New City

1. Ride Captain Ride

2. Life

3. No Show

4. I Was a Witness to a War

5. One Room Country Shack

6. Applause

7. Yesterday's Music

8. Naked Man

9. Got to Get You into My Life

10. Takin' It Home

New City,Sweat & Tears Blood,Wounded Bird Records,Pop,Pop/Rock,Rock,Rock/Pop

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New City

Average customer rating: Okalahoma MacRae and Jones head a superb and O.K. adaptation Broadway in a movie setting at it's very best! Wonderful Beauiful

Oklahoma! (1955 Film Soundtrack) Jay Blackton , Charlotte Greenwood , Shirley Jones , Gene Nelson , Gloria Grahame , Rod Steiger , James Whitmore , and Gordon MacRae Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music Similar Items: South Pacific (1958 Film Soundtrack) The King and I (1956 Film Soundtrack) Carousel (1956 Film Soundtrack) The Music Man (1962 Film Soundtrack) My Fair Lady (1964 Film Soundtrack) ASIN: B00005A7XB Release Date: 2001-03-13

Tracks:

1. Overture - Rodgers & Hammerstein
2. Main Title - Rodgers & Hammerstein
3. Oh, What A Beautiful Mornin' - Gordon MacRae
4. The Surrey With The Fringe On Top - Gordon MacRae/Shirley Jones/Charlotte Greenwood
5. Kansas City - Gene Nelson/Charlotte Greenwood/Men's Chorus
6. Kansas City Ballet - Rodgers & Hammerstein
7. I Cain't Say No - Gloria Grahame
8. Many A New Day - Shirley Jones/Girls' Chorus
9. Many A New Day Ballet - Rodgers & Hammerstein
10. People Will Say We're In Love - Gordon McaRae/Shirley Jones
11. Pore Jud Is Daid - Gordon MacRae/Rod Steiger
12. Out Of My Dreams - Shirley Jones/Girls' Chorus
13. Out Of My Dreams Ballet - Rodgers & Hammerstein
14. Entr' Acte - Rodgers & Hammerstein
15. The Farmer And The Cowman - Gordon MacRae/Charlotte Greenwood/Gene Nelson/J.C. Flippen/James Whitmore/Gloria Grahame...
16. The Farmer And The Cowman Ballet - Rodgers & Hammerstein
17. All Er Nuthin' - Gloria Grahame/Gene Nelson
18. All Er Nuthin' Ballet - Rodgers & Hammerstein
19. People Will Say We're In Love - Gordon MacRae/Shirley Jones
20. Oklahoma - Gordon MacRae/Shirley Jones/Charlotte Greenwood/Gloria Grahame/Gene Nelson/Rod Steiger...
21. Finale: Oh, What A Beautiful Mornin' - Gordon MacRae/Shirley Jones/Charlotte Greenwood/Gloria Grahame/Gene Nelson/Rod Steiger...
22. Overture (LP Version) - Rodgers & Hammerstein

Customer Reviews:

Okalahoma.......2007-07-17

Very good quality reproduction, and enjoyable to listen to the full length movie soundtrack again.

MacRae and Jones head a superb and O.K. adaptation.......2007-03-16

The film adaptation of Oklahoma heralded a technological breakthrough in widescreen cinema just as the original stage musical ushered in the integrated book musical. As such this film adaptation was treated as a special occasion, well-supervised by the creators themselves. The soundtrack, featured here, boasts sterling performances from MacRae and Jones making the most of their portrayals of Curly and Laurey, backed by a charismatic cast and superb orchestrations. And of course let's not forget the enveloping stereo sound that holds up well even today.

Despite being a Hollywood star, Gordon MacRae performs the part of Curly as if he was born to play it even on the stage. He shines vocally in his renditions of Oh, what a Beautiful Mornin' and Surrey with the Fringe on Top. He is well-partnered by Shirley Jones as a fresh and pert Laurey, lending her beautiful voice to the part. Although we don't hear much of her on this soundtrack, her partnering MacRae in People Will Say We're in Love exudes a masterful chemistry, as if they were setting sparks off at each other in their rendition of the song. Gene Nelson makes a dashing Will Parker and is equally well-matched by Gloria Grahame as Ado Annie. Grahame renders I Cain't Say No splendidly and partners Nelson in All er Nothin'. The supporting cast is filled out by Charlotte Greenwood's suitably caustic Aunt Eller and Rod Steiger's Jud. It's a pity that the film cut the song Lonely Room, otherwise Steiger would have better demonstrated the dark hues of the character of Jud. Yet it all adds up to a wonderful renditionh of this classic musical, enough to elicit a spontaneous YEOW! during this year of the Oklahoma centenary.

This EMI-Angel reissue offers one the advantage of the dance music and the main titles. This means that the listener gets the Kansas City and Farmer and the Cowman dance sequences, as well as the extended Dream Ballet. The only downside is the extraneous sound effects lifted from a DVD copy of the movie. Yes I share many of your sentiments that these sound effects tend to grate, and long for Didier Deutsch to have used the original untainted studio vault versions. However, let's at least be thankful that the CD producers have offered us a more comprehensive version of the Oklahoma soundtrack that we could only have dreamt of in the past.

In short, this is a wonderful and valuable addition to the R&H discography, and is an equally celebrated rendition of the score like the original Broadway cast recording. Warmly recommended to those who seek even their first version of Oklahoma.

Broadway in a movie setting at it's very best!.......2007-03-06

I have the original Broadway version, but prefer this movie selection.
The CD is flawless and, in my opinion, there's nothing better than a Rodgers
and Hammerstein musical for music, lyrics and pure joy! This is the best!

Wonderful.......2007-01-30

A great way to introduce oneself to the world of the nearly extinct Hollywood musical.

Beauiful.......2006-06-05

A true musical theater classic. Wonderful melodies that will last for years to come.
Other classics not to forget about are:
Mary Poppins
My Fair Lady
The Wizard of Oz
Chitty Chitty Bang Band
The first Charlie and the Chocolate Factory
The Sound of Music
Oliver
West Side Story
Fiddler on the Roof
Singing in the Rain
The Wiz
Little Mermaid
Aladdin
Beauty and the Beast
Grease
The King and I
Oklahoma
The Music Man
South Pacific

My Voice Students are always asking me for recommendations so I though I'd post it for all! We can't forget about these great musicals!

Average customer rating: The BEST Testament to Beverly Sills' Memory Still endearing fifty years on Beverly Sills First Hit Role I wish I could give this recording a fifteen star rating! From An Opera Singer

The Ballad of Baby Doe Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music English | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music General | Classical | Styles | Music Deutsche Grammophon: Music | Specialty Stores | Music Similar Items: The Ballad of Baby Doe: Vocal Score Massenet: Manon Verdi: La Traviata / Sills, Gedda, Panerai; Ceccato Art of Beverly Donizetti's Lucia di Lammermoor: Complete Opera (with full libretto and translation) ASIN: B00000IPTU Release Date: 1999-04-20

Tracks:

1. The Ballad Of Baby Doe: Act One: Scene One - Opening
2. The Ballad Of Baby Doe: Act One: Scene One - 'It's A Bang-Up Job' (Tabor)
3. The Ballad Of Baby Doe: Act One: Scene One - 'Horace, What Is This?' (Augusta)
4. The Ballad Of Baby Doe: Act One: Scene One - 'I Beg Your Pardon' (Baby Doe)
5. The Ballad Of Baby Doe: Act One: Scene Two - 'What A Lovely Evening'
6. The Ballad Of Baby Doe: Act One: Scene Two - 'Willow, Where We Met Together' (Willow Song) (Baby Doe)
7. The Ballad Of Baby Doe: Act One: Scene Two - 'Oh, Mr. Tabor!' (Baby Doe)
8. The Ballad Of Baby Doe: Act One: Scene Two - 'Warm As The Autumn Light' (Tabor)
9. The Ballad Of Baby Doe: Act One: Scene Three - 'Now, Where Do You Suppose?' (Augusta)
10. The Ballad Of Baby Doe: Act One: Scene Three - 'Have You Seen Her?' (Augusta)
11. The Ballad Of Baby Doe: Act One: Scene Three - 'What Are You Looking For, Horace?' (Augusta)
12. The Ballad Of Baby Doe: Act One: Scene Four - 'Why, Mrs. Doe!'
13. The Ballad Of Baby Doe: Act One: Scene Four - (Letter Song)
14. The Ballad Of Baby Doe: Act One: Scene Four - 'Excuse Me' (Augusta)
15. The Ballad Of Baby Doe: Act One: Scene Four - 'I Knew It Was Wrong' (Baby Doe)
16. The Ballad Of Baby Doe: Act One: Scene Four - 'No! No! No!' (Baby Doe)
17. The Ballad Of Baby Doe: Act One: Scene Seven - 'What Do You Intend To Do?' (Augusta)
18. The Ballad Of Baby Doe: Act One: Scene Six - 'Everything Looks Beautiful'
19. The Ballad Of Baby Doe: Act One: Scene Six - 'Gold Is A Fine Thing' (Silver Aria) (Baby Doe)
20. The Ballad Of Baby Doe: Act One: Scene Six - 'And I'll Show You Something Else' (Tabor)

Tracks:

1. The Ballad Of Baby Doe: Opening
2. The Ballad Of Baby Doe: 'The Fine Ladies' (Baby Doe)
3. The Ballad Of Baby Doe: 'Mama, Go Inside!' (Baby Doe)
4. The Ballad Of Baby Doe: 'Augusta, What Are You Doing Here?' (Tabor)
5. The Ballad Of Baby Doe: 'I'll Raise You'
6. The Ballad Of Baby Doe: 'Turn Tail And Run!' (Tabor)
7. The Ballad Of Baby Doe: 'La, La, La, La'
8. The Ballad Of Baby Doe: 'Good People Of Leadville'
9. The Ballad Of Baby Doe: 'Extra! Extra!'
10. The Ballad Of Baby Doe: 'Augusta! Augusta!' (Augusta)
11. The Ballad Of Baby Doe: 'Hey, Mister!'
12. The Ballad Of Baby Doe: 'The Cattle Are Asleep' (Tabor)
13. The Ballad Of Baby Doe: 'Tabor Owns The Big Hotel' (Chorus)
14. The Ballad Of Baby Doe: 'Horace!' (Baby Doe)
15. The Ballad Of Baby Doe: 'Always Through The Changing' (Baby Doe)

Amazon.com

Despite its somewhat Disneyesque title, The Ballad of Baby Doe is one of the sturdiest American operas. Its riches-to-rags story of Colorado miner Horace Tabor has a great plot, excellent characters, real arias, and dynamic chorus scenes, and none of it sounds second hand in the least. The opera has an extremely inviting personality of its own. This recording by the New York City Opera is full of crackling fast tempos from conductor Emerson Buckley and great theatricality: right down to the minor characters, everybody knows what they're about. Beverly Sills, Walter Cassel, and Frances Bible all inhabit their roles completely. The one drawback is the recording quality, which is good to voices but mushy on the orchestra. To know what's really going on in the piece musically, one must hear the similarly well-sung but more relaxed 1996 recording made at the venue where the opera was premiered: Central City Opera in Colorado. --David Patrick Stearns

Customer Reviews:

The BEST Testament to Beverly Sills' Memory.......2007-07-05

With this recording, Ms Sills set her mark forever on the world of opera. Period!

Of all the recordings that she made, this one, "The Ballad of Baby Doe", is the one that brings back the most endearing memories of this wonderfully talented lady.

It was her first Big Hit role in her new-found home (New York City Opera Company); it also, just happens to be a Totally American story, and creation, written by Douglas Moore.

Here we have Ms Sills in the freshness of her youth, in a brand new role, one that few have been able to fill after her sparkling interpretation. I think it fair to say that she will "always" be Baby Doe.

This recording is a true jem, as all previous reviewers, and many others will tell you. There is NO other work like this one. It is so fresh, lovely, and of course, tragic at the same time.

Everything about this recording is "small and intimate" as this story should be presented. And, luckily, the forces behind getting this recording made, did not have access to large forces and lots of technological wizardry-type equipment and facilities to do this recording in. This makes it all the more wonderful, as I said, small and intimate.

Beverly Sills, Frances Bible, and Walter Cassell had sung this opera together, and had "lived" in their parts long enough to become real breathing characters, characters that you really do care about, and get drawn in by. I defy anyone not to become emotional when Baby Doe sings the "Willow Song", or not to become teary with her final "Always Through The Changing". Frances Bible's stiffly starched Augusta Tabor is so three dimensional that she could walk right into the room with you! And, Walter Cassell's portrail of Horace Tabor will probably never be sung with the "totally lived in" feel that he brings to the role.

From all my thousands of opera recordings, this one gets picked FIRST if I want to listen to an American work. It also gets picked FIRST when I just want to marvel at Beverly Sills' truly most-gorgeous voice at the peak of her youthful freshness and "innocence" (before she had "grown up" in all those other roles).

Deutsche Grammophone has truly done us all a great favor by bringing forward all of the ABC and previous recordings that Ms Sills made prior to her move to EMI, and, truly, we are most thankful for the beautiful remastering and refurbushing of this wonderful Great American Work by Douglas Moore. Bravo, DG!, and of course, certainly, Bravo/Brava to Ms Sills, Ms Bible, Mr Cassell, and to Emerson Buckley for holding it all together. A truly landmark recording, and one that should be on your shelves. ~operabruin

Still endearing fifty years on.......2007-04-15

I wholeheartedly agree with the universal praise for this recording and have seen a performance at the Central City Opera House, a small Victorian gem in the middle of a touristy mining town north of Denver. In that setting, Baby Doe comes off at its best, since the music really is too simple for grand opera, abouanding in barely disguised folk songs and Top 40 harmonies. The cast carries the day, with total conviction from the two leads, Sills and Cassel. The role of Augusta Tabor is almost as large, and Frances Bible sings magnificently. All deserve high praise for their excellent, clear English diction, a rare thing and hard to achieve.

There are drawbacks, most of them minor in regard to the total impact. The major flaw is the dated sound, never good even for its day, that comes close to shattering and peaking any time the music grows louder than mezzo forte. Sills sings at her purest and freshest, but the microphone distortion cramps the voice considerably. A shame DG couldn't remaster the original tapes to remove so much glare. The second flaw is the routine but vigorous conducting of Emerson Buckley; a better conductor could have made the choral passages sound better than a college musical. These blemishes aside, Baby Doe is an American classic and has survived after many, many of its rivals have long ago faded away.

