| 1. Lightning is My Girl |
| 2. Followed the Waves |
| 3. Real a Lie |
| 4. Head Unbound |
| 5. Taste You |
| 6. Beast of Honor |
| 7. I'll Be Anything You Want |
| 8. My Foggy Notion |
| 9. Would If I Could |
| 10. Overpower Thee |
| 11. Skin Receiver |
| 12. I Need I Want I Will |
Editorial Reviews
Amazon.com
Melissa Auf der Maur has the best rolodex in rock: She played bass for both Hole and the Smashing Pumpkins; went to school with Rufus Wainwright; and purportedly counts Foo Fighters' Dave Grohl, Queens of the Stone Age's Josh Homme and Andrew W.K. among her romantic conquests. Her own record better be good. While Auf Der Maur's self-titled debut doesn't sound anything like either her friends or former employers, it's clear she's picked up a few tricks. Standout tracks "Followed the Waves" and "Real a Lie" storm out of the speakers with shameless arena rock bluster and volcanic urgency. Her lyrics stink (think witches and black light unicorn posters) but she compensates with the sort of million-decibel pterodactyl shriek that makes it hard to notice. And when she tries her hand at a bit of '80s-inspired noise pop with "Would If I Could" the results near My Bloody Valentine envelope pushing brilliance. She was obviously born to do this. --Aidin Vaziri
On Billy:
I'll say that there are chords that only Billy Corgan knows how to play. The ethereal beauty of his wild soloing has always struck me, and he is, I think, a pureblood wild child of guitar, divinely blessed, at times revolutionary. And insurrection is what Billy demands with song titles like the ball-fisted "United States" and the faithfully inspired "Bring the Light." But what's posing as aggression on Zeitgeist is merely an over-admission of free-flying distortion. The more effective rock n' roll snarling of the Pumpkin's debut Gish comes with fast, muted machinegun strumming and tripped-out solos around brazen sonic changes. And on Siamese Dream, Billy's guitar crunches and grinds with a more focused, upfront attack. On Zeitgeist, there is a welcomed return to inspired soloing, but these segments are often stunted by generally restrictive structures, and distortion disseminates and thins out like feathers being sucked into a fan on the ceiling of a barren warehouse. All being said, the brief, searing solo of "Bring the Light" is one of the greatest, artful and perfect moments to have ever occurred in rock. In regards to Billy's vocals, I've thought it was a mistake, since Mellon Collie, not to adorn his voice with phasers, ala Siamese Dream days, to give depth and a cosmic layer to his undeniably trebly tenor. The Queen-esque multiple layering of Billy's vocals on Zeitgeist is interesting, but overall his voice comes off weak, and overbearingly dry and thin.
On Jimmy:
While his signature style continues to relay off an explosive, papery snare drum, celestially sparkling crashes, sizzling chinas and a fast, airy ride cymbal, Jimmy's just no longer an innovative drummer, and really hasn't been since Machina. It's the same formula, over and over, song after song. He submits compulsively to whipping the hi-hat to add a jazzy punch and hardly ever varies from his four-four clicking of the hats in keeping time; the hats are hardly used at all except for riding, snapping and as a clapping metronome. Furthermore, he never rides his hats with moderation, only using them for rattling or tight-clamped tapping. On the same note, Jimmy's violent, marching pounding of crashes on "Starz" is emotional and bold and has an imminent effect, but there are segments throughout the album of Billy's driving, cutting strumming that could have possibly been more powerfully layered with a sharp, aggressive and perpetual waving of cymbals (such as on "That's the Way (My Love Is)), instead of his typically frequent, focused attacking. Jimmy's tribal skills and athletic endurance on "United States" is reverential, but overall the song itself doesn't afford him the opportunity to really jump off into the stratosphere in the way "Silverf*ck" allowed.
In the end, I would never trade my ongoing love affairs with Gish, Siamese Dream, Pisces Iscariot and Mellon Collie for all the riches in the world, but the days of the Pumpkins are long gone.
According to amazon this album is now .99 cents used, you have no reason not to check it out.
A very cool album with lots of great guest musicians. I'll rate it 5 stars because the best songs elevate the rating and it's that worthy of purchase.
Breakdown! - my impressions:
"Lightning Is My Girl" - an electrifying opener. Despite some limitations, Melissa is a confident singer, using occasional cracks in her voice to her advantage -I dig her voice! Jeordie White (A Perfect Circle, also formerly Twiggy Ramirez of Marilyn Manson) plays guitar on this one. Auf der Maur plays both bass and guitar as she does on most of these tracks. ****1/2
"Followed The Waves" - a thick, dark, heavy atmosphere pervades on this one, probably the best track. "He's just a drunk and gambling man . . . I'm gonna shuffle his deck clean" - Josh Homme of Queens of the Stone Age plays guitar on this track as well as a number of others. He co-writes some songs too. *****
"Real A Lie" - another cool rocker. ****
"Head Unbound" - a less heavy rocker, and Melissa adds some keyboard. James Iha (Smashing Pumpkins) guests, employing an ebow on his guitar (check Wikipedia if you want to learn more about this device). Good song. ****
"Taste You" - "Head Unbound" segues immediately into "Taste You," a sexy rocker. It's a good song, but I think it could've used a bit more uummmph to push it over the edge. Mark Lanegan adds some trademark deadpan background vocals. ****
"Beast Of Honor" - More heavy rock with a distinct Gothic feel to it. Opens with the line "I'm a taste test / At the beast fest / Got your crest on my breast" which sounds really cool in my book. Has some great rhythmic changes. ****1/2
"I'll Be Anything You Want" - this one's kinda quirky - charming and cute in places, although the chorus kicks it in harder. It's not really my thing, and I can see how some people might call the lyrics lame on this one, but maybe they're missing the point. Just a question of taste, really. ***
"My Foggy Notion" - not the most instantly likable song here, but it's very good and it grew on me. Great sinister vibe and weird guitar effects in there. ****
"Would If I Could" - the sound of dripping water is heard at the beginning which sets the tempo. A softer song that's closer to dream-pop than hard rock - but it does rock, especially at the chorus with its tricky rhythm. I didn't like it at first because its such a down shift from the heavy songs, but now I love it. ****1/2
"Overpower Thee" - a spare piano ballad with an evil message - "I could easily overpower you." ****1/2
"Skin Receiver" - opening with the baying of a horse, this track cops the galloping chug of Heart's "Barracuda," but it's much more than that - cool changes, lots of trippy guitar. More familiar musicians on board for this one including James Iha again on guitar. ****1/2
"I Need I Want I Will" - very cool and very heavy song, steady and commanding. Josh Homme co-writes with Auf der Maur and his influence is palpable. Possibly the best song. *****
bonus track - I believe this extra track, which is "Taste You" with Melissa singing in French, is actually available on all versions of the album, so you should get it even if you go with the cheapest price available. Her accent isn't bad, actually (I once lived in France for a year so I have some idea about that) - this version is way cool!
