Modern Times [Original recording remastered] [Import]

Modern Times [Original recording remastered] [Import]

Track Listings

1. Find Your Way Back
2. Stranger
3. Wildeyes
4. Save Your Love
5. Modern Times
6. Mary
7. Free
8. Alien
9. Stairway To Cleveland

Editorial Reviews

Product Description
Digitally remastered Japanese reissue of their smash top 30 1981 album. Out of print in the U.S., it features 20 bit K2 Super Coding, plus the top 30 hit 'Find Your Way Back' and the top 50 'Stranger'. Nine tracks total. 1998 BMG release.

Modern Times,Jefferson Starship,Bmg Int'l,Album Rock,Arena Rock,Pop,Pop/Rock,Rock,Rock/Pop


Modern Times [Original recording remastered] [Import]

Modern Times
Average customer rating: 4.5 out of 5 stars
  • Modern Times is a modern classic
  • As good as Dylan gets
  • Still the greatest of all time
  • Is It Rolling Bob? You Bet It Is!
  • I heard the deafening noise.
Modern Times
Bob Dylan
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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  4. Love
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ASIN: B000GFLAI0
Release Date: 2006-08-29

Tracks:

  1. Thunder On The Mountain
  2. Spirit On The Water
  3. Rollin' and Tumblin'
  4. When The Deal Goes Down
  5. Someday Baby
  6. Workingman's Blues #2
  7. Beyond The Horizon
  8. Nettie Moore
  9. The Levee's Gonna Break
  10. Ain't Talkin'

Amazon.com

At a time when the majority of those his age are drifting into retirement, 65-year-old Bob Dylan has put the capper on a three-record run that ranks with the best in his storied, 44-album career. Like Time Out of Mind and Love and Theft before it, Modern Times is a rootsy, blues-soaked pool of the purest form of Americana--skipping the progressive bells or whistles for an understated backing by his touring band. Dylan's voice, which cracks, rasps and moans from the pop singer's pulpit, hasn't been this rich and emotive since 1976's Desire. And while his lyrics prolong his steadfast allusions to a higher power and his own immortality, they are not without the Dylan mirth, as when he sings of tracking pop queen Alicia Keys from Hell's Kitchen to Tennessee in "Thunder on the Mountain," the album's opener, which teams with "Someday Baby" and "Rollin' and Tumblin'" (for which Dylan misguidedly claims writing credit) as the record's most fiery numbers. Still, it's the Dylan that tells of a slave-loving owner ("Nettie Moore"), brings New Orleans to the front burner ("The Levee's Gonna Break") and plays the part of an eloquent lounge singer ("Spirit on the Water," "When the Deal Goes Down" and "Beyond the Horizon") that makes Modern Times sound just like old times. --Scott Holter

Dylan Classics and Collections


The Freewheelin' Bob Dylan


The Times They Are A-Changin'


Bringing It All Back Home


Highway 61 Revisited


Blonde on Blonde


Blood on the Tracks


No Direction Home: The Soundtrack


Biograph (Box Set)


Bootleg Series 1-3: Rare 1961-1991 (Box Set)

Album Description

First new album in 5 years featuring 10 new songs

Customer Reviews:

5 out of 5 stars Modern Times is a modern classic.......2007-07-14

Don't worry: no matter what the title may imply, Modern Times is not Dylan attempting to update his music to fit current trends. He has yet to do that. Instead, Modern Times is for the most part a bluesy album: he even rewrites a few blues classics ("Rollin' and Tumblin" becomes, well... "Rollin' and Tumblin'"; "Someday Baby" is a slightly different "Trouble No More" with the "Hip Shake"/"La Grange" riff, and "Levee's Gonna Break" is little more than a rewrite of "When the Levee Breaks"). "Rollin'" is energetic, but it's also probably the weakest moment on a generally strong record - original blues songs like the wrenching "Workingman's Blues #2" and hard-rockin' "Thunder on the Mountain" (love the guitar solo!) are the two indisputable highlights, and they're perfectly contrasted by jazzy country-blueses such as "Spirit on the Water", "Beyond the Horizon" and "When the Deal Goes Down". The country songs here are all among the greatest Dylan ever did in the genre, though to be fair none of them are "Lay, Lady, Lay" - "Horizon" is a bit too long, but only by about a minute or so. And while Dylan's melodies are normally nothing worth getting excited about, I love the melody (and the lyrics, and everything else) found on "Nettie Moore". In fact, I think "Nettie Moore" is my favorite song on this album - it hasn't gotten the hype of songs like "Thunder on the Water", "Workingman's Blues #2" or "Spirit on the Water", but it's a fabulous folk song and I will definitely stick up for it. Give it ten years; this'll be one of Dylan's classic songs. You see if it isn't. Oh yeah, and "Ain't Talkin'" has the best lyrics found on this album. And I really like the song's dark, doomy atmosphere too, with the violins and such. Plenty of albums by awful artists came out in 2006, and it's nice to hear Dylan (who's twice the age of most members of My Chemical Romance - third behind the Eagles and Green Day as the band I unnecessarily insult the most in my reviews, by the way) showing them all up. This is his best in a very long time.

5 out of 5 stars As good as Dylan gets.......2007-07-12

Its a shame that so many folks become closed minded to new music at a certain age. This is as good as anything Dylan has ever done, but because of the above it won't be remembered as well.

4 out of 5 stars Still the greatest of all time.......2007-07-10

At 23 years old I am not your typical Bobhead, I own all 30+ Dylan albums including bootlegs. I have been to several Dylan concerts over the last few years. Dylan has come out with 3 studio albums the last 10 years all critical successes. With Modern Times Dylan was the oldest artist to reach number one on the Billboard 200 chart. Out of the three this is my least favorite. I loved Love and Theft and liked Time Out of Mind. Love & Theft was loud, funny and all around great. Time Out of Mind was a little depressing but had amazing lyrics. Modern Times is a mix between the two albums. To be completely honest I only liked three songs on this album: Thunder on the Mountain, Spirit on the Water and Workingman Blues #2. Someday Baby gets better with every listen so maybe I will put that one on there too. But who cares? It's Dylan....get the cd already.

