| 1. Gone |
| 2. Coming Down (Drug Tongue) |
| 3. Real GRRRL |
| 4. Black Sun |
| 5. Naturally High |
| 6. Joy |
| 7. Star |
| 8. Sacred Life |
| 9. Be Free |
| 10. Universal You |
| 11. Emperor's New Home |
| 12. Saints Are Down |
Editorial Reviews
Domestic reissue of alternative rock band's 1994 album. Digitally remastered from the original masters with expanded artwork which includes new photos & liner notes.
Cult,Cult,Beggars UK - Ada,Pop,Rock,Rock/Pop
Cult [Original recording remastered]
Average customer rating:
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Pure Cult: The Singles 1984-1995
The Cult Manufacturer: Beggars UK - Ada ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004STYJ Release Date: 2000-06-06 |
Tracks:
- She Sells Sanctuary
- Fire Woman
- Lil' Devil
- Spiritwalker
- The Witch
- Revolution
- Love Removal Machine
- Rain
- In The Clouds
- Coming Down
- Edie (Ciao Baby)
- Heart of Soul
- Wild Flower
- Star
- Resurrection Joe
- Go West
- Sun King
- Wild Hearted Son
- Sweet Soul Sister
Amazon.com
The hard-rocking Cult have come along way from the early Native American stylings of Dreamtime and the dodgy goth tendencies evident on their classic album, Love. Blame Rick Rubin, who helmed Electric and steered them down the rocky road to metal heaven. This best-of collection brings together tracks from the span of their career, and is a worthy testament to their rites of passage. "She Sells Sanctuary" sounds as refreshing as it did in 1985. There are some dubious inclusions from the twilight years of their career, such as "Star" and "Coming Down (Drug Tongue)," but when they have to hold their own alongside "Fire Woman" and "Lil' Devil" it's hardly surprising that they are found wanting. --Helen MarquisAlbum Description
Totally remastered, featuring 19 of your favorite Cult tracks including 'She Sells Sanctuary', 'Edie (Ciao Baby) ' & 'Sweet Soul Sister', with new artwork. Beggars Banquet.Customer Reviews:
Join The Cult!!!!.......2007-05-19
If you're a long time fan of The Cult, I think you'll appreciate this compilation because it does include pretty much all songs you'd expect it to have, and the compilation is well made too: with a great song selection, it's hard to go wrong, and this compilation also benefits from a great track sequence, beginning with "She Sells Sanctuary" and ending with "Sweet Soul Sister". It just flows like a breeze!!! And the sound is great as well.
But I think that those looking for an introduction to The Cult are probably the ones that will enjoy this compilation the most: most people who listen to rock are familiar with at least a few songs from the band, such as "She Sells Sanctuary", "Love Removal Machine", "Sweet Soul Sister", "Edie (Ciao Baby)" and/or "Fire Woman". These songs are all here, but in addition to those favorites, you also get a wealth of extra material that is just as strong: "Sun King", "Rain", "Revolution", "Wild Flower", "Heart of Soul" and all the others included here are sure to appeal to those occasional fans that know the band only by its most popular material. My only possible observation/warning (not really a complaint...) is about the "versions" used, meaning the "single edit" thing: if you know The Cult solely by the their singles in rotation in classic rock radio, this point is not gonna be relevant to you at all (since these are the versions that normally receive airplay), but if you're a long time, die hard and finnicky fan...well, I'll leave it up to you to decide...in fairness, it was a compromise: using the radio edits meant that they were able to include ALL the singles, as the title of the compilation accurately states...
The Cult enjoyed a golden age of sorts between the release of "Electric" and the end of the "Sonic Temple" tour, simply because this was their most straight forward period, where their music, their songs, their sound and their albums (and even their image) were reduced to the most basic and this sound hit a home in the US. Before and after, The Cult managed to keep a healthy following in their native UK and other parts of the world, but struggled to keep a strong fan base in the US. This was due to a simple fact: The Cult kept evolving, reshaping their sound and their image (just have a look at their pictures in the booklet!) as their mood took them, and that was extremely difficult for fans to accept. I remember that the first song I ever heard from them was "Love Removal Machine", which I loved, and then the next thing was "Revolution"...I was a bit confused by the abrupt changes, but ultimately the quality of their music was enough to put my doubts to rest.