What's bad: Her lyrics are not horrible, but far below expectations... after hearing Courtney Love, whose lyrics are pure poetry, Auf Der Maur's are a bit embarrassing. I wish they weren't because they distract from the otherwise great songwriting.
And I hate to continuously compare her to Courtney, but while Melissa's voice is clearer and naturally more in tune than Courtney's, it is less provacative and interesting.
Such that Courtney's first solo effort did not show her talent, I believe that Auf Der Maur can make a much better record than this. I think that when you think about the album, Courtney just spit out America's Sweetheart, not trying hard enough, and Melissa Auf Der Maur tried too hard. It's like she thought so much about making her lyrics enchanting that they make her record seem really juvenile. However, I do not consider her to be a mediocre artist, and I am looking forward to the next album.
This is not a bad cd by any means, however because I knew of her impressive history I expected a bit more. Her potential really shines in Followed the Waves. I encourage you to get this CD if you love music enough to accept the problems I have listed above to hear the good stuff as well.
No wonder.
She has a solid "rock" talent. Very Straight Forward Rocking sound.
A very cool album with lots of great guest musicians. I'll rate it 5 stars because the best songs elevate the rating and it's that worthy of purchase.
Breakdown! - my impressions:
"Lightning Is My Girl" - an electrifying opener. Despite some limitations, Melissa is a confident singer, using occasional cracks in her voice to her advantage -I dig her voice! Jeordie White (A Perfect Circle, also formerly Twiggy Ramirez of Marilyn Manson) plays guitar on this one. Auf der Maur plays both bass and guitar as she does on most of these tracks. ****1/2
"Followed The Waves" - a thick, dark, heavy atmosphere pervades on this one, probably the best track. "He's just a drunk and gambling man . . . I'm gonna shuffle his deck clean" - Josh Homme of Queens of the Stone Age plays guitar on this track as well as a number of others. He co-writes some songs too. *****
"Real A Lie" - another cool rocker. ****
"Head Unbound" - a less heavy rocker, and Melissa adds some keyboard. James Iha (Smashing Pumpkins) guests, employing an ebow on his guitar (check Wikipedia if you want to learn more about this device). Good song. ****
"Taste You" - "Head Unbound" segues immediately into "Taste You," a sexy rocker. It's a good song, but I think it could've used a bit more uummmph to push it over the edge. Mark Lanegan adds some trademark deadpan background vocals. ****
"Beast Of Honor" - More heavy rock with a distinct Gothic feel to it. Opens with the line "I'm a taste test / At the beast fest / Got your crest on my breast" which sounds really cool in my book. Has some great rhythmic changes. ****1/2
"I'll Be Anything You Want" - this one's kinda quirky - charming and cute in places, although the chorus kicks it in harder. It's not really my thing, and I can see how some people might call the lyrics lame on this one, but maybe they're missing the point. Just a question of taste, really. ***
"My Foggy Notion" - not the most instantly likable song here, but it's very good and it grew on me. Great sinister vibe and weird guitar effects in there. ****
"Would If I Could" - the sound of dripping water is heard at the beginning which sets the tempo. A softer song that's closer to dream-pop than hard rock - but it does rock, especially at the chorus with its tricky rhythm. I didn't like it at first because its such a down shift from the heavy songs, but now I love it. ****1/2
"Overpower Thee" - a spare piano ballad with an evil message - "I could easily overpower you." ****1/2
"Skin Receiver" - opening with the baying of a horse, this track cops the galloping chug of Heart's "Barracuda," but it's much more than that - cool changes, lots of trippy guitar. More familiar musicians on board for this one including James Iha again on guitar. ****1/2
"I Need I Want I Will" - very cool and very heavy song, steady and commanding. Josh Homme co-writes with Auf der Maur and his influence is palpable. Possibly the best song. *****
bonus track - I believe this extra track, which is "Taste You" with Melissa singing in French, is actually available on all versions of the album, so you should get it even if you go with the cheapest price available. Her accent isn't bad, actually (I once lived in France for a year so I have some idea about that) - this version is way cool!
i suggest you buy bthis album is your sick of all muchmusic rock.
It opens with a bang in the swoopy, searing, catchy "Lightning is My Girl," which adds a rather confusing spoken interlude before the sweeping buildup of "Followed the Waves." From there on, she gets into the cycling hard rocker "Real A Lie," the softer "Taste You," the bass-heaving roaring "Beast of Honor," and the playful rocker "I'll Be Anything You Want." It rounds off with the sprawling "I Need I Want I Will," which starts on an ominous gothic note, before falling into silence, and blossoming again.
