Conductor [Enhanced]

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"Conductor deals out some of the year’s finest post-apocalyptic pop songs: ‘Moonrainbow’, ‘Oh God’ and ‘Tonight on the WB’."

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"With his fuzzbox and tear ducts both maxed out, Andy Herod scripts one of the year’s loveliest breakup dramas," – SPIN "Ten Best Albums You Didn’t Hear"

Conductor [Enhanced]

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Conductor [Enhanced]

Average customer rating: Toscanini's last Beethoven cycle -- a unique, bargain glimpse of the performing rite i can't take it anymore Classic circa 1950 Beethoven Symphony Cycle Beethoven's symphonies Great Historical Collection

Ludwig van Beethoven: The 9 Symphonies - Arturo Toscanini / NBC Symphony Orchestra Ludwig van Beethoven (Composer) , Arturo Toscanini (Conductor) , and NBC Symphony Orchestra Manufacturer: RCA ProductGroup: Music Binding: Audio CD All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Toscanini, Arturo | ( T ) | Featured Performers, A-Z | Classical | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Beethoven, Ludwig van | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Toscanini, Arturo | ( T ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Brahms: The Four Symphonies Rimsky-Korsakov: Scheherazade; Capriccio Espagnol; Russian Easter Overture Beethoven: The Complete Symphonies and Piano Concertos Vaughan Williams: The Nine Symphonies Beethoven - The Complete String Quartets / Alban Berg Quartet ASIN: B0000CNTLU Release Date: 2003-12-09

Customer Reviews:

Toscanini's last Beethoven cycle -- a unique, bargain glimpse of the performing rite.......2007-06-30

This set's insighful and irresistable, especially at the 'Amazon' price. 5 stars from me!

Imagine being able to hear works played by musicians with direct links to performers who've remembered what the composer wanted in performance of his/her works during his/her lifetime. Such opportunities arise through listening to recordings made by maestros like Arturo Toscanini (born 1867, began orchestra conducting 1886) whose musicianship -- not just in terms of scholarship and technical powers -- take us to a view of the contemporary Beethoven performing rite that seems to have dimmed with successive generations. Not that every Toscanini performance of a work is the same -- indeed there's noticeable evolution -- but his basic underlying approach remained sufficiently consistent for it to be captured in recordings, like this set, made quite late in his career (it ended in mid-1954, he died early 1957).

This Beethoven cycle is ADD mono and may not be any sonic improvement over either RCA's "74321", or "GD", series CDs of the same cycle; and it's unlikely to be sonically better than the superb LP transfers in the 100-disc set released (in the late 1970s) by RCA Japan (n.l.a.). But if you don't already own this latest RCA CD package, then, at the 'Amazon' price, it'll be an indispensible part of your Beethoven cycle experience.

The NBC Symphony is in great form (Toscanini reportedly said it didn't really become a top symphony orchestra until around its 1950 continental US tour and these discs are from that period) and the recorded sound, for the most part (say except for the Seventh's last movement) captures the dynamics and unique, chrystaline fabric of the Toscanini orchestral sound.

There's apparently some confusion over whether the set's 'Eroica' is the 1949 "studio" or 1953 "live" (broadcast) performance, but the insert-booklet's per-movement timings indicate it's the 1953 one (which is broader and differently inflected compared to the '49, and some earlier, Toscanini Eroicas; the 1949 one is included in RCA's "GD" CD series). Anyhow, this kind of issue is more for discographers than those out on a journey of important musical discovery.

Buy this set, especially at the price, the performances shouldn't fail to stimulate and inspire!

Some suggested references:-

'The Toscanini Legacy' by Spike Hughes (pub. 'Dover')
'Toscanini and the Art of Conducting' by Robert C. Marsh (pub. 'Collier Books') (in UK, titled 'Toscanini and the Art of Orchestral Performance' (pub. 'Allen & Unwin'))
'Arturo Toscanini - The NBC Years' by Mortimer H. Frank (pub. 'Amadeus Press').

i can't take it anymore.......2007-06-02

i'm tired of aficionado's bashing toscanini around while praising furtwangler as the ultimate interpreter of beethoven. just as an average "uneducated" listener is likely to praise karajan, an average "uneducated" aficionado is likely to praise furtwangler as the only viable option of beethoven performance.
which is just utterly not true!
don't get me wrong - i love furtwangler. he is one of the conductors i revere most, and i DO think that his beethoven is rarely surpassed. but there are a million ways to perform a piece! and most likely than not, this is not a matter of the cliched "subjective vs. objective" argument that most people put forward.
to argue that beethoven would not have conducted his music a la toscanini is absurd. very presumptious, of you ask me. actually, comparing beethoven's metronome markings with furtwangler's and tostanini's recordings, toscanini actually is closer to the norm. furtwangler actually disregards a lot of beethoven's instructions regarding tempi, phrasing, development, dynamics, etc.
many people, including me, would argue that furtwangler is not disregarding beethoven's intentions at all. beethoven's intention when, for instance, composing the first movement of the eroica, was not, as toscanini has said, "allegro con brio." it was the expression of beauty, the expression of the human soul. beethoven might've heard in his head the movement much faster than is usually performed. but music that occures in the mind and in the physical is significantly different (think of printing - the blue on your computer screen doesn't really turn out to be the blue you want when you print it out!). if furtwangler's performances best achieve this end (which i do believe they do), he has serviced beethoven immensly.
but who is to judge that furtwangler expressed what beethoven intended? perhaps beethoven intended a different kind of beauty? a different kind of soul? and this is why people who love music often have more than one record of the same music.
toscanini was a supreme maestro in his own right. he might not have the ability to direct a mind towards musical epiphany like furtwangler, or to steadily provoke the mind and heart to a state of climax like klemperer, but he does have a supreme sense of orchestral control. no one makes tuttis sound like tuttis as toscanini. he also has an insuperable talent of conveying musical excitement: not even erich kleiber, who in my opinion had one of the most powerful rhythmical senses amongst all the great conductors, can imbue a performance with as much explosive propulsion.
i must admit that i was also infected with the "toscanini-hate" for a while, particularly because sergiu celibidache, absolutely one of the greatest conductors, derided him as being a "note-factory." compared with celibidache or furtwangler, toscanini is a note factory. but this is merely because he prefers a more "absolute music" approach. to him, music is not an emotional, or spiritual language. it is just music. what the audience feels from the music is because of the innate quality of the notes themselves, not because the conductor tries to express them. one might say that people who prefer the first chords of the fifth symphony to be blatantly like "fate knocking on the door" would be disappointed by toscanini. but in a sense, such expectations are naive. to some performers and listeners, fate knocking on the door does not have to take on the gothic melodrama that most modern performances aim to achieve.
surely, there are sets out there that please me more - and this is not a collection of toscanini's best performances. there is a particularly noteworthy seventh on naxos coupled with an equally compelling fifth. this collection, however, serves as a worthy exponent of the virtues of toscanin's art.
for catharsis, look to furtwangler. for a sense of musical consummation, look to klemperer. elegance and liveliness, to erich kleiber. rough-edged and fiery, hawk-eyed execution, to schuricht. weingartner, walter, carlos kleiber, bohm, scherchen, and kempe also provide heartwrenching accounts. amongst the HIP performers, only gardiner had me convinced. actually, toscanini wouldn't be on top of my list of favorite beethoven conductors. but for others, he surely is, and it is more than a proper position.

