Colour of Spring [Original recording remastered] [Import]

Product Description
1997 EMI release, their third album (1986) digitally remastered. Features the hit 'Life's What You Make It' & theU.K. singles 'Living In Another World' & 'Give It Up'. Eighttracks.

Colour of Spring,Talk Talk,EMI Int'l,Pop,Rock,Rock/Pop

Colour of Spring [Original recording remastered] [Import]

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Happiness Is Easy
I Don't Believe In You
Life's What You Make It
April 5th
Living In Another World
Give It Up
Chameleon Day
Time It's Time

Album Description

1997 EMI release, their third album (1986) digitally remastered. Features the hit 'Life's What You Make It' & theU.K. singles 'Living In Another World' & 'Give It Up'. Eighttracks.

Album Details

Their Third LP from 1986 was Remastered and Rereleased on CD in 1997. Features the Hit 'life's What You Make It', plus 'living in Another World', 'give it Up' and Five More. Includes the Original Artwork, Hand Written Lyrics and Detailed Track Personnel.

Customer Reviews:

bridging the gap.......2007-01-10

This is album is a landmark in the history of Talk Talk. It really does bridge the gap between their earlier electro-pop (It's My Life) and their later albums (Spirit of Eden & Laughing Stock). This album begins their metamorphosis, much like Achtung Baby was a necessary album for U2 to make to jump from Joshua Tree to Zooropa. Overall, this is a pop album that takes chances. It's very organic and uses acoustic brushmarks to highlight it's texture. I certainly see where bands like The Catherine Wheel were influenced. There are many layers of skin to peel back on this onion as with each listen there are new sounds and rhythms to focus on yet on the surface it's still a collection of very accessible songs. Personally, the only song I can't really get into is "Chameleon Day" which is the reason I give this album a 4 star vs a 5 star. To me this is easily their best album. If you're looking for another "It's My Life", it's not here, go buy a Tears for Fears album, but if you are looking for an audio adventure, purchase this album.

The best Talk Talk album.......2006-05-20

This was the peak of the bands creativity. The music and lyrics create a perfect unit. The lyrics are often hard to understand and cryptic but they are so much a part of the music itself that you end up not minding much. When you finally figure the meaning of the words out, there is no surprise, because somehow you get the message even if you understand only 20% of the words. That, in my definition, is how a perfect song should be. The album somewhat foreshadows the even more melancholy and experimental direction that the group took after "The Colour of Spring". Unfortunately that led them too far from the mainstream, and eventually, music altogether. But this album is the peak effort of one of the most talented bands of the 80's.

One of the best albums of all time.......2006-03-26

This album was so unexpectedly ahead of its time in 1986 people are still catching up to it twenty years later, although that's not a bad thing. Colour of Spring is one of those rare albums that can be appreciated on a lot of levels. The first thing people always notice about Talk Talk is Mark Hollis's unique nasal-congested voice, and his slurred annunciation. It's often hard to make out the lyrics of a Talk Talk song, which in an odd way is what makes them interesting, in the same way that Michael Stipe's delivery adds a little bit of enigma to a lot of early REM songs. While many of the lyrics are a bit cryptic, Hollis offers a generally philosophical look at humanity, although at moments he can turn quite caustic. As hinted in the album title, there's a general interest here in the cycle of nature, and thus this album's positioning in "spring" reflects a desire to simplify and focus on the important things in life, admonishing listeners not to lose sight of the importance celebrating the simple beauty of the world and living for the present. It's not all oblique cryptograms however, as in this verse from the opening track "Happiness is Easy"

"It wrecks me how they justify their acts of war
They assemble, they pray
Take good care of what the priests say
'After death it's so much fun'
Little sheep don't let your feet stray"

What shouldn't be underestimated is the incredible feeling and power Hollis imbues into these songs. Hollis's vocals are deceptively effortless, and it's not until you hear someone attempt a Talk Talk song (Gwen Stefani for example, with her recent cover of 'It's my life') that you really appreciate what an incredible singer this guy was during this time period. The Colour of Spring is nothing less than the essential Talk Talk album, an album of artists at their creative and commercial peak, focused solely on the composition and recording process as an end in itself. Colour of Spring is Talk Talk's "Sgt Pepper's" if I might risk the employment of that overused cliche.

