gollum's Song'in the second soundtrack...
Average customer rating:
|
Bridge Over Troubled Water
Simon & Garfunkel Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005NKKZ Release Date: 2001-08-21 |
Tracks:
- Bridge Over Troubled Water
- El Condor Pasa (If I Could)
- Cecilia
- Keep The Customer Satisfied
- So Long, Frank Lloyd Wright
- The Boxer
- Baby Driver
- The Only Living Boy In New York
- Why Don't You Write Me
- Bye Bye Love
- Song For The Asking
- Feuilles-O
- Bridge Over Troubled Water
Amazon.com essential recording
No one can say Simon & Garfunkel went out with a whimper. The popular duo's 1970 swan song produced four hit singles and won six Grammy awards, including Record, Album, and Song of the Year. An involving mix of sweeping epics ("The Boxer," the title track) and breezy throwaways (a live cover of the Everly Brothers' "Bye Bye Love," the rock & roll trifle "Baby Driver"), Bridge was one of the most popular albums of its era. What's particularly striking about this collection is how brightly lesser-acclaimed songs like "So Long Frank Lloyd Wright" and the gorgeous "The Only Living Boy in New York" shine. (The 2001 reissue adds a pair of demos to the original work, including the traditional "Feuilles-O.")--Steven StolderCustomer Reviews:
Simon & Garfunkel at their finest............2007-06-08
Bridge.......2007-05-12
culmination of their evolution into pop music artists.......2007-03-07
El Condor Pasa brought Peruvian music to the pop world, an inkling of Paul Simon's later penchant for integrating world music into his work. My mother will forever quote the second line of that song when she wants to motivate me to do something ("I'd rather be a hammer than a nail"), and I guarantee that that song, as well as almost every other one on the album, will be remembered long after we are all gone.
One of the much criticized tracks in this forum has been "So Long, Frank Lloyd Wright". It happens to be one of my all time favorite recordings. Mr Wright was and is a hero to me, standing for American originality, defiance of the status quo; the song is a fitting tribute. It is stunning in its simplicity, and Garfunkel's vocals are unmatched in their angelic tenor. And what pop or rock guitarist today could play the lovely guitar part in this song?
The rest are memorable, except for their live cover of "bye bye love", which, I will agree with others here, was a mistake to throw in. Certainly in my top 10 albums of all time.
great music.......2007-03-04
Anyone who loves taking an emotional roller-coaster ride will get a HUGE amount of satisfaction out of this album. Simply put- a must have. You will love this album now, and probably for the rest of your life. Buy it right now.
4.5 stars: Good album that falls apart at the end.......2006-10-05
Average customer rating:
|
Bridge to Terabithia
Original Soundtrack Manufacturer: Hollywood Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000M5B6P6 Release Date: 2007-02-13 |
Tracks:
- I Learned From You - Miley Cyrus
- Try - Hayden Panettiere
- Keep Your Mind Wide Open - AnnaSophia Robb
- A Place For Us - Leigh Nash And Tyler James
- Another Layer - Jon McLaughlin
- Shine - The Skies Of America
- Look Thorugh My Eyes - Everlife
- Right Here - Jeremy Camp
- When You Love Someone - Bethany Dillon
- Seeing Terabitha - Aaron Zigman
- Into The Forest - Aaron Zigman
- The Battle - Aaron Zigman
- Jesse's Bridge - Aaron Zigman
Amazon.com
If the Bridge to Terabithia soundtrack skims the surface of the movie instead of mining for the richest material, it wasn't necessarily a bad move on the producers' part--given the film's 12-and-under target audience, the disc amounts to a snug fit for kids who walk out of a matinee wishing to extend the uplifting mood. And with a trove of songs this good, the grown-ups in their lives shouldn't have much of a problem listening in, even if they're only awaiting Aaron Zigman's four majestic disc-closing score selections. Of the nine bubble-gummish tracks aimed squarely at grade-schoolers, several come across as radio-ready: Jeremy Camp's "Right Here" is crazy-catchy, Jon McLaughlin's "Another Layer" avoids laying on the message too thick, and Miley Cyrus, a.k.a. Hannah Montana, handles herself with Hilary Duff-reminiscent poise on the charming "I Learned from You." Lament the shortened score if you will, but there's still a lot to like here. --Tammy La GorceCustomer Reviews:
Disney doesn't do soundtracks.......2007-06-27
What a disappointment.......2007-05-20
Don't be so down on this album!.......2007-04-01
This album contains mostly pop songs, only a couple of which were used in the movie. I'm not a fan of today's pop music, and I'd never heard of any of the artists on this album. But I would not call the songs bubblegum or a disaster! They were a lot better than I thought they'd be. The lyrics are sweet, moving, and uplifting, and fit in well with the themes of the movie. The music is also uplifting and quite catchy.
