Deadsy's debut has been a long time coming. Regardless of media hype, this album has been on and off the shelves for the past six years. It's a wonder it's finally seeing the light of day. At the very least, Deadsy have come up with an interesting and intriguing style. Ambient gothic tones and keyboards are entwined with '80s-style synth pop to give them a retro sound, yet distorted guitars and programmed drums bring them up to date. Vocalist Elijah Blue, son of Cher and Greg Allman, has a droning monotone style that sounds like a cross between Dave Gahan of Depeche Mode and Peter Steele of Type O Negative. At times, it can be quite disturbing. Of the album highlights, the guitar-driven lead track, "The Key to Gramercy Park," is the most modern-rock radio-friendly of the bunch, followed by their unexpected reworking of the Rush chestnut "Tom Sawyer." "She Likes Big Words" is a light and poppy throwback to early-'80s snyth pop, while the atmospheric "Brand New Love" is as lovely as it is moody. Despite their interesting textures and melodies, Deadsy's songs can sound the same after awhile and may become tiresome to the average listener. --Gail Flug
Commencement,Deadsy,Dreamworks,Alternative Metal,Pop,Rock,Rock/Pop
Commencement
Average customer rating:
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Machaut: Messe de Notre Dame / The Hilliard Ensemble
Guillaume de Machaut , The Hilliard Ensemble , Paul Hillier , Michael George , Rogers Covey-Crump , David James , Cecile Kelly , Leigh Nixon , Mark Padmore , Edward Perry , and John Potter Manufacturer: Hyperion UK ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002ZM7 Release Date: 1993-11-16 |
Tracks:
- Messe de Notre Dame: Kyrie
- Messe de Notre Dame: Gloria
- Messe de Notre Dame: Credo
- Messe de Notre Dame: Sanctus And Benedictus
- Messe de Notre Dame: Agnus Dei
- Messe de Notre Dame: Ite Missa est
- Le Lai de la Fonteinne: Je ne cesse de prier...
- Le Lai de la Fonteinne: Et ou porroit on querir...
- Le Lai de la Fonteinne: C'est celle qui par ordonnance...
- Le Lai de la Fonteinne: Ces trois un a po de peinne....
- Le Lai de la Fonteinne: Et qui de ceste eaue prendroit...
- Le Lai de la Fonteinne: Mais ceste trinite...
- Le Lai de la Fonteinne: De la duis le Pere nomme...
- Le Lai de la Fonteinne: Et pour ce di que cil troy...
- Le Lai de la Fonteinne: Pour ce te pri...
- Le Lai de la Fonteinne: Mais de tel confort...
- Le Lai de la Fonteinne: He! fonteinne de concorde...
- Le Lai de la Fonteinne: Pour laver et nettoier...
- Ma fin est mon commencement: Rondeau
Amazon.com
Hearing or performing music comes closest in the range of human activity to a visceral connection to the past. As long as we have notation and knowledge of how to interpret it, we can effectively experience something like our ancestors did when they sang the same music. Of course, our 20th-century sensibilities and knowledge--or lack thereof--prevent us from sharing identical responses, but as with the music on this disc, when we hear it we are in some way transported to another place. We know a completely different sound world from our own; we know that the accepted order of certain things was different. And we also know that in many ways people haven't changed. Machaut's music conveys a spirituality--both joyful and contemplative--that's as true in its impact as it must have been 600 years ago, a point made ever so clearly by these especially vibrant and vital performances. --David VernierCustomer Reviews:
Ethereal.......2006-03-02
A fine CD, but..........2002-01-06
The World of Machaut.......2001-08-30
The "Messe de Nostre Dame" (not specifically written for performance in the Paris Cathedral of that name) is a stunning piece with which to open the programme. The impeccably clear-toned voices of the Hilliards etch out Machaut's austere lines with blazing intensity, revelling in the strangely dissonant cadences and dexterous interplay of parts that are the hallmarks of his polyphony. The performers use a quaint form of pronunciation for the Latin, one that (supposedly) re-creates the Mediaeval French flavour with which the listeners of seven centuries ago would have been familiar. This work alone is worth the price of the disc: it makes for rewarding and memorable listening.
