New York Rock & Roll Ensemble

New York Rock & Roll Ensemble

Track Listings

1. Intro
2. Sounds of Time
3. Began to Burn
4. Monkey
5. Trio Sonata No. 1 in C Major 2nd Movement-Alla Breve Fugue
6. She's Gone
7. Poor Pauline
8. "?"
9. Mr. Tree
10. You Know Just What It's Like
11. Studeao Atlantis
12. Pick Up in the Morning
13. Seasons: Fall/Winter/Spring/Summer

New York Rock & Roll Ensemble,New York Rock & Roll Ensemble,Collectables,60's,Pop,Pop/Rock,Rock,Rock/Pop


New York Rock & Roll Ensemble

The Best of Talking Heads
Average customer rating: 4 out of 5 stars
  • CBGB
  • Exceptional best-of set
  • A nice compilation of The Talking Heads
  • Articulate Collection
  • Excellent Heads Compilation
The Best of Talking Heads
Talking Heads
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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ASIN: B0002IQMKM
Release Date: 2004-08-17

Tracks:

  1. Love ->
  2. Building On Fire
  3. Psycho Killer
  4. Oh, Love Comes To Town
  5. Take Me To The River
  6. Found A Job
  7. Life During Wartime
  8. Heaven
  9. Memories Can't Wait
  10. Once In A Lifetime
  11. Houses In Motion
  12. This Must Be The Place (Naive Melody)
  13. Girlfriend Is Better
  14. Burning Down The House
  15. Road To Nowhere
  16. And She Was
  17. Wild Wild Life
  18. Blind
  19. (Nothing But) Flowers

Album Description

Formed in NYC in the mid-'70s by David Byrne, Chris Franz, Tina Weymouth, and ex-Modern Lover Jerry Harrison, the Talking Heads evolved out of their now-legendary humble beginnings at CBGB's to become one of the most adventurous and influential bands ever. Inducted into the Rock and Roll Hall of Fame in 2002, the Heads' visionary, polyrhythmic sound daringly combined funk and punk, African beats, avant-garde minimalism, and pure pop. From their 1977 debut through their Brian Eno-produced classics to their '88 farewell, Naked, they both pushed artistic boundaries and delivered indelible radio hits like "Once In A Lifetime" and "Burning Down The House."

Customer Reviews:

4 out of 5 stars CBGB.......2007-07-06

This collection is all a Talking Head fan (except the most devout fan) will ever need. 3/4s of the tunes are great, the rest are still good.

5 out of 5 stars Exceptional best-of set.......2006-10-10

Of course you know all these songs, and of course there are many more great cuts deeper on the original albums, but for a single-disc review of a band with over 10 years' worth of releases, this 18-track set is hard to beat. The group went through several striking stylistic changes over its lifetime, but that variation actually helps this disc hold together as an album as well as a set of songs.

This would make a great introduction for a younger fan of the current crop of danceable art rock bands (Of Montreal, The Killers, Decemberists) or a casual fan looking to supplant an old LP collection.

5 out of 5 stars A nice compilation of The Talking Heads.......2006-08-24

I've always liked The Talking Heads, they always had catchy songs that were fun to listen to. I must admit, my favorite of theirs has always been "Burning Down The House", but there are so many good songs on here, as well. The Talking Heads were one of the best bands of the 80's, that's when they had their best work. The 70's were ok, too, but their 80's work really shined. I'm quite happy with this.

5 out of 5 stars Articulate Collection.......2006-08-17

Oddly, a compilation by Talking Heads should come out uneven and disjointed, but this collection is marvelously done. The songs meld well together and provide a sampler that wouldn't prevent anyone from buying their excellent original albums. ('Talking Heads '77,' 'Remain in Light,' and 'Speaking in Tongues' are their crowning achievements artistically, but 'Fear of Music,' 'More Songs About Buildings and Food,' and 'True Stories' demonstrate that they had a great repertoire. (Unlike, 'Sand in the Vaseline,' which is also excellent, but perhaps takes too many gems and doesn't align them as well.)

For the uninitiated, Talking Heads is one of the freshest and engaging progressive bands from the seventies and eighties. "Psycho Killer," "Once in a Lifetime," "Burning Down the House," and "Wild, Wild Life" all capture the inspired lunacy that dares to match the insanity of ordinary life. All of their albums are well represented. "Life During Wartime" represents them at their progressive best, but "And She Was" showcases their ethereal best.

In sum, 'Best of Talking Heads' provides a great mix and a thoughtful sampler without spoiling all of the fun.

5 out of 5 stars Excellent Heads Compilation.......2006-04-03

Known as much for their quirky style as well as their enigmatic and creative music, Talking Heads were one of the most popular and successful bands of the late 1970s' and early 1980s'. Even today, almost 20 years after they broke up, they still have a large fanbase.

Personally speaking, I'm not the world's biggest Talking Heads fan. However, I've always liked what I heard from them, and I always wanted one of their cds in my collection. So when I found the single disc, 18 track collection "The Best Of Talking Heads", I snatched it up immediately.

This is by far the best collection for the Talking Heads novice. Pretty much all the Talking Heads essentials are here, including "Love - > Building On Fire", "Take Me To The River", "Life During Wartime", "Memories Can't Wait", "Once In A Lifetime" and "Burning Down The House" as well as many others. And every track sounds fantastic.

In addition, there is a wonderful booklet replete with great liner notes, including interviews with Talking Heads fans such as Moby and El P. It is also readily available and affordabe. I highly recommend it.
MTV Unplugged in New York (Nirvana)
Average customer rating: 5 out of 5 stars
  • The most classic Nirvana show
  • Nirvana's Defining Moment
  • Nirvana-MTV Unplugged in New York (an unbiased review)
  • Necessary for any music collection
  • Best Nirvana album EVER
MTV Unplugged in New York (Nirvana)
Nirvana
Manufacturer: Geffen Records
ProductGroup: Music
Binding: Audio CD

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  1. Nevermind
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ASIN: B000003TB9
Release Date: 1994-11-01

Tracks:

  1. About A Girl
  2. Come As You Are
  3. Jesus Doesn't Want Me For A Sunbeam
  4. The Man Who Sold The World
  5. Pennyroyal Tea
  6. Dumb
  7. Polly
  8. On A Plain
  9. Something In The Way
  10. Plateau
  11. Oh Me
  12. Lake Of Fire
  13. All Apologies
  14. Where Did You Sleep Last Night

Amazon.com essential recording

The last Nirvana collection recorded before the untimely death of Kurt Cobain, Unplugged caught many by surprise with its stripped down, neo-acoustic offerings with a bridled fury. When Cobain sings, "I swear I don't have a gun, I don't have a gun" with clenched teeth (instead of an open howl) and when the haunting strains of "About a Girl"--from their earliest LP--chills even with quieted guitars, you discover a new appreciation for the nuances of one of the greatest bands of recent times. Highlights include covers of three Meat Puppets tracks (featuring special guests Curt and Kris Kirkwood of that influential "college rock" band), the weepy cello on the Vaselines' "Jesus Doesn't Want Me for a Sunbeam," and their cover of David Bowie's "The Man Who Sold the World." --Lorry Fleming

Album Description

120 gram vinyl/original artwork.

Customer Reviews:

5 out of 5 stars The most classic Nirvana show.......2007-07-18

This CD is about the first MTV Unplugged, that was really unplugged, really acoustic, it was live, you can see the history in rock music changes with this show, the actual MTV unplugged are comercial and taped. If you like rock and Nirvana you must have this album

5 out of 5 stars Nirvana's Defining Moment.......2007-06-18

This is the album that made me a Nirvana fan for life. I had listened to the radio hits of Nevermind...and bought In Utero for Heart Shaped Box and All Apologies, but this is the album that really made me realize the greatness of this band. With the removal of the loud guitars and distortion, you can hear the greatness in Nirvana's songs and the passion in Cobain's voice. Yes, the songs are not always played perfectly and sometimes Cobain is off pitch, but that is what makes this performance so real and genuine. Let's not forget this was not a studio performance but a concert setting. On top of that, unlike most other bands on MTV Unplugged, Nirvana did every song with just one take. About A Girl is a beautiful Beatleesque pop song, Pennyroyal Tea proves to be a beautiful song minus the loud raging guitars, and All Apoligies is haunting and brilliant (I must say I like the In Utero version better however.) What also makes this album great is the covers from David Bowie's "The Man Who Sold the World" to the incredable Leadbelly cover of "Where Did You Sleep Last Night" The end of this song is one of the best performances I have ever heard by an artist. The passion and angst is there...and it's not fake for the TV cameras but truely Cobain's dark inner pain. This is what makes this album great. The passion and thought put in to each and every song by Kurt Cobain. This is not to take away from the rest of the band who do a great job keeping each and every song going, including to addition of cello and accordian to some of the songs.