The best part, of course, is the small selection of pieces from Aaron Zigman's film score, which is one of the best scores I've heard in a long time. Disney really dropped the ball by including only a small fraction of Zigman's score on this album. Fortunately, they chose some of the best parts of the score, including the enchanting Into The Forest and the soaring, breathtaking The Battle. Jesse's Bridge, which closes the album, is one of the most moving pieces of instrumental music you will ever hear.
It's a shame that Disney didn't add more of Aaron Zigman's score to this album. There was plenty of room - as it is now, the album only runs about 48 minutes. Because there's so little of the actual soundtrack on this album, I can't give it a five-star rating. But it's still a good album and worthy of four stars.
Don't be so down on this album! Listen to it, if only for the precious few tracks of Aaron Zigman's beautiful score. And the quality of the pop songs just might surprise you.
I Love It.......2007-03-15
Where's Zooey!?!.......2007-03-11
Average customer rating:
|
Bridge of Sighs
Robin Trower Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000JPYD Release Date: 1999-08-10 |
Tracks:
- Day Of The Eagle
- Bridge Of Sighs
- In This Place
- Fool And Me, The
- Too Rolling Stoned
- About To Begin
- Lady Love
- Little Bit Of Sympathy
- "Lady Love - (bonus track, live)
- Bridge Of Sighs - (bonus track, live)
- Too Rolling Stoned - (bonus track, live)
- Day Of The Eagle - (bonus track, live)
- Little Bit Of Sympathy - (bonus track, live)
Customer Reviews:
Power Guitar Pioneer.......2007-07-20
Robin Trower's "Bridge of Sighs": An underrated Masterpiece!.......2007-06-09
This is probably the most mature heavy metal guitar album ever made. This record has so much class. I didn't really follow Robin Trower that much but I can honestly say that this has to be his most important and most successful album. Even more so than anything he's ever done with Procol Harum, beforehand.
First of all, remember, Robin Trower is the guitarist on this album. The actual vocalist is James Dewar whom of which most people wouldn't even be aware of. Robin Trower has actually enjoyed a good 20 years of recorded music. Even in 1988, Robin Trower had a Top 200 album called "Take What You Need". But, this album of "Bridge of Sighs" probably continues to get the most airplay on album rock radio, even to this day. "For Earth Below" probably sold very well based on high anticipation because it followed "Bridge of Sighs".
The main rock staples on this album are the title track, plus "Day of the Eagle", and the great late night acid drenched trance and funk rocker "Too Rolling Stoned". But I enjoy every track on this album. I've had this CD on several different remastering efforts, and I'd have to say the Mobile Fidelity Gold Disc is the best sounding release of this album on CD. Most of the other releases (including the latest remastered CD with bonus live tracks) sound kinda muddy to me. My Mobile Fidelity Gold CD has one unnecessary bonus track which is the 45 single version of "Day of The Eagle". Who needs that? I don't believe FM radio will ever play it.
Anyway, this is one of my own personal Top 10 favorite "guitar rock" albums of all time. I hope you agree too.
