Works, Vol. 1

Works, Vol. 1

Editorial Reviews

Amazon.com
Of all the popular progressive rock groups of the '70s, Emerson, Lake and Palmer were the most bombastic and technically orientated. By 1977, they had become so wrapped up in themselves (individually) that they put out a double album with each member getting a side to his own. They shared the remaining side. Keith Emerson plays a Steinway grand piano along with the London Symphony Orchestra. Greg Lake sings some rather sappy ballads (nothing as fun as "Lucky Man," unfortunately). And Carl Palmer contributes a selection of drum-heavy fusion pieces. When the trio reconvene, they tear into Aaron Copland's "Fanfare for the Common Man" (you know, that music from the Olympics) and deliver a long, meandering song called "Pirates" that shows off what they did best--play classically inspired rock with wild synthesizer sweeps and Lake's sweet voice. This isn't the album for an ELP neophyte. Try Brain Salad Surgery or The Best of... for a proper introduction. --Larry Crane

Works, Vol. 1,Emerson Lake & Palmer,Rhino / Wea,Album Rock,Pop,Popular Music,Prog-Rock/Art Rock,Rock,Rock/Pop


Works, Vol. 1

Brahms: Works for Solo Piano
Average customer rating: 4.5 out of 5 stars
  • I disagree with the consensus here
  • Don't hesitate to get this set
  • Superb interpretations by Katchen
  • A little rushed sometimes, but beautiful
  • Radiant and inspired recordings
Brahms: Works for Solo Piano

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Schubert: The Piano Sonatas
  2. Liszt: Piano Works
  3. Chopin: The Piano Works
  4. Works for Solo Piano
  5. Brahms: Concertos for Piano No. 1 & 2, Fantasia Op. 116

ASIN: B0000042GM
Release Date: 1997-11-11

Tracks:

  1. Variations On A Theme By Paganini, Op.35: Book 1 - Heft 1
  2. Variations On A Theme By Paganini, Op.35: Book 2 - Heft 2
  3. Variations And Fugue On A Theme By G.F. Handel, Op.24: B Flat Major
  4. 4 Ballades, Op.10: Andante
  5. 4 Ballades, Op.10: Andante
  6. 4 Ballades, Op.10: Intermezzo. Allegro
  7. 4 Ballades, Op.10: Andante con moto

Tracks:

  1. Works For Solo Piano: Ziemlich langsam
  2. Works For Solo Piano: Poco larghetto
  3. Works For Solo Piano: Allegro
  4. Works For Solo Piano: Walzer Nr. 1 - 8
  5. Works For Solo Piano: Walzer Nr. 9 - 16
  6. Works For Solo Piano: Scherzo es-moll

Tracks:

  1. Works For Piano Solo: Allegro
  2. Works For Piano Solo: Andante
  3. Works For Piano Solo: Scherzo. Allegro molto e con fuoco
  4. Works For Piano Solo: Finale. Allegro con fuoco
  5. Works For Piano Solo: Allegro non troppo ma energico
  6. Works For Piano Solo: Andante con espressione
  7. Works For Piano Solo: Scherzo. Allegro
  8. Works For Piano Solo: Finale. Introduzione (sostenuto) - Allegro non troppo e rubato
  9. Works For Piano Solo: Agitato
  10. Works For Piano Solo: Molto passionato, ma non troppo allegro

Tracks:

  1. Works For Piano Solo: Allegro maestoso
  2. Works For Piano Solo: Andante espressivo - Andante molto
  3. Works For Piano Solo: Scherzo. Allegro energico
  4. Works For Piano Solo: Intermezzo. Andante molto
  5. Works For Piano Solo: Finale. Allegro moderato ma rubato
  6. Works For Piano Solo: Presto energico
  7. Works For Piano Solo: Andante
  8. Works For Piano Solo: Allegro passionato
  9. Works For Piano Solo: Adagio
  10. Works For Piano Solo: Andante con grazia ed intimissimo sentimento
  11. Works For Piano Solo: Andante teneramente
  12. Works For Piano Solo: Allegro agitato

Tracks:

  1. Works For Solo Piano: 8 Pieces, Op.76 - I Capriccio in F sharp minor
  2. Works For Solo Piano: 8 Pieces, Op. 76 - II Capriccio in B minor
  3. Works For Solo Piano: 8 Pieces, Op. 76 - III Intermezzo in A flat major
  4. Works For Solo Piano: 8 Pieces, Op. 76 - IV Intermezzo in B flat major
  5. Works For Solo Piano: 8 Pieces, Op. 76 - V Capriccio in C sharp minor
  6. Works For Solo Piano: 8 Pieces, Op. 76 - VI Intermezzo in A major
  7. Works For Solo Piano: 8 Pieces, Op. 76 - VII Intermezzo in A minor
  8. Works For Solo Piano: 8 Pieces, Op. 76 - VIII Capriccio in C major
  9. Works For Solo Piano: 6 Pieces, Op. 118 - I Intermezzo in A minor
  10. Works For Solo Piano: 6 Pieces, Op. 118 - II Intermezzo in A major
  11. Works For Solo Piano: 6 Pieces, Op. 118 - III Ballade in G minor
  12. Works For Solo Piano: 6 Pieces, Op. 118 - IV Intermezzo in F minor
  13. Works For Solo Piano: 6 Pieces, Op. 118 - V Romanze in F major
  14. Works For Solo Piano: 6 Pieces, Op. 118 - VI Intermezzo in E flat minor
  15. Works For Solo Piano: 4 Pieces, Op. 119 - I Intermezzo in B minorn B
  16. Works For Solo Piano: 4 Pieces, Op. 119 - II Intermezzo in E minor
  17. Works For Solo Piano: 4 Pieces, Op. 119 - III Intermezzo in C major
  18. Works For Solo Piano: 4 Pieces, Op. 119 - IV Rhapsody in E flat major

Tracks:

  1. Works For Solo Piano: Andante moderato
  2. Works For Solo Piano: Andante non troppo e con molto espressione
  3. Works For Solo Piano: Andante con moto
  4. Works For Solo Piano: g-moll
  5. Works For Solo Piano: d-moll
  6. Works For Solo Piano: F-dur
  7. Works For Solo Piano: fis-moll
  8. Works For Solo Piano: fis-moll
  9. Works For Solo Piano: Des-dur
  10. Works For Solo Piano: F-dur
  11. Works For Solo Piano: a-moll
  12. Works For Solo Piano: e-moll
  13. Works For Solo Piano: E-dur
  14. Works For Solo Piano: d-moll
  15. Works For Solo Piano: d-moll
  16. Works For Solo Piano: D-dur
  17. Works For Solo Piano: d-moll
  18. Works For Solo Piano: B-dur
  19. Works For Solo Piano: f-moll
  20. Works For Solo Piano: fis-moll
  21. Works For Solo Piano: D-dur
  22. Works For Solo Piano: h-moll
  23. Works For Solo Piano: e-moll
  24. Works For Solo Piano: e-moll

Customer Reviews:

2 out of 5 stars I disagree with the consensus here.......2007-07-11

I was disappointed by this set and would not recommend it. It's great that all of Brahms' piano works are included here and the boxed set includes some difficult to find works (like those Op. 21 variation sets) as well as the better known and wonderful later piano pieces and the Op. 39 Waltzes.

The problem is that Katchen's performances are flawed and often unpleasant. The worst problem is that he bangs the keys a lot. Fortissimo passages are ideally not supposed to be noisy; they are intended to be loud and forceful without being unpleasant. It's a key distinction that Katchen fails to realize. I also think that Katchen's technique is a bit patchy. He blurs the passagework and there is a lack of both accuracy and delicacy in the fast passages. To take an example, the Op. 76 set is marred by both of these problems: a lack of accuracy and a tendency to bang on the keyboard. I also found many of the passages that didn't suffer from these problems to be interpretationally uninteresting (the slow parts of the Paganini Variations, Bk II are undistinguished, to take an example). Big thumbs down.

I did some direct comparison of sets to the Katchen performances and in every case Katchen was far inferior.

Take the Op. 39 Waltzes: Leon Fleisher's old recording is wonderful and much more sensitive and interesting than Katchen.

I also listened to Radu Lupu's recording of the Opp. 117-119 pieces (THAT is a wonderful recording - if you are looking for a superb recording of Brahms piano music, get that one and save yourself the aggravation of the Katchen set) and it's simply no contest.

I also sampled the terrific Op. 79 Rhapsodies and the Paganini Variations as played by a favorite pianist of mine, the lesser-known French pianist Nicholas Angelich, and Katchen's sloppy and undirected interpretations pales before the versions by a "non-superstar" pianist.

So while I admit I haven't listened to every portion of the Katchen set, I found every reason to avoid it when compared to some alternatives available.

5 out of 5 stars Don't hesitate to get this set.......2007-07-04

It's a good thing I waited to write this until I'd heard these CDs a few times. I would have been guilty of understatement. Katchen's work grows on me in much the same way Brahms' music itself does. It is rich in nuance and insight, and never fails to please.