5 out of 5 stars Is It Rolling Bob? You Bet It Is!.......2007-07-02

For 40+ years, Bob Dylan has spilled my heart, stripped bare my soul and rattled my complacent mind. Modern Times reassures and re-inspires. Aging we may be but still relevant: older, wiser, gentler, more tolerant and deeply clarified about the daily human commonalities that join us all. Just when fans think they have a handle on Bob Dylan, he shifts gears and opens his reach in a new direction letting us know that the rest of us can do the same. No other artist steps as unfailingly in rhythm with my generation as Bobby D. He knows where we are, who we are, and I hope, in the still of the night, I'll be with you, Bob, When the Deal Goes Down. Like Highway 61 Revisited and Blood on the Tracks, Modern Times calls us to A New Morning.

4 out of 5 stars I heard the deafening noise........2007-06-26

This is Bob Dylan's 32nd studio album. Most of the songs are adaptations of older songs (mostly blues songs) with new lyrics by Dylan. The music has a rather "rootsy" feel to it, while still sounding modern. I won't get into a song by song analysis, because many more knowledgeable people than me have already done that. I'll just call it a damn good album of Dylan singing the blues and leave it at that.
Modern Times (Deluxe Edition With Bonus DVD)
Average customer rating: 4.5 out of 5 stars
  • Thundering Typhoons!! It's Bob again!!!
  • Good, good stuff
  • Dylan still lives!
  • Bob Dylan, the best
  • Bob Dylan - Modern Times
Modern Times (Deluxe Edition With Bonus DVD)
Bob Dylan
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B000GRTQSE
Release Date: 2006-08-29

Tracks:

  1. Thunder On The Mountain
  2. Spirit On The Water
  3. Rollin' and Tumblin'
  4. When The Deal Goes Down
  5. Someday Baby
  6. Workingman's Blues #2
  7. Beyond The Horizon
  8. Nettie Moore
  9. The Levee's Gonna Break
  10. Ain't Talkin'

Tracks:

  1. Cold Irons Bound (Unreleased live version from Masked & Anonymous)
  2. Blood In My Eyes
  3. Things Have Changed
  4. Love Sick (From The Grammy Awards)

Amazon.com

At a time when the majority of those his age are drifting into retirement, 65-year-old Bob Dylan has put the capper on a three-record run that ranks with the best in his storied, 44-album career. Like Time Out of Mind and Love and Theft before it, Modern Times is a rootsy, blues-soaked pool of the purest form of Americana--skipping the progressive bells or whistles for an understated backing by his touring band. Dylan's voice, which cracks, rasps and moans from the pop singer's pulpit, hasn't been this rich and emotive since 1976's Desire. And while his lyrics prolong his steadfast allusions to a higher power and his own immortality, they are not without the Dylan mirth, as when he sings of tracking pop queen Alicia Keys from Hell's Kitchen to Tennessee in "Thunder on the Mountain," the album's opener, which teams with "Someday Baby" and "Rollin' and Tumblin'" (for which Dylan misguidedly claims writing credit) as the record's most fiery numbers. Still, it's the Dylan that tells of a slave-loving owner ("Nettie Moore"), brings New Orleans to the front burner ("The Levee's Gonna Break") and plays the part of an eloquent lounge singer ("Spirit on the Water," "When the Deal Goes Down" and "Beyond the Horizon") that makes Modern Times sound just like old times. --Scott Holter

Amazon.com

First new album in 5 years featuring 10 new songs. Special limited edition deluxe package includes: Book style package Expanded booklet with never-before-seen photographs Bonus DVD including videos for: "Cold Irons Bound" (Shot live on the film soundstage during the making of the film Masked and Anonymous) "Blood In My Eyes" "Things Have Changed" "Love Sick" (From The Grammy Awards).

Dylan Classics and Collections


The Freewheelin' Bob Dylan


The Times They Are A-Changin'


Bringing It All Back Home


Highway 61 Revisited


Blonde on Blonde


Blood on the Tracks


No Direction Home: The Soundtrack


Biograph (Box Set)


Bootleg Series 1-3: Rare 1961-1991 (Box Set)

Customer Reviews:

5 out of 5 stars Thundering Typhoons!! It's Bob again!!!.......2007-03-26

The sixth year of this century would go down as a year when all the old horses gave what they got .. and finshed with astonishing results. Stones rolled, Plant grew, Paul resurrected and Bobbie proved again that he ain't gonna leave the building quietly.

For us, who started listening to Dylan in mid to late eighties, that's a real treat.

I remember growing up in Calcutta, when listening to counter culture classics and watching Ray movies meant the coolest thing in the world ( a far cry from today's decadent mainstream behaviour, you see), and Dylan was crawling through a dark decade. Darkest were the years when we saw releases like Knocked Out Loaded and Down In The Groove. Both got issued on vinyl LPs which we promptly procured with our pocket money, little that we had, only to realize that these recordings did not stand a chance agains the earlier gems of the previous decades (way before the times of online reviews and thirty second intros on itunes, you had to buy to listen to judge .

We did not realize that as much we anticipate masterworks from the living legends everytime, it's just not possible to deliver a classic everytime you happen to be in the studio.

I, for one, had given up. Content with what I had from the sixties & seventies.

Keeping that in mind the new resurgence of Mr. Dylan appears both fantastic and spectacular. I have not had a chance to write reviews on the the earlier two studio albums: Time Out of Mind and Love & Theft, both classics and will stand the test of time much like Highway 61 or Blood on Tracks.

It would appear, at least to me, that Bob, in his sixties and reliving the sixties. Backed by a class act, second maybe only to 'The Band' in the seventies, he tears through a collection that matches with the best in class.

If the younger buckaroos are producing music half as good as this, forty years on, I will consider myself to be damn lucky.