Never loses it's edge........2007-05-24
Bridge of Sighs.......2007-05-14
awesome rock.......2007-04-30
Average customer rating:
|
Twice Removed From Yesterday/Bridge Of Sighs
Robin Trower Manufacturer: Bgo - Beat Goes on ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000005RPW Release Date: 1997-03-04 |
Tracks:
- I Can't Wait Much Longer
- Daydream
- Hannah
- Man Of The World
- I Can't Stand It
- Rock Me Baby Right
- Twice Removed From Yesterday
- Sinner's Song
- Ballerina
- Day Of The Eagle
- Bridge Of Sighs
- In This Place
- The Fool And Me
- Too Rolling Stoned
- About To Begin
- Lady Love
- Little Bit Of Sympathy
Album Description
Remastered from the original master tapes, this two-on-one features his Chrysalis albums 'Twice Removed From Yesterday'(1973) and 'Bridge Of Sighs' (1974). 17 tracks total, including 'Can't Wait Much Longer', 'Daydream', 'Bridge Of Sighs' and 'Too Rolling Stoned'. 1996 BGO release. Also features extensive sleeve notes and faithfully restored artwork.Album Details
Classic Two on 1, features Some of his Best Material Including I Can't Wait Much Longer, Rock Me Baby, Day of the Eagle and Too Rolling Stoned.Customer Reviews:
A Great Trower Pair.......2007-07-24
Robin and his newer band made their way here to Oklahoma City, and what a treat to see him, still cranking the lights out of his guitar.
Also, his anthology album showcases his work. I'd recommend that, as well as this pair, because Twice Removed is a classic!!
JLMankin
top 10.......2007-07-01
Bridge of sighs.......2007-02-12
Trower at his peak.......2007-01-07
The Hendrix influence is obvious, yet this is not a Jimi clone. Trower remains one of the most under-rated guitarists of his generation.
Two for One.......2006-11-04
Average customer rating:
|
One Day Remains
Alter Bridge Manufacturer: Wind-Up ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002IU988 Release Date: 2004-08-10 |
Tracks:
- Find The Real
- One Day Remains
- Open your Eyes
- Burn It Down
- Metalingus
- Broken Wings
- In Loving Memory
- Down To My Last
- Watch Your Words
- Shed My Skin
- The End Is Here
Album Description
Creed's Mark Tremonti, Scott Phillips, and Brian Marshall re-emerge as ALTER BRIDGE with new singer Myles Kennedy.Customer Reviews:
Not the same version that Edge uses.......2007-06-20
The song on the CD is not exactly the same as Edge uses for his entrance. The drum riff used before Edge comes out is at the end of the song here, and the part of the song you hear as he proceeds to the ring is actually over halfway through this version. So, wrestling fans be forewarned.
However it was good to find that I enjoyed the rest of the album. My opinion varies from most in that I did not enjoy Scott Stapp's voice when listening to Creed. To me it kept interfering with what I thought was a really good band playing.
Exit Stapp, enter Miles Kennedy and Creed's former instrumentalists have found a voice that finally compliments their playing in my ears. His voice is more akin to Chris Connell than Stapp and together the new band Alter Bridge shows a lot of potential to me. I say potential because this first album, while great, lacks an indefinable cohesiveness that comes with a band playing together for a while. All this leads me to wait for their sophomore album with much anticipation.
Better than Creed. Really........2007-06-06
WOW!!.......2007-04-22
Great Album!.......2007-03-15
Find the Real--Great intro with double bass and solos thrown throughout each and every chorus and solo in the bridge! Blew me away when I first heard it. Hard and heavy but not fast.
One Day Remains--More modern rock than hard rock with an alternative feel. Very and I mean very fast verse riff with a huge flurry of notes. Cool little sweep solo in the bridge. It's a little repetitive but the amazing verse and anthemic chorus will have you singing along.
Metallingus--Very hard and heavy and fast. The closest thing to metal on this cd. The bridge has a very cool start/stop heavy riff with some amazing runs thrown in. Closes out with double bass and heavy guitars that remind me of the bridge.
Broken Wings--Tremonti writes beautiful ballads and here's a darker more bleak sounding ballad than anything he's ever written. Great bluesy fingerpicked intro with a simple verse and chorus that make you feel the MELODY sung by Myles Kennedy. Oh, and even though the guitar work is "simple" it's actually quite complex with some weird sounding chords and octave chord slides that spice up the chorus without making the guitar the highlight.
Shed My Skin--Softer ballad type song. The lyrics are what really get you on this one.
The End is Here--Epic and awesome. Explodes from the verse to the chorus. Middle Eastern sounding with again great runs and riffs. Heavy like Find the Real in the verse (but in the chorus) and with a darker feel than Find the Real. This is THE track on the cd.
