Isidore

Fasterlouder
"A rainy day soundtrack of breathless beauty"

Product Description
The Church's Steve Kilbey and Remy Zero's Jeffrey Cain team up on this enigma of a release, a record that's upfront and personal, yet gauzy and mysterious.

Isidore

Isidore,Isidore,Brash Music,Pop,Rock,Rock/Pop

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Isidore

Average customer rating: holy smoke. A linkage between the past and the modernism! great deal Excellent performances, superb value Not just for chamber musik freaks! This is Schumann's best.

Schumann: Complete Piano Trios Manufacturer: Philips ProductGroup: Music Binding: Audio CD Quartets | Chamber Music | Classical | Styles | Music Quintets | Chamber Music | Classical | Styles | Music Trios | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Pressler, Menahem | ( P ) | Featured Performers, A-Z | Classical | Styles | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Schumann, Robert | ( S ) | Composers, A-Z | Classical Music Blowout | Stores | Music Pressler, Menahem | ( P ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Franz Schubert: Complete Trios Antonín Dvorák: Complete Piano Trios Mozart: The Complete Piano Trios Brahms: Complete Piano Quartets Brahms: Complete Trios ASIN: B0000041N8 Release Date: 1997-11-11

Tracks:

1. Piano Quintet In E-flat, Op. 44: Allegro brillante
2. Piano Quintet In E-flat, Op. 44: In modo d'una marcia. Un poco largamente
3. Piano Quintet In E-flat, Op. 44: Scherzo. Molto vivace
4. Piano Quintet In E-flat, Op. 44: Allegro, ma non troppo
5. Piano Quartet In E-flat, Op. 47: Sostenuto assai - Allegro ma non troppo
6. Piano Quartet In E-flat, Op. 47: Scherzo. Molto vivace
7. Piano Quartet In E-flat, Op. 47: Andante cantabile
8. Piano Quartet In E-flat, Op. 47: Finale. Vivace
9. Piano Trio No. 1 In D Minor, Op. 63: Mit Energie und Leidenschaft
10. Piano Trio No. 1 In D Minor, Op. 63: Lebhaft, doch nicht zu rasch

Tracks:

1. Piano Trio No. 1 In D Minor, Op. 63: Langsam, mit inniger Empfindung
2. Piano Trio No. 1 In D Minor, Op. 63: Mit Feuer
3. Piano Trio No. 2 In F, Op. 80: Sehr lebhaft
4. Piano Trio No. 2 In F, Op. 80: Mit innigem Ausdruck
5. Piano Trio No. 2 In F, Op. 80: In massiger Bewegung
6. Piano Trio No. 2 In F, Op. 80: Nicht zu rasch
7. Piano Trio No. 3 In G Minor, Op. 110: Bewegt, doch nicht zu rasch
8. Piano Trio No. 3 In G Minor, Op. 110: Ziemlich langsam
9. Piano Trio No. 3 In G Minor, Op. 110: Rasch
10. Piano Trio No. 3 In G Minor, Op. 110: Kraftig, mit Humor

Amazon.com

This two-CD set, offering Schumann's groundbreaking Piano Quintet, the Piano Quartet, and the three piano trios, is an exceptional bargain. The approach of the Beaux Arts players and their associates is essentially reflective: they let the music speak for itself and avoid the rhetorical excesses other interpreters often fall victim to. In their hands the quintet, one of Schumann's most inspired creations, receives an especially polished and poised performance, with a lovely dovetailing of voices. The analog recordings are warm and detailed, and they have been optimally transferred to CD. --Ted Libbey

Customer Reviews:

holy smoke........2007-04-17

now i'm just a big dummy. i really am. but somehow classical music got through my thick skull and into my heart. so glad that it did. these recordings from 1975 by the beaux arts trio are spectacular works of chamber music. mr schumann's compositions are given a vibrantly intense and dramatic going over by these great musicians. soul-stirring stuff in every way. this is the sound of a musical springtime, all green invention and sunshine for the spirit. the violin, cello, and piano tunnel through the music, unearthing and displaying its potential and grace. i listened to the entire two hours and twenty minutes of glorious music that's on these discs this morning, and it was a great experience indeed. i highly highly recommend this set to any and all music lovers. this whole affair is a masterpiece of grand compositions in the hands of brilliant performers.

A linkage between the past and the modernism!.......2006-11-28

If Goethe's Werther was the prototype of the Romantic hero per excellence, inflaming the imagination and creativeness of newcomer artists, I guess the legitimate Ambassador in the music, had its embodiment around the egregious figure of Robert Schumann. No other composer in the history of the music has embraced new genres and styles with as much febrile intensity, uncertainty but at the same time with as much determination as did Schumann. The remarkable fact he had composed 138 songs in just one year, supports with striking stubbornness he blended music and poetry; despite of the fact his enormous knowledge of literature. Of course the main pivot for his incursions in the chamber music were his passionate analysis around Beethoven's late Quartets. His immense devotion for the chamber music was in visible counter flow with the tendencies of the New German School. He was aware about the dissolution of the piano as protagonist instrument ( just think in Busoni `s Piano concerto, for instance) and in this sense he consecrated all his efforts to preserve and defend the power of expression of the noblest instrument.

On the other hand, the set of Trios surmounted the well known Op. 54's Piano Concerto. That reveals a very careful design in the tonal architecture, interlinking parts and polyphonal material which points to the future and Brahms securely had to have discussed this issue with his friend.
Such emblematic attitude made that composers such Mahler and Schoenberg were so influenced due its modernist projections.

The second is by far, the most romantic of the set with Schubertian reminiscences try to realize th far echoes of the last movement of Cesar Franck's Sonata for violin in the third movement of this trio, while the last one is evidently as we expected the most futurist of the three; and you certainly may find seminal seeds for modern age and the Viennese school of the early ages of the XX Century.

So, consider a wise acquisition to have these distinguished and refined Trios because reflect fundamental works that far to be transitional were the most perfect linkage between the dying Romanticism and the arousing musical modernism and illustrates wisely that smart statement of Octavio Paz: "The past is function of the future. The will of future makes the dead bodies stand and puts order in its works..."

great deal.......2005-10-12

These are well-played and well-recorded versions of these pieces. The price is also right.
Personally I found Schumann's compositions excessively mercurial at times but that's my problem. If you like him this should'nt be missed.

Excellent performances, superb value.......2002-04-07

This collection of Schumann's piano trios, Op. 47 piano quartet, and Op. 44 piano quintet is excellent, epsecially since it's offered at Philips' Duo (2-for-1 price). Having recently performed the piano quartet and quintet, I can say that the Beaux Arts Trio brings much finesse, refinement, and superb musical judgment to these performances. The famous Quintet gets an oustanding performance, not as volatile as the live EMI recording led by Martha Argerich, but then without that recording's self-indulgence either. I think the piano quartet is underrated; it has a absolutely beautiful slow movement and an exhilarating last movement filled with counterpoint. The Beaux Arts gives it an excellent performance, though the slow movement seems rather too ponderous and lacking the radiance it should have. The piano trios aren't as well known: they come from later in Schumann's career and are often considered inferior to the earlier works. I cannot agree, especially in the case of the first two trios, which cotrast beautifully, the first one passionate and tragic, the second one lighter and fresher, almost Schubertian, both with beautiful slow movements. The snag is that the first trio is split between the two discs, which is an inconvenience. Very good sound, too. By the way, if you enjoy the trios, you should also check out the Florestan Trio's two outstanding discs on Hyperion (one with the first two trios, the other with the Piano Quartet, the third trio, and the Op. 88 Fantasiestücke for piano trio). The Florestan's performances are perhaps more imaginative than the Beaux Arts', and they are even better recorded.

Not just for chamber musik freaks! This is Schumann's best........1999-10-09

This 2 CD set offers an extraoardinary bargain. Five works by the underrated German master are heard in incisive performances that only occaisionally succumb to the usual pitfall of many Schumann performances: Zu Viel Schmaltz. When Robert indulged in self-pity, he bathed in it! (especially when he was "Eusebius").... The sound overall is consistent and adequate, although some selections are remastered from analog. Many people have said, "Why couldn't Schumann write a truly great symphony?" He did---the Eb Quintett, op. 44. If you love romantic period chambermusic, you should not miss this collection. This is more than two hours of great music...