I'll confess, I bought this set to fill the gaps in my piecemeal collection. What a delightful surprise to find my "stopgap" set more than holds its own against recordings by the likes of Richter, Rubinstein and Gilels. To help the reader overcome any reluctance I offer a few comments on the few "downsides" mentioned by others:

Yes, Katchen does play fast, but not always, and certainly not out of inability to hold the listener's attention through more artful means. Katchen's track times are often slower than Rubinstein's or even Gilels'; but where the spirit moves him, he can go like a rocket. He's generally fastest in the earlier works, where a case can be made for playing them with youthful ardor; Katchen does this to a T. This applies to the first 2 sonatas, the Paganini variations (why would anything associated with Paganini lack splash and dazzle?) and to a much lesser extent, parts of the Handel variations. The main thing is, it works. The very few places where I felt Katchen was rushing the music are heavily outnumbered by places where the added energy seems to "fit" like a glove.

Yes, in an exhaustive set you inevitably endure the "bottom of the barrel." I'm surprised how little of this 6-CD set strikes me as anything less than indispensible. Every track is worth hearing. Katchen has been surpassed here and there, but he doesn't put in a bad performance in the whole batch.

Yes, the recordings are more than 40 years old. They will not satisfy the most jaded audiophile (there's not quite the "presence" of a good recording today). But they are amazingly clean and lifelike for their age (even the 3 tracks that are mono). They sound noticeably better than the popular Rubinstein recordings of equal vintage. At first I thought I heard a touch of bass-heaviness, but now I just think Katchen gives us a strong, clear bass line. Once again, it works. The sound is simply not a problem for a normal listener.

Finally, there's the small stuff. Getting the CDs out of their tight-fitting sleeves without putting your fingerprints on the playing surface is well-nigh impossible, unless you give in and apply a letter opener to solve the problem once and for all. Is that any reason not to get this much wonderful music at such a low price? London has even revived the old practice of offering different program notes in different languages, so that multilingual readers can benefit from more than one set of comments. All around it's a winner!

5 out of 5 stars Superb interpretations by Katchen.......2006-11-16

Katchen's performace throughout this collection are excellent.Brahms integrates many of Schumann's,Bach's and Beethovens compositional ideas into his own works.He is a master of the appoggiatura(suspension of the dominant chord).And the ghosts of Bach,Schumann,and Beethoven appear at intervals throughout this collection of his piano works.The VARIATIONS ON AN ORIGINAL THEME is an ethereal experience,and the Op.09 VARIATIONS ON A THEME BY SCHUMANN, composed after his death,Brahms's pathos,especialy in the slower variations, make you aware of his sadness of Schumann passing, as there is vivid sense of despair and remorse you can hear throughout.It is well documented the profound influence Shumann had on Brahms's compositional process.OP.76 is a passionate performance by Katchen.You also have short piano works culminated in Op116,Op 117,Op.118,which includes the great masterpiece in Ebminor,and Op.119.The Pagganini Variations,Variations on a theme by Haydn,the Ballads Op. 10.And both volumes of the HUNGARIAN DANCES,the 2 Rhapsody's,and VARATIONS ON A THEME BY HANDEL.It quite remarkable that such music could be created by such a young man in the astonishing Sonatas,OP.1,OP.2,and OP.5.The slow movements in all three sonates are very inspiring,and heart fealt.It makes you glad to be alive in order to hear such remarkable music.A well balanced performance throughout.If your a Brahms lover,this is a must for your collection.Enjoy

4 out of 5 stars A little rushed sometimes, but beautiful.......2005-02-03

To be honest, I can't really figure out how much I like Katchen's performance. It's hard to gauge because Brahms's piano music is inherently exceptional played by just about any performer.

I feel that the ballades, op. 10 are played way too fast (although I'm not exactly sure how close Katchen is to Brahms's tempi indications). I've heard them by several other performers and, being a Gould fan, would have to say that his slower interpretation really captures how beautiful the pieces are more than anyone else. I also enjoy Kempff's performances of many later works. Katchen really seems so rushed for some reason. To me, that really takes attention away from the fine details, which I think are so essential to Brahms's piano music. He's not quite delicate enough with some of the pieces.

This faster speed is only very slight for the rest of the set, but pretty consistently. I think he does a better job with more intense pieces like many of his larger-scale variations and the sonatas. Those I would give 5 stars, but only 4 stars for the op. 116-119, for they're a little too fast.

My only other qualm is the arrangement of the set. It would be nice to have all the sonatas together on a disc, 116-119 on a disc, etc., going along with the whole chronological thing..

However, all these things are personal preference. I would definitely recommend this set. It's made up about 1/2 of my music listening for the past couple months. It's not expensive at all for what you're getting, and if you get just one Brahms piano cd, you're going to want to get more, so you should just get it over with and have this whole set, it's fabulous music. Just keep in mind that this is not the only interpretation that should be considered.

5 out of 5 stars Radiant and inspired recordings.......2004-09-19

If there is a more effervescent , idiomatic , innovative and resplendently performance of the Handel Variations , I have not heard it . Katchen emphasizes with colossal scrupulosity the wide doe and the diversity spectre of the orchestral instruments . You must marvel at the technical equipment of Katchen playing .
The other outstanding version of these Variations is of Michael Ponti (live preformance)
gifted with a major emphasis in the striking and color tone ; but the point to remark is that in both performings the approach is similar ; every one of the Variations must be played as a microcosmos in itself ; with nuance , grace , majesty, powerful imagination, sense of the span and above al ; savoir vivre . If you intend to play with authoritative precision without Mediterranean dewy and radiant mood ; you are destined to fail with these Variations and becoming unbearable for the audience and the listener . Lamentably , there are many of them in the actual market but I think you can guess them .
The two Rhapsodies are performed with the highest commitment . Melodic flight and arresting lyricism .
The Sonatas are superbly performed . The Sonata No. 3 may find serious matchers with Clifford Curzon and Paul Badura Skoda .
The intermezzos are depicted with the adequate illuminating . These intimate pages must be played with the perfect balance of light and shadows ; think in Chopin Nocturnes for instance . Only Glenn Gould gets close to him in the Intermezzo Op. 117 No. 2 .
The Ballades may be the weakest works of this fundamental set . Benedetti Michelangeli and Emil Gilels recorded brilliant and eloquent versions.
Finally The Paganini Variations find in Benedetti Michelangeli a serious and unbeatable adversary .
To be honest , this set is widely recommendable for you , to know the whole and intimate world of Johannes Brahms , the beloved son of Hamburg.
Katchen also recorded a powerful Islamey and an unforgettable Rachmaninoff No. 2 .
Works, Vol. 1
Average customer rating: 4.5 out of 5 stars
  • This album makes you feel bad...
  • Details on this reissue here
  • ELP reaches the heights of self-indulgence (and it works)
Works, Vol. 1
Lake & Palmer Emerson
Manufacturer: Sanctuary
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
GeneralGeneral | Rock | Styles | Music
Progressive RockProgressive Rock | Progressive | Rock | Styles | Music
Pop RockPop Rock | Pop | Styles | Music
Album-Oriented Rock (AOR)Album-Oriented Rock (AOR) | Classic Rock | Styles | Music
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Similar Items:
  1. Works, Vol. 2
  2. Works V.2
  3. Works Live
  4. Pictures at an Exhibition
  5. Tarkus

ASIN: B00064VL1C
Release Date: 2004-12-06

Tracks:

  1. Piano Concerto No. 1: First Movement: Allegro Giojoso/Second Movement: - Keith Emerson, Emerson, Lake & Palmer
  2. Lend Your Love to Me Tonight - Emerson, Lake & Palmer, Greg Lake
  3. C'est La Vie - Emerson, Lake & Palmer, Greg Lake
  4. Hallowed Be Thy Name - Emerson, Lake & Palmer, Greg Lake
  5. Nobody Loves You Like I Do - Emerson, Lake & Palmer, Greg Lake
  6. Closer to Believing - Emerson, Lake & Palmer, Greg Lake

Tracks:

  1. Enemy God Dances with the Black Spirits - Emerson, Lake & Palmer, Carl Palmer
  2. Nights - Emerson, Lake & Palmer, Carl Palmer
  3. New Orleans - Emerson, Lake & Palmer, Carl Palmer
  4. Two Part Invention in D Minor - Emerson, Lake & Palmer, Carl Palmer
  5. Food for Your Soul - Emerson, Lake & Palmer, Carl Palmer
  6. Tank - Emerson, Lake & Palmer, Carl Palmer
  7. Fanfare for the Common Man - Emerson, Lake & Palmer
  8. Pirates - Emerson, Lake & Palmer
  9. Tank [Live][*] - Emerson, Lake & Palmer
  10. Enemy God Dances with the Black Spirits [*] - Emerson, Lake & Palmer
  11. Nutrocker [*] - Emerson, Lake & Palmer

Album Description

UK remastered reissue of the progressive rock supergroup's 1977 album with 3 live bonus tracks 'Tank', 'The Enemy God Dances With The Black Spirits' & 'Nutrocker'. 2001.

