Bring on the Night [Enhanced] [Live]

Bring on the Night [Enhanced] [Live]

Editorial Reviews

Amazon.com essential recording
When Sting embarked on his solo career, he didn't throw his tenure with the Police out the window; on this live double album from his Dream of the Blue Turtles tour, he reworks some odd selections from his old band's catalog in the expansive, jazz-inflected style of his new crew (which included saxophonist Branford Marsalis). These performances emphasize showmanship (solos, backup singers, and all) and they've got lots of crowd-pleasing moments, like the overwhelming swell of "I Burn for You" and a Caribbean clap-along on a medley of "One World" and "Love Is the Seventh Wave." But Sting's raw-steak voice has been affected by his band, too, and his phrasing on the quieter torch songs draws cleverly on jazz traditions. --Douglas Wolk

Bring on the Night,Sting,A&M,Album Rock,College Rock,Pop,Pop/Rock,Rock,Rock/Pop


Bring on the Night [Enhanced] [Live]

Bring on the Night
Average customer rating: 5 out of 5 stars
  • Bring on the night
  • If I could rate it 6 stars....
  • Sting - BRING ON THE NIGHT (1986)
  • Having listened to this for 20 Years...
  • ...now that I have found you.......
Bring on the Night
Sting
Manufacturer: A&M
ProductGroup: Music
Binding: Audio CD

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  1. Nothing Like the Sun
  2. The Dream of the Blue Turtles
  3. ...All This Time
  4. The Soul Cages
  5. Mercury Falling

ASIN: B0007X6ST2
Release Date: 2005-03-29

Tracks:

  1. Bring On The Night / When The World Is Running Down You Make The Best Of What's Still Around
  2. Consider Me Gone
  3. Low Life
  4. We Work The Black Seam
  5. Driven To Tears
  6. The Dream Of The Blue Turtles / Demolition Man

Tracks:

  1. One World (Not Three) / Love Is The Seventh Wave
  2. Moon Over Bourbon Street
  3. I Burn For You
  4. Another Day
  5. Children's Crusade
  6. I Been Down So Long
  7. Tea In The Sahara

Amazon.com essential recording

When Sting embarked on his solo career, he didn't throw his tenure with the Police out the window; on this live double album from his Dream of the Blue Turtles tour, he reworks some odd selections from his old band's catalog in the expansive, jazz-inflected style of his new crew (which included saxophonist Branford Marsalis). These performances emphasize showmanship (solos, backup singers, and all) and they've got lots of crowd-pleasing moments, like the overwhelming swell of "I Burn for You" and a Caribbean clap-along on a medley of "One World" and "Love Is the Seventh Wave." But Sting's raw-steak voice has been affected by his band, too, and his phrasing on the quieter torch songs draws cleverly on jazz traditions. --Douglas Wolk

Customer Reviews:

5 out of 5 stars Bring on the night.......2007-06-06

There's nothing cooler than finding out about one of your favourite artists' taste for music, right? I remember when I first heard John Mayer and saw that he sang something like "it's a bitter sweet feeling hearing 'Wrapped around your finger' on the radio..." It was really good to know that John Mayer probably likes The Police like I do.

But what about when things are not that clear to notice? Well, for me, there's no better way to see that another favourite artist of mine, Dave Matthews Band, has actually found a source of inspiration in this albun, BRING ON THE NIGHT.

If you listen to any DMB live recordings, you'll see that the kind of music they play is almost like when Sting dropped out The Police and lauched this first live albun. Everything is similar: the saxophone, a great piano player, spetacular drummer, three females backing vocals, etc... And all of that so very jazzy, with a little bit of groove, but pure intense music.

5 out of 5 stars If I could rate it 6 stars...........2007-02-09

I love everything Sting does and this is no exception. Gorgeous live sound and word pictures. Perfect with a glass of wine in the evening while making dinner.

5 out of 5 stars Sting - BRING ON THE NIGHT (1986).......2006-08-07

The success of Sting's first solo tour inspired him to turn it into a now-classic documentary, as well as an outstanding live album, both titled BRING ON THE NIGHT. The album finds Sting and his Blue Turtles Band at their most jazzy, melding Sting's then-few solo compositions with jazzed-up remakes of Police tunes. Though Sting is great, it's the Blue Turtles Band that steals the show, particularly Branford Marsalis, whose saxophone has a voice all of its own. The songs are delightful, particularly "We Work The Black Seam", "The Dream Of The Blue Turtles/Demolition Man", "I Burn For You", "Another Day", and the cover of "I've Been Down So Long". Some of the live songs are actually superior to their studio originals, namely "Moon Over Bourbon Street". BRING ON THE NIGHT is not just an extraodinary live album - it's one of the best ever recorded.

5 out of 5 stars Having listened to this for 20 Years..........2006-02-24

I have loved this recording ever since it came out as an import in 1986, and it was a great soundtrack to that summer. What you get in the remastered version is a louder mix, and a better booklet with more details. The BIGGEST difference is that 'I burn for you' no longer has a quiet slow fade in and I feel the recording as a whole is longer by 2-3 minutes especially noticeable at the beginning and end of each song. Still a great listen after all these years.

5 out of 5 stars ...now that I have found you..............2006-02-12

"And your love flows through me..." Sting was on CBS's 60 Minutes program, Sunday. This double CD really does hold up, after all this time.
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Mahler Symphonies: An Owner's Manual (includes 1 CD)
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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
A Festival Of Carols / Robert Shaw Chorale
Average customer rating: 5 out of 5 stars
  • Traditional Christmas Music
  • The quintessential Christmas recording
  • A Top List Christmas CD
  • The best
  • How do you describe perfection?
A Festival Of Carols / Robert Shaw Chorale
Robert Shaw Chorale
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Songs of Angels - Christmas Hymns and Carols
  2. The Many Moods of Christmas (1963 RCA Victor Version) Robert Shaw Chorale and Orchestra
  3. Joy to the World - Eugene Ormandy, Philadelphia Orchestra
  4. A Festival of Carols in Brass
  5. A Robert Shaw Christmas - Angels on High