The "Lai de la Fonteine" is a simpler work, yet strangely harder to grasp on first hearing. Machaut sets his own text here: a complicated and extensive hymn in praise of the Virgin Mary, using endless metaphors and subtle imagery to create an advanced form of poetry around which music is woven. The music itself is quite simple, doing seemingly little more than to carry the poetry for the listener: much of it is monophonic, with verses being shared amongst three singers who come together for polyphonic sections every so often. The work is best heard complete; much is lost in sampling it although the tracks are conveniently divided to give the listener a choice in the matter. Machaut was clearly a mysterious person - religious yet close to the secular; it shows through in such works as this 'lai.'
The disc closes with a final example of rich-blooded polyphony, again using just three voices, and moreover a sample of Machaut's extraordinary genius. "Ma fin est mon commencement" sets a poem that is crafted as a sort of palindrome (indeed, the second phrase is "et mon commencement est ma fin" - "My end is my beginning and my beginning is my end"). The music is equally well crafted to counterpart the words - three voices, winding their way through repetitive and yet fluid lines as if through some sort of musical jigsaw puzzle. It is a delightful end to a wonderful programme. If you're looking for a sample of Machaut but can only afford one disc, then this has to be the one. Mediaeval music is rarely so well displayed as it is here!
Excellent Recording.......2000-06-21
Outstanding!.......1999-03-24
Average customer rating:
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Commencement
Deadsy Manufacturer: Dreamworks ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000066C28 Release Date: 2002-05-14 |
Tracks:
- The Key To Gramercy Park
- Winners
- Brand New Love
- Mansion World
- Lake Waramaug
- The Elements
- Flowing Glower
- Future Years
- She Likes Big Words
- Cruella
- Seagulls (The Macroprosopus)
- Le Cirque En Rose (Obsolescence)
- Tow Sawyer
- Commencement
Amazon.com
Deadsy's debut has been a long time coming. Regardless of media hype, this album has been on and off the shelves for the past six years. It's a wonder it's finally seeing the light of day. At the very least, Deadsy have come up with an interesting and intriguing style. Ambient gothic tones and keyboards are entwined with '80s-style synth pop to give them a retro sound, yet distorted guitars and programmed drums bring them up to date. Vocalist Elijah Blue, son of Cher and Greg Allman, has a droning monotone style that sounds like a cross between Dave Gahan of Depeche Mode and Peter Steele of Type O Negative. At times, it can be quite disturbing. Of the album highlights, the guitar-driven lead track, "The Key to Gramercy Park," is the most modern-rock radio-friendly of the bunch, followed by their unexpected reworking of the Rush chestnut "Tom Sawyer." "She Likes Big Words" is a light and poppy throwback to early-'80s snyth pop, while the atmospheric "Brand New Love" is as lovely as it is moody. Despite their interesting textures and melodies, Deadsy's songs can sound the same after awhile and may become tiresome to the average listener. --Gail FlugCustomer Reviews:
Fans of Orgy, check this out........2007-07-17
This is one of the better alternative metal bands out there, but they are relatively unknown despite their obvious talent.