Average customer rating: Emblematic and desert island choices! fantastic Recordings! it just can't be 5 stars Definitive Performances Of Dvorak's Piano Trios

Antonín Dvorák: Complete Piano Trios Manufacturer: Philips ProductGroup: Music Binding: Audio CD Trios | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music Beaux Arts Trio | ( B ) | Featured Performers, A-Z | Classical | Styles | Music Pressler, Menahem | ( P ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Dvorák, Antonín | ( D ) | Composers, A-Z | Classical Music Blowout | Stores | Music Beaux Arts Trio | ( B ) | Performers, A-Z | Classical Music Blowout | Stores | Music Pressler, Menahem | ( P ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Schumann: Complete Piano Trios Brahms: Complete Trios Franz Schubert: Complete Trios Mozart: The Complete Piano Trios Brahms: Complete Piano Quartets ASIN: B0000041F3 Release Date: 1996-09-17

Tracks:

1. Piano Trio In B Flat, Op. 21: Allegro molto
2. Piano Trio In B Flat, Op. 21: Adagio molto e mesto
3. Piano Trio In B Flat, Op. 21: Allegretto scherzando
4. Piano Trio In B Flat, Op. 21: Finale (Allegro vivace)
5. Piano Trio In G Minor, Op. 26: Allegro moderato
6. Piano Trio In G Minor, Op. 26: Largo
7. Piano Trio In G Minor, Op. 26: Scherzo (Presto - Poco meno mosso)
8. Piano Trio In G Minor, Op. 26: Finale (Allegro non tanto)

Tracks:

1. Piano Trio In F Minor, Op. 65: Allegro ma non troppo - Poco piu mosso, quasi vivace
2. Piano Trio In F Minor, Op. 65: Allegro grazioso - Meno mosso
3. Piano Trio In F Minor, Op. 65: Poco Adagio
4. Piano Trio In F Minor, Op. 65: Finale (Allegro con brio - Meno mosso - Vivace)
5. Piano Trio In E Minor, Op. 90 (Dumky): Lento maestoso - Allegro vivace, quasi doppio movimento - Tempo I - Allegro molto
6. Piano Trio In E Minor, Op. 90 (Dumky): Poco adagio - Vivace non troppo
7. Piano Trio In E Minor, Op. 90 (Dumky): Andante - Vivace non troppo - Andante - Allegretto
8. Piano Trio In E Minor, Op. 90 (Dumky): Andante moderato (quasi tempo di marcia) - Allegretto scherzando - Meno mosso - Allegro - Moderato
9. Piano Trio In E Minor, Op. 90 (Dumky): Allegro
10. Piano Trio In E Minor, Op. 90 (Dumky): Lento maestoso - Vivace, quasi movimento - Lento - Vivace

Amazon.com essential recording

Dvorák composed four piano trios, and all of them are fine works. The very last, the so-called "Dumky" Trio, has eclipsed the others in popularity, which is a pity, particularly with respect to the Trio No. 3 in F minor. This work, composed at exactly the same time as the Seventh Symphony, is clearly the finest work of its type since Beethoven--and that includes the three trios of Brahms. Perfectly proportioned, emotionally intense, and chock full of incredible tunes, it grabs you from the first note and never lets you go. The Beaux Arts Trio performs all of this music with their customary musicality and expertise, and the "twofer" price in unbeatable. Now try that Trio No. 3--you'll be glad you did. --David Hurwitz

Customer Reviews:

Emblematic and desert island choices!.......2006-11-19

Dvorak's immense talent as composer of chamber works deserve to him, even a major status that most of people tend to estimate. The spirit of eloquency, sheer lyricism and brisky musicality make of this set a true must-have.

Don't miss this set under any pretext.

fantastic Recordings!.......2005-12-16

The beaux arts' performances of these trios, like most recordings of their golden period, wih Cohen and Greenhouse, set a benchmark, for both the technical as well as the emotional depth in the interpritation of chamber music... Their tension and beauty, particularly of Isidore Cohen's distinctive tone, thrills the heart, as much as the ear.

it just can't be 5 stars.......2003-08-15

Okay, I have to be honest, I don't own these CDs, though I have listened to them a little, which is what's most important. What I simply must tell to the prospective buyer is that there is one part about 40 seconds into the scherzo of the g minor trio that is absolutely atrocious on the part of the violinist, where he (Isidore Cohen, who for the record I think has a nasty tone in general although many people would disagree) goes flatter and flatter on an upward run landing on the note of the climax of the section about halfway between two pitches! To be quite honest, it's absurd that they didn't do another take, because it's pretty painful, yet entertainingly bad, to listen to. If you can enjoy Isidore Cohen's tone, though, this should be a good buy overall.

Definitive Performances Of Dvorak's Piano Trios.......2001-12-08

This is yet another excellent compilation of the great recordings made by the Beaux Arts Trio when its lineup included Isidore Cohen as violinist and Bernard Greenhouse as cellist as well as pianist Menahem Pressler. These are lively, exciting performances replete with warmth and Slavic charm, gracefully played by these exceptional musicians. Of course, the highlight is their exquisite performance of the "Dumky" trio, but the others are equally compelling. This is one of the highlights of my CD collection of Dvorak's music; it should be yours too.

Average customer rating: great musicians An older recording, but still amazing great recording Very good! stirring!

Brahms: Complete Piano Quartets Manufacturer: Philips ProductGroup: Music Binding: Audio CD Quartets | Chamber Music | Classical | Styles | Music Trios | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Beaux Arts Trio | ( B ) | Featured Performers, A-Z | Classical | Styles | Music Pressler, Menahem | ( P ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Brahms, Johannes | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Beaux Arts Trio | ( B ) | Performers, A-Z | Classical Music Blowout | Stores | Music Pressler, Menahem | ( P ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Brahms: Complete Trios Schumann: Complete Piano Trios Brahms: The Complete Quintets Franz Schubert: Complete Trios Antonín Dvorák: Complete Piano Trios ASIN: B0000041EI Release Date: 1996-04-09

Tracks:

1. Piano Quartet In G Minor, Op. 25: 1. Allegro - J. Brahms
2. Piano Quartet In G Minor, Op. 25: 2. Intermezzo. Allegro ma non troppo - J. Brahms
3. Piano Quartet In G Minor, Op. 25: 3. Andante con moto - J. Brahms
4. Piano Quartet In G Minor, Op. 25: 4. Rondo alla Zingarese. Presto - J. Brahms
5. Piano Quartet in C minor, Op. 60: 1. Allegro ma non troppo - J. Brahms
6. Piano Quartet in C minor, Op. 60: 2. Scherzo. Allegro - J. Brahms
7. Piano Quartet in C minor, Op. 60: 3. Andante - J. Brahms
8. Piano Quartet in C minor, Op. 60: Finale. Allegro - J. Brahms

Tracks:

1. Piano Quartet in A, Op. 26: 1. Allegro non troppo - Brahms
2. Piano Quartet in A, Op. 26: 2. Poco adagio - Brahms
3. Piano Quartet in A, Op. 26: 3. Scherzo. Poco allegro - Brahms
4. Piano Quartet in A, Op. 26: 4. Finale. Allegro - Brahms
5. Piano Trio in A, Op. posth.: 1. Moderato - Brahms
6. Piano Trio in A, Op. posth.: 2. Vivace - Brahms
7. Piano Trio in A, Op. posth.: 3. Lento - Brahms
8. Piano Trio in A, Op. posth.: 4. Presto - Brahms

Customer Reviews:

great musicians.......2005-10-09

These are dense pieces and like a lot of Brahms could become overly heavy and plodding in the wrong hands. On this CD the Beaux Arts really bring out the romantic lyrical quality of this music unfailingly. The recording itself is just a hair distant but the detail is good. What fantastic piano one finds on these CDs! Strongly recommended.

An older recording, but still amazing.......2002-06-23

This collection of Brahms' piano quartets are a great listen all around. Every quartet has an enormous power and beauty to it.

I like to say about Brahms' music that it is airtight. There is never a wasted note. Every bit of melody, every nuance and texture in the harmony are masterfully crafted and serve a purpose. There is never a moment when you look at your watch and wonder when the composer is going to get around to wrapping this or that section up and get to the exciting stuff.

The Beaux Arts Trio along with Walter Trampler do a commendable job of bringing every moment of beauty and excitement out. They balance the sweetness of the slow movements and melodies well with the aggression and rhythmic complexities of the quicker movements. My current favorite quartet is the A Major. There is a singable melody or rhythmic puzzle in every movement. I listened to the final movement four times today (excessive I know, but it's just so much fun to try to figure out how Brahms manipulates those melodies within the time signatures)!

great recording.......2002-05-17

This is chamber music at its best played by the masters, the Beaux Arts Trio. All the pieces are played in a crisp, clean manner with the proper emotion and phrasing.

Very good!.......2001-04-01

I am an avid Brahms fan and just recently picked up this copy of the quartets. I love them! The rondo of the first quartet is fascinating and the pain in the C minor trio is unmistakable. As traditional as Brahms is, he is a definate romantic. I agree [...] about the last trio that is attributed to him. It isn't as good by far. The sound is very clear and the pianist on the recordings impressed me. If you don't own the quartets, go ahead and buy this set. You won't be dissapointed!

stirring!.......2000-01-10

I have only recently begun to love Brahms and these recordings make me question why it's taken so long! The music is incredibly rich and colorful, especially the C minor, Werther's Ballad, which you can just feel Brahms pain at losing his friend Robert Schumann! The Beaux Arts Trio is a sure winner! You will enjoy this!