ASIN: B000003EPA
Release Date: 1990-10-25

Tracks:

  1. Medley: Good Christian Men - Rejoice - Silent Night - Patapan - O Come - All Ye Faithful
  2. It Came Upon The Midnight Clear
  3. O Come, O Come, Emmanuel
  4. Shepherd's Carol
  5. Go, Tell It On The Mountain
  6. Medley: O Sanctissima - Joy To The World - Away In A Manger - Fum, Fum, Fum - March Of The Kings
  7. I Wonder As I Wander
  8. We Three Kings
  9. My Dancing Day
  10. Medley: What Child Is This? - Hark! The Herald Angels Sing - Bring A Torch - Jeanette - Isabella - Angels We Have Heard On High
  11. Coventry Carol
  12. God Rest You Merry, Gentlemen
  13. Lo, How A Rose E'er Blooming
  14. Carol Of The Bells
  15. Medley: Break Forth - O Beauteous Heavenly Light - The First Nowell - O Little Town Of Bethlehem - I Saw Three Ships - Deck The Halls With Boughs Of Holly

Customer Reviews:

5 out of 5 stars Traditional Christmas Music .......2007-01-24

If you love traditional Christmas music, done in traditional style (i.e., no rock or jazz influence), this CD is for you. The Robert Shaw Chorale, the "gold standard" of quality choral music, sings much loved carols, with some lesser-known pieces as well. Some are a cappella; some include a full orchestral accompaniment. My favorites on this CD are "We Three Kings," "Bring a Torch, Jeannette Isabella," and "I Saw Three Ships."

5 out of 5 stars The quintessential Christmas recording.......2005-12-09

This recording seems to elicit universal and heartfelt praise. Who am I to dispute that? The performance is terrific, just as described by the other Amazon reviewers, no doubt about it.

However, I do have one bone to pick with this recording. There just isn't enough of it. With material as good as this, that is a real loss!

5 out of 5 stars A Top List Christmas CD.......2004-12-28

I bought this cd long ago, and have enjoyed it immensely each year. It is the perfect blend of celebration and meditation. Orchestra and choir combine in four distinct groupings, and a capella arrangements complete the masterful collection. The orchestral arrangements will make the hairs on your neck stand up, and your stomach quiver with all the excitement you ever felt as a child at Christmas. Adeste Fidelis is performed as few other ensembles have ever come close. The a capella arrangements will all, without exception, be on your yearly list of must-hear holiday arrangements. Truly a top list Christmas CD, essential for every family who celebrates this feast.

5 out of 5 stars The best.......2004-01-02

I own approximately 35 Christmas choral CDs - including choirs and groups such as the Cambridge Singers and the King Singers. I also own two Christmas albums with Robert Shaw and the Atlantic symphony. This performance with the Robert Shaw Chorale is old but it is still my favorite. The arrangements are magnificent, the sound is brilliant, and the choir and orchestra are precise with wonderful volume control. Buy and enjoy!

5 out of 5 stars How do you describe perfection?.......2003-12-14

This is my favorite Christmas CD. Nothing comes close. I thoroughly enjoyed learning much of the music in high school choir over 30 years ago. The music has never left me. The four medleys are the arrangements of Robert Russell Bennett titled "The Many Moods of Christmas". The arrangements seem to have a freshness about them even after listening numerous times.

Interspersed with the medleys are a cappella carols.

All of this music is wonderfully performed by the Robert Shaw Chorale, the a cappella selections recorded in 1957 and the medleys in 1963.

Four decades have proven that this is the standard in choral music. The clarity of text, the richness of tone, the beauty of harmony combine to present the message of Christmas in the manner that only music can do.

These words are no surprise to those familiar with choral music in the United States. If you are not so familiar, but would like to enjoy Christmas music at its most beautiful, you can do no better than acquiring this CD.
Cambridge Singers Christmas Album
Average customer rating: 5 out of 5 stars
  • Almost angelic
  • Great choir, but mostly recycled material
  • Glittering Chrismas Music
  • The Spirit of Christmas On CD
  • Superb voices!
Cambridge Singers Christmas Album

Manufacturer: Collegium
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. The John Rutter Christmas Album
  2. Christmas Star
  3. Christmas Night: Carols of the Nativity
  4. The Holly and the Ivy: Carols from Clare College
  5. John Rutter Collection

ASIN: B0000DJEOL
Release Date: 2003-10-07

Tracks:

  1. The holly and the ivy (arr. H. Walford Davies)*
  2. Blessed be that maid Mary (arr. David Willcocks)
  3. Somerset Wassail (arr. John Rutter)
  4. Shepherds, in the fields abiding (French, arr. Willcocks)*
  5. The Infant King (Basque, arr. Willcocks)
  6. What is this lovely fragrance? (French, arr. Healey Willan)
  7. Gabriel's message (Basque, arr. Willcocks)*
  8. Still, still, still (German, arr. Rutter)
  9. Quittez, pasteurs (French, arr. Rutter)
  10. Un flambeau, Jeannette, Isabelle (French, arr. Rutter)
  11. Personent hodie (German, arr. Rutter)
  12. The shepherds' farewell (Hector Berlioz)
  13. O holy night (Adolphe Adam)
  14. O magnum mysterium (T. L. de Victoria)
  15. Hodie Christus natus est (J. P. Sweelinck)
  16. For unto us a child is born (G. F. Handel)
  17. In dulci jubilo (Samuel Scheidt)
  18. Lully, lulla, thou little tiny child (Kenneth Leighton)*
  19. A New Year Carol (Benjamin Britten)
  20. Balulalow (Peter Warlock)
  21. I saw a fair maiden (Peter Warlock)
  22. The Lamb (John Tavener)
  23. Fantasia on Christmas Carols (Ralph Vaughan Williams)

Album Description

Christmas Never Sounded So Good!

For more than a decade, John Rutter and the Cambridge Singers have shared the Joy of Christmas with the world. The ethereal sound of perfectly blended voices, singing the most beautiful seasonal music ever composed never fails to touch the heart or lift the spirit. This year, John Rutter and the Cambridge Singers have assembled a NEW collection - compiled from the archives, including FOUR NEVER BEFORE RELEASED TRACKS! This is a holiday feast you will NOT want to miss!