4 out of 5 stars Nirvana-MTV Unplugged in New York (an unbiased review).......2007-06-17

First, let me start off by saying that this is an unbiased review. I'm not a fan of the band nor do I dislike the band. I'm a fan of all types of music. I also won't be comparing this album to any other albums from the band. This review will be strictly on this particular album. Now onto the review.

Here's a rundown of the songs (as well as my rating for each song):

About a Girl-4.5/5
Come As You Are-4.5/5
Jesus Doesn't Want Me For A Sunbeam-3/5
The Man Who Sold the World-3.5/5
Pennyroyal Tea-2.5/5
Dumb-4/5
Polly-4/5
On a Plain-3.5/5
Something in the Way-4/5
Plateau-3/5
Oh Me-3.5/5
Land of Fire-3/5
All Apologies-4.5/5
Where Did You Sleep Last Night-4/5

Picture this: Kurt Kobain, 3 acoustic guitars, a set of drums, and a cello. What could me more perfect than that? This album is a set of 14 songs from Nirvana's second album all played acoustically. The only thing better than a greatest hits album is an album with live, acoustic music from the band. Here's where the band hit (and missed) with this album.

So what's to like about this album? First, aside from a few pitchy spots here and there, Kobain's vocals are top notch and send chills down my spine. I personally prefer his recorded vocals to his live vocals but I'm sure a lot of people out there love the rawness of his voice when he sings live. The way he sings shows a ton of emotion as though each word that comes out of his mouth means the world to him yet he remains mellow with an "I don't care about anything" type of attitude.

Second, although the grungy sound is gone due to the lack of electric guitars, the hardness is still there in my eyes. With 3 guitars going at the same time, the band is able to achieve a great mixture of sounds while still maintaining the "you can feel it in your stomach", loud, hard, beats. "Come As You Are" doesn't lose its great intro or guitar solo. Kurt just plugs in his acoustic guitar and the sound is just like the original. Another stand out song in terms of guitar work is "The Man Who Sold the World". It's great to hear a band that can not only play their songs acoustically but can also make them sound so complex, giving a whole new sound to their songs. Equally impressive is drummer Dave Grohl's background vocals.

Third, as mentioned above, the band uses a cellist alongside their guitars and drums. Although it's sometimes hard to miss, you can certainly hear it in "All Apologies". This helps to create a more bluesy sound with some of the songs.

Fourth, those who don't know much about Nirvana's music (myself included) will be thrilled to see that "About a Girl", "Come As You Are", and "All Apologies" are on this album. You also may recognize "Dumb" and "Polly". All of these songs are done superbly. And you will be pleasantly surprised that there are a lot of great songs on this album that you haven't heard of. From the haunting "Something in the Way" and "Oh Me" to the incredibly sad "Where Did You Sleep Last Night" (my new current favorite Nirvana song) to the blast-worthy "Plateau", you'll find a lot of great new material on this album.

And what's not to like? Not much. As mentioned above, there are some pitchy spots throughout the album but that's expected. Some of the songs are a bit on the short side which isn't a huge turn off but just something I observed. In terms of songs I didn't like, "Pennyroyal Tea" isn't all that great and "Lake of Fire" and "Plateau" are both too country-sounding for my taste.

My rating: 4/5 stars. I probably would've given 4.5 stars if I could. The reason for taking 1 star off is that I find it hard to play every song on this album. I tend to skip over maybe 4 or 5 of them. Other than that, this album is perfect and Nirvana fans as well as fans of great music in general will equally be impressed with how this live album turned out. Be sure to pick it up!

5 out of 5 stars Necessary for any music collection.......2007-05-31

It doesn't matter whether you're into grunge, or even if you like Nirvana that much, this album is a winner in every sense. The tracks from previous studio albums are cast in a new light, but the timing is not too different that you can't belt out your best Kurt Cobain with all those intonations you know so well. Also, the covers are masterfully done; it's plain to see that the band has a lot of respect for the tracks and their original artists.
If you're getting into more Unpluggeds, check out Neil Young and Eric Clapton. The Korn Unplugged that just came out recently might be worth it too if you have a basic enjoyment of their music.

5 out of 5 stars Best Nirvana album EVER.......2007-05-22

Yes this is better than Nevermind, far and away. If you (as my dad) think Nirvana is just pure noise, listen to this and your mind should be changed. Nirvana's better in an acoustic setting than plugged in - they're good plugged in too, but I prefer Cobain the acoustic guitarist to Cobain the electric one - listen to his work on songs like Something in the Way or Lake of Fire.
Other than the fact that every song is top quality but Jesus Doesn't Want Me for a Sunbeam (which is terrible) is the variety of song selection. They mostly skip over their hits - Pennyroyal Tea, About a Girl, Come As You Are and All Apologies make appearances, but so do three near-obscurities from Nevermind. Now, Something in the Way and Polly were great songs in the first place, but I never liked the studio take of On a Plain - I saw it as one of the several generic speedy punk-grunge rockers that took up space on the album's second side (others include Lounge Act, Stay Away and Territorial Pissings). But it's one of my favorites in this setting. The melody comes into full view, there's an added backup vocal from Dave Grohl similar to the one on Heart Shaped Box, and it's set to a nice toe-tapping rhythm. Very cool. And this version of Pennyroyal Tea is also better than the familiar hit one (which is hard to beat), getting even MORE raw emotion from the chorus. Not to mention their high-profile cover of David Bowie's The Man Who Sold the World, which actually isn't unplugged but who cares?
Stick around for the last five songs, too. Three are covers of Meat Puppets (who, if you don't know them, are a fairly high-profile college-rock band - high profile for a college-rock band, that is). Lake of Fire has the aforementioned good acoustic picking and is probably my favorite song about hell ever written (sure beats similar songs by Slayer or Slipknot!), Plateau has a good back-porch vibe, and Oh Me, strong vocals.
And if this was just the last two songs, I'd still give it five stars. I love the studio take on All Apologies as much as the proverbial next guy (assuming he's a Nirvana fan, of course), but this one's even better. The perfect song for an all acoustic setting. And Where Did You Sleep Last Night (originally a Leadbelly song called In the Pines) is, I think, my favorite Nirvana song ever. Especially the ending. The group had gotten into a killer quiet, swaying mood for awhile, and then all the sudden Kurt loses all control and starts screaming, "MY GIRL, MY GIRL, DON'T YOU LIE TO ME, TELL ME WHERE DID YOU SLEEP LAST NIGHT". Whoa... whoa, whoa, and whoa.
You can just see Nirvana going in an all-acoustic direction had Kurt not killed himself (of course, he might not have killed himself had he not been FORCED into stardom by frickin' MTV) when you listen to this.
Blondie - Greatest Hits
Average customer rating: 5 out of 5 stars
  • Blondie Greatest Hits
  • Freaking amazing
  • classic
  • Mood Altering Music
  • A glamourous rock record
Blondie - Greatest Hits
Blondie
Manufacturer: Capitol
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Binding: Audio CD

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ASIN: B00006IM9Q
Release Date: 2002-10-01

Tracks:

  1. Dreaming
  2. Call Me
  3. One Way Or Another
  4. Heart Of Glass
  5. The Tide Is High
  6. X Offender
  7. Hanging On The Telephone
  8. Rip Her To Shreds
  9. Rapture
  10. Atomic
  11. Picture This
  12. In The Flesh
  13. Denis
  14. (I'm Always Touched By Your) Presence, Dear
  15. Union City Blue
  16. The Hardest Part
  17. Island Of Lost Souls
  18. Sunday Girl
  19. Maria

Amazon.com

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Greatest Hits (CD+DVD)

Parallel Lines

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Plastic Letters

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Album Details

Digitally Remastered Collection of Blondie Hits that Accompanies the Band on their Winter 2002 Tour. This Disc Updates the Collection and Adds their Comeback #1 in the UK "Maria" to Make this the Most Up-to-date Blondie Set Ever Released.