Average customer rating: Well worth the price Not Exactly "The Ultimate" Collection... Where's the chicks?!?! Not quite the ultimate.... Great Music - Questionable Selection

The Ultimate Gilbert & Sullivan Collection Arthur Sullivan , Isidore Godfrey , Royston Nash , New Symphony Orchestra of London , Royal Philharmonic Orchestra , Colin Wright , Donald Adams , George Cook , Gillian Knight , Jean Hindmarsh , Jeffrey Skitch , John Ayldon , John Reed , Joyce Wright , Kenneth Sandford , Lyndsie Holland , Owen Brannigan , Pauline Wales , Peggy Ann Jones , Thomas Round , Valerie Masterson , and D'Oyly Carte Opera Company Manufacturer: Decca ProductGroup: Music Binding: Audio CD All Works by Sullivan | Sullivan, Arthur | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Brannigan, Owen | ( B ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: The Best of Gilbert & Sullivan Gilbert & Sullivan - Highlights from The Mikado, The Pirates of Penzance, H.M.S. Pinafore, The Yeomen of the Guard, Trial of Jury Topsy-Turvy - The Music of Gilbert & Sullivan: From the Original Motion Picture Soundtrack Topsy-Turvy The Best of Gilbert & Sullivan ASIN: B000007OU0 Release Date: 1998-06-09

Tracks:

1. H.M.S. Pinafore: We Shall Sail The Ocean Blue
2. H.M.S. Pinafore: I'm Called Little Buttercup
3. H.M.S. Pinafore: My Galant Crew, Good Morning
4. H.M.S. Pinafore: I'm The Monarch Of The Sea
5. H.M.S. Pinafore: When I Was A Lad
6. H.M.S. Pinafore: Nevermind The Why And Wherefore
7. H.M.S. Pinafore: Kind Captain, I've Important Information
8. H.M.S. Pinafore: Carefully On Tip - Toe Stealing
9. H.M.S. Pinafore: For He Is An Englishman
10. The Pirates Of Penzance: I Am The Very Model Of A Modern Major - General
11. The Pirates Of Penzance: When A Felon's Not Engaged In His Employment
12. The Pirates Of Penzance: With Cat Like Tread
13. The Sorcerer: My Name Is John Wellinton Wells
14. The Gondoliers: Take A Pair Of Sparkling Eyes
15. Patience: If You're Anxious To Shine
16. The Mikado: If You Want To Know Who We Are
17. The Mikado: A Wand'ring Minstrel I
18. The Mikado: Behold The Lord High Executioner
19. The Mikado: As Someday It May Happen
20. The Mikado: Three Little Maids From School Are We
21. The Mikado: The Sun Whose Rays Are All Ablaze
22. The Mikado: Here's A How - De - Do!
23. The Mikado: From Ev'ry Kind Of Man Obedience I Expect
24. The Mikado: A More Humane Mikado Never Did In Japan Exist
25. The Mikado: The Criminal Cried As He Dropp'd Him Down
26. The Mikado: The Flowers That Bloom In The Spring, Tra La
27. The Mikado: On A Tree By A River A Little Tom Tit
28. The Mikado: There Is Beauty In The Bellow Of The Blast
29. The Mikado: For He's Gone And Married Yum-Yum

Customer Reviews:

Well worth the price.......2006-04-13

I love this CD. No, despite its name it is not the "ultimate" collection, as scarcely could be expected from a single CD. It is heavy on Mikado, as others have stated. It leaves out things I would have included and includes things I would have left out. But the performances are wonderful, traditional and all you expect from G&S. Considering the low price, it is well worth including in your G&S collection ... as PART of your collection. After the disappointment of the godawful Opera World video series (Don't buy it!) this CD is a joy and a relief.

Not Exactly "The Ultimate" Collection..........2004-12-23

It seems that a collection of Gilbert & Sullivan music that has the name "The Ultimate Collection" in its title would boast a wide range of music, but I found the selection disappointing. Half of the tracks are songs from The Mikado, and the other half is divided between five... yes, FIVE other operettas. This means that the representation from each operetta is awfully scant. I would have liked to see less Mikado and more of everything else, and perhaps some highlights from the more obscure operettas (Princess Ida and The Sorcerer, namely).

In addition, while most of the music is very well performed, some of the vocalists either go a bit overboard or, at the very opposite end, seem to lack expression. For example, this Nanki-Poo (in The Mikado) seems to be overly occupied with vibrato. Katisha's voice is annoying, and The Mikado's low voice often seems to lack feeling and humor. The other idiosyncracies, like the very frightening evil laughing during "A More Humane Mikado" and hissing during "Three Little Maids" really bug me.

Then again, I'm new to Gilbert and Sullivan, and was introduced to the music through the Topsy Turvy soundtrack, which has a noticeably less operatic style, and hardly includes "stage noise"... so perhaps all this is the norm. Do listen to the tracks for yourself, though, before you purchase the CD. Personally, I find that the Topsy Turvy soundtrack, while considerably less ecompassing, is much lighthearted and easier listening.

Where's the chicks?!?!.......2003-05-15

It wouldn't be G&S if not for the ladies - so where are they? How could they leave out Mabel's aria - or Josephine's!? The only female aria included on this disc comes from Mikado, which is the least exciting (if G&S could be un-exciting) of the three! Everything else on the recording is great, but I am still quite disappointed.

Not quite the ultimate...........2002-03-25

This is a great collection, but unfortunately it doesn't have songs from all the works of G&S. Most notably, there is nothing from the "Yeoman of the Guard". I still reccommed it however as John Reed is wonderful!!

Great Music - Questionable Selection.......2002-02-05

It's an ongoing challenge to find a recording of Gilbert and Sullivan that combines premium musicality and great theatrical performance. This recording is a true gem on both fronts. My only complaint is that for a "Best of" collection, this compilation is Mikado-heavy and scarcely touches on highlights from other masterpieces, particularly The Pirates of Penzance. This would be my favorite G&S CD of all time, of only it included tracks like "When the Foeman Bares his Steel," "Poor Wand'ring One," and "Dry the Glist'ning Tear," but then again, I guess there's no real consensus as to which are Gilbert and Sullivan's best works, and there are too many to fit on one CD.

Average customer rating: Little Gems. Delightful Music Too Bland for Haydn!!! Haydn: Complete Piano Trios Gramophone "Top 100 " Recording

Haydn: Complete Piano Trios Manufacturer: Philips ProductGroup: Music Binding: Audio CD Trios | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Beaux Arts Trio | ( B ) | Featured Performers, A-Z | Classical | Styles | Music Pressler, Menahem | ( P ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Bargain Box Sets | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music Similar Items: Beethoven: The Piano Trios Mozart: The Complete Piano Trios Haydn: The Complete Piano Sonatas Schumann: Complete Piano Trios Franz Schubert: Complete Trios ASIN: B0000041LO Release Date: 1997-09-16

Tracks:

1. Hob. XV:30 In E Flat: Allegro moderato
2. Hob. XV:30 In E Flat: Andante con moto
3. Hob. XV:30 In E Flat: Presto
4. Hob. XV:27 In C: Allegro
5. Hob. XV:27 In C: Andante
6. Hob. XV:27 In C: Finale (Presto)
7. Hob. XV:28 In E: Allegro moderato
8. Hob. XV:28 In E: Allegretto
9. Hob. XV:28 In E: Finale (Allegro)
10. Hob. XV:29 In E Flat: Poco allegretto
11. Hob. XV:29 In E Flat: Andantino ed innocentemente
12. Hob. XV:29 In E Flat: Finale: Allemande (Presto assai)

Tracks:

1. Hob. XV:24 In D: Allegro
2. Hob. XV:24 In D: Andante
3. Hob. XV:24 In D: Allegro, ma dolce
4. Hob. XV:25 In G: Andante
5. Hob. XV:25 In G: Poco adagio. Cantabile
6. Hob. XV:25 In G: Rondo all'Ongarese (Presto)
7. Hob. XV:26 In F Sharp Minor: Allegro
8. Hob. XV:26 In F Sharp Minor: Adagio cantabile
9. Hob. XV:26 In F Sharp Minor: Tempo di menuetto
10. Hob. XV:31 In E Flat: Andante cantabile
11. Hob. XV:31 In E Flat: Allegro

Tracks:

1. Hob. XV:20 In B Flat: Allegro
2. Hob. XV:20 In B Flat: Andante cantabile
3. Hob. XV:20 In B Flat: Finale (Allegro)
4. Hob. XV:21 In C: Adagio pastorale - Vivace assai
5. Hob. XV:21 In C: Molto andante
6. Hob. XV:21 In C: Finale (Presto)
7. Hob. XV:22 In E Flat: Allegro moderato
8. Hob. XV:22 In E Flat: Poco adagio
9. Hob. XV:22 In E Flat: Finale (Allegro)
10. Hob. XV:23 In D Minor: Molto andante
11. Hob. XV:23 In D Minor: Adagio ma non troppo
12. Hob. XV:23 In D Minor: Finale (Vivace)

Tracks:

1. Hob. XV:15 In G: Allegro
2. Hob. XV:15 In G: Andante
3. Hob. XV:15 In G: Finale (Allegro moderato)
4. Hob. XV:17 In F: Allegro
5. Hob. XV:17 In F: Finale (Tempo di menuetto)
6. Hob. XV:32 In G: Andante
7. Hob. XV:32 In G: Allegro
8. Hob.XV:18 In A: Allegro moderato
9. Hob.XV:18 In A: Andante
10. Hob.XV:18 In A: Allegro
11. Hob. XV:19 In G Minor: Andante - Presto
12. Hob. XV:19 In G Minor: Adagio, ma non troppo
13. Hob. XV:19 In G Minor: Presto

Tracks:

1. Hob. XV:12 In E Minor: Allegro moderato
2. Hob. XV:12 In E Minor: Andante
3. Hob. XV:12 In E Minor: Rondo (Presto)
4. Hob. XV:13 In C Minor: Andante
5. Hob. XV:13 In C Minor: Allegro spiritoso
6. Hob. XV:14 In A Flat: Allegro moderato
7. Hob. XV:14 In A Flat: Adagio
8. Hob. XV:14 In A Flat: Rondo (Vivace)
9. Hob.XV:16 In D: Allegro
10. Hob.XV:16 In D: Andantino pito allegretto
11. Hob.XV:16 In D: Vivace assai

