| Disc: 1 | |||
|---|---|---|---|
| 1. In the Midnight Hour - Wilson Pickett | |||
| 2. Rescue Me - Fontella Bass | |||
| 3. Tracks of My Tears - The Miracles, Smokey Robinson | |||
| 4. My Girl - Otis Redding | |||
| 5. 1, 2, 3 - Len Barry | |||
| 6. Hi Heel Sneakers - Tommy Tucker | |||
| 7. Walk - Jimmy McCracklin | |||
| 8. Gonna Send You Back to Georgia - Timmy Shaw | |||
| 9. First I Look at the Purse - The Contours | |||
| 10. New Orleans - Gary "U.S." Bonds, | |||
|
See all 20 tracks on this disc
| |||
| Disc: 2 | |||
| 1. Be-Bop-A-Lula - Gene Vincent | |||
| 2. No Particular Place to Go - Chuck Berry | |||
| 3. Steppin' Out - Paul Revere | |||
| 4. Do You Believe in Magic - The Lovin' Spoonful | |||
| 5. Some Other Guy - The Big Three | |||
| 6. Twist and Shout - The Isley Brothers | |||
| 7. She Said "Yeah" - Larry Williams | |||
| 8. Brown Eyed Handsome Man - Buddy Holly | |||
| 9. Slippin' and Slidin' - Richard Wayne Penniman | |||
| 10. Quarter to Three - Gary "U.S." Bonds, | |||
|
See all 21 tracks on this disc
| |||
John Lennon's Jukebox,Various Artists,EMI Int'l,Frat Rock,Motown,Pop,Pop-Soul,Pop/Rock,R&B,Rock,Rock & Roll,Rock/Pop Collections,Soul,V/A Compilations
John Lennon's Jukebox [Import]
Average customer rating:
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John Lennon's Jukebox
Various Artists Manufacturer: EMI Int'l ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001IW61C Release Date: 2004-03-15 |
Tracks:
- In the Midnight Hour - Wilson Pickett
- Rescue Me - Fontella Bass
- Tracks of My Tears - The Miracles, Smokey Robinson
- My Girl - Otis Redding
- 1, 2, 3 - Len Barry
- Hi Heel Sneakers - Tommy Tucker
- Walk - Jimmy McCracklin
- Gonna Send You Back to Georgia - Timmy Shaw
- First I Look at the Purse - The Contours
- New Orleans - Gary "U.S." Bonds,
- Watch Your Step - Bobby Parker
- Daddy Rollin' Stone - Derek Martin
- Short Fat Fannie - Larry Williams
- Long Tall Sally - Little Richard
- Money (That's What I Want) - Barrett Strong
- Hey! Baby - Bruce Channel
- Positively 4th Street - Bob Dylan
- Daydream - The Lovin' Spoonful
- Turquoise - Donovan
- Slippin' and Slidin' - Buddy Holly
Tracks:
- Be-Bop-A-Lula - Gene Vincent
- No Particular Place to Go - Chuck Berry
- Steppin' Out - Raiders, Paul Revere
- Do You Believe in Magic - The Lovin' Spoonful
- Some Other Guy - The Big Three
- Twist and Shout - The Isley Brothers
- She Said "Yeah" - Larry Williams
- Brown Eyed Handsome Man - Buddy Holly
- Slippin' and Slidin' - Richard Wayne Penniman
- Quarter to Three - Gary "U.S." Bonds,
- Ooh My Soul - Little Richard
- Woman Love - Gene Vincent
- Shop Around - The Miracles
- Bring It on Home to Me - The Animals
- If You Gotta Make a Fool of Somebody - James Ray
- What's So Good About Goodbye - The Miracles
- Bad Boy - Larry Williams
- Agent Double O Soul - Edwin Starr
- I've Been Good to You - The Miracles
- Oh I Apologize - Barrett Strong
- Who's Lovin' You - The Miracles
Customer Reviews:
Lennon under the influence!.......2005-12-19
Actually, a semi-review and a question.......2004-12-29
The songs that influenced John Lennon.......2004-11-08
Intriguing and Eclectic Mix.......2004-11-07
Having said that, this is really a nifty little collection of 60s R&B and rock 'n' roll. It's a great starting point for anyone who wants to know more about performers such as Wilson Pickett, Gene Vincent, and The Big Three. However, the CD sometimes jumps strangely from fun, raucous tracks to sad, teenage-angst ones (eg. Rescue Me is followed incomprehensibly by The Tracks of My Tears). But all in all, it's definitely worth 4 stars and I would recommend it to anyone who wants to widen their musical horizons.