Customer Reviews:

4 out of 5 stars This album makes you feel bad..........2006-09-30

... You question the Almighty: why didn't you give ME gifts like you gave these dudes? Why make me a mere mortal? The talent that's exhibited here, both in terms of composition and performance, is simply breath-taking and not a little inducive of life-cursing. Having "lost" this album for some time, I was glad to be able to revisit in the last week. It made me close my eyes and smile. There's some earth-shattering music here, despite what one ignorant (not to mention 'deaf') fellow reviewer would have you believe here in Amazon. For "M. Harris" to say that the Greg Lake side is "like Lucky Man 5-times over" is a mystery and downright unforgiveable ("M." must stand for "Moo"). Look: this may not be the best music that ever happened on the planet earth, but both the music and the lyrics are fresh and inviting. Dig the tasteful nostalgic turn on the accordion by Keith on C'est La Vie (accordion - French - get it?), or the urgency of Greg's delivery on Nobody Loves You Like I Do. How about the evocative mood set by I Believe In You? If this isn't good music, I'll just pack up and listen to bubble gum. And those who say this is "indulgent" - what does that mean? M. Harris didn't like Topographic Oceans either - that says a lot. There are those who haven't the time, or attention span, or intelligence to absorb and digest works of art. Oh well. If "indulgence" means showcasing your God-given ability, let me borrow Mr Lake's words, "Lead me to temptation..."

4 out of 5 stars Details on this reissue here.......2006-02-20

This last great ELP project preceded their rapid decline but itself gets better with age. Emerson's Concerto proves what I always thought, that his compositions are perfectly suited for orchestra. Lake's songs are lovely and show off just how good a ballad singer he is (and what a pop star he is at heart!). Palmer's tracks take the longest to appreciate but are also the most rocking material on the album next to that last superb set of ELP performances, Fanfare... and Pirates. Comparisons to Floyd's Umma Gumma and the Beatles' White Album are fitting, as is the cliché that there's a terrific single album lost within the indulgences of most double albums. But all that's been said before, so my review will concern itself with the specific qualities of this re-issue (the Castle / Sanctuary / Phantom version).

Sound: There's no substantial sound improvement over the original Atlantic release, and though I can't be certain, I believe that this series uses the same remasters that came out on Leadclass / Rhino in the 90s.

Manufacture: Annoyingly, the Emerson Concerto is now burned as a single track, so you can no longer play the three movements separately (unlike on the original Atlantic issue). Worse yet, a glitch noticeable on headphones, also one not on the original version, now appears at the start of Nobody Loves You. Finally, the bonus tracks are good performances but of seriously bootleg quality. They're from the same 1978 US tour concerts as the live tracks on the Works 2 reissue but are much muddier sounding and offer nothing new musically except for a brief bluesy intro to Nutrocker.

Package: As in the rest of the Sanctuary series, the booklet has great pix and informative liner notes, but it no longer offers Peter Sinfield's lyrics or any musician credits at all, hence it's still maddeningly unclear who plays what. In a nutshell, don't buy this version if you already have an earlier release; it's great music in an inferior presentation.

5 out of 5 stars ELP reaches the heights of self-indulgence (and it works).......2005-05-04

"Works, Volume 1" might be one of the most indulgent albums in history, but for my money Emerson, Lake and Palmer carry it off, both individually and collectively. On vinyl when this album came out in 1977 you had each of the progressive (nee classical) rock trio getting one side with the final side being a group effort:

Keith Emerson begins the self-aggrandizement on Disc 1 with his "Piano Concert No. 1," in three movements (I still do not know what Andante Molto Cantabile means, but I suspect I am not along in that regard). Since I have always preferred Emerson on piano rather than synthesizer/organ, I am inclined to like this solo jaunt into the classical realm. The third movement (Toccato con Fuoco) is the best, so there is a strong finish to the entire thing. I should also note that I have been waiting for "Piano Concert No. 2," but to date, no luck in that regard.

Since I have always wanted to have Greg Lake's voice in my rock and roll fantasies, I am gratified that his set of tracks are songs that feature his voice rather than musical pyrotechnics (granted, there are not a lot of opportunities for bass players to display their virtuosity with their instrument, although Chris Squires had some moments with Yes). These are orchestrated songs, rather than the acoustic approach inherent in his two hit singles "Lucky Man" and "Still You Turn Me On," and I think that Lake's vocals on "Lend Me Your Love Tonight," "C'Est Las Vie" and "Closer to Believing" are as fine as anything he has ever recorded, even though the lyrics are pretty inane.

Certainly the Carl Palmer tracks on the first half of Disc 2 feature his drumming skills more so than any previous ELP efforts, ranging from Bach's "Two Part Invention in D Minor" to the driving "The Enemy God Dances with the Black Spirits" to a remake of "Tank" that best represents the strong jazz influence on several of these tracks. Come to think of it, I do not know if I have really heard a drummer being featured like this since the glory days of Buddy Rich.

The two tracks that comprise the ELP section of the collection are a perfect combination of their best effort at presenting their own version of a classical work, in this case Aaron Copeland's "Fanfare for the Common Man," and what may well be their best "suite," the 13-minute "Pirates." Of their earlier attempts at such grandeur, "Pirates" is more reminiscent of "Karn Evil 9" than "Tarkus" or "Trilogy," and has what certainly seems to me to be a strong Copeland influence, which extends beyond the use of a symphonic orchestra. I find the track somewhat amazing simply because who else would ever think about writing something like this first person narrative about being a pirate? It is a very unique piece of work from ELP.

"Works, Volume 1" made it to #12 on the Billboard Pop Charts, which is not bad for something that is both indulgent and a double-album. Final note: "Works, Volume 2" is really just a collection of leftovers and not a continuation of the high standards set in Volume 1, although it does contain their classic holiday single, "I Believe in Father Christmas," which is sufficient justification to add it to your collection.
Widor: Complete Organ Works, Vol. 3
Average customer rating: 4 out of 5 stars
  • Emotional Paydirt
  • Emotional paydirt
  • Widor, Complete Organ Works, Vol. 3
  • Superb playing by Ben van Oosten
  • Ben van Oosten's Interpretation
Widor: Complete Organ Works, Vol. 3

Manufacturer: MD&G Records
ProductGroup: Music
Binding: Audio CD

Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
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Similar Items:
  1. Widor: Complete Organ Works Vol. 1
  2. Widor: Complete Organ Works Vol. 4
  3. Widor: Organ Works Vol. 2
  4. Widor: Complete Organ Works Vol. 5
  5. Widor: Complete Organ Works Vol. 6

ASIN: B0000021G1
Release Date: 1995-11-14

Tracks:

  1. Symphonie No 5 In F Minor Op 42-1: Allegro Vivace
  2. Symphonie No 5 In F Minor Op 42-1: Allegro Cantabile
  3. Symphonie No 5 In F Minor Op 42-1: Andantino Quasi Allegretto
  4. Symphonie No 5 In F Minor Op 42-1: Adagio
  5. Symphonie No 5 In F Minor Op 42-1: Toccata (Allegro)
  6. Symphonie No 6 In G Minor Op 42-2: Allegro
  7. Symphonie No 6 In G Minor Op 42-2: Allegro
  8. Symphonie No 6 In G Minor Op 42-2: Intermezzo (Allegro)
  9. Symphonie No 6 In G Minor Op 42-2: Cantibile
  10. Symphonie No 6 In G Minor Op 42-2: Finale (Vivace)

Amazon.com

This third volume of the complete Widor organ music contains the Fifth and Sixth Symphonies--certainly the two most popular of Widor's organ compositions. In fact, in the concluding Toccata of the Fifth Symphony, we are dealing with the most popular single piece of organ music since the Toccata and Fugue in D minor of Bach. Academics love to sneer at Widor's Toccata as a tacky potboiler of a piece. It features an incredibly catchy tune that repeats itself to the point that you can't get it out of your head, and if it drives the official arbiters of taste insane, then that's their problem. The rest of us can simply enjoy it as the vivacious conclusion to a gorgeous piece of music. If you think that Widor is all flash, check out the haunting second movement. --David Hurwitz

Customer Reviews:

5 out of 5 stars Emotional Paydirt.......2003-07-30

We have finally arrived at the pinnacle of Widor's Romantic era, the period in which he composed Symphonies 4-8. The fifth is the most popular, due in large part to the grandeur of the opening. The sounds emanating from this instrument (similar to one used by Widor himself) are just incredible and exploit the new effects of the "French" organ perfectly.

But the Sixth Symphony has its many fans and is, in many ways, a superior work as a whole. The "breathing" from the pipes is particularly highlighted in this piece. The syncopation is just perfect. Some have opined that these piece seem a tad slow or leaden but van Oosten's interpretation is, I think, the correct one. Widor was aiming for denseness - not an ethereal lightness. One can easily grasp the overall sense of solemnity within these works that I am sure was the intent of the composer

5 out of 5 stars Emotional paydirt.......2003-07-07

We have finally arrived at the pinnacle of Widor's Romantic era, the period in which he composed Symphonies 4-8. The fifth is the most popular, due in large part to the grandeur of the opening. The sounds emanating from this instrument (similar to one used by Widor himself) are just incredible.

But the Sixth Symphony has its many fans and is, in many ways, a superior work as a whole. The "breathing" from the pipes is particularly highlighted in this piece. Some have opined that these piece seem a tad slow or leaden but van Oosten's interpretation is, I think, the correct one. Widor was aiming for denseness - not an ethereal lightness. One can easily grasp the overall sense of solemnity within these works that I am sure was the intent of Widor.