Listening to this album, it's not hard to see why Melissa Auf Der Maur was in the Smashing Pumpkins -- she has the heavy, roaring complexity that many other rockers could benefit from. There's an air of confidence around "Auf De Maur," which seems to come from Auf Der Maur's extensive experience, and her undeniable talent as a bassist and singer.
Auf Der Maur has a solid voice that rises above her music. Don't expect her to do any vocal gymnastics, but her vocals are assured and confident, as if she's fully in tune with her music. Her songwriting needs lots of work ("Take one look at your cook/Feed yourself, I'm on a hook"), but it has some raw promise ("I'll see you in my dreams/Electrified and cherry red") and very evocative imagery.
She was also the bassist in both the Smashing Pumpkins and Hole, so needless to say she plays a mean bass on her own album -- complex, dark, heavy, and sinuously flexible. Her old bandmate James Iha and Queens of the Stone Age's Josh Homme offer their own talents, with Homme cowriting and playing solid guitar, and Iha offering his talents to the solid "Head Unbound."
Melissa Auf Der Maur's debut shows the polish of many years in other people's bands, but she's strong on her own two feet, in her own unique sound. An imperfect but solid debut, and one that promises good things yet to come.
I bought it after hearing "Followed the Waves".
It opens with a bang in the swoopy, searing, catchy "Lightning is My Girl," which adds a rather confusing spoken interlude before the sweeping buildup of "Followed the Waves." From there on, she gets into the cycling hard rocker "Real A Lie," the softer "Taste You," the bass-heaving roaring "Beast of Honor," and the playful rocker "I'll Be Anything You Want." It rounds off with the sprawling "I Need I Want I Will," which starts on an ominous gothic note, before falling into silence, and blossoming again.
Listening to this album, it's not hard to see why Melissa Auf Der Maur was in the Smashing Pumpkins -- she has the heavy, roaring complexity that many other rockers could benefit from. There's an air of confidence around "Auf De Maur," which seems to come from Auf Der Maur's extensive experience, and her undeniable talent as a bassist and singer.
Auf Der Maur has a solid voice that rises above her music. Don't expect her to do any vocal gymnastics, but her vocals are assured and confident, as if she's fully in tune with her music. Her songwriting needs lots of work ("Take one look at your cook/Feed yourself, I'm on a hook"), but it has some raw promise ("I'll see you in my dreams/Electrified and cherry red") and very evocative imagery.
She was also the bassist in both the Smashing Pumpkins and Hole, so needless to say she plays a mean bass on her own album -- complex, dark, heavy, and sinuously flexible. Her old bandmate James Iha and Queens of the Stone Age's Josh Homme offer their own talents, with Homme cowriting and playing solid guitar, and Iha offering his talents to the solid "Head Unbound."
Melissa Auf Der Maur's debut shows the polish of many years in other people's bands, but she's strong on her own two feet, in her own unique sound. An imperfect but solid debut, and one that promises good things yet to come.
If you own the "Followed The Waves" and "Real A Lie" singles, you will not be disappointed with this one. If you don't own those 2, buy them NOW in addition to this one. Melissa Auf der Maur is one of those rare artists whose singles are just as good as the full-lenght album.
Melissa Auf der Maur has the best rolodex in rock: She played bass for both Hole and the Smashing Pumpkins; went to school with Rufus Wainwright; and purportedly counts Foo Fighters' Dave Grohl, Queens of the Stone Age's Josh Homme and Andrew W.K. among her romantic conquests. Her own record better be good. While Auf Der Maur's self-titled debut doesn't sound anything like either her friends or former employers, it's clear she's picked up a few tricks. Standout tracks "Followed the Waves" and "Real a Lie" storm out of the speakers with shameless arena rock bluster and volcanic urgency. Her lyrics stink (think witches and black light unicorn posters) but she compensates with the sort of million-decibel pterodactyl shriek that makes it hard to notice. And when she tries her hand at a bit of '80s-inspired noise pop with "Would If I Could" the results near My Bloody Valentine envelope pushing brilliance. She was obviously born to do this. --Aidin Vaziri
Auf Der Maur,Auf Der Maur,Capitol,Pop,Rock,Rock/Pop
Auf Der Maur
Average customer rating: 
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Zeitgeist (Limited Edition Purple Cover + 1 Bonus Track)
Manufacturer: Martha's Music ProductGroup: Music Binding: Audio CD  General
| Alternative Rock
| Styles
| Music
Similar Items:
ASIN: B000TG55J6 |
Product Description
Exclusive Edition includes Bonus Track "Zeitgeist and Limited Purple Cover. (1) Doomsday Clock, (2) 7 Shades of Black, (3) Bleeding the Orchid (4) That¹s the Way My Love Is, (5) Tarantula, (6) Starz, (7) United States, (8) Neverlost, (9) Bring The Light, (10) Come on Let¹s Go, (11) For God and Country, (12) Pomp And Circumstances BONUS TRACK: (13) Zeitgeist (13) Pomp and CircumstancesCustomer Reviews:
It's over........2007-07-25
On Billy:
I'll say that there are chords that only Billy Corgan knows how to play. The ethereal beauty of his wild soloing has always struck me, and he is, I think, a pureblood wild child of guitar, divinely blessed, at times revolutionary. And insurrection is what Billy demands with song titles like the ball-fisted "United States" and the faithfully inspired "Bring the Light." But what's posing as aggression on Zeitgeist is merely an over-admission of free-flying distortion. The more effective rock n' roll snarling of the Pumpkin's debut Gish comes with fast, muted machinegun strumming and tripped-out solos around brazen sonic changes. And on Siamese Dream, Billy's guitar crunches and grinds with a more focused, upfront attack. On Zeitgeist, there is a welcomed return to inspired soloing, but these segments are often stunted by generally restrictive structures, and distortion disseminates and thins out like feathers being sucked into a fan on the ceiling of a barren warehouse. All being said, the brief, searing solo of "Bring the Light" is one of the greatest, artful and perfect moments to have ever occurred in rock. In regards to Billy's vocals, I've thought it was a mistake, since Mellon Collie, not to adorn his voice with phasers, ala Siamese Dream days, to give depth and a cosmic layer to his undeniably trebly tenor. The Queen-esque multiple layering of Billy's vocals on Zeitgeist is interesting, but overall his voice comes off weak, and overbearingly dry and thin.