Customer Reviews:

5 out of 5 stars Blondie Greatest Hits.......2007-05-19

This is a great cd with all of the hits that you remember..Sound quality is excellent...For some strange reason, have always liked Island of Lost Souls! Buy Today!

5 out of 5 stars Freaking amazing.......2007-04-28

(I'm actually 16, but I'm to lazy to login.)

ANYWAY! This album is amazing. I got this for my 13th birthday when I was in 7th grade, and it was one of the best albums I could have gotten. This album is a good size and has a whole darned lot of songs on it, (all of which, may I add, are great.) I reccomend (sp? lol) this to anybody who has heard Blondie's music before and knows just how great it truly is. Within 3 years of getting this album I now own all of their CDs plus 3 vinyls. It's truly amazing. Blondie are one of the greatest bands in history for sure.

5 out of 5 stars classic.......2007-04-27

This album is by far the greatest. It includes all of the hits from one of the greatest bands. Almost 20 years of great music compacted into one disc. It might be a shame that it is one disc, but the music is as clear as the day the band started.
Blondie stayed true to it's roots, even though time changed.
Rock on to the future.

5 out of 5 stars Mood Altering Music.......2007-04-20

Great collection of Blondie songs.

She's got amazing versatility in her voice.

Her charged spirit is so infectious...she just has no limit to her abilities to vocalize you straight onto the dance floor.

A Great party CD.

5 out of 5 stars A glamourous rock record.......2007-03-09

After listening to the record three times, I found it quite glamourous and chic. The voice of Debbie Harry is quite unique, symbol of an era.
Eat to the Beat (CD/DVD)
Average customer rating: 5 out of 5 stars
  • Blondie Still Rocks to the Beat
  • A ground breaking classic finally returns
  • I was there
  • Fun Collection Suffers Slightly From a Much-Needed Re-Edit
  • The Triumphant Follow-Up...
Eat to the Beat (CD/DVD)
Blondie
Manufacturer: EMI Catalog Marketing
ProductGroup: Music
Binding: Audio CD

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ASIN: B000Q67DEO
Release Date: 2007-06-26

Tracks:

  1. Dreaming
  2. The Hardest Part
  3. Union City Blue
  4. Shayla
  5. Eat To The Beat
  6. Accidents Never Happen
  7. Die Young Stay Pretty
  8. Slow Motion
  9. Atomic
  10. Sound-A-Sleep
  11. Victor
  12. Living In The Real World

Tracks:

  1. Eat To The Beat
  2. The Hardest Part
  3. Union City Blue
  4. Slow Motion
  5. Shayla
  6. Die Young Stay Pretty
  7. Accidents Never Happen
  8. Atomic
  9. Living In The Real World
  10. Sound-A-Sleep
  11. Victor
  12. Dreaming

Amazon.com

Contains all twelve Eat To the Beat music videos on DVD for the first time. Release also includes the original platinum selling, digitally remastered, Eat To the Beat CD.

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Customer Reviews:

5 out of 5 stars Blondie Still Rocks to the Beat.......2007-07-23

Conceptually, this original Video Album was ahead of its time, and it still holds up today as do the production values. Back then, almost no one was doing videos, and those who did were not into complicated story lines and complex Hollywood-style approaches like present videos. Bands like Blondie were performers, and here they prove that they could - and can - rock better than the best of them. Debbie Harry and Clem Burke (who agrees with me that Clem is one of the most underrated drummers in rock history??) are definitely self-aware and in the moment while Nigel Harrison & Frank Infante might seem a bit awkward what the what and why they are doing this. That's okay, because every video is both a fun and a pleasure to watch, especially the color, graffitti-laden "The Hardest Part" and the on-location "Union City Blues." Check out both audience and band alike breaking loose in the title track and "Dreaming." Blondie fans should welcome this arrival.

5 out of 5 stars A ground breaking classic finally returns.......2007-07-15

"Eat to The Beat" was the FIRST full album video release, with a music video for every track. It is a pity that it took 28 years to make it from VHS to DVD. "Eat To The Beat" is second only to "Parallel Lines" in the Blondie catalog. Both the CD and videos are well worth revisiting as rock classics.

5 out of 5 stars I was there .......2007-07-14

Both music and videos of Eat to the Beat were THE blueprint for the new wave of the 80's. This is Debbie and the Band at their best, so good, that bands such as The Killers are still ripping them off today. Check out Debbie in Sound-A-Asleep, the epitome of beautiful and cool. Also, Clem Burke (drummer). This album was as much his as it was Debbie's. Outstanding throughout.

4 out of 5 stars Fun Collection Suffers Slightly From a Much-Needed Re-Edit.......2007-07-07

No complaints about anything but the beginnings of each video being covered by graphics from the original release, from which the title song suffers most. (The complete video can be found on the PINK LADY Variety Show Box Set from Rhino, as well as "Shayla"). Otherwise, this collection is great and looks FAB and is a must for every Blondie collector. Best vids are "Dreaming", ":Shayla" and "The Hardest Part"--which just may be the best Blondie video ever.

5 out of 5 stars The Triumphant Follow-Up..........2007-07-05

...to the enormous explosion of Parallel Lines. Eat to the Beat was the first album I ever bought and it's still, IMHO, the best Blondie album to date. Whereas Parallel Lines was the pouring of the Heart (of Glass) and Soul of the band into the album, giving everything it had, Eat to the Beat is the victory dance. The band here is tighter, faster, more raucous, and more fun. Parallel Lines still had various forays into a number of styles, putting them through a Blondie filter. On ETTB, the style is Blondie itself. These songs are as fresh and contemporary-sounding today as they were the first time I heard them on Chrysalis cassette on my one-speaker boombox.

As far as the video is concerned, the production is of course much more rudimentary by today's standards. Quite honestly, I don't care. I want to watch the band. DAH in the softcore bondage outfit in "The Hardest Part" is far more titillating than most of what passes for "hot" today. We also see, for example, what a wonderful drummer Clem Burke is and the value of a guitarist (Frank Infante) who doesn't feel the need to assault the audience with his instrument in order to get his message across.
Greatest Hits
Average customer rating: 4 out of 5 stars
  • An Excellent Introduction to a Truly Revolutionary Band
  • The Ramones wrote hit songs
  • Sorry But....
  • NOOOOOOOOOOO
  • Greatest Hits???Which ones?
Greatest Hits
The Ramones
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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  1. Kiss This: The Best of the Sex Pistols
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ASIN: B000EXZI0A
Release Date: 2006-06-06

Tracks:

  1. Blitzkrieg Bop
  2. Beat On The Brat
  3. Judy Is A Punk
  4. I Wanna Be Your Boyfriend
  5. Sheena Is A Punk Rocker (ABC Single Version)
  6. Pinhead
  7. Commando
  8. Rockaway Beach
  9. We're A Happy Family
  10. Cretin Hop
  11. Teenage Lobotomy
  12. I Wanna Be Sedated
  13. I Just Want To Have Something To Do
  14. Rock 'N' Roll High School (Ed Stasium Mix)
  15. Baby, I Love You
  16. Do You Remember Rock 'N' Roll Radio?
  17. The KKK Took My Baby Away
  18. Outsider
  19. Pet Sematary (Single Version)
  20. Wart Hog

Album Description

Formed in Forest Hills, NY, in 1974, this quartet of quintessential punk forefathers blitzkrieged out of NYC's legendary CBGB scene and into world fame with three loud, lean, hard, and fast albums before the Sex Pistols even took their first shot. Besides basically inventing punk rock, Joey, Johnny, Dee Dee, and Tommy outlasted almost every one of their legions of followers, delivering their signature pop and garage-flavored chainsaw sound for over 20 years, through a string of infamous albums and 2,263 concerts together. Spanning 1976-1995, this new collection features 20 classic tracks, including "Sheena Is A Punk Rocker," "Rockaway Beach," "Rock `N' Roll High School," "I Wanna Be Sedated," "Pet Sematary," and "Blitzkrieg Bop."