Customer Reviews:

5 out of 5 stars Almost angelic.......2007-01-18

Choral music by the Cambridge Singers is always top-notch. An older album that might have sounded better with newer technology but no complaints. Has great vocals and orchestral support.

4 out of 5 stars Great choir, but mostly recycled material.......2005-12-16

I have the utmost respect for John Rutter and his Cambridge Singers, probably the best choir in the world (at least, the English-speaking world). I have almost all their CDs. Two of their Christmas CDs are "desert-island" class for this listener.

Unfortunately, I cannot give this otherwise excellent CD the same high marks. If they wanted to release a "best of Cambridge Christmas" CD, this would not be it. It does a few of the absolute best Christmas selections, including Sweelinck's "Hodie", Willcocks's breathtaking arrangement of "The Infant King", and Rutter's own quirky reading of "Personent Hodie". And it does contain a few tracks not previously released.

However, if you want the best of Cambridge and Christmas, start with "Christmas Night", which is always the first CD I pull out the day after Thanksgiving. The sound of the famliar Persall setting of "In Dulci Jubilo" sets my holiday in motion. And that CD also has Rutter's own magical "There is a flower". After that CD, get "Christmas with the Cambridge Singers", which has "The Infant King" and some other treasures.

So, you can't really go wrong with this CD, especially if you just want an introduction to how this fine ensemble addresses the most choir-friendly holiday of all. But if you're serious about getting all the good stuff, start with the other two mentioned above, then add "Christmas Day in the Morning" and the early "Christmas Star".

5 out of 5 stars Glittering Chrismas Music.......2005-11-15

I own virtually all of the CD's of John Rutter (whom I greatly admire) and the Cambridge Singers, and I am a fan of English Choral music in general. If I were asked to recommend only one of the many Cambridge Singers Christmas albums, or indeed one of any English Christmas album, a hard choice, this would be it. As others have noted, this CD is a compilation of songs from previous cds with four new releases. It is, I believe, longer playing than the other Cambridge albums. In style, it is a mostly quiet sounding collection--in fact several carols are sung a cappella-- with pieces ranging from carols such as "The Holly and the Ivy" to the more robust "Fantasia on Christmas Carols". In sum, this is a sensitively arranged and performed collection of beautiful Christmas music.

5 out of 5 stars The Spirit of Christmas On CD.......2005-06-02

I have never been disappointed by any Cambridge Singers release, so it isnt surprising that I thoroughly enjoyed this offering as well. This CD is a compilation of songs from previous cds with one or two new tracks, so check your library to make sure you arent duplicating your collection in the order to complete your collection. I purchased this disk to obtain a copy of the Fantasia On Christmas Carols by Ralph Vaughn Williams which was originally released on Christmas Day In The Morning. As usual, every song is performed in a precise yet heartfelt manner. If you dont own any cds by the Cambridge singers I would personally recommend Christmas Night as the first disk to own, but if you know and love the Cambridge Singers as I do, then you will enjoy having this wonderful addition to your library.

5 out of 5 stars Superb voices!.......2003-12-22

This CD was beautifully sung by the Cambridge Singers, a boys/mens choir, mostly a' capela. It's the first Christmas CD I've bought that really tempts me to crank up the volume so I can revel in every note.
A Festival of Carols in Brass
Average customer rating: 5 out of 5 stars
  • Nice music but...
  • Great CD
  • A Noble and Festive Christmas
  • Meat and Potatoes
  • Totally Awesome
A Festival of Carols in Brass

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. A Christmas Festival
  2. Joy to the World - Eugene Ormandy, Philadelphia Orchestra
  3. A Festival Of Carols / Robert Shaw Chorale
  4. Songs of Angels - Christmas Hymns and Carols
  5. O Come All Ye Faithful: Christmas Carols at King's College, Cambridge

ASIN: B0000024Q6
Release Date: 1991-07-16

Tracks:

  1. Deck The Halls With Broughs Of Holly
  2. Lo, How A Rose E're Blooming
  3. Bring A Torch, Jeanette, Isabella
  4. The First Nowell
  5. Angels We Have Hard On High
  6. We Three Kings Of Oreint Are
  7. O Come, All Ye Faithful
  8. O Sanctissima
  9. O Tannenbaum
  10. O Come, O Come, Emmanuel
  11. Good King Weceslas
  12. Silent Night, Holy Night
  13. Joy To the World
  14. The Twelve Days Of Christmas
  15. Conventry Carol
  16. God Rest Ye Merry, Gentlemen
  17. Hark! The Herald Angels Sing
  18. It Came Upon A Midnight Clear
  19. Good Christian Men Rejoice
  20. O Holy Night
  21. What Child Is This?
  22. Wassial Song
  23. O Little Town Of Bethlehem
  24. Away In A Manger
  25. We Wish You A Merry Christmas

Customer Reviews:

4 out of 5 stars Nice music but..........2007-03-08

I liked the music and the performances a lot, but there is no booklet to depict the performers, nor analyse the music or the arrangements, which are superb

5 out of 5 stars Great CD.......2007-02-16

This is a great holiday CD. We used it for several holiday dinners this year.

5 out of 5 stars A Noble and Festive Christmas.......2007-01-21

This is the best Christmas album you could ever get. It is the most stable as you do not have to think about it. This is the album you really sing along to. Brass makes everything festive, grand and noble; so will your Christmas! A gem for every year!

5 out of 5 stars Meat and Potatoes.......2007-01-18

Since the release of this fine recording in 1967 there have been many fine
brass groups:The Canadian Brass, the Empire Brass, just to name a few.
Whereas these latter groups have all resorted to "gimmicks" such as unique arrangements to sell their albums this group of brass players from the Philadelphia Orchestra give us an album of good old "meat and potatoes" playing spiced with fine tone,good ensemble playing, and good tempos.