Having begun their life as a synth-pop band often associated with other bands of the time, most notably Duran Duran (as they shared the same producer initially) Hollis chaffed at EMI's attempts to market Talk Talk in the same vein as other synth pop bands, and despite the eventual success of several singles including "Talk Talk" opted for a change in direction and soon parted ways with synth keboardist Simon Brenner, leaving the band free to employ session musicians, as it was now comprised of a three person nucleus of singer, bassist and drummer.

The creative turning point for Talk Talk came when they met producer/Keyboardist/Songwriter Tim Friese-Greene, who would become a major force in the genesis of the band, co-writing many of their best and most popular songs, and playing on the tracks of Colour of Spring. Thanks to the success of the title single from their second album "It's my life", EMI allowed the band a lot of time and freedom in recording the follow up, and with Friese-Green, they began to adopt an improvisational Jazz approach, bringing in a variety of musicians (most notably Steve Winwood who plays Organ on a number of tracks) who were allowed to vibe and do whatever they felt like. If Friese-Green and the band didn't like the outcome they simply left it out of the final mix.

There are a number of songs on the album that have an undeniable, almost tribal groove thanks to the small army of percussionists employed. A myriad of instruments were used on most tracks, including Piano, Harp, Organ, sax, mellotron, variophon, Harmonica and Dobro. The resulting product was a solid top 10 UK hit, and a critical home run, which would also turn out to be the last album of its kind, as Talk Talk's subsequent albums veered into experimental territory, never to return. For a brief moment, Colour of Spring planted Talk Talk unexpectedly at the forefront of popular recorded music, and had Hollis not chosen to retreat, I imagine given the bands who have clearly followed in the album's footsteps (Radiohead, Coldplay, Keane and Sigur Ros most recently) that Talk Talk could easily have become one of the most popular bands in the world. Instead, they took over 2 and a half years to record the deliberately anti commercial "'Spirit of Eden" with Hollis expressing no interest in singles, videos or a tour to support. Some rumors began to float around that Hollis was addicted to Heroin, but the fact's were a lot simpler: by the time Colour of Spring was released, all the members of the band had become fathers, and ex-psychology major Hollis, always a bit of an introvert, simply wanted to raise his young children on a farm.

The band's final album was experimental, it would eventually become associated with a new genre, dubbed by critics in the 90's as "Post-Rock". Clearly Colour of Spring was a huge step in that direction.

Despite EMI's interest in resigning them, Talk Talk also took the opportunity to depart the label, leading to EMI's release of a greatest hits collection "A Natural History" in 1999, featuring a number of songs from Colour of Spring. That album quickly suprised many people by rapidly selling over a million copies. Colour of spring is an album I have returned to many times over the years, and I consider it one of the best in my vast collection, and one that has that rare quality that seems to transcend the passage of time and fads. Quite simply, if you bought "A Natural History" and enjoyed it, then you need to buy this brilliant album, stick it in your CD player and leave it there for a long time.

Wonderfully creative - new wave just doesn't get better than Talk Talk.......2006-01-07

The 80's was a decade filled with great new wave songs - A-Ha's "Take On Me" is but one example. What separates Talk Talk from, say, A-Ha is how creative they are - they definitely follow standard song structure here, but the instrumentation is very organic and spontaneous at times. You can tell these guys aren't simply trying to cash in on a popular genre. This is most clearly evident when one listens to the album that follows this one, "Spirit Of Eden", which completely abandons new wave in favor of post-rock/experimental/ambient rock. These guys are, simply put, overlooked geniuses (if you were to ask most people if they ever heard of Talk Talk, I'm pretty sure almost everyone would say no). Mark Hollis' voice is very new wave - he has a distinctly 80's sound and his voice sounds like he's a little timid. The lyrics are pretty good, but it's not really the focus of the songs. It's mainly a nice and atmospheric new wave album - the instrumentation is the key. Every song features extremely creative ideas that verges on experimental rock. Most people should really like this album as well as its follow-up "Spirit Of Eden". This album also features lesser-known 80's hits including "Happiness Is Easy" and "Life's What You Make It". If you're looking for a great new wave record, "The Color Of Spring" will amaze you. Highly recommended!