Customer Reviews:

4 out of 5 stars An Excellent Introduction to a Truly Revolutionary Band.......2007-06-27

OK, so most of the Ramones' songs are a lot alike and sound like they were recorded in somebody's garage (hence 4 stars instead of 5), their infectious energy makes them unforgettable. They detonated like a bomb amid the slick disco and overproduced pop music scene of the 1970's. Their music was profoundly influential, but more importantly it was fun ... And it still is, long after Sheena traded in her spiked hair and leather jacket for a mini-van and house in the suburbs. This CD is a great introduction for a musical dilettante like me. Although I'm sure the true Ramones' fans will complain that this song or that has been left off, for those of us among the great unwashed, it delivers the goods. So hey-ho let's go!

4 out of 5 stars The Ramones wrote hit songs.......2006-07-06

In a more perfect world the Ramones would have had a load of hit records. Their songs were written to be hits. Joey Ramone was always thinking that their next release was gonna be the one that would top the charts.

Recent collections handpicked by Johnny Ramone have concentrated on the rougher & tougher stuff but the Ramones are probably more loved for their "shoulda been a hit" material.

The reason why I like this collection is that it primarily highlights the songs that should have been blasting out of our radios for the past 30 years.



5 out of 5 stars Sorry But...........2006-06-25

Ramones are my favorite band ever i would have to say, hence the 5 stars.... but since I have virtually their entire collection, The two best of compilations to get I would have to say are "Loud, Fast Ramones" or "Ramones Mania". Basically if you have those two compilation and their first self titled album, you can consider yourself set for a while. Ramones "Anthology is also awesome. My two favorite Ramones albums of all time are RAMONES "Ramones" and "Mondo Bizarro", Of course I'm talking about getting a quick RAMONES fix here, or if you just wanna check out the band for the first time... you gotta start somewhere right? well i wouldn't start here, I would strongly suggest, for the price and a good starting place either "Loud, Fast" or "Mania", the two-disc "Anthology" is pretty damn good as well... But c'mon ,How bout a rarities disc already or something???

1 out of 5 stars NOOOOOOOOOOO.......2006-06-23

This is horrible. ok, 1. There are already like 3 greatest hits packages and an anthology. There's no need for more. 2. If you are a true Ramones fan(like me), you buy the albums, not greatest hits. Very disapponting.

4 out of 5 stars Greatest Hits???Which ones?.......2006-06-21

If I rate this with 4 stars and not 5 is for one simple reason: C'mon man, lets get serious for a sec, here: I am THE biggest "pinhead" ever (and by that, I mean, the biggest Ramones fan...), but I will always be the first to admit the truth: The Ramones NEVER had any "hits" to speak of. Cult following, over a dozen albums, over 20 years of career... yeah, all of that, but "hits"... I don't think so!

Mainstream success eluded the Ramones during all their career. That's not to say that they didn't have great songs, it simply means that their commercial success was very limited. Few bands have had (and will have) the impact and the influence of the Ramones, but the "Greatest Hits" label really doesn't apply here. Of course, record companies wouldn't know the first thing about common sense, so... clearly in this case they should have used the "Best Of" tag, but...anyway, who cares about semantics?

We're talking punk rock, here, and the Ramones were trailblazers. All the songs here are punk rock classics. As we all know, everyone has their own personal favorites, so everyone has the right to moan and complain about the omission of this song or that song but... the bottom line: if you are a pinhead, you don't need this. If you are looking for a first taste of the Ramones, then this could be the right place to start.

But personally, I would recommend either "Ramonesmania" or "Ramones: Loud and Fast" over this new compilation, simply because they have more songs... it's a little more dough, but it's well worth it. And obviously, "Anthology" is the superior choice...(not to mention the Box Set...)
New York Dolls
Average customer rating: 4.5 out of 5 stars
  • thanks, new york dolls.
  • Hello Dolly
  • New York Dolls - self-titled (Mercury)
  • What more can really be said?
  • Something Happened in Lower Manhattan
New York Dolls
New York Dolls
Manufacturer: Island / Mercury
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Raw Power
  2. One Day It Will Please Us to Remember Even This
  3. Marquee Moon
  4. Never Mind the Bollocks Here's the Sex Pistols
  5. Too Much Too Soon

ASIN: B000001FMX
Release Date: 1990-10-25

Tracks:

  1. Personality Crisis
  2. Looking For A Kiss
  3. Vietnamese Baby
  4. Lonely Planet Boy
  5. Frankenstein (Orig.)
  6. Trash
  7. Bad Girl
  8. Subway Train
  9. Pills
  10. Private World
  11. Jet Boy

Amazon.com

In 1972, when rock & roll was all but dead in Manhattan, five cross-dressing glam punks from the boroughs convened and began hammering out crude, sub-Chuck Berry rock for the downtown in-crowd. It took another year before a record company dared to sign them, thus foisting The New York Dolls on an essentially uninterested world. Taking their cue from the band's guitarist/Keefalike Johnny Thunders, hardcore Dolls fans pooh-poohed Todd Rundgren's production as wimpy: twenty-five years after its release, songs like "Personality Crisis" and "Looking for a Kiss" sound more trashily invigorating than ever. With the Rolling Stones finished as a vital force by '73, the doomed Dolls were there to step into the void. A classic. --Barney Hoskyns

Customer Reviews:

5 out of 5 stars thanks, new york dolls........2007-04-12

i had just lost my little boy, my husband of 19 years had recently left me for a woman 22 years my junior, and i had a horrible rash all up and down my left side. i was DEPRESSED! i wasn't the old me anymore. kicked by life one too many times, if you know what i mean. then i heard this album. and suddenly i wanted to wear lipstick again. i wanted to put on lipstick and go out dancing. i was back! thanks, new york dolls.

5 out of 5 stars Hello Dolly.......2007-03-09

After recently seeing the movie, "New York Doll," I was jogged back to a time before we ever knew about The Ramones, Graham Parker, Cracker, and The Psychedelic Furs. This was sometime around 1973 where the glam sound was subtly mutating into early punk. And The New York Dolls may have been ground zero for that morph.

With the possible exception of The Velvet Underground, I can't trace any more seminal linkage to what was to come in the late seventies than The Dolls. Listening to this CD is like going back before the time of Constantine: no Sea of Marmara, no Anatolia, no Ephesus, no Byzantium. Just Rome as the center of the universe in the way The Beatles and the Stones staked an Augustinian claim to that center. The eastwardly itinerant Constantine seemed to be swiping at the wind; who could expect anything to come from that.

But listening to this eponymously titled debut, you begin to see the shape of things to come. At the time of its release, I remember the song "Trash" being introduced on a local New York FM station as the flagship cut from this raw new band out of the dross of Hells Kitchen. I remember thinking it to be a discordant, sneering mess of cacophony, scratching it off my list, searching more for the mellifluous sounds of emerging early seventies semi-prog Brit acts like The Strawbs, The Electric Light Orchestra, and Stealer's Wheel in addition to new acoustic, Dylany singer songwriters like Elliott Murphy, Daydo, Ralph McTell, Nick Drake, and, of course, Jackson Browne.

The Dolls simply didn't register on my new-bands-to-follow meter. But hearing them now, and placing them into the context of the post-Constantine period in rock and roll, I can suddenly feel their greatness. How they, maybe singlehandedly, constructed a new musical cosmos through a counterpoint of Shirelles cooing and Peter Wolf goof-shouting.

If you were alive in the early seventies, this is a great way to go back to a time in your life that was right at the dawn of modernism. As Chrissie Hynde said in the movie, The New York Dolls were "the one pinhole of light" coming out of this time. I still like Elliott Murphy, but there is no arguing with the vital sensibility The Dolls created that is with us today.

5 out of 5 stars New York Dolls - self-titled (Mercury).......2006-10-05

Review number 63.Originally unleashed to an unexpected public in summer of 1973,this was of course the glam rocker's very first record.If you think the Stooges were great,step aside,this CD reissue is ALSO a true Proto-Punk classic. Every one of this album's slamming tunes 'practically' pulls you in,like "Personality Crisis", the radio friendly(?) "Looking For A Kiss", "Lonely Planet Boy" (one of my personal favorites), "Bad Girl", "Pills" and "Jet Boy". So glad they've recently reunited,aren't you? Highly recommended.