5 out of 5 stars Totally Awesome.......2007-01-12

I love listening to this cd at christmas. The brass is so crisp, almost like being right there. You have to add this to your holiday collection, and for those of you who like brass, you will love it. I play the french horn and I esp. love hearing the french horn in it.
The Little Drummer Boy
Average customer rating: 4.5 out of 5 stars
  • The Little Drummer Boy
  • Little Drummer Boy
  • Good but not great
  • Still looking for my favorite album
  • Mom's Recording: The Little Drummer Boy.
The Little Drummer Boy

Manufacturer: Island / Mercury
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. A Festival Of Carols / Robert Shaw Chorale
  2. Now Is the Caroling Season
  3. The Many Moods of Christmas (1963 RCA Victor Version) Robert Shaw Chorale and Orchestra
  4. Joy to the World - Eugene Ormandy, Philadelphia Orchestra
  5. The Little Drummer Boy

ASIN: B000001F93
Release Date: 1990-10-25

Tracks:

  1. Medley: Sing We Now Of Christmas/Angels We Have Heard On High/Away In A Manger/What Child Is This...
  2. Go Tell It On A Mountain
  3. Medley: It Came Upon A Midnight Clear/Good King Wenceslas/We Three Kings/Villancio/Hark...
  4. Medley: Bring A Torch, Isabella/Lo, How A Rose E'er Blooming
  5. Medley: Deck The Halls/Christian Men Rejoice/Master's In The Hall/O Tannenbaum
  6. O Holy Night
  7. The Little Drummer Boy
  8. Medley: Conventry Carol/Rise Up Shepherds/God Rest Ye Merry Gentlemen/O' Little Town Of Bethlehem...
  9. Medley: Ding Dong/While Shepherds Watched Their Flocks By Night/The First Noel/The Friendly Beasts
  10. Medley: Silent Night/Adeste Fidelis/A Christmas Greeting

Customer Reviews:

3 out of 5 stars The Little Drummer Boy.......2007-01-19

I was trying to purchase the original Harry Simeone Chorale's Drummer Boy and received this. It was okay, a mixture of songs, but I treasure the original one. Very short album, but price was good, so I was not disappointed.

4 out of 5 stars Little Drummer Boy.......2007-01-10

Listened to the album every Christmas growing up. Recording is the same. Very good Christmas music with terrific attention to Christmas story.

3 out of 5 stars Good but not great.......2007-01-10

I too was hoping this was going to be the gorgeous rendition of the music I grew up with. It wasn't, but it did help cheer up the holidays this year anyway.

5 out of 5 stars Still looking for my favorite album.......2006-12-31

I have this cd and I love it because I love choral singing at Christmas but I am still looking for the first Harry Simeone Chorale album I ever bought. It is also titled " The Little Drummer Boy" , was released in 1981 by Holiday Records, a product of Phoenix Entertainment and Talent, distributed by Audiofidelity Enterprises, Inc. Why do I eagerly search the Christmas cd releases every year? I'm looking for 'A Simple Prayer', the absolute best version of the Prayer of St. Francis I have ever heard. (actually the only commercial version I have ever heard, although I get to sing a different song based on the same prayer at my church every once in a while). The man who sings the actual prayer on my album has a wonderful voice that makes me shiver every time I hear the song. I know it's not a 'Christmas ' song but I keep hoping it will show up one of these days. In the meantime, I keep and play my lp every year. Jo Haase

5 out of 5 stars Mom's Recording: The Little Drummer Boy........2006-11-09

This record was done by my Mother, Frances Wyatt, and a group of her musical buddies from the old "Voice of Firestone" days. She is the one singing the soprano solo's on the album and can be heard above the others in the choral works. Mom was one of the lyric sopranos soloists on the "Voice of Firestone" ABC-TV program who became easily recognized here on the streets of NYC in the late 1950's and early 1960's. She also toured with Fred Warings Pennsylvanians extensively. Pretty cool!

I am proud that so many people have enjoyed this album over the years!

We, her family and children, grew up listening to this album along with her many Fred Waring recordings.

This one simple album, through years of continued sales, rocketed off the charts eclipsing all sales of LP's by The Beatles, The Rolling Stones, and every Pop musical group from L.A. to London. It made it into the Guinness Book of World Records! : A distinction it held for over 20 years!

When The Guiness people called us at home, we of course though it was some kind of prank. It wasn't.

I hope you truly enjoy this album and pass it on to your kids.

My mother died October 30, 2006. I will never forget her voice.

John Wyatt
Bring on the Night
Average customer rating: 4.5 out of 5 stars
  • The straight dope on this album
  • Bring it on!!!
  • Big Fan
  • Simply incredible sounding jazz/pop live album
  • Crowd-pleasing double live disk
Bring on the Night
Sting
Manufacturer: A&M
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. The Dream of the Blue Turtles
  2. ...All This Time
  3. The Soul Cages
  4. Mercury Falling
  5. Ten Summoner's Tales

ASIN: B000002GLE
Release Date: 1990-10-25

Tracks:

  1. Bring On The Night/When The World Is Running ....
  2. Consider Me Gone
  3. Low Life
  4. We Work The Black Seam
  5. Driven To Tears
  6. The Dream Of The Blue Turtles/Demolition Man

Tracks:

  1. One World (Not Three)/Love Is The Seventh Wave
  2. Moon Over Bourbon Street
  3. I Burn For You
  4. Another Day
  5. Children's Crusade
  6. Down So Long
  7. Tea In The Sahara

Amazon.com essential recording

When Sting embarked on his solo career, he didn't throw his tenure with the Police out the window; on this live double album from his Dream of the Blue Turtles tour, he reworks some odd selections from his old band's catalog in the expansive, jazz-inflected style of his new crew (which included saxophonist Branford Marsalis). These performances emphasize showmanship (solos, backup singers, and all) and they've got lots of crowd-pleasing moments, like the overwhelming swell of "I Burn for You" and a Caribbean clap-along on a medley of "One World" and "Love Is the Seventh Wave." But Sting's raw-steak voice has been affected by his band, too, and his phrasing on the quieter torch songs draws cleverly on jazz traditions. --Douglas Wolk

Customer Reviews:

5 out of 5 stars The straight dope on this album.......2004-12-18

Okay, so admittedly, this is a reactionary review because I've seen too many people give misleading and superficial representations of this album (kind of annoying, no?). Onto the review...