On Jimmy:
While his signature style continues to relay off an explosive, papery snare drum, celestially sparkling crashes, sizzling chinas and a fast, airy ride cymbal, Jimmy's just no longer an innovative drummer, and really hasn't been since Machina. It's the same formula, over and over, song after song. He submits compulsively to whipping the hi-hat to add a jazzy punch and hardly ever varies from his four-four clicking of the hats in keeping time; the hats are hardly used at all except for riding, snapping and as a clapping metronome. Furthermore, he never rides his hats with moderation, only using them for rattling or tight-clamped tapping. On the same note, Jimmy's violent, marching pounding of crashes on "Starz" is emotional and bold and has an imminent effect, but there are segments throughout the album of Billy's driving, cutting strumming that could have possibly been more powerfully layered with a sharp, aggressive and perpetual waving of cymbals (such as on "That's the Way (My Love Is)), instead of his typically frequent, focused attacking. Jimmy's tribal skills and athletic endurance on "United States" is reverential, but overall the song itself doesn't afford him the opportunity to really jump off into the stratosphere in the way "Silverf*ck" allowed.
In the end, I would never trade my ongoing love affairs with Gish, Siamese Dream, Pisces Iscariot and Mellon Collie for all the riches in the world, but the days of the Pumpkins are long gone.
Average customer rating: 
|
Auf der Maur
Auf der Maur Manufacturer: Capitol ProductGroup: Music Binding: Audio CD General
| Alternative Rock
| Styles
| Music
General
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Similar Items:
ASIN: B00022XOB8 Release Date: 2004-06-01 |
Tracks:
- Lightning is My Girl
- Followed the Waves
- Real a Lie
- Head Unbound
- Taste You
- Beast of Honor
- I'll Be Anything You Want
- My Foggy Notion
- Would If I Could
- Overpower Thee
- Skin Receiver
- I Need I Want I Will
Amazon.com
Melissa Auf der Maur has the best rolodex in rock: She played bass for both Hole and the Smashing Pumpkins; went to school with Rufus Wainwright; and purportedly counts Foo Fighters' Dave Grohl, Queens of the Stone Age's Josh Homme and Andrew W.K. among her romantic conquests. Her own record better be good. While Auf Der Maur's self-titled debut doesn't sound anything like either her friends or former employers, it's clear she's picked up a few tricks. Standout tracks "Followed the Waves" and "Real a Lie" storm out of the speakers with shameless arena rock bluster and volcanic urgency. Her lyrics stink (think witches and black light unicorn posters) but she compensates with the sort of million-decibel pterodactyl shriek that makes it hard to notice. And when she tries her hand at a bit of '80s-inspired noise pop with "Would If I Could" the results near My Bloody Valentine envelope pushing brilliance. She was obviously born to do this. --Aidin VaziriCustomer Reviews:
Man, this is bad..........2006-12-01
Damn cool.......2006-11-27
According to amazon this album is now .99 cents used, you have no reason not to check it out.
Killer, Sexy Rock with a Dark, Gothic Tinge (+ a defense of the lyrics).......2006-08-05
A very cool album with lots of great guest musicians. I'll rate it 5 stars because the best songs elevate the rating and it's that worthy of purchase.
Breakdown! - my impressions:
"Lightning Is My Girl" - an electrifying opener. Despite some limitations, Melissa is a confident singer, using occasional cracks in her voice to her advantage -I dig her voice! Jeordie White (A Perfect Circle, also formerly Twiggy Ramirez of Marilyn Manson) plays guitar on this one. Auf der Maur plays both bass and guitar as she does on most of these tracks. ****1/2
"Followed The Waves" - a thick, dark, heavy atmosphere pervades on this one, probably the best track. "He's just a drunk and gambling man . . . I'm gonna shuffle his deck clean" - Josh Homme of Queens of the Stone Age plays guitar on this track as well as a number of others. He co-writes some songs too. *****
"Real A Lie" - another cool rocker. ****
"Head Unbound" - a less heavy rocker, and Melissa adds some keyboard. James Iha (Smashing Pumpkins) guests, employing an ebow on his guitar (check Wikipedia if you want to learn more about this device). Good song. ****
"Taste You" - "Head Unbound" segues immediately into "Taste You," a sexy rocker. It's a good song, but I think it could've used a bit more uummmph to push it over the edge. Mark Lanegan adds some trademark deadpan background vocals. ****
"Beast Of Honor" - More heavy rock with a distinct Gothic feel to it. Opens with the line "I'm a taste test / At the beast fest / Got your crest on my breast" which sounds really cool in my book. Has some great rhythmic changes. ****1/2
"I'll Be Anything You Want" - this one's kinda quirky - charming and cute in places, although the chorus kicks it in harder. It's not really my thing, and I can see how some people might call the lyrics lame on this one, but maybe they're missing the point. Just a question of taste, really. ***
"My Foggy Notion" - not the most instantly likable song here, but it's very good and it grew on me. Great sinister vibe and weird guitar effects in there. ****
"Would If I Could" - the sound of dripping water is heard at the beginning which sets the tempo. A softer song that's closer to dream-pop than hard rock - but it does rock, especially at the chorus with its tricky rhythm. I didn't like it at first because its such a down shift from the heavy songs, but now I love it. ****1/2
"Overpower Thee" - a spare piano ballad with an evil message - "I could easily overpower you." ****1/2
"Skin Receiver" - opening with the baying of a horse, this track cops the galloping chug of Heart's "Barracuda," but it's much more than that - cool changes, lots of trippy guitar. More familiar musicians on board for this one including James Iha again on guitar. ****1/2
"I Need I Want I Will" - very cool and very heavy song, steady and commanding. Josh Homme co-writes with Auf der Maur and his influence is palpable. Possibly the best song. *****
bonus track - I believe this extra track, which is "Taste You" with Melissa singing in French, is actually available on all versions of the album, so you should get it even if you go with the cheapest price available. Her accent isn't bad, actually (I once lived in France for a year so I have some idea about that) - this version is way cool!
