Cult [Original recording remastered]

Cult [Original recording remastered]

Track Listings

1. Gone
2. Coming Down (Drug Tongue)
3. Real GRRRL
4. Black Sun
5. Naturally High
6. Joy
7. Star
8. Sacred Life
9. Be Free
10. Universal You
11. Emperor's New Home
12. Saints Are Down

Editorial Reviews

Product Description
Domestic reissue of alternative rock band's 1994 album. Digitally remastered from the original masters with expanded artwork which includes new photos & liner notes.

Cult,Cult,Beggars UK - Ada,Pop,Rock,Rock/Pop


Cult [Original recording remastered]

Pure Cult: The Singles 1984-1995
Average customer rating: 4.5 out of 5 stars
  • Join The Cult!!!!
  • CD Rocked HARD
  • The best of The Cult on one disc
  • Pure Cult The Singles 1984-1995 - Good...
  • Pure Cult: The Singles 1984-1995
Pure Cult: The Singles 1984-1995
The Cult
Manufacturer: Beggars UK - Ada
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
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  5. The Singles 81>85

ASIN: B00004STYJ
Release Date: 2000-06-06

Tracks:

  1. She Sells Sanctuary
  2. Fire Woman
  3. Lil' Devil
  4. Spiritwalker
  5. The Witch
  6. Revolution
  7. Love Removal Machine
  8. Rain
  9. In The Clouds
  10. Coming Down
  11. Edie (Ciao Baby)
  12. Heart of Soul
  13. Wild Flower
  14. Star
  15. Resurrection Joe
  16. Go West
  17. Sun King
  18. Wild Hearted Son
  19. Sweet Soul Sister

Amazon.com

The hard-rocking Cult have come along way from the early Native American stylings of Dreamtime and the dodgy goth tendencies evident on their classic album, Love. Blame Rick Rubin, who helmed Electric and steered them down the rocky road to metal heaven. This best-of collection brings together tracks from the span of their career, and is a worthy testament to their rites of passage. "She Sells Sanctuary" sounds as refreshing as it did in 1985. There are some dubious inclusions from the twilight years of their career, such as "Star" and "Coming Down (Drug Tongue)," but when they have to hold their own alongside "Fire Woman" and "Lil' Devil" it's hardly surprising that they are found wanting. --Helen Marquis

Album Description

Totally remastered, featuring 19 of your favorite Cult tracks including 'She Sells Sanctuary', 'Edie (Ciao Baby) ' & 'Sweet Soul Sister', with new artwork. Beggars Banquet.

Customer Reviews:

5 out of 5 stars Join The Cult!!!!.......2007-05-19

This CD is simply excellent! You get exactly what you pay for, so you can't possibly complain. Indeed, the title says it all: you get all the singles that you know and love from their albums between 1984 and 1995 AND you also get the singles that were NOT included in their albums, namely "Resurrection Joe" (the 80's version of Bowie's "Aladdin Sane", even going as far as including the same type of dissonant piano in the background), "The Witch" and "In the Clouds", all excellent additions.

If you're a long time fan of The Cult, I think you'll appreciate this compilation because it does include pretty much all songs you'd expect it to have, and the compilation is well made too: with a great song selection, it's hard to go wrong, and this compilation also benefits from a great track sequence, beginning with "She Sells Sanctuary" and ending with "Sweet Soul Sister". It just flows like a breeze!!! And the sound is great as well.

But I think that those looking for an introduction to The Cult are probably the ones that will enjoy this compilation the most: most people who listen to rock are familiar with at least a few songs from the band, such as "She Sells Sanctuary", "Love Removal Machine", "Sweet Soul Sister", "Edie (Ciao Baby)" and/or "Fire Woman". These songs are all here, but in addition to those favorites, you also get a wealth of extra material that is just as strong: "Sun King", "Rain", "Revolution", "Wild Flower", "Heart of Soul" and all the others included here are sure to appeal to those occasional fans that know the band only by its most popular material. My only possible observation/warning (not really a complaint...) is about the "versions" used, meaning the "single edit" thing: if you know The Cult solely by the their singles in rotation in classic rock radio, this point is not gonna be relevant to you at all (since these are the versions that normally receive airplay), but if you're a long time, die hard and finnicky fan...well, I'll leave it up to you to decide...in fairness, it was a compromise: using the radio edits meant that they were able to include ALL the singles, as the title of the compilation accurately states...

The Cult enjoyed a golden age of sorts between the release of "Electric" and the end of the "Sonic Temple" tour, simply because this was their most straight forward period, where their music, their songs, their sound and their albums (and even their image) were reduced to the most basic and this sound hit a home in the US. Before and after, The Cult managed to keep a healthy following in their native UK and other parts of the world, but struggled to keep a strong fan base in the US. This was due to a simple fact: The Cult kept evolving, reshaping their sound and their image (just have a look at their pictures in the booklet!) as their mood took them, and that was extremely difficult for fans to accept. I remember that the first song I ever heard from them was "Love Removal Machine", which I loved, and then the next thing was "Revolution"...I was a bit confused by the abrupt changes, but ultimately the quality of their music was enough to put my doubts to rest.

Many people liken their sound to a "heavy U2", and while I agree that that generalization is as accurate as any generalization can be, it applies to the band's first 2 records, "Dreamtime" and "Love", but definitely NOT to their latter output, such as the Rick Rubin produced "Electric" which harkens back to classic AC/DC, or "Sonic Temple" and some its "Zeppelin meets The Doors" overtones. Some of that early sound came back with "Ceremony" and "The Cult", but for the most part, this band simply shifted its sound every so often, which was good from an artistic point of view, but it probably backfired from a commercial perspective. For instance, right now in 2007, the band is back and in "heavy metal" mode: two guitars, bass, vocals and their heaviest drummer yet (John Tempesta, of Testament/White Zombie fame).

Bottom Line: If you're a Cult diehard, you'll enjoy this because it is very well made. If you are more of an occasional fan familiar with their "hits" and in search for a little more, this is the perfect place to start: having enjoyed their most recognizable tunes, you're sure to like the material included here. You can't go wrong with this purchase, so go ahead, dig in and join The Cult!

5 out of 5 stars CD Rocked HARD.......2007-05-16

A great compilation CD...it ROCKED, if you want to experience classic Goth Rock, this is a must have.