Classic circa 1950 Beethoven Symphony Cycle.......2007-05-30

Toscanini was born in 1867, the same year as my great grandfather. According to RCA, his first gig as a conductor was in 1886! These recordings were made at Carnegie Hall between November 1949 and November 1952 except symphonies 4 & 5 which were taken from NBC broadcasts.

After seeing a great performance of Verdi's La Traviata, I bought Toscanini's rendition of the preludes from this opera. This was in 1978. Toscanini's music were on budget lps at the time. And being in college, I was on a budget. I have several of his budget lps plus this Beethoven Symphony cycle on the RCA plum dog label from the 1950s that I bought used. I have always enjoyed the performances and have always had misgivings about the at best AM radio like fidelity of the recordings.

I recently listened to Toscanini's Brahms Symphonies at Rhapsody and the remastering has almost brought the sonics into the space age. WOW! The Beethoven symphonies too are at Rhapsody. They sound pretty good, but far from the great Analog of the late 50s to when digital kicked in circa 1980. When the music intensifies, it seems to my ear to start to distort a little and get a little shrill. Kinda like a movie theater where you can enter and egress with abandon as long as no one yells "Fire!!"

If we look at the fidelity coming from the 1930s and 40s, all complaints would be dropped and instead our astonishment would be given at just how great they sound. For historical recordings, they do sound GREAT. I enjoyed listening again to them.

Toscanini has gone from being the best thing since sliced bread to being regarded as an out of favor commissar who is now commissaring in outer Siberia. By listening to these recordings I would hope that your perspective will improve and that you would realize that Toscanini was a pretty good conductor, who brought great classical music to the masses, who had wide influence that is still felt thru his understudies, and that he was not the boogie man!

Beethoven's symphonies.......2007-05-12

When the master conducts the master, you will get nothing but a superb rendition of excellent musice. A must for classics lovers

Great Historical Collection.......2007-05-07

Any collection of all nine Beethoven symphonies is likely to have some great recordings and some not-so-great ones, and this collection is no exception. On balance, however, if you appreciate the Toscanini style (generally fast paced), this group ranks very close to the 1963 Karajan with the Berlin SO and right there with Walter and the Columbia SO. Plus, this is the most economical way to get Toscanini's recordings of the third, seventh and ninth, so the others are a "bonus."

Average customer rating: Heartfelt, passionate versions Great Recording Great set of music! Kertesz or Kubelik in the Dvorak symphonies? Amazing performances

Dvorák: The Symphonies Manufacturer: Decca ProductGroup: Music Binding: Audio CD General | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music Overtures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Scherzo | Forms & Genres | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Bargain Box Sets | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music The Decca Records Store | Specialty Stores | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Dvorák, Antonín | ( D ) | Composers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Mendelssohn: 5 Symphonies; 7 Overtures Schubert: 8 Symphonies Schumann: The 4 Symphonies Johannes Brahms: The Symphonies Bruckner: The Complete Symphonies ASIN: B0000041WV Release Date: 1992-02-11

Tracks:

1. Symphony No. 1 In C Minor 'Zlonicke zvony': I: Allegro
2. Symphony No. 1 In C Minor 'Zlonicke zvony': II: Adagio molto
3. Symphony No. 1 In C Minor 'Zlonicke zvony': III: Allegretto
4. Symphony No. 1 In C Minor 'Zlonicke zvony': IV: Finale - Allegro animato
5. Symphony No. 2 In B Flat Major, Op. 4: Allegro con molto

Tracks:

1. Symphony No. 2: II: Poco adagio
2. Symphony No. 2: III: Scherzo: Allegro con brio
3. Symphony No. 2: IV: Finale: Allegro con fuoco
4. Symphony No. 3 In E Flat Major, Op. 10: I: Allegro moderato
5. Symphony No. 3 In E Flat Major, Op. 10: II: Adagio molto
6. Symphony No. 3 In E Flat Major, Op. 10: III: Finale: Allegro vivace

Tracks:

1. Symphony No. 4 In D minor, Op. 13: I. Allegro
2. Symphony No. 4 In D minor, Op. 13: II. Andante sostenuto e molto cantabile
3. Symphony No. 4 In D minor, Op. 13: III. Allegro feroce
4. Symphony No. 4 In D minor, Op. 13: IV. Allegro con brio
5. Symphony No. 5 In F Major, Op. 76 (Beginning): I. Allegro ma non troppo
6. Symphony No. 5 In F Major, Op. 76 (Beginning): II. Andante con moto
7. Symphony No. 5 In F Major, Op. 76 (Beginning): III. Scherzo: Allegro scherzando

Tracks:

1. Symphony No. 5 (Conclusion): IV. Finale: Allegro molto
2. Symphony No. 6 In D Major, Op. 60: I. Allegro non tanto
3. Symphony No. 6 In D Major, Op. 60: II. Adagio
4. Symphony No. 6 In D Major, Op. 60: III. Scherzo (Furiant): Presto
5. Symphony No. 6 In D Major, Op. 60: IV. Finale: Allegro con spirito
6. 'V prirode', Op. 91: In Nature's Realm

Tracks:

1. Symphony No. 7 In D Minor, Op. 70: I. Allegro maestoso
2. Symphony No. 7 In D Minor, Op. 70: II. Poco adagio
3. Symphony No. 7 In D Minor, Op. 70: III. Scherzo: Vivace - poco meno mosso
4. Symphony No. 7 In D Minor, Op. 70: IV. Allegro
5. Symphony No. 8 In G Major, Op. 88: I. Allegro con brio
6. Symphony No. 8 In G Major, Op. 88: II. Adagio
7. Symphony No. 8 In G Major, Op. 88: III. Allegretto grazioso
8. Symphony No. 8 In G Major, Op. 88: IV. Allegro ma non troppo

Tracks:

1. Symphony No. 9 In E Minor, Op. 95 'Z Noveho sveta': I. Adagio - Allegro molto
2. Symphony No. 9 In E Minor, Op. 95 'Z Noveho sveta': II. Largo
3. Symphony No. 9 In E Minor, Op. 95 'Z Noveho sveta': III. Molto vivace
4. Symphony No. 9 In E Minor, Op. 95 'Z Noveho sveta': IV. Allegro con fuoco
5. 'Karneval' Overture, Op. 92
6. Scherzo capriccioso, Op. 66
7. 'Domov muj' Overture, Op. 62