5 out of 5 stars Widor, Complete Organ Works, Vol. 3.......2002-11-28

Those that know Widor's organ music will find this recording authentic because ... it was recorded on a Cavaille-Coll instrument - very much the same instrument that Widor himself played and composed for. Secondly, Van Oosten's registrations are accurate - choosing registrations simlar to those of Widor himself. If you like bright sounding organ registrations .... stick with the composers of the baroque period. Composers of the romantic literature period pursued color more than brightness. Lastly ...... his interpretations are accurate. What better combination can a Widor organ music fan ask for? An accomplished organist playing the complete cycle of Widor symphonies in an authentic way that pays value to the intent of the composer himself. If that's what you're after .... you will be pleased with Mr. Van Oosten.

5 out of 5 stars Superb playing by Ben van Oosten.......2000-12-07

In my opinion, this is the current recording standard for Widor's organ works. Not only has Ben van Oosten selected magnificent instruments for this recording -and the other ones in the series as well. His interpretation of both Symphonies 5 & 6 is fascinating, Widor has a story to tell and Ben van Oosten is an ideal organist to bring this story back to life. Never dull, well balanced, technically refined. A must for those people that love French organ music.

4 out of 5 stars Ben van Oosten's Interpretation.......2000-06-05

The only reason I don't give this recording five stars is because I feel that van Oosten's performance of the opening Allegro vivace of Symphony #5 drags a bit, and the recording itself is somewhat dark and muddy in tone, more than I like to hear in a pipe organ recording. It needs more brilliance, which may be due to van Oosten's choice of stops. Other than those two caveats, it's a fine recording and well worth the money. Anyone who loves pipe organ music will enjoy this.
Dowland: Complete Lute Works, Vol.1-5
Average customer rating: 4.5 out of 5 stars
  • Outstanding
  • It's not heavy breathing
  • Technically good, emotionally bland.
  • Highly recommended
  • just a warning...
Dowland: Complete Lute Works, Vol.1-5

Manufacturer: Harmonia Mundi Fr.
ProductGroup: Music
Binding: Audio CD

All Works by DowlandAll Works by Dowland | Dowland, John | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
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Similar Items:
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ASIN: B0000007HU
Release Date: 1997-11-11

Tracks:

  1. A Piece Without Title - Dowland
  2. Pavana - Dowland
  3. Mr Knights Galliard - Dowland
  4. My lord willobies wellcome home - Dowland
  5. The frogg galliard - Dowland
  6. A Fancy - Dowland
  7. My Ladie Riches galyerd - Dowland
  8. The Lady Laitons Almone - Dowland
  9. A Dream (Lady Leighton's Paven) - Dowland
  10. Galliard - Dowland
  11. Orlando sleepeth - Dowland
  12. What if a Day - Dowland
  13. Mrs Winters Jumpp - Dowland
  14. Galliard - Dowland
  15. M. Giles Hobies Galiard - Dowland
  16. Dr Cases Pauen - Dowland
  17. Mellancoly Galliard - Dowland
  18. Galliard - Dowland
  19. Mistris Whittes thinge - Dowland
  20. Go from my windowe - Dowland
  21. Almain - Dowland
  22. Mrs Whites Nothing - Dowland
  23. Pavan - Dowland
  24. Galliard - Dowland
  25. Farewell - Dowland

Tracks:

  1. My lady hunnsdons puffe
  2. Solus cum sola
  3. Suzanna Galliard
  4. Sir John Smith his Almain
  5. Sweet Robyne
  6. Dowlands first galliard
  7. Master Pypers Pavyn
  8. Captain Digorie Piper his Galliard
  9. As I wen to Walsingham
  10. Monsieur's Almaine
  11. Mrs Brigide fleetwoods paven alias Solus sine sola
  12. Dowlands Galliard
  13. Farwell (As
  14. Captain Candishe his Galyard
  15. Aloe
  16. Can she excuse
  17. A Coye Joye
  18. Mrs vauxes Gigge
  19. Mrs vaux Galliarde
  20. Sir Henry Guilforde his Almaine
  21. Mignarda
  22. Lachrimae
  23. Sir John Souch his galliard
  24. Fantasia

Tracks:

  1. The most high and mightie Christianus, the fourth King of Denmark, his Galliard
  2. Sir John Langton his Pavin
  3. Mr. Langtons galliard
  4. A Fancy
  5. A Pavan
  6. The most sacred Queene Elizabeth, her Galliard
  7. Mrs. Cliftons Allmaine
  8. The Right Honourable the Lady Cliftons Spirit
  9. tarletones riserrectione
  10. Tarletons Willy
  11. fortune my foe
  12. The Queenes galliard
  13. Wallsingham
  14. A Galliard (on Walsingham)
  15. Dowlands Adew for Master Oliver Cromwell
  16. The Right Honourable Ferdinando Earle of Darby, his Galliard
  17. Lord Strangs March
  18. Mistresse Nichols Almand
  19. forlone Hope fancye
  20. Mr. Dowlands Midnight
  21. Semper Dowland semper dolens

Tracks:

  1. Preludium
  2. A Fancy
  3. Lachrimae
  4. Galliard to Lachrimae
  5. A Fantasia
  6. An Almand
  7. Pavana
  8. The Right Honourable Robert, Earl of Essex, his Galliard
  9. A Galliard (on a galliard by Daniel Bachelar)
  10. My Lord Wilobies Welcom Home
  11. The Shoemakers Wife. A Toy
  12. The Right Hounourable The Lord Viscount Lisle, his Galliard
  13. Coranto
  14. A Galliard
  15. The Lady Russells Paven
  16. Galliard (on Awake sweet love, set by Fr. Cutting)
  17. The Frog Galliard
  18. Come Away
  19. La mia Barbara
  20. Loth to Departe

Tracks:

  1. A Fancy
  2. Pavana Dowlandi Angli (Mylius #2)
  3. Doulands rounde battell galyarde
  4. Pavin
  5. The Erle of Darbies Galiard
  6. Mistris Norrishis Delight
  7. A Jig
  8. The Erle of Essex Galliard
  9. Galliard
  10. Une Jeune Fillette
  11. Gagliarda
  12. Pavana Lachrimae
  13. Squires Galliard
  14. A Fancy
  15. Hasellwoods Galliard
  16. Sir Thomas Monson, his Pavin
  17. Sir Thomas Monson, his Galliard
  18. Almande
  19. Sir Henry Umptons Funerall
  20. Captayne Pipers Galliard
  21. A fantasie

Amazon.com

Dowland did for lute music what Haydn did for the string quartet and Beethoven the piano sonata. The finest lutenist and songwriter of his age--he composed several of the greatest hits of the late 16th and early 17th centuries--the surviving lute works constitute a sort of encyclopedia of the possibilities of the instrument. There are song arrangements, dance pieces, tributes to the composer's friends, even a musical self-portrait. Much of the music is fashionably sad. Lute songs generally deal with the agony of lost love, and Dowland's most popular tune was called Lachrimae (Tears). Paul O'Dette is simply the best lutenist alive. These five discs are available together at a special price, or separately. A reference edition. --David Hurwitz

Customer Reviews:

5 out of 5 stars Outstanding.......2007-03-31

If you are a fan of the music of John Dowland, you must own this CD. The playing is outstanding to say the least.

3 out of 5 stars It's not heavy breathing.......2006-08-22

It's great that O'Dette gives us the complete solo works, of course. I have the common reaction to O'Dette: his technique is flawless, his performance unengaging.

Others have remarked on the "heavy breathing" noticeable on the recordings -- it's not heavy breathing, but the movement of his fingers on the gut strings making that sound.

4 out of 5 stars Technically good, emotionally bland. .......2006-04-11

Considering the extreme paucity of (especially solo) lute recordings currently available worldwide,
but especially in the US, this set becomes an essential "must have" for all lovers of the lute.
Yet it somehow disappoints.
I am sure that Paul O'Dette is brimming over with virtuousity and a technical expertise
that I am hardly one to pass sound judgement upon.
But the recordings have a flatness and monotony;
the songs are rendered with precision, but seem to lack feeling, empathy, or enthusiasm throughout the offering.
It is an impressive compendium, and I'm glad I purchased it.
There are very few lutenists out there producing any music at all, so Mr. O'Dette should certainly be praised
for delivering such a substantial feast to our ears.
It just should have had more flavor.
Where is Konrad Ragossnig when you need him?

5 out of 5 stars Highly recommended.......2005-10-23

I bought Volume 1 of this set a couple of years ago. It has become one of my favorite CDs, so I thought I would enjoy the full set. I have not been disappointed. I find the sound quality excellent, the playing superb. The included booklet has a lot of interesting background material. The music is great as background for a dinner party or intimate conversation, but has depth aplenty for concentrated listening. I often listen to it while working at the computer where I swear it improves concentration and productivity!

A few tunes appear more than once as Dowland reused some work, but the arrangements are sufficiently different to be interesting. It is his complete lute works, after all. Some might criticise the set for sounding too much in the same style. It is the work of one composer, and if you happen to like the style, as I do, this is a pro rather than a con.

Another reviewer mentioned obtrusive breathing on the recording. I had listened to Volume 1 for two years before reading the review and had not noticed this. On listening carefully, there is breathing audible, but I do not find it a problem. Perhaps it depends whether one listens to the music or the background.