The songs that are good are great but the ones that arent...........2007-03-07
deadsy 2nd cd.......2007-02-10
deadsy 2nd cd.......2007-02-10
Un-frickin-believable.......2006-02-28
Average customer rating:
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The Art of Courtly Love - David Munrow & The Early Music Consort of London
Manufacturer: Virgin Records Us ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002SSB Release Date: 1996-07-16 |
Tracks:
- A vous douce debonaire (Chansons)
- Hareu! Hareu! le feu - Helas! ou sera pris confors (motet)
- Amours me fait desirer (ballade)
- Trop plus est belle - Biaute paree - je ne sui mie certeins (motet)
- Amis tout dous vis (rondeau)
- Se ma dame m'a guerpy (virelai)
- Se je souspir (virelai)
- Dame se vous m'estes lointeinne (ballade)
- Quant je sui mis au retour (virelai)
- Mes esperis se combat (ballade)
- Ma fin est mon commencement (rondeau)
- Douce dame jolie (virelai)
- De Bon Espoir - Puis Que la douce rousee (motet)
- De toutes flours (ballade)
- Quant Theseus - Ne quier veoir (double ballade)
- Anon La Septime estampie Real (dance)
- Quant j'ay l'espart (rondeau)
- Phyton le mervilleus serpent (ballade)
- Armes amours - O flours des flours (double ballade)
- A l'arme a l'arme (virelai)
- Phiton Phiton (virelai)
- Two variants on the tenor 'Roussignoulet du bosi' Borlet: He tres doulz roussignol (virelai)
- Fumeux fume (rondeau)
- De home vray (ballade)
- Istampitta Tre fontane (dance)
- Ma douce amour (ballade)
Tracks:
- Tres doulz amis - Ma dame - Cent mille fois (rondeau)
- Plasanche or tost (virelai)
- Amour m'a le cuer mis (ballade)
- Tribum quem (motet)
- Helas! je voy mon cuer (ballade)
- Contre le temps (virelai)
- Andray soulet (canon)
- Le greygnour bien (ballade)
- Restoes restoes (virelai)
- Ce moys de may (rondeau)
- La belle se siet (ballade)
- Je ne fai tousjours que penser (rondeau)
- Files a marier (chanson)
- Amoreux suy et me viente toute joye (rondeau)
- Je loe Amours et ma dame mercye (ballade)
- Navre je sui d'un dart penetratif (rondeau)
- Lamentatio Sanctae Matris Ecclesiae Constantinopolitanae (O tres piteulx - Omnes amici) (motet)
- La Spagna (Variant 1) (basse danse)
- Par droit je puis bien complaidre (rondeau)
- Donnes l'assault (rondeau)
- Vostre tres doulx regart (rondeau)
- Helas mon dueil (virelai)
- Bien puist (rondeau)
- Vergine bella (stropha)
- La Spagna (Variant 2)
Customer Reviews:
Superb Early Music. Buy It........2005-12-13
One of the many things I especially like about this collection is that by showcasing a lot of vocal music, the tinny quality of a lot of early music is moved to the background. Antother thing I like is the fact that one can plainly distinguish secular from liturgical music by listening carefully to these selections. The biggest differences I see are the appearance of percussion instruments and male / female duets.
One reviewer commented on the quality of the notes. I agree they are good, but only about average for an old music offering by a major label.
Highly recommended to all who like early music.
A Fiver from one of the Archangels of early music performance.......2005-06-26
In 1974, I had the great pleasure of meeting David Munrow and the other members of the Early Music Consort, and was blown away with that enthusiasm and unselfishness, their willingness to discuss their work - I remember Munrow trading recorder performance tips with a friend of mine - and Munrow's truly amazing store of energy. He radiated! : -)
Outdated but Still Rivetingly Interesting.......2005-05-01
Of course, David Munrow’s performances, fascinating and rivetingly interesting as they are, were shaped by his own interests and research at the time, and the booklet notes point out that since then “scholarship and performance practices have moved on healthily”, which I interpret to mean that today nobody would dream of performing this music the way Munrow did: for instance, he has most of the songs accompanied by a whole plethora of ancient instruments, although today it is generally agreed that works from this period should be sung unaccompanied or with minimal instrumental support. Munrow also performs some of the songs as purely instrumental pieces, a legitimate decision perhaps. Munrow also uses the two countertenors James Bowman and Charles Brett for many of the songs, and not everyone will appreciate being bombarded with their somewhat forced androgynous falsetto for nearly three hours; personally, it was the singing of Martyn Hill, tenor, and Geoffrey Shaw, baritone, which delighted my ear during these sessions. Along with the instruments, of course: slide trumpet, cornett, shawm, crwth, fiddle, rebec, citole and so on, plus several tracks with the amazing Christopher Hogwood playing an organ that sounds, at least, very old – unfortunately, the otherwise good liner notes give no details concerning the instruments used.
The Old French texts are printed in full with English translations, so it is possible to follow every nuance. Exceptionally good value for money! – For more historically-informed performances of music of this kind, I suggest searching names such as Gothic Voices, Hilliard Ensemble or Binchois Consort.