As for the album, many many words have been spent in reviewing Modern Times (the best that I have read was on Uncut, a British magazine). I don't have any intention to rehash the same .. it's a great album, Dylsn's third classic in a row and consider yourself fortunate that you are sharing your mortal time with Dylan, and that he has not stopped amusing you.

Keep on rolling, Abraham!! Modern Times, whatever may that be, both for you and me .. this is our time!!

4 out of 5 stars Good, good stuff.......2007-03-26

Bob Dylan has taken a decidedly different turn in his August years. His past three albums have all been excellent, including this one. He has been constantly touring, and documentaries, television specials, and new biographies and introspective books, including one by himself, have all reminded of us of his greatness. Bob used to be one to shy away from the media, but we have seen him on 60 Minutes, read Chronicles, and watched Scorsese's documentary. All applauding Bob. Even this new album is getting rave reviews, often referred to as the best album of the year. I find it frustrating that this could be the best thing offered for the year. For one thing is totally lacks creativity and fresh ideas. Instead, we are treated to a re-hash of old stuff. Nonetheless, it is well done, and it gives us a chance to see Dylan again. Personally, I'd like to see him take a chance, do something that might bare a little Bob. It is good stuff, though.

4 out of 5 stars Dylan still lives!.......2007-03-24

excellent work of Bob, I saw him in Munich 2005 he is still one of the great musicians of our time, a real pro

5 out of 5 stars Bob Dylan, the best.......2007-03-24

As a forty year fan of Bob Dylan I cherish anything and everything that has been written by or about him. If you are a Bob Dylan fan you just can't keep yourself from buying his oldest and his latest CD's or books, or whatever comes along.

5 out of 5 stars Bob Dylan - Modern Times.......2007-02-22

This is a great product and Dylan at his best. I was a little disappointed that the song "Things Have Changed" was on the DVD and not the CD.
Jim Gill Sings Moving Rhymes For Modern Times
Average customer rating: 5 out of 5 stars
  • AWESOME!!
  • A "MUST HAVE" for daycare
Jim Gill Sings Moving Rhymes For Modern Times
Jim Gill
Manufacturer: Jim Gill Music Inc.
ProductGroup: Music
Binding: Audio CD

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ASIN: B000FKOZRO
Release Date: 2006-01-01

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  1. Hello, I Must Be Going
  2. Swing Your Partner
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  14. Family Goodbyes
  15. Crazy Shoes Theme

Customer Reviews:

5 out of 5 stars AWESOME!!.......2007-06-28

Jim Gill is a genius! His developmentally appropriate music is a huge hit with my kindergarten students. This summer, it totally saved me when teaching summer school to 3rd graders...Dr Jean is too "babyish" for the olders, but they LOVE Jim Gill. Thanks Jim!

5 out of 5 stars A "MUST HAVE" for daycare.......2007-01-08

Jim Gill sure knows how to capture young children. His CD has catchy lyrics. He also has the children participate. What a great release before we start our "schooltime".
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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  5. Study of Orchestration, Third Edition

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Cinema Serenade II: The Golden Age
Average customer rating: 4 out of 5 stars
  • NEVER RECEIVED THIS ITEM!!
  • Perlman, Williams reunite in wonderful Serenade sequel
  • Some of the most beautiful music you'll ever hear
  • Don't compare it to Cinema Serenade 1
  • I can't stop listening to this CD....
Cinema Serenade II: The Golden Age

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

Korngold, Erich WolfgangKorngold, Erich Wolfgang | ( K ) | Featured Composers, A-Z | Classical | Styles | Music
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Similar Items:
  1. Cinema Serenade
  2. Itzhak Perlman's Greatest Hits, Vol. 2
  3. Itzhak Perlman's Greatest Hits
  4. Classic Perlman: Rhapsody
  5. Itzhak Perlman - A la carte / Lawrence Foster

ASIN: B00000JQG0
Release Date: 1999-07-27

Tracks:

  1. Laura
  2. Now, Voyager
  3. Modern Times
  4. Lost Weekend
  5. The Quiet Man
  6. The Adventures Of Robin Hood
  7. Casablanca
  8. Henry V
  9. The Uninvited: 'Stella By Starlight'
  10. My, Foolish Heart
  11. Gone With The Wind
  12. Wuthering Heights

Amazon.com

Cinema Serenade 2: The Golden Age is the sequel to Itzhak Perlman's popular album of movie themes performed with soundtrack composer John Williams. Unlike its predecessor, this disc focuses on classic cinema themes and features the Boston Pops Orchestra, not the Pittsburgh Symphony Orchestra. The Laura theme, as well as Max Steiner's Now Voyager and Miklós Rózsa's Lost Weekend themes, sound lush and romantic in Perlman's lyrical hands. The traditional Irish jig "The Quiet Man" is the disc's most upbeat moment, while the unforgettable Gone with the Wind theme is its most memorable. These are timeless, dreamy compositions, though not necessarily the most uplifting. If you're looking for something cinematic to get your heart racing, check out Ricardo Chailly's recording of Shostakovich's film scores or even Leopold Stokowski's classic work on Fantasia. --Jason Verlinde

Customer Reviews:

1 out of 5 stars NEVER RECEIVED THIS ITEM!!.......2007-03-17

I cannot review the product which I know is great , as I was billed for it, but never received it.

5 out of 5 stars Perlman, Williams reunite in wonderful Serenade sequel.......2003-12-04

With the success of Cinema Serenade, conductor John Williams and violinist Itzhak Perlman reunited to record another collection of classic movie themes. Performed this time by the Boston Pops Orchestra, the music of Cinema Serenade 2: The Golden Age harkens back to the days of stars such as Bette Davis, Humphrey Bogart, Errol Flynn, Ray Milland and Clark Gable.

The 12 selections include themes by Hollywood legends Max Steiner, Miklos Rozsa and Erich Wolfgang Korngold (whose son George would later produce several of composer/conductor Williams' scores for Varese Sarabande Records). Cinema Serenade 2 presents beautiful arrangements of Steiner's themes for Now, Voyager and Gone With The Wind, Korngold's love theme from The Adventures of Robin Hood, Charlie Chaplin's lovely Modern Times and "St Patrick's Day," a traditional Irish song from the John Wayne classic The Quiet Man.