4 out of 5 stars just a warning..........2005-10-14

Beautiful music, but... you can hear Paul's heavy breathing throughout. Apparently a lot of other reviewers either don't hear the heavy breathing, or aren't bothered by it, but for me, it's a near deal-breaker. Go ahead and mark my review as unhelpful, but I had to put the warning out there.
Complete Works, Vol. 1
Average customer rating: 5 out of 5 stars
  • Brilliant!!!
  • Spiritualized - 'The Complete Works,Volume 1' (Arista) 2-CD
  • A worthy endeavour
  • Wow I'm In Serious "Buy Everything This Band Does" Mode
  • Ladies and Gents, take a trip and leave the driving to them
Complete Works, Vol. 1
Spiritualized
Manufacturer: Arista
ProductGroup: Music
Binding: Audio CD

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ASIN: B00008WI7A
Release Date: 2003-04-15

Tracks:

  1. Anyway That You Want Me
  2. Step Into The Breeze (part 1)
  3. Feel So Sad Spiritualized
  4. Feel So Sad (Rhapsodies)
  5. Feel So Sad (Glides And Chimes)
  6. Run Spiritualized
  7. Luminescence (Stay With Me)
  8. I Want You
  9. Effervescent (Chimes)
  10. Why Don't You Smile Now?
  11. Sway Spiritualized
  12. 100 Bars (Accappella)
  13. I Want You
  14. You Know It's True
  15. Medication
  16. Smiles
  17. Angel Sigh
  18. Feel So Sad
  19. Good Dope/Good Fun
  20. Lay Back In The Sun
  21. Good Times
  22. Electric Mainline (part 1)
  23. Electric Mainline (part 2)
  24. 100 Bars (Accappella)

Customer Reviews:

5 out of 5 stars Brilliant!!!.......2007-02-18

What more to say? It's a great introductory collection. It's perfect for those that have the albums and don't want to spend a small fortune and the rest of their days hunting down the singles. Last, it's oh-so-convenient for those that have the singles/promos to have them all in one place (besides, why would you want to carry all of those 1-4 track, and sometimes more, ep's and singles with you?).
While you're at it get Vol.2 (you know you want it, heh heh heh)

4 out of 5 stars Spiritualized - 'The Complete Works,Volume 1' (Arista) 2-CD.......2005-01-26

The title of this disc might be considered to be a bit misleading by some,as 'The Complete...' appears to pull one's attention toward the group's rarities/unreleased archives in their pre-'Ladies And Gentlemen...' days.Taking that into consideration,most fans of founder Jason Pierce and co. should find this compilation CD to their liking.I know I did.Some of the better cuts include "Feel So Sad",the motivational "Run","Lay Back In The Sun"(nice keyboard work),"Electric Mainline,Part 1" and the shoegazing "Good Dope/Good Fun".Nice very choice pickings from the band's personal vault.Recommended to all Spiritualized/Spacemen 3 fans.

4 out of 5 stars A worthy endeavour.......2004-11-21

More accurately The Complete Works Excluding Album Tracks And With Some Omissions this limited edition release is nonetheless a marvellous collection of rare singles, EPs, promo recordings, flexi-discs, fan club exclusives and a complete John Peel session, all in pristine CD quality (even when one track had to be mastered directly from a flexi-disc as the original acetate master had been destroyed). A few B-sides are missing - yet the 7 minute B-side version of Sway taking up valuable space turns out disappointingly to be identical to the readily-available LP version.
Nevertheless, it is a worthy endeavour to make the bulk of one's catalogue available on CD and the two discs have been sympathetically programmed

5 out of 5 stars Wow I'm In Serious "Buy Everything This Band Does" Mode.......2004-08-25

Driving to this music can be hazardous to yourself and others on the highway. It is blood-pumping stuff, a beautiful aural assault on your ears that somehow finds its way to the gas pedal. A rare band that fools you with its tranquil overtures, while it really has your head locked into something resembling an F-16 engine on afterburner. When their outtakes sound this good, you know you're witnessing a band at the peak of its many powers.

5 out of 5 stars Ladies and Gents, take a trip and leave the driving to them.......2004-03-28

I love this band. The music is so trippy. It's the kind of sound that, well, sticks to your bones. I find that the songs stay in my head, and follow me around, like a soundtrack of life. But it's not annoying, like for instance when you can't get some horrible Phil Collins off your mind that you heard while on hold to your local phone company.

My favorite band is Stereolab, and I find Spiritualized and Spacemen 3 to be in the same category. It's music that takes you to new worlds and delivers kind of a contact high. The synthesizers melodically pulsate in and out like a mantra.

Please give them a chance. Then listen to them again. Like all great music, they get better each time.

Thanks guys for putting out great music, and also well, saving me the money on drugs!

But, please, please, be careful. And I beg of you, don't listen to Spiritualized while driving!
Jean-Yves Thibaudet ~ Debussy - complete piano works, vol. 1
Average customer rating: 4.5 out of 5 stars
  • mixed feelings, 3 stars.
  • Jean-Yves Fan
  • Superior recordings and performances
  • Another installment of great by Thibaudet
Jean-Yves Thibaudet ~ Debussy - complete piano works, vol. 1

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

DancesDances | Ballets & Dances | Classical | Styles | Music
PreludesPreludes | Forms & Genres | Classical | Styles | Music
Character PiecesCharacter Pieces | Short Forms | Forms & Genres | Classical | Styles | Music
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ASIN: B000004294
Release Date: 1996-08-13

Tracks:

  1. Preludes - livre I.: I. Danseuses de Delphes - C. Debussy
  2. Preludes - livre I.: II. Voiles - C. Debussy
  3. Preludes - livre I.: III. Le vent dans la plaine - C. Debussy
  4. Preludes - livre I.: IV. 'Les sons et les parfums tornent dans l'air du soir' - C. Debussy
  5. Preludes - livre I.: V. Les collines d'Anacapri - C. Debussy
  6. Preludes - livre I.: VI. Des pas sur la neige - C. Debussy
  7. Preludes - livre I.: VII. Ce qu'a vu le vent d'ouest - C. Debussy
  8. Preludes - livre I.: VIII. La fille aux cheveux de lin - C. Debussy
  9. Preludes - livre I.: IX. La serenade interrompue - C. Debussy
  10. Preludes - livre I.: X. La catedrale engloutie - C. Debussy
  11. Preludes - livre I.: XI. La danse de Puck - C. Debussy
  12. Preludes - livre I.: XII. Minstrels - C. Debussy
  13. Estampes: Pagodes - C. Debussy
  14. Estampes: La soiree dans Grenade - C. Debussy
  15. Estampes: Jardins sous la pluie - C. Debussy
  16. Deux Arabesques: I. Andante con moto - C. Debussy
  17. Deux Arabesques: II. Allegretto scherzando - C. Debussy
  18. Reverie - C. Debussy
  19. Masques - C. Debussy
  20. L'isle joyeuse - C. Debussy

Tracks:

  1. Preludes - livre II.: I. Brouillards - C. Debussy
  2. Preludes - livre II.: II. Feuiles mortes - C. Debussy
  3. Preludes - livre II.: III. La puerta del Vino - C. Debussy
  4. Preludes - livre II.: IV. 'Les fees sont d'exquises danseuses' - C. Debussy
  5. Preludes - livre II.: V. Bruyeres - C. Debussy
  6. Preludes - livre II.: VI. 'General Lavine' - excentric - C. Debussy
  7. Preludes - livre II.: VII. La terrasse des audiences du clair de lune - C. Debussy
  8. Preludes - livre II.: VIII. Ondine - C. Debussy
  9. Preludes - livre II.: IX. Hommage a Sanuel Pickwick Esq. P.P.M.P.C. - C. Debussy
  10. Preludes - livre II.: X. Canope - C. Debussy
  11. Preludes - livre II.: XI. Les tierces alternees - C. Debussy
  12. Preludes - livre II.: XII. Feux d'artifice - C. Debussy
  13. D'un cahier d'esquisses - C. Debussy
  14. Morceau de concours - C. Debussy
  15. Danse bohemienne - C. Debussy
  16. Nocturne - C. Debussy
  17. Images: Lent - C. Debussy
  18. Images: Tres vite - C. Debussy
  19. Pour le piano: Prelude - C. Debussy
  20. Pour le piano: Sarabande - C. Debussy
  21. Pour le piano: Toccata - C. Debussy

Tracks:

  1. Preludes -- Livre I - Jean-Yves Thibaudet
  2. Preludes -- Livre I - Jean-Yves Thibaudet
  3. Preludes -- Livre I - Jean-Yves Thibaudet
  4. Preludes -- Livre I - Jean-Yves Thibaudet
  5. Preludes -- Livre I - Jean-Yves Thibaudet
  6. Preludes -- Livre I - Jean-Yves Thibaudet
  7. Preludes -- Livre I - Jean-Yves Thibaudet
  8. Preludes -- Livre I - Jean-Yves Thibaudet
  9. Preludes -- Livre I - Jean-Yves Thibaudet
  10. Preludes -- Livre I - Jean-Yves Thibaudet
  11. Preludes -- Livre I - Jean-Yves Thibaudet
  12. Preludes -- Livre I - Jean-Yves Thibaudet
  13. Estampes - Jean-Yves Thibaudet
  14. Estampes - Jean-Yves Thibaudet
  15. Estampes - Jean-Yves Thibaudet
  16. Deux Arabesques - Jean-Yves Thibaudet
  17. Deux Arabesques - Jean-Yves Thibaudet
  18. Reverie - Jean-Yves Thibaudet
  19. Masques - Jean-Yves Thibaudet
  20. L'isle Joyeuse - Jean-Yves Thibaudet

Customer Reviews:

3 out of 5 stars mixed feelings, 3 stars........2007-07-05

There are quite a few of Debussy's piano pieces that immediately ring a bell in the mind - Clair de Lune, Gollowog's Cake Walk, La Petite Negre, En Bateau, La Fille aux Cheveux de Lin, La Catedrale Engloutie, etc. These pieces are not, in my opinion, where Thibaudet shines, and make me wish I had a different set (but who's?) The Sunken Cathedral is quite nice, I admit. I will also say that he is quite listenable, whereas Geiseking (sp?) made me so angry I had spent $60 that I stopped buying classical cds for about 10 years.