Amazon.com essential recording

For decades, there were only three complete collections of Dvorák's symphonies: this one; Rowicki's with the same orchestra; and Kubelik's with the Berlin Philharmonic. Kertész offers the most rustic, gutsy interpretations of all. Famous for his dislike of rehearsals, he allows the London Symphony to make a much rougher sound than his colleagues tolerate, and though not the last word in polish, the results have a spontaneous charm that's pretty hard to resist. More to the point, Dvorák's early symphonies (Nos. 1 to 5) remain sadly neglected, and each one of them is full of gorgeous tunes cloaked in mellifluous orchestration. At budget price, this set now costs less than it did on LP in the 1960s. How can you do better than that? --David Hurwitz

Customer Reviews:

Heartfelt, passionate versions.......2007-06-23

The late Istvan Kertesz continues to amaze, with this spectacular reissue of his 1960s Dvorak symphonies cycle. These versions each compare well with or exceed the legendary recordings by Ancerl, Szell, Talich, et al. Sound quality is excellent, and the mix on the orchestra is almost always just right, balancing strings, brass, and percussion. Compared to some Czech recordings, the woodwinds volumes are a bit weak, which is unfortunate because woodwinds are one of Dvorak's specialties. If you have no other set of Dvorak symphonies, or have 10 copies of "From the New World" and no copies of Symphonies 1, 2 or 3, then this is a must-have set. From the opening bars of Symphony No. 1, you'll agree you're in the presence of greatness.

Great Recording.......2007-06-03

Friends and CD-guides told me this was the best. And they were right.

Great set of music!.......2007-05-24

Along with Piotr Tchaikovsky, Antonin Dvorak was probably the most prolific composer of the Romance period. He composed for just about every genre of classical music except ballet, and is known for a wide variety of works. Some of his most famous are his symphonies. He wrote 9, out of respect for Beethoven, and like the German master, the last one is the most widely recognized. But like Beethoven, all 9 symphonies are incredible pieces of music in their own right. This set has all 9 symphonies, along with several other popular orchestral works. The sound quality is good, the orchestration is great, and the choice of music is great. All the pieces are dramatic, with melodies that range from powerful to awe-inspiring to melancholy. Every piece of music in this set is purely in the Romantic style; full of emotion, and many are inspired by folk tunes from Eastern Europe. All in all, a great set, and for a great price.

Kertesz or Kubelik in the Dvorak symphonies?.......2006-05-03

Although decades old, the two analog sets of Dvorak symphonies from Kertesz and Kubelik remain the front-runnters. From the mid-Sixties onward Decca has been so satisfied with the groundbreaking Kertesz cycle, the first to bring Sym. 1-6 to the general listening public outisde Czechoslovakia, that the company has rarely re-recorded any but the last three, most famous symphonies. DG, on the other hand, didn't release Kubelik's Sym. 1-6 until the digital era (1988, I believe), keeping them in the vualts and out of competiiton with Kertesz.

Now both sets are offered at basically the same price on 6 mid-line discs, with deep discounts on the used market. The difference between the two is quite marked musically, however. Kertesz comunicates the thrill of discovery in the early symphhonies. Amazingly, he had never conducted them before, and their vibrancy and inner life lift my spirits every time I hear them. The LSO didn't know these pieces, either, but play with rousing commitment and vivacity.

By comparison, Kubelik sounds rather correct and staid. He often chooses marginally slower tempos, and his enthusiasm for letting the dance rhytyms become exciting is limited. The Berlin Phil. seems not to catch on to the Slavonic folk idiom, which gets played far too straight (Dvorak had the same problem with Greman orchestras in his lifetime and was only accepted in Vienna and Berlin at first as a kind of naive, folk-flavored Brahms). As to sonics, the Decca set holds up well, being a bit bright at times but otherwise detailed and forward. DG, unforunately, gave Kubelik's later symphonies (#7-9) harsh, glaring sound that makes his readings sound brash; there's an unpleasant sting to the sound at higher volumes. This problem seems less in the earlier symphonies (the cycle was recorded over a longer period than Kertesz's and thus has more variable sound). I do not know if the current re-issue also includes remastering.

It's regrettable that in the interest of economics Decca has cut out several of Kertesz's most interesting fillers, such as the Hussite Over., though they can be found on other CDs from him. We get the Carnival Over. on both sets, after which Kertesz gives us the "My Homeland" and "In Nature's Realm" Over., while Kubelik offers the Scerzo capriccioso and The Wild Dove tone poem, both performed by his Bavarian State Orchestra rather than the Berliners.

As msut be obvious by now, I don't feel the two sets are competitive artistically. Kubelik was a major conductor and dedicated to Dvorak, but his best work isn't here. Kertesz, though not native born to the composer as Kubelik was, found a special affinity for Dvorak, and his cycle is one of the small miracles of Sixties recording. Perhaps not so minor considering that no one has bettered him in the early symphonies for forty years.

Amazing performances.......2005-03-28

This orchestra really has a rich, powerful sound, but can still give deep emotional sounds, all of which are needed to perform Dvorak. I doubt one can find finer performances of these symphonies, and the other works included in the set are very well chosen. The performances of each symphony are incredible, the sound quality is very good, and as I said before, the orchestra is wonderful. Highly recommended.

Average customer rating: Painfully dull, cluelessly retro Lifting the heart Beautiful Timeless Music mantovani's golden hits BLast from My Past

Mantovani's Golden Hits The Mantovani Orchestra Manufacturer: Polydor / Umgd ProductGroup: Music Binding: Audio CD General | Pop | Styles | Music General | Easy Listening | Pop | Styles | Music Orchestral Pop | Easy Listening | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music CDs $7 - $10 | Easy Listening | Pop | Today's Deals in Music | Formats | Music All Bargain Titles | Easy Listening | Pop | Today's Deals in Music | Formats | Music 4-for-3 Pop | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: Percy Faith's Greatest Hits More Golden Hits Greatest Hits The Best Ever Mantovani Collection The Ultimate Collection ASIN: B000001F2G Release Date: 1990-10-25

Tracks:

1. Charmaine
2. Moon River
3. The Moulin Rouge Theme
4. Summertime In Venice
5. Diane
6. Limelight Theme
7. Greensleeves
8. True Love
9. La Vie En Rose
10. Around The World
11. Some Enchanted Evening
12. Swedish Rhapsody

Customer Reviews:

Painfully dull, cluelessly retro.......2007-04-29

It's possible that someone out there might still find favor with the over-orchestrated, over-produced music here - the kind that was once commonly used in dentist's offices and elevators to soothe the listener's nerves. These days, while other retro music like Martin Denny can have an agreeably continental flair, Mantovani is just plain dull. This is music of the worst possible type: drained of personality and soul, where even the occasional more modern song (mid sixties) comes off as stilted. This kind of thing has long been replaced by easy-listening jazz; not even the uncoolest of the Star Search generation would be caught dead with this in their closet.

