Recorded in 1997 with a rotating band of New Orleans musicians, Twilight as Played by the Twilight Singers is essentially the first solo release from Greg Dulli, lead singer for Ohio's whisky-bar Motown rockers, the Afghan Whigs. That this ever made it to the pressing plant is a surprise. Shortly after recording ended, Whigs severed ties with Elektra and the master tapes were left to collect cobwebs for the better part of three years. In 2000, Dulli took the tapes to England and mixed them with the aid of the British outfit Fila Brazillia. Twilight, then, exhibits none of the unpolished, earthy soul of the Whigs. The opening "The Twilite Kid" is bolstered by a glossy drum loop and "Annie May" comes with a breakbeat-laden backdrop of stuttering electronics. But slick sequencing adds nothing to these tales of simmering jealousy and torn romanticism; Dulli's raw emotive thrust is diluted to the point of sterility. If you're unacquainted with the Afghan Whigs, search out Dulli's masterpiece, 1993's Gentlemen. This is for Whigs obsessives only. --Louis Pattison
Twilight as Played By the Twilight Singers,The Twilight Singers,Sony,Alternative Pop/Rock,Pop,Rock,Rock/Pop
Twilight as Played By the Twilight Singers
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Twilight as Played by the Twilight Singers
The Twilight Singers Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004XSWM Release Date: 2000-09-12 |
Tracks:
- The Twilite Kid
- That's Just How That Bird Sings
- Clyde
- King Only
- Love
- Annie Mae
- Verti-Marte
- Last Temptation
- Railroad Lullaby
- East 17th
- Into The Street
- Twilight
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Recorded in 1997 with a rotating band of New Orleans musicians, Twilight as Played by the Twilight Singers is essentially the first solo release from Greg Dulli, lead singer for Ohio's whisky-bar Motown rockers, the Afghan Whigs. That this ever made it to the pressing plant is a surprise. Shortly after recording ended, Whigs severed ties with Elektra and the master tapes were left to collect cobwebs for the better part of three years. In 2000, Dulli took the tapes to England and mixed them with the aid of the British outfit Fila Brazillia. Twilight, then, exhibits none of the unpolished, earthy soul of the Whigs. The opening "The Twilite Kid" is bolstered by a glossy drum loop and "Annie May" comes with a breakbeat-laden backdrop of stuttering electronics. But slick sequencing adds nothing to these tales of simmering jealousy and torn romanticism; Dulli's raw emotive thrust is diluted to the point of sterility. If you're unacquainted with the Afghan Whigs, search out Dulli's masterpiece, 1993's Gentlemen. This is for Whigs obsessives only. --Louis PattisonCustomer Reviews:
My Favorite from the Last 10 Years!.......2006-06-22
Fallacy of gestalt.......2005-03-18
Absolutely beautifull album.......2004-06-29
it's not SUPPOSED to be the whigs, people!.......2004-01-09
this is greg dulli. a little happier, freed up from rock angst, liberated by a drum machine. the guilt that fueled dulli in the whigs days, at least up to "black love", seems to have dissipated. now he's all about getting it on.
i loved the whigs, and i love "twilight." yes, they are very different entities, but after hearing "1965" you had to know where dulli was heading with his next project.
overproduced? yeah. but who cares? this is lush, get-it-on music. i have a copy of "love" before the fila brazilia extreme makeover, and it's great, but the album version fits perfectly into the feel of the record. sure, this album is not perfect, "annie mae" falls a little flat for some reason. but all of the other songs are very good, with some greatness scattered into the mix.
and let's not forget shawn smith and happy chichester. are there any less appreciated guys in music today? these guys are amazing talents, but no one's heard of them. the three part harmonies between these guys are heartbreaking.
so go out and get the record. and get the new howling maggie, too.
All the surprise of a political campaign...........2003-11-29
Taken as a singular entity Twilight is a fair enough album and would be marked as an interesting diversion. That it is the work of Greg Dulli, raises the bar considerably higher. Unfortunitely Twilight doe snot quite hit the mark. My key issue was the meeting of Dulli's signature soul oriented songsmanship with more of a techno/electronica sensibility. It is a sound that comes off as something of a compromise and slightly inorganic.
If you are a Dulli completist or are looking for something slightly different from the alternative rock subset this is a fair enough album to listen to over time. Don't expect to be blown over by it though.
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