On the other hand, Thibaudet does have technical mastery - the pieces with which I am less familiar, etudes especially (referring to vol. 2 of the set) are played, to my ears at least, very well, and in fact bring a smile to the face. There is no 'bad' playing anywhere, but the pieces in which I would have liked more musicality lead me to think that the others which I haven't developed an opinion on will sound better in other sets as well. The search continues. At least this set is a good bar.



5 out of 5 stars Jean-Yves Fan.......2007-03-21

I am a big fan of Jean-Yves playing(and a Debussy fan) so I enjoyed this recording. Piano style is a personal preference. (as a musician and pianist I know what I like and what I don't like and it is often not the same as what others prefer) If you enjoyed any other recordings by Jean-Yves or have seen him and concert and loved him you will enjoy this recording.

5 out of 5 stars Superior recordings and performances.......2005-09-18

The Penguin Guide to CDs and DVDs has Thibaudet's sets of the complete Debussy solo piano music at the top of the digital recordings, and this is certainly high quality.

We have several recordings of the Preludes and some other works, but there is nothing to come close to Thibaudet for great performances and superior recording quality.

The liner notes are very helpful, and in the first set you get different articles in English, French, German and Italian. Great if you are multilingual, but only of marginal interest to me. The second set has one article and translations, not separate articles.

Well worth purchasing.

5 out of 5 stars Another installment of great by Thibaudet.......2000-06-13

Thibaudet certainly has a great knack for playing French music. Perhaps it is because he is French himself, or perhaps it is because he has been blessed with a wonderful insight to piano music in general. I say this, because he brings such great musicianship to whatever he puts to record or performance. This two CD set of Debussy's Preludes exudes the personalities of both the composer and the pianist. Debussy, known as the great impressionist composer, delicately has painted numerous portraits in his preludes and this recording certainly does well at bringing them out. Technically, these pieces are played with virtuosity and clear attention to precision, clarity, and musicality. One of the best parts of this set is the a bonus CD of short interviews with Thibaudet in various languages where he himself explains what he has brought to the table in playing these pieces and what insights he had in mind when approaching these pieces.
Bartok: Complete Solo Piano Music
Average customer rating: 4.5 out of 5 stars
  • Microcosmos
  • Great value with a few flaws
  • eeh, I guess I don't like Bartok that much
  • Best classical value out there
  • 5 Stars for the music and performance
Bartok: Complete Solo Piano Music

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

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  5. Brahms: Works for Solo Piano

ASIN: B00008X5AY
Release Date: 2003-05-27

Amazon.com

Sàndor, still active at 90 as this reissue appears, was a student of Bartók and a preferred interpreter of his music. Since this set appeared on nine LPs in the early 1960s, it has been the standard for Bartók's piano music; in this fine-sounding reissue, it still is. Sàndor can hit hard enough for such virtuoso pieces as the Piano Sonata and "Out of Doors," but he also retains the romantic element heard in the composer's own playing which tempers the harsher qualities of the music. While this collection isn't quite as complete as advertised (some early, insignificant piano music by Bartók is omitted), it includes all of Bartók's significant piano music, including such relatively obscure gems as the Bagatelles, eight Improvisations, and many delectable folk arrangements which will appeal even to listeners who think Bartók is too challenging for them. Vox's recorded sound, superbly remastered, resists obsolescence as effectively as Sàndor's performances. Even with the inclusion of the early books of "Mikrokosmos," which will appeal mostly to piano students, this set is worth several times the asking price. --Leslie Gerber

Customer Reviews:

4 out of 5 stars Microcosmos.......2007-03-08

Sándor was a champion not only of Bartók's music but also of Bartók's style of playing. He often complained that people were too quick to see Bartók as ultra-modern, and to fail to appreciate the rich seam of lyricism that also runs through his music.

The piano music is dominated by short pieces, many of them written for piano students, notably the collections "Microcosmos" and "For Children". These, together with suites of folk dance arrangements, make up the bulk of the solo piano output.

Sandór plays these short, and often simple pieces, with neither too much nor too little art. As a gifted teacher, he knew unerringly how much music each of these small vessels held. The result is beguiling - but be warned: no-one can listen to the 153 short pieces of Microcosmos end-to-end. This is an anthology to be dipped into, not swallowed whole.

The remastering is pretty successful (fortunately - some of Vox's CD reissues are plagued by severe deterioration of the original tapes). And it's for half nothing-what's not to like?

4 out of 5 stars Great value with a few flaws.......2006-07-28

I am not a Bartok expert by any scale, but I do like the way these pieces, without exception, are played. There are, however, a couple of other problems.

As mentioned by an earlier reviewer, very few of the works are split into tracks - Mikrokosmos is divided into 7 for each of its six volumes, and to accomodate for a full CD. In these seven tracks there are 121 songs. I would have much preferred if the songs had been split into tracks. Almost the entire CD set is this way - Fifteen Hungarian Songs is one track, Fourteen Bagatelles, etc. It is very annoying when one wants to hear a particular song in those tracks and not the others.

Another detriment to the collection is the recording quality. It is decent most of the time, but in loud sections the piano buzzes. One might be able to ignore it, but I think that it detracts from the passion of the forte quite a bit.

Overall, for $18 it is pretty decent, but if you are like me and like to keep your music library neatly organized (and aren't extremely cheap), I would not recommend this set.

3 out of 5 stars eeh, I guess I don't like Bartok that much.......2006-07-25

I like the fact that Bartok is into the folk tradition and all, but he just tends to forget the fact that melody has to be SOMEWHERE in the music. I'm all for creative expression when you're sitting alone at the piano, but abstract music should be reserved for performance art. I like playing some of your stuff Bela, but I just don't want to listen to you.

5 out of 5 stars Best classical value out there.......2005-10-05

To put this set in perspective, for months I would go to my local Tower Records fishing for worthwhile classical CDs at least once a week. One of the discs that sat in the bins the longest was a single CD of Bartok piano music, played by Zoltan Kocsis. It was Volume 7 of a complete series. This CD listed for $17.99, and as long as I went to that Tower Records, it did not budge an inch, nor was its price amended.

Now, Kocsis is one of the greatest pianists alive, and if anyone is worthy of commanding a premium, it is him. And to be fair, that CD is going to be re-released on October 11 as part of a Collector's Edition - eight CDs, $63.97 MSRP. But it's already going up against this little gem, which contains five CDs with all of the truly great solo-piano works by an internationally recognized Bartok specialist for $21 - not much more than the cost of one CD from the other set. This kind of value is not to be taken lightly.

I came to this set with my impression of Sandor informed by his complete Prokofiev - ultra-hard, sometimes rhythmically slack, always melodically lacking in some way or another. But he held a very special feeling for Bartok, and saved his best playing for the great Hungarian. In passages like the first of the Three Csik Dances, the opening of the Improvisations Op. 20, or in the Ten Easy Pieces, there is a simplicity, charm and wistful homesickness that is quite touching. In pieces like the Out of Doors suite, the Sonata, or the Burlesques, there is a vicious, impulsive energy, a wicked sense of humor and an overabundance of overtones. It is never mindless, inappropriate or even overly harsh - it's just very, very loud.

In this set I like best the endless landscape of the Sonatina, the unusual colors and fragrances in the Etudes, the brilliantly conceived Bear Dance (the last of the Ten Easy Pieces), and the multifaceted, complex, gorgeous Improvisations. Any fan of Bartok should hear these.