The rest of the cd is not as impressive but these tracks are amazing! Alter Bridge definitely has a harder and heavier vibe to them then Creed did. The cd is a mix of hard rock and a softer (but not soft) rock. The guitar work (again) NEEDS to be heard. This cd had me mesmerized for a couple months. The only complaint would be that they need to follow in the vein of Find the Real and The End is Here more than Shed My Skin and a couple other tracks if they really want to do something distinctive from the TYPE of music they've made in the past. Again every song on here is great but it sounds like Alter Bridge tried to move in one direction and then had to compromise a little (with their record label). Their next cd should be all them and I can't wait to hear it.
Bridge to Success.......2007-03-12
Average customer rating:
|
The Essential Elmer Bernstein Film Music Collection
Manufacturer: Silva America ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0007XTQ14 Release Date: 2005-06-07 |
Tracks:
- The Magnificent Seven
- To Kill A Mockingbird (Suite)
- The Buccaneer (Overture)
- Walk On The Wild Side
- An American Werewolf In London (Metamorphosis)
- The Age Of Innocence (End Titles)
- The Comancheros
- Ghostbusters
- Heavy Metal (Taarna's Theme)
- Johnny Staccato
- True Grit (Rooster Cogburn/A Warm Wrap-Up)
- Hollywood And The Stars
- Zulu Dawn (River Crossing)
Tracks:
- The Great Escape
- The Man With The Golden Arm
- Far From Heaven
- The Sons Of Katie Elder
- Airplane (Suite)
- The Shootist (Main Title)
- Hawaii (Overture)
- The Birdman Of Alcatraz (Finale)
- The Hallelujah Trail (Overture)
- The Bridge At Remagen
- Thoroughly Modern Millie (Sky-Hi)
- The Scalphunters
- The Ten Commandments (Overture)
Album Description
*A specially priced 2CD set with over 110 minutes of some of the greatest film music in the history of cinema.*New digital recordings in spectacular and sound performed by the acclaimed City Of Prague Philharmonic Orchestra and National Youth Jazz Band.
*Includes world premiere recordings from "The Birdman Of Alcatraz," "Thoroughly Modern Millie," "Airplane!" and "An American Werewolf In London."
*In 2004 the world of cinema lost one of the most iconic figures in film composing. In a career that spanned half-a-century and over 250 films, Elmer Bernstein was responsible for writing the music to many of the greatest and most loved movies of all time ranging from "The Ten Commandments," "The Magnificent Seven" and "The Great Escape," through to "True Grit" and "Airplane!" This collection has been lovingly created and compiled as a tribute to a genius and true master of the art of film scoring.
Customer Reviews:
Sad, Really Sad.......2007-05-13
*It's just Boring*
The ensemble doesn't have the energy one would expect to play "The Magnificent Seven" and "The Man with the Golden Arm". I think the City of Prague and National Youth Jazz Orchestras were bargain orchestras used to make an inexpensive CD set of one of my favorite film composers. The conducting and arrangements were what made this an obviously bad album.
An excellent movie themes antology by ELMER BERNSTEIN.......2007-05-10
Played the The City of Prague Philharmonic Orchestra, and conducted by his one time assistant James Fitzpatrick
Recorded in HDCD and Dolby Surround
Excellent.......2007-04-22
With regards to this silva set, these recordings range back to 1994, with Sons of Katie Elder and True Grit being recorded for a John Wayne CD and Bridge At Remagen for a CD of classic War themes. The Great Escape was also recorded for that CD, but producer James Fitzpatrick opted to record a new arrangement (same with Magnificent Seven). In '97, The Buccaneer for included on a Swashbucklers disc, while Heavy Metal was on the popular 'Space and Beyond' compilation. In '98, the world premiere recording of Airplane first appeared on a DISASTERS film disc. So while it may technically be the world premiere RECORDING it certainly is not the world premiere CD RELEASE of that recording. Ghostbusters was included on Space 3: Beyond the Final Frontier, the second followup to the popular 'Space and Beyond'. Fast forward to 2002 and 4 recordings first appeared on WAY OUT WEST: ESSENTIAL WESTERN FILM MUSIC COLLECTION VOLUME TWO, those being The Comancheros, The Hallelujah Trail, The Scalphunters and The Shootist. Man With the Golden Arm and Walk on the Wild are from Silva's JAZZ IN FILM cd.
The remaining tracks were all newly recorded for this release. They are of course the strongest tracks, seeing as the City of Prague Philharmonic has improved over time. I do wonder though why they did not include the older arrangements of Great Escape and Mag. Seven as bonus tracks.