5 out of 5 stars The best of The Cult on one disc.......2007-03-27

THE BAND: Ian Astbury (vocals) and Billy Duffy (guitars) are/were the main members of The Cult. They've had a host of others helping in the way of other guitarists, keyboardists, bassists, and drummers.... mainly Jaime Stewart (guitar, bass), James Stevenson (guitar), Bob Rock (guitar, keyboards), John Sinclair (keyboards), Ritchie Zito (keyboards), John Webster (keyboards), Kinley Wolfe (bass), Craig Adams (bass), Charley Drayton (bass), Nigel Preston (drums), Matt Sorum (drums), Scott Garrett (drums), Michael Lee (drums), and Mickey Curry (drums).

THE DISC: (2000) 19 tracks clocking in at approximately 77 minutes. Included with the disc is a 14-page booklet containing a 6-page intro to the band and their albums, song titles/credits (no lyrics), band photos, what songs came from which albums and the year released. The songs here follow the band from 1984-1995 (as the title states). Remastered sound. Label - Beggars Banquet.

ALBUM REPRESENTATION: Dreamtime (2 songs), Love (3), Electric (3), Sonic Temple (4), Ceremony (2), The Cult (2), Unreleased (3).

COMMENTS: Still trying to figure out why The Cult has 2 differently named compilations with only 1 song being the difference between the two (this disc, and 1996's "High Octane Cult")... the two songs "Go West" (from "The Singles" album) and "Beauty's On The Street" (from "High Octane") are both simply unimportant songs. The music on "The Singles" is digitally remastered so if I'm standing in the music store with both in hand, I'll choose this one. I read decades ago that Astbury and Duffy were difficult to get along with... perhaps this is why they couldn't get 2-3 additional members to stay on a more permanent basis... seems like every album there was different personnel on supporting instruments (bass/keyboards/drums). With that being said, Astbury and Duffy wrote some great music. Covering several spectrums - rock, hard rock (some classified as metal, but I'll call it borderline metal), punk, psychedelic, and alternative. The studio albums were up and down... often times mixing some wonderful melodies, hard rocking songs, and a few oddballs that were just plain weird (and some annoying). Astbury's distinctive vocals was the first thing that hooked me in. Duffy's guitar licks were simple, but catchy (he's no Satriani, Malsteen, or Vai). As far as this compilation goes, the songs chosen are dead on accurate... I couldn't have picked them better myself. The staples are all here - including "She Sells Sanctuary", "Fire Woman", "Love Removal Machine", "Sweet Soul Sister", "Lil' Devil", "Edie (Ciao Baby)", etc. The tracks from "Dreamtime" (1984) and "Love" (1985) are very 80's in style (they could easily be inserted to any number of John Huges' movies..."16 Candles", "Breakfast Club", "Pretty In Pink"... almost Duran Duran or Haircut 100 in flavor. The later 80's and into the 90's saw The Cult in hard rock form. Even though "Sonic Temple" was the band's most commercially successful release (featuring 4 decent hits), "Electric" was always my favorite of theirs due to the break-through songs "Love Removal machine", "Lil' Devil" and "Wild Flower". The Cult always had their own sound, but if I had to put them into a category... they'd be in with the likes of Billy Idol, The Pretenders, and the Clash. With so many band member changes, each album had a slightly different feel to it... to me, this was intriguing aspect of The Cult's sound and their albums. Some great tunes here from an underrated British band. "The Singles 1984-95" is a great intro to Astbury and Duffy's "Cult" (5 stars).

4 out of 5 stars Pure Cult The Singles 1984-1995 - Good..........2007-01-10

Pure Cult The Singles 1984-1995 is a good addition for anyone that is forming a "Music that I will be listening to 20 years from now" library. I'll be keeping it for life. I finally have Wild Flower & Lil Devil on CD and I am not letting go of this CD for those two reasons for starters!

5 out of 5 stars Pure Cult: The Singles 1984-1995.......2006-11-10

Memories of "big hair" 80's and the mullet. Great album, a band ahead of its time that didn't fit the 80's pop metal scene.
Don't Fear the Reaper: The Best of Blue Öyster Cult
Average customer rating: 4 out of 5 stars
  • Great Classic Rock
  • I had forgotten how good it was
  • Workshop of the Telescopes Is Better
  • Stay Away From All BOC Compilations
  • Missing Key Songs...
Don't Fear the Reaper: The Best of Blue Öyster Cult
Blue Oyster Cult
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Pop | Styles | Music
Pop RockPop Rock | Pop | Styles | Music
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Album-Oriented Rock (AOR)Album-Oriented Rock (AOR) | Classic Rock | Styles | Music
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ASIN: B00004HYKZ
Release Date: 2000-02-08

Tracks:

  1. Cities On Flame With Rock And Roll
  2. The Red & The Black
  3. Flaming Telepaths
  4. Astronomy
  5. This Ain't The Summer Of Love
  6. (Don't Fear) The Reaper
  7. I Love The Night
  8. Goin' Through The Motions
  9. Godzilla
  10. In Thee
  11. The Marshall Plan
  12. Black Blade
  13. Joan Crawford
  14. Burnin' For You
  15. Shooting Shark
  16. Take Me Away

Customer Reviews:

4 out of 5 stars Great Classic Rock.......2007-04-11

This collection of BOC'S hits are mind blowing. Great Classic Rock cd, that you can listen to over and over again. I love the song Don't Fear the Reaper and my main favorite is track four on the cd.

5 out of 5 stars I had forgotten how good it was.......2007-01-09

This is really something to remember the old rock'n roll times by.

4 out of 5 stars Workshop of the Telescopes Is Better.......2007-01-09

Blue Oyster Cult is a group that nearly has no genre. Much of their early music, only a little of which appears in this compilation, is hard rock with flashes of progressive rock. Most startling are their lyrics, sometimes almost comedic, typically creatively bizarre, and just as frequently so eclectic as to be incomprehensible.

With the success of "Agents of Fortune" Blue Oyster Cult's music changed to a milder rock style, and in some cases, pop. The titles often remain bizarre, such as "Veteran of the Psychic Wars," and the lyrics also remain challenging and unusual, but the music itself is softer.

Consider, for example, "Goin' Through the Motions." This music sounds like something Foreigner might have created rather than the group that created "Harvester of Eyes" and "Flaming Telepaths." Even mellower is "In Thee," which I consider the mellowest song in this collection. This song is romantically beautiful, and somewhat un-Cult.

While I've focused somewhat on the more uncharacteristic songs in this collection, I would be remiss if I did not point out one of the best songs in this collection, "Shooting Shark." This song, from 1983's "Revolution by Night," is somewhat a product of its time, featuring electronics and an early 80s sound, and yet, it contains that spark that has always been at the heart of BOC's best music.