4 out of 5 stars 5 Stars for the music and performance.......2005-04-04

This is a fantastic deal, but the problem with this Collection stems from the fact that the pieces are often not separated by tracks. This is especially annoying for the Children's Pieces and Mikrokosmos. There are so many pieces, one wears out the fast forward button and still may miss the particular piece one is looking for. The booklet is fairly insightful, and the performer is widely hailed as the supreme interpreter of Bartok's piano music. So aside from this slightly annoying at times and ridiculously annoying at other times flaw, this is one of the best deals in Classical music. Don't hesitate. Add it to the cart.
Complete Recorded Works, Vol. 1
Average customer rating: Not rated
    Complete Recorded Works, Vol. 1
    Fats Waller
    Manufacturer: Jsp Records
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Jazz | Styles | Music
    Swing GeneralSwing General | Swing Jazz | Jazz | Styles | Music
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    ASIN: B000OV123Y
    Release Date: 2007-06-05

    Tracks:

    1. Muscle Shoals Blues
    2. Birmingham Blues
    3. 'Taint Nobody's Bus'ness If I Do
    4. You Got Ev'rything A Sweet Mama Needs But Me
    5. Mama's Got The Blues
    6. Last Go Round Blues
    7. Stingaree Blues
    8. You Can't Do What My Last Man Did
    9. Sister Kate
    10. You Can't Do What My Last Man Did
    11. Trixie Blues
    12. I'm Cert'ny Gonna See 'Bout That
    13. Squabbling Blues
    14. In Harlem's Araby
    15. You Don't Know My Mind Blues
    16. West Indies Blues
    17. Maybe Someday
    18. (I'm Gonna See You) When Your Troubles Are Just Like Mine
    19. You Get Mad
    20. What's The Matter Now?
    21. Nobody Knows De Trouble I See
    22. Couldn't Hear Nobody Pray
    23. Ain't Got Nobody To Grind Ma Coffee
    24. Mama's Losin' A Mighty Good Chance
    25. The Henderson Stomp
    26. The Chant

    Tracks:

    1. St Louis Blues
    2. Lenox Avenue Blues
    3. What Do You Know About That
    4. Shut Your Mouth
    5. Soothin' Syrup Stomp
    6. Sloppy Water Blues
    7. Loveless Love
    8. Messin' Around With The Blues
    9. The Rusty Pail
    10. Stompin' The Bug
    11. Hog-Maw Stomp
    12. Blue Black Bottom Stomp
    13. Whiteman Stomp
    14. I'm Coming Virginia
    15. Preach The Word
    16. I'll Just Stand And Ring My Hands And Cry
    17. True Friendship
    18. The Christians' Trouble Is Ended
    19. Sugar
    20. Sugar
    21. Beale Street Blues
    22. Beale Street Blues
    23. I'm Going To See My Ma
    24. 'Fats' Waller Stomp
    25. Savannah Blues

    Tracks:

    1. Won't You Take Me Home
    2. My Old Daddy's Got A Brand New Way To Love
    3. Anything That Happens Just Pleases Me
    4. I've Got The Joogie Blues
    5. Florence
    6. Gone But Not Forgotten
    7. You Live On In Memory
    8. Bye-Bye Florence
    9. He's Gone Away
    10. I Ain't Got Nobody
    11. The Digah's Stomp
    12. Red Hot Dan
    13. Geechee
    14. Please Take Me Out Of Jail
    15. Back In Your Own Back Yard
    16. Nobody Knows How Much I Love You
    17. What's The Use Of Being Alone?
    18. Original Blues
    19. Willow Tree
    20. 'Sippi
    21. Thou Swell
    22. Persian Rug
    23. Chicago Blues
    24. Mournful Tho'ts

    Tracks:

    1. You Can't Do What My Last Man Did
    2. Trixie Blues
    3. St Louis Blues
    4. What Do You Know About That
    5. Shut Your Mouth
    6. Soothin' Syrup Stomp
    7. Sloppy Water
    8. Messin' Around With The Blues
    9. The Rusty Pail
    10. Stompin' The Bug
    11. Hog-Maw Stomp
    12. 'Fats' Waller Stomp
    13. Savannah Blues
    14. Won't You Take Me Home
    15. My Old Daddy's Got A Brand New Way To Love
    16. Anything That Happens Just Pleases Me
    17. I've Got The Joogie Blues
    18. He's Gone Away
    19. The Digah's Stomp
    20. Red Hot Dan
    21. Geechee
    22. Please Take Me Out Of Jail
    23. Willow Tree
    24. 'Sippi
    25. Thou Swell
    Howard Hanson: Orchestral Works, Vol. 1
    Average customer rating: 4.5 out of 5 stars
    • OK First Hanson Outing
    • Suprisingly AMAZING
    • One of the best introductions to Howard Hanson's work
    • A Home Run!
    • An auspicious start to a new Hanson series
    Howard Hanson: Orchestral Works, Vol. 1
    Kenneth Schermerhorn , and Nashville Symphony Orchestra
    Manufacturer: Naxos
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B00004UATG
    Release Date: 2000-07-18

    Tracks:

    1. Andante Solenne - Allegro Con Forza
    2. Andante Teneramente, Con Semplicita
    3. Allegro Con Fuoco
    4. Overture
    5. Children's Dance
    6. Love Duet
    7. Prelude To Act II And Maypole Dances
    8. Pan And The Priest, Op.26
    9. Rhythmic Variations On Two Ancient Hymns

    Amazon.com

    Naxos, the Little Label That Could, has emerged as the music industry's foremost advocate of American music with their American Classics series. Now, they've turned their attention to one of the greatest composers of American Romanticism, Howard Hanson. This inaugural disc contains a performance of the First Symphony that easily trumps the Gerard Schwarz-Seattle Symphony on Delos. Hanson himself has recorded the work several times, but the Naxos release has much better sound quality (and you'll like the breadth of the Nashville Symphony's vision of this delicious music). The same holds for the celebratory "Merry Mount" Suite. However, this release contains two rare discmates, the symphonic poem Pan and the Priest and Rhythmic Variations on Two Ancient Themes. Spectacular music of undeniable character. --Paul Cook

    Customer Reviews:

    4 out of 5 stars OK First Hanson Outing.......2006-04-01

    Howard Hanson is one of America's great Romantic composers. Also well regarded as a teacher, Hanson unabashedly donned Romanticism when it was out of fashion. Four great works represent this style: Symphony No. 1 "Nordic", Merry Mount Suite, Pan and Priest, and Rhythmic Variations on Two Ancient Hymns.

    Hanson's 32-minute "Nordic" Symphony, his first, lends its ear to Sibelius, the Finnish composer, as well as perhaps, Hanson's own Swedish heritage. The best description of the opening movement (three in total), is Romantic sweep. The long melodies are aided by lengthy time signatures (5/4, 9/4, 6/4, and 7/4). The music seems to me like the soundtrack to an old black and white romance movie; the foreboding drama, thick lush strings, forceful horns, long melodic line, and grand climaxes. The second movement carries the cinematic feel with plaintive wind solos, a dramatic climax where the strings take over the melody in a grand sweep. The final movement is just as heroic as you would expect; the work ends in a temperamental minor mode. Perhaps a bit old-fashioned, the symphony is an invigorating experience with ideas popular around the turn-of-the-century.

    The famous Merry Mount Suite (18 minutes) is taken from Hanson's opera of the same name. In five parts (Overture, Children's Dance, Love Duet, Prelude to Act II, and Maypole Dances), the subject revolves around 1600's Puritans dealing with temptations of the devil as well as local heathens. The forceful brass chorales and tolling bells of the overture set the scene with an antique quality. The playful nature of the Children's Dance is aided by witty orchestration, a battery of percussion, and a relentless rhythmical quality with jazzy syncopations. The love duet is peacefully tranquil, but builds to a passionate climax on numerous occasions and revels in warmth. The Prelude is an evocation of spring and preparing for a festival, while the Maypole Dances are an almost medieval sounding celebration rooted in ancient ritual. A spirited and varied musical suite, full of great tunes, musical moments, and drama.

    The 13-minute symphonic poem Pan and Priest represents musically the age-old conflict between the spiritual and religious and revelry and sensuality. Long chant-like melodies represent spirituality, while aggressive brass and rhythms represent Pan. In its time, this work was regarded a great American work, but rarely found today. Rhythmic Variations on Two Ancient Hymns is scored for full string orchestra; a lush, Romantic contemplation on hymns, including an attractive solo violin section and some great harmonies. At eight minutes, the variation technique shows Hanson's ability to create great musical scenerios.

    This budget Naxos recording features Kenneth Schermerhorn and the Nashville Symphony Orchestra, not a first-class ensemble, but by all accounts on this recording, a very fine ensemble of professional musicians. Schermerhorn leads well, a bit langorous in tempo, but solid performances. The recording quality by Naxos dropped the ball, however, the ensemble seems a bit far away and the woodwinds cannot be heard when the full ensemble is playing (save the piccolo) and still some troubles of balance when not the full ensemble. With the exception of the Variations, the strings lack a little in the warmth department and the winds suffer a little too; the brass do well, however. Compared to Gerard Schwarz and the Seattle Symphony on Delos, the choice is tough: monetary vs. balance issues; you will have to compare on your own.

    5 out of 5 stars Suprisingly AMAZING.......2005-05-17

    Who's ever heard of the Nashville Symphony Orchestra? I hadn't until I saw this CD and purchased it. I can't understand how the works of Howard Hanson are som underaprreciated he played such a big role in the advent of Modern American Music. Symphony no 1 was written in 1922. These works are all romantic at heart. My favorite piece on the disc is Symphony 1. It is a really grand and tuneful work. The playing of the work is very lush. Also the Suite from the Opera Merry Mount is very playful. I wasn't familiar with Rhythmic Variations on Two Ancient Hymns and I can say it is just as stunning as the symphony.