If 6 were available, this would get them!.......2002-02-16
One of the finest early music performances ever recorded.......2001-09-03
The first part of this recording is basically dedicated to Machaut and his contemporaries. The chanson -Amours me fait desirer- remains striking to this day, with its unusual leap in its first measures. -Amis tout dous- is a lovely miniature, and so also is the monophonic -Quant je sui mis au retour-. But the high point of this part of the record is -Quant j'ay l'espart-, a duet between countertenor and bass cornetto (a serpent?), understated and heartbreaking.
The second part is weirdness from the Avignon court of the Popes, the time when rhythmic notation got more sophisticated, and composers grew more experimental. The unusual chromaticism of -Fumeux fume- is given a great performance here. The -Tre fontane- estampie is given a reading here that is truly frenzied. -Plasanche, ou tost- is a lovely song. You also get rhythmic oddities like -Le greygnour bien-.
The third album nears Renaissance music, and focuses on Dufay and Binchois. Loud instruments like sackbuts and shawms are featured on pieces like -Donnes l'assault-, which seems risky, but sometimes works. The usually quiet pieces on the -La Spagna- ground are here given a marching-band performance on loud winds. The real high points here, though, are the motet -O tres piteulx-, Binchois absolutely gorgeous -Amoureux suy-, and the setting of Petrarch's -Vergine bella-.
This is a definitive early music performance that should never be allowed to go out of print. My only complaint with the CD edition is that it lacks some of the more extensive notes that came with the phonograph record booklet.
Average customer rating:
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Dreams in the Pleasure Garden
Guillaume de Machaut , and Orlando Consort Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD ASIN: B00000HY9J Release Date: 1999-01-12 |
Tracks:
- Chansons: Tant doucement
- Chansons: Comment puet on
- Chansons: De Fortune
- Chansons: Mors sui
- Chansons: Se quanque amours
- Chansons: Je ne cuit pas
- Chansons: Liement me deport
- Chansons: Je puis trop bien
- Chansons: Certes mon oueil
- Chansons: En amer a douce vie
- Chansons: He! Dame de valour
- Chansons: Une Vipere
- Chansons: Ma fin est mon commencement
- Chansons: De toutes flours
Amazon.com
Just when you think you know somebody, some uncharacteristic behavior shows itself and you instantly realize that you have more to learn. Such an enlightening occurrence is bound to happen for listeners to this disc accustomed to hearing the "memorable tunes, regular phrasing, and clear harmony" of Machaut's most commonly performed works. Here, the four-member Orlando Consort--alto, two tenors, and baritone--happily and with masterful ease introduce us to the "other" Machaut, one of irregular phrases, lively syncopated rhythms, and long flowing melodies that interact contrapuntally with two or three other vocal lines. The melodic structure often consists of cleverly intertwined strings of suspensions followed by quick resolutions, giving a jumpy impetus to many lengthy passages and entire songs. Among these 14 secular songs are many beautiful poetic texts and some notable melodies, but, interestingly, Machaut didn't attempt to fit music with textual meaning. For us, it remains just to listen--and perhaps to read the words separately--and we are rewarded with some of the 14th century's most sensuous, intriguing, and exotic music. --David VernierCustomer Reviews:
Interesting music, great singing.......1999-12-20
Average customer rating: |
Erik Satie: Complete Works For Piano Duet
Manufacturer: Mandala ProductGroup: Music Binding: Audio CD ASIN: B000005WCS Release Date: 1996-07-10 |
Average customer rating: |
Selected Unpublished Organ Works
Manufacturer: Forlane ProductGroup: Music Binding: Audio CD ASIN: B00006JY93 Release Date: 1995-01-25 |
Tracks:
- Pour Un Reposoir: (Pange Lingua En Plain-Chant)
- Pour Un Reposoir: Quand Le St Sacrement Est Pose (Plain-Chant En Taille Et En Dessus)
- Pour Un Reposoir: (Tantum Ergo)
- Pour Un Reposoir: Quand Les Prestres Auront Chante Tantum Ergo (Fugue A Cinq)
- Pour Un Reposoir: (Genitori)
- Pour Un Reposoir: Quand Les Prestres Auront Chante Genitori (Amen)
- Six Prld Du Sisieme Ton: Commencement D'Ouverture Pour Ceque Lon Voudra En La Rectifiant Un...
