Throughout their existence, the Canadian power-prog trio has steadfastly released a lengthy live collection every fifth album. Released in 1981, Exit is Rush's second (and best) such release, and it captures the band at the very top of its artistic (and commercial) curve--before keyboard and synthesizer work became central to its sound as opposed to providing mere accents. When they embarked on this tour, Rush had just released Moving Pictures, which continued their move away from longer suites and featured more streamlined song craft. Exit, however, offers a perfect blend of winding, fusion-leaning, virtuoso instrumentals ("YYZ," "La Villa Strangiato"), extended sci-fi epics ("Jacob's Ladder," "Xanadu"), sentimental ballads ("Closer to the Heart" in unison with the whole crowd, "The Trees"), and tauter songs ("Free Will," "Tom Sawyer," "Spirit of Radio") that represent the best of all worlds. Musically, they generated a huge amount of sound for three men (especially Geddy Lee's mammoth bass lines and Neil Peart's octopus-like percussion); lyrically, Peart's fantasia may be pseudo-poetry, but it is poetic, and it may be adolescent wisdom, but it is wise. --Marc Greilsamer
Exit...Stage Left,Rush,Mercury / Universal,Album Rock,Arena Rock,Canada,Hard Rock,Pop,Prog-Rock/Art Rock,Rock,Rock/Pop
Exit...Stage Left [Live] [Original recording remastered]
Average customer rating:
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Exit...Stage Left
Rush Manufacturer: Island / Mercury ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001ESR Release Date: 1997-07-01 |
Tracks:
- The Spirit Of The Radio
- Red Barchetta
- YYZ
- A Passage To Bangkok
- Closer To The Heart
- Beneath, Between & Behind
- Jacob's Ladder
- Broon's Bane
- The Trees
- Xanadu
- Freewill
- Tom Sawyer
- La Villa Strangiato
Amazon.com
Throughout their existence, the Canadian power-prog trio has steadfastly released a lengthy live collection every fifth album. Released in 1981, Exit is Rush's second (and best) such release, and it captures the band at the very top of its artistic (and commercial) curve--before keyboard and synthesizer work became central to its sound as opposed to providing mere accents. When they embarked on this tour, Rush had just released Moving Pictures, which continued their move away from longer suites and featured more streamlined song craft. Exit, however, offers a perfect blend of winding, fusion-leaning, virtuoso instrumentals ("YYZ," "La Villa Strangiato"), extended sci-fi epics ("Jacob's Ladder," "Xanadu"), sentimental ballads ("Closer to the Heart" in unison with the whole crowd, "The Trees"), and tauter songs ("Free Will," "Tom Sawyer," "Spirit of Radio") that represent the best of all worlds. Musically, they generated a huge amount of sound for three men (especially Geddy Lee's mammoth bass lines and Neil Peart's octopus-like percussion); lyrically, Peart's fantasia may be pseudo-poetry, but it is poetic, and it may be adolescent wisdom, but it is wise. --Marc GreilsamerCustomer Reviews:
Corny as it sounds, this one changed my life.......2007-06-17
Very good live album from the early days.......2007-04-13
This cd capture Rush in great shape performing some great classics.
This album has it all, powerful rock, ballads, great solos...
Good job Geddy, Alex and Neil !
Worth Every Penny just to hear this version of.......2007-02-06
For you who want the "full show" from this tour, go to some of the
traders web pages and get the Chicago or Anaheim shows......
Rush has so many bootlegs, you can get full shows from ANY tour (even the Archives tour, how many of you even know what I am talking about?) they they have ever done!
Love it!.......2006-12-12
Not their best live album but still worth buying. .......2006-10-29
Average customer rating:
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Exit...Stage Left
Rush Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001F8E Release Date: 1990-10-25 |
Tracks:
- Spirit Of Radio
- Red Barchetta
- YYZ
- Closer To The Heart
- Beneath, Between And Behind
- Jacob's Ladder
- Broon's Bane
- The Trees
- Xanadu
- Freewill
- Tom Sawyer
- La Villa Strangiato
Customer Reviews:
Just as good as the remastered CD.......2006-02-15
So now that the whole remastered question is out of the way we can cover another question: that missing song. This CD is missing a song that was originally on the double vinyl album the CD is supposed to replace. That song was A Passage to Bangkok. That song was left out because the CD couldn't hold the entire double album and a song had to be taken out to make room (this was before the newer 80 minute CD's). Personally I think they made a good call. A Passage to Bangkok is not all that great of a song if you ask me. It's not bad, but if you had to take one out that would be it.