I also recommend the simultaneously released '40 years of Film Music: Jerry Goldsmith' for another great set honoring a late great film composer.
Great Film Music.......2007-03-09
great westerns to the Theme from Airplane to music he did for television,
Bernstein was one of the greatest.
Fun, Powerfull music.......2007-02-17
Average customer rating:
|
The Bridge
Billy Joel Manufacturer: Columbia Records/CBS ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000DCHJ Release Date: 1998-10-20 |
Tracks:
- Running On Ice
- This Is The Time
- A Matter Of Trust
- Modern Woman
- Baby Grand
- Big Man On Mulberry Street
- Temptation
- Code Of Silence
- Getting Closer
Customer Reviews:
Not a Joel Fan, But . . ........2007-04-02
YOU'LL BE IMPRESSED.....BELIEVE ME!!.......2006-01-13
You won't be disappointed.
My Top 5 Billy Joel albums (in order):
1. THE BRIDGE
2. THE STRANGER
3. GLASS HOUSES
4. 52nd STREET
5. (tie) STORM FRONT / AN INNOCENT MAN
A Bridge to the Past - A Bridge to the Future.......2005-03-29
I look at Billy Joel's career as having three phases. The first phase is what I call "Old Billy Joel". This basically includes all of his material from "Cold Spring Harbor" through "Turnstiles". These are perhaps the strongest days as the piano sound, but they also contain most of Joel's least heard material. The next phase is what I call "Middle Billy Joel". This was his most successful period and covers from "The Stranger" to "Billy Joel Greatest Hits Volume 1 and 2". Joel would go through a transition during this phase - expanding his musical horizons and exploring different avenues. The final phase is the "Later Billy Joel" phase - this covers "The Bridge" to "River of Dreams". In this phase, Billy would start to incorporate some of his older styles of music while not abandoning his desire to continue to explore new avenues. "The Bridge" definitely fits into this style. You'll see signs of the old Billy Joel - and signs of the new Billy Joel. On many of the tracks, Billy will once again bring the piano back to center-stage.
While there isn't a prevalent theme on this album, this concept of "bridging" to the past and the future is evident on just about every track:
"Running on Ice": Looking at Billy's music portfolio, this is one of his most overlooked songs. This may be this collection's strongest track. Billy "bridges" back to the past by bringing back some of his trademark rapid-fire piano playing. Overall, I do hear a lot of 80s style on this song - thus you get some "bridging" to the future".
"This is the Time": Another very strong and underrated Billy Joel track. The combination of piano and guitars give this a very classic Billy Joel feel - once again "bridging" to the past. The guitars give this song a very romantic element. It is this romantic element that proves Billy could still write a love song. Billy's vocals are also as strong as ever.
"A Matter of Trust": This song probably suffered from over-playing in the mid 80s. While this song doesn't have a Classic Billy feel, the lyrics do (I also think these lyrics referred to then wife Christie Brinkley who appears in the video). While "This is the Time" had more of a ballad-style romantic theme, the romantic theme here has a harder-Rock edge here. This edge is not something new to Billy.
"Modern Woman": This song gets an unfair rap. This song was used on the "Ruthless People" soundtrack and got a lot of radio airplay. As a result, many still perceive this as a "pop song" as opposed to something of a classic Billy Joel song. This is not totally fair. This song has nice "bridges" to the past and future. The terrific piano and horns give do demonstrate a classic Billy Joel feel. The lyrics (i.e. about a "modern woman") show Billy's "bridge" to the future.
"Baby Grand": This song grows on you. Features a nice duet with Ray Charles. There is a jazz-like theme on this album reminiscent of some of Billy's older work where he incorporated some streetwise Jazz into his music.
"Big Man on Mulberry Street": Back in the days of "The Stranger" and "52nd Street", Billy incorporated a "New York" theme into his music. Billy "bridges" back to the past by bringing this streetwise music back into his music. While not as strong as the material on those albums, it still is solid.
"Temptation": More classic Billy Joel piano "bridges" to the past, but not one of the better songs on this collection.
"Code of Silence": This is a duet with Cyndi Lauper, but its Billy's vocals that will be dominant here. The harmonica to open this track is terrific. This song grew on me as a listened to it. I can hear elements of the old and new Billy Joel in this song.