    5 out of 5 stars One of the best introductions to Howard Hanson's work.......2004-06-12

    The late Howard Hanson was a man of many talents. He was a gifted conductor, an inspired composer, and one of the greatest educators in the history of American music.

    Unfortunately, like so many composers, Hanson's work became neglected. Hanson was an arch-romantic. His lush and romantic scores were written at the same time as Stravinsky was shocking Parisian audiences, as Copland and Thomson were stressing the importance of Americana, and as Henry Cowell was touring Europe and America with his music based on tone clusters. However, this is no reason to neglect Hanson's work.

    The Symphony No. 1 "Nordic" is one of my favourite Hanson works. The recording that the composer himself made of Mercury remains my favourite, though this version has quickly become a favourite as well. Maestro Schermerhorn has the advantages of a well trained ensemble. Schermerhorn is a gifted conductor and makes this work sound like what it actually is, one of the masterpieces of American music. The other works on the CD are no less interesting. In short, this is probably the best introduction to Hanson's work as a composer. One hopes that there will be many more Hanson CDs from Schermerhorn and the Nashville Symphony!

    5 out of 5 stars A Home Run!.......2001-02-13

    The superlatives never end. Thank you, Naxos. You were one of my least favorite bargain labels (contrary to all of the hoopla), but with this disc, you convince me!

    The conducting is outstanding, the music gorgeous, and the Nashville Symphony is just wonderful. Wow. The engineering is even good!

    Buy this.

    5 out of 5 stars An auspicious start to a new Hanson series.......2000-11-14

    This is a terrific coupling of Howard Hanson's orchestral music, both well-known and barely-known. It is advertised as Volume I of his orchestral works, and, if Kenneth Schermerhorn and Naxos follow through with the rest of Hanson's orchestral works, this could result in a near-definitive essay of one of America's most important and beloved composers.

    Others, including Hanson himself, on Mercury Living Presence and Gerard Schwarz and the Seattle Symphony Orchestra on Delos, have recorded his central repertoire, including the symphonies and the larger orchestral works. But no series was ever completed; Hanson's own foray, with the Eastman-Rochester Orchestra, was cut short by his retirement from active conducting in the mid-'60's. So this is a very welcome start to what this Hanson fan hopes to be a complete essaying of the orchestral works.

    Basically conservative and an arch romantic, Hanson had been considered a "throwback" composer during much of his life, bypassing the avant garde, serialism, modernism, post-modernism, minimalism and all other "ism's" of the 20th century. But his music is immediately accessible and is characterized by a gift for melody, harmonic lushness and rich chromaticism reminiscent of Bruckner. Born of Swedish stock in Wahoo, Nebraska, his music comes naturally by its "Nordic" sense of place, with the symphonies and other works of Sibelius clearly in his musical DNA. But there are other identifiable musical "signatures" in addition to Sibelius and Bruckner: Hanson's frequent use of tympani ostinato in his symphonies recalls the opening bars of Brahms' 1st Symphony, and his often brilliant splashes of orchestra color, particularly high woodwinds, is a reminder that, after winning the American Prix de Rome in 1920, he studied under Ottorino Respighi while in Rome. (At the time, Respighi had only written "The Fountains of Rome," the first of three parts of his Roman triptych; "The Pines of Rome" and "Roman Festivals" were written after Hanson had returned to the U.S.)

    I will cheerfully go on record to state that Schermerhorn's performance of the "Nordic" Symphony is the best available, from the perspectives of interpretation, performance and recorded sound quality. (Hanson's would of course have been the definitive one, were the Eastman-Rochester Orchestra up to snuff, and had Mercury had the access to recording technology that is presently available.) With modestly careful listening, one can pick out all of the musical signatures noted above, yet still conclude that Hanson is his own man, with his own musical thoughts to express.

    Hanson's one opera, "Merry Mount," had been an instant success at its premiere, but has since languished in near-obscurity save for the orchestral suite which he fashioned from its incidental music. The "Love Duet" makes a strong case for a remounting of this opera; it is a gorgeous piece of music just waiting for the complete opera to surround it.

    "Pan and the Priest" is an early tone poem, making its recording premiere, as far as I know, in this coupling. It brings to mind several of the great tone poems written by Sir Arnold Bax, Hanson's British contemporary, as well as those of Hugo Alfvén, his Swedish contemporary. This is excellent company to be allied with, and it is our loss that Hanson did not write more works in this genré. Identifiably Hanson, it holds up very well in comparison with the the poems of Bax and Alfvén.

    "Rhythmic Variations on Two Ancient Hymns" also receives a recording premiere here. Modal in structure and feel, it is reminiscent of the simiarly modal music of Ralph Vaughan Williams.

    Spendid performances and recording of a great cross-section of Hanson's orchestral works. Like Schermerhorn's Ives Symphony No. 2 which came immediately after this Hanson disc, yet another American Classics triumph for Naxos, "the little label that could."

    Bob Zeidler
    Greatest Hits: Harpsichord
    Average customer rating: 4.5 out of 5 stars
    • "Best Harpsichord Recording"
    • Great
    • a must-have for harpsichord lovers
    • keeno
    • The Most Superb Harpsichord Sampler
    Greatest Hits: Harpsichord

    Manufacturer: Sony
    ProductGroup: Music
    Binding: Audio CD

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    1. Bach: Harpsichord Concertos 1
    2. Essential Baroque
    3. Complete Harpsichord Concertos
    4. Rameau: Harpsichord Music (Complete), Vol. 1
    5. Greatest Hits ~ Baroque

    ASIN: B000002C0U
    Release Date: 1995-08-22

    Tracks:

    1. Air And Variations In E Major From Harpsicord Suite No. 5: The Harmonious Blacksmith
    2. Keyboard Suite No. 11 In D Minor: Sarabande
    3. Greensleeves (16th Century)
    4. Lavolta
    5. The Earl Of Salisbury: Pavan, The Earl Of Salisbury
    6. Ut re mi fa sol la, In F
    7. The King's Hunt
    8. The Nightingale (17th Century)
    9. For Two Virginals
    10. The Prince Of Denmark's March
    11. The 18th Order (3rd Book Of Pieces For Harpsicord): Le tic-toc-choc, No. 6
    12. The 15th Order (3rd Book Of Pieces For Harpsicord): Musete de Choisi, No. 4
    13. Le Tambourin
    14. La poule
    15. Le Coucou
    16. Sonata In D Minor, 'Pastorale'
    17. Sonata In E Major, 'Capriccio'
    18. Sonata in D Major
    19. Goldberg Variations, BWV 988: Aria
    20. The Well-Tempered Clavier, Book 1, BWV 846: Prelude and Fugue No. 1 In C Major
    21. Italian Concerto In F Major, BWV 971: III. Presto
    22. The Anna Magdalena Notebook: Minuet In G Major, BWV Anh. 114
    23. Sonata No. 11 In A Major, K. 331: III. (Rondo) Alla Turca
    24. Wo0 10, No. 2: Minuet in G Major
    25. Trumpet Tune 'Martial Air'
    26. Round O (Rondo)
    27. The 6th Order (2nd Book Of Pieces For Harpsichord): Les baricades misterieuses, No. 5
    28. The 15th Order (3rd Book Of Pieces For Harpsicord): Musete de Taverni, No. 5
    29. Cuckoo Toccata

    Customer Reviews:

    5 out of 5 stars "Best Harpsichord Recording".......2005-11-05

    I have always loved the sound of the Harpsichord and for many years hearing poorly recorded or played Harpsichord this treasure is a must have. From the fine compositions to the good sound quality this CD is definately a keeper.
    Plenty of music for a moderate price as well.

    5 out of 5 stars Great.......2005-08-09

    This CD is very very good just what I was looking for. I highly recommend this CD if you are planning on purchasing a Harpsicord CD, this one is the best.

    4 out of 5 stars a must-have for harpsichord lovers.......2004-04-30

    I love the sound of this most unusual instrument, the harpsichord. Especially the fast intricately melodic songs. Very enjoyable. This "Greatest Hits" includes many compositions perfectly suited to this wonderful old predecessor to the piano. There's even a little funny trivia thrown in: on the song sheet is written: Q:"what did the famous conductor Sir Thomas say that the harpsichord sounds like? A: "Like two skeletons screwing on a hot tin roof" :)

    David Rehak
    author of "Love and Madness"

    5 out of 5 stars keeno.......2001-01-08

    This is a fun cd. BYRD, BULL, BACH ETC come through great Scarlatti bits sound like a flock of unhappy cows running of a field of burnt popcorn but those bits generally do unless played on the African Kalimba [or thumb piano] in Africa where I need not hear them.

    This is a well engineered CD. Many featuring the harpsichord demand a level of equipment beyond that of any regular person with bills, which means this disk sounds just fine on a boom box. Everybody in the family will like some part of this disk `cept for the 13 year old whose lost to punk rock or hip hop.

    5 out of 5 stars The Most Superb Harpsichord Sampler.......2000-07-27

    I can't imagine a better sampler of harpsichord 'hits' played by one of the great stereo-era masters. A full complement of emotions is displayed here, from the most delicate and sparing texture to the most rip-roaring martial roar. If you're wondering what the harpsichord is about, or if you're already a fan and want a great sampler to play for your own delight and amusement, you cannot go wrong with this recording.

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