Stands out for certain good and bad reasons..........2006-06-17
What's bad: Her lyrics are not horrible, but far below expectations... after hearing Courtney Love, whose lyrics are pure poetry, Auf Der Maur's are a bit embarrassing. I wish they weren't because they distract from the otherwise great songwriting.
And I hate to continuously compare her to Courtney, but while Melissa's voice is clearer and naturally more in tune than Courtney's, it is less provacative and interesting.
Such that Courtney's first solo effort did not show her talent, I believe that Auf Der Maur can make a much better record than this. I think that when you think about the album, Courtney just spit out America's Sweetheart, not trying hard enough, and Melissa Auf Der Maur tried too hard. It's like she thought so much about making her lyrics enchanting that they make her record seem really juvenile. However, I do not consider her to be a mediocre artist, and I am looking forward to the next album.
This is not a bad cd by any means, however because I knew of her impressive history I expected a bit more. Her potential really shines in Followed the Waves. I encourage you to get this CD if you love music enough to accept the problems I have listed above to hear the good stuff as well.
Good Job!.......2006-04-25
No wonder.
She has a solid "rock" talent. Very Straight Forward Rocking sound.
Average customer rating:
|
Auf der Maur
Auf der Maur Manufacturer: EMI ProductGroup: Music Binding: Audio CD General
| Alternative Rock
| Styles
| Music
General
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Rock
| Imports
| Stores
| Music
ASIN: B00018889G Release Date: 2004-02-17 |
Tracks:
- Lightning Is My Girl
- Followed the Waves
- Real a Lie
- Head Unbound
- Taste You
- Beast of Honor
- I'll Be Anything You Want
- My Foggy Notion
- Would If I Could
- Overpower Thee
- Skin Receiver
- I Need I Want I Will
Album Description
French edition of the ex-Hole/Smashing Pumpkins bassist's 2004 solo album debut features 12 tracks including 1 track sung in French, 'Taste You'. The album was produced by the Queens of the Stone Age producer, Chris Goss & features collaborations with Josh Homme (QOTSA), Brandt Bjork (Kyuss), James Iha (Smashing Pumpkins), & Eric Erlandson (Hole). Copy Controlled. Labels/Capitol.Album Details
The French Edition of the Former Hole Drummer's Solo Debut Album Includes a Bonus Track Sung in French. Produced by Chris Goss (Kyuss, Masters of Reality).Customer Reviews:
Exhilarating, Sexy Rock with a Dark, Gothic Tinge.......2006-08-05
A very cool album with lots of great guest musicians. I'll rate it 5 stars because the best songs elevate the rating and it's that worthy of purchase.
Breakdown! - my impressions:
"Lightning Is My Girl" - an electrifying opener. Despite some limitations, Melissa is a confident singer, using occasional cracks in her voice to her advantage -I dig her voice! Jeordie White (A Perfect Circle, also formerly Twiggy Ramirez of Marilyn Manson) plays guitar on this one. Auf der Maur plays both bass and guitar as she does on most of these tracks. ****1/2
"Followed The Waves" - a thick, dark, heavy atmosphere pervades on this one, probably the best track. "He's just a drunk and gambling man . . . I'm gonna shuffle his deck clean" - Josh Homme of Queens of the Stone Age plays guitar on this track as well as a number of others. He co-writes some songs too. *****
"Real A Lie" - another cool rocker. ****
"Head Unbound" - a less heavy rocker, and Melissa adds some keyboard. James Iha (Smashing Pumpkins) guests, employing an ebow on his guitar (check Wikipedia if you want to learn more about this device). Good song. ****
"Taste You" - "Head Unbound" segues immediately into "Taste You," a sexy rocker. It's a good song, but I think it could've used a bit more uummmph to push it over the edge. Mark Lanegan adds some trademark deadpan background vocals. ****
"Beast Of Honor" - More heavy rock with a distinct Gothic feel to it. Opens with the line "I'm a taste test / At the beast fest / Got your crest on my breast" which sounds really cool in my book. Has some great rhythmic changes. ****1/2
"I'll Be Anything You Want" - this one's kinda quirky - charming and cute in places, although the chorus kicks it in harder. It's not really my thing, and I can see how some people might call the lyrics lame on this one, but maybe they're missing the point. Just a question of taste, really. ***
"My Foggy Notion" - not the most instantly likable song here, but it's very good and it grew on me. Great sinister vibe and weird guitar effects in there. ****
"Would If I Could" - the sound of dripping water is heard at the beginning which sets the tempo. A softer song that's closer to dream-pop than hard rock - but it does rock, especially at the chorus with its tricky rhythm. I didn't like it at first because its such a down shift from the heavy songs, but now I love it. ****1/2
"Overpower Thee" - a spare piano ballad with an evil message - "I could easily overpower you." ****1/2
"Skin Receiver" - opening with the baying of a horse, this track cops the galloping chug of Heart's "Barracuda," but it's much more than that - cool changes, lots of trippy guitar. More familiar musicians on board for this one including James Iha again on guitar. ****1/2
"I Need I Want I Will" - very cool and very heavy song, steady and commanding. Josh Homme co-writes with Auf der Maur and his influence is palpable. Possibly the best song. *****
bonus track - I believe this extra track, which is "Taste You" with Melissa singing in French, is actually available on all versions of the album, so you should get it even if you go with the cheapest price available. Her accent isn't bad, actually (I once lived in France for a year so I have some idea about that) - this version is way cool!