Tracks:

1. Hob. XV:7 In D: Andante con variazioni
2. Hob. XV:7 In D: Andante
3. Hob. XV:7 In D: Allegro assai
4. Hob. XV:8 In B Flat: Allegro moderato
5. Hob. XV:8 In B Flat: Tempo di menuetto
6. Hob. XV:9 In A: Adagio
7. Hob. XV:9 In A: Vivace
8. Hob. XV:10 In E Flat: Allegro moderato
9. Hob. XV:10 In E Flat: Presto
10. Hob. XV:10 In E Flat: Allegro moderato
11. Hob. XV:10 In E Flat: Tempo di menuetto

Tracks:

1. Hob. XV:f1 In F Minor: Allegro moderato
2. Hob. XV:f1 In F Minor: Menuet
3. Hob. XV:f1 In F Minor: Finale (Allegro)
4. Hob. deest in D: Allegro molto - Andante
5. Hob. XIV:C1 In C: Adagio - Presto
6. Hob. XIV:C1 In C: Menuet
7. Hob. XIV:C1 In C: Hob. XIV:C1 in C: Finale
8. Hob. XV:2 In F: Allegro moderato
9. Hob. XV:2 In F: Menuetto. Allegretto
10. Hob. XV:2 In F: Finale (Adagio con variazioni)
11. Hob. XV:5 In G: Adagio non tanto
12. Hob. XV:5 In G: Allegro
13. Hob. XV:5 In G: Allegro
14. Hob. XV:6 In F: Vivace
15. Hob. XV:6 In F: Tempo di menuetto

Tracks:

1. Hob. XV:40 in F: Moderato
2. Hob. XV:40 in F: Menuet
3. Hob. XV:40 in F: Finale (Allegro molto)
4. Hob. XV:41 in G: Allegro
5. Hob. XV:41 in G: Menuet
6. Hob. XV:41 in G: Adagio
7. Hob. XV:41 in G: Finale (Presto)
8. Hob. XV:35 in A: Capriccio (Allegretto)
9. Hob. XV:35 in A: Menuet
10. Hob. XV:35 in A: Finale (Allegro)
11. Hob. XV:34 in E: Allegro moderato
12. Hob. XV:34 in E: Menuet
13. Hob. XV:34 in E: Finale (Presto)
14. Hob. XV:36 In E Flat: Allegro moderato
15. Hob. XV:36 In E Flat: Polones
16. Hob. XV:36 In E Flat: Finale (Allegro molto)
17. Hob. XV:38 In B Flat: Allegro moderato
18. Hob. XV:38 In B Flat: Menuet
19. Hob. XV:38 In B Flat: Finale (Presto)

Tracks:

1. Hob. XV37 in F: Adagio
2. Hob. XV37 in F: Allegro molto
3. Hob. XV37 in F: Menuet
4. Hob XV:C1 in C: Allegro Moderato
5. Hob XV:C1 in C: Menuet
6. Hob XV:C1 in C: Andante con variazioni
7. Hob. XIV:6-XVI:6 in G: Allegro
8. Hob. XIV:6-XVI:6 in G: Adagio
9. Hob. XIV:6-XVI:6 in G: Menuetto
10. Hob.XV:39 in F: Allegro
11. Hob.XV:39 in F: Andante
12. Hob.XV:39 in F: Allegro
13. Hob.XV:39 in F: Menuetto
14. Hob.XV:39 in F: Scherzo
15. Hob. XV:1 in G minor: Moderato
16. Hob. XV:1 in G minor: Menuet
17. Hob. XV:1 in G minor: Presto

Amazon.com

Haydn's piano trios deserve far more attention than they receive. As music lovers know, they are every bit as rewarding as his symphonies and string quartets, and also very numerous. They are not, however, true trios as we understand the term now. Essentially, Haydn took the sonata for violin and piano and added a cello part to strengthen the weak bass of contemporary pianos. This doesn't inhibit the quality of the music in any way, but it has prevented modern piano trios from taking them up since the cellist usually wants something more exciting to do. All praise, then, to the Beaux Arts Trio for understanding that musical quality is more important than instrumental display. --David Hurwitz

Amazon.com

This set, recorded during the 1970s, is still the only complete recording of Haydn's trios. (Imagine if there were only one recording of Mozart's or Beethoven's trios!) In this low-priced, space-saving format, it is one of the greatest chamber music bargains of all time. The great Beaux Arts Trio took its time recording the music, so every piece was thoroughly studied and absorbed before it was recorded. Some period instrument groups might be more stylish or authentic in a given trio, but this is still a splendid series of performances and your only chance to hear all of the music. Take the box on vacation; it doesn't use up much space! --Leslie Gerber

Customer Reviews:

Little Gems........2007-07-19

I have come to the view that Haydn is for the more musically mature; this is after fifty five years of avoiding him! I have wasted a lot of time.

Like many people, I have thought of Haydn principally in terms of his "thousands" of symphonies and felt the title "Papa" well deserved. However, having spent an increasing amount of time over the last five years in getting to know his chamber works, I have altered my opinions dramatically and long since have ceased to think of him as "Papa".

Given that for a few years at least, he shared the middle of the 18th. century with Bach, his works were highly innovative following so close upon the heels of the Barok. I think Haydn receives far too little credit for the pioneering work he did. His string quartets are truly of the highest order and given that he "invented" the genre, astonishingly forward and musically developed. Mozart did nothing to advance the form which Haydn left as a wonderful foundation upon which Beethoven, Schubert and Mendelssohn could build.

Whilst the quartets are of a comparatively cerebral character, these piano trios are not so. Not because of any inventive shortcomings of on the part of the composer but due to their being intended for a different and much larger audience along with groups of amateur players to whom his publishers could sell lots of sheet music; it should be remembered that Haydn's reputation extended from Italy to Sweden and he was enormously popular at the end of the century. These trios, whilst very occasionally sounding just a little "commercial", make very satisfying listening and I enjoy them immensely.

The Beaux Arts' readings are characteristically "safe" and I have no quibble with this. Another reviewer has found them "bland" but with this I disagree. Frankly, I think it difficult to make a proper judgment because, as has been pointed out elsewhere, the strings are not at all well recorded and for much of the time the pieces sound like a piano sonata with occasional string accompaniment. I find this irritation present on other Beaux Arts/Philips recordings but in this case less annoyingly so as the piano really is a stand-alone part with the overall nature of the works being surprisingly undiminished - particularly the 'cello whose principal function is to bolster the rather fragile bass of the early Viennese fortepiano - don't have a lot to say that is of much musical consequence. Fortunately, Menahem Pressler, being a superb pianist, carries the burden masterfully. In other respects the standard of recording is good.

I would like to have awarded five stars; generally, this set deserves them but I feel some penalty has to be imposed in respect of the poor microphone balance. Musically, this collection is a well-performed joy and I'm sure others will delight in it.

Delightful Music.......2006-03-04

The Beaux Arts Trio, as always, performs well enough to win an award with these trios. The works are so tuneful that I frequently found myself walking around the house humming the tunes after hearing a quartet for the first time.

This music is also wonderful to listen to while doing desk work or reading. You'll not be disappointed.

Too Bland for Haydn!!!.......2006-01-17

No doubt that Haydn is one of the greatest composers of all times both in terms of quality and quantity of his diverse compositions.I have always found his piano sonatas very witty and enjoyable having listened to Jando and Richter.I was completely floored by one of the Haydn's Piano trios featured in the Stern,Rose and Istomin recording of the Schubert Piano Trios-Perky,springy,Bouncy playing keeping the listener constantly guessing.It is with great expectation that I bought this complete set of Haydn Piano Trios by the REPUTED Beaux Arts Trio.Listening to the First 2 CDs of this set was a bit of a let down.I find their playing totally bland and Lifeless-Yes,they are pretty but lacking in perky,quirky humour that Haydn is justly known for.They sound like Rameau's compositions!I find that the individuality and personality of Haydn is totally absent.
I know that the Beaux Arts Trio has a Big Reputation but I need to say this.I found their Beethoven Trios a Trifle Bland as well.The Stern Rose Istomin Excel in that recording as well!Ditto for their Schubert Piano Trios.Just what is the Difference?I find the Stern Rose Istomin Trio play with Fresh Abandon whereas the Beaux Arts Trio seem to be too Studious,a little too serious!This robs a little bit of spontaneity and LIVING IN THE MOMENT vitality.(More so for Franz Joseph Haydn!)
Yes,This may be the only complete recording of the wonderful Haydn Piano Trios,but I would strongly advise that you collect the individual performances by different groups after due listening.

Haydn: Complete Piano Trios.......2005-09-06

Bad recording - all one can hear is the piano part...too loud and is sounded liked the piano was set right next to the microphone... Wish I could return this set of CD's. Very disappointed.

Gramophone "Top 100 " Recording .......2005-04-25

There are times - even for the most engaged classical fan - when the denser textures or sudden changes in dynamics of a symphony, concerto or even string quartet cannot quite be processed, but still the musical-person-within desires to hear great music. Well, for those times - such as a cozy Sunday afternoon reading on the couch - Haydn's piano trios are the perfect prescription for musical bliss and contentment. And while these trios are lighter in character and texture, they are definately not monotonous, run-of-the-mill divertimenti but rather quite musically intelligent compositions which are exceedingly pleasant, full of exuberance, rich in invention and always in good Haydn taste.