Beverly Sills First Hit Role.......2005-09-03

This is the opera that made Beverly Sills an opera star. She was 29 when she first performed it with the New York City Opera in 1958. Written in 1955 by Douglas Moore, the opera is based on the true story of the already-married Colorado silver magnate Horace Tabor and the young miner's wife, Baby (Mrs. Elizabeth) Doe, with whom he fell in love. Moore writes very much in the folk-opera idiom of American opera in the mid-50s, (Carlisle Floyd's "Susannah" comes to mind), and as a result the music is extremely accessible and full of lovely melodies, particularly in the music written for Baby Doe, such as the "Willow Song" and the "Letter Song" in the first act.
Sills herself always considered the role of Baby Doe the role she most inhabited, and she is in simply sumptuous voice on this recording. She is ably supported by the underrated American baritone Walter Cassel as Horace Tabor, and by the New York City Opera's leading mezzo-soprano, Frances Bible, in the surprisingly sympathetic role of Augusta, Horace's self-righteous wife. Julius Rudel conducts the New York City Opera orchestra with his usual steady hand, and the sound quality of this 1959 recording is excellent. Anyone who enjoys American opera should add this to their collection, and for fans of Beverly Sills, this is a "must have".

I wish I could give this recording a fifteen star rating!.......2004-06-15

First of all, I must state that I have loved this recording for three plus decades.
I have LP copies of it on MGM, Heliodor, and DGG pressings.
But I am one who has been waiting for years to find it released on CD. When the CD set finally came out, I was beside myself with joy.

This is the Baby Doe to have.

Someone mentioned the 1996 CD recording of Baby Doe, which was recorded in the Central City Opera House.
That's a very good recording. The entire cast is/are wonderful.
And that recording includes a few bars(in the first act) which are cut from the Sills Baby Doe.

But as fine as the 1996 recording is; it would be impossible to top or even match Cassel, Sills, and Bible as the Tabor love triangle.

I attended one of the 1996 Central City Opera Baby Doe performances. I was elated to see/hear the opera performed in that glorious old house.
But I have to admit that the acoustic ambiance of the Central City Opera House was a bit tubby and dry (acoustically). The tubby and dry ambiance of the 1996 Baby Doe recording is one of the reasons I prefer the Sills recording.

Anyway.

I have made two pilgrimages to Leadville. The Tabor Grand Opera House (which is in desperate need of funds for restoration) is still standing and in business.
The Clarendon Hotel (which was adjacent to the Tabor Grand) was torn down decades ago (although evidence of the Tabor cat walk from the Tabor Grand to the Clarendon is still extant).

Both times I visited Leadville, standing on the stage of the Tabor Grand left me speechless.

But my two visits to Baby Doe's cabin at the Matchless Mine devastated me.

Both times I stood in the "cold and narrow house" in which Baby Doe died so emotionally overwhelmed me that I had to step outside. I didn't want the rest of the tourees to see me weeping.

I couldn't help reacting that way. As I stood in Baby's cabin, her final aria , "Always Through the Changing" (as sung by Sills) kept running through my mind.

For those who have not heard this Opera (especially the Sills recording) you all really must listen to it.
It's one of the few truly great American Operas.

Moore's score is glorious. The Latouche libretto is outstanding.
And the story of Baby Doe (upon which the opera is based) is well represented (with a few dramatic alterations) in the opera.

From An Opera Singer.......2004-05-23

This recording is absolutely fabulous. Beverly Sills sings with amazing technique and her high notes are silvery and effortless. She owns the roll of Baby Doe. I have to say, I do enjoy Sills more than Callas. And I do have a very educated opinion... I am an opera singer. I actually sing the roll of Baby Doe so I know how challanging it is. Walter Cassel is amazing on this recording as well. Any other cast recording of this opera isn't worth the money. This is by far the best out there.

Average customer rating: forget the "purists" and enjoy! Beverly Sills, American Legend: Ave Atque Vale beverly sill Classic performance Fine performances, flawed recording quality

Handel - Julius Caesar / Treigle · Sills · Forrester · Wolff · NYCO · Rudel George Frideric Handel , Julius Rudel , Beverly Sills , Norman Treigle , Maureen Forrester , Spiro Malas , Michael Devlin , Eugenia Earle , Beverly Wolff , William Beck , Dominic Cossa , and New York City Opera Chorus and Orchestra Manufacturer: RCA ProductGroup: Music Binding: Audio CD All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Donizetti's Lucia di Lammermoor: Complete Opera (with full libretto and translation) Massenet: Manon Verdi: La Traviata / Sills, Gedda, Panerai; Ceccato Rossini: L'Assedio di Corinto Bellini: I Capuleti e i Montecchi ASIN: B000003EOP Release Date: 1990-10-25

Tracks:

1. Julius Ceasar: Overture - Wolff
2. Julius Ceasar: Viva, viva il nostro Alcide! - Wolff
3. Julius Ceasar: Presti omai l'Egizia terra - Wolff
4. Julius Ceasar: Curio, Cesare venna e vide e vinse - Wolff
5. Julius Ceasar: Sua reggia tolomeo - Wolff
6. Julius Ceasar: Giulio, che miri? - Wolff
7. Julius Ceasar: Empio, diro, tu sei - Wolff
8. Julius Ceasar: Gia torna in se - Wolff
9. Julius Ceasar: Priva son d'ogni conforto - Wolff
10. Julius Ceasar: Vani sono i lamenti - Wolff
11. Julius Ceasar: Regni Cleopatra - Wolff
12. Julius Ceasar: Vanne, e torna omai - Wolff
13. Julius Ceasar: Sire, Signor! - Wolff
14. Julius Ceasar: Alma del gran pompeo - Wolff
15. Julius Ceasar: Qui nobile donzella - Wolff
16. Julius Ceasar: Avanti al tuo cospetto - Wolff
17. Julius Ceasar: Sfortunata donzella - Wolff
18. Julius Ceasar: Ahime! Vile e negletta - Wolff
19. Julius Ceasar: Cara speme - Wolff
20. Julius Ceasar: Oh, quanto bella gloria - Wolff
21. Julius Ceasar: Va tacito e nascosto - Wolff
22. Julius Ceasar: Dove, dove, inumani - Wolff

Tracks:

1. Julius Ceasar: E seguisti, o Niren - G.F. Handel
2. Julius Ceasar: Taci! -- che fia? - G.F. Handel
3. Julius Ceasar: V'adoro, pupille - G.F. Handel
4. Julius Ceasar: Non ha in cielo - G.F. Handel
5. Julius Ceasar: Piu amabile belta - G.F. Handel
6. Julius Ceasar: Deh, piangete, o mesti lumi - G.F. Handel
7. Julius Ceasar: Se a me non sei crudele - G.F. Handel
8. Julius Ceasar: Si spietata - G.F. Handel
9. Julius Ceasar: Madre! Ferma! - G.F. Handel
10. Julius Ceasar: Cessa omai di sospirare! - G.F. Handel
11. Julius Ceasar: Figlio non e - G.F. Handel
12. Julius Ceasar: Bella Lidia - G.F. Handel
13. Julius Ceasar: Mora, mora, mora - G.F. Handel
14. Julius Ceasar: Se pieta di me non senti - G.F. Handel
15. Julius Ceasar: Sinfonia - G.F. Handel
16. Julius Ceasar: Vinta cadesti al balenar - G.F. Handel
17. Julius Ceasar: Dall'ondoso periglio - G.F. Handel
18. Julius Ceasar: Cerco in van Tolomeo - G.F. Handel
19. Julius Ceasar: Lascia questo sigillo! - G.F. Handel
20. Julius Ceasar: Voi, che mie fide ancelle - G.F. Handel
21. Julius Ceasar: Cesare, o un'ombra sei? - G.F. Handel
22. Julius Ceasar: Da tempeste il legno infranto - G.F. Handel
23. Julius Ceasar: Cornelia, e tempo omai - G.F. Handel
24. Julius Ceasar: La vendetta del padre - G.F. Handel

Customer Reviews:

forget the "purists" and enjoy!.......2007-07-17

In the last 20-30 years with all of the emphasis on "early music" and "authentic" versions that are not edited, there have been many opera fans who dismiss this performance/production somewhat condescendingly. Ignore them! Here's what caused her to become the people's prima donna, and led to her debuts at La Scala and the Royal Opera in London. Certainly there have been other sopranos in the 20th century with brilliant coloratura (Sutherland, Caballe, Callas) but few were as effective dramatically, as heartfelt, or had the Brooklyn "razzle-dazzle" that made opera fans on both side of the Atlantic fall in love with her. It may sound like a cliche, but we lost a national treasure!