5 out of 5 stars What more can really be said?.......2006-08-21

I'm a big fan of Bowie, Iggy, T. Rex and other bands of that glam/early punk era. This album provides a perfect mix of those genres. It's really hard to listen to this album and not hear how their influence spread to a lot of bands that would proceed them.

There really isn't anything I can say about this album that hasn't been said already. If you like the bands that I mentioned above, this is a must have addition to your collection.

4 out of 5 stars Something Happened in Lower Manhattan.......2006-08-11

I had pretty high expectations for this CD when I first listened to it way back when. I understood that it was a recording of high historical importance and influence, and the fact that Morrissey endorsed it as his favorite CD - and does to this very day - certainly bode well for it. Besides, I couldn't help but be drawn in by a bunch of guys dressed as red light district Barbies playing trashy, menacing rock 'n roll in a brew of Rolling Stones-style blues and reckless proto-punk abandon. Moreover, in the wake of the glam rock of T. Rex and David Bowie, the New York Dolls imitated their fashions so as to flatter them, but took it to the extreme and gave it an irresistibly kitschy quality. Image was very important at the time, and the Dolls were wise enough to embrace it.

The best examples of what make the New York Dolls' debut so interesting are the manic opener "Personality Crisis", the jaunty, appropriately-titled "Trash", the absolutely superb swagger of "Jet Boy", which fully captures the "trashy glory" which is guaranteed to the listener by almost every reviewer out there. This is probably the best song that the band ever recorded. But the Dolls have more than sloppy rock 'n roll going for them. The poignant "Subway Train" - the first few lines of which are often used live by Morrissey as a segue way into other songs - and the acoustic "Lonely Planet Boy" highlight the band's softer side. "Bad Girl", on the other hand, sounds like a cover of a Rolling Stones song, and "Pills" is an actual cover (of a Bo Diddley tune), and a pretty inspired one at that.

There is much talk of the Dolls' debut as the definitive proto-punk album. I am reluctant to agree with this wholeheartedly, as the emergence of American punk rock was a very gradual one. From the unlikely spring of the early Love singles "My Little Red Book" (1966) and "7&7 Is", to the 1967 release of The Velvet Underground & Nico and the 1969 debut by The Stooges, through the New York Dolls (1973) and up to the first release by The Ramones (1976), it is difficult to pinpoint when the punk aesthetic was first realized - fully or partially - in the form of a single or an LP. (And it was surely before The Ramones started making an entire career out of it.)

Whatever the case, the debut by the New York Dolls and its follow-up, Too Much Too Soon, are fascinating artifacts in rock 'n roll history. By artifacts, I definitely don't mean that they are outdated or worthwhile as simple historical curios. Rather, I mean that they capture moments when rock had become more image-conscious, and less concerned about whether the music was tailor-made for mass consumption. As mentioned previously, the Dolls took the image thing to a ridiculous extreme, most likely for the sake of actually ridiculing it. On their first record, they were unrefined but accessible, thanks to Todd Rundgren's production, which gave the songs the muscle and sprinkles of pop sweetness that they needed for their intended impact. Overall, this is a must-hear record, and I recommend it highly.
Ramones
Average customer rating: 4.5 out of 5 stars
  • When someone says "punk"...
  • THIS IS PUNK....... AND PUNK IS DEAD !!
  • Punk Rock
  • The Start
  • Ramones - self-titled (Rhino/WEA)
Ramones
The Ramones
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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  1. Rocket to Russia
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ASIN: B00005JGAB
Release Date: 2001-06-19

Tracks:

  1. Blitzkrieg Bop
  2. Beat On The Brat
  3. Judy Is A Punk
  4. I Wanna Be Your Boyfriend
  5. Chain Saw
  6. Now I Wanna Sniff Some Glue
  7. I Don't Wanna Go Down To The Basement
  8. Loudmouth
  9. Havana Affair
  10. Listen To My Heart
  11. 53rd & 3rd
  12. Let's Dance
  13. I Don't Wanna Walk Around With You
  14. Today Your Love, Tomorrow The World
  15. I Wanna Be Your Boyfriend (Demo)
  16. Judy Is A Punk (Demo)
  17. I Don't Care (Demo)
  18. I Can't Be (Demo)
  19. Now I Wanna Sniff Some Glue (Demo)
  20. I Don't Wanna Be Learned/I Don't Wanna Be Tamed (Demo)
  21. You Should Never Have Opened That Door (Demo)
  22. Blitzkrieg Bop (Single Version)

Amazon.com

The Ramones' April 1976 debut, recorded for little more than $6,000, long ago passed into legend. Its exalted status as the inspiration for thousands of punk bands worldwide, though, hasn't overshadowed its monolithic roar, the knowing hilarity of its lyrics ("Judy Is a Punk" crams the SLA, the Ice Capades, and a salute to Herman's Hermits into a 90-second frame), and the impulse to blast it for everyone within earshot: Hey, listen to this. Embracing and rewriting rock & roll history at once, Ramones speeded up heavy music, adding a pop patina to songs inspired by horror movies and glue sniffing, and claiming a great Chris Montez tune ("Let's Dance") from the supposedly fallow period that had fallen between Elvis and the Beatles. Absurdist, yeah (how could anything with Joey's super-affected Liverpool-via-Queens accent be otherwise?) and also smart: "Havana Affair" is the greatest song about the cold war this side of Dylan. This remastered edition complements the original LP with a slew of demos, including a Spectoresque "I Wanna Be Your Boyfriend," and the single version of "Blitzkrieg Bop," that, equally prophetically, puts Joey's vocal through a mixing trick that makes him sound like he's on the mic at a football game. --Rickey Wright

Customer Reviews:

5 out of 5 stars When someone says "punk"..........2007-07-10

This is the first thing that pops in my head. Every ounce of praise this album receives is deserved. It's minimalistic, raw, fast, and perfect. Melodies and progressions that are painfully simple and hard to forget. Lyrics that fit perfectly delivered. With DeeDee pounding his bass in your left ear, and Johnny buzzing in the right, this is the punk sound and format that will be emulated forever.

5 out of 5 stars THIS IS PUNK....... AND PUNK IS DEAD !!.......2007-06-18

I WAS BORN IN 74, SO I DID NOT GET THE CHANCE TO LIVE IN THE YEARS OF `REAL`PUNK.TODAY EVERY THING IS PUNK : AVRIL LAVIGNE IS PUNK - FALL OUT BOY IS PUNK - BLINK 182 IS PUNK - EVEN WALLMART HAS A PUNK SECTION !! BUT,
FOR THE REAL THING, YOU HAVE TO LOOK IN THE PAST... NOTHING COMPARES TO THE RAMONES - NOTHING COMPARES TO THEIR 1ST ALBUM. IM GLAD TO SAY THAT I SAW THEM IN 96 IN VERDUN (QC). IM GLAD TO SAY THAT I GOT A RAMONES TATTOO - IM GLAD TO SAY THAT THIS IS THE BEST PUNK ALBUM EVER....... R.I.P

5 out of 5 stars Punk Rock.......2007-05-12

Great CD. I wish I grew up when the Ramones were getting big, but I was about a generation too late. Today's music is total crap with a few exceptions. There are too many labels and genres. Feels like people are trying to pretend they've got everything figured out by now. Or maybe that's how it's always been in music. Lot's of crap with a few beautiful exceptions.

5 out of 5 stars The Start.......2007-04-24

The Ramones *****


Hey Ho Lets Go...and so it began that start of something so amazing nothing will ever come close again. The Ramones single handedly created one of the greatest albums ever, along with one of the greatest musical movements in the history of rock n' roll. The bands debut has gone down in history as one of the most criticly aclaimed albums of all time. It is teh album that gave the New York punk movement the notoriaty it desereved.

Joeys slurred lyrics and vocal delivery are classic and signature only to him. He sings with his Brooklyn accent. Dee Dee las down some killer bass lines, Tommy plays the original punk drum beat, and Johnny plays the prototypical punk guitar. While many of the songs do sound the same they are all excellent. The three chord format works just as good for The Ramones as it does for AC/DC. The thing about The Ramones that blows my mind is how they managed not to become the biggest band of all time. Their songs were a hell of a lot catchier then even The Beatles' and The Beachboys together. They dont sound bad or play bad so how they managed to stay under the radar for so long and never really truly make it big until after they broke up is beyond me.