This kind of dreck gives you sympathy for the poor listener whose musical background is so impoverished as to make this music an option.

Lifting the heart.......2007-01-04

Takes you back to a time when really good music was coming from car radios. Believe it or not, these fine tunes were big hits even with younger listeners.

Beautiful Timeless Music.......2006-08-22

Mantovani's Golden Hits has been in my life for many years. I first purchased this particular Sound track for my mother as a Christmas present in the 1960's as a 33 rpm record. She so loved the composer and many of the musical selections. She played this often and I grew up appreciating the gorgeous orchestra music when the rage was rock and roll. My mother died many years ago but I kept her record. I did listen to it as I was raising my children. My son is now getting married and wanted a beautiful waltz to dance with his bride at the reception. He requested my help in finding "Moon River" without the lyrics and in perfect waltz tempo. I immediately pulled out my 33 rpm and played it for him. I then ordered the cd for him to play at his wedding reception. All the selections on this CD are so beautifully arranged and timeless.

mantovani's golden hits.......2006-07-26

i've been looking for this cd for years and found,very happing with it.

BLast from My Past.......2006-07-13

My parents use to listen to Mantovani alot when I was younger. I bought this to relax in the car and at home as well as relive my past. The strings of Mantovani sing through recognizable songs from my past ans are very relaxing. If you want to relax and dream through soaring string sections then this is the record for you.

Average customer rating: Music from'The Good, The Bad And The Ugly' & 'A Fistful Of Dollars' &'For A Few Dollars More' Has No Pizzaz NOT the original motion picture soundtrack . good bad and the ugly & fistful of dollars & for a few dollars more Wore out 3

Music From 'The Good, The Bad And The Ugly' & 'A Fistful Of Dollars' & 'For A Few Dollars More' Hugo Montenegro And His Orchestra Manufacturer: RCA ProductGroup: Music Binding: Audio CD General | Pop | Styles | Music General | Easy Listening | Pop | Styles | Music Orchestral Pop | Easy Listening | Pop | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Movie Scores | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: The Good, The Bad & The Ugly (Expanded) Once Upon A Time In The West: The Original Soundtrack Recording The Legendary Italian Western Volume 2 Spaghetti Western: The Ennio Morricone Collection Ennio Morricone - Film Music, Vol.1 ASIN: B000002WFD Release Date: 1995-05-23

Tracks:

1. The Good, The Bad And The Ugly
2. March With Hope
3. The Story Of A Soldier
4. The Ecstasy Of Gold
5. Theme From 'A Fistful Of Dollars'
6. For A Few Dollars More
7. Aces High
8. The Vice Of Killing
9. Sixty Seconds To What?
10. Square Dance
11. Titoli

Customer Reviews:

Music from'The Good, The Bad And The Ugly' & 'A Fistful Of Dollars' &'For A Few Dollars More'.......2007-06-13

I grew up with the Spaggetti Westerns and these were my favorite, so when I had a chance to purchase on CD what I had on vinyl I grabbed the chance. The music gives on the sense of power, suspense, and feeling macho of being there and standing down an oppenent.

Has No Pizzaz.......2007-04-12

This is pleasant enough listening, but after hearing the original performances, this is a watered-down version that has none of the haunting, sharp and unique sound that the originals had. I remember this album cover very well when it was first released as an LP record and a lot of copies must have sold. I am not sure why. Just buy the original soundtracks instead of this poor substitute.

NOT the original motion picture soundtrack ........2007-02-22

This is not the original motion picture soundtrack . I felt disappointed , and a little bet insulted when I first listened to this album . the wild cries in the good , the bad and the ugly theme got replaced with flutes , guitars and drums - not the marching band drums but the beach boys drums - are included in all the tracks , and the macho chants muffled .

This is , shall we say the danceable version , the tribute version , the lounge music version , the politically correct version , an elevator music version and to sum it all up , not the original motion picture soundtrack.

It still manages to give the illusion of listening to the original, but that's it .

Should've paid more attention to other customer reviews , not just the ones on the top.I wouldn't have bought it if I new it was a tribute album .

Pick up the originals if you want to relive those wild and fresh scenes from the trilogy.
[...]

good bad and the ugly & fistful of dollars & for a few dollars more.......2007-01-12

I had this tape years ago I really enjoyed listening to it. It got ruined and when I thought to look on amazon and found it I was very happy. To me this a very relaxing CD.

Wore out 3.......2006-11-03

I wore out 3 record albums when I was younger and was thrilled to get this CD.

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Hungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Moscow Philharmonic Orchestra | ( M ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Rap & Hip-Hop | Styles | Music General | Soundtracks | Styles | Music General | Instructional | Miscellaneous | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Hungarian National Philharmonic Orchestra | ( H ) | Performers, A-Z | Classical Music Blowout | Stores | Music London Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music Moscow Philharmonic Orchestra | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music National Philharmonic Orchestra London | ( N ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4 The Mahler Symphonies: An Owner's Manual (includes 1 CD) The Young Person's Guide to the Orchestra (Book & CD) What to Listen for in Music Study of Orchestration, Third Edition ASIN: B00006O0NT Release Date: 2002-12-03

Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: Hooray for Hollywood! Eh, It's Okay We really enjoyed hearing all of the old movie themes Outstanding Film Music An Interesting and Gratifying Volume 1

Hollywood's Greatest Hits, Vol. 1 Manufacturer: Telarc ProductGroup: Music Binding: Audio CD Korngold, Erich Wolfgang | ( K ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Newman | Newman, Alfred | ( N ) | Featured Composers, A-Z | Classical | Styles | Music Rota, Nino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Vangelis | ( V ) | Featured Composers, A-Z | Classical | Styles | Music General | Korngold, Erich Wolfgang | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Pop | Styles | Music General | Easy Listening | Pop | Styles | Music Orchestral Pop | Easy Listening | Pop | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Easy Listening | Pop | Today's Deals in Music | Formats | Music Similar Items: Hollywood's Greatest Hits, Vol. 2 Simply the Best Movie Themes Great Movie Love Themes: Five Star Collection Paramount 90th Anniversary Collection: Scores Beautiful Hollywood ASIN: B000003CUW Release Date: 1990-10-25

Tracks:

1. 20th Century Fox Fanfare
2. Overture From Captain Blood
3. Tara's Theme From Gone With the Wind
4. Parade Of The Charioteers From Ben Hur
5. Theme From Exodus
6. Lara's Theme From Doctor Zhivago
7. Theme From Lawrence Of Arabia
8. Love Theme From Romeo And Juliet
9. Theme From Goldfinger
10. Theme From Love Story
11. Theme From A Summer Place
12. Theme From Jaws
13. Theme From The Summer Of '42
14. Theme From Rocky
15. Theme From Terms Of Endearment
16. Main Theme From Out Of Africa
17. Theme From Chariots Of Fire

Customer Reviews:

Hooray for Hollywood!.......2007-07-22

I bought this CD to go with an Academy Awards/Hollywood Walk-of-Fame theme party that I did for work. It really lent that dramatic mood that I was looking for to usher in the theme as people entered that room on the first day after it was decorated.