i cant believe theirs only 2 reviews........2005-09-05
i suggest you buy bthis album is your sick of all muchmusic rock.
Lightning is my girl.......2004-09-07
It opens with a bang in the swoopy, searing, catchy "Lightning is My Girl," which adds a rather confusing spoken interlude before the sweeping buildup of "Followed the Waves." From there on, she gets into the cycling hard rocker "Real A Lie," the softer "Taste You," the bass-heaving roaring "Beast of Honor," and the playful rocker "I'll Be Anything You Want." It rounds off with the sprawling "I Need I Want I Will," which starts on an ominous gothic note, before falling into silence, and blossoming again.
Listening to this album, it's not hard to see why Melissa Auf Der Maur was in the Smashing Pumpkins -- she has the heavy, roaring complexity that many other rockers could benefit from. There's an air of confidence around "Auf De Maur," which seems to come from Auf Der Maur's extensive experience, and her undeniable talent as a bassist and singer.
Auf Der Maur has a solid voice that rises above her music. Don't expect her to do any vocal gymnastics, but her vocals are assured and confident, as if she's fully in tune with her music. Her songwriting needs lots of work ("Take one look at your cook/Feed yourself, I'm on a hook"), but it has some raw promise ("I'll see you in my dreams/Electrified and cherry red") and very evocative imagery.
She was also the bassist in both the Smashing Pumpkins and Hole, so needless to say she plays a mean bass on her own album -- complex, dark, heavy, and sinuously flexible. Her old bandmate James Iha and Queens of the Stone Age's Josh Homme offer their own talents, with Homme cowriting and playing solid guitar, and Iha offering his talents to the solid "Head Unbound."
Melissa Auf Der Maur's debut shows the polish of many years in other people's bands, but she's strong on her own two feet, in her own unique sound. An imperfect but solid debut, and one that promises good things yet to come.
MadM The Rock Goddess.......2004-05-14
Auf Der Maur is outstanding!.......2004-04-29
I bought it after hearing "Followed the Waves".
Followed the Waves is in my opinion the most "rocking" song on the CD. The other songs are more melodic and a definate must hear!!!
Keep it the music coming !!!
Average customer rating: 
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Auf der Maur
Auf der Maur Manufacturer: EMI Int'l ProductGroup: Music Binding: Audio CD General
| Alternative Rock
| Styles
| Music
General
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Rock
| Imports
| Stores
| Music
ASIN: B000174LWK Release Date: 2006-05-15 |
Tracks:
- Lightning Is My Girl
- Followed the Waves
- Real a Lie
- Head Unbound
- Taste You
- Beast of Honor
- I'll Be Anything You Want
- My Foggy Notion
- Would If I Could
- Overpower Thee
- Skin Receiver
- I Need I Want I Will
Album Description
International edition of the ex-Hole/Smashing Pumpkins bassist's 2004 solo album debut. The album was produced by Chris Goss (Queens of the Stone Age), and features 12 tracks including collaborations with Josh Homme (QOTSA), Brandt Bjork (Kyuss) along with James Iha formerly of the Smashing Pumpkins, and Eric Erlandson formerly of Hole. Copy Controlled. EMI. 2004.Album Details
The Debut Album of the Group that Takes It's Name from Former Hole/Smashing Pumpkins Bass Player Melissa Auf Der Maur, their Frontperson. Co-produced by Melissa Auf Der Maur and Chris Goss, the Album features Guest Musicians Atom Willard (Rocket from the Crypt), Brandt Bjork (Kyuss, Fu Manchu), Chris Goss (Masters of Reality), Eric Erlandson (Hole), James Iha (Smashing Pumpkins, a Perfect Circle), John Stanier (Helmet), Jordan Zadorozny (Bodega), Josh Homme (Queens of the Stone Age), Kelli Scott (Failure), Mark Lanegan (Screaming Trees, Qotsa), Nick Oliveri (Qotsa), Paz Lenchantin (A Perfect Circle, Zwan), Steve Durand (Tinker) and Twiggy Ramirez (A Perfect Circle, Marilyn Manson).Customer Reviews:
Lightning is my girl.......2004-12-08
It opens with a bang in the swoopy, searing, catchy "Lightning is My Girl," which adds a rather confusing spoken interlude before the sweeping buildup of "Followed the Waves." From there on, she gets into the cycling hard rocker "Real A Lie," the softer "Taste You," the bass-heaving roaring "Beast of Honor," and the playful rocker "I'll Be Anything You Want." It rounds off with the sprawling "I Need I Want I Will," which starts on an ominous gothic note, before falling into silence, and blossoming again.