It's a great live double-disc set and it is heavily influenced by Sting's band comprised of jazz musicians. But, only one song could be considered jazz (Dream of the Blue Turtles) and that's the one without much of a solo section (very un-jazz-like). This lineup is one of the best I've ever come across in pop music. The keyboard solos on some of these songs are so smokin' I shake my head and laugh sometimes when I'm listening to it.

Another quick thing to clear up. On this album and on Dream of The Blue Turtles, Sting gives up the bass (replaced by Darryl Jones) and plays guitar. He's actually a pretty good rhythm guitar player.

So is it good? Absolutely. And you get to hear quite a few of Sting's solo songs as well as some Police material. It's a great album with lots of color and excitement. You can even appreciate Branford Marsalis doing a mid-80's rap over one of the choruses. It's kind of cheezy now, but given the time period, it was fresh and fun.

So, as a recommendation, let me say that I taped a copy of this CD way back when I didn't have a CD player in my car and would just let it repeat itself over and over in my car wherever I went. I think you'll really dig this album.

5 out of 5 stars Bring it on!!!.......2004-12-16

A great live-release, the sound is great, the songs are great, the performing is great - and yes - Sting is great, performing with his great band at their very best!

Low Life, We Work The Black Seam, I Burn For You and Consider Me Gone are my personal favorites on the album - but as I am sitting here now I feel like I am forgetting something (As these words were spoken, I swear... yes well...)

As mentioned the sound and recording (of course) is nearly perfect - unexpected for the time of this release - and I never get tired of listening to Branford Marsailles (wrong spelled?) perform on I Burn For You, the solo is great - and clear, and just flows into the room when played loud.

Sting was performing with his Blue Turtles on The Dream...-tour, so it is a jazzy-experimental-project "eternalyzed" on the Bring On The Night-release, apparently handpicked songs from different shows on the tour, this is not one Live-show recorded.

He also performs a couple of previously unreleased songs (I think) written in the Police-period (Low Life and Another Day - I hope I'm not wrong here) - other than that he also performs some Police-classics (including a great version of Tea In The Sahara). Of course it includes material from his first solo-album as well.

Are you a fan, but haven't heard this - then do it!

5 out of 5 stars Big Fan.......2003-10-01

This is a great CD. I play it during cocktail parties or when we've gathered folks on the patio. The songs blend well, and it has some classic live moments. If you've seen the movie of Bring on the Night, it makes this soundtrack even better.

5 out of 5 stars Simply incredible sounding jazz/pop live album.......2003-09-16

I've bought live albums from countless different bands before, and I must say that this is probably the best one I've ever heard. The recording quality is flawless. Everybody in the 7-piece band sounds great and is mixed very well. I can't speak for the reissued version though; I only have the original version (which like all older double-disc CDs, came in that bulky, older style type of case). The liner notes are very well done too. There are many abstract art paitings of the band members, which look quite striking (albeit a bit "80s") against the black background. Sting comments on each song on the album, explaining their meaning and inspirations.

This live album was made in the time after Sting's first solo album, The Dream of the Blue Turtles. The band includes Sting on lead vocals and 6-string guitar, four musicians that each have a resume to die for (Omar Hakim on drums, Darryl Jones on bass, Kenny Kirkland on keyboard, and Branford Marsalis on sax), plus backup vocals and some percussion provided by Dolette McDonald (who also sang on the The Police's "Syncronicity" tour) and Janice Pendarvis.

There are a total of 16 songs here, including 3 medlies of 3 songs each. 8 songs are from The Police. Instead of going after the hits we've all seen on too many compilations, Sting goes for songs that are more obscure, but none the less great. I'm a die-hard Police fan, and trust me when I say that Sting does NOT butcher these songs -- he digs up these gems and turns them into pieces that sound equally beautiful with a jazz band. The disc starts off with a long but up-beat medly of "Bring On The Night" and "When The World Is Running Down", that just never loses energy. Sting also reforms "Low Life" (a former B-side) and brings a new melancholy to "I Burn For You" (a song from the "Brimstone & Treacle" soundtrack). The reggae sound of The Police's "One World" leads nicely into Sting's "Love Is The Seventh Wave". The pure-jazz madness of "Dream Of The Blue Turtles" flows into fast guitar-driven "Demolition Man". "Driven To Tears" is given a hip latiny feel, while "Tea In The Sahara" is given a new fullness with piano, sax, and back-up vocals.

Of the 8 non-Police songs, 5 are from Sting's solo album. Once again, he doesn't go straight for the hits ("If You Love Somebody", "Fortress Around Your Heart", "Russians"), but rather chooses almost every other song: "Love Is The Seventh Wave", "Consider Me Gone", "We Work The Black Seam", "Moon Over Bourbon Street", and "Children's Crusade". The live versions don't sound drastically different than the studio version, maybe with the exception of Sting's powerful ending vocals to "Bourbon St". But they're all songs that sound just as great live as they did in the studio. The remaining two songs, which you can't find anywhere else in any form are "Down So Long" and "Another Day". "Down So Long" is a 12-bar blues jam, which give some of the musicians a little more spotlight. But "Another Day" is one of my all-time favorite songs from ANY band! Very emotional and well-played. Why Sting never made a studio version of this, I don't know.

"Bring On The Night" is, like the documentary of the same title, a great document of this incredble line-up of musicians. I only wish more bands had live albums that captured their essence as well as this one.