Many people liken their sound to a "heavy U2", and while I agree that that generalization is as accurate as any generalization can be, it applies to the band's first 2 records, "Dreamtime" and "Love", but definitely NOT to their latter output, such as the Rick Rubin produced "Electric" which harkens back to classic AC/DC, or "Sonic Temple" and some its "Zeppelin meets The Doors" overtones. Some of that early sound came back with "Ceremony" and "The Cult", but for the most part, this band simply shifted its sound every so often, which was good from an artistic point of view, but it probably backfired from a commercial perspective. For instance, right now in 2007, the band is back and in "heavy metal" mode: two guitars, bass, vocals and their heaviest drummer yet (John Tempesta, of Testament/White Zombie fame).
Bottom Line: If you're a Cult diehard, you'll enjoy this because it is very well made. If you are more of an occasional fan familiar with their "hits" and in search for a little more, this is the perfect place to start: having enjoyed their most recognizable tunes, you're sure to like the material included here. You can't go wrong with this purchase, so go ahead, dig in and join The Cult!
CD Rocked HARD.......2007-05-16
The best of The Cult on one disc.......2007-03-27
THE DISC: (2000) 19 tracks clocking in at approximately 77 minutes. Included with the disc is a 14-page booklet containing a 6-page intro to the band and their albums, song titles/credits (no lyrics), band photos, what songs came from which albums and the year released. The songs here follow the band from 1984-1995 (as the title states). Remastered sound. Label - Beggars Banquet.
ALBUM REPRESENTATION: Dreamtime (2 songs), Love (3), Electric (3), Sonic Temple (4), Ceremony (2), The Cult (2), Unreleased (3).
COMMENTS: Still trying to figure out why The Cult has 2 differently named compilations with only 1 song being the difference between the two (this disc, and 1996's "High Octane Cult")... the two songs "Go West" (from "The Singles" album) and "Beauty's On The Street" (from "High Octane") are both simply unimportant songs. The music on "The Singles" is digitally remastered so if I'm standing in the music store with both in hand, I'll choose this one. I read decades ago that Astbury and Duffy were difficult to get along with... perhaps this is why they couldn't get 2-3 additional members to stay on a more permanent basis... seems like every album there was different personnel on supporting instruments (bass/keyboards/drums). With that being said, Astbury and Duffy wrote some great music. Covering several spectrums - rock, hard rock (some classified as metal, but I'll call it borderline metal), punk, psychedelic, and alternative. The studio albums were up and down... often times mixing some wonderful melodies, hard rocking songs, and a few oddballs that were just plain weird (and some annoying). Astbury's distinctive vocals was the first thing that hooked me in. Duffy's guitar licks were simple, but catchy (he's no Satriani, Malsteen, or Vai). As far as this compilation goes, the songs chosen are dead on accurate... I couldn't have picked them better myself. The staples are all here - including "She Sells Sanctuary", "Fire Woman", "Love Removal Machine", "Sweet Soul Sister", "Lil' Devil", "Edie (Ciao Baby)", etc. The tracks from "Dreamtime" (1984) and "Love" (1985) are very 80's in style (they could easily be inserted to any number of John Huges' movies..."16 Candles", "Breakfast Club", "Pretty In Pink"... almost Duran Duran or Haircut 100 in flavor. The later 80's and into the 90's saw The Cult in hard rock form. Even though "Sonic Temple" was the band's most commercially successful release (featuring 4 decent hits), "Electric" was always my favorite of theirs due to the break-through songs "Love Removal machine", "Lil' Devil" and "Wild Flower". The Cult always had their own sound, but if I had to put them into a category... they'd be in with the likes of Billy Idol, The Pretenders, and the Clash. With so many band member changes, each album had a slightly different feel to it... to me, this was intriguing aspect of The Cult's sound and their albums. Some great tunes here from an underrated British band. "The Singles 1984-95" is a great intro to Astbury and Duffy's "Cult" (5 stars).
Pure Cult The Singles 1984-1995 - Good..........2007-01-10
Pure Cult: The Singles 1984-1995.......2006-11-10
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Don't Fear the Reaper: The Best of Blue Öyster Cult
Blue Oyster Cult Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004HYKZ Release Date: 2000-02-08 |
Tracks:
- Cities On Flame With Rock And Roll
- The Red & The Black
- Flaming Telepaths
- Astronomy
- This Ain't The Summer Of Love
- (Don't Fear) The Reaper
- I Love The Night
- Goin' Through The Motions
- Godzilla
- In Thee
- The Marshall Plan
- Black Blade
- Joan Crawford
- Burnin' For You
- Shooting Shark
- Take Me Away
Customer Reviews:
Great Classic Rock.......2007-04-11
I had forgotten how good it was.......2007-01-09
Workshop of the Telescopes Is Better.......2007-01-09
With the success of "Agents of Fortune" Blue Oyster Cult's music changed to a milder rock style, and in some cases, pop. The titles often remain bizarre, such as "Veteran of the Psychic Wars," and the lyrics also remain challenging and unusual, but the music itself is softer.
Consider, for example, "Goin' Through the Motions." This music sounds like something Foreigner might have created rather than the group that created "Harvester of Eyes" and "Flaming Telepaths." Even mellower is "In Thee," which I consider the mellowest song in this collection. This song is romantically beautiful, and somewhat un-Cult.
While I've focused somewhat on the more uncharacteristic songs in this collection, I would be remiss if I did not point out one of the best songs in this collection, "Shooting Shark." This song, from 1983's "Revolution by Night," is somewhat a product of its time, featuring electronics and an early 80s sound, and yet, it contains that spark that has always been at the heart of BOC's best music.
Blue Oyster Cult was formed in 1967, and released an album as recently as 2001. While they were likely strongly influenced by a variety of groups, they have also influenced a variety of musical styles that range from current hard rock to nu-metal or thrash. The length of Blue Oyster Cult's career is barely touched in this sixteen song collection. An even better collection is the two disk compilation "Workshop of the Telescopes," which contains thirty two songs. Once you have listened to that phenomenal collection you may find that you want to purchase Blue Oyster Cult's original albums.
Now comes a question. For sound, buy this CD or "Workshop of the Telescopes"? If you have a high end system and you can readily tell the difference between a remastered CD and the original, and you prefer remastered, then do buy this one. On the other hand, if you have an el cheapo stereo and you can only sometimes tell a remastered CD, then "Workshop of the Telescopes" is a better bet.
Blue Oyster Cult has an array of enjoyable music and this CD gives you a very small sample of that music. If you are unable to find "Workshop of the Telescopes" or you just want a very small flavor of Blue Oyster Cult, then buy this CD. Otherwise, pass this one by for the better options.
Stay Away From All BOC Compilations.......2006-12-10
Missing Key Songs..........2006-12-02
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Love
The Cult Manufacturer: Beggars UK - Ada ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000007VCM Release Date: 2000-03-07 |
Tracks:
- Nirvana
- Big Neon Glitter
- Love
- Brother Wolf Sister Moon
- Rain
- Phoenix
- Hollow Man
- Revolution
- She Sells Sanctuary
- Black Angel
Album Description
Domestic reissue of alternative rock band's 1985 album. Digitally remastered from the original masters with expanded artwork which includes new photos & liner notes. Beggars Banquet.Customer Reviews:
A release that defies musical classification with its brilliance.......2007-07-26
Honestly... picking a favorite song on this CD would be ridiculious and stupid. Close your eyes and drop a finger on the track list. You'll be right.
the one i can't quit...........2007-07-16
A great album!.......2007-06-27
There was more to the 80's than U2..........2006-07-03
Buy this CD, and forget about all the weak, contrived crap the 80's usually gave us. And give your U2 CD's a rest...
As the wall gets taller as you get smaller yeayah!.......2006-05-20
"Love" is a "modern rock" classic (note, I said "Modern" Rock classic, and not "Rock" classic, fans of Zepplin, the Doors, the Stones etc, need not apply to this genre of music, 'modern' rock is a space reserved for the likes of The Cure, The Smithereens, U2 (pre-"Joshua Tree"), Jesus and the Mary Chain, Siouxxe and the Banshees, etc...) in that vein, Love helped define an era of modern rock music, in fact "She Sells Sanctuary" literally powered the summer of 1985.
If you're looking for an album to have a serious retrospect of modern rock from the 1980's, your collection needs to start with Love. It's a sure-fire can't miss album that still sounds fresh today... Love rules!
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Cult Cargo: Grand Bahama Goombay
Various Artists Manufacturer: Numero ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000OONOZA Release Date: 2007-05-08 |
Tracks:
- Gonna Build a Nation - Cyril Ferguson
- I Am the Man For You Baby - Jay Mitchell & the Mitchellites
- Gimme Some Skin - Frank Penn
- Words To My Song - Dry Bread
- Goombay Bump - Jay Mitchell
- Don't Touch That Thing - Sylvia Hall
- Watcha Gonna Do 'Bout It - Mustangs
- Gimme Some Skin - Frank Penn
- Take Five - Ozzie Hall
- Tighter & Tighter - Jay Mitchell
- The Time For Loving Is Now - Mustangs
- People Won't Change - Willpower
- Funky Fever - Jay Mitchell
- Theme From Shaft - Esquires Ltd.
- Honesty Is the Best Policy - Gospel Chandeliers
- Mustang Sally - Jay Mitchell
Amazon.com
One of the real boons of the digital revolution has been the steady reissuing of vintage recordings and unearthed gems. The music from Africa and the Caribbean have yielded more than its fair share of goodies, none better than Cult Cargo: Grand Bahama Goombay, a 16-song collection featuring an array of local artists who recorded between 1968-76 for the Freeport-based GBI label. The music is deeply influenced by the funk of Sly and the Family Stone, Otis Redding, and James Brown with touches of gospel, calypso, and jazz thrown in. Ozzie Hall's version of the Dave Brubeck hit "Take Five" is an oddball treat. Never mind that 99% of music buyers will not recognize the names of the artists here, the music is warm and vibrant, filled with a myriad of hip-swaying grooves, soulful singing, and catchy songwriting. Another chapter in the Cult Cargo series, this collection may be the best one yet. --Tad HendricksonCustomer Reviews:
"Numero Uno" among the Numero Uno comps.........2007-07-19
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Sonic Temple
The Cult Manufacturer: Beggars UK - Ada ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000085N4 Release Date: 2000-03-07 |
Tracks:
- Sun King
- Fire Woman
- American Horse
- Edie (Ciao Baby)
- Sweet Soul Sister
- Soul Asylum
- New York City
- Automatic Blues
- Soldier Blue
- Wake up Time for Freedom
- Medicine Train
Album Description
Digitally remastered reissue from the original masters with expanded artwork which includes new photos & liner notes. Beggars Banquet.Customer Reviews:
Among the best Rock albums ever made.......2007-07-09
Though all the songs are worth listening to, "Edie" is my favorite. I can almost see the woman the song is being sung too. Melancholy, you bet. Though I've officially played it enough times now to drive my wife batty and had to remove the CD from the player, the song is still capable of producing tears.
If you like bands that effectively produced that "wall of sound" experience, you'll like this album.
great album.......2007-05-22
Big hits, great riffs and some stunted stiffs.......2007-04-04
Fire Woman.
Nuff said really, the aforementioned tunes being towering masterpieces of rock. It just doesn't get any better than these two great tunes, both of which climbed the charts in various territories.