Listening to this album, it's not hard to see why Melissa Auf Der Maur was in the Smashing Pumpkins -- she has the heavy, roaring complexity that many other rockers could benefit from. There's an air of confidence around "Auf De Maur," which seems to come from Auf Der Maur's extensive experience, and her undeniable talent as a bassist and singer.
Auf Der Maur has a solid voice that rises above her music. Don't expect her to do any vocal gymnastics, but her vocals are assured and confident, as if she's fully in tune with her music. Her songwriting needs lots of work ("Take one look at your cook/Feed yourself, I'm on a hook"), but it has some raw promise ("I'll see you in my dreams/Electrified and cherry red") and very evocative imagery.
She was also the bassist in both the Smashing Pumpkins and Hole, so needless to say she plays a mean bass on her own album -- complex, dark, heavy, and sinuously flexible. Her old bandmate James Iha and Queens of the Stone Age's Josh Homme offer their own talents, with Homme cowriting and playing solid guitar, and Iha offering his talents to the solid "Head Unbound."
Melissa Auf Der Maur's debut shows the polish of many years in other people's bands, but she's strong on her own two feet, in her own unique sound. An imperfect but solid debut, and one that promises good things yet to come.
Refreshing.......2004-08-01
Superbly Forging Her Own Path to Stardom.......2004-06-14
In my opinion, there really isn't a dud on this whole album. The tracks run the gamut from radio friendly pop/rock "Would if I Could", "Taste You" to driving rock "Real A Lie", to the best alt-rock I've ever come across "Followed the Waves", "Head Unbound", "Lightning is My Girl", "Beast of Honor", "Skin Receiver". I'll admit that lyrically, I don't often get what she's saying, but the words SOUND really cool in her delivery and the obvious feeling she puts behind her lyrics.
Sonically, the album can be best described as BIG. Big sound, big rock, big fun. This CD carves its own niche, and when you listen to it, it's almost as if you're listening not so much to a bunch of songs as you are listening to an event. And that event you're hearing is the sound of Melissa Auf der Maur sneaking up on the music landscape and placing herself squarely ahead of others like Courtney Love who can only boast popularity through means other than her music.
Melissa wrote almost all the songs on the album and called up her good friends in bands like Queens of the Stone Age, Kyuss, Tinker and Hole to help her out in the studio and add their bit of musicianship. It's nice to have so many friends willing to help out someone who's obviously very well-respected in her own right.
Not only should Auf der Maur be listened to for the driving, bombastic, ethereal piece of artistic rock that it is, but we should all support an artist who made this album by paying for it with her own money even before having a label to distribute it. Now THAT's someone who's in rock music for the right reasons, and obviously someone who is going to give her all to put out a great album. You haven't heard rock quite like this in a long time. You can hear Melissa's heart and soul in every track. Trust all these great reviews you're seeing here, you won't be disappointed!
Forging Her Own Path to Stardom.......2004-06-13
In my opinion, there really isn't a dud on this whole album. The tracks run the gamut from radio friendly pop/rock "Would if I Could", "Taste You" to driving rock "Real A Lie", to the best alt-rock I've ever come across "Followed the Waves", "Head Unbound", "Lightning is My Girl", "Beast of Honor", "Skin Receiver". I'll admit that lyrically, I don't often get what she's saying, but it SOUNDS really cool, if that makes any sense? Skin Reciever is a good example of this - you'll see what I mean when you buy this excellent CD!
Melissa wrote almost all the songs on the album and called up her good friends in bands like Queens of the Stone Age, Kyuss, Tinker and Hole to help her out in the studio and add their bit of musicianship. It's nice to have so many friends willing to help out someone who's obviously very well-respected in her own right.
Not only should Auf der Maur be listened to for the driving, bombastic, ethereal piece of artistic rock that it is, but we should all support an artist who made this album by paying for it with her own money even before having a label to distribute it. Now THAT's someone who's in rock music for the right reasons, and obviously someone who is going to give her all to put out a great album. You haven't heard rock quite like this in a long time. You can hear Melissa's heart and soul in every track. Trust all these great reviews you're seeing here, you won't be disappointed!
Auf Der Maur worth waiting.......2004-06-11
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Followed the Waves
Auf der Maur Manufacturer: EMI ProductGroup: Music Binding: Audio CD General
| Alternative Rock
| Styles
| Music
General
| Rock
| Styles
| Music
Pop Rock
| CD Singles
| Pop
| Styles
| Music
ASIN: B0001F6KKS Release Date: 2004-02-16 |
Tracks:
- Followed the Waves
- Good News [#]
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Live in Los Angeles
Hand of Doom Manufacturer: Idaho Music ProductGroup: Music Binding: Audio CD General
| Rock
| Styles
| Music
General
| Live Albums
| Rock
| Styles
| Music
General
| Hard Rock & Metal
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Metal
| Hard Rock & Metal
| Rock
| Indie Music
| Stores
| Music
Similar Items:
ASIN: B00006FSUI Release Date: 2002-09-03 |
Album Description
Perhaps the most high-powered tribute band in the history of rock, Hand of Doom is the supergroup side project of Melissa Auf Der Maur (Auf De Maur, Hole, Smashing Pumpkins). Formed in homage to the mighty Black Sabbath, Hand of Doom (which features Auf Der Maur doing her first real turn on lead vocals) recorded their debut live on LA's Sunset Strip during now-legendary shows at the Whisky, Troubadour and Spaceland.Hand of Doom gives their own high-energy spin to such Sabbath milestones as "Paranoid" and "War Pigs," while adding contemporary touches like turntables, a DJ and - in the role of Ronnie James Dio - guest lead vocals by Nick Oliveri of Queens of the Stone Age!