Beverly Sills, American Legend: Ave Atque Vale.......2007-07-04

The world is diminished with the news of the death of Beverly Sills. Her impact on American Opera will never be matched. She was an Original, a woman of great beauty, creative intelligence not only in her vocal production, pyrotechniques, and range, but also in her commitment to acting and drama, bringing a far larger audience to the opera houses with both her gifts as an artist and her compassion for those experiencing opera for the first time. Her performances were full of life, uncannily beautiful in singing and deportment, and aided by her own insistence on the use of supertitles above the proscenium arch, a gracious bow to her audiences to draw them into the stories of the works. La Sills had the intelligence to make her final bow on the stage when signs of vocal weakness began to show. Everything she did was form her heart and her brain and her humanity.

Finding a work to call a signature role for her wide repertoire is difficult, but for most of us her creation of Cleopatra as captured in this recording of Handel's 'Giulio Cesare' is a zenith. She sparkles and stuns with her effortless singing and embellishments and she is accompanied by her old friends Norman Treigle, Spiro Malas, Michael Devlin, Maureen Forrester, Beverly Wolff, Dominic Cossa and of course, Julius Rudel who with Sills brought the New York City Opera to importance.

Yes, the recording is old and now dated and now that Handel's jewel is a frequently performed opera in the original style (countertenors, original instrumentation, etc), the performance does sound a bit florid and thick. But Beverly Sills shines brightly and this is the great selfless star we will all remember. Grady Harp, July 07

beverly sill.......2007-05-18

beverly is enchanting as cleopatra. i have started a beverly collection of operas which i am sure will rival my callas collection

Classic performance.......2007-05-13

If you like this opera, this recording is a must have. Good sound quality, amazing performance. Yes, this is one of the productions that launched Beverly Sills' career. I have yet to see or hear a performance of Cleopatra that comes close.

Fine performances, flawed recording quality.......2007-05-05

The women steal the show here--Forrester's voice lush and gorgeous, Sills at her mindblowing coloratura best. I imagine Treigle's booming, grainy voice was powerful on stage, but at times it sounds coarse and a bit wobbly here in the more difficult passages. All in all this is a fine disc, true to Handel without period instrument nonsense, though the recording quality is bad for 1967 (distortion on high notes and forte voice passages), when EMI and Decca and DG were turning out superb sounding operas on a regular basis.

Average customer rating: Very disappointing, considering what it could have been Always a pleaser JOHN WILLIAMS 40 Years of Film Music Movie Music Magic & Memorabilia John Williams: 40 Years of Outstanding Film Music

The Music of John Williams: 40 Years of Film Music Manufacturer: Silva America ProductGroup: Music Binding: Audio CD Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music Star Wars | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Similar Items: John Williams - Greatest Hits 1969 - 1999 Jerry Goldsmith: 40 Years of Film Music The Essential Elmer Bernstein Film Music Collection John Barry: The Collection Summon the Heroes ASIN: B0000C6K09 Release Date: 2003-10-07

Tracks:

1. The Sugarland Express-Main Theme
2. Jaws-Main Theme
3. Close Encounters Of The Third Kind-Suite
4. Raiders Of The Lost Ark-March
5. Raiders Of The Lost Arc-The Map Room:Dawn
6. E.T. The Extra-Terrestrail-Adventures On Earth
7. Indiana Jones And The Temple Of Doom-Mine Car Chase
8. Indiana Jones And The Temple Of Doom-End Credits
9. Empire Of The Sun-Exsultate Justi
10. Indiana Jones And The Last Crusade-Indy's First Adventure

Tracks:

1. Indiana Jones And The Last Crusade-End Credits
2. Always-Follow Me/Dorinda's Solo Flight
3. Hook-Main Themes
4. Jurassic Park-Main Themes
5. Schindler's List-Main Theme
6. Amistad-Dry Your Tears, Afrika
7. Saving Private Ryan-Hymn To The Fallen
8. A.I. Artificial Intelligence-Where Dreams Are Made
9. Minority Report
10. Catch Me If You Can

Tracks:

1. The Rare Breed-Suite (Universal Emblem/Hilary's Plight/Scottish Romeo/The Hunt)
2. Jane Eyre-Suite: The Jane Eyre Theme
3. Jane Eyre-Suite: To Thornfield
4. Jane Eyre-Suite: Restoration
5. The Cowboys-Overture
6. The Poseidon Adventure-Prelude
7. The Towering Inferno-Main Titles
8. Family Plot-End Titles
9. The Fury-Main Titles
10. Superman-Main Theme
11. Dracula-Main Titles & Storm
12. The River-Main Theme & Love Theme
13. The Witches Of Eastwick- Dance Of The Witches

Tracks:

1. Born On The Fourth Of July-End Credits
2. Presumed Innocent-End Titles
3. JFK-Arlington/End Titles
4. Harry Potter And The Philosopher's Stone-Hedwig's Theme
5. Harry Potter And The Chamber Of Secrets-Fawkes The Phoenix
6. Star Wars: A New Hope- Main Theme
7. Star Wars: The Empire Strikes Back-Hans Solo And The Princess
8. Star Wars: The Empire Strikes Back-The Imperial March
9. Star Wars: The Phantom Menace- Anakin's Theme
10. Star Wars: The Phantom Menace-The Flag Parade
11. Star Wars: Attack Of The Clones-Across The Stars
12. Star Wars: The Phantom Menace-Duel Of The Fates

Customer Reviews:

Very disappointing, considering what it could have been.......2007-04-20

Take a look at the running times:

Disc 1: 60 minutes
Disc 2: 50 minutes
Disc 3: 61 minutes
Disc 4: 58 minutes

What gives Silva? There is *MUCH* more John Williams in the silva screen back catalogue by the Prague Philharmonic than what is in this set, and thats not including their entire discs devoted to Star Wars Films, Indiana Jones Trilogy etc. Why isn't Hook "When You're Alone" included on Disc 2? There's room. Why isn't 1941 on Disc 1? There's room. Why isn't Earthquake on Disc 3? There's room. Why isn't Far and Away on disc 4? There's room. Where's the other ten minutes of the Rare Breed suite on disc 3? Why isn't Midway on disc 1? Where are the Land of the Giants, Time Tunnel and Lots In Space tv themes? Etc. Etc. Etc.

C'mon Silva, most of these 4 disc mega boxes released in the past few years are packed to the brim, but not this one, and with new recordings made after this was released (the terminal, munich, geisha, war of the worlds, star wars ep 3, harry potter 3), it only makes sense for a "re-do" in the next couple of years.

Further, with Silva releasing the 100 Greatest Film Themes on six discs in a couple of months, it's only a matter of time before we see the ultimate six disc john williams set.

This isn't a BAD set to own, but it could have been much better and when compared to the Jerry Goldsmith and John Barry sets in this same series, this one is a major letdown.

Always a pleaser.......2007-03-31

I listen to music all day with patients in my dental chair. This one is a winner with everyone. Patients always comment on how they recognize a song. Who doesn't love John Williams? His music transcends time.

JOHN WILLIAMS 40 Years of Film Music.......2007-01-10

This 4 cd pack is an anthology of all John Williams works. From his earlier works "The Poseidon Adventure" and "Jaws" right through "Indiana Jones" and the most recent"Star Wars" prequel movies are included. Williams work in thriller and horror are also included. If you are into soundtracks and love movie music this is an essential buy. The quality of the music is excellent. With ten or more tracks on each cd it's well worth the money.

Movie Music Magic & Memorabilia.......2006-12-13

This four CD set expands on the previously released John Williams Greatest Hits. It's a grand collection of nearly four hours of famous music scores from over forty years. There are many songs never before available in any collection. The short liner notes tell a great tale of musical movie history and include all of his numerous award nominations and wins. Each song (oddly enough) mentions the actors and the director, so fond are John Williams's memories of his work with these people. All of the conductors are mentioned along with specific orchestras, choirs, arrangement and orchestration specialists and even the publishers (contractual, I am sure). The only things missing are his early television scores, such as those for "Lost In Space" (by Johnny Williams back then). But with four discs, one has nothing to complain about and everything to enjoy!

John Williams: 40 Years of Outstanding Film Music.......2006-11-28

I have been a huge fan of John Williams and I have known about his music for years. However, I never actually bought any of his music on CD. I was rather skeptical about purchasing this CD but when it arrived I knew I had made the right choice. The sound quality of the compilation is outstanding. The City of Prague Philharmonic Orchestra do a great job under the direction of Paul Bateman. The original London Symphony Orchestra CDs of John Williams' Star Wars Trilogy CDs are marginally better but this is still a great CD compilation. If you love ET, Star Wars, Indiana Jones and Harry Potter, you will love this compilation soundtrack. Buy it, listen to these CDs in the car and enjoy every minute of the collection!!!

Average customer rating: great music Sexy Chillounge - Quality CD Completely Seductive A journey of chilled sound

Chillounge Various Artists Manufacturer: Intent City ProductGroup: Music Binding: Audio CD General | Dance & DJ | Styles | Music Electronica | Dance & DJ | Styles | Music Electronica | Compilations | Dance & DJ | Styles | Music General | Dance Pop | Dance & DJ | Styles | Music General | International | Styles | Music Acid Jazz | Jazz | Styles | Music General | Jazz | Styles | Music General | New Age | Styles | Music General | Easy Listening | Pop | Styles | Music General | International | Indie Music | Stores | Music General | New Age | Indie Music | Stores | Music Similar Items: Rendezvous Lounge, Vol. 2 compiled by DJ Mark Gorbulew Mesmerising Lost Sunset Lounge Vintage Chill, Vol. 1: Spring Plush ASIN: B0009PLM4E Release Date: 2006-01-20

Tracks:

1. Hillton FM / Anything With You
2. Barriere Feat. Themis / Sonhando Ipanema
3. Govinda / Delicate Poison
4. LornaLee / La Lune Foncee
5. No Noise / Expand Your Mind
6. Mysteria / After The Rain
7. Ikarus / Mr. Brown
8. Al. Pha. X / Solar Ascension (Chilled & Lush Mix)
9. The Essence / Plaza Suite
10. Radiophonic / Last Thing I Do
11. Jasmon / Delight
12. Honeyroot / Sunrise Sunset

Product Description

With late night beats and cool morning sensations as downtempo excursions mingle with silky beats and luxurious grooves. This soulful journey into a world of chilled electronica, nu-jazz rhythems and smooth sensual vocals forcuses on some of today's top vibrant artists from around the world.

Customer Reviews:

great music.......2007-06-08

all that i have to say about this incredible cd you can translate that in just one woed amazing it will blow your mind.

Sexy.......2007-03-20

This CD is so sexy. Perfect for a candlelight dinner or a warm bubble bath. The vocals plus the contemporary jazz tunes make this one of the best "lounge" CD's I've heard.

Chillounge - Quality CD.......2006-07-16

A wonderful friend told me to listen to Anything for You...so I did. I was blown away with this single song so I bought & downloaded it...this led me to the CD and once again I was assaulted with beautiful smooth jazz from start to finish. If you take the time to listen to this CD, you will not be disappointed by its quality. It's one of my favorite CDs this year. Check it out!

Completely Seductive.......2006-03-02

Chillounge is by far one of the most underated cds put out in 2005-2006. One listen and this cd will ensnare you with its slick and sexy beats. People People....are you listening? If you are still into magical compilations that actually have substance and direction then check this out. Every track on this flows with such strength and chilled flavor, i think this will be one of those records that just builds and builds a following. You have got to give this a listen from start to finish and you will understand what i mean...completely seductive!

A journey of chilled sound.......2006-02-03

I love this CD. The tracks are filled with driving beats but the whole thing still maintains that relaxing, smooth, chilled-out vibe. Arranged perfectly, each track expertly takes you on a worldwide journey of sound filled with sultry vocals and jazzy techno beats. As expected from Intentcity, this CD is of the finest quality ~ I couldn't recommend it more!

Average customer rating: If you want the orginal recorded music by that instead! Great live music from the Counting Crows Best album of CC besides August and Everything After I was at this show Some of the details from each show

Across A Wire: Live In New York City The Counting Crows Manufacturer: Geffen Records ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Rock | Alternative Styles | Alternative Rock | Styles | Music Alternative | Live Albums | Alternative Rock | Styles | Music General | Live Albums | Alternative Rock | Styles | Music General | Rock | Styles | Music Alternative Rock | Live Albums | Rock | Styles | Music General | Live Albums | Rock | Styles | Music Pop Rock | Pop | Styles | Music Adult Alternative | Pop | Styles | Music General | Classic Rock | Styles | Music Pop | Styles | Blowout Music | Stores | Music Classic Rock | Styles | Blowout Music | Stores | Music Rock | Styles | Blowout Music | Stores | Music Alternative Rock | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: New Amsterdam: Live at Heineken Music Hall This Desert Life Recovering the Satellites Hard Candy August and Everything After ASIN: B000008USI Release Date: 1998-07-14

Tracks:

1. Round Here
2. Have You Seen Me Lately?
3. Angels of the Silences
4. Catapult
5. Mr. Jones
6. Rain King
7. Mercury
8. I'm Not Sleeping
9. Anna Begins
10. Chelsea

Tracks:

1. Recovering the Satellites
2. Angels of the Silences
3. Rain King
4. Sullivan Street
5. Children In Bloom
6. Have You Seen Me Lately?
7. Raining In Baltimore
8. Round Here
9. Ghost Train
10. A Murder of One
11. A Long December
12. Walkaways

Amazon.com

Too much too soon is the m.o. of so many bands who, thanks to the fleeting fame that accompanies music-video breakthroughs, are famous before their time and has-beens five minutes later. You could be excused for thinking that's the case with Counting Crows, darlings of both MTV and VH1, who here release a double concert CD after only two studio albums. But you'd be wrong. The set, an acoustic disc recorded for VH1's Storytellers and an electric one from MTV's Live from the 10 Spot, proves how well the oft-bootlegged Crows have earned their reputation as a smoking live band. It also shows how elastic their rambling and evocative songs can be, some of which appear on both discs but in vastly different arrangements. People may tire of vocalist Adam Duritz's perpetually-wounded-soldier-of-love act, but this is one band whose success was hard-won and is richly deserved. --Daniel Durchholz

Customer Reviews:

If you want the orginal recorded music by that instead!.......2007-06-23

I wasn't a huge fan of the live music. Too many audience noise to drown out the otherwise amazing music. The audio never feels authentic to me. The VH1 disk is worth the money and then some. But beware. If you are a person that only wants to hear as band sing their songs exactly like they do on the album, this is NOT for you. I love the way they have changed the songs and lyrics to fit the mood that they're in at the time they're singing it. "I think we know how to play them now" probably explaines more than I could ever attempt. If you looked back at things you have done years ago, I am sure you would change them to reflect your position today. This album makes those changes and it's truly blissful to go along for the ride.

Great live music from the Counting Crows.......2006-11-08

Normally I am a total purist when it comes to concerts. I like the songs to sound the way they do on the CD, and I don't like surprises. But after seeing Counting Crows live this summer for the first time, I was amazed. It didn't matter that they changed the arrangements. They were just incredible. I immediately ordered Across A Wire, which didn't disappoint. This double CD captures their live performances for VH1 and MTV. It brought me right back to this summer's concert, and let me really appreciate Adam Duritz's vocals and the band's ability to change things up. Anyone who likes this band live will appreciate this CD set.

Best album of CC besides August and Everything After.......2006-08-24

Live music from Counting Crows! I somehow only just found this CD after being a CC fan since 1994. The energy of this performance is exhilarating. Adam Duritz is still raw, a trait I love and miss, since I think the rawness of his performing and writing has evaporated over the last five years or so.
I highly recommend this as a must have CD of Counting Crows. Two CDs, one is more acoustic than the other. My preference is for the second CD which is edgy and loud, long versions of songs I love. Sullivan Street, track 4 on CD#2 is awesome.
There are two versions of "Round Here" on this CD, one acoustic with only Adam and Dave. Both are fantastic.

I was at this show.......2006-08-05

I actually went to live at the 10 spot. I remember them announcing they were recording this live. It was a great show, though I had wished it was longer. Seems like the Counting Crows are lazy. I was a little disappointed they didn't play Mr. Jones. Overall great show though.

Some of the details from each show.......2006-06-02

"Chelsea" is a previously unreleased track and is not part of the VH1 setlist.

"VH1 Storytellers" was released as a promotional CD by Geffen Records prior to the release of this CD.

The VH1 set does not contain "A Long December", which appeared on the original broadcast, or "Omaha", "Good Luck", and "Walkaways", which were played but not broadcast.

"Round Here", "Mercury", and "Anna Begins" were not aired on VH1.

The MTV set does not contain "Goodnight Elizabeth", "Catapult", "Mr. Jones", "Omaha", and "Anna Begins", which appeared on the original broadcast, or "Wiseblood" and "Daylight Fading", which were played but not broadcast.

"Raining In Baltimore" and "Children In Bloom" were not aired on MTV.

Average customer rating: So short - not worth it New York City Best Norah CD I've purchased.. Better than Norah's solo album well done

New York City Peter Malick , and Norah Jones Manufacturer: Koch Records ProductGroup: Music Binding: Audio CD Contemporary Blues | Blues | Styles | Music General | Blues | Styles | Music Electric Blues Guitar | Blues | Styles | Music Modern Blues | Blues | Styles | Music General | Jazz | Styles | Music Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Contemporary | Vocal Pop | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Similar Items: Not Too Late Feels Like Home The Little Willies Come Away with Me New York City: The Chill Album ASIN: B00009QI3R Release Date: 2003-07-08

Tracks:

1. New York City
2. Strange Transmissions
3. Deceptively Yours
4. All Your Love
5. Heart Of Mine
6. Things You Don't Have To Do
7. New York City (radio edit)

Customer Reviews:

So short - not worth it.......2007-06-07

There are so few tracks on this album, I would have been better off buying my favorites on iTunes. By the time you settle in to listening, it's over!

New York City.......2007-03-23

Good tunes with a soft jazzy sound. Mellow and mild. Nice.

Best Norah CD I've purchased.........2007-03-22

This CD was bought on a whim. I didn't really expect much from it at first. After I bought it however, I wondered why there wasn't any media hype surrounding it. This is one of her best albums, but it's not her normal stuff. It's definitely worth the money for any fan.

Better than Norah's solo album.......2007-03-10

This album is addictive. Smooth, bluesy, jazz. I prefer it to her new album.

well done.......2007-02-05

now THIS is the norah I like. This style suits her much better than her attempts at trying to be a grown up singer for the coffee house yuppies

Average customer rating: Where have you been?? Dizzy Atmosphere Don't Overlook This Underrated Gem! Diz and Bird at Town Hall June 22, 1945; Genius Overcome Technical Short Comings

Town Hall, New York City, June 22, 1945 Dizzy Gillespie , and Charlie Parker Manufacturer: Uptown Jazz ProductGroup: Music Binding: Audio CD General | Latin Music | Styles | Music Bebop General | Bebop | Jazz | Styles | Music General | Jazz | Styles | Music Latin Jazz | Jazz | Styles | Music Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music General | Vocal Pop | Pop | Styles | Music Similar Items: Thelonious Monk Quartet with John Coltrane at Carnegie Hall One Down, One Up: Live at the Half Note Complete Jazz at Massey Hall Live at the House of Tribes Without a Song: The 9/11 Concert ASIN: B0009Q0EQ0 Release Date: 2005-06-21

Tracks:

1. Intro
2. Bebop
3. A Night In Tunisia
4. Groovin' High
5. Salt Peanuts
6. Hot House
7. Fifty Second Street Theme

Amazon.com

Dizzy Gillespie and Charlie Parker first became aware of each other in 1940 when the former was playing in Cab Calloway's band and the latter with Jay McShann. Two years later they were both living in New York City and a real friendship developed. By 1945 they were recording and gigging together, culminating in this Town Hall concert on June 22, 1945. These recordings languished for sixty years as acetates that weren't even known to exist in their entirety. That this set captures these two formidable players in their ascendancy and with such clarity is a staggering find. Here, with host Symphony Sid announcing the songs (this would have been for his radio show, but apparently never ended up in his possessions), an important chapter in American music is now restored. By the end of the summer of '45 Gillespie and Parker went their separate ways, both emerging with their own bands and reaching new heights of commercial success. --David Greenberger

Customer Reviews:

Where have you been??.......2006-05-20

According to jazz gospel, jazz's Anno Domini is November 1945, when Charlie Parker and Dizzy Gillespie cut several sides including the incredible "Ko Ko". Before then, there was a recording ban that prevented the innovations of the Bebop musicians from being heard. (True, there were some Dizzy Gillespie-led sessions including Salt Peanuts, but they sold so badly that they don't count).

In this version of events, jazz music was totally turned on its head, and the New Testament era of jazz began. When Ko Ko came out in November of 1945, the technical brilliance of the new form of jazz blew everyone away, and the music was changed forever.

But in 2005, this version of events was slightly altered. Finding a complete, live performance of Charlie Parker and Dizzy Gillespi, a full five months before the Ko Ko session, is an astonishing coup. The source of the recording is still rather hazy, with some indications that the anonymous person hoarding them may yet have more to release in years to come. At any rate, this is an astonishing discovery, perhaps even slightly more astonishing than the Monk-Coltrane discovery in the same year.

Dont forget, this is BEFORE the widespread use of tape to record sound (tape was invented in Nazi Germany, and is largely a postwar thing). Also, discs only lasted three minutes a side back in 1945. So you have to imagine some engineers lurking in the Town Hall, with a battery of recording lathes and a pile of fragile lacquer discs, furiously changing discs every three minutes. And yes, they got every note of the concert. Incredibly, the discs were not separated from each other, nor did any of them break over the years! There must have been about twelve or thirteen sides altogether.

Now at last we can hear bebop from before November 1945. The concert is astonishing. I still can't get over Parker's solo on Salt Peanuts, which is really filled with the fresh energy of a newly discovered art form. Another highlight is Night in Tunisia. Both Parker and Gillespie are in terrific form. The crowd seems very appreciative; although the liner notes include a contemporary review which says of Dizzy's music, in effect, "too many notes"! Also, Parker arrives late for the first tune, Bebop; I wonder exactly what he was doing out back?

The sound quality is fantastic. It was far better than I expected. The first few bars of "Bebop" are a bit muddy; but aside from that the sound is the equal of the Royal Roosts, perhaps even slightly better.

So I would heartily encourage anyone to get this disc; whether you are totally new to jazz, or a crusty veteran. The music is very accessible. Music this good, and a discovery that is this historically important, should be heard by everyone!!!

Dizzy Atmosphere.......2006-04-28

Just when the listener thinks that Be Bop has been worn out and has little else to offer, we are presented with lost recordings that, once again, show what all of the fuss was about. This is Charlie Parker and Dizzy Gillespie at the top of their game, giving a seminar on flatted fifths and fast playing.

Don't Overlook This Underrated Gem!.......2006-04-14

The Gillespie-Parker Town Hall CD is easy to overlook next to Monk-Parker--but that would be a loss. For one thing, the listener to this CD is privy to on-going commentary and intros by legendary jazz and beebop deejay "Symphony Sid"--offering an inside peek at the birth of some innovative tunes. Evidently Parker was (characteristically) late for the show: Sid had given lots of verbal patter to the eager crowd; Parker comes in the auditorium mid-way through the first number; the group doesn't skip a beat! Sid proceeds to tell the audience the music is going to flow rapidly because you folks sure waited long enough, and flow it certainly does--Tunisia; Salt Peanuts--the musicians playing top quality to a very appreciative crowd. Recording quality is fine for the time and place. Highlight: drummer Sydney Catlett stays for an encore despite Sid telling him he's got to be somewhere else. An all-around entertaining and informative birth of beebops by the legends experience

Diz and Bird at Town Hall June 22, 1945; .......2006-03-03

I read a rave review of "this masterpiece" record in The New Yorker. I was underwhelmed compared to that review.
However, these are good early beebop performances and the accompanying notes and copies of contemporary reviews support a better understanding of what's going on. In particular, there are some very interesting comments re perceptions of what was going on that day at Town Hall in Leonard Feather's July 1945 Metronome review, which is reproduced.
There are three Gillespie classics: Beebop, A Night in Tunisia and Salt Peanuts running about seven minutes each. These are the longest early recordings of these numbers that I have heard.
Perhaps even more interesting would be the as yet unapproved release of the second half of the Concert with a program by a very young Errol Garner and Don Byas.

Genius Overcome Technical Short Comings.......2006-02-25

The only bad thing about this recording is that it was made with the Town Hall's standard audio system. Gillespie is way off mic. Too bad there was not a real audio engineer to mic the performance. If you are a stickler for hi fidelity this may disappoint you. However the sheer genius and energy of the performances overcome this technical shortfall. If you enjoy either Gillespie or Monk, this recording deserves a place in your collection.

Average customer rating: Great movie, better soundtrack great collection of unusual music Supurb Amazing! excellent

Mirrormask Iain Ballamy , Stuart Hall , Martin Sharp , Matthew Sharp , Burt Bacharach , Dave McKean , Martin France , John Parricelli , Neil Percy , Iain Bellamy , Ashley Slater , Arve Henriksen , Chris Batchelor , David Powell , Josefine Cronholm , and Neil Gaiman Manufacturer: La-La Land Records ProductGroup: Music Binding: Audio CD Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Vocal Pop | Pop | Styles | Music Similar Items: Mirrormask The Alchemy of MirrorMask MirrorMask: The Illustrated Film Script of the Motion Picture from the Jim Henson Company Where's Neil When You Need Him? Mr. Punch ASIN: B0007RTARU Release Date: 2005-09-20

Tracks:

1. Sock Puppets / Flyover
2. Circus Overture
3. Spanish Web
4. Gorillas!
5. Running For The Bus
6. Abandoned Hall
7. Leaving The City
8. Arresting Helena
9. The White Queen Sleeps / The White Palace
10. Rabbit Band
11. The Library
12. The Myth Of Creation
13. Fish Street
14. Looking Through The Window
15. Giants Orbiting
16. Outside Bagwell's
17. Mrs. Bagwell's Rhumba
18. Meeting The Sphinx
19. Monkeybirds
20. Dream Park / Meeting In A Dream
21. Conjuring A Dome
22. In The Dark Forest
23. Betrayed!
24. Close To You
25. A New Life
26. A Rather Tense Dinner Party
27. Butterfingers
28. Discoveries / Fight Or Flight? / Goodbye Evil Helena
29. My Waltz For Newk
30. If I Apologised

Customer Reviews:

Great movie, better soundtrack.......2007-05-19

I just recently saw this movie and the only thing I could think about afterwards was that I had to get this soundtrack. I'm not usually a big fan of movie soundtracks, but this cd is unlike any other out there, soundtrack or not. The use of strings and carnaval type instruments is completely unique and makes this a must by for any fan of music.

great collection of unusual music.......2007-05-07

Rented the movie on reccomendation from Netflix, it was pretty good. But the music was the star of the show. The soundtrack follows the course of the movie pretty closely, it's kind of like listening to the movie. Each track brings to mind a specific scene in the movie. One of the highlights is the ecclectic treatment of Burt Bacharach's "Close to You". Most will remember the super-sweet Carpenter's version, but this interpretation was the main reason I bought the music. Unusual augmented chord progressions and almost minimalist format (complete with the mechanical background sounds made by the female jack-in-the-box-like, life-sized, mostly metal toy dressers) make the tune as captivating as in the movie when they 'convert' the trapped Helena into the black princess. Great music to play while relaxing, too.

Supurb.......2007-03-08

This soundtrack is truly a delight to listen to. It ranges from quirky circus music to deep and melodic mysterious tunes. It is a great CD to relax to and to use as background music for most any relaxing time hanging out with friends.

Amazing!.......2007-02-24

This is a very good soundtrack to a very good movie. The music is amazingly composed and is nice to listen to.

excellent.......2007-01-17

This CD is excellent! All the music from the movie in its entirety, all the songs are complete songs, and the songs are all top notch compositions.

Average customer rating: Driven to Excellence Heartbeat City Automatic Loop-de-Loop: Greatest of the Great We're not in Kansas anymore One Of The top Recordings Of The 80's.

Heartbeat City The Cars Manufacturer: Elektra / Wea ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music New Wave | New Wave & Post-Punk | Alternative Rock | Styles | Music General | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Rock | Styles | Music Album-Oriented Rock (AOR) | Classic Rock | Styles | Music Similar Items: Shake It Up Panorama Candy-O Door to Door The Cars ASIN: B000002H1T Release Date: 1990-10-25

Tracks:

1. Hello Again
2. Looking For Love
3. Magic
4. Drive
5. Stranger Eyes
6. You Might Think
7. It's Not The Night
8. Why Can't I Have You
9. I Refuse
10. Heartbeat City

Amazon.com essential recording

Buddy Holly-meets-Roxy Music was the hook-filled formula Ric Ocasek and crew fell into on their classic 1978 debut--and it's one they continued to milk throughout the first half of the '80s. As in any formula, it seemed to dilute a bit with each subsequent release. Heartbeat City, however, saw the Cars shaking things up a bit and scoring three hit singles in the process. "You Might Think" does have that same old Cars pop sound, but "Magic" and especially "Drive" sound unlike anything the Boston band had previously recorded. The album proved to be a rebirth of sorts...as well as a final hurrah. Following their Greatest Hits package, the Cars would fade away following 1987's Door to Door. --Bill Holdship

Customer Reviews:

Driven to Excellence.......2007-07-07

The fifth studio release by the Cars' is Heartbeat City a CD filled with infectious songs and one that elevated the band to a new found glory thanks to some sharp, fun, intellectual, goofy and, most importantly, creative videos in the height of MTV's importance in pop culture.

This album spread the Cars' appeal to a new audience but it also came with a degree of spoil, perhaps putting the band in an unwanted position of notoriety one which was difficult to uphold for future releases.

The CD was produced by famed producer Mutt Lange and it exposed the use, maybe overuse, of a drum machine by drummer David Robinson; however, the Cars pulled off the trick of satisfying long time fans while developing a larger audience through catchy pop tracks.

A track-by-track review:

1. The CD starts off with "Hello Again" a track probably more famous for its extensive video presence with the likes of Andy Warhol and a group of purposely used freaky people. Ric Ocasek does lead vocals. The song is one of the album's best and was representative of the imagery of the time. It holds up today.

2. "Looking for Love" is an overlooked tune. While it isn't the pop sensation of others on the disc, it is a song that deserves merit for if nothing else Ocasek's unique vocal style.

3. "Magic" is another tune that congers up images of the video played many times on MTV. Ocasek walks on water and a gang of misfits fawn over his presence. The song instantly induces memories of summertime pleasures.

4. "Drive" is perhaps the signature vocal of Benjamin Orr. The man never got his due as one of rock's all-time great vocalists. Here is a perfect illustration of a phenomenal voice and a chilling reminder of a lost treasure. True fans will never forget him. The video starred Ocasek's future wife, model Paulina Porizkova, and highlighted the typical ups and downs of a relationship. Paulina's sexiness is ideal.

5. "Stranger Eyes" is another song that merits better appreciation than what history has written. Orr delivers the vocals and the song is a winner.

6. "You Might Think" is in a group of songs that defines the music of the new wave era of the 1980s. The video, an award-winner, is comical and shows the mystery that is Ocasek in an extroverted way. One of the band's all-time best songs. "You might think I'm crazy but all I want is you." What an obvious line but what a splendid one, too. Brevity is the soul of wit.

7. "It's Not the Night" is arguably the big rocker on this release. Orr again shows his vocals have no limitations. He evokes memories of "Cruiser" from Shake it Up. Crank this up.

8. "Why Can't I Have You" was a deep album cut at the time. It is melancholy and the cries of desperation in Ric's voice can be heard throughout. In one sense a soft song but in another so powerful.

9. "I Refuse" wallows in mediocrity but it does have some attraction. Ocasek does a good job here painting a picture of someone who is tired of being used by his mate and who refuses to be part of any charade.

10. "Heartbeat City" is the title track and is a cool, if not smashing, entry. It is a tune that will create an image of how one person can make another smile with just her (Jacki) presence. A really solid song. This is one of those tracks that never gets tired.

Heartbeat City.......2007-01-17

The Cars was a interesting band. They got played on classic rock stations but they was a new wave band even the police had a hard time getting played on stations at the time. That being said when this album came out in 1984 it sounded different, clean yet a little rough, new wave yet a little hard around the edge which is why I loved this album. This is one of very few album that is flawless. Years later (around 1998) Ric said this was a experimental album and it was the first album ever that was recorded through computer with synth and drum machine which make it even more better album because it doesn't sound cold like other new wave bands at the time. I highly recommand this album to anyone that want a classic new wave album.

Automatic Loop-de-Loop: Greatest of the Great.......2007-01-13

The Cars, in a word, are unbelievable. As popular as they were in their heyday of the '80s, the quality and sophistication of their music remains largely unappreciated. Heartbeat City is one of the finest albums of the period, and of New Wave as a genre altogether. It brought together and for the first time to the mainstream, a perfect interaction of rock and electronica, in such an understated way that the very notion passed unnoticed. The title track itself is emblematic of great soundscape-driven pop/rock, and I don't have enough time to write about all the other tracks in the album. Suffice it to say that, musically, aesthetically and artistically this was a high watermark for the band and New Wave in the Pop world. Its follow-up album, Door to Door, was equally good and largely misunderstood, and I would recommend it as much as this one.

We're not in Kansas anymore.......2006-11-03

I remember when You Might Think, the first song off the Cars' new album made itself known - it was upbeat, but completely overshadowed by its groundbreaking video that set new standards. The problem with that was, it was easy for the video to distract from the fact that the song was a bit fluffy, for a group that made its name by vowing "there's no mistaking rock and roll". By now the Cars sound has lost just about everything that made it unique, and gone from having lots of synths to having TOO MANY. It still has Rik Ocasek's odd voice, but instead of amusing, wry humor, the emphasis is slickness and a certain smugness. This album has a terrifically produced sound, and there are some well written songs, like 'Hello Again' (which contains a lot of the old Cars humor) and the title track. Songs like 'Magic' and 'You Might Think' are instantly catchy, but don't really merit repeated listenings. 'Drive' is a nice ballad, it's nothing TOO amazing but it avoids a lot of the traps that made other ballads of the time (like Chicago/Peter Cetera's) so bad. This isn't bad music by any means, like the Moody Blues' Other Side of Life, it is elegantly put together, but the soul's gone. I guess the guys just got older and weren't as peppy and intense into the music anymore. And one last thing, the album cover is pretty terrible. What a confusing jumble of car parts and body parts (and interestingly, a two-star rating). Their other covers you could UNDERSTAND what you were looking at.

One Of The top Recordings Of The 80's........2006-09-25

Owning every Cars CD and solo recording by this group I feel quite familiar with the Cars music. I've listened to ALL of them countless times, but always find myself back in "Heartbeat City". What a CD!!!! When the album was first released unbeknownst to me I heard Drive and Magic on the radio, and immediately went out and purchased the cassette. To this day the CD still remains in my changer. This music defined so many things for me back then. I feel this CD help change the direction on music at the time. All they're previous releases led up to this. It was the pinnacle of their music. Important yet dreamy at times, dark and light, sad yet compelling. An absolutely fantastic recording that I cannot say enough good things about. On another note I've listened to the New Cars release that just came out..........Todd is great in his own right but this is nothing more than a $$ scheme. I can't help but laugh every time I hear his voice on a favorite Cars song. Give me a break. Ric, are you listening? There is one and only will be one lead singer for the Cars, ever.

Rap Music:

1. Nightwalker [Import]
2. No Rest for Ghosts
3. Now or Never
4. Patience and Science [Enhanced]
5. Promise of Love
6. Redhead [Enhanced]
7. Revival [Enhanced]
8. Riviera
9. Safe at Home
10. Saved by Magic

Rap Music

rap music

Recommended Music:

Music from Some Place Other

Suzanne Danco in concert

Transition [Import] [Original recording remastered]

Music: Rock Me: The Westwood Recordings

Vol. 2-History of Dance [Import]

The Collection, Vol. 1 [Explicit Lyrics] [Import]

Voz Palabra Y Jubilo

Very Best of Jam

Valsas Choros Para Piano [Import]

Symphony 9

The Last Recordings

Ultimate Collection [Original recording remastered] [Import]

Tomorrow [CD-single]

Violin Concertos

Plays the Standards