"Getting Closer": Another song that "bridges" back to the past with classic piano work and vocals. This is a very personal song as Billy sings about some of the people who caused him financial woes in the mid 1980s.
The enhanced CD includes videos for "A Matter of Trust" and "Baby Grand". The lyrics to all of the songs are included. All musician and production credits are listed. While I don't think Billy is able to recapture his past magic completely, I do feel he continues to carve his own niche in music history. This is still a very good album. Highly recommended.
Listen Listen Listen.......2004-01-19
Unfortunately, music is often judged on first go round. Such was the case with me regarding The Bridge. I had dismissed it when it came out, but recently I spent time in my studio (i.e. my car, with wonderful speakers and the solitude of the drive)and studied Billy from the early years through his last original. I was very much impressed with the diversity of this work, and I suggest several listens.....Modern Woman may sound 80ish to some, but I think it stands on its own. Mulberry Street is broad, a large sound with big band, and it is countered by the more typical Joel songs like Matter of Trust and This is the Time.
I think that 'veterans' like myself, guys/gals who grew up in the late 60's and have seen and heard the evolution of rock music, have learned that what initially clicks will sometimes wear down, and often other works grow with time, and that is true because we are changing, ever changing. I suggest a nice car ride, the music turned up, a mug of coffee, and 40 minutes spent with The Bridge. It's not Billy Joel's best, it's far from his worst, and for you, it might very well be special!!!
An ass-kicking album!.......2003-11-02
Average customer rating:
|
Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
|
Script of the Bridge
The Chameleons UK Manufacturer: Import [Generic] ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000006XJ2 Release Date: 1995-07-10 |
Tracks:
- Don't Fall
- Here Today
- Monkeyland
- Second Skin
- Up the Down Escalator
- Less Than Human
- Pleasure and Pain
- Thursday's Child
- As High as You Can Go
- Person Isn't Safe Anywhere These Days
- Paper Tigers
- View from a Hill
Album Description
UK re-issue of their first album, originally released in 19 83.Album Details
1983 Debut from the Manchester, UK Formed Rockers. Includes "Up the Down Escalator" (A Brit-Pop Answer to Led Zeppelin's "In Through the Out Door", Perhaps?), the Lead Track "Don't Fall" and Eleven More.Customer Reviews:
amazing.......2007-07-23
My favorite album of all time.......2007-06-15
I decided to write this review after reading the other reviews posted here. I knew I loved it but didn't know anyone else who even knew who this band was. It made me feel good to know that there were other people out there who feel the same as I do. If I was going to be stranded on a deserted island and could only bring one cd with me, this would be the one.
Genius, Post Punk Genius.......2007-06-09
Joy Division may have started the genre, this band took it to extraordinary levels. As previously mentioned, easily the most underrated band of all time.
Listen to the vocal phrasings by Mark Burgess. Most musicians have one hook, be it vocal or instrumental, per song (often times one per album), - Burgess ,on the other hand, drops one achingly memorable phrase after another over the reverb drenched repeating guitar lines of his mates. Unbelievable.
Not surprising, The Edge was in attendance at many early shows (Steve Lilywhite, engineer on early U2 albums also engineered/produced tracks for the Chameleons on their 'Fan and the Bellows' release). Someone mentioned Interpol... the first time I heard Interpol's debut I thought "that cat's been listening to the Chameleons".
Second Skin is genius at work, absolute genius.
incredible.......2007-05-17
I've owned this album 4 times.......2006-08-25
Rap Music:
- Come Clean
- Come See Me: The Very Best of the Pretty Things
- Come Somewhere
- Dancing in the Dark: 10 Years of Dancing Ferret
- Design of a Decade [Import]
- Diamonds & Daggerz
- Don't Tell the Band
- Dopes to Infinity
- Every One of Us [Original recording remastered]
- Fell in Love With a Girl, Pt. 1 [CD-single] [Import]
Recommended Music:
Original Studio Radio Transcriptions [Import]
Music: Worldwide 3: Compiled by Gilles Peterson [Import]
Ska Ra Van: Top Sounds From Top Deck, Vol. 1 [Import]
Open & Close/He Miss Road [Import]
PASSACAGLIA : Boismortier - Suites & Sonatas
One Night at Miro Foundation [Import]