Customer Reviews:
Just another sabbath tribute in my book, I just don't think its that spectacular.......2006-10-20
Melissa ROCKS!!! Does Ozzy better than Ozzy!!!.......2004-11-08
Good performances, but too much of a carbon copy........2004-05-01
So what's the problem? Like so many others (even the ever-inventive Faith No More) who have covered Black Sabbath songs, Hand of Doom has stayed entirely too true to the original arrangements and sounds. Black Sabbath is the kind of band that holds a mystical power over its acolytes and it's not surprising that musicians who love the band have a preconceived notion of how these songs should sound. But the tracks on Hand of Doom, though I enjoyed them, sound so close to the originals that I wondered why I didn't just put on the original band. Auf der Maur's female vocals make them minutely different, but I definitely wish Hand of Doom would have been more inventive and done different things with these iconic songs.
And another thing: Do we need to hear yet more renditions of "War Pigs", "Iron Man" and "Paranoid", three of the most legendary (and therefore most tired) songs in the metal canon? The track selection on this EP shows a lack of adventurousness, something Black Sabbath never lost sight of. I would have loved to hear less obvious cover choices such as "Megalomania", "Killing Yourself to Live", "Am I Going Insane (Radio)", "Supernaut", "Zero the Hero", "Trashed", "The Wizard", and "Cornucopia". Instead, we get the three staples from the Paranoid album, songs I wouldn't mind never hearing covered ever again.
Hand of Doom is not bad as music; it's just at a loss for something to say. Hearing a completely faithful cover band may be enjoyable as a live experience, but a record demands more. Why perform and record songs in exactly the same way as they've been done, and done quite well, 30 years ago? I'd definitely recommend Melissa Auf der Maur's idiosyncratic solo record in lieu of Hand of Doom.
Melissa Auf der Maur Rules!.......2004-02-17
Awesome.......2002-09-29
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Taste You
Auf Der Maur ProductGroup: Music Binding: Audio CD ASIN: B000QCDNQ0 |
Product Description
3 song single cd, holland import (1) Taste You (2) Sergant Politness (3) You Could Ice Skate to This
Average customer rating:
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Taste You
Auf der Maur Manufacturer: EMI Int'l ProductGroup: Music Binding: Audio CD General
| Alternative Rock
| Styles
| Music
Canada
| North America
| International
| Styles
| Music
General
| Rock
| Styles
| Music
Pop Rock
| CD Singles
| Pop
| Styles
| Music
Rock
| Imports
| Stores
| Music
ASIN: B0002Y2FDO Release Date: 2004-12-28 |
Tracks:
- Taste You
- Sergeant Politeness
Album Description
Taken from the 2004 album 'Auf Der Maur'. The title track is b/w two non-LP tracks, 'Sergeant Politeness' (Live) & 'You Could Ice Skate To This'. EMI UK.Album Details
The Third Single from the Critically Acclaimed, Self Titled Debut Album. Another Classic Slice of Darkly Melodic Rock with Exclusive Bonus Tracks.Customer Reviews:
Yet another excellent single from Melissa.......2004-12-10
If you own the "Followed The Waves" and "Real A Lie" singles, you will not be disappointed with this one. If you don't own those 2, buy them NOW in addition to this one. Melissa Auf der Maur is one of those rare artists whose singles are just as good as the full-lenght album.
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Average customer rating:
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That's Why
Charles Law & Jagged Manufacturer: AFIRM Records ProductGroup: Music Binding: Audio CD Pop Rock
| Pop
| Styles
| Music
General
| Dance Pop
| Dance & DJ
| Styles
| Music
ASIN: B000CADSI4 Release Date: 2002-08-27 |
Tracks:
- That's Why
- Sharing & Giving
- Forgotten Days
- Fall on Me
- Gone
- Let's Roll
- Comes to a Close
Average customer rating:
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THMR 0408 ROCK Karaoke CDG AUGUST 2004 Multiplex CD
Incubus,New Found Glory,Story Of The Year,Tantric,Auf Der Maur,The Von Bondies,Thornley, Velvet Revolver Manufacturer: Panorama Top Hits Monthly ProductGroup: Music Binding: Audio CD Karaoke
| Miscellaneous
| Styles
| Music
ASIN: B000N83KKG |
Product Description
This listing is for a brand new THMR-0408 (August 2004) Karaoke CD&G CD from the High Quality TOP HITS MONTHLY ROCK collection. This factory manufactured CD plays the music without the lead vocals and displays the lyrics on a Karaoke CD&G player. There are 2 versions of the songs on these CD's. The first 9 tracks are the regular karaoke versions with the lead vocals removed. The next 9 tracks have guide vocals included so you can practice the songs before you try them in public. These songs are not preformed by the original artists but are VERY GOOD re-creations. The songs included are as follows:THMR - 0408
01- Slither- Velvet Revolver- 10
02- Talk Show On Mute- Incubus- 11
03- All Downhill From Here- New Found Glory- 12
04- Take Me Out- Franz Ferdinand- 13
05- Anthem Of Our Dying Day- Story Of The Year- 14
06- The Chain- Tantric- 15
07- Followed The Waves- Auf Der Maur- 16
08- C'mon C'mon- The Von Bondies- 17
09- So Far So Good- Thornley- 18
Rap Music:
- Australia: Our Land, Our Music [Import]
- Believo
- Black Is the Color of My True Love's Hair [EP]
- Bliss
- Blood on the Wall [Enhanced]
- Boogie Brothers [Import]
- Breakdown: Limited Edition [Enhanced] [Extra tracks]
- Camel [Original recording remastered] [Import]
- Camembert Electrique [Import]
- Carousel Waltz
Recommended Music:
Les Plus Grandes Toccatas V.100 [Import]
Musical Genius & Sex Symbol [Import]