The Cult came to prominence with this, their masterpiece (sort of) album. Cranking out riff driven hard rock numbers that are contemporary with the hair metal daze but quite apart from them they created a far more restrained beast. Ian Astbury has soulful lyrics and a soulful smooth voice to match. His vocal register certainly isn't deep but it's rich and is full bodied - he's no high end strainer.
As for the music it's riff driven but the riffs aren't overpowering, Bill Duffy seeming not to suffer from an ego problem - his riffs here are pretty darn good but they are part of the music, not THE music. The production is handled by Bob Rock with Mike Fraser doing the recording - so you know that aspect will be great and we also get a guest appearance from Iggy Pop of all people.
Apart from the aforementioned awesome tracks this album is blessed with the hook laden American Horse and the beautiful Edie (ciao baby). Sweet Soul Sister is also pretty nice though the following track, Soul Asylum is a touch too similar. New York City has plenty of life and the Iggy Pop guest slot as well as fast and mellow sections that spark thing up quite a lot.
The only real downside for this reliably good album are some of the later tracks don't quite match the excellence of the first few. There are a few good sections of songs but overall they don't quite wash. As funky as Automatic Blues is I just can't warm to it overmuch and the last couple of tracks are just below par, no other way of putting it. Which is a pity as they drag down an otherwise stellar hard rock 'n' roll release from a band that always seemed somehow distinct from the ditzy bright neon light rawk bands.
All up I'd recommend picking this up as it's their best album and not at all tainted by the era it was born in. In fact when they played Australia Big Day Out festival in '96 they blew the alterna rock bands off the stage with clear and concise riffing and quality rock. Respekt...
They don't make 'em like this anymore.......2007-01-31
Sonic Temple.......2007-01-17
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The Meaning of 8
Cloud Cult Manufacturer: Rebel Group ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000NQR7RK Release Date: 2007-04-10 |
Tracks:
- Chain Reaction
- Please Remain Calm
- Chemicals Collide
- Pretty Voice
- Brain Gateway
- Take Your Medicine
- Your 8Th Birthday
- Dance For The Dead
- Everywhere All At One Time
- Purpose
- A Good God
- The Shape Of 8
- The Girl Underground
- 2X2X2
- Thanks
- Alien Christ
- The Deaf Girl'S Song
- Hope
- Song Of The Deaf Girl
Album Description
With this record, Cloud Cult is looking to build on their last release, "Advice From The Happy Hippopotamus", of which the band sold more than 8,000 copies by doing most of the distribution themselves. "Cloud Cult ooze whimsical indie rock like Modest Mouse on lithium" - Village Voice. "Along with Grizzly Bear, Of Montreal, The Decemberists...Cloud Cult steps into the misty realm of indie chamber folk-pop" - LA Times. "It is a true feat to make music that gives hints about the meaning of life without ever sounding preachy, saccharine, or cloying" - Aversion.com. For fans of The Flaming Lips, Sufjan Stevens, Modest Mouse, Bright Eyes.Customer Reviews:
the dead are breathing birthday balloons.......2007-06-27
Now onto the music, the CD "The Meaning of 8" which I'm sure is the reason you are reading this right now. You want to know why you should buy the CD, why it's anything special, etc. etc.
Cloud Cult is like no other band I've ever heard. Their music is innovative, inspiring, and most of the time, it's fun! I really enjoy listening to Cloud Cult because their lyrics are creative and intelligent. A lot of Cloud Cult's music is inspired by Craig and Connie's loss of their child Kaidin (Craig is the lead singer and main songwriter, Connie is one of the artists). This is the basis of the song "Your 8th Birthday" and Connie writes in her bio on their website:
"Cloud Cult is a uniquely beautiful entity created and shaped by my
husband Craig. Many of Cloud Cult's songs are intensely personal to me.
They are literally our journey through grief and loss. I find sadness
and beauty in them and look forward to each new song and look forward to
each new day. Life is truly a gift!"