P.S.- A lot of the tracks on this album were later covered by The Beatles (either on an album or during the Live at the BBC recordings) and I find it both interesting and a little humorous to compare the two versions.
Somewhat fudged but still commendable.......2004-09-29
As the final Beatles concert took place in August 1966 and he was no longer on the road, he had probably then found it unnecessary to re-stock the jukebox, hence the lack of other selections from 1966 to 1968, in contrast to a dozen from 1965, including Dylan's magnificent non-album single Positively Fourth Street.
It is a predominantly male collection, with only one female singer represented, namely Fontella Bass, whose splendid Rescue Me is on the first disc; and, surprisingly, as far as we can tell, no girl groups, despite the Beatles having covered the Cookies, the Shirelles, the Marvelettes and others in the first half of their career.
There are 41 jukebox selections, drawn from 35 singles (6 are B-sides). There is very little extra information on the disc, one side of the four-page booklet being devoted entirely to the perils of making illegal copies, so we aren't told what the other five singles were, although after some detective work I have found they included Booker T and the MGs' Boot-leg/Outrage (1965); Arthur Alexander's You Better Move On/A Shot Of Rhythm And Blues (1961); Richie Barrett's original Some Other Guy/Tricky Dicky (1962); and another Miracles single, Ain't It Baby/The Only One I Love (1961), where he seems to have favoured the flipside. He seems to have chosen singles with particularly strong B-sides, to derive maximum benefit from the limit of 40 records, and either side of any of the above would have been welcome inclusions.
The presence of 6 B-sides reminds us that the selection has been drawn from a possible 80, not 40 titles. Whilst a concentration on topsides is undoubtedly the correct path on the part of the compilers it is worth remarking that other notable B-sides qualifying for inclusion include Fontella Bass' magnificent The Soul Of The Man, Otis Redding's take on Down In The Valley, Tommy Tucker's I Don't Want 'Cha, Jimmy McCracklin's I'm To Blame, Larry Williams' High School Dance, Bob Dylan's From A Buick 6, The Lovin' Spoonful's instrumental Night Owl Blues plus On The Road Again, The Animals' glorious For Miss Caulker and Donovan's defining Hey Gyp (Dig The Slowness).
There is mention of the "fascinating tracklist" in "Lennon's own handwriting", but this is not included in the minimal artwork except in token extracts.
A CD collection inspired by music from a jukebox raises a number of questions regarding authenticity. Presumably we don't object to the absence of the snap, pop, crackle and hiss of the original vinyl. All the singles would have played in mono, too, but 14 of the tracks here are in luxurious stereo mixes. Should this be the case? In my view, yes, since it presents the recordings in their best light sonically. Should they be the same recordings of the songs that were on the jukebox? Indubitably, yes, they must be.
Unfortunately, there is a discrepancy between the liner information, which describe correctly the tracks that ought to be on the CD, and the tracks that actually are included, in at least three cases:
Slippin' And Slidin' by Buddy Holly is not the version to be found on the UK B-side found on Lennon's jukebox, which had backing posthumously overdubbed by the Fireballs, but is actually the unadorned New York apartment demo that was unreleased at the time and has never been on a single.
Some Other Guy is not the Big Three's Decca A-side from 1963 which John so admired and copied for the Beatles' Easy Beat session that same year. It is a much later stereo recording with a different line-up and a totally inferior arrangement, and entirely misrepresents his choice. It probably comes from the 1973 re-union album Resurrection. Particularly unfortunately, this is the only British selection apart from the Animals' Bring It On Home To Me and Donovan's Turquoise (in turn, the only British song).
The Miracles' I've Been Good To You is not the 1961 A-side, but comes from their 1963 live album The Miracles On Stage. It was never on a single and could not have been on his jukebox.
Additionally, if we are nit-picking, Little Richard's Ooh! My Soul from 1958 is longer than the version on the British single at least, to be found on Ace's The Original British Hit Singles. This would have been the version that Lennon probably had, as the BBC Beatles version of the song, aired on Pop Go The Beatles in 1963, was even shorter.
These serious slips impair an otherwise illustrative and entertaining collection that show Lennon's exemplary musical influences and inspirations, especially as the compilers clearly know what they should be and have made out that they are what they are not. If tracks could not be licensed, could they not have made some alternative selections rather than substituting incorrect versions? It's well worth having, but ultimately, a unique opportunity has been somewhat fudged. If the label are worried about illegal copies, perhaps they should be more concerned about the door left open for bootleggers to do a better job. However, despite these shortcomings we are still left with 38 excellent and influential selections from John Lennon's jukebox, which by association become a special part of our recent cultural history
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