Blue Oyster Cult was formed in 1967, and released an album as recently as 2001. While they were likely strongly influenced by a variety of groups, they have also influenced a variety of musical styles that range from current hard rock to nu-metal or thrash. The length of Blue Oyster Cult's career is barely touched in this sixteen song collection. An even better collection is the two disk compilation "Workshop of the Telescopes," which contains thirty two songs. Once you have listened to that phenomenal collection you may find that you want to purchase Blue Oyster Cult's original albums.

Now comes a question. For sound, buy this CD or "Workshop of the Telescopes"? If you have a high end system and you can readily tell the difference between a remastered CD and the original, and you prefer remastered, then do buy this one. On the other hand, if you have an el cheapo stereo and you can only sometimes tell a remastered CD, then "Workshop of the Telescopes" is a better bet.

Blue Oyster Cult has an array of enjoyable music and this CD gives you a very small sample of that music. If you are unable to find "Workshop of the Telescopes" or you just want a very small flavor of Blue Oyster Cult, then buy this CD. Otherwise, pass this one by for the better options.

1 out of 5 stars Stay Away From All BOC Compilations.......2006-12-10

The problem with any BOC package is they try to combine music from a band the was the coolest group between 1971-74, and a commercial group that produced some of the lamest music I've ever heard. This package only includes 4 songs from their legendary first 3 albums, 11 cuts from their commercial period. If your new to BOC, your have to understand, earlier in their career, they were as good as a hard rock act as there was. They combined top flight muscianship, with cleverly crafted melodies and riffs. The comparasons to Sabbath are only partially accurate in describing their style, because BOC played a more dynamic and colorful range of tunes. In fact, musically, I'd say they had more in common with Deep Purple, particulary in the guitar department. Buck Dharma was simply the most under rated guitar player....ever. Clapton was God, Hendrix was flamboyant, Page was a genius, Blackmore was tempermental, Johnny Winter was an albino, Leslie West was fat, and Buck Dharma, well he just looked like a working-class stiff, but man could that man jam! The rhythm section was propulsive, they played organ when appropriate, and all of the songs had hooks. They were rare then, and they'd be rare today, a hard rock outfit with strong pop sensibilities. So much so, you have to wonder if Eric Bloom and Jeff Lynne aren't the same person? At any rate BOC perfected their attack on Secret Treaties, and rapidly lost their commitment to rock n' roll during Agents fo Fortunes and all albums there after. The other Best of... package to avoid is Workshop of Telescopes. Eventhough it has a better song selection, the songs haven't been remastered and many of the versions are from poorly recorded live and promo albums. Instead of going for a compilation, I strongly recommend purchasing any one of the recently remastered first 3 albums, which sound dramatically better than the originals.

4 out of 5 stars Missing Key Songs..........2006-12-02

Another BOC compilation (aahk!!). Again, missing key songs. This is likely their best compilation because it's remastered, but it's appauling that it's missing some really key songs. I don't know about you, but I always thought these songs would have to be on a BOC best of: "Hot Rails to Hell", "Moon Crazy", "Perfect Water", "Dancin' in the Ruins" and "The Golden Age of Leather". There could be more songs, too. I think it's time that BOC just puts out a mega box set of remastered tunes like Kiss and Judas Priest have.
Love
Average customer rating: 5 out of 5 stars
  • A release that defies musical classification with its brilliance
  • the one i can't quit....
  • A great album!
  • There was more to the 80's than U2...
  • As the wall gets taller as you get smaller yeayah!
Love
The Cult
Manufacturer: Beggars UK - Ada
ProductGroup: Music
Binding: Audio CD

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  1. Beyond Good and Evil
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ASIN: B000007VCM
Release Date: 2000-03-07

Tracks:

  1. Nirvana
  2. Big Neon Glitter
  3. Love
  4. Brother Wolf Sister Moon
  5. Rain
  6. Phoenix
  7. Hollow Man
  8. Revolution
  9. She Sells Sanctuary
  10. Black Angel

Album Description

Domestic reissue of alternative rock band's 1985 album. Digitally remastered from the original masters with expanded artwork which includes new photos & liner notes. Beggars Banquet.

Customer Reviews:

5 out of 5 stars A release that defies musical classification with its brilliance.......2007-07-26

This album was without question one of the finest releases of the 80s. I'm not sure what genre it belongs in but The Cult Love is perfection. Its almost laughable that every track is just unrealistically awesome. When you close a perfectly executed album with Black Angel you have entered the musical heavens. This album stands the test of time as a absolute classic and deserves its ranking completely. Electric and Sonic Temple are classics of their own, but they never topped this release (AND WHO COULD!) Unreal.

Honestly... picking a favorite song on this CD would be ridiculious and stupid. Close your eyes and drop a finger on the track list. You'll be right.

5 out of 5 stars the one i can't quit...........2007-07-16

I quickly collected all the cult (Southern Death and the Holy Barbarians, also); LOVE is the one I keep going back to. There are few singers who have a voice and inflection that can become a musical instrument. All these albums need to be played loud and on nice equipment to be appreciated. Billy Duffy and James Stewart are phenominal. The drummer for this venture is, in my opinion, one of thier best. I'm not getting up to see who, just trust me, he is all over the place. If you want to get the the merging of the Goth Cult towards the Electric, get this. Then go and get them ALL!

5 out of 5 stars A great album!.......2007-06-27

Described by some as having a more "psychedelic sound," I think this is one of The Cult's best albums. The songs have a somewhat esoteric and ethereal thing about them. My favourite? "The Phoenix." It has such a driven feeling to it. "Brother Wolf, Sister Moon" is haunting and austere. Ian Astbury's performances are always excellent, and the musicianship is right on par.

5 out of 5 stars There was more to the 80's than U2..........2006-07-03

As a longtime U2 fan, I believed that there was precious little else in the mid-80's. But this CD proved me wrong. While this is clearly an 80's production with all the sheen of the era, these songs are far stronger and diverse in scope. Not a bad song on the disc either. "She Sells Sanctuary" was the biggest hit (and still gets airplay!), but in reality most of the songs are even better.

Buy this CD, and forget about all the weak, contrived crap the 80's usually gave us. And give your U2 CD's a rest...