Please also see my review for the CD Beautiful Hollywood.

Eh, It's Okay.......2007-04-24

For those that purchase soundtrack collages to have a variety of songs and themes, then this is good for you. Unfortunately, these tracks didn't have the signature Erich Kunzel version of the songs as he had on other soundtrack mix CDs. It was more like just that, a mix CD of different soundtracks and scores. However, it was a good buy in the fact that the tracks chosen had excellent sound quality and a sense of harmony.

We really enjoyed hearing all of the old movie themes.......2005-09-30

we put this CD in on a long road trip. We played a guessing game as to which one knew the movie. The music was excellent.

Outstanding Film Music.......2005-09-10

This is an outstanding collection of film music. The sound is qulity is very good. The selections cover a good range from various film genres and time periods. I like this CD.

An Interesting and Gratifying Volume 1.......2005-08-22

Erich Kunzel and the Cincinnati Pops' interpretation of film scores on this first tribute to Hollywood is somewhat a mixed bag. A SUMMER PLACE was beautifully executed and true to the nature of this sensitive film that was made during a time of innocence. The BEN HUR, CAPTAIN BLOOD and OUT OF AFRICA selections were good. The interpretation of GOLDFINGER was a rather bizarre and blatantly bombastic exercise in overkill. This is a good CD for me because of the A SUMMER PLACE selection.

Average customer rating: The Leroy Anderson Collection Great Collection THE Anderson Collection to Own A "Desert Island" Album The ultimate Anderson Collection

The Leroy Anderson Collection Leroy Anderson (Composer & Conductor) Manufacturer: Mca Special Products ProductGroup: Music Binding: Audio CD General | Pop | Styles | Music General | Easy Listening | Pop | Styles | Music Orchestral Pop | Easy Listening | Pop | Styles | Music General | Classical | Styles | Music Similar Items: Greatest Hits Goldilocks (1958 Original Broadway Cast) The Best of Leroy Anderson: Sleigh Ride American Piano Classics The Typewriter: Leroy Anderson Favorites ASIN: B000009HTO Release Date: 1998-11-17

Tracks:

1. Blue Tango
2. Bugler's Holiday
3. The First Day Of Spring
4. Sandpaper Ballet
5. The Phantom Regiment
6. Lady In Waiting (Ballet Music)
7. Saraband
8. Fiddle-Faddle
9. The Girl In Satin
10. The Typewriter
11. The Waltzing Cat
12. Plink, Plank, Plunk!
13. Pyramid Dance (Heart of Stone)
14. Belle Of The Ball
15. Forgotten Dreams
16. China Doll
17. The Penny-Whistle Song
18. Jazz Pizzicato
19. Jazz Legato
20. The Syncopated Clock
21. The Blue Bells Of Scotland
22. Turn Ye To Me

Tracks:

1. Serenata
2. Horse & Buggy
3. A Trumpeter's Lullaby
4. Song Of The Bells
5. Summer Skies
6. Promenade
7. Sleigh Ride
8. Clarinet Candy
9. The Golden Years
10. Lazy Moon
11. I Never Known When
12. Arietta
13. The Pussy Foot
14. Home Stretch
15. Balladette
16. Shall I Take My Heart
17. The Captains And The Kings
18. Town House Maxixe
19. Pirate Dance
20. The Irish Washerwoman
21. The Minstrel Boy
22. The Rakes Of Mallow
23. The Wearing Of The Green
24. The Last Rose Of Summer
25. The Girl I Left Behind Me

Customer Reviews:

The Leroy Anderson Collection.......2007-06-27

Great collection! Purchased it for my father who really enjoys this 'easy listening' music.

Great Collection.......2007-02-24

For the serious or casual LeRoy Anderson fan, this is a must have collection. Has all those songs you've heard on the radio and said to yourself, "I've heard that before - now what is it called?"

THE Anderson Collection to Own.......2005-01-23

As a music lover, I've had a long and happy relationship with the works of Leroy Anderson. As a kid, my parents would take me to the historic Emery Theatre in Ohio, for double features of Laurel & Hardy, the Marx Brothers, Abbott & Costello - you get the idea. During intermission, a skilled player would take over the helm of the mighty Wurlitzer theatre organ, and favor us all with all and sundry selections. One night, however, a certain piece really grabbed me, and I asked my father, a seasoned singer, what it was. "Why, that's called Serenata - isn't it great?" I asked dad who wrote it, and ran off to the library the next day, in search of Anderson albums. I was 8 years old, and my musical tastes were about to grow up.

Imagine my delight some years later, when I found this CD double set - all of the greats, as well as some real rarities, conducted by the master himself. One couldn't ask for more. The selections are all digitally remastered Decca releases, and the work MCA has done to restore them is pristine. Forty-seven pieces altogether make up the collection, and there isn't a lull in the crowd. Standards such as "Sleigh Ride", "Sandpaper Ballet", "The Syncopated Clock" and "Bugler's Holiday" are included, plus the often looked over delights, such as "Jazz Legato", "Town House Maxixe", "China Doll", and "Horse & Buggy". The list just goes on and on - were I to delve into each number, we'd be here for ages. All just great.

If you're even slightly interested in Leroy Anderson's work, make this purchase without hesitation - at this price, it's foolish to pass up on such an offer. And if you already happen to be a fan, BUY IT NOW. This set stands as a wonderful testimony to Anderson's grace and gifts as both a composer and conductor - it's nothing short of a tribute to his legacy. I have a lot to thank Leroy Anderson for in regards to the music I'm so passionate about today - his music opened new doors for me, and I'll always be so grateful for it. I'm so happy that this collection is available, knowing that it will surely do the same for others.

A "Desert Island" Album.......2003-02-11

I have known for quite a few years that Leroy Anderson had recorded most of his music (with a studio pick-up orchestra), but it wasn't until I heard these two discs that I realized just how fine a conductor he was. No other conductor, even Arthur Fiedler or Frederick Fennell, ever matched the bravura and "rightness" that Anderson brought to these encore pieces. Of all the many versions of "Sleigh Ride" I own, this is the recording that makes my jaw drop (and probably the fastest "Ride" one is apt to take). True, the sound is a bit dry and "studio-ish", but that only serves to bring out the detail and snap of each of these works.
I can't ever imagine my collection without these near-perfect discs. Grab 'em while you can!