The lyrics on "The Meaning of 8" are also based off of their personal beliefs involving spirituality, relationships, life, and nature.
My favorite songs are probably Chemicals Collide, Take Your Medicine, and Please Remain Calm. The CD is really good at the beginning, and as it nears the end the music gets a little blander. But with 19 songs total, I guess you can't expect every one of them to be mind-blowing.
I'd suggest looking up their lyrics online and listening to the song excerpts to get a taste of Cloud Cult's music before you buy the CD. Craig's voice is beautiful, but it's very unique, so I can see how it wouldn't appeal to some people. The strings are beautiful and can add a haunting effect to the music. The harmonies on some songs are also very well-done. It's not the most musically sophisticated CD ever, but Cloud Cult does a really good job of incorporating different sounds, and manipulating them to make beautiful music. This is one of my absolute favorite CDs. "Advice From the Happy Hippopotamous" which is their other CD is really good, but I definitely think this one is better, so if you're looking for some Cloud Cult, between the two, I'd say pick this one.
Floating on a musical cloud.......2007-03-17
One reason Cloud Cult has remained independent is the band's dedication to being eco-friendly. Concert tours are made "green" by countering CO2 emissions from travel with acres of tree planting, purchasing wind power credits to power the stages and equipping the tour van with solar panels.
In the early 90s founder and front man Craig Minowa was pursuing his degree in Environmental Science and doing every sort of odd job (Including dressing up as Barney the dinosaur for children's parties) to stay afloat while pursuing the music dream. His first release was under the name The Shade Project in 1995. Such was the budget that Minowa used pots, buckets, couch cushions and whatever else he could find to make sounds for instruments he couldn't afford.
In 2000 Minowa released Who Killed Puck as the Cloud Cult. But without any funds to market the album his financial situation became worse. His son, Kaidin, was born shortly after, marking Cloud Cult's transition away from live performances and into strictly a studio band. Minowa spent most of the next two years focused on his family and environmental work. In 2002 his son unexpectedly died and his marriage crumbled in the wake of that grief. At that point Minowa threw himself completely into music as a way to deal with the tragedy. Five years later the Cloud Cult is a fully formed touring multimedia experience with six albums to their credit. Side note, Minowa also reconciled with his wife and she tours as a visual artist with the band.
No doubt the Cloud Cult has an interesting and unique story which brings us to their newest album The Meaning of 8. Imagine what would happen if The Flaming Lips and The Decemberists decided to join forces, maybe throw in Neutral Milk Hotel and Beck as well. Stylistically the band reminds me of The Cure. Vocally Minowa has a lot in common with Robert Smith and many of the darker guitar sounds take me back to those gothic Cure discs.
Beautiful strings abide in odd harmony with crunchy guitar and electronica. Hip hop and dance beats flow into acoustic guitar. Somewhat off-kilter melody dissolves into bell parts. It is dense and intense, constantly changing and totally engaging. There is no one style here; it truly is a bit of everything. But instead of being distracting it somehow works together very well. Not many artists could pull this off.
According to the band, the lyrics on The Meaning of 8 compare religions and philosophies from around the world with Carl Jung's theories of universal symbolism and the collective unconscious. That statement sounds incredibly heavy handed, but in reality the mood of the disc, while always intense, is not preachy or over the top. It never seems oppressive.
For example the song Take Your Medicine offers up; "You can take it in stride, or you can take it right between the eyes / Suck up, suck up and take your medicine / It's a good day, it's a good day to face the hard things." The song has it all; a great hook, relentlessly catchy music and interesting harmony with a killer middle eight full of bells and chimes.
I would be remiss if I didn't also mention Cloud Cult's 2005 release Advice from the Happy Hippopotamus. It is every bit the equal of the new release with a slightly more dance beat, hip hop fuzz sound. I can't really say which disc is better; they both are really very good. My advice is to buy them both, you won't be disappointed.