Highlights include:
the entire album!

one of the best achievement in music history ........2005-10-15

COLOUR OF SPRING is an album that pushes all the limits of pop music to extreme beauty ; the sound has a complex structure so well composed that you might wonder if this music was done by an ordinary bunch of artists ; COLOUR OF SPRING has depth , atmosphere in it ; you get the feeling that the sound is coming from the ground and echoeing in the air : IT IS THE PERFECT ALBUM TO GET YOU OUTSIDE YOUR ROOM AND YOUR BODY !!!
By buying this album you will be offering yourself 45 minutes of pure ecstasy !!!

Average customer rating:

Yes......it is easy
mmm....talk talk
Colour of Spring is a MUST
A little Hollis goes a long way
Spectacular

The Colour of Spring
Talk Talk
Manufacturer: Nettwerk Records
ProductGroup: Music
Binding: Audio CD

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It's My Life
Spirit of Eden
Laughing Stock
The Party's Over
It's My Life

ASIN: B0000074BS
Release Date: 2001-09-11

Tracks:

Happiness Is Easy
I Don't Believe In You
Life's What You Make It
April 5th
Living In Another World
Give It Up
Chameleon Day
Time It's Time

Customer Reviews:

Yes......it is easy.......2006-05-08

Ok let's just try to forget the butchering Ms. Stefani did to one of their songs and move on. Mark Hollis and company create a garden of lush sounds and melodies it's easy to believe this entire album was recorded barefoot lying in the grass. "Happiness is Easy" opens the album with a soothing bass line easing you into the album effortlessly. Before you know it, you're grooving to the tones wafting through the air like a butterfly on a leisurely journey. The piano in "Life's What You Make It" takes over bass duties and softly hammers the point home. Introspective as well as extroverted, Mr. Hollis just makes it seem so simple. Easy indeed.

mmm....talk talk.......2005-09-30

This isn't _Spirit Of Eden_ or _Laughing Stock_ in terms of quality or experimentalism (which, by the way, are two albums that are absolutely essential to any music collection). But the songs on here are just _really good_! Semi-experimental synth-pop (save for a couple of more organic-sounding tracks that really foreshadow the direction the group was about to take) with relatively varied instrumentation and song structures. And Mark Hollis' wonderful voice! Recommended.

Colour of Spring is a MUST.......2005-09-01

Keen for a cool return to the 1980's. The music is wavy Synth-pop, as opposed to the more clinical metallic sound of their 80's counterparts. Talk Talk plays with long and slow rythms but can accelerate to strong peaks when the painful yet poignantly poetic lyrics by Mark Hollis deserve it. I do not like the heroin-messed Chameleon Day that goes nowhere, but the transition to Time It's Time (definitely the BEST Talk Talk song) is superb. The children's choir in Hapiness Is Easy is just another proof of how the Group can integrate different types of music and yet come up with coherent songs that merge perfectly into a homogenous album. Living In Another World is a straight SOS from Hollis in which his voice is at last stretched and supported by the best arrangement of the album.

A little Hollis goes a long way.......2005-07-25

This is Talk Talk's third album. It was originally released in 1986. It is 45 minutes long. The sound on the original CD was a bit muted. I don't know if this was intentional; I never heard the LP. There is now a remastered version that might have a better dynamic range (I haven't heard it either).

Every Talk Talk album was significantly different than the next. Colour of Spring is one of those spacy, atmospheric albums of the mid eighties, similar to the type of music the Cure was doing.

Life Is What You Make It is a fantastic track and may make this CD worth buying. The rest of the CD is in a similar vain but a little more subdued.

The CD starts out fairly well and the first half is pretty good, with multi-layered textures.

I think that the CD slows down in the second half and gets boring. At points the music just drones on. Mark Hollis has a unique, but whiney kind of vocal style. It works great in some songs and really sets up the mood of the album. But, there is only so much of it I can take, and it starts to drone on by the end of the CD.

Also, during the last half of the CD, the music is more muted. Maybe with better sound quality, the last half of the CD might be more interesting, especially if there were an improvement in the dynamic range. The remastered version might make this album more enjoyable.