4 out of 5 stars Crowd-pleasing double live disk.......2003-05-24

Sting's 1986 double live set "Bring on the Night" was an ambitious effort, considering that he had released only one album of solo material. Instead, he reworks many lesser, and obscure, Police tunes with his rock/jazz fusion backing band and produces a winner. Sting handles the vocals and guitar, with Omar Hakim on drums, Darryl Jones on bass, Kenny Kirkland on keyboards and Branford Marsalis on saxophone.
The disk starts with a twisty medley of "Bring on the Night/When the World is Running Down You Make the Best of What's Still Around." It's a long title, and a long song, with outstanding vocals by Sting, excellent keyboard solo by Kirkland and a surprise rap by Marsalis.
"Consider Me Gone" is pretty similar to the studio version on "Dream of the Blue Turtles" but it sizzles live with a cool Pacific style jazz beat.
"Low Life" is an obscure Police tune not found on their regular issues, but on the "Message in a Box" set. Nice blues/jazz feel and dark lyrics.
"The Dream of the Blue Turtles/Demolition Man" features a jazz instrumental melded into smoking version of the "Ghost in the Machine" classic, with horns that are not quite as dissonant as the original, and a break-neck pace.
Disc 2 opens with another medley, this time "One World (Not Three)/ Love is the Seventh Wave" and a fantastic multi-vocal introduction. Both songs have similar themes of, well, the world kind of [isn't good], but there's a lot to enjoy, too. The melding of these tunes is seamless. Sting and his band put a lot of thought, and rehearsal, into reworking these tunes.
"Moon Over Bourbon Street" features Sting and his bass guitar, and a little haunting sax in the background. A tribute to Anne Rice's "Interview With the Vampire" and Sting finds a depth to his usually thin/reedy/raspy voice that is not usually heard.
"I Burn For You" is another obscure Police tune that builds to a powerful finale.
I'm not sure where "Another Day" came from, but there is some cool audience interaction. "Down So Long" features Sting showing some blues/jazz chops.
"Tea in the Sahara" closes out the set, trading the desert atmospherics of Andy Summers' studio version for Marsalis' saxophone.
Although Sting is the frontman here, he lets his backing group flash their instrumental chops, making this a very enjoyable collection.
Over the Rainbow
Average customer rating: 5 out of 5 stars
  • One of America's great songwriters
Over the Rainbow

Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Get Happy: The Harold Arlen Centennial Celebration
  2. Harold Arlen Centennial Celebration
  3. Harold Arlen Sings Sweet and Hot
  4. Ella Fitzgerald Sings the Harold Arlen Songbook
  5. Somewhere Over the Rainbow: Harold Arlen

ASIN: B000000WMG
Release Date: 1997-11-18

Tracks:

  1. (You Got Me In Between) The Devil And The Deep Blue Sea
  2. I've Got The World On A String
  3. I Gotta Right To Sing The Blues
  4. Public Melody No. 1
  5. When The Sun Comes Out
  6. Hittin' The Bottle
  7. Let's Fall In Love
  8. Let's Put Our Heads Together
  9. Now I Know
  10. As Long As I Live
  11. Rasin' The Rent
  12. Blues In The Night
  13. Down With Love
  14. Over The Rainbow
  15. It's Only A Paper Moon
  16. Bud's Won't Bud
  17. One For My Baby (And One More For The Road)
  18. Stormy Weather
  19. Kickin' The Gong Around
  20. Two Blind Loves
  21. That Old Black Magic
  22. Ac-Cent-Tchu-Ate The Positive
  23. Ill Wind
  24. Get Happy

Customer Reviews:

5 out of 5 stars One of America's great songwriters.......2001-03-09

Amid the Cole Porters, Irving Berlins and George Gershwins of the world, Harold Arlen tends to be forgotten. And yet, when the greatest song of the 20th century was recently voted on by a distinguished panel of critics, whose song came out on top? Mr. Arlen's (Over the Rainbow). Here is a superb cross section of Harold Arlen songs by a cast ranging from Judy Garland to Bing Crosby to Ethel Waters, spanning decades and spanning a wide range of styles, from jazz to ballads, poignant to funny. Although the sound is not ideal, as many of the recordings date from the 30's and Pearl's objective in remastering has always been to achieve the fullest musical sound rather than to reduce surface noise, this is a minor complaint given the rich and mind-opening selection of great music found here.
Rejoice! A String Quartet Christmas
Average customer rating: 5 out of 5 stars
  • Beautiful Christmas music, relax and sip the eggnog!
  • background notes
  • A Classical Christmas Classic
  • Hark!!!!!
  • weird but wonderful
Rejoice! A String Quartet Christmas
Arturo Delmoni
Manufacturer: John Marks Records
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Rejoice! A String Quartet Christmas, Vol. 2
  2. Rejoice: String Quartet Christmas, Vol. 3
  3. Christmas Goes Baroque
  4. Christmas Goes Baroque, Vol. 2
  5. A Festival of Carols in Brass

ASIN: B000003Y9D
Release Date: 1995-08-24

Tracks:

  1. Joy To The World
  2. The First Noel
  3. Adeste Fideles
  4. It Came Upon A Midnight Clear
  5. O Little Town Of Bethlehem
  6. Silent Night
  7. Angels From Realms Of Glory
  8. Away In A Manger
  9. Gaudeamus
  10. Deck The Halls
  11. Es is ein Ros' entsprungen
  12. Angels We Have Heard On HIgh
  13. Good King Wenceslas
  14. The Goldne Carol
  15. Here We Go A-Wassailing
  16. Bring A Torch, Jeanette Isabella
  17. The Holly And The Ivy
  18. What Child Is This?
  19. God Rest Ye Merry, Gentlemen
  20. Coventry Carol
  21. Veni, veni, Emmanuel
  22. In dulci jubilio
  23. O Sanctissima
  24. We Wish You A Merry Christmas

Amazon.com

There are, unfortunately, only a handful of truly great holiday CDs for lovers of instrumental classical music. Here's one of them. Violinists Arturo Delmoni and Alexander Romanul join violist Katherine Murdock and cellist Nathaniel Rosen on a blissfully sublime disc of holiday favorites. In addition to the usual suspects ("Joy to the World," "It Came upon a Midnight Clear," "Silent Night"), the string quartet throws some lesser-heard gems into the mix: "The Holly and the Ivy," a hauntingly gorgeous interpretation of "Veni, veni, Emmanuel," and the contemporary chorale piece "Gaudeamus," arranged here for string quartet by composer Antony Hopkins. Throughout, the playing is near perfect, with none of the marketing gloss or sentimental gimmicks found in many holiday CDs. Recorded under audiophile standards, the sound is impeccable and warm. A treat. --Jason Verlinde

Customer Reviews:

5 out of 5 stars Beautiful Christmas music, relax and sip the eggnog!.......2007-01-10

This is a marvelous group of Boston area musicians who have come together and recorded beautiful arrangements of classic Christmas carols. The blending and intonation of this string ensemble is gorgeous!!