5 out of 5 stars As the wall gets taller as you get smaller yeayah!.......2006-05-20

Watching Jimmy Kimmel Live recently reminded me of this album and the Cult (They performed "She sells sanctuary" on his show about a week ago.) In 1987, a buddy of mine had seen them backing up Billy Idol in support of the "Electric" album. My friend couldn't stop talking about how great this band was (they apparently destroyed the set after their "set" and had a remake of Steppenwolf's "Born to be Wild"), well the next day, my friend bought "Electric" and forced me to listen, and frankly, I have been hooked ever since.

"Love" is a "modern rock" classic (note, I said "Modern" Rock classic, and not "Rock" classic, fans of Zepplin, the Doors, the Stones etc, need not apply to this genre of music, 'modern' rock is a space reserved for the likes of The Cure, The Smithereens, U2 (pre-"Joshua Tree"), Jesus and the Mary Chain, Siouxxe and the Banshees, etc...) in that vein, Love helped define an era of modern rock music, in fact "She Sells Sanctuary" literally powered the summer of 1985.

If you're looking for an album to have a serious retrospect of modern rock from the 1980's, your collection needs to start with Love. It's a sure-fire can't miss album that still sounds fresh today... Love rules!
Cult Cargo: Grand Bahama Goombay
Average customer rating: 5 out of 5 stars
  • "Numero Uno" among the Numero Uno comps..
Cult Cargo: Grand Bahama Goombay
Various Artists
Manufacturer: Numero
ProductGroup: Music
Binding: Audio CD

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ASIN: B000OONOZA
Release Date: 2007-05-08

Tracks:

  1. Gonna Build a Nation - Cyril Ferguson
  2. I Am the Man For You Baby - Jay Mitchell & the Mitchellites
  3. Gimme Some Skin - Frank Penn
  4. Words To My Song - Dry Bread
  5. Goombay Bump - Jay Mitchell
  6. Don't Touch That Thing - Sylvia Hall
  7. Watcha Gonna Do 'Bout It - Mustangs
  8. Gimme Some Skin - Frank Penn
  9. Take Five - Ozzie Hall
  10. Tighter & Tighter - Jay Mitchell
  11. The Time For Loving Is Now - Mustangs
  12. People Won't Change - Willpower
  13. Funky Fever - Jay Mitchell
  14. Theme From Shaft - Esquires Ltd.
  15. Honesty Is the Best Policy - Gospel Chandeliers
  16. Mustang Sally - Jay Mitchell

Amazon.com

One of the real boons of the digital revolution has been the steady reissuing of vintage recordings and unearthed gems. The music from Africa and the Caribbean have yielded more than its fair share of goodies, none better than Cult Cargo: Grand Bahama Goombay, a 16-song collection featuring an array of local artists who recorded between 1968-76 for the Freeport-based GBI label. The music is deeply influenced by the funk of Sly and the Family Stone, Otis Redding, and James Brown with touches of gospel, calypso, and jazz thrown in. Ozzie Hall's version of the Dave Brubeck hit "Take Five" is an oddball treat. Never mind that 99% of music buyers will not recognize the names of the artists here, the music is warm and vibrant, filled with a myriad of hip-swaying grooves, soulful singing, and catchy songwriting. Another chapter in the Cult Cargo series, this collection may be the best one yet. --Tad Hendrickson

Customer Reviews:

5 out of 5 stars "Numero Uno" among the Numero Uno comps.........2007-07-19

OK, I'll just spit it right out. To me, in terms of quality, this ranks right up there with the soundtrack to "The Harder They Come." That's the highest praise I know to give. Thumpin' gumbo of soul, funk, reggae and various Caribbean styles. Guitar riffs and Hammond chords abound. Some interesting covers, especially "Theme From Shaft" and "Take Five." Purists will note that Ozzie Hall leaves out about a fourth of Paul Desmond's notes from "Take Five" but you should enjoy it plenty nonetheless. "Shaft" is more interesting if you don't quite realize it is "Shaft." Without reading the track listings first, I thought to myself, gee this sounds a bit like Shaft without lyrics. Then it came: "Who is the man...." Big smile! "Don't Touch That Thing" from Sylvia Hall is a great piece of sister to sister advice. The subterranean bass vocals in "Whatcha Gonna Do 'Bout It" provide a nice counterpoint to the rest of the song. We get some contemporary social commentary of the period in "Build a Nation" and "People Won't Change." My favorite track is "(Somebody Stole) The Words to my Song." Indeed the lyrics are brief and repetitive, like someone did lift a few of them , but what a rhythm!!! A couple of the songs such as "Don't Touch..." are not up to the recording quality of the others, so the production is not uniform. And, among the latter tunes, we get some long jams that don't quite fit the mold of the other material. But these are minor complaints, this is smokin' this is movin.'
Sonic Temple
Average customer rating: 4.5 out of 5 stars
  • Among the best Rock albums ever made
  • great album
  • Big hits, great riffs and some stunted stiffs
  • They don't make 'em like this anymore
  • Sonic Temple
Sonic Temple
The Cult
Manufacturer: Beggars UK - Ada
ProductGroup: Music
Binding: Audio CD

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  1. Beyond Good and Evil
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ASIN: B0000085N4
Release Date: 2000-03-07

Tracks:

  1. Sun King
  2. Fire Woman
  3. American Horse
  4. Edie (Ciao Baby)
  5. Sweet Soul Sister
  6. Soul Asylum
  7. New York City
  8. Automatic Blues
  9. Soldier Blue
  10. Wake up Time for Freedom
  11. Medicine Train

Album Description

Digitally remastered reissue from the original masters with expanded artwork which includes new photos & liner notes. Beggars Banquet.

Customer Reviews:

5 out of 5 stars Among the best Rock albums ever made.......2007-07-09

I love this album. It takes me back to a time when Rock gods still walked the earth.

Though all the songs are worth listening to, "Edie" is my favorite. I can almost see the woman the song is being sung too. Melancholy, you bet. Though I've officially played it enough times now to drive my wife batty and had to remove the CD from the player, the song is still capable of producing tears.

If you like bands that effectively produced that "wall of sound" experience, you'll like this album.

5 out of 5 stars great album.......2007-05-22

The Cult are an awesome band and im glad their back. This album shows why they are such an amazing band.

4 out of 5 stars Big hits, great riffs and some stunted stiffs.......2007-04-04

Sun King.

Fire Woman.

Nuff said really, the aforementioned tunes being towering masterpieces of rock. It just doesn't get any better than these two great tunes, both of which climbed the charts in various territories.

The Cult came to prominence with this, their masterpiece (sort of) album. Cranking out riff driven hard rock numbers that are contemporary with the hair metal daze but quite apart from them they created a far more restrained beast. Ian Astbury has soulful lyrics and a soulful smooth voice to match. His vocal register certainly isn't deep but it's rich and is full bodied - he's no high end strainer.

As for the music it's riff driven but the riffs aren't overpowering, Bill Duffy seeming not to suffer from an ego problem - his riffs here are pretty darn good but they are part of the music, not THE music. The production is handled by Bob Rock with Mike Fraser doing the recording - so you know that aspect will be great and we also get a guest appearance from Iggy Pop of all people.

Apart from the aforementioned awesome tracks this album is blessed with the hook laden American Horse and the beautiful Edie (ciao baby). Sweet Soul Sister is also pretty nice though the following track, Soul Asylum is a touch too similar. New York City has plenty of life and the Iggy Pop guest slot as well as fast and mellow sections that spark thing up quite a lot.

The only real downside for this reliably good album are some of the later tracks don't quite match the excellence of the first few. There are a few good sections of songs but overall they don't quite wash. As funky as Automatic Blues is I just can't warm to it overmuch and the last couple of tracks are just below par, no other way of putting it. Which is a pity as they drag down an otherwise stellar hard rock 'n' roll release from a band that always seemed somehow distinct from the ditzy bright neon light rawk bands.

All up I'd recommend picking this up as it's their best album and not at all tainted by the era it was born in. In fact when they played Australia Big Day Out festival in '96 they blew the alterna rock bands off the stage with clear and concise riffing and quality rock. Respekt...

5 out of 5 stars They don't make 'em like this anymore.......2007-01-31

Damn, this is good rock & roll. In my mind there are four classic balls-out guitar-rock (is there any other kind?) albums: Van Halen's first, Back in Black, Appetite for Destruction, and Sonic Temple. And of them all, Sonic Temple probably rocks the hardest. It's a solid wall of buzz-saw, multi-tracked guitars. And it's not just a jam-fest: the songwriting is top-notch (except for the weak "New York City"). I used to put this CD on to get stoked before I went into the gym. Almost twenty years later, it hasn't aged one bit.

5 out of 5 stars Sonic Temple.......2007-01-17

This is the album that divided the fans back in the day. My goth friends thought they had sold out with this album and the people who love metal thought it was too weird. I on the other hand, like all kinds of music and thought this was the best hard rock album of the late 80's. It was loud and bombastic, it put all of the other bad metal bands like poison, skid row and other to shame. This album is why Metallica picked Bob Rock to produced their black album.
The Meaning of 8
Average customer rating: 4.5 out of 5 stars
  • the dead are breathing birthday balloons
  • Floating on a musical cloud
The Meaning of 8
Cloud Cult
Manufacturer: Rebel Group
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
Indie RockIndie Rock | Indie & Lo-Fi | Alternative Rock | Styles | Music
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Similar Items:
  1. Advice from the Happy Hippopotamus
  2. We Were Dead Before the Ship Even Sank
  3. Aurora Borealis
  4. The Good, the Bad & the Queen
  5. The Reminder

ASIN: B000NQR7RK
Release Date: 2007-04-10

Tracks:

  1. Chain Reaction
  2. Please Remain Calm
  3. Chemicals Collide
  4. Pretty Voice
  5. Brain Gateway
  6. Take Your Medicine
  7. Your 8Th Birthday
  8. Dance For The Dead
  9. Everywhere All At One Time
  10. Purpose
  11. A Good God
  12. The Shape Of 8
  13. The Girl Underground
  14. 2X2X2
  15. Thanks
  16. Alien Christ
  17. The Deaf Girl'S Song
  18. Hope
  19. Song Of The Deaf Girl

Album Description

With this record, Cloud Cult is looking to build on their last release, "Advice From The Happy Hippopotamus", of which the band sold more than 8,000 copies by doing most of the distribution themselves. "Cloud Cult ooze whimsical indie rock like Modest Mouse on lithium" - Village Voice. "Along with Grizzly Bear, Of Montreal, The Decemberists...Cloud Cult steps into the misty realm of indie chamber folk-pop" - LA Times. "It is a true feat to make music that gives hints about the meaning of life without ever sounding preachy, saccharine, or cloying" - Aversion.com. For fans of The Flaming Lips, Sufjan Stevens, Modest Mouse, Bright Eyes.

Customer Reviews:

5 out of 5 stars the dead are breathing birthday balloons.......2007-06-27

The first time I ever heard Cloud Cult I looked up a few of their songs online. Their music didn't really strike me, it didn't stick out. It was good, but it wasn't anything great. I looked them up because a good friend of mine who usually has the same taste in music as me told me I would like them. I was attending a show of theirs at Macalester College in St. Paul a few days later and I wanted to get a taste of their music first. All I have to say is if you ever get a chance to see Cloud Cult live, take it. Take it. Take it. Take it. The band has such great energy on stage and everyone involved in the show was so warm and friendly. I talked to the woman at the CD stand and we had a discussion about Cloud Cult's usage of recycled paper for their CD inserts, and how everything Cloud Cult does and makes is environmentally friendly. Their music is amazing in real life, and the fact that they have two people painting throughout the whole ordeal is really cool, too.

Now onto the music, the CD "The Meaning of 8" which I'm sure is the reason you are reading this right now. You want to know why you should buy the CD, why it's anything special, etc. etc.

Cloud Cult is like no other band I've ever heard. Their music is innovative, inspiring, and most of the time, it's fun! I really enjoy listening to Cloud Cult because their lyrics are creative and intelligent. A lot of Cloud Cult's music is inspired by Craig and Connie's loss of their child Kaidin (Craig is the lead singer and main songwriter, Connie is one of the artists). This is the basis of the song "Your 8th Birthday" and Connie writes in her bio on their website:

"Cloud Cult is a uniquely beautiful entity created and shaped by my
husband Craig. Many of Cloud Cult's songs are intensely personal to me.
They are literally our journey through grief and loss. I find sadness
and beauty in them and look forward to each new song and look forward to
each new day. Life is truly a gift!"

The lyrics on "The Meaning of 8" are also based off of their personal beliefs involving spirituality, relationships, life, and nature.

My favorite songs are probably Chemicals Collide, Take Your Medicine, and Please Remain Calm. The CD is really good at the beginning, and as it nears the end the music gets a little blander. But with 19 songs total, I guess you can't expect every one of them to be mind-blowing.