The album is fantastic from the first guitar chug of the imortal 'Blitzkrieg Bop' to the ringing of the amps at the end of 'Today Your Love, Tomorrow The World.' Every song is catchy and easy to relate to for any teenager. 'Blitzkrieg Bop' 'Beat On The Brat' and 'Judy Is A Punk' all went on to become Ramones and punk music classics. Songs like 'Now I Wanna Sniff Some Glue' went on to have countless polls, magazines, and lists named after it. 'Havana Affair' inspired many a band to get together and while it may not have done that for the Red Hot Chili Peppers the band did cover the song as a tribute to the late Joey Ramone, and I might add they did an amazing cover of the song.

The Ramones will not only go down in history as one of punks great bands but as one of all musics greatest bands ever, and this is one of if not the greatest debut albums ever, sure to be on any list of the 100 greatest albums of all time. 100 albums may not seem like that big of a deal to some but when you think of all the albums ever made in rock n' roll history that is a monsterous acheivement. This is recomended to everyone from Billy Joel and Beachboy fans to fans of hardcore punk like Bad Brains, and The Casualties.

5 out of 5 stars Ramones - self-titled (Rhino/WEA).......2007-01-31

Review no. 127. Essential 1976 body slammin' proto-punk debut record from Joey and crew. Blistering cuts that'll having you literally playing this CD over until you wear it out (possibly)are "Blitzkrieg Bop", "Judy Is A Punk", the in-your-face "I Don't Wanna Go Down To The Basement", the total *ss-kicking "Havana Affair" and "Let's Dance". Plus, you get six added bonus tracks of demos of the band's repertoire. One thing I'll give The Ramones is they DIDN'T just stay together for two or three lp's LIKE so many other punk bands did, like the Stooges, New York Dolls, Dead Boys, MC 5, etc. They remained intact for twenty years, plus they were active all if not most of that time. Too bad three out of four of them are no longer with us. Highly recommended.
Stop Making Sense: Special New Edition (1984 Film)
Average customer rating: 4.5 out of 5 stars
  • Probably the best concert ever preserved
  • good Talking Heads record
  • Bigger is not always better
  • One of the greatest live albums ever.
  • Great Improvement Over The Original Version
Stop Making Sense: Special New Edition (1984 Film)
Talking Heads
Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

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  1. Stop Making Sense
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ASIN: B00000K3G8
Release Date: 1999-09-07

Tracks:

  1. Psycho Killer
  2. Heaven
  3. Thank You for Sending Me an Angel
  4. Found a Job
  5. Slippery People
  6. Burning Down the House
  7. Life During Wartime
  8. Making Flippy Floppy
  9. Swamp
  10. What a Day That Was
  11. This Must Be the Place (Naive Melody)
  12. Once in a Lifetime
  13. Genius of Love
  14. Girlfriend Is Better
  15. Take Me to the River
  16. Crosseyed and Painless

Amazon.com

The soundtrack to the Jonathan Demme documentary, Stop Making Sense captures the Talking Heads live in 1984 on what would turn out to be their last major tour. This collection, and the film, is a true gift to the band's fans, a testament to the Heads' extraordinary talent, both in the studio and especially onstage. Frontman David Byrne infuses each song with a jolt of energy and drama that could only have come from a late-'70s art-school student. Now-classic tracks such as "Psycho Killer," "Girlfriend is Better," "Once in a Lifetime," "Take Me to the River," and "Burning Down the House" have never sounded better. This expanded 1999 reissue includes all nine of the original tracks, plus seven previously unheard cuts, including "Heaven," "Found a Job," and "Crosseyed and Painless." --Lorry Fleming

Customer Reviews:

5 out of 5 stars Probably the best concert ever preserved.......2007-02-19

Simply the single best set by any band in the history of rock and roll. I know there will be people out there who will point to some Dead concert that's only available on a third generation cassette, but this set is as hot as the Heads ever were. The expanded edition is a great gift to the world.

3 out of 5 stars good Talking Heads record.......2006-02-20

i own this on vinyl and it's just good talking head songs live,although i have to say the original version of some songs are better but if you have the money i guess go for it but i recommend buying non live recordings.

4 out of 5 stars Bigger is not always better.......2004-10-26

The original LP version of this was a mere 9 songs, and was absolutely brilliant. I remember playing it constantly, wearing it out much like my two album "The Name Of This Band Is Talking Heads" double live album. I also got to see the concert film at some midnight show and was enthralled...a concert movie for people who liked music! I loved it so much that I eventually got David Byrne to sign the book that came with the album.

So I was really hyped to hear that the entire concert soundtrack was about to be reissued on CD. Seven extra songs! Warm with nostalgia, I finally bought the disc. Boy, was I let down. First, it isn't the whole concert. "I Zimbra" is particularly missed. Then, of all the crappy songs to include over that one, we have the Tom Tom Club and their SERIOUSLY dated "Genius Of Love."

One of the brilliant things about Talking Heads is that they may have been trend setters, but they were never trend mongers. The music sounds just as fresh today as it did when I slit the shrink wrap on the 1984 Album. But the Tom Tom Club was a lightweight side project that scored one novelty hit, and it sticks out like crayon smears on a DaVinci. I reach for the skip button just about everytime its lame, cliched, and oh so 80's stage patter starts to invade what used to be a flawless CD.

It takes what used to be a 5 star CD and knocks it down by one. It also provides continual proof that that not all unreleased tracks are really a "bonus." Since it has finally come out on a double disc, I strongly recommend the remastered and reissued "The Name Of This Band is Talking Heads" over this. At least the expanded tracks aren't an emarrassment.

5 out of 5 stars One of the greatest live albums ever........2004-10-23

Jonathon Demme's 1984 concert film of the Talking Heads was an incredible experience. Sadly, when the original soundtrack was released, it contained only nine of the songs performed. Not only that, but they were entirely out of sequence, completely destroying the original purpose behind David Byrne's conception of the concert. Thank God they released this anniversary edition of the soundtrack, as this really does the film justice. Every song is here, and in its proper place, the way it was meant to be heard.

So, what is the big deal, you ask? Well, picture this. The soundtrack begins with "Psycho Killer," one of the first really big hits for the group. Instead of the entire band being onstage, David Byrne walks out with an acoustic guitar and a boom box. He presses PLAY on the box, which cues a drum program to begin playing. So the first song is just David Byrne singing and strumming his guitar, accompanied by pre-recorded percussion. For the next song, "Heaven," Byrne is joined onstage by bassist Tina Weymouth. Then Chris Frantz's drumset is wheeled out, and the three of them go into "Thank You For Sending Me an Angel." We finally hear some real drumming, not the predictable, computerized beats in "Psycho Killer." The album really begins to come alive. Then they go into "Found a Job," and things get more interesting. Byrne swaps his acoustic guitar for an electric, and lead guitarist Jerry Harrison comes out, meaning we now have two guitars. By the time the fifth track, "Slippery People," is underway, the entire band (including the extra musicians and backup singers) are on the stage, and now things are cooking. What happens over the remaining twelve tracks can only be described as an overload of the senses.

The purpose behind the concert was to provide a unique experience for the concert-goer, to create visual as well as aural art. Some of that sense is lost on the CD listener, but some of it remains. The songs were translated to disk beautifully, so that they still retain just about everything that made them a pleasure to listen to while watching the film. One can almost picture David Byrne running laps around the stage, dancing with the lamp, or wearing the big suit.

The concert resulting in the film and this album was performed shortly after the band released their 1983 album "Speaking in Tongues." So, needless to say, many of the songs you will hear are from that album. And I have to say that for each of them, I prefer the live version to the studio version. Each one of them sounds more vibrant, more full of life when performed on the stage. The improvisation on "Burning Down the House" is as good as it gets. Ditto "This Must Be the Place (Naive Melody)," which is one of the most beautiful things I've heard, and I don't even like love songs. The studio versions lack that extra energy. Their pulse is just too slow. This is never more true for "Life During Wartime," which is actually a song from 1979's "Fear of Music." But anyway, this song displays Byrne's tendency to perfectly mismatch music and lyrics. The pulsating beat of club rock flows beneath what I interpret to be a humourously disturbing tale of a country under martial law. The song should not work as well as it does, and yet somehow, they pull it off. Anyway, after hearing the live version of it, I can no longer listen to the studio version. Also noteworthy is the improvisation on "Crosseyed and Painless." The intro and the extended guitar solos are just the icing on the cake for that one!