The ultimate Anderson Collection.......2002-12-07

I had no idea this two disc set of Leroy Anderson compositions conducted by the composer himself had been reissued. Enjoy "light classics"? Then GRAB IT! It is the most comprehensive collection of his works and considering the age of these vintage stereo recordings the sound is just remarkable. It's all here folks: "Sleigh Ride", "The Synchopated Clock", "Bugler's Holiday", "Fiddle Faddle", and all those light classics made famous by Arthur Feidler and the Boston Pops. Plus the ones you may never have heard, all equally creative and fun.

One comment: The last two items on disc one and the last six on disc two (the Scottish and Irish suites) are recorded in mono and predate the other recordings. But don't let that stop you. They are clean recordings all the same. 47 tracks. Over two hours of music. For lovers of light classics in general and Leroy Anderson in particular, you can't get a better collection than this.

(Amazon.com also features another single disc recording on MCA of these original Decca recordings but with only twenty tracks and priced higher, why bother? This is the set to go with!)

Average customer rating: Gorgeous performance, richly reproduced After the Puritans England rediscovers music, singing and drama What the hell A Performance Resonating With Emotional Intensity INFANDUM, REGINA, IUBES RENOVARE DOLOREM (Aeneid 2/3)

Purcell: Dido and Aeneas / James, Lewis, Baker, Herincx Manufacturer: Decca ProductGroup: Music Binding: Audio CD Purcell, Henry | ( P ) | Featured Composers, A-Z | Classical | Styles | Music General | Purcell, Henry | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music English | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: Essential Purcell Monteverdi - L'Orfeo / Rolfe Johnson, Dawson, von Otter, Argenta, M. Nichols, Tomlinson, Chance, Baird; Gardiner Purcell: The Fairy Queen Purcell: Dido and Aeneas Purcell: Songs & Airs / Argenta, North, Boothby, Nicholson, Toll ASIN: B00004C8TE Release Date: 2000-04-11

Tracks:

1. Dido and Aeneas: Overture
2. Dido and Aeneas: Act One: Shake The Cloud From Off Your Brow
3. Dido and Aeneas: Act One: Ah! Belinda, I Am Prest With Torment
4. Dido and Aeneas: Act One: Whence Could So Much Virtue Spring?
5. Dido and Aeneas: Act One: Fear No Danger To Ensue
6. Dido and Aeneas: Act One: See, Your Royal Guest Appears
7. Dido and Aeneas: Act Two: Prelude For The Witches - Wayward Sisters
8. Dido and Aeneas: Act Two: Ruin'd Ere The Set Of Sun?
9. Dido and Aeneas: Act Two: Ritornelle - thanks To these Lonesome Vales
10. Dido and Aeneas: Act Two: Oft She Visits This Lone Mountain
11. Dido and Aeneas: Act Two: Behold, Upon My Bending Spear
12. Dido and Aeneas: Act Two: Stay, Prince, And Hear Great Jove's Command
13. Dido and Aeneas: Act Three: Prelude - Come Away, Fellow Sailors
14. Dido and Aeneas: Act Three: See The Flags And Streamers Curling
15. Dido and Aeneas: Act Three: Your Counsel All Is Urg'd In Vain
16. Dido and Aeneas: Act Three: But Death, Alas! ... When I Am Laid In Earth
17. Dido and Aeneas: Act Three: With Drooping Wings Ye Cupids Come

Customer Reviews:

Gorgeous performance, richly reproduced.......2007-05-13

The piece is a treasure; the singers, legends; and the recording is exquisite in recreating this hallmark performance. Alive with a depth of feelings...love's vulnerability and worries, evil's powerful delusions, the pain of parting and death..,

Simple and profound, this remarkable recording plucks the strings of our sweetest humaness.

After the Puritans England rediscovers music, singing and drama.......2006-12-20

England is finally getting out of her puritan revolution, her puritan sixty or eighty years and the Stuarts are back for a short while and finally the Glorious Revolution brings freedom in 1688, a freedom the English haven't had for a long time, especially after the plague had desertified London in 1665 and then the Great Fire had cleaned up the dirty plate that looked more like a trashcan or a giant hearse in 1666. Life can finally come back and be enjoyed. So they reopen the theatres and they start looking for new shows. They sure are pushed towards the French style of the Great Century of the Sun King by the Stuarts coming back from their golden exile in Paris. But that is not enough to give these new generations of artists an inspiration, or even a style. They go back to Marlowe and Shakespeare and they rediscover Dido and Aeneas, Venus and Adonis, and so many other Midsummer Night Dream that they may call the Fairy Queen. They also need a new form, a new genre to celebrate this newly reacquired liberty and they invent the semi-opera. Dido and Aeneas is one of the best in this line. The story comes from Ancient times and Vergil. Dido was also a heroin in Ovid's poetry and in a tragedy by Marlowe. Perfect indeed, and Purcell reinvents the Queen of Carthage. We can only have the music on this CD and these songs, arias and choruses are nothing but intermezzos in a big play intersperced with ballet pieces, operatic songs and other interludes. That is a semi-opera. Today we have more or less forgotten that there was a tragedy behind and that this genre was the invention of the opera in England, since England had never had operas. Purcell was the pioneer and Handel will be the great master after him who will finally reach the full form of the opera and give it a completely new dimension. Purcell is of course at his best in this music. Very clear voices constrasting and complementing one another marvellously though he has not yet understood what he could do with contraltos and countertenors. The female contralto is the sorceress and the male countertenor is some spirit and false messenger, in other words both are secondary characters. We will have to wait for Handel who will make the countertenor, or male alto the main hero in some of his operas like Saul for instance. Moreover the instruments are light, very light and splendidly full of genius and great art, the best mention having to be addressed to the archlute that is fingerpicked as if it were prefiguring the yet to come guitars, thus contrasting with the traditional use of the other strings with a bow. Purcell is a great composer that can bring together many instruments who remain, each one of them, perfectly free and particular, never getting merged into some kind of mash. This art is supposed to serve the drama, the tragedy. The escaping Aeneas arrives shipwrecked in Carthage. He accepts and uses Dido's love for him to reconstruct his fleet and try to fly away. Dido is naive and does not count on the sorceress's hatred for her and these infamous witches are going to plan Aeneas departure. And yet Dido will grant Aeneas his leave just before flinging herself into a pyre and dying in the flames. We can imagine the feelings at the time. The Puritans were finally forgotten and rejected and we could celebrate love affairs, ancient pagan fables, suicides, witches and sorceresses, spirits and other supernatural beings. And what's more we could enjoy it, dance and get thrilled with this story. Dances are even punctuating the tragedy, furies, sailors and witches don't hesitate to spin a couple of measures for our pleasure. And Dido as a mezzosoprano reminds us of the dramatic and tragic plot that lurks behind the beautiful front with a deep and grave lamenting coloration of her words and her voice contrasts so well with the egoistic and vain tenor that Aeneas is. Purcell managed to stage the revival of English music and drama with the saddest of all love drama. Irony of the artist in times of woe and joy at the same time. We must not forget how Queen Mary only reigned six years, ravaged and killed by some disease, uncurable in those days. Dido first produced at the very time of the Glorious Revolution will be reproduced some six years or so after Queen Mary's death, conveying thus some mourning, some dirge in remembrance of this deeply loved Queen.