The last question I hear between the two is cover art. You see, these Rush Remasters boast about not only having the music remastered but also the original album art being restored on the CD sleeve. To be honest the original Exit...Stage Left CD is true to the original album art so there is no need to get the new album for that either.
So essentially this version of Exit...Stage Left is still a winner and its only failing grace is the exclusion of the song, A Passage to Bangkok. If you have this album and are thinking about taking the double dip keep in mind the remastered CD won't sound any different, will only look a little different, and will have the single advantage of an additional track. If you have neither and don't mind missing out on one song in leu of maybe a cheaper CD then there is no reason why you shouldn't buy this album instead of the Rush Remasters version.
It doesn't get much better........2004-05-19
That having been said, in retrospect this album is better than I thought it was at the time. Rush's more recent live album, though pieced together from different venues as most are, sounds a bit tired. On "Exit ... Stage Left", all performers are on their top-shelf best. Geddy Lee's slightly improvised vocals especially lend a more personal feel to the songs.
Like the best live albums, this one has not been, as we say, "produced to death"; however, the sound quality is magnificent (better than being there live, actually -- the house mix is never quite as good) in all respects: Peart's drums are well-miked and well-mixed, Lifeson's guitar is clear and crisp (even the nylon-string acoustic!), Lee's bass is not too heavy (there have they avoided an unfortunate tendency in live settings), and the vocals sit right where they need to be. Overall the stereo image is spectacular, particularly in regards to the keyboards.
All in all, it's a tour de force for the band, and for the listener as well. Even if you've only heard "Spirit of Radio" on FM a million times, you won't come away from this recording disappointed.
Killer songs and performances........2001-07-25
The tracks here cover a fairly broad range of Rush's catalogue up to this point, but skip over the debut and Caress of Steel. Although this collection largely covers the band's shorter, more commercial songs, they never forget the progressive rock wings on which they once soared. I'd say the song selection is perfect. Alongside hits like "Freewill," "Tom Sawyer," and "The Spirit of Radio" are progressive epics like "Xanadu" and "Jacob's Ladder." One of my favorite moments on the album comes with "La Villa Strangiato," an astounding instrumental tour-de-force that concretizes the band's standing as musicians' musicians. Live, this song SMOKES. Lifeson's first solo in this song is infused with tenfold the passion of the original, and I can't help but get chills up and down my spine listening to it. Still, while the energy is there and the songs are great, overdubs render the album a wee bit too polished, and the band's blazing live ebullience is diluted somewhat.
Still, this album many wonderful moments. The precise, stunning drum solo during "YYZ," "Closer to the Heart" with the entire crowd joining in with Geddy on vocals, the ultra-high energy performance of "Red Barchetta," the serene melodies of "Broon's Bane" as a seque into the hard-rocking "The Trees"...the list is endless.
I was kind of disappointed by the album's dubious representation of the concert experience. At the end of most tracks, the sound fades out and then comes back in for the next song. It's like it's taking snippets from several concerts instead of capturing the seamless performance. Most live albums cut superfluous crowd noise and chitchat, but blend crowd noise together so that it flows smoothly from song to song anyway. This works better in preserving the feel of the actual show. I don't know why this wasn't done for this album. Deadlines? Laziness? That stop-start effect kind of throws things off, which annoys me.
But let's give 'er five stars. As a high-energy live "greatest hits" type package, Exit Stage Left can't be beat. And don't listen to the critics...they don't know what they're talking about. Rush rules the world, and this captures them at their best.
(Oh, and make sure you get the Remastered edition, which has "A Passage to Bangkok," a rockin' song that was not included on some of the earlier pressings. It might be tempting to save a few bucks in buying the old one, but don't be cheap! You'll be missing out!)
Take this exit to live Rush..........2000-05-10
Neil Peart is the greatest drummer since Buddy Rich!.......1999-03-17
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