Haydn's Piano Trios is an abundant, marvelous cache of chamber music to explore. Many are similar in mood and interplay to Mozart's sprightly Piano Trios, while some movements of the late works forshadow Beethoven's expressivity. Haydn's piano trios never cease to delight with their classical balance, lightness-of-heart, bubbly joy and smooth textures. One reason for such a proliferation of works in the piano-trio genre in Haydn's time is that the home market for such compositions was exploding in mid-18th century with seemingly every middle to upper class household now owning this new, must-have musical instrument - the clavier.

The Beaux Arts Trio do great justice to this works and show they really care and enjoy Haydn's music. The artistry, performance and sound quality of these recordings are superb on all levels which is probably why this set won the impressive awards of "Top CD of the Year" and a "Top 100 Recording" from Gramophone - the latter being a supreme compliment. The crisp, dancing piano tempos from pianist Menahem Pressler in these trios are energetic, sure-footed and delightful, while the two strings bring a rich tonality and elegant mannerism that is most fitting for this genre and period. As a whole, the Beaux Arts Trio exhibits the kind of natural, seamless musicianship that comes through years of playing together. Their playing and this CD show classical-era chamber music at its finest, and "legendary" would not be an out-of-place description of this fine trio. As of 2005, the trio is now in its 50th year with original member pianist Menahem Pressler still going strong. All of their recordings still decades later are among the top positions in the ratings in spite of much fine competition (Mozart, Beethoven, Schubert, Brahms piano trios). I would say the Haydn Piano Trios are just as enjoyable and musically rich than their Mozart and Beethoven recordings. I would not be without one set.

For all these reasons, these most-admirable recordings are some of my most frquently played discs in all my collection (I play music all day while studying or working). Others note this "ever-fresh" appeal that allows lots of play before any weariness sets in. So, the quality of recordings, beautiful slim packaging, decent liner notes and exceptional value all combine to make this set a compelling investment for the chamber-music lover. And if you think 9 CD's of piano trios are a lot, consider it a lifetime investment and exploration.

Average customer rating: Wonderful Production Quality but Staid Solid and Traditional The Best of Many, Many Recordings

Gilbert & Sullivan: The Pirates of Penzance Manufacturer: Decca ProductGroup: Music Binding: Audio CD All Works by Sullivan | Sullivan, Arthur | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Brannigan, Owen | ( B ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: Gilbert & Sullivan - The Mikado / WNO · Mackerras The Pirates Of Penzance Or The Slave Of Duty Gilbert & Sullivan: H.M.S. Pinafore / Mackerras, Welsh National Opera Gilbert & Sullivan; The Mikado Gilbert & Sullivan: HMS Pinafore ASIN: B00008LJEV Release Date: 2003-05-13

Tracks:

1. Overture
2. Pour, Oh Pour The Pirate Sherry
3. When Fred'ric Was A Little Lad
4. Oh, Better To Live And Die
5. Oh, False One, You Have Deceived Me
6. Climbing Over Rocky Mountain
7. Stop! Ladies, Pray! A Man!
8. Oh, Is There Not One Maiden Breast
9. Oh, Sisters, Deaf To Pity's Name, For Shame!
10. Poor Wand'ring One!
11. What Ought We To Do, Gentle Sisters, Say?
12. How Beautifully Blue The Sky
13. Stay, We Must Not Lose Our Senses
14. Hold, Monsters!
15. I Am The Very Model Of A Modern Major-General

Tracks:

1. Oh, Men Of Dark And Dismal Fate
2. Hail Poetry, Thou Heav'n Born Maid!
3. You May Go, For You're At Liberty
4. Pray Observe The Magnanimity
5. Oh, Dry The Glist'ning Tear
6. Then Frederic
7. When The Foeman Bares His Steel
8. Now For The Pirates Lair!
9. When You Had Left Our Pirate Fold
10. Away, Away, My Heart's On Fire
11. All Is Prepared
12. Stay, Fred'ric Stay!
13. Ah, Leave Me Not Pine Alone And Desolate
14. Oh, Here Is Love And Here Is Truth
15. No, I'll Be Brave
16. Sergeant Approach
17. When A Felon's Not Engaged In His Employment
18. A Rollicking Band Of Pirates We
19. With Cat-Like Tread
20. Hush! Hush! Not A Word
21. Sighing Softly To The River
22. Now What Is This, And What Is That
23. We Triumph Now
24. Away With Them, And Place Them At The Bar
25. Poor Wand'ring Ones, Though Ye Have Surely Strayed

Customer Reviews:

Wonderful Production.......2006-02-27

It is almost imposible to find a flaw in this production. Valerie Masterson is wonderful as Mabel, John Reid is fantastic as the Very Model of a Modern Major General, Donald Adams makes a great pirate king & Owen Branigan's Police Sergeant is Superb.
Well worth buying but it is best if accompanied by the libretto so you can get the most of Gilbert's dialogue.

Quality but Staid.......2005-05-30

For newbies: *Pirates* is indeed one of the most pleasurable of the G&S shows. While not the most satirical, not the most ambitious, it is perhaps the most perfectly realized. Particular treat: wonderful music and lyrics for the chorus.

For newbies: the D-Carte Company produced the premieres of the G&S operettas with Gilbert and Sullivan. Until some point well into the 20th c (1980's?) the company performed and recorded the repertory. Thus, there is a rare historical cachet to anything D-Carte.

The Good on this recording: a sly, sonorous, and expressive Police Sgt; sensitive duet singing by Frederick and Mabel; anchoring tempi; a strong chorus.

The Bad on this recording: J. Reed as Major-General is really hard for me to listen to...his instrument is dreadful AND he manages to not be amusing. On the whole I think sounds as if the cast has been performing this show for decades. There is dignity here, but little light or life. I'm not looking for some tarted-up reimagining, but it all strikes me as stodgy.

Solid and Traditional.......2005-05-20

Despite its old production date, the music is loud and clear - no static, scratching, distortion, etc. that you can get some from old productions.

This production is a solid, regular performance. Excellent voices, English accents, original (as far as I know) dialogue, etc. No surprises at all.

I haven't heard the other versions that are available; but this one sets the standard.

The Best of Many, Many Recordings.......2004-03-11

The cast is first-rate. John Reed is in very good form. Owen Brannigan (replacing the usual George Cook) is for me the greatest Sergeant. Brannigan, also found on many of Benjamin Britten's opera recordings, has the bass voice the role requires (I do not feel it should be sung by baritones) and his dialogue remains the standard. I've always enjoyed Donald Adams and his Pirate is also the standard. Potter, Masterson and Palmer are very good.

The ensemble and orchestra conducted by Godfrey create a very exciting, sparkling performance. This is the recording I grew up with and no other has beaten it yet.

All dialogue is included. No updates or major cuts.

Average customer rating: Don't underestimate those "unknown" Operettas!! A few details Wonderful set, if a little inconsistent at times.

The Complete Gilbert & Sullivan (Box Set) Manufacturer: Decca ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music All Works by Sullivan | Sullivan, Arthur | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music Incidental Music | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Overtures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Ballets & Dances | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Theatrical, Incidental & Program Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Brannigan, Owen | ( B ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: The Complete Annotated Gilbert & Sullivan Gilbert & Sullivan - Operettas / Pro Arte Orchestra · Sir Malcolm Sargent Gilbert & Sullivan - H.M.S. Pinafore / Trial By Jury - David Hobson, Anthony Warlow, Colette Mann, Tiffany Speight, John Bolton Wood, Richard Alexander, Opera Australia, State Theatre, The Arts Centre Melbourne Operas of Gilbert and Sullivan Gilbert & Sullivan - Master Collection (Opera World) ASIN: B00008LJEO Release Date: 2003-05-13

Customer Reviews:

Don't underestimate those "unknown" Operettas!!.......2005-07-07

This is, as far as I know - the only way of buying the "official" recordings of "The Grand Duke" and "Utopia" - which seem to be otherwise out of print!! Several of the others are not that easy to get either.

In any case - most people getting this set will already have the Mikado, and very probably Pirates and Pinafore for that matter, so you're really getting it for the others.

So just for the record - someone has to say this!

The Mikado is (of course) a wonderful piece, but it enjoys its long running status as the most successful of all the G&S operettas very largely for "extra-musical" reasons. It is visually so wonderful, with all those great authentic costumes, and the whole idea of satirising English institutions by pretending they are Japanese is of course brilliantly funny.

Again, Pirates and Pinafore enjoy a lot of their acclaim simply because we have heard them so often. And at least part of the initial success of these (admittedly very funny and entertaining) pieces was the vogue for "nautical drama" on the popular Victorian stage.

Iolanthe, Ruddigore, and Yoemen are all MUCH stronger musically than any of what another reviewer here keeps calling the "trilogy". Patience, Princess Ida, and the Gondoliers all excel either "nautical" operetta, at least musically, although not, perhaps, the Mikado. And I have had a lot of fun listening to my recording of the Sorcerer - although I think most at least of the other G&S operettas are even more interesting.