I'd suggest looking up their lyrics online and listening to the song excerpts to get a taste of Cloud Cult's music before you buy the CD. Craig's voice is beautiful, but it's very unique, so I can see how it wouldn't appeal to some people. The strings are beautiful and can add a haunting effect to the music. The harmonies on some songs are also very well-done. It's not the most musically sophisticated CD ever, but Cloud Cult does a really good job of incorporating different sounds, and manipulating them to make beautiful music. This is one of my absolute favorite CDs. "Advice From the Happy Hippopotamous" which is their other CD is really good, but I definitely think this one is better, so if you're looking for some Cloud Cult, between the two, I'd say pick this one.

4 out of 5 stars Floating on a musical cloud.......2007-03-17

One of the most interesting musical finds I have had in quite some time; this is not your typical indie band...not by a long shot. Cloud Cult and the band's self-created record label, Earthology Records have shunned major label attention and continue to work from their geothermal energy powered organic farm as a not-for-profit music centered environmental and philosophical movement. Not exactly the normal indie band bio.

One reason Cloud Cult has remained independent is the band's dedication to being eco-friendly. Concert tours are made "green" by countering CO2 emissions from travel with acres of tree planting, purchasing wind power credits to power the stages and equipping the tour van with solar panels.

In the early 90s founder and front man Craig Minowa was pursuing his degree in Environmental Science and doing every sort of odd job (Including dressing up as Barney the dinosaur for children's parties) to stay afloat while pursuing the music dream. His first release was under the name The Shade Project in 1995. Such was the budget that Minowa used pots, buckets, couch cushions and whatever else he could find to make sounds for instruments he couldn't afford.

In 2000 Minowa released Who Killed Puck as the Cloud Cult. But without any funds to market the album his financial situation became worse. His son, Kaidin, was born shortly after, marking Cloud Cult's transition away from live performances and into strictly a studio band. Minowa spent most of the next two years focused on his family and environmental work. In 2002 his son unexpectedly died and his marriage crumbled in the wake of that grief. At that point Minowa threw himself completely into music as a way to deal with the tragedy. Five years later the Cloud Cult is a fully formed touring multimedia experience with six albums to their credit. Side note, Minowa also reconciled with his wife and she tours as a visual artist with the band.

No doubt the Cloud Cult has an interesting and unique story which brings us to their newest album The Meaning of 8. Imagine what would happen if The Flaming Lips and The Decemberists decided to join forces, maybe throw in Neutral Milk Hotel and Beck as well. Stylistically the band reminds me of The Cure. Vocally Minowa has a lot in common with Robert Smith and many of the darker guitar sounds take me back to those gothic Cure discs.

Beautiful strings abide in odd harmony with crunchy guitar and electronica. Hip hop and dance beats flow into acoustic guitar. Somewhat off-kilter melody dissolves into bell parts. It is dense and intense, constantly changing and totally engaging. There is no one style here; it truly is a bit of everything. But instead of being distracting it somehow works together very well. Not many artists could pull this off.

According to the band, the lyrics on The Meaning of 8 compare religions and philosophies from around the world with Carl Jung's theories of universal symbolism and the collective unconscious. That statement sounds incredibly heavy handed, but in reality the mood of the disc, while always intense, is not preachy or over the top. It never seems oppressive.

For example the song Take Your Medicine offers up; "You can take it in stride, or you can take it right between the eyes / Suck up, suck up and take your medicine / It's a good day, it's a good day to face the hard things." The song has it all; a great hook, relentlessly catchy music and interesting harmony with a killer middle eight full of bells and chimes.

I would be remiss if I didn't also mention Cloud Cult's 2005 release Advice from the Happy Hippopotamus. It is every bit the equal of the new release with a slightly more dance beat, hip hop fuzz sound. I can't really say which disc is better; they both are really very good. My advice is to buy them both, you won't be disappointed.
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Mahler Symphonies: An Owner's Manual (includes 1 CD)
  3. The Young Person's Guide to the Orchestra (Book & CD)
  4. What to Listen for in Music
  5. Study of Orchestration, Third Edition

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Spectres
Average customer rating: 4 out of 5 stars
  • Haven't heard for 30 years........
  • CLASSIC BOC
  • Great remaster but a bonus track that should have been included
  • A Rock-Noir Classic
  • Gets better with time...
Spectres
Blue Öyster Cult
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B000ECXV1E
Release Date: 2007-02-13

Tracks:

  1. Godzilla
  2. Golden Age Of Leather
  3. Death Valley Nights
  4. Searchin' For Celine
  5. Fireworks
  6. R.U. Ready 2 Rock
  7. Celestial The Queen
  8. Goin' Through The Motions
  9. I Love The Night
  10. Nosferatu
  11. Night Flyer
  12. M For Murder
  13. Please Hold
  14. Be My Baby

Customer Reviews:

5 out of 5 stars Haven't heard for 30 years...............2007-07-15

and is better than what I remember. Why? I purchased this on 8-Track when I was seventeen years old. What the heck do we know at 17 right? Then, I can remember being a little let down. Yes, Godzilla was great and RU Ready to Rock as initial standouts. But being an ON YOUR KNEES fan, it seemed a little less rocking even compared to AGENTS. What I had forgot about are a couple of the great forgotten tracks like Death Valley Nights, Nosferatu, I Love the Night and even the popish Fireworks. What I believe now is that it is very comparable to AGENTS. I also believe the first two bonus tracks are very good {Night Flyer and M for Murder} and Please Hold is OK. If the first two would have been included in the original I believe it could've held it's own with AGENTS. I stopped the disc before the Ronnette's cover. I just couldn't do that to myself :} All "n" all, I am very happy to purchase this again after so many years. I was fortunate to see them back in the late 70's early 80's with their laser show. Blue Oyster Cult was always one of my favorite bands and I am very happy to have purchased this gem again.

5 out of 5 stars CLASSIC BOC.......2007-07-04

A great remaster of this old classic. The extra songs included on this CD were a good addition that fit the style of this album. BOC's sound changes all the time and these songs are fun to listen to.

4 out of 5 stars Great remaster but a bonus track that should have been included.......2007-06-01

A great release, but the only reason I don't give it five stars is the ommision of the live 12" single version of "Godzilla" which is easily the best live version released. It is much more concise than the versions on Some Enchanted Evening and Extraterrestrial Live. Still, Spectres never sounded better. Let's hope that On Your Feet Or On Your Knees (2 CDs please), Cultasaurus Erectus, and Fire of Unknown Origin will be included in the next batch of reissues.