Spectacular.......2005-04-10

This is one of my favorites. When I am stressed or feeling out of sorts, I just listen to this album and feel soothed. It is gorgeous and lush, yet simple. It has to be one of the most underrated, exceptional albums of all time.

Average customer rating:

Classics Explained: Rite of Spring
Stravinsky , Rahbari , and Brt Po Brussels
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

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Classics Explained: Pastoral Symphony
An Introduction to Ravel's "Boléro" and "Ma mère l'oye"
Classics Explained: Brandenburg Concertos 4 & 5
An Introduction to Brahms' Piano Concerto No. 2
Symphony 9: Introduction to Dvorak

ASIN: B00007FPFN
Release Date: 2003-07-15

It's My Life//Colour of Spring//Spirit of Eden

Average customer rating:

Best way to collect Talk Talk
Remastered box set - The way to go

It's My Life//Colour of Spring//Spirit of Eden
Talk Talk
Manufacturer: EMI
ProductGroup: Music
Binding: Audio CD

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The Party's Over
Asides Besides
Laughing Stock
Missing Pieces
Spirit of Eden

ASIN: B00004W3L6
Release Date: 2002-09-03

Tracks:

Dum Dum Girl
Such A Shame
Renee
It's My Life
Tomorrow Started
The Last Time
Call In The Night Boy
Does Caroline Know
It's You

Tracks:

Happiness Is Easy
I Don't Believe In You
Life's What You Make It
April 5th
Living In Another World
Give It Up
Chameleon Day
Time It's Time

Tracks:

The Rainbow
Eden
Desire
Inheritance
I Believe In You
Wealth

Album Description

Import only 3 CD collection, featuring their albums, 'It's My Life', 'The Colour Of Spring' & 'Spirit Of Eden'. Each album is digitally remastered and comes packaged in it's own standard jewel case with artwork and come housed together in a slipcase. EMI.

Album Details

Three Classic Albums on One Slipcase Presentation.

Customer Reviews:

Best way to collect Talk Talk.......2006-11-18

For those of you who know Talk Talk only by their radio hit It's My Life, you have missed out on one of the most progressively artistic bands of the era. Their music constantly evolved with each album. The artistic depth on these albums is really worth experiencing. This collection is probably the best way to get 60% of Talk Talk's album collection at a manageable price. Here's a break down of the albums:

It's My Life - Obviously this is the album that has the hit single on it. While I can say by a margin IT'S MY LIFE is the best song on the album, it isn't the only great song on this album. This is the album where Tim Friese-Greene came into the picture and introduced some amazing musical techniques using instruments to simulate environmental noises (remember those seagull sounds on It's My Life?). Add to that some nice layers of instruments and you get songs that you can really lose yourself in. SUCH A SHAME and IT'S YOU are aggressive sounding. TOMORROW STARTED and RENEE are dark and moody with themes similar to Talk Talk's first album. Then you have fun songs like the reggae vibe in DOES CAROLINE KNOW and THE LAST TIME. All in all a very lush range of moods and music.

The Colour of Spring - Here the band starts moving away from the new wave/new romantic synth-pop genre and into something much more progressive and ambient. The switch to a more acoustic sound actually fits in very well with the band's sensibilities. LIFE'S WHAT YOU MAKE IT is the Phil Collins-esque anthem song that hits heavy with the drums and guitar (great song to get your night on the town started) and LIVING IN ANOTHER WORLD is a big as life number with a more upbeat tempo. You also get songs that play up the instrumental ambience with HAPPINESS IS EASY and CHAMELEON DAY. All in all I consider this album Talk Talk's best.

Spirit of Eden - This album is a pretty big departure from any album they did previously. It's very avantgarde and ambient with it's intense focus on subtle sound textures and dynamic range. I admit this album isn't for everybody. However I BELIEVE IN YOU is still a very approachable and laid back song and DESIRE gives you a nice double play by being laid back and then very aggressive all in one song.

I'm rather picky with my music, and when I see the words "remastered" I expect some real remastering. Many remasters don't do much more than adjust the midrange and kick up the overal volume (original recordings done back in the 80's called for a boosted midrange to get a better sound out of vinyl records). Not so in this collection. While the improvemements vary from CD to CD it is to be sure that what you are getting a true remastering of the original source.