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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Spectres
Blue Öyster Cult Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000ECXV1E Release Date: 2007-02-13 |
Tracks:
- Godzilla
- Golden Age Of Leather
- Death Valley Nights
- Searchin' For Celine
- Fireworks
- R.U. Ready 2 Rock
- Celestial The Queen
- Goin' Through The Motions
- I Love The Night
- Nosferatu
- Night Flyer
- M For Murder
- Please Hold
- Be My Baby
Customer Reviews:
Haven't heard for 30 years...............2007-07-15
CLASSIC BOC.......2007-07-04
Great remaster but a bonus track that should have been included.......2007-06-01
A Rock-Noir Classic.......2007-05-13
It had been years since I owned this recording and am so pleased to have it back in my collection.
Gets better with time..........2007-04-04
"Spectres"
Production values on this collection are indeed much better than any previous recording. The opening track, "Godzilla" sets the house on fire with Roeser's blistering lead guitar work over dual harmony vocals. The signature vocals have always worked real well on this song, and perhaps the band should consider doing more Bloom/Roeser harmonies. Although this version of "Godzilla" is a bit campy in tone, it remains a classic. The real star of the show, however, is "Golden Age of Leather". Everything good about BOC is in this song, and it never gets tired. It's all there, guitars, vocals, lyrics, etc. "Death Valley Nights" is next and is a natural fit after "Leather". Some other highlights are the lush "I Love the Night", (one of my fav BOC tunes) and "Nosferatu". The rest of this collection is very pop in tone, and sounds outdated. What balances out weak songs such as "Searchin' for Celine" and "Celestial the Queen" are the new bonus additions such as "Night Flyer" and "Dial M for Murder" which are just as good if not better than anything else Cult did in this period. Perhaps not surprisingly, "Be My Baby" makes it onto this as a bonus; back in '77, probably sounded like a great idea.. but today considered a corny song for BOC to cover.
This collection is worth buying, if just for "Godzilla","Golden Age of Leather", "Death Valley Nights" and "I Love the Night". "Spectres" holds its own with the classics, although it doesn't hold up to BOC's other works in the 1970's. Due to the passage of so many years, many of the things that so displeased me about this record seem to slowly fade away, and some of the cheesy pop tunes become forgivable when thought of in the context of the time period: Disco was hot, rock was not.
Average customer rating:
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Electric
The Cult Manufacturer: Beggars UK - Ada ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000007WNN Release Date: 2000-03-07 |
Tracks:
- Wild Flower
- Peace Dog
- Lil' Devil
- Aphrodisiac Jacket
- Electric Ocean
- Bad Fun
- King Contrary Man
- Love Removal Machine
- Born to Be Wild [*]
- Outlaw
- Memphis Hip Shake
Album Description
Reissue digitally remastered from the original masters with expanded artwork which includes new photos & liner notes. Beggars Banquet.Customer Reviews:
The best Rock group of the 80's!.......2007-06-29
classic.......2007-06-24
ROCK ON!!!.......2007-05-22
What a cool CD!!!!!!!.......2007-03-15
A great rock album!.......2006-12-13
Here it is almost 20 years later and I still love it!!!
"King Contrary Man" is one of the best hard rock tracks of all time. Fighting music, kid.
Average customer rating:
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Some Enchanted Evening
Blue Öyster Cult Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000ECXV1O Release Date: 2007-02-13 |
Tracks:
- R.U. Ready 2 Rock
- E.T.I. (Extra Terrestrial Intelligence)
- Astronomy
- Kick Out The Jams
- Godzilla
- (Don't Fear) The Reaper
- We Gotta Get Out Of This Place
- Me 262
- Harvester Of Eyes
- Hot Rails To Hell
- (This Ain't The) Summer Of Love
- 5 Guitars
- Born To Be Wild
- We Gotta Get Out Of This Place
Customer Reviews:
Ditto....Astronomy & E.T.I. recorded in Columbus, GA not Atlanta.......2007-07-26
Kick out the jams!.......2007-07-21
BOC LIVE!!!.......2007-04-07
At long last..........2007-04-04
Good re-release but perfectionists look elsewhere.......2007-04-03
As for the new version Of "Some Enchanted Evening"....where to begin!!! I was quite excited to hear of its release not only because it's one of my favorite BOC albums; I was at the Fox Theater show in Atlanta that two of the songs were recorded at. So, naturally, I was curious as to where the bonus tracks were recorded, but, even more importantly - where the DVD was filmed!!!