If there is a bad song on this album, it would have to be the interlude by the Tom Tom Club (a solo project of Heads drummer Chris Frantz and bassist Tina Weymouth). "Genius of Love" could have been a great song. The instrumentation is very good. Sadly, it's ruined by Frantz's raucous babbling. He's attempting to be random like David Byrne, but tragically, he's not good at it. Other than that, this album is solid gold. It demonstrates the full potential of live music, and sounds amazing while doing it. Whether you're a fan of the Talking Heads or not, this album belongs in your collection.

5 out of 5 stars Great Improvement Over The Original Version.......2004-10-17

It's true, to really appreciate this album, you have to see the film. And that's no chore. Stop Making Sense is probably the best concert film ever made. It's hard to imagine just listening to the album without thinking of Byrne's amazing stage presence (in or out of the big suit).

The Special Edition is the entire film soundtrack (minus some stage banter and the cut performances of "Cities" and "I Zimbra"). Their imagination made Talking Heads one of the greatest live bands of all time. The songs are mostly from SPEAKING IN TONGUES, but they also include interesting and in some cases superior versions of songs from all of their albums prior to 1983 with the help of the Tom Tom Club.

In addition to STOP MAKING SENSE, I recommend the newly released CD version of THE NAME OF THIS BAND IS TALKING HEADS. Listening to both would map eight years of live performances and barely short of 4 hours of live material.
Horses
Average customer rating: 5 out of 5 stars
  • a classic and challenging album
  • Land of a Thousand Horses (* * * * 1/2)
  • overrated junk
  • Poetic, disturbing...good album...3 and 1/2 stars out of 5
  • Horses
Horses
Patti Smith
Manufacturer: Arista
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
Proto PunkProto Punk | Hardcore & Punk | Alternative Rock | Styles | Music
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ASIN: B000002VQQ
Release Date: 1996-06-18

Tracks:

  1. Gloria
  2. Redondo Beach
  3. Birdland
  4. Free Money
  5. Kimberly
  6. Break It Up
  7. Land: Horses/Land Of A Thousand Dances/La Mer (De)
  8. Elegie
  9. My Generation (Bonus Track)

Amazon.com

On her 1975 debut, Smith was full of piss and vinegar, seriously interested in bringing together high art and low three-chord rock & roll. As a result, her free-form poetry meshes with covers of "Gloria" and "Land of a Thousand Dances," and the album centers on two long, highfalutin' pieces, including the three-part suite (warning! warning! art!) "Land." (The CD version appends a messy live take on The Who's "My Generation.") Led by Richard Sohl's piano, the arrangements don't exactly rock, and some of Smith's songwriting gets buried in its stylistic affectations (there's a great song under "Redondo Beach"'s fake reggae). But the point of Horses was Smith's persona of volume, cunning and exile, and it comes through distinctly. --Douglas Wolk

Customer Reviews:

5 out of 5 stars a classic and challenging album.......2007-06-19

Patti smith has to be the most free of all the rock stars.. Her style is hers alone.. her energy and intensity.. her free use of language (obviously influenced by poetry), and above all her cathartic expressive process - prove that she is the best - that is she is herself..
the album Horses opens with one of her tamer tracks - a rocker 'gloria' it is followed by a true gem 'redondo beach' then it falls into the first spoken word expedition 'birdland'... 'kimberly' is another of my favorite tracks - but nothing can quite prepare you for the title track which is one of the few truly transcendant vocal tracks i have heard.. the album ends perfectly with the quiet 'elegie'..
this is an album you have to experience even if you do not like it - you still have to admire it as something truly different..

5 out of 5 stars Land of a Thousand Horses (* * * * 1/2).......2007-05-07

It is a bit surprising that there are not more Amazon reviews than there are for Patti Smith's 1975 debut. After all, Horses is the kind of album - like those by kindred spirits The Velvet Underground and Television - that critics go absolutely bonkers over. (The 2007 Rush album had more reviews within a day of its release.) Like most such albums, this great praise did not lead to equally great sales. It did, however, result in reverence by the scores of musicians Smith has influenced, and ultimately in her induction into the Rock and Roll Hall of Fame.

Patti Smith had published a few volumes of poetry in the early 70s, and was part of the Greenwich Village music scene that included guitarist Lenny Kaye and pianist Richard Sohl. Horses gave her the chance to show off her talents as both a poet and a rocker. Those who are leery of her 9-minute poetic flourishes will find her shorter, more conventional rock songs quite satisfying. These include "Free Money" (about winning the lottery, a decidedly non-poetic topic), the pop-flavored "Kimberly", and "Break It Up", which was co-written by Television frontman Tom Verlaine. On "Gloria", however, Smith sews together the poetic and the conventional perfectly, weaving the Van Morrison classic in and out of her own lyrics, highlighted by the mid-song headfirst plunge into the original without a missed beat. It is so seamless that one might find him/herself unsure of whose lyrics are being sung when. Drummer Jay Dee Daugherty is extraordinary, driving songs like "Gloria" and "Free Money" relentlessly forward.

Van Morrison clearly had an important influence on this record, but it is another Morrison - Jim - who is more often cited as an influence on Smith. I personally have never cared much for this comparison, as I am not a great admirer of Jim Morrison. However, the comparison is apt, as the tracks "Birdland" and "Land" can be interpreted as in the spirit of songs like "The End" and "When the Music's Over" by The Doors.

Horses is a crucial precurser to punk primarily because it anticipated that genre's sound before it came to fruition. However, it also anticipated the spirit of punk by looking to the early days of rock 'n roll to capture its youthful and inspired essence. This is heard not only in "Gloria", but in the middle section of "Land", which co-opts the oldie "Land of a Thousand Dances". While The Ramones would also cover oldies (eg, "California Sun", "Do You Wanna Dance?"), they preferred to keep their songs to about 2 minutes. Smith - like Television after her - was willing to give her songs a much larger canvas. The fact that Blue Oyster Cult's Allan Lanier, a boyfriend of Smith's, was the co-writer of "Kimberly" and "Elegie" made this album an all the more bizarre musical stew. (But the fact that The Velvet Underground's John Cale produced the album seems more appropriate than bizarre.)

Nearly 29 years old in November 1975, Patti Smith was no spring chicken when Horses was released. This gave her something of mother figure quality to not only the mostly male punks who would follow in her wake, but also to tough-minded female rockers ranging from Chrissie Hynde and Kim Gordon to PJ Harvey and Liz Phair. (And I am sticking to the idea that the name The Smiths came about as a result of the fact that Morrissey and Johnny Marr met at one of her concerts.) Horses may have its soft spots, but its updates on the past and influence on the future make it one of the most essential American recordings ever.

1 out of 5 stars overrated junk.......2007-05-03

One of the most awful pieces of junk ever released. Her caterwauling will get on your nerves. They put this no-talent in the Rock and Roll hall of fame?

4 out of 5 stars Poetic, disturbing...good album...3 and 1/2 stars out of 5.......2007-02-01


I'm writing this review some months after buying this album. I bought the album because it was mentioned in an article about albums you must own. Saw this album really cheap, new, with a vinyl look to the cd.

Usually I write very long-winded reviews of albums, so this time I'll just write something short, and going on memory. Firstly, I am mostly into pop/rock music. By these standards, there aren't any great/good songs in that mould in this album. This isn't to say that the album is a dud...merely to say that the album should be judged by different criteria to pop/rock. It's also not to say that the artist can't write great songs in the pop/rock mould-she has written a pop/rock masterpiece in "Because the night".

So, what is the attraction of this album? To me, it's the poetic, lyrical, scary, weird terrain that it covers. Sure, there are covers, more or less, of well known songs like "Gloria" [has original lyric input from Smith, I think] and "My generation", but these songs are not reasons to buy the album...they're probably the weakest links in this album.

This album could not have been released decades beforehand, I would not think. The sheer weirdness and creepiness of some songs would have seen Patti either sedated or moved into a sanitarium!

Stand-out songs for me are: "Birdland" and "Land", from memory. The former has an interesting lyrical structure and delves into the weird...alien abductions, from memory. "Land" is the song, from memory, where Patti gives full vent to her weirdness...some of her imagery is quite disturbing and suitable for mature audiences only, I think.