5 out of 5 stars A Rock-Noir Classic.......2007-05-13

Like all of BOC's music there is a delicious darkness to the songs on this cd. "Golden Age of Leather", "Death Valley Nights", and "I Love the Night" (just to name a few), with their re-occuring themes of mayhem and death (and just enough tongue-in-cheek), are classic Blue Oyster Cult.
It had been years since I owned this recording and am so pleased to have it back in my collection.

4 out of 5 stars Gets better with time..........2007-04-04

My previous review of BOC's mediocre "Spectres" met with such contempt that your leather pants wearin' friend from NYC has decided to placate all you ghouls and rework a more pleasing version. No doubt, "Spectres" still could have been better......but with this new remaster and additional bonus songs, I must admit I am intrigued. Alas, I will contain my frequent urge to trash this gem, lest fellow hardcore fans fly through my bedroom window at night and suck my blood dry. Down, Down I say! You Dogs!

"Spectres"

Production values on this collection are indeed much better than any previous recording. The opening track, "Godzilla" sets the house on fire with Roeser's blistering lead guitar work over dual harmony vocals. The signature vocals have always worked real well on this song, and perhaps the band should consider doing more Bloom/Roeser harmonies. Although this version of "Godzilla" is a bit campy in tone, it remains a classic. The real star of the show, however, is "Golden Age of Leather". Everything good about BOC is in this song, and it never gets tired. It's all there, guitars, vocals, lyrics, etc. "Death Valley Nights" is next and is a natural fit after "Leather". Some other highlights are the lush "I Love the Night", (one of my fav BOC tunes) and "Nosferatu". The rest of this collection is very pop in tone, and sounds outdated. What balances out weak songs such as "Searchin' for Celine" and "Celestial the Queen" are the new bonus additions such as "Night Flyer" and "Dial M for Murder" which are just as good if not better than anything else Cult did in this period. Perhaps not surprisingly, "Be My Baby" makes it onto this as a bonus; back in '77, probably sounded like a great idea.. but today considered a corny song for BOC to cover.

This collection is worth buying, if just for "Godzilla","Golden Age of Leather", "Death Valley Nights" and "I Love the Night". "Spectres" holds its own with the classics, although it doesn't hold up to BOC's other works in the 1970's. Due to the passage of so many years, many of the things that so displeased me about this record seem to slowly fade away, and some of the cheesy pop tunes become forgivable when thought of in the context of the time period: Disco was hot, rock was not.

Electric
Average customer rating: 4.5 out of 5 stars
  • The best Rock group of the 80's!
  • classic
  • ROCK ON!!!
  • What a cool CD!!!!!!!
  • A great rock album!
Electric
The Cult
Manufacturer: Beggars UK - Ada
ProductGroup: Music
Binding: Audio CD

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ASIN: B000007WNN
Release Date: 2000-03-07

Tracks:

  1. Wild Flower
  2. Peace Dog
  3. Lil' Devil
  4. Aphrodisiac Jacket
  5. Electric Ocean
  6. Bad Fun
  7. King Contrary Man
  8. Love Removal Machine
  9. Born to Be Wild [*]
  10. Outlaw
  11. Memphis Hip Shake

Album Description

Reissue digitally remastered from the original masters with expanded artwork which includes new photos & liner notes. Beggars Banquet.

Customer Reviews:

5 out of 5 stars The best Rock group of the 80's!.......2007-06-29

The Cult is on every plane the most underated Rock group of the 80's. This was in my opinion their greatest effort. Electric influenced many more of the best rock groups to follow this 1987 release. Soundgarden, Guns, Alice In Chains. All of these groups were major commercial successes. I don't really know why The Cult never hit bigger. True they weren't as commercial looking as the other groups with they're more gothic look...best way to say it is they were definately before their time. They brought a RAW, ernergetic, original sound to a glam,hairsprayed,polished sound and look of the 80's rock groups. My favorite's off of this A - - kicking album are ...the whole damn album!!! "Electric Ocean" is a killer smash of a tune, I love Ian's voice on anything...on this album he was just GREAT! Peace Dog is also a killer song. There is Great guitar throughout this entire album. "Love Removal Machine" is probably my favorite...it's very hard for me to say that because i love the whole thing. "Lil' Devil" is also a tune that helped me wear out a cassette tape as one of the other reviewers hadsaid he had done also. "Outlaw" could be this groups anthum! Also give a listen to the harder version of "born to be wild"....5 star high energy kick a - - Album!

5 out of 5 stars classic.......2007-06-24

i have worn out two audio casette tapes of this album and just got the cd a couple weeks ago.great from begining to end.simply great.

5 out of 5 stars ROCK ON!!!.......2007-05-22

If you want ROCK OUT like there is no tommorw put this awesome album on and crank it up.

5 out of 5 stars What a cool CD!!!!!!!.......2007-03-15

The Cult are cool and the best rock band from the 80's. Rick Rubin is the best producer in the biz. If my band,UGLYHEAD,wanted to pick a big time producer,Rick would be it! Ian is a great lead man and Billy Duffy is a great gutiar player!!!!!!

5 out of 5 stars A great rock album!.......2006-12-13

I found this album in a sewer when I was 13. The tape was all wet with sewer juice through the case. I had heard of the Cult and the name had sparked a ideal of dirty, nasty rock that my mom would not want me to have. But apparently the devil interviened and I got a hold of this SLEAZE ROCK GEM. So I shook loose the sewer juice and popped it in and left it in for weeks.
Here it is almost 20 years later and I still love it!!!
"King Contrary Man" is one of the best hard rock tracks of all time. Fighting music, kid.
Some Enchanted Evening
Average customer rating: 4 out of 5 stars
  • Ditto....Astronomy & E.T.I. recorded in Columbus, GA not Atlanta
  • Kick out the jams!
  • BOC LIVE!!!
  • At long last...
  • Good re-release but perfectionists look elsewhere
Some Enchanted Evening
Blue Öyster Cult
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B000ECXV1O
Release Date: 2007-02-13

Tracks:

  1. R.U. Ready 2 Rock
  2. E.T.I. (Extra Terrestrial Intelligence)
  3. Astronomy
  4. Kick Out The Jams
  5. Godzilla
  6. (Don't Fear) The Reaper
  7. We Gotta Get Out Of This Place
  8. Me 262
  9. Harvester Of Eyes
  10. Hot Rails To Hell
  11. (This Ain't The) Summer Of Love
  12. 5 Guitars
  13. Born To Be Wild
  14. We Gotta Get Out Of This Place

Customer Reviews:

4 out of 5 stars Ditto....Astronomy & E.T.I. recorded in Columbus, GA not Atlanta.......2007-07-26

I think the cd/dvd is great...glad to see some nostalgic video footage... Thanks to JP Zappa Fan for pointing out that "E.T.I." and "Astronomy" are actually from a show in Columbus, GA," ....You are absolutely right..I was there..still have my ticket stub.....prior to the show an automobile accident occurred wherein a BOC tour 18 wheeler plummeted into the Chattahoochee river in Columbus taking with it alot of BOC gear, i.e. laser lights, Godzilla blowup dolly and God knows what else. It threw the band off schedule and they did not actually play the scheduled night but did the show later in the week... A little bit of nostalgia for the old folks.... Great CD..buy it.