As for "Trial by Jury" it is really another thing altogether - but in its kind the most perfect thing either Gilbert or Sullivan had anything to do with!

This leaves Utopia and the Grand Duke.

Both of these were produced after the long running friendship between G&S had soured, and they have been sadly neglected ever since. Utopia is none the less both musically beautiful and very funny, and well worth taking an effort to come to grips with. The main point of the satire (which many commentators and reviewers seem to miss) is the way that the English language and British (especially English) institutions were being adopted, often rather uncritically, by countries around the world (most, but not all, of them members of the British Empire, of course). India is perhaps the country Gilbert had most in mind, but you could set it in any of a dozen other countries. The residual problems this has left in the post-colonial world ensure that this work is still far from dated. In some ways this operetta is about globalisation! What could possibly be LESS dated than that!

The Grand Duke, on the other hand, is a bit of an odd man out - I suppose you still have to say it is the weakest of all the G&S efforts. It's the ONLY one that didn't score a very respectable run on its first outing. Surprisingly, however, if an attempt is made to duplicate the musical and (especially) dialogue cuts that G&S would have done themselves if they had not by this time been at each other's throats all the time, a very entertaining piece can be made of it. I was very agreeably surprised by the Ohio Light Opera recording, which does just that - and I am coming round to the idea that the only thing really wrong with the Duke is that it is too long.

ANYWAY:

For all people (especially callow youth) who remain convinced that G&S only wrote three operettas worth listening to - all I can say is, buy this set, and give the lesser known ones a chance. Make sure you have a libretto in your hands as you listen, of course. It may even just need a single hearing in some cases, but otherwise, be patient. In the meantime, you really cannot have any conception of what you are missing.

A few details.......2004-03-28

This 24-CD album consists of 12 plastic cases, each with a thin booklet giving background and plot summaries for the works on its 2 enclosed CD's. Most of the album consists of 15 operettas, 2 of which (Cox and Box, The Zoo) have texts not by Gilbert and 7 of which (The Sorcerer, Princess Ida, The Mikado, Ruddigore, Yeomen of the Guard, Utopia Limited, The Grand Duke) omit most of the spoken dialogue. Before listening to any of these operettas that you don't know well, you'll want to obtain a copy of its text so you can read along and not miss any of the words or the wit.

Wonderful set, if a little inconsistent at times........2003-07-07

If you thought that the Sargent set of G&S opera recordings was gargantum enough, then this D'Oyly Carte cycle is even more gargantum. Although it is more expensive (because of the four extra operas that the Sargent cycle did not include), this complete 24-CD set is like a joy to behold. There is a debate as to whether this is better than the Sargent cycle, but I like to think that this is a delight from first disc to last, because of the idiomatic sense of polish that these recordings seem to have, and are given a life that makes them able to breathe well. This is all thanks to Isidore Godfrey and Royston Nash's conducting. I know that the performances may not be entirely consistent (this is evident when you compare the performance and recording quality of Mikado and Pirates with those of Gondoliers and Pinafore), but this is only a matter of personal preference. The 1960s performances were given more sumptuous and well-detailed recordings than the 1970s recordings, made when the performing style was not so fresh. But anyway, I still think that this is definitely a good buy for anyone who loves G&S. Even with the consistency of Sargent's cheaper EMI set, I would still say: do go ahead to invest in the set because of the liveliness and style in this complete G&S cycle that Sargent never (hardly ever) tackles. The only thing is: I would also like to suggest complementing it with the 1957 Decca D'Oyly Carte recordings of Mikado and Pirates, recently released by the Sounds on CD label, so that these recordings can do justice to the enormous spirit of these operas.

Average customer rating: Gilbert and Sullivan's Best- Being Performed by the Best The Finest Recording of one of G&S's Finest Operettas Seconded What joy to listen to. D'Oyly Carte at its peak!

Gilbert & Sullivan: H.M.S. Pinafore Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD All Works by Sullivan | Sullivan, Arthur | ( S ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Similar Items: Sullivan: Pirates of Penzance Sullivan: Mikado Sullivan: Iolanthe Gilbert & Sullivan; The Mikado Gilbert & Sullivan - The Mikado / WNO · Mackerras ASIN: B0000041Q4 Release Date: 1989-07-21

Tracks:

1. The H.M.S. Pinafore: Overture
2. The H.M.S. Pinafore: Act One - We Shall Sail The Ocean Blue
3. The H.M.S. Pinafore: Act One - Hail! Men O'war's Men
4. The H.M.S. Pinafore: Act One - The Nightingale Sighed
5. The H.M.S. Pinafore: Act One - A Maiden Fair To See
6. The H.M.S. Pinafore: Act One - My Gallant Crew, Good Morning
7. The H.M.S. Pinafore: Act One - Sir, You Are Sad
8. The H.M.S. Pinafore: Act One - Sorry Her Lot Who Loves Too Well
9. The H.M.S. Pinafore: Act One - Over The Bright Blue Sea
10. The H.M.S. Pinafore: Act One - Sir Joseph's Barge Is Seen
11. The H.M.S. Pinafore: Act One - Now Give Three Cheers
12. The H.M.S. Pinafore: Act One - When I Was A Lad
13. The H.M.S. Pinafore: Act One - A British Tar
14. The H.M.S. Pinafore: Act One - Refrain, Audacious Tar
15. The H.M.S. Pinafore: Act One - Can I Survive The Overbearing

Tracks:

1. The H.M.S. Pinafore: Entracte
2. The H.M.S. Pinafore: Act Two: Fair Moon To Thee I Sing
3. The H.M.S. Pinafore: Act Two: Things Are Seldom What They Seem
4. The H.M.S. Pinafore: Act Two: The Hours Creep On Apace
5. The H.M.S. Pinafore: Act Two: Never Mind The Why And Wherefore
6. The H.M.S. Pinafore: Act Two: Kind Captain, I've Important Information
7. The H.M.S. Pinafore: Act Two: Carefully On Tip-Toe Stealing
8. The H.M.S. Pinafore: Act Two: Farewell, My Own
9. The H.M.S. Pinafore: Act Two: A Many Years Ago
10. The H.M.S. Pinafore: Act Two: A Joy! Oh Rapture Unforeseen

Amazon.com

Breathes there a soul so dead that the very thought of a Gilbert & Sullivan operetta fails to bring a smile to the lips and a spring to the step? Pinafore has reigned (along with The Mikado) as the most popular of the lot, and you can't go wrong with a D'Oyly Carte production. Some may prefer the more operatic version with Malcolm Sargent on EMI or the D'Oyly Carte troupe's earlier incarnations of the work. But this may well be the best of the bunch, thanks to a cast for whom singing G&S is as natural as breathing. Standouts include Thomas Round, whose lovelorn hero strikes just the right Victorian note, veteran Donald Adams, a superbly malevolent Deadeye Dick, Isidore Godfrey, whose buoyant conducting keeps the good ship afloat, and... well, they're all so good, why go on? Kudos to the engineers, too--their early stereo sonics don't sound dated at all. --Dan Davis

Customer Reviews:

Gilbert and Sullivan's Best- Being Performed by the Best.......2002-10-07

This is another great hit by Gilbert and Sullivan, in my oppinion, only seconded by "The Prates of Penzance". The lyrics are witty, the score is impeccible.
The only downfall in this opera is some of the parts were horribly casted, Buttercup is overdramatic and Ralph (Rafe) Rackstraw sings like he need to go to the bathroom urgently.
BUY IT!

The Finest Recording of one of G&S's Finest Operettas.......2002-07-02

This is unquestionably the best recording of PINAFORE available today; it, along with THE PIRATES OF PENZANCE and THE MIKADO, are Gilbert and Sullivan's most beloved operas (and for good reason--each is a masterpiece, plain and simple). Every member of the cast on this recording is strong--there isn't a weak link in the bunch, although Thomas Round, John Reed, and Donald Adams are particularly wonderful. Each of the songs are performed exquisitely, especially Josephine's gorgeous arias, Sir Joseph's satirical patter songs, and the charming "Never Mind the Why and Wherefore" (the most popular song in the show). Also since all of the dialogue has been included on these discs, the whimsical story of "love levelling all [social] ranks" can be followed fully and clearly. This disc has everything that's required to really enjoy H.M.S. PINAFORE, just as it has been enjoyed for over one hundred years.

Seconded.......2001-05-08

See the review by Yi-peng of Singapore. No more need be said. Forget the others - just buy this one. The genuine D'Oyly Carte defining Pinafore. If only they had made a video while they were at it!

What joy to listen to........2000-11-07

This is a wonderful production of Pinafore. I still remember summer camp back in the late thirties - I was a skinny young girl and played one of the sailors. Even if I weren't familiar with Gilbert and Sullivan, I would highly recommend this Doylye Carte arrangement. It's major terrific. Sounds lots better than we did.

D'Oyly Carte at its peak!.......2000-07-08

This is the finest D'Oyly Carte recordings of G&S, and one of the finest PINAFORE recordings. The cast on this recording is the best overall captured on record, and it would be hard to imagine a better performance by specialists as this. John Reed is a truly aristocratic Sir Joseph Porter; he is dry enough to make the part his own. Jeffrey Skitch makes a firm, strong first-class Captain, and the two lovers, Thomas Round and Jean Hindmarsh, sing with romanticism. Gillian Knight makes an impressive D'Oyly Carte debut as Little Buttercup, and George Cook as the Boatswain is perfectly resonant. As for the minor cast, Donald Adams makes an extremely menacing Dick Deadeye. The first-class choral singing and orchestral playing underpin the whole piece, and the present digital remastering presents a version of the recording that never belies its age. A must for all Savoyards!

