When Sting embarked on his solo career, he didn't throw his tenure with the Police out the window; on this live double album from his Dream of the Blue Turtles tour, he reworks some odd selections from his old band's catalog in the expansive, jazz-inflected style of his new crew (which included saxophonist Branford Marsalis). These performances emphasize showmanship (solos, backup singers, and all) and they've got lots of crowd-pleasing moments, like the overwhelming swell of "I Burn for You" and a Caribbean clap-along on a medley of "One World" and "Love Is the Seventh Wave." But Sting's raw-steak voice has been affected by his band, too, and his phrasing on the quieter torch songs draws cleverly on jazz traditions. --Douglas Wolk
Bring on the Night,Sting,A&M,Album Rock,College Rock,Pop,Pop/Rock,Rock,Rock/Pop
Bring on the Night [Enhanced] [Live]
Average customer rating:
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Bring on the Night
Sting Manufacturer: A&M ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0007X6ST2 Release Date: 2005-03-29 |
Tracks:
- Bring On The Night / When The World Is Running Down You Make The Best Of What's Still Around
- Consider Me Gone
- Low Life
- We Work The Black Seam
- Driven To Tears
- The Dream Of The Blue Turtles / Demolition Man
Tracks:
- One World (Not Three) / Love Is The Seventh Wave
- Moon Over Bourbon Street
- I Burn For You
- Another Day
- Children's Crusade
- I Been Down So Long
- Tea In The Sahara
Amazon.com essential recording
When Sting embarked on his solo career, he didn't throw his tenure with the Police out the window; on this live double album from his Dream of the Blue Turtles tour, he reworks some odd selections from his old band's catalog in the expansive, jazz-inflected style of his new crew (which included saxophonist Branford Marsalis). These performances emphasize showmanship (solos, backup singers, and all) and they've got lots of crowd-pleasing moments, like the overwhelming swell of "I Burn for You" and a Caribbean clap-along on a medley of "One World" and "Love Is the Seventh Wave." But Sting's raw-steak voice has been affected by his band, too, and his phrasing on the quieter torch songs draws cleverly on jazz traditions. --Douglas WolkCustomer Reviews:
Bring on the night.......2007-06-06
But what about when things are not that clear to notice? Well, for me, there's no better way to see that another favourite artist of mine, Dave Matthews Band, has actually found a source of inspiration in this albun, BRING ON THE NIGHT.
If you listen to any DMB live recordings, you'll see that the kind of music they play is almost like when Sting dropped out The Police and lauched this first live albun. Everything is similar: the saxophone, a great piano player, spetacular drummer, three females backing vocals, etc... And all of that so very jazzy, with a little bit of groove, but pure intense music.
If I could rate it 6 stars...........2007-02-09
Sting - BRING ON THE NIGHT (1986).......2006-08-07
Having listened to this for 20 Years..........2006-02-24
...now that I have found you..............2006-02-12
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
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A Festival Of Carols / Robert Shaw Chorale
Robert Shaw Chorale Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003EPA Release Date: 1990-10-25 |
Tracks:
- Medley: Good Christian Men - Rejoice - Silent Night - Patapan - O Come - All Ye Faithful
- It Came Upon The Midnight Clear
- O Come, O Come, Emmanuel
- Shepherd's Carol
- Go, Tell It On The Mountain
- Medley: O Sanctissima - Joy To The World - Away In A Manger - Fum, Fum, Fum - March Of The Kings
- I Wonder As I Wander
- We Three Kings
- My Dancing Day
- Medley: What Child Is This? - Hark! The Herald Angels Sing - Bring A Torch - Jeanette - Isabella - Angels We Have Heard On High
- Coventry Carol
- God Rest You Merry, Gentlemen
- Lo, How A Rose E'er Blooming
- Carol Of The Bells
- Medley: Break Forth - O Beauteous Heavenly Light - The First Nowell - O Little Town Of Bethlehem - I Saw Three Ships - Deck The Halls With Boughs Of Holly
Customer Reviews:
Traditional Christmas Music .......2007-01-24
The quintessential Christmas recording.......2005-12-09
However, I do have one bone to pick with this recording. There just isn't enough of it. With material as good as this, that is a real loss!