And, therein begins the problem!! First, I think someone wasn't paying close attention to the original record because only 2 songs on the original are from Atlanta; "R.U. Ready 2 Rock" and "Kick Out the Jams" - "E.T.I." and "Astronomy" are actually from a show in Columbus, GA, 2 nights earlier.
But, according to the new booklet, all 4 are from the Atlanta show!! Oh well, I could make some joke about Yankees thinking Atlanta IS all of GA, but I think this is a simple oversight on someone's part. One thing I DO know is that they are the EXACT SAME recording of "Astronomy", good `ole Buck Dharma never plays the exact same solo twice, I don't think he can!! So either the original release, or this new one, is wrong. And considering the original 1978 release had the name of the venue as well as the date and city, I'm betting on it's correctness over this new re-release!!! And, to answer my initial question, none of the additional tracks are from my Atlanta show and the DVD was filmed in Landover, MD.
And my initial viewing of the DVD may help to explain some of the bad reviews......as much as I love BOC I have to agree that it's not all THAT good!!! But, disagreeing with the other reviews, I don't think it has anything to do with the quality of the sound or look; it's the performance of the band itself that's off!!!
Bands, like everyone else, have good days and bad days and Zappa himself once commented that contracting to record and/or film was almost a curse because, inevitably, someone would be sick that night or just having a bad day. A perfect example of this is Led Zeppelin - as good as "Song Remains the Same" is, anyone who has seen the new DVD 2-disc box know that the band was absolutely ON FIRE that night in 1975 at Earl's Court. So much so that it clearly shows in the filmed performance.
This BOC DVD, on the other hand, is the complete opposite and the band clearly wasn't "on" that night. Too bad they didn't film one of the GA shows; the Atlanta show, even almost 30 years later, stands out in my mind as the best of the 5-6 times I saw them and the "Astronomy" on the CD (from Columbus remember, not Atlanta) is THE single best version of that song I have ever heard.
And, to those who are complaining about the lack of "Reaper" and "Godzilla"...I say SO WHAT, it's not like we don't have 5 thousand versions of those 2 songs already!! I think it's great just finally having video of one of my fave BOC songs - "The Golden Age of Leather"!!
Bottom line, If you are a B.O.C. fan and can't get your hands on a copy of "Black & Blue", don't let the bad reviews scare you out of spending a few $$, go ahead and get this. If you only like BOC in passing, then get their modern DVD release, "A Long Day's Night!!!" Modern film & recording, great setlist and Eric Bloom's voice is almost as powerful as it was 30 years ago!! It's just not the original line-up!!
Rap Music:
- Eat a Peach (Hybr) (Ms) [Hybrid SACD]
- Emergent
- Ether Song
- Eve of Destruction [Import]
- Everything Changed
- Fine Young Cannibals Finest
- Gilded Palace of Sin/Burrito Deluxe [Original recording remastered] [Import]
- God's Money
- Hammer It Out: The Anthology [Import]
- Hang-Ups
Recommended Music:
Get Out (Enhanced) [CD-single] [Import]
Paderewski: Pianist & Composer
Music: Songs for the Working Man [Karaoke]
Rick Wakeman [Limited Edition] [Import]
Romeo Must Die [Explicit Lyrics] [Soundtrack]
Sacred Steel, Vol. 2: Live! [Live]
Short Skirt Long Jacket [CD-single] [Import]
Onkel Toms Hotte Von Harriet [Import]
Rainbow Goblins Story (Live at Budokan) [Live]
Straight from the Streets Presents Houston Hard Hitters, Vol. 1 [Explicit Lyrics] [Limited Edition]