Since I consider myself to be a charter member of The Rick Blaine Society of Rank Sentimentalists, I'd have to say my favorite tracks on this album are Herman Hupfeld's timeless "As Time Goes By" from 1942's Casablanca and Victor Young's "My Foolish Heart" (from the 1949 film of the same title). It was while I was listening to the radio (on the late WTMI 93.1 FM classical station) that the DJ played "As Time Goes By" and I discovered this recording of mostly lyrical themes; I listened to Perlman's haunting violin solos and the Boston Pops' bravura performance and nearly wept. I, of course, bought this CD the next day and it's now one of my favorites.

For fans of Itzhak Perlman, John Williams or film music in general, both of the Cinema Serenade CDs are a treasure trove of beautiful and memory-stirring themes.

5 out of 5 stars Some of the most beautiful music you'll ever hear.......2001-06-15

This is one of the most beautiful CDs I've ever heard. The selections are musically much richer than Cinema Serenade I. In particular, Sir William Walton's music from Henry V, Korngold's music from Robin Hood, and Newman's music from Wuthering Heights are standouts. The Korngold is my favorite, with several themes from the picture packed into a short love scene lifted straight from the movie. The arrangements on this album are stunningly lush, especially those by Williams. His opening chords from The Uninvited are terrific harmonically.

4 out of 5 stars Don't compare it to Cinema Serenade 1.......2000-01-24

Itzhak Perlman is still considered by me the best violinist alive today. His techiniques are so impressable and heartouching and nobody can contest that. The idea of this CD was wonderful, although the selections of the musics aren't so good than in Cinema Serenade 1. But anyway, if you want to listen musics that worldwide the people emotioned with, buy this CD, but don't fall in the temptation to compare it to the first one.

5 out of 5 stars I can't stop listening to this CD...........1999-10-03

All of those lush movie themes are greatly compiled on this CD. I especially liked Laura and Stella by Starlight. After listening to this, you will want to go out and buy/rent these great old movies!
Modern Times
Average customer rating: 5 out of 5 stars
  • SARGAST501@AOL.COM
  • Jefferson Starships Hardest Rockin Cd!
  • The Forgotten Album - Modern Times, Jefferson Starship
  • Modern Times - Modern Rock!
  • Bring back basic '80's Rock!
Modern Times
Jefferson Starship
Manufacturer: Bmg Int'l
ProductGroup: Music
Binding: Audio CD

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ASIN: B000009H0U
Release Date: 2005-08-01

Tracks:

  1. Find Your Way Back
  2. Stranger
  3. Wildeyes
  4. Save Your Love
  5. Modern Times
  6. Mary
  7. Free
  8. Alien
  9. Stairway To Cleveland

Album Description

Digitally remastered Japanese reissue of their smash top 30 1981 album. Out of print in the U.S., it features 20 bit K2 Super Coding, plus the top 30 hit 'Find Your Way Back' and the top 50 'Stranger'. Nine tracks total. 1998 BMG release.

Customer Reviews:

3 out of 5 stars SARGAST501@AOL.COM.......2006-07-07

LIKE THE STONES THE JEFFERSON STARSHIP ALWAYS GAVE YOU 2 GREAT CUTS (IN THIS CASE STRANGER AND FIND YOUR WAY BACK) AND THEN A LOT OF FILLER. MODERN TIMES LACKS WHAT FREEDOM AT POINT ZERO HAD WHICH WAS A VERY FOCUSED PAUL KANTNER (POSSIBLY BECAUSE OF THE RETURN OF GRACE SLICK. HE WROTE LESS AND TURNED THE REIGNS BACK OVER TO EVERYONE ELSE. I LIKE SAVE YOUR LOVE AND THE TITLE CUT BUT THEY ARE IN THE SAME BOAT WITH THE OTHER 5. THIS ALBUMS IN MY I-POD FOR LONG FLIGHTS BUT IF ITS A SHORT ONE FREEDOM AT POINT ZERO GETS THE NOD.

5 out of 5 stars Jefferson Starships Hardest Rockin Cd!.......2005-02-22

Jefferson Starship really rocks on this cd which came out in the spring of 1981. This cd has become very hard to find since it went out print in the USA. Grace Slick rejoined the band on this album to share the lead vocals with Mickey Thomas. Lead guitarist Craig Chaquico really stands out on this cd with his masterful guitar solos and riffs. The song "Save Your Love" has one the best guitar solos I have ever heard him play. The songs "Find Your Way Back" and "Stranger" were the hit singles off this cd. This cd is the hradest rocking cd I have heard from Jefferson Starship.

5 out of 5 stars The Forgotten Album - Modern Times, Jefferson Starship .......2005-02-17

MODERN TIMES

This isn't just my opinion, it's a fact. Modern Times is the most underrated Jefferson Starship album of all time and it's no longer in print. If you want it, you have to spend $35 on a remastered Japanese version of this American classic. Funny thing it's probably worth it!

Not counting Paul Kantner, who was usually more of a backup singer, Jefferson Airplane / Starship etc. has had three lead singers in their history, the inimitable Grace Slick, Jefferson Airplane original Marty Balin and the very capable Mickey Thomas and, if I'm not mistaken, this is the first album that both Slick and Thomas appeared on and they are great together. And let's not forget guitarist extraordinaire Craig Chaquico. He may be the best there is and on this album you get to see what he is really capable of. The guitar solo on "Save Your Love" is nothing if not sensational.