5 out of 5 stars background notes.......2006-11-23

So someone wanted background on the musicians. I can give you some background on the second violinist, Alexander Romanul (you know the one they almost mixed out of this CD). Read it fast before he gets furious with me and tells me to take it down. (Well, I've never actually heard him even raise his voice, but even if he asks me nicely I'll honor his wishes.)

So there's the usual stuff. He was a child prodigy, won the BSO young artists at 13, debuted with some other orchestra at 11 or 12 playing the Mendelsson. Has done lots of solo performances in North America and Europe, played with the BSO a lot of years, yada. yada. A friend of his, who has been concertmaster of a couple New England orchestras once told me, "You understand, don't you, Margaret, that Alexander can really play? It's enough to drive a person completely nuts."

As a young man, he decided to try for the Wieniawski. He locked himself in a room in Germany for 5 months and played scales very slowly without vibrato seeking to play perfectly in tune. He only placed fifth, but the change in him could evidentally be felt and he caused something of a national sensation.

It was then that the process began which he describes as the quest for pure sound, something for which he has sacrificed a great deal. The process has brought him into deep states and he undergoes a constant, tortured struggle to reconcile its lure with the demands of the world. He still sometimes closes himself in a room for long periods of time, coming out only to shower and eat or take an evening stroll.

He claims to have hit a couple home runs in his life, but in my experience, he has never been fully satisfied with anything, so I wouldn't let the fact that he's not satisfied with this CD unsettle you too much. I define a good CD as one which I can listen to four times in a row and then come back to the next day. I think the difference has relatively little to do with the recording quality, the virtuosity, the genre. One can still miss even with technical perfection. It has to do with whether the performers can remain true to the calling and not go up into their heads as a refuge from doubt. I do feel that this music bears on its wings an authentic, "Peace on earth, Goodwill toward men."

Alexander has spent hundreds of hours with my son in tickle fights, swimming in the local reservoir and competing for the best rendition of Disney characters. "Hello, my name is Bruce! I know, why trust a shark?" He reads a lot. Some of his mainstays are Joseph Campbell, Tolkien and Krishnamurti. But at any given moment he might be into an analysis of the stock market or Sir Walter Scott, rammed earth housing, sun spots, Wampanoag Indians or the peculiar behavior of a stray dog in the local police reports. He's articulate and thoughtful and has a sort of zany mischievous sense of humor. He remembers his dreams, likes carnations and Indian food, watches the weather, can identify most of the North American raptors and lepidoptera, plays board games, swims long distances, gets attached to his shirts, makes a mean chocolate chip cookie and drives an old Civic.

5 out of 5 stars A Classical Christmas Classic.......2003-12-11

When the first String Quartet Christmas CD was released a few years ago, it did not immediately catch my attention, until I was stuck in a major traffic jam a few days before Christmas. WCRB, a classical music station in Boston, often plays what they call "classic clusters" of short relaxing classical pieces and one was a holiday cluster with music from this disk. This particular cluster had selections from this CD. Though horns were honking from impatient drivers behind me, I felt relaxed while listening to this soothing music. I later purchased the recording knowing that it would become a favorite part of my Christmas collection.

The concept of this collection is not all that complex. Christmas carols are arranged for string quartet. Most of the arrangements sound like Christmas music of the great classical composers. It makes for wonderful background music for more sophisticated Christmas get together, or a relaxing collection to listen to at the end of a busy day preparing for the holidays. Ideally I imagine a person putting a few logs on the fire, turning down the lights, putting the disc in the player, and simply enjoying the melodious music of the holiday season.

5 out of 5 stars Hark!!!!!.......2002-09-04

Tired of the same old Xmas caroles sung by the same singers I decided to try something a little different. Being a chamber music fan and finding this CD at a book store I purchased it having recognized the name John Marks.This was the best thing I did all year.I listen to this CD all year long. Summer, Spring, Winter and Fall.The artistry of the players is extraordinary as is the sound.5 Stars for each.I did not buy this CD,I invested in it.The dow falls and the music soars.

5 out of 5 stars weird but wonderful.......2002-08-11

One doesn't think about string quartets and Christmas carols, but these folks do--and do a marvelous job of it! If you like "background music" during the Christmas season (let's trim that tree and boil the figgy pudding), this should be part of your collection. Also see the companion CD. Great set. Music well played and artistically arranged in a variety of styles.
Night and Day: Thomas Hampson Sings Cole Porter
Average customer rating: 3.5 out of 5 stars
  • Let theyself be hereby dubbed.........Best Broadway Tune Vocalist...
  • This isn't a vanity crossover project but Cole Porter with art and style
  • pure self indulgent garbage
  • Thank god, no astaire or kelly singing on this one
  • Cole must have been watching over this project
Night and Day: Thomas Hampson Sings Cole Porter

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

All Works by PorterAll Works by Porter | Porter, Cole | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
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  1. Leading Man
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ASIN: B000002RS3
Release Date: 1991-05-24

Tracks:

  1. 'Night And Day': 'Begin The Beguine' (Jubilee)
  2. 'Night And Day': 'In The Still Of The Night' (Rosalie)
  3. 'Night And Day': 'Easy To Love' (Born To Dance)
  4. 'Night And Day': 'Two Little Babes In The Wood' (Greenwich Village Follies - Sixth Yearly Edition)
  5. 'Night And Day': 'When My Baby Goes To Town' (Something For The Boys)
  6. 'Night And Day': 'When I Had A Uniform On' (Hitchy-Koo 1919)
  7. 'Night And Day': 'I've Got You Under My Skin' (Born To Dance)
  8. 'Night And Day': 'Bring Me Back My Butterfly' (Hitchy-Koo 1919)
  9. 'Night And Day': 'Who Said Gay Paree?' (Can-Can- Unused, Nicht verwendet, Inutilise)
  10. 'Night And Day': 'A Fool There Was' (Rosalie - Can-Can- Unused, Nicht verwendet, Inutilise)
  11. 'Night And Day': 'How's Your Romance?' (Gay Divorce)
  12. 'Night And Day': 'My Cozy Little Corner In The Ritz' (Hitchy-Koo 1919)
  13. 'Night And Day': 'Don't Fence Me In' (Hollywood Canteen)
  14. 'Night And Day': 'Drink' (Seven Lively Arts)
  15. 'Night And Day': 'Night And Day' (Gay Divorce)
  16. 'Night And Day': 'It Was Written In The Stars' (Du Barry Was A Lady)
  17. 'Night And Day': 'I Concentrate On You' (Broadway Melody Of 1940)
  18. 'Night And Day': 'Bull Dog' (Yale College)

Customer Reviews:

5 out of 5 stars Let theyself be hereby dubbed.........Best Broadway Tune Vocalist..........2007-06-21


Of my dozens and dozens of Broadway music performances, I find only one singer can be dubbed "Best." That person, Thomas Hampson, is thee. While show performers and ballad singers have all had their way with these tunes, only one is across-the-board great in them.

And whether or not these are the "best" representative songs of Porter is a moot point, something entirely up to personal taste. The point is that these songs have not been better performed by an individual male singer. It certainly doesn't hurt, either, that the great John McGlinn was on board as conductor/director (and likely strongly involved in arranging).

****

5 out of 5 stars This isn't a vanity crossover project but Cole Porter with art and style.......2006-07-17

The glut of crossover albums that came our way in the ripe era of Pavarotti and Domingo has abated, leaving not the best taste in the mouth. But there were some high points, and this 1991 Cole Porter collection from Thomas Hampson is a gorgeous example. Like his hero from the 30s, Lawrence Tibbett, who triumphed as much on radio as in the opera house, Hampson sings full out, applying an overtly operatic baritone to popular song. He has such a command of vocal technique that, as with Tibbett and more recently Ben Heppner, the glory of the vocalism would carry the day on its own.

But Hampson adds to this a good deal of finesse, humor, and suavity--particularly the last. "Begin the Beguine" and "In the Still of the Night" convey the cosmopolitan asurance that is a Cole Porter trademark. There are also some bigger songs, such as "It Was Written in the Stars," where Hampson can unleash his voice at full force, a thrilling experience. I don't think there's been an opera star who's made a Cole Porter recording other than Kiri Te Kanawa, in forty years. This is a very enjoyable one indeed.

1 out of 5 stars pure self indulgent garbage.......2006-04-22

SOMEONE PLEASE STOP THOMAS HAMPSON, BEFORE HE HURTS HIMSELF...OR HURTS THE REST OF US....What a collective piece of trash this album is?..is there a more self-important, bloated, indulgent, precious, affected, pompous singer on the planet?...i am waiting for Thomas Hampson sings Disco...or Thomas Hampson sings Elton John...or Thomas Hampson does Eminem?...he probably thinks he could pull 'em off...what unmitigated gaul...don't waste your money here

4 out of 5 stars Thank god, no astaire or kelly singing on this one.......2001-04-30

This was a great listen and it was finally nice to hear trained singers doing Porter. Can't stand it when I hear a lilting Porter song in an MGM film and then Astaire or Gene Kelly decide to try and sing it, usually off key, and end up slaughtering the number. Great to hear some of the old stuff and different takes on other standards.

5 out of 5 stars Cole must have been watching over this project.......2000-09-06

John McGlinn's orchestrations on this compilation of Cole Porter tunes have as much to do with the brilliance of this CD as Mr Hampson's vocal renderings. Both have that lush sound that make a Porter tune sound like what this reviewer believes Porter would have appreciated, judging by his own versions of his songs, and the arrangements that he was involved in. McGlinn remained faithful to those original arrangements and added a few of his own ideas and along with modern day recording improvements produced a sound that I think Porter would very much approve of. My only complaint is the selection of songs, but that as always comes down to personal taste. However in doing so I was tuned into a few songs that I had never heard before, some of which are now among my favorite Porter songs. Specifically, 'Who said Gay Paree' is a sublime version of a lesser known Porter tune. It is one of his tunes about Paris but unlike the others its a sad tune of love lost with McGlinn and Hampson both at their finest. Another one new to me was'My Cozy Little Corner In the Ritz' an early Porter tune with him at his sarcastic best and a brilliant rendition. The standards are all briliantly done. 'In the Still of the Night' is my favorite, followed by I Concentrate on You', 'Easy To Love', 'Night and Day' (edging out Sinara's version, but not quite as magical as Fred Astaire's from the movie 'Gay Divorcee', but close) 'I've Got You Under My Skin' is divine, Begin the Beguine and 'Don't Fence me in'. All the others are great versions but none would make my top 50 Porter tunes. With the convenience of tracking with CD's though I program my favorites in and hear an hour of heavenly music from one of my favorite tunesmiths as interpreted by two contemporary masters of our time.

Rap Music:

  1. Chunga's Revenge [Original recording remastered]
  2. Daylight Tonight
  3. Doot-Doot [Import]
  4. Elephant Mountain [Original recording remastered] [Import]
  5. Flash and the Pan/Lights in the Night
  6. Freak Show [Import]
  7. From My Heart
  8. G.I. Blues
  9. Give Us a Wink [Import]
  10. Hal

Rap Music

rap music

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Piano Solo

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So Serious About Mine [Explicit Lyrics]

Love Alive Reunion [Live]

Let It Live [CD-single]

Novo Millennium [Import]

Mozart: Maurerische Trauermusik K477; Symphony No31

P.J. Perry Quintet

New High

On the Gritty & Grind [Explicit Lyrics]

Schubert: Piano Sonata D. 960/3 Klavierstücke D. 946

Presents: The Vault, Vol. 1.5