Of all the popular progressive rock groups of the '70s, Emerson, Lake and Palmer were the most bombastic and technically orientated. By 1977, they had become so wrapped up in themselves (individually) that they put out a double album with each member getting a side to his own. They shared the remaining side. Keith Emerson plays a Steinway grand piano along with the London Symphony Orchestra. Greg Lake sings some rather sappy ballads (nothing as fun as "Lucky Man," unfortunately). And Carl Palmer contributes a selection of drum-heavy fusion pieces. When the trio reconvene, they tear into Aaron Copland's "Fanfare for the Common Man" (you know, that music from the Olympics) and deliver a long, meandering song called "Pirates" that shows off what they did best--play classically inspired rock with wild synthesizer sweeps and Lake's sweet voice. This isn't the album for an ELP neophyte. Try Brain Salad Surgery or The Best of... for a proper introduction. --Larry Crane
Works, Vol. 1,Emerson Lake & Palmer,Rhino / Wea,Album Rock,Pop,Popular Music,Prog-Rock/Art Rock,Rock,Rock/Pop
Works, Vol. 1
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Brahms: Works for Solo Piano
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000042GM Release Date: 1997-11-11 |
Tracks:
- Variations On A Theme By Paganini, Op.35: Book 1 - Heft 1
- Variations On A Theme By Paganini, Op.35: Book 2 - Heft 2
- Variations And Fugue On A Theme By G.F. Handel, Op.24: B Flat Major
- 4 Ballades, Op.10: Andante
- 4 Ballades, Op.10: Andante
- 4 Ballades, Op.10: Intermezzo. Allegro
- 4 Ballades, Op.10: Andante con moto
Tracks:
- Works For Solo Piano: Ziemlich langsam
- Works For Solo Piano: Poco larghetto
- Works For Solo Piano: Allegro
- Works For Solo Piano: Walzer Nr. 1 - 8
- Works For Solo Piano: Walzer Nr. 9 - 16
- Works For Solo Piano: Scherzo es-moll
Tracks:
- Works For Piano Solo: Allegro
- Works For Piano Solo: Andante
- Works For Piano Solo: Scherzo. Allegro molto e con fuoco
- Works For Piano Solo: Finale. Allegro con fuoco
- Works For Piano Solo: Allegro non troppo ma energico
- Works For Piano Solo: Andante con espressione
- Works For Piano Solo: Scherzo. Allegro
- Works For Piano Solo: Finale. Introduzione (sostenuto) - Allegro non troppo e rubato
- Works For Piano Solo: Agitato
- Works For Piano Solo: Molto passionato, ma non troppo allegro
Tracks:
- Works For Piano Solo: Allegro maestoso
- Works For Piano Solo: Andante espressivo - Andante molto
- Works For Piano Solo: Scherzo. Allegro energico
- Works For Piano Solo: Intermezzo. Andante molto
- Works For Piano Solo: Finale. Allegro moderato ma rubato
- Works For Piano Solo: Presto energico
- Works For Piano Solo: Andante
- Works For Piano Solo: Allegro passionato
- Works For Piano Solo: Adagio
- Works For Piano Solo: Andante con grazia ed intimissimo sentimento
- Works For Piano Solo: Andante teneramente
- Works For Piano Solo: Allegro agitato
Tracks:
- Works For Solo Piano: 8 Pieces, Op.76 - I Capriccio in F sharp minor
- Works For Solo Piano: 8 Pieces, Op. 76 - II Capriccio in B minor
- Works For Solo Piano: 8 Pieces, Op. 76 - III Intermezzo in A flat major
- Works For Solo Piano: 8 Pieces, Op. 76 - IV Intermezzo in B flat major
- Works For Solo Piano: 8 Pieces, Op. 76 - V Capriccio in C sharp minor
- Works For Solo Piano: 8 Pieces, Op. 76 - VI Intermezzo in A major
- Works For Solo Piano: 8 Pieces, Op. 76 - VII Intermezzo in A minor
- Works For Solo Piano: 8 Pieces, Op. 76 - VIII Capriccio in C major
- Works For Solo Piano: 6 Pieces, Op. 118 - I Intermezzo in A minor
- Works For Solo Piano: 6 Pieces, Op. 118 - II Intermezzo in A major
- Works For Solo Piano: 6 Pieces, Op. 118 - III Ballade in G minor
- Works For Solo Piano: 6 Pieces, Op. 118 - IV Intermezzo in F minor
- Works For Solo Piano: 6 Pieces, Op. 118 - V Romanze in F major
- Works For Solo Piano: 6 Pieces, Op. 118 - VI Intermezzo in E flat minor
- Works For Solo Piano: 4 Pieces, Op. 119 - I Intermezzo in B minorn B
- Works For Solo Piano: 4 Pieces, Op. 119 - II Intermezzo in E minor
- Works For Solo Piano: 4 Pieces, Op. 119 - III Intermezzo in C major
- Works For Solo Piano: 4 Pieces, Op. 119 - IV Rhapsody in E flat major
Tracks:
- Works For Solo Piano: Andante moderato
- Works For Solo Piano: Andante non troppo e con molto espressione
- Works For Solo Piano: Andante con moto
- Works For Solo Piano: g-moll
- Works For Solo Piano: d-moll
- Works For Solo Piano: F-dur
- Works For Solo Piano: fis-moll
- Works For Solo Piano: fis-moll
- Works For Solo Piano: Des-dur
- Works For Solo Piano: F-dur
- Works For Solo Piano: a-moll
- Works For Solo Piano: e-moll
- Works For Solo Piano: E-dur
- Works For Solo Piano: d-moll
- Works For Solo Piano: d-moll
- Works For Solo Piano: D-dur
- Works For Solo Piano: d-moll
- Works For Solo Piano: B-dur
- Works For Solo Piano: f-moll
- Works For Solo Piano: fis-moll
- Works For Solo Piano: D-dur
- Works For Solo Piano: h-moll
- Works For Solo Piano: e-moll
- Works For Solo Piano: e-moll
Customer Reviews:
I disagree with the consensus here.......2007-07-11
The problem is that Katchen's performances are flawed and often unpleasant. The worst problem is that he bangs the keys a lot. Fortissimo passages are ideally not supposed to be noisy; they are intended to be loud and forceful without being unpleasant. It's a key distinction that Katchen fails to realize. I also think that Katchen's technique is a bit patchy. He blurs the passagework and there is a lack of both accuracy and delicacy in the fast passages. To take an example, the Op. 76 set is marred by both of these problems: a lack of accuracy and a tendency to bang on the keyboard. I also found many of the passages that didn't suffer from these problems to be interpretationally uninteresting (the slow parts of the Paganini Variations, Bk II are undistinguished, to take an example). Big thumbs down.
I did some direct comparison of sets to the Katchen performances and in every case Katchen was far inferior.
Take the Op. 39 Waltzes: Leon Fleisher's old recording is wonderful and much more sensitive and interesting than Katchen.
I also listened to Radu Lupu's recording of the Opp. 117-119 pieces (THAT is a wonderful recording - if you are looking for a superb recording of Brahms piano music, get that one and save yourself the aggravation of the Katchen set) and it's simply no contest.
I also sampled the terrific Op. 79 Rhapsodies and the Paganini Variations as played by a favorite pianist of mine, the lesser-known French pianist Nicholas Angelich, and Katchen's sloppy and undirected interpretations pales before the versions by a "non-superstar" pianist.
So while I admit I haven't listened to every portion of the Katchen set, I found every reason to avoid it when compared to some alternatives available.
Don't hesitate to get this set.......2007-07-04
I'll confess, I bought this set to fill the gaps in my piecemeal collection. What a delightful surprise to find my "stopgap" set more than holds its own against recordings by the likes of Richter, Rubinstein and Gilels. To help the reader overcome any reluctance I offer a few comments on the few "downsides" mentioned by others:
Yes, Katchen does play fast, but not always, and certainly not out of inability to hold the listener's attention through more artful means. Katchen's track times are often slower than Rubinstein's or even Gilels'; but where the spirit moves him, he can go like a rocket. He's generally fastest in the earlier works, where a case can be made for playing them with youthful ardor; Katchen does this to a T. This applies to the first 2 sonatas, the Paganini variations (why would anything associated with Paganini lack splash and dazzle?) and to a much lesser extent, parts of the Handel variations. The main thing is, it works. The very few places where I felt Katchen was rushing the music are heavily outnumbered by places where the added energy seems to "fit" like a glove.
Yes, in an exhaustive set you inevitably endure the "bottom of the barrel." I'm surprised how little of this 6-CD set strikes me as anything less than indispensible. Every track is worth hearing. Katchen has been surpassed here and there, but he doesn't put in a bad performance in the whole batch.
Yes, the recordings are more than 40 years old. They will not satisfy the most jaded audiophile (there's not quite the "presence" of a good recording today). But they are amazingly clean and lifelike for their age (even the 3 tracks that are mono). They sound noticeably better than the popular Rubinstein recordings of equal vintage. At first I thought I heard a touch of bass-heaviness, but now I just think Katchen gives us a strong, clear bass line. Once again, it works. The sound is simply not a problem for a normal listener.
Finally, there's the small stuff. Getting the CDs out of their tight-fitting sleeves without putting your fingerprints on the playing surface is well-nigh impossible, unless you give in and apply a letter opener to solve the problem once and for all. Is that any reason not to get this much wonderful music at such a low price? London has even revived the old practice of offering different program notes in different languages, so that multilingual readers can benefit from more than one set of comments. All around it's a winner!
Superb interpretations by Katchen.......2006-11-16
A little rushed sometimes, but beautiful.......2005-02-03
I feel that the ballades, op. 10 are played way too fast (although I'm not exactly sure how close Katchen is to Brahms's tempi indications). I've heard them by several other performers and, being a Gould fan, would have to say that his slower interpretation really captures how beautiful the pieces are more than anyone else. I also enjoy Kempff's performances of many later works. Katchen really seems so rushed for some reason. To me, that really takes attention away from the fine details, which I think are so essential to Brahms's piano music. He's not quite delicate enough with some of the pieces.