On Modern Times the ever changing J.S. lineup consisted of:

Craig Chaquico Synthesizer, Guitar, Guitar (Rhythm)
Aynsley Dunbar Percussion, Drums, Marimba
David Freiberg Organ, Bass, Guitar, Keyboards, Vocals
Paul Kantner Guitar, Guitar (Rythm), Vocals, Oberheim 8
Pete Sears Synthesizer, Bass, Piano, Keyboards, Vocals
Grace Slick Vocals (bckgr)
Mickey Thomas Vocals

1981's Modern Times gave the band the chance to re"introduce" Grace Slick and she makes the best of it, lending her magnificent voice on songs like "Stranger" and "Alien". Opening track, "Find Your Way Back", which was a #26 hit in 1981, seems an appropriate name for the opening track, since wayward members did indeed find their way back. Slick, who has one of the most powerful voices in all of musicdom, and Thomas harmonize wonderfully together and it's as if Grace had never left. In fact Slick's and Thomas's voices are close enough that you have to listen close to tell who's singing. In the end you can tell because Grace's vox has more presence.

Check out this great lineup of songs, these all are(or should be) classics: Find your way Back" is one of the best Jefferson..... songs ever, with a medium tempo start/stop format, this song has Thomas in the lead, with melodic background vocals by Slick. Next, Slick really outdoes herself in the slick arrangement of "Stranger" a rather dark number that was also released as a single, that has interesting bluesy guitars and strong percussion. Mickey Thomas takes the mic for the following rousing number - "Wild Eyes", which is actually reminiscent of earlier Airplane. Ok, stay with me now, the next song "Save your Love" is my second favorite J.S/J.A..song of all-time, just behind the incomparable "Someone to Love". Mickey keeps the mic and Slick again performs her magic on the backups. This is a very catchy mid tempo number and listen to Craig Chaquico play the axe, while Thomas and Slick hum in the background, it is amazing.

Title song, "Modern Times", is another Kantner influenced, rollicking song with whole dang band joining in on this fun number. I suppose if there's a dog on Modern Times it would be "Mary" a mediocre take off of their hit song from the last album "Jane". Guitarist, Chaquico delivers another standout performance on the next track "Free", a semi-fast song with screaming guitars backing Thomas's vocals. "Alien" is another interesting song with heavy drum beat and similarities to "Stranger". Hilarity reigns when the album closes out with "Stairway to Cleveland" another stellar J.S. song, where the entire band and probably the recording studio join in, dissing literally everyone, critics, record labels, DJs and so forth, a fitting climax to a very underrated but excellent album.

CONCLUSION

Some old time fans and purists felt that this new more mainstream Jefferson Starship style was a sellout to commercialism but hey, they've always been commercial. They may have been on the fringe of commercialism but even with Jefferson Airplane, their singles sold, their albums sold and their tours sold out. Yes they did AOR but that was a sideline. Most of their songs through the years were the three to four minute variety, so what's the big deal?

Actually there is nothing wrong with top forty music, at least there didn't used to be, as long as it was imaginative thoughtful music. Sure I've always liked AOR, Heavy Metal and Progressive Rock but I've got my share of albums by big top forty artists like Styx, Def Leppard, Fleetwood Mac etc and for my money Modern Times has forty-three plus minutes of some of the best, most accessible music in the Jefferson ....... catalog.

If you haven't figured out yet that I'm recommending this masterpiece let me make it official. HIGHEST RECOMMENDATION!!!

5 out of 5 stars Modern Times - Modern Rock!.......2004-01-03

Critics love to assail 1980s-era Jefferson Starship for their weak rock, insipid ballads and overall sellout crass commercialism, but in their defense if it was such a sellout why didn't they have a LOT more hits? And in their defense 1979's "Freedom at Point Zero" marked a drastic turning point for them. Farewell to Marty Balin, Grace Slick and the jazzy/blues inspired tracks clocking in at over five minutes. Hello hard rock and Mickey Thomas. Mickey's voice gave them a new vehicle better suited for rock and up-tempo numbers that put Jefferson Starship back on the charts. 1981's "Modern Times" gave the band the chance to "introduce" Grace Slick to the lineup to a positive and very devastating effect. "Find Your Way Back" is an appropriate track for all concerned as it truly is Jefferson Starship, all back, all together and hitting it hard. Grace and Mickey harmonize great together and it's as if Grace had never left. The two keep the tempo going on "Stranger" and really burn the place down on that track. Grace gets an awesome turn on "Wildeyes" and the whole band joins in for a rollicking "Modern Times". It's as if being freed of Marty Balin liberated the group to do what they want. Speaking of doing what they want, the finale "Stairway to Cleveland" is probably the funniest thing any band did in the 80s giving the finger to literally everyone, critics, record labels, DJs and so on. This CD is worth the money just to hear Mickey shout "F*%k you! We do what we want!"

For some insane reason this is a Japanese only CD that has been wonderfully re-mastered, yet even though it sold well in the USA was never released here on CD. Strange that as it probably was the best Jefferson Starship recording of the 1980s along with "Winds of Change" which followed up this one. Now before you think I'm some rocker dude let me correct you...I also LOVE "Earth" era Jefferson Starship and the 70's ballads that turned people's stomachs. I freely admit Peter Wolf ruined the group circa "Knee Deep In the Hoopla" when Paul Kantner bailed (and rightfully so!). Grace Slick has rightfully sworn off any further reunions and tours and rightfully so. Rest on your wonderfully voiced laurels darling...you've earned it!

5 out of 5 stars Bring back basic '80's Rock!.......2003-06-07

just imagine if this CD/Lp was released now in 2003!people would flock to the stores to grab tis one!All the rock albums made now fade away so quickly,this album goes back to what my generation rocked to!Come on now,"save all your love",gives a message that we all wanted back then,Craig really and has always been at the forefront on guitar jammin'.Can't beat the vocals and the rest of the band!Buy this album,you'll be brought back to the 'good old days' of rock......
The Yellow Shark
Average customer rating: 4.5 out of 5 stars
  • Dedicated to experts?
  • Zappa Attempts Stockhausen
  • The Yello Shark, performed by the Modern Music Ensemble
  • ZAP!
  • A Frank Zappa Treasure. Better than many of his CDs
The Yellow Shark

Manufacturer: Zappa Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000009VU
Release Date: 1995-05-30

Tracks:

  1. Intro
  2. Dog Breath Variations
  3. Uncle Meat
  4. Outrage At Valdez
  5. Times Beach II
  6. III Revised
  7. The Girl In The Magnesium Dress
  8. Be-Bop Tango
  9. Ruth Is Sleeping
  10. None Of The Above
  11. Pentagon Afternoon
  12. Questi Cazzi Di Piccione
  13. Times Beach III
  14. Food Gathering In Post-Industrial America, 1992
  15. Welcome To The United States
  16. Pound For A Brown
  17. Exercise #4
  18. Get Whitey
  19. G-Spot Tornado

Amazon.com

Released shortly after his death in 1993, The Yellow Shark represents one of the only accurate performances of Frank Zappa's "serious" orchestral music--at least as far as the composer was concerned. Assembled from a series of sold-out performances in Germany by the Ensemble Moderne, the set includes re-workings of old favorites like "The Dog Breath Variations" and "Uncle Meat," live arrangements of some of his hairiest computer music like "The Girl in the Magnesium Dress" and "G-Spot Tornado" and new works by Zappa composed specifically for the event. The performances are astonishing and the music? Pure Zappa. --Andrew Boscardin

Album Description

The 26-member Ensemble Modern performs FZ's 'most-humanly-impossible-to-play' compositions. Piano duets, string quintets & small ballets. Simply exquisite, with a 60-page booklet to explain it all. Originally released in 1993, it stayed on the classical chart for most of `94. Includes the tracks 'Outrage At Valdez,' 'None Of The Above,' & 'Welcome To The United States', plus arrangements of some of the most fiendishly difficult pieces from FZ's back catalogue & even a 'greatest hit' or two (some would pick this as the definitive version of 'Dog Breath Variations'). Sadly, this was the last album released by FZ during his lifetime. The didipak and the booklet are housed in a slipcase. Rykodisc.

Customer Reviews:

4 out of 5 stars Dedicated to experts?.......2007-06-25

Frank Zappa was very proud of this great and difficult work done at the end of his (too short) life.
It requires also great concentation and a capability that probably I don't have to well understand this kind of experimental classic music.
It goes beyond the experimental rock that is typical of many of his works, leading him to the level of great contemporary experimental classic composers.
Given such a level of difficulty I don't know how much I can suggest to buy it. You just should try to hear at this music and decide if it does fit with your soul (how could I believe just a few years ago that today I would like so much 'Your funeral my trial' of Nick Cave?)

2 out of 5 stars Zappa Attempts Stockhausen.......2007-02-13

FZ goes to Germany to upstage Karlheinz and tries an avant garde stage performance which is an elegant and popular form of expression in Germany. The Germans have perfected this type of marriage between romanticism and neoclassicism. In this case it's an overly technical performance, a display. The orchestra all sound good yet Zappa has given the music to another conductor, Peter Rundel. There is no rhythm section and without a background the result is too intellectual.

5 out of 5 stars The Yello Shark, performed by the Modern Music Ensemble.......2007-01-19

This CD addresses the more serious, compositional aspect of Frank Zappa's career, and it could not be addressed in a more suitable manner. It includes some of FZ's more difficult works, such as "Bee Bop Tango", "Uncle Meat", and "G-Spot Tornado". The conductor is Peter Rundel, and as Zappa says himself, he is a fine conductor. This is highly recommended for anyone who has already developed a taste for Zappa's complex and imaginative arrangements.

5 out of 5 stars ZAP!.......2006-01-20

Trying to define this album to my good friend was hard. "Well it's Zappa's songs done with an orechestra, but's not really classical sounding . . . it's just Zappa." And my friend just simply nodded and said "Sounds awesome." and i realized that if any reviewer would've just said 'It's Zappa!' it wouldn't take much more to sway me. so - It's Zappa! And it's damn near perfect it's so good! Riveting!!!

Be warned! You may like nobody (musically or real life) or anything (musically or real life) ever again after listening to this album, but it's not that big of a deal!

5 out of 5 stars A Frank Zappa Treasure. Better than many of his CDs.......2005-07-29

`The Yellow Shark', with words and music by Frank Zappa is a collection of `chamber music' pieces recorded in 1993 in Germany, performed by a German orchestra, `Ensemble Modern', which, I believe, commissioned Herr Zappa to assemble these pieces for their concerts. In the accompanying booklet, Frank is pictured with a baton in hand, but the credits only have him conducting three pieces, those with a very significant spoken word aspect (all spoken in English). He also makes a brief appearance at the beginning of the CD where he introduces the Ensemble Modern conductor, Peter Rundel.

This recording is probably one of the very last to be done by Zappa himself, before his unexpected death due to illness. Of all the musical figures of the 1960s lost to us over the years, I miss Zappa almost as much as I miss John Lennon, and I am very happy that if we had to lose them, it was not to drugs or any other kind of self abuse.

There are fourteen musical pieces and three `spoken word' pieces on the recording. I confess that the spoken word pieces may actually be a bit dated, especially the `Welcome to the United States' track on a questionnaire for immigrants which makes a reference to terrorism which may seem entirely too glib in our current environment.

Two of the earliest tracks `Dog Breath Variations' and `Uncle Meat' are instantly recognizable from their music and titles as `quotes' from earlier albums, with very little `classical' varnish over their strongly jazzy sound. Most of the other musical pieces have more subtle quotes from earlier Zappa works, and demonstrate influences from George Gershwin, Kurt Weill, the movie music from `Spartacus', and his old mentor, Edgar Varese.

I noticed that the applause on these tracks was louder than the music and I was wondering whether the audience was appreciating the music itself or the presence of that formidable 1960's icon, Frank Zappa. I'm sure it was a little bit of both, but Zappa and audience couldn't resist quoting from one of his best albums, `The Mothers Fillmore East - June 1971'.

I think this quote was entirely appropriate, in that we owe so much musical innovation to the popular musical performers who were nutured by 1960's, producing such wonders as Zappa and the great bands such as The Rolling Stones and The Who, who are still scoring our artistic perceptions on both commercials and dramatic themes on TV.