Average customer rating: full description missing Fine Excerpts At An Affordable Price Excerpts And Highlights From The Pirates Of Penzance Pirates Of Penzance Highlights At A Cheap Price !! A reasonably good abridgement to this ever-popular G&S opera

Gilbert & Sullivan: The Pirates Of Penzance Manufacturer: Decca ProductGroup: Music Binding: Audio CD All Works by Sullivan | Sullivan, Arthur | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Brannigan, Owen | ( B ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music CDs $7 - $10 | Operas | Opera & Vocal | Today's Deals in Music | Formats | Music All Bargain Titles | Operas | Opera & Vocal | Today's Deals in Music | Formats | Music The Decca Records Store | Specialty Stores | Music Similar Items: Sullivan: Mikado Gilbert and Sullivan: H.M.S. Pinafore Gilbert & Sullivan: HMS Pinafore Highlights Gilbert & Sullivan - The Pirates of Penzance / Kline, Ronstadt, Smith, Routledge, Delacorte Theater (Broadway Theatre Archive) Mozart: Requiem ASIN: B00000420J Release Date: 1993-05-11

Tracks:

1. Pirates Of Penzance: Overture
2. Pirates Of Penzance: Act. I - Pour, Oh Pour The Pirate Sherry
3. Pirates Of Penzance: Act. I - When Fred'ric Was A Little Lad
4. Pirates Of Penzance: Act. I - Oh, Better Far to Live and Die
5. Pirates Of Penzance: Act. I - Climbing Over Rocky Mountain
6. Pirates Of Penzance: Act. I - Oh, Is There Not One Maiden Breast
7. Pirates Of Penzance: Act. I - Oh, Sisters, Dear To Pity's Name, For Shame!
8. Pirates Of Penzance: Act. I - Poor Wand'ring One!
9. Pirates Of Penzance: Act. I - How Beautifully Blue The Sky
10. Pirates Of Penzance: Act. I - Stay, We Must Not Lose Our Senses
11. Pirates Of Penzance: Act. I - I Am The Very Model Of A Modern Major-General
12. Pirates Of Penzance: Act. II - Oh, Dry The Glist'ning Tear
13. Pirates Of Penzance: Act. II - Then Frederic .. When The Foeman Bares His Steel
14. Pirates Of Penzance: Act. II - Stay, Fred'ric, Stay!
15. Pirates Of Penzance: Act. II - When A Felon's Not Engaged In His Employment
16. Pirates Of Penzance: Act. II - With Cat-Like Tread
17. Pirates Of Penzance: Act. II - Hush! Hush! Not A Word
18. Pirates Of Penzance: Act. II - Sighing Softly To The River ... (Finale)

Customer Reviews:

full description missing.......2006-08-18

While the music that is on the CD is good, a several numbers are missing! It's not the full operetta

Fine Excerpts At An Affordable Price.......2004-02-07

Gilbert And Sullivan. Eternal names in the musical theatre scene. They were the 19th century British version of Rodgers and Hammerstein or Lerner and Loewe. And this was long before Broadway, when the Savoy was the vogue of musical comedy and the Savoyards were highly popular entertainers. William S. Gilbert provided the libretti and lyrics to the operettas, while Arthur Sullivan, who was a serious music composer in his own right, provided the music. The operettas or light operas they wrote were mostly up-beat social satires dressed up as comedy, very theatrical, historical, inventive, and very patriotic to Brittain. Their works borrowed the opera technique- choruses, arias, ensembles, but as far as plot and content their only serious work was The Yeomen Of The Guard. Other Gilbert And Sullivan hits include Trial By Jury, H.M.S. Pinafore, The Mikado, Princess Ida and The Gondoliers. Gilbert And Sullivan's manager/impresario was Richard D'Oyly Carte.

This recording is only highlights from a 1968 recording (also available on Amazon.com) with the D'Oyly Carte Opera, conductor Isidore Godfrey directs the Royal Philharmonic. In the role of Frederick, lyric tenor Phillip Potter, in the role of Mabel, soprano Valerie Masterson, John Reed as Major General Stanley, Donald Adams as The Pirate King,Owen Brannigan as the Sergeant Of Police, and mezzo soprano Christine Palmer as Nurse Ruth. These singers were at their vocal peaks, and they provide much comedic acting as well. Impressive scenes include the mezzo soprano vocals of Christine Palmer's Ruth as she describes how she mistook "Pilot" for "Pirate" when nursing Frederick (When Frederick Was A Little Lad"), Frederick's plea to the daughters of the Major General to accept him as husband (O Is There Not One Maiden Breast) Valerie Masterson, whose Mabel is the best, singing the coloratura showcase "Poor Wondering One" and her duet in "Stay Frederick Stay" John Reed singing "I Am The Very Model Of A Modern Major General" is hilarious and a display of virtuosity for this type of singing. The beautiful chorus "O Dry The Glistening Tear" the upbeat "With Cat Like Tread" and the finale are exceptional.

Excerpts And Highlights From The Pirates Of Penzance.......2004-02-04

This cd contains only highlights and excerpts from the 1968 recording by the D'Oyly Carte Opera Company. For a full recording, check it out on the Amazon.com catalog under Gilbert and Sullivan Pirates Of Penzance D'Oyl Carte Opera. This company was founded by the original impresario and manager of the Gilbert and Sullivan productions in the late 19th century, Richard D'Oyly Carte. Arthur Sullivan, who was a well-known composer, provided the music and William Gilbert wrote the libretti. Their partnership was a match made in heaven, as evident in the success of their many operettas, beginning with the smash hit "Trial By Jury" and even on to the more serious opera "The Yeomen Of The Guard". Nevertheless, Gilbert and Sullivan had different temperaments and did'nt always get along very well. They split up sometime in the 1890's. Other famous light operas of theirs include The H.M.S. Pinafore, The Mikado, Iolanthe, Princess Ida and The Gondoliers. Light opera or operetta was the vogue of the day, especially popular in the Savoy Theatre in London. Although it was not opera, it borrowed much of the opera techniques- namely arias and chorus. The entertainment of the Gilbert and Sullivan operettas were very much like Broadway musicals. In fact, one could make the argument that the Savoy was the Broadway long before American Broadway theatre and Gilbert and Sullivan were like an early British form of Rodgers and Hammersteins or Lerner and Loewe.

The Pirate Of Penzance is a beautiful work of art. The sugary and sentimental story is about the exoneration of pirates, who are noble men who have "gone astray" by such authorities as the Major General,his daughters and the Sergeant of Police. Through the course of the opera, Frederick, who was nursed by Ruth and reared by the Pirate King and his roguish band of pirates. When the daughters of Major General Stanley reject his proposals of love, only Mabel consents to love him. But there's a catch. Frederick is in the hands of the pirates until he comes of age but he was born on a leap year and not until 1940 will he be released. The ending is happy and finds the pirates forgivened by the authorities and Mabel and Frederick are happily married.

The singers really deliver a great performance. In the role of the Major General Stanley is John Reed, who by the time of this recording was a veteran singer in the company. He comes off as fatherly, authoritive but cheerful. An especially skilled type of singer is needed for the master song "I am the Very Model Of A Modern Major General". In contrast, a lyric tenderness is required in the final song "Sighing Softly To The River". As mentioned, a lot of this light opera shines with chorus. The excellent choruses include the opening chorus "Pour The Pirate Sherry", "Oh Dry The Glistening Tear"- this one in particular is set to beautiful music and the daughters of the Major General sound heavenly when they sing in chorus, expressive also in their chorus when Frederick sings "O, Is There Not One Maiden Breast ?". Frederick is sung by Phillip Potter, whose tenor voice is lyric and romantic, and it sounds gorgeous when in duet with Valerie Masterson's Mabel, as in the duet that follows "Stay Frederick Stay". Valerie Masterson was the principal soprano of the company and performed in various other lead roles such as Princess Yum-Yum in The Mikado. A well-schooled lyric and coloratura diva, Valerie Masterson extended her repertoire into Broadway and opera- she has sung Violetta Valery of Verdi's La Traviata (in both Italian and in English versions), Adele in Die Fledermaus and even a part in an English version of Wagner's Ring of the Nibelung. Valerie has recordings out in stock and available in Amazon.com.

Pirates Of Penzance Highlights At A Cheap Price !!.......2003-12-27

For a very reasonable, inexpensive price (around 8 dollars) this cd is a must have for those who have recently taken up an interest in Gilbert and Sullivan. Gilbert and Sullivan were a team of composer and librettist, both Englishmen, from the late 19th century who composed operettas written in the English language and in the spirit of popular folk song of the Victorian period (roughly 1870's, 1880's and 1890's ) The light operas were equally as light in plot and mood- they were cheery, uncomplicated stories, a lot of them set on a naval vessel out at sea. They poked fun at the Victorian way of life, in much the same vein that Offenbach satirized the French of his day during the Second Empire (1860's). Gilbert and Sullivan composed many operettas that still remain popular today, especially The Mikado, The H.M.S. Pinafore and in this case The Pirates Of Penzance. The D'Oyly Carte Opera Company specialized exclusively in the art of Gilbert and Sullivan and have long been regarded as the finest interpreters of the style. In the 50's and 60's they performed live and made a variety of recordings, employing the talents of many outstanding English singers- among them lyric soprano Valerie Masterson.