4 out of 5 stars Kick out the jams!.......2007-07-21

This new release of Blue Oyster Cult's - Some Enchanted Evening on CD is just what I was looking for. My original cassette tape had been in action for over 25 years and it died on me. Since this is one of my favorite albums I jumped at the chance to get this disc and I'm very satisfied with it. My only complaint would be that most of the songs added to this release (the first 7 songs are the original album) don't sound as good. The lead guitar isn't as piercing. Tracks 8 and 9 are great but the material recorded from the Detroit concert isn't very good. The lead guitar is toned down. I WAS STILL VERY HAPPY TO GET THIS BACK INTO MY COLLECTION. I would have bought it for the orignial tracks 1 to 7. Getting the rest was a bonus. The DVD's picture quality kind of sucks. Hey! It was the late 70's. I shouldn't expect so much.

4 out of 5 stars BOC LIVE!!!.......2007-04-07

I love BOC and have all their cd's... This is one of my favs. Starts with RU ready to rock, and astronomy is one of the best versions out there. Godzilla is good, and DFTR is the quintessintial version. Great sound and great lead guitar. The inclusion of the animals tune is fantastic, and with the extras now tacked on (Born to be wild is awesome), this is a great live document of a great live band. The dvd is extra filler - but is still good stuff considering the lack of decent live boc. Careful to not let the laser hit your eyeball when you listen to this cd... it is great!!!

5 out of 5 stars At long last..........2007-04-04

Rarely do I grant 5 stars to a CD. But this one has earned it. Initially released as a cut- up mini live album in the late '70's, Some Enchanted Evening finally gets it's due, with the full length treatment. A definitive live collection from a hard touring band, concert versions of "ME 262" "Harvestor of Eyes" and "Born to be Wild" had me salivating like a Pavlovian dog. I felt as if I were right there at the concert. Buck Dharma's lead guitar lines pierced my ears like 10,000 needles. This is BOC the way you remember them, laser light shows, full throttle energy, and Loud. After seeing the band perform countless times in the '80's and '90s, it just seems to me that there was a certain chemistry with the 5 original members. Listen carefully to the interaction between bass and drums. then filter in the guitars and then vocals. An amazing experience. Classic.

4 out of 5 stars Good re-release but perfectionists look elsewhere.......2007-04-03

I must say that I don't understand some of the criticism of this DVD!!! I think it deserves at least 4 stars simply because of the era in which it was recorded/filmed. Not only is it far superior to the "Live in 1976" BOC DVD, I can easily think of a dozen DVDs from the late 1990s to today that don't sound or look as good as this one. So, you obsessives used to modern releases need to get over yourselves when it comes to the limited quality of much of the stuff from the 60s, 70s and even early 80s and appreciate it for what it is. Remember, not every band had Led Zep's or the Stone's recording budgets!!

As for the new version Of "Some Enchanted Evening"....where to begin!!! I was quite excited to hear of its release not only because it's one of my favorite BOC albums; I was at the Fox Theater show in Atlanta that two of the songs were recorded at. So, naturally, I was curious as to where the bonus tracks were recorded, but, even more importantly - where the DVD was filmed!!!

And, therein begins the problem!! First, I think someone wasn't paying close attention to the original record because only 2 songs on the original are from Atlanta; "R.U. Ready 2 Rock" and "Kick Out the Jams" - "E.T.I." and "Astronomy" are actually from a show in Columbus, GA, 2 nights earlier.

But, according to the new booklet, all 4 are from the Atlanta show!! Oh well, I could make some joke about Yankees thinking Atlanta IS all of GA, but I think this is a simple oversight on someone's part. One thing I DO know is that they are the EXACT SAME recording of "Astronomy", good `ole Buck Dharma never plays the exact same solo twice, I don't think he can!! So either the original release, or this new one, is wrong. And considering the original 1978 release had the name of the venue as well as the date and city, I'm betting on it's correctness over this new re-release!!! And, to answer my initial question, none of the additional tracks are from my Atlanta show and the DVD was filmed in Landover, MD.

And my initial viewing of the DVD may help to explain some of the bad reviews......as much as I love BOC I have to agree that it's not all THAT good!!! But, disagreeing with the other reviews, I don't think it has anything to do with the quality of the sound or look; it's the performance of the band itself that's off!!!

Bands, like everyone else, have good days and bad days and Zappa himself once commented that contracting to record and/or film was almost a curse because, inevitably, someone would be sick that night or just having a bad day. A perfect example of this is Led Zeppelin - as good as "Song Remains the Same" is, anyone who has seen the new DVD 2-disc box know that the band was absolutely ON FIRE that night in 1975 at Earl's Court. So much so that it clearly shows in the filmed performance.

This BOC DVD, on the other hand, is the complete opposite and the band clearly wasn't "on" that night. Too bad they didn't film one of the GA shows; the Atlanta show, even almost 30 years later, stands out in my mind as the best of the 5-6 times I saw them and the "Astronomy" on the CD (from Columbus remember, not Atlanta) is THE single best version of that song I have ever heard.

And, to those who are complaining about the lack of "Reaper" and "Godzilla"...I say SO WHAT, it's not like we don't have 5 thousand versions of those 2 songs already!! I think it's great just finally having video of one of my fave BOC songs - "The Golden Age of Leather"!!

Bottom line, If you are a B.O.C. fan and can't get your hands on a copy of "Black & Blue", don't let the bad reviews scare you out of spending a few $$, go ahead and get this. If you only like BOC in passing, then get their modern DVD release, "A Long Day's Night!!!" Modern film & recording, great setlist and Eric Bloom's voice is almost as powerful as it was 30 years ago!! It's just not the original line-up!!

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