These songs, being poetic in nature, make it reasonably opaque as to what the narrative of the song is, apart from having bloody, disturbing imagery on occasion.

All in all, this album does not have conventionally 'good' songs on it. It's more arty/farty, if I can phrase it that way. I wouldn't listen to this album for specific songs...it's more the kind of album you just plonk on and listen to all the way through...perhaps it's a hot-bath or veg-out listen kind of cd.

There aren't any conventionally memorable songs on this, but I think I did enjoy songs like "Redondo Beach" and "Free money" [apart from the 'worthy' songs like "Birdland" and "Land"]. "Free money" sounds like a Broadway musical song...if there was a Broadway musical called "Free money", this song would be the theme song! It has the vibe of a song from the musical "Cabaret".

Just btb, listening to one song in particular on this album [I don't remember which], it struck me that Patti's vocals reminded me [forget temporal order here] of The Divinyl's Chrissie Amphlett. So, perhaps Chrissie was influenced vocally by Patti.

Anyway, this is a really good album, it's just not good in a "top 40" kind of way. If you like experimental, poetic type music, I think you will like this album. It's not weird in a The Beatles' "Revolution 9" kind of way, but the poetic imagery of Patti is sometimes more weird than The Beatles.

For the musically adventurous.

P.S. seeing as Patti Smith is usually grouped with the punk-rock movement, you may be interested in my reviews of other punk bands, i.e. The Ramones' Anthology and the Australian punk rock band The Saints' anthology entitled "Know your product". If you like political music check out my reviews of Australian pop/rock group Midnight Oil. Politics never sounded so good.

5 out of 5 stars Horses.......2006-05-13

When it opens with a line like, "Jesus died for someone's sins but not for mine", you know you're in for something good. Sure enough, that one line launches you into a forty-five minute album filled with graphic descriptions of sex and violence. (Listen to my personal favorite, Land, if you want proof). She sings her dark verses with so much intensity, so much feeling that it makes Jim Morrison look like a raving drunk. Yes, it's that intense, people. And she somehow manages to turn a brutal tale of murder into the R&B nugget Land of a Thousand Dances, not to mention an even rawer version of Gloria, the album's signature song.
Best tunes include Gloria, Free Money, Kimberly, Break It Up and Horses, though every song on this album is thoroughly amazing.
Parallel Lines
Average customer rating: 5 out of 5 stars
  • "Millions of young guys once had a love and it was a gas"
  • Blondie's Finest!!
  • Parellel Lines
  • The Peak of a Mercurial Band
  • !and this is why i love this album
Parallel Lines
Blondie
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005MNP8
Release Date: 2001-09-11

Tracks:

  1. Hanging On The Telephone
  2. One Way Or Another
  3. Picture This
  4. Fade Away And Radiate
  5. Pretty Baby
  6. I Know But I Don't Know
  7. 11:59
  8. Will Anything Happen?
  9. Sunday Girl
  10. Heart Of Glass
  11. I'm Gonna Love You Too
  12. , Just Go Away
  13. Once I Had A Love (The Disco Song 1976)
  14. Bang A Gong (Get It On; live)
  15. I Know But I Don't Know (live)
  16. Hanging On The Telephone (live)

Amazon.com

Until 1978, Blondie was perceived mostly as a '60s-referencing, British-Invasion-meets-girl-groups band. With veteran producer Mike Chapman at the helm for their third album, though, everything changed for this group bred from the New York punk scene. Honing in on Blondie's strongest points--Deborah Harry's come-hither vocals and Clem Burke's powerhouse drumming--Chapman helped recast the band to the power pop side of new wave, and with impressive results. Driven by the punk-meets-disco chart-topping hit, "Heart of Glass," and the herky-jerky "One Way or Another," as well as a muscular cover of the Nerves' "Hanging on the Telephone," Parallel Lines established Blondie as major stars. --Billy Altman

Amazon.com

Until 1978, Blondie was perceived mostly as a '60s-referencing, British-Invasion-meets-girl-groups band. With veteran producer Mike Chapman at the helm for their third album, though, everything changed for this group bred from the New York punk scene. Honing in on Blondie's strongest points--Deborah Harry's come-hither vocals and Clem Burke's powerhouse drumming--Chapman helped recast the band to the power pop side of new wave, and with impressive results. Driven by the punk-meets-disco chart-topping hit, "Heart of Glass," and the herky-jerky "One Way or Another," as well as a muscular cover of the Nerves' "Hanging on the Telephone," Parallel Lines established Blondie as major stars. --Billy Altman

Amazon.com

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Eat to the Beat (CD+DVD)

Blondie

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Customer Reviews:

5 out of 5 stars "Millions of young guys once had a love and it was a gas".......2007-01-31

Back when Blondie was being hailed as the biggest new-wave band in pop music by fans and critics alike, there were also just as many critics that quickly dismissed Blondie as "bubblegum pop," and one group that would never have staying power. But I think it's been observed enough how the group has had the last laugh. Parallel Lines helped establish Blondie as a serious music group and turned their cult following into commercial success. This album is also the first where Debbie Harry's voice gets sharpened with the sensibility of a sweet, vulnerable girl one minute to sultry and rapturous behind disco grooves the next. The album made punk, pop, and disco shake hands, which was a method unheard of in 1978. Songs like "Hanging on the Telephone," "Picture This," "Pretty Baby," and "Sunday Girl," have become irresitable pop gems, while "I Know But I Don't Know," and "Fade Away & Radiate," featuring a terrific guitar lick by Robert Fripp, are punk-driven classics. Last but not least are the two hits that are forever getting played on the classic rock stations of today in "One Way or Another," and "Heart of Glass." And how has Debbie Harry played out as lead singer after all these years? As Rolling Stone stated when this album was ranked #140 on their list of the 500 greatest albums of all time, "Madonna was surely watching."

5 out of 5 stars Blondie's Finest!!.......2007-01-27

This is the first Blondie album I ever bought apart from the greatest hits CDs, and it was worth every penny!!! It is my favorite Blondie album, and there is not one song on this album that is not fun to listen to and sing along to! Every song sounds like a radio hit! My favorite is, of course, "Heart of Glass." It has such a smooth and polished sound to it that you can't help but sing along! "Hanging on the Telephone" is another standout among standouts. "11:59" is upbeat and pure pop. "Sunday Girl" sounds like it could have been a girl group song. Debbie's attitude really shines through on "Just Go Away." The interesting lyrics and drum beats (especially in the beginning) make "Fade Away and Radiate" an unforgettable song. Some music goes out of style as the years go on, but "Parallel Lines" is definintely an exception. Any fan of Blondie or just pop music in general is almost sure to find this album a real gem and a standout in their album collection!

5 out of 5 stars Parellel Lines.......2006-12-21

It's already been said by others. A great band, a great sound, a great album - The price is right, get your copy and relive the sound of Blondie!

5 out of 5 stars The Peak of a Mercurial Band.......2006-07-05

I first heard Blondie's "Parallel Lines" LP while browsing at the Tower Records store in Westwood, near UCLA in 1978. By the time I heard the opening chords of the second song, I had a copy of the LP in line for the cash register.

Years have passed since, and a lot of Blondie's original fans were turned off or confused by some of their subsequent efforts. For those of you that used to really love Blondie, take another listen to Parallel Lines, and you'll immediately recall why. You probably haven't heard "Will Anything Happen," "11:59," "Pretty Baby," "Sunday Girl," or "Fade Away and Radiate" for a while, but they've held up pretty well. Add the classics "One Way or Another," "Hanging on the Telephone," and "Heart of Glass," and another listen to Parallel Lines is like running into an old friend.

This disk includes bonus tracks that reveal the band's live power, especially the fine power drumming of Clem Burke and Debbie Harry's rock diva vocal abilities, especially on a relatively raw version of "Bang a Gong."

5 out of 5 stars !and this is why i love this album.......2006-06-28

It did truly change my life. I was 14 years old. I was smart, not abused or geeky but i needed a true outlet... I had loved spinning girl group 45's and Beatles records handed down to me. Parallel Lines introduced me to sarcasm. And it stuck. Also it's just a perfect record. Mike Chapman helped shape my adolescence, but this is his (almost) crowning moment. Try not to scream: "I fell in love with you". Everyone should have Parallel Lines.

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