Of all the albums on this collection I believe It's My Life benefits the most with the new remastering. This album was the one mastered for vinyl and the original CD was a little muddy in the midrange and really needed a clean up. There is a night and day difference with this remaster, which I am so very happy about. Colour of Spring and Sprit of Eden both had enhanced mastering back when they were released so the remastering isn't as noticeable, however the subtle improvements are there. Be rest assured, though, all that means is all three albums come out crystal clear and full of high fidelity. You're getting the best masters on this collection.

Listen for yourself. I challenge any of you who do not know Talk Talk to check out some samples of their music. If it sounds appealling then it would be in your best interest to get this collection. The remastering alone makes it worth it, especially for It's My Life. You'll thank me once you get these CD's, put them in a good stereo system and lose yourself in the music.

Remastered box set - The way to go.......2001-06-01

Quite a steal, especially since the remastered albums are not available in the U.S. My old copies of these CD's have found a new home on the shelves at the Used CD store. These three, along with Laughing Stock (a non-EMI release, are indispensable. They cover the evolution of the band as they progressively strayed from the pop-huckster-wannabe sensibilities which dominated their self-titled debut, eventually building pieces which are more about atmosphere than recycled Duran Duran cliches. This is exactly the style of music which benefits from a top notch remastering job. I also highly recommend London 1986, a live CD from this period. Amazing that this band could not only replicate, but exceed, what was done in the studio.

Average customer rating:

Songs by Finzi and His Friends

Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

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ASIN: B00008OP2V
Release Date: 2003-06-10

Carole Bogard: A Collection of American Songs

Average customer rating:

beautiful songs
A flawless and fascinating recital

Carole Bogard: A Collection of American Songs

Manufacturer: Parnassus
ProductGroup: Music
Binding: Audio CD

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Just-Spring: Art Songs of John Duke
But Yesterday Is Not Today-The American Art Song 1927-1972

ASIN: B00005LPYJ
Release Date: 2001-06-26

Customer Reviews:

beautiful songs.......2007-05-09

A welcome reissue in CD format from old LP's of Carpenters compositions : song cycles of very well known lyrics. Particularly fascinating are the renderings of poems from "Gitanjali", a collection of poems by Rabindranath Tagore in English translated from original Bengali; a work that got Nobel prize in 1913 (Not the Pullitzer prize as mentioned in th accompanying text). The songs on lyrics/poems by other poets, all americans are just as beautiful. Well done.

A flawless and fascinating recital.......2005-04-14

This 2-CD set by soprano Carole Bogard is an absolute must-have for lovers of American songs, song recitals in general, or great singing. Culled from three long-out-of-print LPs and some performance tapes recorded for broadcast in Europe, it includes songs by Carpenter, Flanagan, Copland, Rorem, and the little-known Richard Cumming and John Woods Duke. And yet, there is not a single weak track on the entire set. Every song is interesting (something that cannot be said for many similar recitals recorded today), and each and every song is performed with musical acuity and an attention to words.

Particularly interesting, to me, were the songs by John Alden Carpenter. Largely neglected by modern singers and scholars, Carpenter wrote what many feel is the most successful fusion of classical music with jazz, the ballet tone-poem "Skyscrapers." It had the misfortune to premiere in 1924, the same year as Gershwin's "Rhapsody in Blue"; but whereas "Rhapsody" was more of a pastiche, "Skyscrapers" blends the jazz and classical aspects flawlessly, producing an exciting and well-crafted work that deserves a wider audience.

The Carpenter songs presented here are not jazzy, but they do reveal a greater depth of feeling and originality in construction than one hears nowadays from the songs of Andre Previn or Jake Heggie. And the other pieces are equally excellent.

I highly recommend this album, especially for Sunday afternoon or summertime listening...between the excellence of the songs and the excellence of Bogard's singing, you just melt into the music and become one with the warm, intimate feeling that this recital engenders.

Average customer rating:

The Colour of Spring
Talk Talk
Manufacturer: EMI Int'l
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000E1W2B
Release Date: 2003-10-28

Tracks: