| 1. One Of Us |
| 2. How Sweet It Is |
| 3. Why Can’t We Live Together |
| 4. Everybody Is A Star |
| 5. Smiling Faces Sometimes |
| 6. These Arms of Mine |
| 7. Right Hand Man |
| 8. Only You Know and I Know |
| 9. Think |
| 10. I’ll Be Around |
| 11. Love’s In Need of Love Today |
Editorial Reviews
Joan Osborne's One of Us is billed as a career retrospective by one of the more impressive, if now largely forgotten soul/rock (and folk) stars of the 90s. Unfortunately, One of Us does not live up to expectations. Not quite as retrospective as advertised, this album is simply a repackaging of most of the tracks on 2002's How Sweet it Is, with a few seminal tracks (such as her explosive hit title song) thrown in where other songs are deleted. There is much, however, to appreciate and listen to with new ears. The 1995 title track remains thought-provoking and musically engaging, as does "Right Hand Man," Osbornes killer song of sexual afterglow with its provocative 'panties' line. And if she went out on a big limb in attempting to cover Aretha Franklins "Think," she succeeds beautifully in recasting other soul classics. Otis Reddings "These Arms of Mine" becomes an even franker declaration of naked want. By bending the melody away from an upbeat cry of exuberant joy to a slower burn of redemptive gratitude (with accents of Eastern music, yet), she almost totally remakes the Marvin Gaye/James Taylor hit "How Sweet it Is."--Alanna Nash
Product Description
One of the most distinctive vocalists to arise out of the 1990s, Joan Osborne has impressed audiences with her energetic and heartfelt performances for well over a decade, developing a loyal fan base that continues to expand today. One Of Us showcases Osbornes powerful and emotive vocal style with eleven incredible songs, including "How Sweet It Is", "Loves In Need Of Love Today", and the smash single "One Of Us", a must-have for Joan Osborne fans and rock music devotees everywhere.
One of Us,Joan Osborne,Artemis Strategic,Adult Alternative Pop/Rock,Pop,Pop/Rock,Rock,Rock/Pop
One of Us
Average customer rating:
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Mamma Mia! The Musical Based on the Songs of ABBA: A Decca Broadway Original Cast Recording (1999 London Cast)
Benny Andersson , Julian Poole , Jenny Galloway , Nicolas Colicos , Paul Clarkson , Bjorn Ulvaeus , Lisa Stokke , Eliza Lumley , Melissa Gibson , Siobhan McCarthy , Louise Plowright , Jenny Galloway , Bjorn Ulvaeus , and Stig Anderson Manufacturer: Decca Broadway ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000031WEN Release Date: 2000-10-17 |
Tracks:
- Overture/Prologue
- Honey, Honey
- Money, Money, Money
- Thank You For The Music
- Mamma Mia
- Chiquitita
- Dancing Queen
- Lay All Your Love On Me
- Super Trouper
- Gimme! Gimme! Gimme!
- The Name Of The Game
- Voulez-Vous
- Entr'acte
- Under Attack
- One Of Us
- S.O.S.
- Does Your Mother Know
- Knowing Me, Knowing You
- Our Last Summer
- Slipping Through My Fingers
- The Winner Takes It All
- Take A Chance On Me
- I Do, I Do, I Do, I Do, I Do
- I Have A Dream
Amazon.com
Put together by Abba's own Benny Andersson and Björn Ulvaeus, Mamma Mia! manages to cram over 20 of the Swedish supergroup's songs into a threadbare plot. It goes a little like this: Young Sophie is getting married and she's trying to identify which of three men is her father. That's about it. Wisely, the musical doesn't mess around with the songs, save for the insertion of some dialogue or for having some of them performed by a man (it works amazingly well). Abba fans will jump on this import of the London production, but traditional fans of musical theater should consider it as well. After all, Andersson and Ulvaeus's songs have always felt as if they were more than isolated pop gems and actually belonged to a longer narrative. --Elisabeth VincentelliCustomer Reviews:
Mamma Mia.......2007-03-22
Mamma Mia Musical CD.......2007-03-21
JUST GREAT MUSIC.......2007-03-08
Mamma Mia.......2007-01-29
Not good at all.......2007-01-09
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Battlestar Galactica: Season One
Daniel McGrew , Ken Stacey , Lillis Ó Laoire , Melanie Henley Heyn , Michael Now , and Raya Yarbrough Manufacturer: La-La Land Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0009Q0F5U Release Date: 2005-06-21 |
Tracks:
- Prologue
- Main Title (US Version)
- Helo Chase
- The Olympic Carrier
- Helo Rescued
- A Good Lighter
- The Thousandth Landing
- Two Funerals
- Starbuck Takes On All Eight
- Forgiven
- The Card Game
- Starbuck On The Red Moon
- Helo In the Warehouse
- Baltar Speaks With Adama
- Two Boomers
- Battlestar Operatica
- The Dinner Party
- Battlestar Muzaktica
- Baltar Panics
- Boomer Flees
- Flesh And Bone
- Battle On The Asteroid
- Wander My Friends
- Passacaglia
- Kobol's Last Gleaming
- Destiny
- The Shape Of Things To Come
- Bloodshed
- Re-Cap
- Main Title (UK Version)
Album Description
Presenting the original soundtrack from the first season of Sci Fi Channel's critically acclaimed, top-rated television series starring Edward James Olmos, Mary McDonnell, James Callis, Tricia Helfer and Katee Sackhoff. Composer Bear McCreary's dynamic score ingeniously melds orchestra, vocals and synth into an emotional experience that ranges from full-throttle action to soul-stirring drama. Packed with more than 78 minutes of music, this is a comprehensive collection of the very best musical moments from this amazing sci-fi drama's first season. Features both U.S. and U.K. main title themes and includes exclusive liner notes.Customer Reviews:
Good companion for Battlestar Fans.......2007-05-07
Captures the feel of the show.......2007-04-11
Awesome Soundtrack.......2007-04-11
BSG.......2007-04-10
Agree with everyone else.......2007-03-28
Average customer rating:
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Mendelssohn: Elijah
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002XV31A Release Date: 2005-02-15 |
Tracks:
- Introduction: As God The Lord Of Israel Liveth
- Overture
- No.1 Help, Lord! Wilt Thou Quite Destroy Us?
- No.2: Lord! Bow Thine Ear To Our Prayer!
- No.3: Ye People, Rend Your Hearts
- No.4: If With All Your Hearts
- No.5: Yet Doth The Lord See It Not
- No.6: Elijah! Get Thee Hence
- No.7: For He Shall Give His Angels Charge Over Thee
- Recitative: Now Cherith's Brook Is Dried Up
- No.8: What Have I Do To Do With Thee?
- No.9: Blessed Are The Men Who Fear Him
- No.10: As God The Lord Of Sabaoth Liveth
- No.11: Baal, We Cry To Thee: Hear And Answer Us!
- No.12: Call Him Louder, For He Is A God!
- No.13: Call Him Louder! He Heareth Not!
- No.14: Lord God Of Abraham, Isaac And Israel!
- No.15: Cast Thy Burden Upon The Lord
- No.16: O Thou, Who Makest Thine Angels Spirits
- No.17: Is Not His Word Like A Fire?
- No.18: Woe Unto Them Who Forsake Him!
- No.19: O Man Of God, Help Thy People!
- No.20: Thanks Be To God!
Tracks:
- No.21: Hear Ye, Israel; Hear What The Lord Speaketh
- No.22: Be Not Afraid, Saith God The Lord
- No.23: The Lord Hath Exalted Thee
- No.24: Woe To Him, He Shall Perish
- No.25: Man Of God, Now Let My Words Be Precious
- No.26: It Is Enough; O Lord Now Take My Life
- No.27: See, Now He Sleepeth
- No.28: Lift Thine Eyes To The Mountains
- No.29: He, Watching Over Israel, Slumbers Not
- No.30: Arise, Elijah, For Thou Hast A Long Journey
- No.31: O Rest In The Lord
- No.32: He That Shall Endure To The End, Shall Be Saved
- No.33: Night Falleth Round Me, O Lord!
- No.34: Behold! God The Lord Passed By!
- No.35: Above Him Stood The Seraphim
- No.36: Go, Return Upon Thy Way
- No.37: For The Mountains Shall Depart
- No.38: Then Did Elijah The Prophet Break Forth
- No.39: Then Shall The Righteous Shine Forth
- No.40: Behold, God Hath Sent Elijah
- No.41: But The Lord, From The North Hath Raised One
- No.41a: O Come Everyone That Thirsteth
- No.42: And Then Shall Your Light Break Forth
Customer Reviews:
Wonderful, but not my first choice.......2007-04-07
Fischer-Dieskau roughens up his voice for the role, and therein lies a problem. The voice spreads and his diction suffers because of it; that and his unidiomatic pronounciation, with far too many rolled "r"s. He does the drama well, but what works well in lieder works here less well on the large scale. Odd, given his success as on opera singer (check out his Iago), that here he frequently comes off blustery.
Dame Gwyneth Jones belies her reputation and gives a contolled, dramatic performance, using her "edge" to advantage in "Hear Ye, Israel". Gedda's diction is amazing, with exactly the right color for this literature, and projecting a little more blood than an English tenor.
Dame Janet Baker is my star in this performance. Dramatic, heart-rending when need be, and in wonderful voice. She'll chill your blood when she tells the people of Baal to "slaughter him, do what he hath done!".
And as for the people of Baal, the Philharmonia Chorus is wonderful. Incisive and dramatic, with beautiful tone. I could do without the trick of the boy choir for "Lift Thine Eyes", and I miss the small ensembles, but all in all a fine performance, and good recording, circa 1968.
First choice in English, Daniels/Terfel: better Elijah in Terfel, better recording, more authentic orchestra, small vocal ensembles (as per the score) but inferior women (including Fleming: beautiful tone, but where's her head?). In German, it's Sawallisch/Adam all the way.
But if you're singing Elijah, and have a score, this is a good choice.
THE BEST recording of the BEST oratorio ever..........2006-08-15
This recording is in every way wonderful. Starting with Dietrich Fischer-Dieskau. He IS Elijah to me. His singing is perfection. He has amazing phrasing and his diction makes it possible to understand the lovely, inspired libretto to this heavenly music. There are so many pieces that are ephemeral, but a couple of my favorites are: #14, Lord God of Abraham and #37, For the Mountains shall Depart. Dieskau does a great job of what I think of as compassionate, heartfelt singing. His interpretation sounds like the voice of God himself. It has a quality of kindness and yet he sounds just as convincing reprimanding the people of Baal. He is the true highlight of this recording.
That said, the rest of the cast is wonderful as well. Gwyneth Jones has a lovely, silvery voice that has a clarion bell-like tone that rings over the large orchestra with ease. She has occasional "misfire" but is a consistent performer. Dame Janet Baker and Nicolai Gedda both perform at a consistently lovely level. The orchestra and chorus are both wonderful. #15, Cast thy Burden upon the Lord, #32 He that Shall Endure to the End, and #38 Then Did Elijah are all highlights.
All said, for me the main reason to get this recording is Dieskau's Elijah- after all, he's the main character. But don't forget the lovely music. This story is exciting and passionate and sacred all at the same time. For me, it's the best oratorio that has a moving story and great music too.
Too bad there are so few recordings of Elijah.......2006-07-03
Average customer rating:
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One of Us
Joan Osborne Manufacturer: Artemis Strategic ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0009ML1WA Release Date: 2005-06-28 |
Tracks:
- One Of Us
- How Sweet It Is
- Why Cant We Live Together
- Everybody Is A Star
- Smiling Faces Sometimes
- These Arms of Mine
- Right Hand Man
- Only You Know and I Know
- Think
- Ill Be Around
- Loves In Need of Love Today
Amazon.com
Joan Osborne's One of Us is billed as a career retrospective by one of the more impressive, if now largely forgotten soul/rock (and folk) stars of the `90s. Unfortunately, One of Us does not live up to expectations. Not quite as retrospective as advertised, this album is simply a repackaging of most of the tracks on 2002's How Sweet it Is, with a few seminal tracks (such as her explosive hit title song) thrown in where other songs are deleted. There is much, however, to appreciate and listen to with new ears. The 1995 title track remains thought-provoking and musically engaging, as does "Right Hand Man," Osborne's killer song of sexual afterglow with its provocative 'panties' line. And if she went out on a big limb in attempting to cover Aretha Franklin's "Think," she succeeds beautifully in recasting other soul classics. Otis Redding's "These Arms of Mine" becomes an even franker declaration of naked want. By bending the melody away from an upbeat cry of exuberant joy to a slower burn of redemptive gratitude (with accents of Eastern music, yet), she almost totally remakes the Marvin Gaye/James Taylor hit "How Sweet it Is."--Alanna NashAlbum Description
One of the most distinctive vocalists to arise out of the 1990's, Joan Osborne has impressed audiences with her energetic and heartfelt performances for well over a decade, developing a loyal fan base that continues to expand today. One Of Us showcases Osborne's powerful and emotive vocal style with eleven incredible songs, including "How Sweet It Is", "Love's In Need Of Love Today", and the smash single "One Of Us", a must-have for Joan Osborne fans and rock music devotees everywhere.Customer Reviews:
Joan Osborne, ONE OF US.......2007-01-15
Deceptive Amazon.......2005-09-23
The track listing is still worthy of a four star review, but not a single track from her second album shows up, and there are some fatastic pieces on her first album that are not at all represented in the two selections that appear here.
Really, though, we didn't need this CD. We want the next album from Joan Osborne. It was supposed to be finished over a year ago. Where is it? The fans want new work? And what about the Dolly Parton tribute she recorded songs on? Why can't we find that on Amazon?
And the real "new" album is out, but only available at Barnes and Noble. Look for "Christmas Means Love" on the B&N website. I bet this is a political statement to not have the new album available on Amazon, and the above "greatest hits" is Amazon's response...pathetic...
Good place to start..........2005-08-22
Great Singer - Strange Collection.......2005-07-02
My only caveat about this ONE OF US collection being that it's always possible this is a collection of acoustic versions or alternate takes or something, but I doubt it. I suspect it's a record company project and something Joan herself has little, if any, control over or participation in.
Average customer rating:
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Screaming Masterpiece
Sigur Ros , and Bjork Manufacturer: One Little Indian Us ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000BITTDU Release Date: 2005-11-15 |
Tracks:
- Fero Til Breioafjaroar
- All Is Full of Love - Bj , Icelandic String Octet, Matmos, Zeena Parkins
- #8 A.K.A. Popplagio
- Odi et Amo - H, , , Gudmundur Kristmundsson
- Green Grass of Tunnel
- Find What You Get - Bang Gang
- Romantica - Apparat Organ Quartet
- Brostnar Borgir
- Within Tolerance - Slowbow
- Conversation
- Motorcrash - The Sugarcubes
- Bank = Fyjar, Bruxelles, Barcelona, Reykjav- Ghostigial, , Frosti Logason,
- I'd Ask - Mugison
- Fjarskanistan - Amina
- Oceania - Bj
- Hrafnagaldur/Odin's Raven Magic - Schola Cantorum, Guamundss, The Icelandic Symphony Orchestra, ,
Product Description
1. Steindor Andersen & Sigur Ros - A ferd til Breidafjardar
2. Bj?rk - All is Full of Love
3. Sigur R?s & Amina - #8 aka Popplagid
4. Johann Johannsson - Odi et Amo
5. M?m - Green Grass of Tunnel
6. Bang Gang - Find What You Get
7. Apparat Organ Quartet - Romantica
8. Eivor Palsdottir - Brostnar borgir
9. Slowblow - Within Tolerance
10. Finnbogi Petursson - Conversation
11. The Sugarcubes - Motorcrash
12. Ghostigital - Bank
13. Mugison - I'd Ask
14. Amina - Fjarskanistan
15. Sigur R?s etc - Odin's Raven Magic (10 minutes extract)
Format: CD
Amazon.com
The tiny, strange, and environmentally harsh Viking country of Iceland has produced some of the world's most original pop music of the past few decades, despite being inhabited by just 300,000 people. Fostered by a physical isolation from the world and temperatures that strongly encourage humans to stay inside, the nation has developed a music that tends just as much towards a light ethereality as it does jagged, experimental harshness. The soundtrack to this ironically-titled music documentary (originally called Gargandi Snilld) mixes lesser-known Icelandic acts (Bang Gang, Minuswith, Slowblow, Mugison) with ones that we can presume live inside the iPods of every other college kid (Sigur Rós, Múm, Björk). And while there is an unfortunate paucity of rarities by the better known acts, true discoveries abound: Mugison imagines the Kings of Convenience matched with White Hassle; Jóhann Jóhannsson's flotational sounds with the Kraftwerk voice trick are a joy; and you just have to hear the Apparat Organ Quartet. -Mike McGonigalCustomer Reviews:
Wonderfull.......2007-06-14
A Masterpiece Indeed!.......2007-02-07
blowingmasterscream.......2006-06-14
from the start with sigur ros, then bang gang and múm... worldless... in between you discover little jewels like the amina girls and apparatt...so you leave the movie theater hoping to make your next holidays trip to iceland!. first step for most of us, poor humans, is get the ost!. you will love this songs, they are all great, original,emotional stuff. if you are about to discover what`s next after Bjork and Sigur ros, well, here`s the first step to heaven. enjoy!
This album is really amazing and you should buy it........2006-01-23
Average customer rating:
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
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Ennio Morricone - Film Music, Vol.1
Manufacturer: Virgin Records Us ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000DR51 Release Date: 1992-06-29 |
Tracks:
- The Good, The Bad, And The Ugly: The Good, The Bad, And The Ugly
- Maddalena: Come Maddalena
- The Sicilian Clan: The Sicilian Clan
- The Life And Times Of David Lloyd George (BBC TV): Chi Mai
- Investigation Of A Citizen Above Suspicion: Investigation Of A Citizen Above Suspicion
- Moscow Farewell: Moscow Farewell
- Espion Leve Toi: Marcia In La
- Lady Caliph: Lady Caliph
- Battle Of Algiers: The Battle Of Algiers
- The Infernal Trio: The Infernal Trio
- La Banquiere: Dedicace
- For Love One Can Die: For Love One Can Die
- Sacco And Vanzetti: Sacco And Vanzetti
- The Tragedy Of A Ridiculous Man: La Tragedia Di Un Uomo Ridicolo
- Quartiere: Romanza Quartiere
- Once Upon A Time In The West: Once Upon A Time In The West
- The Mission: On Earth As It Is In Heaven (Remix)
Customer Reviews:
No Fistful of Ennio.......2007-01-31
As for what's here-- most of ENNIO MORRICONE * FILM MUSIC Volume 1 is forgettable incidental stuff. Except for "The Battle Of Algiers (Theme)," the opening and closing tracks are the best. They bookend what turns out to be a disappointing collection, lacking in both liner notes and the brilliance Morricone demonstrated over a 30 year span.
I would call some of these pieces "newage"..........2006-08-02
Simply a 'Must Purchase' for those with a passing interest in Morricone's work.......2005-09-13
This compilation is collection of some of the seminal, gritty, theatrical, and dramatic film music, that would go on to define his career, via reflective orchestration and memorable motifs, ingenious use of diverse arrangements and instrumentation. There is a majority of his highlights on this disc, with the magnificently brooding "The Good, The Bad, and the Ugly" opening the disk. what follows is a truly sublime collection of music that is in parts truly beautiful and utterly atmospheric, so tracks such as "Once Upon A Time In The West", benefit from the haunting melodies and stirring volins, that are possibly more in tone with orchestrated music than contemporary music. Or the quiet piano introspection and melancholic arrangements that make up "Moscow Farewell", are simply deserving of being placed amongst the finest soundtrack compositions ever. "Dedicace", contains some of the most litting melodies in recent memory, impossibly sad and affecting, it is a haunting bittersweet composition that is both organic & reflective, over which the volins provide the musical backdrop. And that's without the mention of "For Love One Can Die", the autumnal orchestrated track, that pulls from Italian sweeping gangster original film scores, and makes a hushed and dissonant recording, that feels like a sublime throwback to the mafia-related shenanigans of 60's chicago via the use of restrained piano, that really is quite lovely and adds substantial weight to the composition.
If you are looking for a Ennio Morricone compilation....short of buying a boxset, you'd be hard pressed in beating this for value for money. It's a fantastic summary of his work and covers a fair amount of material. And is the perfect introduction to his work, (especially if you just want to buy one compilation of his work). This is highly recommended to fans both old and new, and is boosted by the compilers making a great job of the selection. So if you don't want to have to splash out on an expensive disk, to hear his influential work...this really is the first place you should start.
ENNIO MORRICONE - FILM MUSIC, VOL. 1 .......2005-08-16
WANTED.
A collection of Morricone's most popular and entertaining.......2005-07-31
Average customer rating:
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Antidepressant
Lloyd Cole Manufacturer: One Little Indian Us ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000I2IT0S Release Date: 2006-10-10 |
Tracks:
- The Young Idealists
- Woman In A Bar
- NYC Sunshine
- Antidepressant
- I Didn't See It Coming
- How Wrong Can You Be?
- Everysong
- I Am Not Willing
- Slip Away
- Traveling Light
- Rolodex Incident
Album Description
As the title suggests, Lloyd Cole delivers an album that mixes sadness delicately with a revitalizing happiness. His songs meld with an exceptionally sunny day or as the rain pours down outside. He twists forgotten youthful dreams with afterthoughts of Scarlet Johansson. Entwining leaving lovers and the grateful thoughts left behind, Cole is heartbreaking and mending all at once. For over 20 years Lloyd Cole, first with the Commotions then solo, has altered style and approach to music leaving a trail of beautiful albums to which Antidepressant is a proud addition. A cult favorite compared with Leonard Cohen, Morrissey, Nick Cave and Elvis Costello, ColeÂ's gift as a lyricist is on full display in Â"The Young Idealists,Â"Â"NYC SunshineÂ" and the inside jokiness of Â"Everysong.Â" The title track is the apex of his combination of joy/despair, as Â"AntidepressantÂ" jumps through the tangles of life with chemically induced smiles. There is even a beautiful cover of Moby GrapeÂ's Â"I Am Not Willing.Â" All songs were written by Lloyd Cole except Â"I Am Not WillingÂ" by Peter Lewis, and Â"Slip AwayÂ" by Neil Clark & Lloyd Cole.Customer Reviews:
Just Like A Needle In a Haystack.......2007-05-22
Massachusetts songsmith part 2.......2007-04-28
This album, by the way, is fantastic as are all his albums. Buy them, if you want to hear great songs from a great songwriter.
Massachusetts songsmith ?.......2007-02-22
I saw Lloyd and the Commotions in Boston around 1985 and have been a huge fan ever since. Saw him again about 6 years ago.
Don't have this album yet but am on the way out to get it now. I'm sure it is worth 5 stars.
Cheers
gorgeous, restrained, evocative, heartbreaking.......2007-02-12
the negatives record...since then, he's put out a mess of records and it's been
a bit hard to keep up. the strings on this CD are quite astonishing--
and his voice is in fine fettle. a very confident, skip-along, chimy effort.
instantly likeable/hummable.
RIYL: Robyn Hitchcock, the black watch, Pernice Brothers, and have ever heard any Lloyd Cole.
i am rushing to buy the records i have missed in the past couple of years now!
Still Introspective, Still Hard Working, Still Turning Out Gifted, Thoughtful Music.......2006-12-04
For those who don't know Lloyd, call it a mix of Bryan Ferry and Bob Dylan--it still remains a quiet outrage that his collective body of music still has only touched an extremely small number of US listeners.
The tracks "NYC Sunshine" and "Woman in a Bar" alone justify the purchase of this new record...only quibble is that Lloyd, in his devoted, hard-working, independent style, seems to have made the record almost independently (with a few collaborators), so some of the edge and abandon of his earlier, excellent post-Commotions solo records as well as the more recent "Lloyd Cole and the Negatives" is missing.
This is still a lovely, thoughtful, earnest, and worthwhile recording from this Massachusetts songsmith. Highly recomended.
Average customer rating:
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Powder Burns
The Twilight Singers Manufacturer: One Little Indian Us ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000EWBMVA Release Date: 2006-05-16 |
Tracks:
- toward the waves
- im ready
- theres been an accident
- bonnie brae
- forty dollars
- candy cane crawl
- underneath the waves
- my time (has come)
- dead to rights
- the conversation
- powder burns
- i wish i was
Product Description
1. Toward The Waves
2. I'm Ready
3. There's Been An Accident
4. Bonnie Brae
5. Forty Dollars
6. Candy Cane Crawl
7. Underneath The Waves
8. My Time (Has Come)
9. Dead To Rights
10. The Conversation
11. Powder Burns
12. I Wish I Was
Format: CD
Amazon.com
Recorded in New Orleans a few months after Katrina devastated it, generators at the ready to supply electricity when the power failed, Powder Burns is former Afghan Whigs frontdude Greg Dulli's finest work in a decade. It's widely and wisely been hailed as the most solid Twilight Singers release to date, as it combines the sultry and hazy lounge air of the first three Singers records with the scorched earth intensity of the Whigs. Fancy guests abound--Ani DiFranco, Joseph Arthur, former A.W. bassist John Curley--but the focus rarely strays from Dulli's sex-soaked, melodramatic croon. "I Wish I Was" sounds like a great lost Chocolate Genius song until the bombastic chorus kicks in. There are dozens of elements here--super multi-tracked choruses, Beatles-referring hooks, ridonculously classic rock guitar solos, vaguely dance-y drum programming, rousing piano lines, etc.--that would sound poseur-y or played out most anywhere else. But on Powder Burns, they just sound like damn good music. --Mike McGonigalCustomer Reviews:
getting closer, Mr. Dulli.......2007-07-24
The Twilight Singers turn in another epic, rollicking, rock n' roll revelation.......2007-03-25
Like an Altman film, instead of progressing, the album unravels, exploring themes of addiction, despondency, isolation, sexuality, self destruction, unhealthy codependency, and taking the dark corners of the id out for a good stretch regardless of the consequences.
In a genre which either ignores classic R&B, or injects it into the music as a hokey novelty, Dulli stands alone in his effortless, hybrid tour-de-force. It is an esthetic that owes as much to Marvin Gaye's vanguard musical and vocal arrangements from the latter years at Motown, when the album slows for quick breathers on "Candy Cane Crawl" and "Dead To Rights", as it does to the darkness of the very best Rolling Stones records. In a time of pretenders and transient flavors-of-the-month in so-called "alternative," independent music, Dulli is unique,...lasting. Ironically, this may be why a higher level of popularity and success will always elude him. The audience which will by a Twilight album but is unfamiliar with Dulli may struggle with a record which departs from the "alternative" genre's established, narrow parameters. Not very alternative, eh? But then, Gaye challenged his following with "I Want You" very much in the same way...and here I am in 2006 calling on him and it as an exemplar so...
Sounding more like Dulli's former band, the Afghan Whigs, than any of the past Twilight records, the album bristles with taut, grinding riffs which fill the background of each scene; they are a supporting cast for dark and aggressive vocals- especially on stand-outs "I'm Ready," "Bonnie Brae," and seemingly ever building "There's Been An Accident." Dulli's arrangement of "Accident" is brilliant, reaching a dramatic crescendo which captures maybe his most-passionate vocal performance ever.
And yet, I think Dulli is still developing,...improving. Why shouldn't I? Every album in his career is a testament to his progress toward a plateau of song writing in rock that many of his contemporaries will never see...they can't.
- Raindog (5.21.06)
KEEP EM COMING.......2007-01-19
Never A Dulli Moment.......2006-08-03
It's a wry album title for someone who's long battled a nose candy addiction, but Greg Dulli never ceases to turn in a staggering performance on record. Even 2004's covers album She Loves You - in hindsight an obvious stopgap while Dulli attempted to break free of drug addiction and rediscover his lyrical fire - offered an amazing retelling of divergent tracks made famous by everyone from Billie Holliday to Bjork.
My Time Has Come is The Twilight Singers' take on Sympathy For The Devil, exhibiting the danger of The Rolling Stones of the late `60s. The song conjures visuals of Dulli walking hand in hand with the Prince Of Darkness as the songwriter documents his own demise.
Where once Dulli found himself backed by soul singers and crooning his way through albums, Powder Burns finds the frontman relying more heavily on his alternative tattered style of vocal delivery. Fellow gnarled drug survivor Mark Lanegan again pops up on a Twilight Singers release, albeit in sampled form on Candy Cane Crawl, while Dulli's interest in Beatles (having previously worked on the Fab Four biopic Backbeat and performing John Lennon's Real Love) also rears its head on Forty Dollars, where he reprises their early smash She Loves You.
Recorded in New Orleans in the aftermath of Hurricane Katrina, Dulli still proves to be a rogue wave in a sea of listless rock performers.
Proof that music ain't dead yet........2006-07-24
Well, anyone who's heard "Gentlemen" or "Congregation" or any other record by the Afghan Whigs should be yelling "Rescue me, Dulli!" And on "Powder Burns," Greg's delivered the goods.
Possibly the most soul-infused yet forward-thinking rock record since the Whigs' "Black Love," the new Twilight Singers record still shouldn't be construed as an Afghan Whigs album without the name. Despite Dulli wearing lead singer shoes, which definitely aids in stamping any project with a signature raspy-throated, tunelessly-endearing sound, the backing band and instrumentation are a far cry from the rabies-inflicted punk animal that was the Whigs. Sure, it's dirty, dirty, grungy blues-rock, but one might be surprised what creeps into a song here and there. "Bonnie Brae" is a melancholy headbanger that could almost be called blue-collar shoegaze. Piano and violin pepper tracks like "There's Been An Accident," while rushing, watery electronic influence is lovingly splashed here and there, most obviously on the intro piece "Toward the Waves"/"I'm Ready."
Of course to think ahead, people usually end up looking back to see how good music was made in the first place. Dulli liked smashing Beatles riffs around on his covers record so much that he's taken to purloining lyrics, too, reframing the timeless refrain of "She loves you, yeah, yeah, yeah" with a derisive sneer and a cranky guitar din ("Forty Dollars").
Not every word on "Powder Burns" is an homage, however. Lyrically, Dulli has always struck me as a singing Charles Bukowski. Sometimes it's exactly who you need to hear from to fall asleep at night when you're too bleary-eyed to read.
Average customer rating:
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One Cold Winter's Night
Kamelot Manufacturer: Steamhammer Us [Spv] ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000I8ON7A Release Date: 2006-11-21 |
Tracks:
- Intro: Un Assasino Molto Silenzioso 1.00
- The Black Halo 3.39
- Soul Society 4.36
- The Edge Ff Paradise 4.44
- Center Of The Universe 6.02
- Nights Of Arabia 6.27
- Abandoned 4.10
- Forever 7.56
- Keyboard Solo 1.46
- The Haunting 4.34
- Moonlight 5.08
Tracks:
- When The Lights Are Down 4.30
- Elizabeth (Part I, II & III) 13.02
- March of Mephisto 5.07
- Karma 5.41
- Drum Solo 2.51
- Farewell 5.22
- Outro 4.09
Album Description
One Cold Winter's Night was recorded on February 11th, 2006 at the historic Rockefeller Musichall in Oslo, Norway. Kamelot enlisted renowned film and video director Patric Ullaeus to chronicle the night's events. Arriving with him from Gothenberg, Sweden, Patric had a large crew of professionals and equipment including 18 cameras that would be used in and around the concert grounds. The title for the band's first DVD (based on an earlier Kamelot song title) was chosen long before the actual shoot. Ironically this winter turned out to be one of the longest and coldest in the country's history, with enormous amounts of snow and numerous chaos-causing blizzards. A very special thanks goes out to fans that had to wait in line before doors opened to the sold out show. We sincerely hope we managed to warm you back up!Customer Reviews:
must have 2 Disc set!.......2007-04-01
Great band with awesome live sound.......2007-02-13
Many songs are actually more powerfull than the studio version. The selection of songs is also very good.
The DVD is sleek, with many cameras capturing the show. Very high quality.
Highly recommended for any Kamelot fan.
Great cd.......2007-01-31
One Cold Winter's Night, is one hot disk set........2007-01-27
Khan at his best!.......2006-12-28
The DVD recording of this same concert is exceptional too, so I recommend buying it.
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- Plasma [Live]
- Present/Future
- Putting It Straight [Original recording remastered] [Import]
- Runaways
- Since I Left You [Enhanced]
- Solace [Import]
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Al Cohn Meets Al Porcino [Live]
1999 Tour Party//Twang Dynasty [Import]