Dr Jacques COULARDEAU, University of Paris Dauphine & University of Paris 1 Pantheon Sorbonne

What the hell.......2006-05-25

Look at the prices on the Used section. It is ridiculous. This is a great recording. Get it quick.

A Performance Resonating With Emotional Intensity.......2005-11-26

Janet Baker's performance of Dido's Lament is absolutely stunning in its emotional intensity and would be enough to make this performance unforgettable. But there is more to commend this recording. Baker's vocal clarity, and of all of the other characters, is another outstanding feature of this CD. The chorus is first-rate throughout this recording, especially at the end, as they sing, "With drooping wings ye Cupids come, and scatter roses on her tomb . . . " Although another reviewer has commented that he finds Raimund Herincx's voice as Aeneas too gruff, I find powerful, moving, and thoroughly convincing, as when he lowers his voice and sings in a voice that is anything but gruff, "but with more ease could die."

It's true, as one of the other reviewers comments, that there is something about Monica Sinclair's voice and enunciation as the Sorceress that reminds one a bit of the Wicked Witch of the West and gives her performance an air of contrived theatricality, making her supposed malevolence less than convincing. But the other aspects of this performance are so outstanding that this one reservation is not enough to lower my rating below a 5.

The performance of the English Chamber Orchestra and of Thurston Dart on harpsichord are also of the highest quality.

The quality of the sound from this analog recording made in 1961 is outstanding; the sound engineers who have made this 24-bit digital remastering are truly to be commended.

The CD booklet contains photos of Janet Baker and Raimund Herincx, the entire libretto, and two well-written and informative essays, the first by Alan Blyth on Janet Baker, with an analysis of her singing, and the second by one of the original performers on this recording, Thurston Dart (harpsichord), on the story and music of this beautiful opera.
Very highly recommended.

INFANDUM, REGINA, IUBES RENOVARE DOLOREM (Aeneid 2/3).......2001-10-03

I can't recommend this strongly enough to music-lovers who, like me, are not very well up in 17th century composers.

First, this opera has a good strong, clear libretto. The story moves fast, the characters and situations are strongly delineated and contrasted, the sense of developing tragedy is powerful and moving. Purcell's Dido has has the stature of Virgil's
--- regina graui iamdudum saucia cura ---
--- the queen long since wounded with a heavy care
a queen and a strong woman driven to suicide by a betrayed love, the part grandly realised by Baker. Herincx has the right idea of Aeneas too, big and 'heroic' despite needing only token prompting from the powers above to abandon Dido and anything she might have meant to him. Virgil's malevolent Juno is replaced by a stagy cast of witches and whatnot, and rightly so for greater theatricality. (I'm OK by staginess and exaggeration here.)

For those like myself whose idea of opera starts with Handel and gets going properly with Gluck, this piece is not easy listening to begin with.It has been an education to learn how the musical resources of the 17th century can be equal to a story as powerful as this. I do not comment on details of the performance as it is still unfamiliar ground to me, but I do not expect ever to find it anything except magnificent.

Average customer rating: A splendid version of Lucia A Colassal Lucia "Stupendous" but... A Powerhouse Lucia Gosh! BEST Lucia since Callas!

Donizetti - Lucia di Lammermoor / Sutherland · Pavarotti · Milnes · Ghiaurov · ROH Covent Garden · Bonynge Richard Bonynge , Joan Sutherland , Luciano Pavarotti , Covent Garden Chorus and Orchestra of the Royal Opera House , Sherrill Milnes , Nicolai Ghiaurov , Ryland Davies , Pier Francesco Poli , composer: Gaetano Donizetti , and conductor: Richard Bonynge Manufacturer: Decca ProductGroup: Music Binding: Audio CD All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Baritones | Voices | Opera & Vocal | Styles | Music Sutherland, Joan | Divas | Opera & Vocal | Styles | Music Classical | Box Sets | Stores | Music Opera & Vocal | Box Sets | Stores | Music The Decca Records Store | Specialty Stores | Music Similar Items: Verdi - Rigoletto / Sutherland, Pavarotti, Milnes, LSO, Bonynge Puccini: Tosca (complete opera) with Maria Callas, Giuseppe di Stefano, Tito Gobbi, Victor de Sabata, Chorus & Orchestra of La Scala, Milan Verdi - Don Carlo / Domingo · Caballé · Raimondi · Milnes · Verrett · Estes · Giulini Puccini - La Bohème / Freni, Pavarotti, Harwood, Ghiaurov, Karajan Tchaikovsky - Eugen Onegin / T. Allen, Freni, von Otter, Shicoff, Burchuladze; Levine ASIN: B0000041OY Release Date: 1985-08-12

Tracks:

1. Prelude - Normanno
2. Tu sei turbato - Normanno
3. Cruda, funesta smania - Enrico
4. La pietade in suo favor - Enrico
5. Ancor non giunse! - Lucia
6. Regnava nel silenzo - Lucia
7. Quando, rapito in estasi - Lucia
8. Egli s'avanza - Alisa
9. Sulla tomba - Edgardo Fede
10. Qui di sposa eterna ... Ah! Verrano a te sull'aure - Lucia

Tracks:

1. Lucia fra poco a te verr? - Normanno
2. Appressati, Lucia ... Il pallor, funesto, orrendo - Lucia
3. Soffriva nel pianto - Lucia
4. Che fia - Lucia
5. Se tradirmi tu potrai - Enrico
6. Ebben? ... Di tua speranza - Lucia
7. Ah! cedi, cedi - Raimondo
8. Al ben de'tuoi qual vittima - Raimondo
9. Per te d'immenso giubilo - Chorus Of The Royal Opera House, Convent Garden
10. Lucia di Lammermoor: Dov' ucia? - G. Donizetti
11. Chi mi frena in tal momento? - Edgardo
12. T'allontana, sciagurato - Arturo

Tracks:

1. Orrida e questa notte - Edgardo
2. Qui del padre ancor respira - Edgardo
3. D'immenso giubilo - Chorus Of The Royal Opera House, Convent Garden
4. Ah! cessate quel contento - Raimondo
5. Oh! qual funesto avvenimento! - Chorus Of The Royal Opera House, Convent Garden
6. Oh giusto cielo! ... Il dolce suono - Lucia
7. Ohime! sorge il tremendo fantasma - Lucia
8. S'avanza Enrico - Raimondo
9. Spargi d'amaro pianto - Lucia
10. Si tragga altrove - Enrico
11. Tombe degli avi miei - Edgardo
12. Fra poco a me ricovero - Edgardo
13. Oh! meschina! - Chorus Of The Royal Opera House, Convent Garden
14. Tu che a Dio spiegasti l'ali - Edgardo

Amazon.com essential recording

This was Joan Sutherland's second recording of Lucia, made with an all-star cast in prime vocal condition, and it is a must for those who believe that bel canto opera should live up to its descriptive title: "beautiful singing." In the 10 years since her first Lucia recording, she had settled more comfortably into the character and become even more expert in the music. Her costars are among the greatest singers of our time, a point that is particularly important in the ensemble singing. Maria Callas is more dramatic, and her Lucia is a must for Callas fans, but this set is a joyful celebration of the glory of the human voice. In purely musical terms it is the best-sung Lucia on record. --Joe McLellan

Customer Reviews:

A splendid version of Lucia.......2007-03-24

This is probably one of the top versions of Lucia di Lammermoor, one of Donizetti's greatest works. The cast displays such stalwarts as Sherrill Milnes, Nicolai Ghiarov, Luciano Pavarotti, and--of course--Joan Sutherland. Richard Bonynge did much background research to create a Lucia more consistent with the composer's vision of the opera; he also conducted.

Some representative segments of the opera. . . .

A very nice ensemble scene, "Cruda, funesta smania," features lively singing. Sherrill Milnes' rich voice is well displayed. The ensemble sings with great spirit.

A nice aria, "Regnava nel silenzio" is followed by a wonderful cabaletta, "Quando, rapito in estasi." This is one of Joan Sutherland's signature pieces. Here, she is at the "top of her game." The aria is smoothly sung. She shows agility and some nice trills. Although her voice is heavier than some other coloratura sopranos, she is most effective and deploys excellent technique and skills. In the cabaletta, she displays nice florid singing the first time through, replete with some nice trills. She also has some fine runs and hits a series of high notes with ease. On the repeat, she sings a trill off a high note (nicely done although not perfectly done). Her technique is excellent and she hits the final high note with ease.

"Chi me frena in tal momento" is one of the all time great ensemble pieces in opera. Pavarotti's rich and youthful voice sounds splendid. Sutherland's voice soars above the ensemble. All manner of emotions and thoughts are displayed by the various singers. The voices meld well together for an effective ensemble "feel."

One of the top cabalettas in all of opera has to be "Spargi d'amaro pianto." Sutherland sings it well and cleanly. The first time through, her voice and technique are rock solid. She shows off some nice trills and some well executed runs. The repeat is iconic. Good technique, a trill off of a high note, and a well executed final high note. All in all, Dame Joan sparkles.

This is one of the top versions of "Lucia di Lammermoor," and it stands up well after the intervening decades.

A Colassal Lucia .......2007-01-09

Sutherland's first recording of Lucia was terrific but the second beats it on all counts.The supporting cast is superb. Pavarotti in his youth singing a very stylish Edgardo. Ghiaurov brings his beautiful voice to the bass role. Sherril Milnes is wonderfully evil as Enrico and his Act 1 duet with Sutherland is sensational. As for Sutherland she is generally superior here to her first recording, with the exception of her first act aria. The famous high notes are here in their glory; the high D at the end of the first act and the E flat at the end of the mad scene are among her best on record. Her interpretation has deepened, especially during the mad scene. At the point where "Alfin Son Tua" begins to the point of the flute duet, she delivers some of the most moving singing I have ever heard - reaching a heartbreaking level that I normally asoociate with a Billie Holiday not an opera singer. In conclusion this is one of Bonynge's better conductiong jobs and the RHO orchestra and chorus are excellent. The sound quality is very good.

"Stupendous" but..........2006-05-16

As someone who is a relative newcomer to opera, although I find Dame Joan's sound and coloratura breathtaking, it was Callas's perfomance that really drew me into this story and made it a more cohesive allround experience for me. And I think I can say this of their Normas as well. That being said this is an amazing perfomance and "Chi Mi Frena" sounds exquisite with all these marvelous singers joining their talents.
Ultimately I love both the Divas for very different reasons, but if you need to be drawn in by the plot of an opera, no one nails characterization like Callas, utterly rivetting and convincing and I might add vocally beautiful as well.

A Powerhouse Lucia.......2006-05-13

I purchased this recording just recently, and I'm certainly glad I did. Sutherland sings a glorious Lucia, having no problem whatsoever with all the coloratura runs and clarion high notes. I'm getting tired of listening to people talk about how poor her diction was. Does it really matter if she took the time to enunciate every last little detail of a word? She is one of the best singers the bel canto repertoire has ever seen and she has a beautiful, large, rich voice. And it's not as if the majority of Opera listeners can understand the words anyway. Just listen to the beautiful singing and be happy (and besides, her diction wasn't as bad as people make it out to be.) Anyway, Pavarotti is his usual glorious self, and his powerful and beautiful singing here would make one want to swoon.He always excelled at the bel canto roles and all the bravura passages that they held. Milnes probably has one of the most enormous voices ever. One example of this is in one of his duets with Sutherland where he ends the duet with a full throated High A (a note that even some tenors find taxing). By the way, Sutherland launches a stunning High E at the end of that duet as well. Ghiaurov has a beautiful, melodious bass voice. Huguette Torangeau has an extremely beautiful Mezzo voice. I'm surprised she wasn't more well known. Her voice has an utterly beautiful tone quality, a lovely vibrato, and a nice even range. So if you want to hear some truly "Bel canto", beautiful singing, then buy this set.

Gosh! BEST Lucia since Callas!.......2006-03-26

Simply the BEST Lucia since Callas. Even better for Pavarotti's fan, one of the best Baritone Milnes and Bass Ghiaurov are here. All in good shape, great recording. What more?

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Maurice Ravel: The Composer as Pianist and Conductor Manufacturer: Pierian ProductGroup: Music Binding: Audio CD Pavanes | Ballets & Dances | Classical | Styles | Music Ravel, Maurice | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Sonatas | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Similar Items: Claude Debussy: The Composer as Pianist The Composer as Pianist Alexander Scriabin: The Composer as Pianist Bartók Plays Bartók Prokofiev Plays Prokofiev ASIN: B00008BNTE Release Date: 2003-02-25

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