In The Pirates Of Penzance, Mabel and Frederick are temporarily seperated lovers when Frederick is accused of a crime he did not commit. The plot involves pirates, among them the bass-baritone Pirate King. Light-hearted, bouncy tunes abound in what is considered the direct ancestor to Broadway musicals. The Overture makes use of the chorus "With Cat Like Tread" a march-like, jovial piece of music. The Highlights on this cd include "Pour O Pour The Pirate Sherry", "When Frederick Was A Lad", " Poor Wondering One", "I Am The Very Model Of A Modern Major General" and the uplifting finale. Valerie Masterson plays the role of Mabel. Her voice is fresh, agile, lyric and she has excellent command of coloratura when warranted, as she sings in "Poor Wondering One". This 1968 recording is in its entirety on the same label with the same singers on a different cd recording.

A reasonably good abridgement to this ever-popular G&S opera.......2001-03-08

This budget-priced abridgement of D'Oyly Carte's incomporable 1968 PIRATES is a reasonably good way for beginners to get started on the opera itself. The D'Oyly Carte's performance is top-notch and beyond reproach and Isidore Godfrey elicits delicate playing from the Royal Philharmonic Orchestra. The 62-minute playing time gives exceptionl value for money, even though there are scenes I feel should hae been omitted such as Frederic's "Oh is there not one maiden breast" that hold up the action. It would have been ince to include the Act One finale because it reveals what is to come in the second act. To round off, some people think that this performance of PIRATES is far too operatic, but this is Sullivan's original arrangement and not others' work.

Average customer rating: A classic "Trout" (and a not so convincing clarinet quintet) Sadly, an old favorite dims Doesn't do anything for me GO FOR RICHTER WITH BORODIN QUARTET!!! The Mozart's great too

Schubert: Piano Quintet "Trout"; Mozart: Clarinet Quintet Manufacturer: Sony ProductGroup: Music Binding: Audio CD Quintets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music $6.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Mozart, Wolfgang Amadeus | ( M ) | Composers, A-Z | Classical Music Blowout | Stores | Music Schubert, Franz | ( S ) | Composers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Mozart: Piano Concertos Nos. 24 & 25 Haydn: The London Symphonies, Vol. 1 Tchaikovsky: Concerto No. 1/Rachmaninoff: Concerto No. 2 Bach - Mass in B minor / Argenta, Nichols, Chance, Stafford, Milner, W. Evans, Gardiner The Chopin Ballades & Scherzos [Hybrid SACD] ASIN: B00000275O Release Date: 1990-10-10

Tracks:

1. Quintet For Piano & Strings In A Major, Op. 114: I - Allegro Vivace
2. Quintet For Piano & Strings In A Major, Op. 114: II - Andante
3. Quintet For Piano & Strings In A Major, Op. 114: III - Scherzo: Presto; Trio
4. Quintet For Piano & Strings In A Major, Op. 114: IV - Tema : Andantino; Variazione
5. Quintet For Piano & Strings In A Major, Op. 114: V - Finale : Allegro giusto
6. Quintet For Clarinet & Strings In A Major: I - Allegro
7. Quintet For Clarinet & Strings In A Major: II - Larghetto
8. Quintet For Clarinet & Strings In A Major: III - Menuetto; Trio I; Trio II
9. Quintet For Clarinet & Strings In A Major: IV - Allegro con variazioni

Customer Reviews:

A classic "Trout" (and a not so convincing clarinet quintet).......2006-10-29

Rudolf Serkin's 1967 recording of Schubert's "Trout" quintet from Marlboro has enjoyed since it appeared the status of an all-time classic - and it is easy to understand why: it is a muscular and lively approach, rather broad in the opening allegro vivace, rather brisk in the ensuing "Andante", but always alive to the numerous accents written by Schubert and all the minute details of phrasing and articulation of the score. Serkin's dry tone, clarity of articulation, sparse pedalling and willingness to strike chords as whiplashes rather than as thunderclaps are true to score and particularly effective, and his partners are on the same wavelength. Jaime Laredo, Philip Naegele and Leslie Parnas' gorgeous violin, viola and cello tone produces a profound lyricism in the first movement's violin and cello exchange at 1:50 as well as in the viola and cello cantilena at 1:24 in the second movement. The scherzo (3rd movement) has plenty of bounce and the musicians maintain a commendable unity of tempo in the trio section, imparting it a merry atmosphere. The Finale is the crowning achievement of this recording, with its irresistible, forward-going boisterousness.

Only in the 4th movement, the famous theme and variations from which the quintet derives its name, do I find Serkin and partners' deliberate tempo questionable: it lends a somewhat plaintive, almost maudlin tone to the theme and first two variations - but it is true the accompanying cricket also enhances their pastoral nature! I find here Curzon's livelier, more carefree approach preferable and more suited to the spirit of the piece, in an otherwise not so excellent version. It is also amusing to note that in the recording made two years earlier for Vanguard by Rudolf's son Peter (then 18 years-old), the string band led by veteran Alexander Schneider from the Budapest Quartet (and other associate of the Marlboro festival) adopted the same tempo in their enunciation of the "Trout" theme (see my review). It must have run in the family. The next two variations display a Beethovenian power which, impressive as it is, may not be particularly suited to Schubert, but the lively and light-hearted coda felicitously rounds up the movement.

Despite these reservations this is, indeed, a classic for the ages. The Mozart clarinet quintet that shares the disc, recorded in 1968, is not on the same plane, unfortunately. Harold Wright's clarinet tone is undistinguished, 1st fiddler Alexander Schneider's instrument is given undue prominence by the recording process and has some sour passages in the Menuetto's first trio. In general the sound lacks brilliance and the string ensemble disagreeably sounds as four individuals rather than as an integrated whole. The opening Allegro is taken at a lazy tempo, and the finale with variations displays a kind of pedestrian bonhomie. The Larghetto, though, taken at an animated tempo true to Mozart's indication, is tender and finely nuanced.

Sadly, an old favorite dims.......2006-01-01

I'm doubly glad that Sony released an excellent "Trout" Quintet led by Emmanuel Ax and Yo-Yo Ma, because this old favorite has lost its luster. The performance from a live Marlboro Festival concert in 1967 is full of lovely things, particularly the limpid, alert pianism of Rudolf Serkin. But ensemble is fairly slapdash, the string players are often on their own, and the microphone catches Jaime Laredo's violin much too close--at times this sounds like a duet for violin and piano. The cricket who sings along with the Trout variations is charming. I'll have to keep that as a memory.

A year later the eminent clarinetist Harold Wright went into the studio with some Marlboro regulars to perform the Mozart Clarinet Quintet. Despite the far better sound and the excellent musicians involved, this is a dull, sometimes listless reading, totally lacking in verve and Mozartean charm. All in all, a miss.

Doesn't do anything for me.......2005-10-15

It's hard to explain why I didn't like this CD. Much of the first movement of the Trout sounded to me just like a bunch of notes not going anywhere, not really connected much with each other. The first movement of the quintet was better, but lifeless, mechanical to my ear.

I'm almost embarrassed I don't like this CD. I listened to the first movement of each piece, and that's all I could take. I'm not an expert, but I do listen to a lot of classical music, and I do like Schubert and Mozart. Many performances of classical music I find quite moving. These two didn't move me at all.

GO FOR RICHTER WITH BORODIN QUARTET!!!.......2005-08-01

The Trout here is quite pedestrian.The music does not flow together in a seamless manner and the individuals seem to be waiting for one another in some places and worse still seem to be on their own in a few other places!Individually they may be top musicians but together they just do not deliver.My Top choice for the Trout is the the one by RICHTER AND THE BORODIN QUARTET on the EMI RED LINE Label which unfortunately is absent in this site (or even Elsewhere!).This TROUT seems to be a born SWIMMER!Marvellous playing by the great SVIATOSLAV Richter and the Borodins!Right from the opening bar one is simply hooked by the great drama-Tender Melancholy one moment,Joyous Elan and springy rhythm to go along.This Trout swims adroitly!Three minutes into the Fourth Movement is a most Magical moment.The Piano goes absolutely Berserk as if THERE IS SOMETHING VERY URGENT and some CATCHING UP TO DO!The Strings join in the melee!
Breathtaking!There is no doubt that Richter was always a Tremendous Schubert Player and it shows here!The Borodins are a very accomplished group and together they fashion a marvellous Trout.I also recommend the DVORAK Quintet by the same unbeatable combination.Another marvel of a performance.
Just to cap it all,imagine my surprise when a Local Music Shop in Chennai,India suddenly featured this CD TROUT CD for a mere 7 Dollars!I gleefully grabbed it!I Strongly recommend that you search for this rare Treasure and make it your own.I wish Amazon takes note and offers it on their site.This CD also features a great WANDERER FANTASY by RICHTER>

The Mozart's great too.......2004-02-08

The Schubert is a terrific blend of energy and intellect. But this version of the Mozart Clarinet Quintet has a timeless quality and poignancy. This is due to Mr. Wright's exceptional yet understated expressiveness and the amazing ensemble of the quartet. Highly recommended.

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