- Six Prld Du Sisieme Ton: Simphonie Devant Regina H 509
- Six Prld Du Sisieme Ton: En F Ut Fa H 512
- Six Prld Du Sisieme Ton: Ritournelle H 491-3
- Six Prld Du Sisieme Ton: Prld Devant De Lamentatione Pour Le Jeudy Et Le Vendredy Saint...
- Six Prld Du Sisieme Ton: Prld Non Encore Employe
- Ste Du Deuxieme Ton: Prld J 490-7
- Ste Du Deuxieme Ton: Duo Tu Solus Altissimus H 513-2
- Ste Du Deuxieme Ton: Ritournelle H 491-17
- Ste Du Deuxieme Ton: Quoniam H 513-2
- Ste Du Deuxieme Ton: Air De Jonathas h 490-20
- Ste Du Deuxieme Ton: Ov De David Et Jonathas H 490-1
- Noels Sur Les Instrs: Les Bourgeois De Chatre
- Noels Sur Les Instrs: Or Nous Dites Marie
- Noels Sur Les Instrs: Joseph Est Bien Marie
- Noels Sur Les Instrs: Une Jeune Pucelle
- Noels Sur Les Instrs: Marche Des Bergers H 416-9
- Ste Du Premier Ton: Prld De In Nativitatem Domini Canticum H 416-1
- Ste Du Premier Ton: D La Re Sol H 510
- Ste Du Premier Ton: Sym Du Kyrie De La Missa Assumpta Est Maria H11
- Ste Du Premier Ton: Gigue Angloise H 545-4
- Ste Du Premier Ton: Air De Saul H 490-15
- Ste Du Premier Ton: Passecaille H 548-
- Ste Du Cinquieme: Prld Du Te Deum H 146
- Ste Du Cinquieme: Dialude De David Et Jonathas H 490-8
- Ste Du Cinquieme: (Voix Humaine En Taille) H 146
- Ste Du Cinquieme: (Trio A Deux Dessus) H 490-8
- Ste Du Cinquieme: (Basse Et Dessus De Trompette) H 490-8
- Ste Du Cinquieme: Rigaudon H 490-22
- Ste Du Cinquieme: Ov De Medee H 491-1
Average customer rating: |
Commencement
Charlie Brown Gets a Valentine ProductGroup: Music Binding: Audio CD ASIN: B000PHSMWG |
Product Description
1. Distrust in things certain 2. your era is over 3. unexpectoration 4. my dinner with alex 5. killer becomes king 6. following orders 7. one more time 8. you shouldn't try 9. head games 10. taking you for granted 11. unstable 12. disco v punk 13. the raley house 14. no end
Average customer rating:
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Commencement
Deadsy Manufacturer: Universal/Polygram ProductGroup: Music Binding: Audio CD ASIN: B0000677JJ |
Tracks:
- Key To Gramercy Park
- Winner
- Brand New Love
- Mansion Wolrd
- Lake Waramaug
- Elements
- Flowing Glower
- Future Years
- She Likes Big Words
- Cruella
- Seagulls (The Macroprosopus)
- Le Cirque En Rose (Obsolescene)
- Tom Sawyer
- Commencement
- Fox On The Run
Album Details
Japanese Version featuring a Bonus Track: 'fox on the Run'.Customer Reviews:
Breath of fresh air.......2004-06-16
Deadsy RULES!.......2004-02-11
GREAT!.......2003-06-16
BUY ALL DEADSY YOU CAN!!!.......2003-04-07
Awesome cd.......2003-03-29
Average customer rating: |
Au Commencement
Etienne Daho Manufacturer: Virgin ProductGroup: Music Binding: Audio CD ASIN: B00005NKGL Release Date: 2001-07-17 |
Average customer rating: |
Commencement
Gamepro Manufacturer: Miraculous Entertainment ProductGroup: Music Binding: Audio CD ASIN: B000CA387K Release Date: 2004-06-15 |
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- Earth vs. The Radiators: The First 25
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Recommended Music:
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PROKOFIEV: Hamlet - Boris Godunov - Incidental Music - RSO Berlin - Jurowski
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