A Top List Christmas CD.......2004-12-28
The best.......2004-01-02
How do you describe perfection?.......2003-12-14
Interspersed with the medleys are a cappella carols.
All of this music is wonderfully performed by the Robert Shaw Chorale, the a cappella selections recorded in 1957 and the medleys in 1963.
Four decades have proven that this is the standard in choral music. The clarity of text, the richness of tone, the beauty of harmony combine to present the message of Christmas in the manner that only music can do.
These words are no surprise to those familiar with choral music in the United States. If you are not so familiar, but would like to enjoy Christmas music at its most beautiful, you can do no better than acquiring this CD.
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Cambridge Singers Christmas Album
Manufacturer: Collegium ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000DJEOL Release Date: 2003-10-07 |
Tracks:
- The holly and the ivy (arr. H. Walford Davies)*
- Blessed be that maid Mary (arr. David Willcocks)
- Somerset Wassail (arr. John Rutter)
- Shepherds, in the fields abiding (French, arr. Willcocks)*
- The Infant King (Basque, arr. Willcocks)
- What is this lovely fragrance? (French, arr. Healey Willan)
- Gabriel's message (Basque, arr. Willcocks)*
- Still, still, still (German, arr. Rutter)
- Quittez, pasteurs (French, arr. Rutter)
- Un flambeau, Jeannette, Isabelle (French, arr. Rutter)
- Personent hodie (German, arr. Rutter)
- The shepherds' farewell (Hector Berlioz)
- O holy night (Adolphe Adam)
- O magnum mysterium (T. L. de Victoria)
- Hodie Christus natus est (J. P. Sweelinck)
- For unto us a child is born (G. F. Handel)
- In dulci jubilo (Samuel Scheidt)
- Lully, lulla, thou little tiny child (Kenneth Leighton)*
- A New Year Carol (Benjamin Britten)
- Balulalow (Peter Warlock)
- I saw a fair maiden (Peter Warlock)
- The Lamb (John Tavener)
- Fantasia on Christmas Carols (Ralph Vaughan Williams)
Album Description
Christmas Never Sounded So Good!For more than a decade, John Rutter and the Cambridge Singers have shared the Joy of Christmas with the world. The ethereal sound of perfectly blended voices, singing the most beautiful seasonal music ever composed never fails to touch the heart or lift the spirit. This year, John Rutter and the Cambridge Singers have assembled a NEW collection - compiled from the archives, including FOUR NEVER BEFORE RELEASED TRACKS! This is a holiday feast you will NOT want to miss!
Customer Reviews:
Almost angelic.......2007-01-18
Great choir, but mostly recycled material.......2005-12-16
Unfortunately, I cannot give this otherwise excellent CD the same high marks. If they wanted to release a "best of Cambridge Christmas" CD, this would not be it. It does a few of the absolute best Christmas selections, including Sweelinck's "Hodie", Willcocks's breathtaking arrangement of "The Infant King", and Rutter's own quirky reading of "Personent Hodie". And it does contain a few tracks not previously released.
However, if you want the best of Cambridge and Christmas, start with "Christmas Night", which is always the first CD I pull out the day after Thanksgiving. The sound of the famliar Persall setting of "In Dulci Jubilo" sets my holiday in motion. And that CD also has Rutter's own magical "There is a flower". After that CD, get "Christmas with the Cambridge Singers", which has "The Infant King" and some other treasures.
So, you can't really go wrong with this CD, especially if you just want an introduction to how this fine ensemble addresses the most choir-friendly holiday of all. But if you're serious about getting all the good stuff, start with the other two mentioned above, then add "Christmas Day in the Morning" and the early "Christmas Star".
Glittering Chrismas Music.......2005-11-15
The Spirit of Christmas On CD.......2005-06-02
Superb voices!.......2003-12-22
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A Festival of Carols in Brass
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000024Q6 Release Date: 1991-07-16 |
Tracks:
- Deck The Halls With Broughs Of Holly
- Lo, How A Rose E're Blooming
- Bring A Torch, Jeanette, Isabella
- The First Nowell
- Angels We Have Hard On High
- We Three Kings Of Oreint Are
- O Come, All Ye Faithful
- O Sanctissima
- O Tannenbaum
- O Come, O Come, Emmanuel
- Good King Weceslas
- Silent Night, Holy Night
- Joy To the World
- The Twelve Days Of Christmas
- Conventry Carol
- God Rest Ye Merry, Gentlemen
- Hark! The Herald Angels Sing
- It Came Upon A Midnight Clear
- Good Christian Men Rejoice
- O Holy Night
- What Child Is This?
- Wassial Song
- O Little Town Of Bethlehem
- Away In A Manger
- We Wish You A Merry Christmas
Customer Reviews:
Nice music but..........2007-03-08
Great CD.......2007-02-16
A Noble and Festive Christmas.......2007-01-21
Meat and Potatoes.......2007-01-18
brass groups:The Canadian Brass, the Empire Brass, just to name a few.
Whereas these latter groups have all resorted to "gimmicks" such as unique arrangements to sell their albums this group of brass players from the Philadelphia Orchestra give us an album of good old "meat and potatoes" playing spiced with fine tone,good ensemble playing, and good tempos.
Totally Awesome.......2007-01-12
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The Little Drummer Boy
Manufacturer: Island / Mercury ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001F93 Release Date: 1990-10-25 |
Tracks:
- Medley: Sing We Now Of Christmas/Angels We Have Heard On High/Away In A Manger/What Child Is This...
- Go Tell It On A Mountain
- Medley: It Came Upon A Midnight Clear/Good King Wenceslas/We Three Kings/Villancio/Hark...
- Medley: Bring A Torch, Isabella/Lo, How A Rose E'er Blooming
- Medley: Deck The Halls/Christian Men Rejoice/Master's In The Hall/O Tannenbaum
- O Holy Night
- The Little Drummer Boy
- Medley: Conventry Carol/Rise Up Shepherds/God Rest Ye Merry Gentlemen/O' Little Town Of Bethlehem...
- Medley: Ding Dong/While Shepherds Watched Their Flocks By Night/The First Noel/The Friendly Beasts
- Medley: Silent Night/Adeste Fidelis/A Christmas Greeting
Customer Reviews:
The Little Drummer Boy.......2007-01-19
Little Drummer Boy.......2007-01-10
Good but not great.......2007-01-10
Still looking for my favorite album.......2006-12-31
Mom's Recording: The Little Drummer Boy........2006-11-09
I am proud that so many people have enjoyed this album over the years!
We, her family and children, grew up listening to this album along with her many Fred Waring recordings.
This one simple album, through years of continued sales, rocketed off the charts eclipsing all sales of LP's by The Beatles, The Rolling Stones, and every Pop musical group from L.A. to London. It made it into the Guinness Book of World Records! : A distinction it held for over 20 years!
When The Guiness people called us at home, we of course though it was some kind of prank. It wasn't.
I hope you truly enjoy this album and pass it on to your kids.
My mother died October 30, 2006. I will never forget her voice.
John Wyatt
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Bring on the Night
Sting Manufacturer: A&M ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002GLE Release Date: 1990-10-25 |
Tracks:
- Bring On The Night/When The World Is Running ....
- Consider Me Gone
- Low Life
- We Work The Black Seam
- Driven To Tears
- The Dream Of The Blue Turtles/Demolition Man
Tracks:
- One World (Not Three)/Love Is The Seventh Wave
- Moon Over Bourbon Street
- I Burn For You
- Another Day
- Children's Crusade
- Down So Long
- Tea In The Sahara
Amazon.com essential recording
When Sting embarked on his solo career, he didn't throw his tenure with the Police out the window; on this live double album from his Dream of the Blue Turtles tour, he reworks some odd selections from his old band's catalog in the expansive, jazz-inflected style of his new crew (which included saxophonist Branford Marsalis). These performances emphasize showmanship (solos, backup singers, and all) and they've got lots of crowd-pleasing moments, like the overwhelming swell of "I Burn for You" and a Caribbean clap-along on a medley of "One World" and "Love Is the Seventh Wave." But Sting's raw-steak voice has been affected by his band, too, and his phrasing on the quieter torch songs draws cleverly on jazz traditions. --Douglas WolkCustomer Reviews:
The straight dope on this album.......2004-12-18
It's a great live double-disc set and it is heavily influenced by Sting's band comprised of jazz musicians. But, only one song could be considered jazz (Dream of the Blue Turtles) and that's the one without much of a solo section (very un-jazz-like). This lineup is one of the best I've ever come across in pop music. The keyboard solos on some of these songs are so smokin' I shake my head and laugh sometimes when I'm listening to it.
Another quick thing to clear up. On this album and on Dream of The Blue Turtles, Sting gives up the bass (replaced by Darryl Jones) and plays guitar. He's actually a pretty good rhythm guitar player.
So is it good? Absolutely. And you get to hear quite a few of Sting's solo songs as well as some Police material. It's a great album with lots of color and excitement. You can even appreciate Branford Marsalis doing a mid-80's rap over one of the choruses. It's kind of cheezy now, but given the time period, it was fresh and fun.
So, as a recommendation, let me say that I taped a copy of this CD way back when I didn't have a CD player in my car and would just let it repeat itself over and over in my car wherever I went. I think you'll really dig this album.
Bring it on!!!.......2004-12-16
Low Life, We Work The Black Seam, I Burn For You and Consider Me Gone are my personal favorites on the album - but as I am sitting here now I feel like I am forgetting something (As these words were spoken, I swear... yes well...)
As mentioned the sound and recording (of course) is nearly perfect - unexpected for the time of this release - and I never get tired of listening to Branford Marsailles (wrong spelled?) perform on I Burn For You, the solo is great - and clear, and just flows into the room when played loud.
Sting was performing with his Blue Turtles on The Dream...-tour, so it is a jazzy-experimental-project "eternalyzed" on the Bring On The Night-release, apparently handpicked songs from different shows on the tour, this is not one Live-show recorded.
He also performs a couple of previously unreleased songs (I think) written in the Police-period (Low Life and Another Day - I hope I'm not wrong here) - other than that he also performs some Police-classics (including a great version of Tea In The Sahara). Of course it includes material from his first solo-album as well.
Are you a fan, but haven't heard this - then do it!
Big Fan.......2003-10-01
Simply incredible sounding jazz/pop live album.......2003-09-16
This live album was made in the time after Sting's first solo album, The Dream of the Blue Turtles. The band includes Sting on lead vocals and 6-string guitar, four musicians that each have a resume to die for (Omar Hakim on drums, Darryl Jones on bass, Kenny Kirkland on keyboard, and Branford Marsalis on sax), plus backup vocals and some percussion provided by Dolette McDonald (who also sang on the The Police's "Syncronicity" tour) and Janice Pendarvis.
There are a total of 16 songs here, including 3 medlies of 3 songs each. 8 songs are from The Police. Instead of going after the hits we've all seen on too many compilations, Sting goes for songs that are more obscure, but none the less great. I'm a die-hard Police fan, and trust me when I say that Sting does NOT butcher these songs -- he digs up these gems and turns them into pieces that sound equally beautiful with a jazz band. The disc starts off with a long but up-beat medly of "Bring On The Night" and "When The World Is Running Down", that just never loses energy. Sting also reforms "Low Life" (a former B-side) and brings a new melancholy to "I Burn For You" (a song from the "Brimstone & Treacle" soundtrack). The reggae sound of The Police's "One World" leads nicely into Sting's "Love Is The Seventh Wave". The pure-jazz madness of "Dream Of The Blue Turtles" flows into fast guitar-driven "Demolition Man". "Driven To Tears" is given a hip latiny feel, while "Tea In The Sahara" is given a new fullness with piano, sax, and back-up vocals.
Of the 8 non-Police songs, 5 are from Sting's solo album. Once again, he doesn't go straight for the hits ("If You Love Somebody", "Fortress Around Your Heart", "Russians"), but rather chooses almost every other song: "Love Is The Seventh Wave", "Consider Me Gone", "We Work The Black Seam", "Moon Over Bourbon Street", and "Children's Crusade". The live versions don't sound drastically different than the studio version, maybe with the exception of Sting's powerful ending vocals to "Bourbon St". But they're all songs that sound just as great live as they did in the studio. The remaining two songs, which you can't find anywhere else in any form are "Down So Long" and "Another Day". "Down So Long" is a 12-bar blues jam, which give some of the musicians a little more spotlight. But "Another Day" is one of my all-time favorite songs from ANY band! Very emotional and well-played. Why Sting never made a studio version of this, I don't know.
"Bring On The Night" is, like the documentary of the same title, a great document of this incredble line-up of musicians. I only wish more bands had live albums that captured their essence as well as this one.
Crowd-pleasing double live disk.......2003-05-24
The disk starts with a twisty medley of "Bring on the Night/When the World is Running Down You Make the Best of What's Still Around." It's a long title, and a long song, with outstanding vocals by Sting, excellent keyboard solo by Kirkland and a surprise rap by Marsalis.
"Consider Me Gone" is pretty similar to the studio version on "Dream of the Blue Turtles" but it sizzles live with a cool Pacific style jazz beat.
"Low Life" is an obscure Police tune not found on their regular issues, but on the "Message in a Box" set. Nice blues/jazz feel and dark lyrics.
"The Dream of the Blue Turtles/Demolition Man" features a jazz instrumental melded into smoking version of the "Ghost in the Machine" classic, with horns that are not quite as dissonant as the original, and a break-neck pace.
Disc 2 opens with another medley, this time "One World (Not Three)/ Love is the Seventh Wave" and a fantastic multi-vocal introduction. Both songs have similar themes of, well, the world kind of [isn't good], but there's a lot to enjoy, too. The melding of these tunes is seamless. Sting and his band put a lot of thought, and rehearsal, into reworking these tunes.
"Moon Over Bourbon Street" features Sting and his bass guitar, and a little haunting sax in the background. A tribute to Anne Rice's "Interview With the Vampire" and Sting finds a depth to his usually thin/reedy/raspy voice that is not usually heard.
"I Burn For You" is another obscure Police tune that builds to a powerful finale.
I'm not sure where "Another Day" came from, but there is some cool audience interaction. "Down So Long" features Sting showing some blues/jazz chops.
"Tea in the Sahara" closes out the set, trading the desert atmospherics of Andy Summers' studio version for Marsalis' saxophone.
Although Sting is the frontman here, he lets his backing group flash their instrumental chops, making this a very enjoyable collection.
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Over the Rainbow
Manufacturer: Pearl ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000WMG Release Date: 1997-11-18 |
Tracks:
- (You Got Me In Between) The Devil And The Deep Blue Sea
- I've Got The World On A String
- I Gotta Right To Sing The Blues
- Public Melody No. 1
- When The Sun Comes Out
- Hittin' The Bottle
- Let's Fall In Love
- Let's Put Our Heads Together
- Now I Know
- As Long As I Live
- Rasin' The Rent
- Blues In The Night
- Down With Love
- Over The Rainbow
- It's Only A Paper Moon
- Bud's Won't Bud
- One For My Baby (And One More For The Road)
- Stormy Weather
- Kickin' The Gong Around
- Two Blind Loves
- That Old Black Magic
- Ac-Cent-Tchu-Ate The Positive
- Ill Wind
- Get Happy
Customer Reviews:
One of America's great songwriters.......2001-03-09
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Rejoice! A String Quartet Christmas
Arturo Delmoni Manufacturer: John Marks Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003Y9D Release Date: 1995-08-24 |
Tracks:
- Joy To The World
- The First Noel
- Adeste Fideles
- It Came Upon A Midnight Clear
- O Little Town Of Bethlehem
- Silent Night
- Angels From Realms Of Glory
- Away In A Manger
- Gaudeamus
- Deck The Halls
- Es is ein Ros' entsprungen
- Angels We Have Heard On HIgh
- Good King Wenceslas
- The Goldne Carol
- Here We Go A-Wassailing
- Bring A Torch, Jeanette Isabella
- The Holly And The Ivy
- What Child Is This?
- God Rest Ye Merry, Gentlemen
- Coventry Carol
- Veni, veni, Emmanuel
- In dulci jubilio
- O Sanctissima
- We Wish You A Merry Christmas
Amazon.com
There are, unfortunately, only a handful of truly great holiday CDs for lovers of instrumental classical music. Here's one of them. Violinists Arturo Delmoni and Alexander Romanul join violist Katherine Murdock and cellist Nathaniel Rosen on a blissfully sublime disc of holiday favorites. In addition to the usual suspects ("Joy to the World," "It Came upon a Midnight Clear," "Silent Night"), the string quartet throws some lesser-heard gems into the mix: "The Holly and the Ivy," a hauntingly gorgeous interpretation of "Veni, veni, Emmanuel," and the contemporary chorale piece "Gaudeamus," arranged here for string quartet by composer Antony Hopkins. Throughout, the playing is near perfect, with none of the marketing gloss or sentimental gimmicks found in many holiday CDs. Recorded under audiophile standards, the sound is impeccable and warm. A treat. --Jason VerlindeCustomer Reviews:
Beautiful Christmas music, relax and sip the eggnog!.......2007-01-10
background notes.......2006-11-23
So there's the usual stuff. He was a child prodigy, won the BSO young artists at 13, debuted with some other orchestra at 11 or 12 playing the Mendelsson. Has done lots of solo performances in North America and Europe, played with the BSO a lot of years, yada. yada. A friend of his, who has been concertmaster of a couple New England orchestras once told me, "You understand, don't you, Margaret, that Alexander can really play? It's enough to drive a person completely nuts."
As a young man, he decided to try for the Wieniawski. He locked himself in a room in Germany for 5 months and played scales very slowly without vibrato seeking to play perfectly in tune. He only placed fifth, but the change in him could evidentally be felt and he caused something of a national sensation.
It was then that the process began which he describes as the quest for pure sound, something for which he has sacrificed a great deal. The process has brought him into deep states and he undergoes a constant, tortured struggle to reconcile its lure with the demands of the world. He still sometimes closes himself in a room for long periods of time, coming out only to shower and eat or take an evening stroll.
He claims to have hit a couple home runs in his life, but in my experience, he has never been fully satisfied with anything, so I wouldn't let the fact that he's not satisfied with this CD unsettle you too much. I define a good CD as one which I can listen to four times in a row and then come back to the next day. I think the difference has relatively little to do with the recording quality, the virtuosity, the genre. One can still miss even with technical perfection. It has to do with whether the performers can remain true to the calling and not go up into their heads as a refuge from doubt. I do feel that this music bears on its wings an authentic, "Peace on earth, Goodwill toward men."
Alexander has spent hundreds of hours with my son in tickle fights, swimming in the local reservoir and competing for the best rendition of Disney characters. "Hello, my name is Bruce! I know, why trust a shark?" He reads a lot. Some of his mainstays are Joseph Campbell, Tolkien and Krishnamurti. But at any given moment he might be into an analysis of the stock market or Sir Walter Scott, rammed earth housing, sun spots, Wampanoag Indians or the peculiar behavior of a stray dog in the local police reports. He's articulate and thoughtful and has a sort of zany mischievous sense of humor. He remembers his dreams, likes carnations and Indian food, watches the weather, can identify most of the North American raptors and lepidoptera, plays board games, swims long distances, gets attached to his shirts, makes a mean chocolate chip cookie and drives an old Civic.
A Classical Christmas Classic.......2003-12-11
The concept of this collection is not all that complex. Christmas carols are arranged for string quartet. Most of the arrangements sound like Christmas music of the great classical composers. It makes for wonderful background music for more sophisticated Christmas get together, or a relaxing collection to listen to at the end of a busy day preparing for the holidays. Ideally I imagine a person putting a few logs on the fire, turning down the lights, putting the disc in the player, and simply enjoying the melodious music of the holiday season.
Hark!!!!!.......2002-09-04
weird but wonderful.......2002-08-11
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Night and Day: Thomas Hampson Sings Cole Porter
Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002RS3 Release Date: 1991-05-24 |
Tracks:
- 'Night And Day': 'Begin The Beguine' (Jubilee)
- 'Night And Day': 'In The Still Of The Night' (Rosalie)
- 'Night And Day': 'Easy To Love' (Born To Dance)
- 'Night And Day': 'Two Little Babes In The Wood' (Greenwich Village Follies - Sixth Yearly Edition)
- 'Night And Day': 'When My Baby Goes To Town' (Something For The Boys)
- 'Night And Day': 'When I Had A Uniform On' (Hitchy-Koo 1919)
- 'Night And Day': 'I've Got You Under My Skin' (Born To Dance)
- 'Night And Day': 'Bring Me Back My Butterfly' (Hitchy-Koo 1919)
- 'Night And Day': 'Who Said Gay Paree?' (Can-Can- Unused, Nicht verwendet, Inutilise)
- 'Night And Day': 'A Fool There Was' (Rosalie - Can-Can- Unused, Nicht verwendet, Inutilise)
- 'Night And Day': 'How's Your Romance?' (Gay Divorce)
- 'Night And Day': 'My Cozy Little Corner In The Ritz' (Hitchy-Koo 1919)
- 'Night And Day': 'Don't Fence Me In' (Hollywood Canteen)
- 'Night And Day': 'Drink' (Seven Lively Arts)
- 'Night And Day': 'Night And Day' (Gay Divorce)
- 'Night And Day': 'It Was Written In The Stars' (Du Barry Was A Lady)
- 'Night And Day': 'I Concentrate On You' (Broadway Melody Of 1940)
- 'Night And Day': 'Bull Dog' (Yale College)
Customer Reviews:
Let theyself be hereby dubbed.........Best Broadway Tune Vocalist..........2007-06-21
Of my dozens and dozens of Broadway music performances, I find only one singer can be dubbed "Best." That person, Thomas Hampson, is thee. While show performers and ballad singers have all had their way with these tunes, only one is across-the-board great in them.
And whether or not these are the "best" representative songs of Porter is a moot point, something entirely up to personal taste. The point is that these songs have not been better performed by an individual male singer. It certainly doesn't hurt, either, that the great John McGlinn was on board as conductor/director (and likely strongly involved in arranging).
****
This isn't a vanity crossover project but Cole Porter with art and style.......2006-07-17
But Hampson adds to this a good deal of finesse, humor, and suavity--particularly the last. "Begin the Beguine" and "In the Still of the Night" convey the cosmopolitan asurance that is a Cole Porter trademark. There are also some bigger songs, such as "It Was Written in the Stars," where Hampson can unleash his voice at full force, a thrilling experience. I don't think there's been an opera star who's made a Cole Porter recording other than Kiri Te Kanawa, in forty years. This is a very enjoyable one indeed.
pure self indulgent garbage.......2006-04-22
Thank god, no astaire or kelly singing on this one.......2001-04-30
Cole must have been watching over this project.......2000-09-06
Rap Music:
- Chunga's Revenge [Original recording remastered]
- Daylight Tonight
- Doot-Doot [Import]
- Elephant Mountain [Original recording remastered] [Import]
- Flash and the Pan/Lights in the Night
- Freak Show [Import]
- From My Heart
- G.I. Blues
- Give Us a Wink [Import]
- Hal
Recommended Music:
Music: Habitat Collection: Fireside
So Serious About Mine [Explicit Lyrics]
Mozart: Maurerische Trauermusik K477; Symphony No31
On the Gritty & Grind [Explicit Lyrics]