This may not be Zappa's greatest album, but it is one of his cleanest. Like `Hot Rats', there is very little `throw away' material. And, it is one of the very few pop or classical recordings by a major musical figure where you will hear the performance of a didgeridoo (Australian aborigonal flute).

Highly recommended for Zappa fans and fans of 1960s music in general.
The Ultimate Movie Music Collection
Average customer rating: 5 out of 5 stars
  • Relive you movie experiences
The Ultimate Movie Music Collection
Erich Kunzel
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

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ASIN: B000BFH26Y
Release Date: 2005-10-25

Tracks:

  1. The Imperial March: The Empire Strikes Back
  2. Main Theme: Jurassic Park
  3. Main Title: Shakespeare In Love
  4. Themes: Crouching Tiger, Hidden Dragon
  5. Main Title: The Last Of The Mohicans
  6. Theme: The Godfather
  7. Unchained Melody: Ghost
  8. Theme: Goldfinger
  9. We're Losing Him: Somewhere In Time
  10. Space Camp
  11. Opening And Closing Titles: Henry V
  12. Theme: The Thorn Birds
  13. Suite: Moonwalker
  14. The Time Of Your Life: A Bugs Life

Tracks:

  1. Batman Theme: Batman
  2. Bicycle Chase: E.T. The Extra Terrestrial
  3. Suite: Independance Day
  4. Love Theme: Romeo & Juliet
  5. Theme: Back To The Future
  6. End Credits: Contact
  7. Theme: Breakfast At Tiffany's
  8. Main Theme: Star Trek
  9. May It Be And Themes: Lord Of The Rings: The Fellowship Ring
  10. Love Theme: Cousins
  11. Sean's Theme: Minority Report
  12. I Will Wait From You: The Umbrellas Of Cherbourg
  13. Theme: Rocky
  14. The Sand Volcano: The Mummy
  15. The Raider's March: Raiders Of The Lost Ark

Tracks:

  1. Theme: Mission Impossible
  2. Casablanca Suite
  3. Book Of Days: Far And Away
  4. Love Theme: Superman
  5. Tara's Theme: Gone With The Wind
  6. Don't Mess With: Z
  7. Main Title: The Mask Of Zorro
  8. Finale: Victor / Victoria
  9. Carol Ann's Theme: Poltergeist
  10. Love Theme: Star Wars: Episode ll: Attack Of The Clones
  11. Main Theme: Willow
  12. Main Title: Star Trek ll: The Wrath Of Kahn
  13. MAin Theme: On Golden Pond
  14. Theme: A Summer Place
  15. Theme: Chariots Of Fire

Tracks:

  1. Iceberg!
  2. Back To Titanic
  3. Main Themes: Hook
  4. Theme: Pink Panther
  5. Lara's: Doctor Zhivago
  6. Theme: Love Story
  7. Right Stuff
  8. Theme: Jaws
  9. When You Believe: The Prince Of Egypt
  10. Smile: Modern Times
  11. The Apollo 13 Mission
  12. Re-Entry And Splashdown: Apollo 13
  13. Main Title: Beetlejuice
  14. War: Pearl Harbor
  15. Cavatina: The Deer Hunter
  16. Throne Room And End Title: Star Wars: Episode lV: A New Hope

Customer Reviews:

5 out of 5 stars Relive you movie experiences.......2006-01-24

This collection of movie themes, will allow you to relive the chilling experiences from practically all (4 CDs)of the great movies. Great movies would not be great without great music. The Cincinnati Pop with Eric Kunzel are unbeatable recordings. Every minute is more beautiful and inspiring to the next. If you love Pops music, this is the begin all, end all.
The Impossible Dream
Average customer rating: 4.5 out of 5 stars
  • Simply Wonderful
  • Music like this could make me a convert
  • Powerful!
  • Tenor terrific
  • oh molly oh
The Impossible Dream
Bobby Scott , Shay Healy , Frank Wildhorn , Irish Traditional , Stanislao Gastaldon , Stephen Sondheim , Rolf Lovland , Joni Mitchell , Charlie Chaplin , Brian / U2 Kennedy , Sarah McLachlan , and Proinnsias O Duinn
Manufacturer: Jive
ProductGroup: Music
Binding: Audio CD

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ASIN: B000078JM7
Release Date: 2002-11-12

Tracks:

  1. The Impossible Dream (from Man of La Mancha)
  2. Night and Day
  3. (My Grandfather's) Immigrant Eyes
  4. Isle of Hope Isle of Tears
  5. He Ain't Heavy He's My Brother
  6. What's Another Year
  7. When I Look At You
  8. My Irish Molly '0
  9. Musica Prohibita
  10. No One Is Alone
  11. You Raise Me Up
  12. Danny Boy
  13. Both Sides Now
  14. Smile
  15. Life, Love & Happiness/I Still Haven't Found What I'm Looking For
  16. Angel

Amazon.com

The term Irish tenor may be fraught with as many wrong-headed, anachronistic characterizations as any phrase in music. But Ronan Tynan not only returns here to the PBS airwaves that helped spread his fame as a member of the Irish Tenors trio, but he overturns a few clichés while delivering a live concert (recorded at the Royal Dublin Society in June 2002) that encompasses everything from Broadway and pop chestnuts to Italian operatic repertoire. Tynan rewards Irish traditions old and new (a medley of Brian Kennedy's and U2's "Life, Love & Happiness"/"I Still Haven't Found What I'm Looking For") and even makes left turns into folkie songstress territory (Joni Mitchell's "Both Sides Now," Sarah McLachlan's "Angel"). Backed by RTE Orchestra, the unlikely international star invests himself completely in all of it, his strong, crystalline voice playing off the traditions, while forging strong new bonds with the contemporary. --Jerry McCulley

Customer Reviews:

3 out of 5 stars Simply Wonderful.......2005-08-29

This CD is just as great as the more recent "Ronan" CD. I clicked on 3 stars in error. This is a 5++ star album! His voice is sheer perfection, and the songs are wonderful. I also highly recommend the DVD of "The Impossible Dream," even though I didn't care at all for the London Community Choir who sing four songs. Note: The American version of the DVD doesn't have the 25-minute "Dr. Courageous" extra on it that the Irish version does. I saw him in concert last month, and besides having a voice that soars to the rafters, he is warm, funny and endearing.

4 out of 5 stars Music like this could make me a convert.......2005-08-17

I've always been a rock and roll fan since back in the 60's. Listening to this cd could easily convert me into a classical music fan as well. Wow what a voice.

5 out of 5 stars Powerful!.......2003-01-22

Having seen Ronan in person recently in the U.S., I was impressed first and foremost by his singing ability, and second by his stage presence and warmth. He is a special performer and human being. I am proud to be a Ronan Tynan fan.

4 out of 5 stars Tenor terrific.......2003-01-18

I am not a fan of this kind of music, but I bought this after hearing a few sound snippets at amazon and WoW! what a find. Excellent song selection, powerful singing, fine music quality for a live recording. Expand your horizons and enjoy. (get this wayno)

5 out of 5 stars oh molly oh.......2002-12-15

ronan tynan is a great role model for adults and children alike. he was born with a deformity and made a decision he would make something of himself, he had a goal and he surpassed it. no one puts as much of their heart into as he. he puts the audience into his songs, he makes us feel he is singing to each one of us individually. HE IS THE GREATEST IRISH TENOR I HAVE EVER HEARD, INCLUDING JOHN MC CORMAC the great irish tenor of the 30's
Come to the Mountain: Old Time Music for Modern Times
Average customer rating: 5 out of 5 stars
  • Some of the best grass roots Southern Music out there
  • The ongoing resurgence in old-time music continues strong
Come to the Mountain: Old Time Music for Modern Times
Various Artists
Manufacturer: Rounder / Umgd
ProductGroup: Music
Binding: Audio CD

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ASIN: B00076YPA8
Release Date: 2005-01-25

Tracks:

  1. Come To The Mountain
  2. Hop High
  3. Willow
  4. Dark Was The Night, Cold...
  5. Winter
  6. A Sweet Goodbye
  7. Perilous Journey
  8. Down At Mylow's House
  9. Station Blues
  10. Chicken In The Snowbank
  11. Black Jack Davey
  12. Your Heart Has Found A Home
  13. River Of Sorrow
  14. Midnight On The Water
  15. Long Journey
  16. Walking Back To Richmond
  17. Bane's Grave
  18. When Sorrows Encompass...
  19. Ashokan Farewell Fiddler...
  20. Help Me Climb That Mountain
  21. Amazing Grace
  22. There Is A Reason

Customer Reviews:

5 out of 5 stars Some of the best grass roots Southern Music out there.......2006-03-02

This album is simply awesome. If you are looking for a sophisticatedly simple bluegrass and folk album, this is it. This features some of the most beautiful fiddle and guitar work. If you love country, bluegrass, folk, or are simply looking to expand your musical horizons, this one is for you. From almost silly ditties like Black Jack Davey and Hop High, to the sad and contemplative Perilous Journey, the bluesy Station Blues and Midnight on the Water, and the more modern hymn-likecuts from Allison Krause and Union Station, this covers the scope of Southern music. Also a good album for exposing to people who normally dislike country because all they have heard is on the radio. This is what it was meant to be.

5 out of 5 stars The ongoing resurgence in old-time music continues strong.......2005-03-02

Playing Time - 72:16 -- Twenty-two tracks of contemporary old-time music for the new generation sample a large variety of primarily Rounder Records artists from Putnam String County Band to Corey Harris, Mac Benford & the Woodshed All-Stars to Alison Krauss, Dirk Powell to Norman Blake, and many others. Cuts vary from the raw simplicity of a singer and banjo (Dirk Powell's "Hop High My Lulu Gal") to more intricate arrangements of full ensembles (Dry Branch Fire Squad's "Walking Back to Richmond"). Scott Alarik provides 4 pages of liner notes about old-time music, and he closes with a quote from Dirk Powell, "I think of traditional music as a bottomless well; the more you take from it, the more you give to it. It's a sustainable resource; that what's so powerful about it, and why more people are listening to it and playing it today...." Three additional pages provide paragraph descriptions about each of the featured artists who works range from recordings released between 1973-2004.

A sampler such as this is a great way to keep the music moving from generation to generation. The ongoing resurgence in old-time music continues strong and vibrant with releases like this one. Some standout tracks include Corey Harris's "Dark Was The Night, Cold Was The Ground," Alison Krauss and Union Station's "There is a Reason," Jones and Leva's "A Sweet Goodbye," and Dirk Powell and Riley Baugus' "When Sorrows Encompass Me Round." Corey Harris' "Station Blues" incorporates guitar, vocals, fife and drum. "Amazing Grace" is executed as an interesting harmonica duet by John Sebastian and Paul Butterfield. A few cuts, like Ron Block's "Your Heart Has Found a Home" is a beautifully-rendered contemporary song, but its arrangement comes off more like acoustic country music than old-time perhaps due to the incorporation of Jerry Douglas' lap steel in the mix.

Well-recorded contemporary old-time music from the last three decades will whet the appetite for more. Many of the themes in these songs are still relevant today. Ken Irwin and Rounder Records are to be commended for their efforts to reissue some excellent old-time music. (Joe Ross, staff writer, Bluegrass Now)

Rap Music:

  1. MP4: Days Since a Lost Time Accident
  2. Mr. Brightside, Pt. 1 [CD-single] [Enhanced] [Import]
  3. Music for the People
  4. Mystery White Boy [Live]
  5. Never a Dull Moment [Enhanced] [Explicit Lyrics]
  6. New York Rock & Roll Ensemble
  7. Numbers [Original recording remastered]
  8. Old No. 2
  9. One Night in America [Live] [Original recording remastered]
  10. Paul & Paula - Greatest Hits [Import]

Rap Music

rap music

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