This faster speed is only very slight for the rest of the set, but pretty consistently. I think he does a better job with more intense pieces like many of his larger-scale variations and the sonatas. Those I would give 5 stars, but only 4 stars for the op. 116-119, for they're a little too fast.
My only other qualm is the arrangement of the set. It would be nice to have all the sonatas together on a disc, 116-119 on a disc, etc., going along with the whole chronological thing..
However, all these things are personal preference. I would definitely recommend this set. It's made up about 1/2 of my music listening for the past couple months. It's not expensive at all for what you're getting, and if you get just one Brahms piano cd, you're going to want to get more, so you should just get it over with and have this whole set, it's fabulous music. Just keep in mind that this is not the only interpretation that should be considered.
Radiant and inspired recordings.......2004-09-19
The other outstanding version of these Variations is of Michael Ponti (live preformance)
gifted with a major emphasis in the striking and color tone ; but the point to remark is that in both performings the approach is similar ; every one of the Variations must be played as a microcosmos in itself ; with nuance , grace , majesty, powerful imagination, sense of the span and above al ; savoir vivre . If you intend to play with authoritative precision without Mediterranean dewy and radiant mood ; you are destined to fail with these Variations and becoming unbearable for the audience and the listener . Lamentably , there are many of them in the actual market but I think you can guess them .
The two Rhapsodies are performed with the highest commitment . Melodic flight and arresting lyricism .
The Sonatas are superbly performed . The Sonata No. 3 may find serious matchers with Clifford Curzon and Paul Badura Skoda .
The intermezzos are depicted with the adequate illuminating . These intimate pages must be played with the perfect balance of light and shadows ; think in Chopin Nocturnes for instance . Only Glenn Gould gets close to him in the Intermezzo Op. 117 No. 2 .
The Ballades may be the weakest works of this fundamental set . Benedetti Michelangeli and Emil Gilels recorded brilliant and eloquent versions.
Finally The Paganini Variations find in Benedetti Michelangeli a serious and unbeatable adversary .
To be honest , this set is widely recommendable for you , to know the whole and intimate world of Johannes Brahms , the beloved son of Hamburg.
Katchen also recorded a powerful Islamey and an unforgettable Rachmaninoff No. 2 .
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Works, Vol. 1
Lake & Palmer Emerson Manufacturer: Sanctuary ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00064VL1C Release Date: 2004-12-06 |
Tracks:
- Piano Concerto No. 1: First Movement: Allegro Giojoso/Second Movement: - Keith Emerson, Emerson, Lake & Palmer
- Lend Your Love to Me Tonight - Emerson, Lake & Palmer, Greg Lake
- C'est La Vie - Emerson, Lake & Palmer, Greg Lake
- Hallowed Be Thy Name - Emerson, Lake & Palmer, Greg Lake
- Nobody Loves You Like I Do - Emerson, Lake & Palmer, Greg Lake
- Closer to Believing - Emerson, Lake & Palmer, Greg Lake
Tracks:
- Enemy God Dances with the Black Spirits - Emerson, Lake & Palmer, Carl Palmer
- Nights - Emerson, Lake & Palmer, Carl Palmer
- New Orleans - Emerson, Lake & Palmer, Carl Palmer
- Two Part Invention in D Minor - Emerson, Lake & Palmer, Carl Palmer
- Food for Your Soul - Emerson, Lake & Palmer, Carl Palmer
- Tank - Emerson, Lake & Palmer, Carl Palmer
- Fanfare for the Common Man - Emerson, Lake & Palmer
- Pirates - Emerson, Lake & Palmer
- Tank [Live][*] - Emerson, Lake & Palmer
- Enemy God Dances with the Black Spirits [*] - Emerson, Lake & Palmer
- Nutrocker [*] - Emerson, Lake & Palmer
Album Description
UK remastered reissue of the progressive rock supergroup's 1977 album with 3 live bonus tracks 'Tank', 'The Enemy God Dances With The Black Spirits' & 'Nutrocker'. 2001.Customer Reviews:
This album makes you feel bad..........2006-09-30
Details on this reissue here.......2006-02-20
Sound: There's no substantial sound improvement over the original Atlantic release, and though I can't be certain, I believe that this series uses the same remasters that came out on Leadclass / Rhino in the 90s.
Manufacture: Annoyingly, the Emerson Concerto is now burned as a single track, so you can no longer play the three movements separately (unlike on the original Atlantic issue). Worse yet, a glitch noticeable on headphones, also one not on the original version, now appears at the start of Nobody Loves You. Finally, the bonus tracks are good performances but of seriously bootleg quality. They're from the same 1978 US tour concerts as the live tracks on the Works 2 reissue but are much muddier sounding and offer nothing new musically except for a brief bluesy intro to Nutrocker.
Package: As in the rest of the Sanctuary series, the booklet has great pix and informative liner notes, but it no longer offers Peter Sinfield's lyrics or any musician credits at all, hence it's still maddeningly unclear who plays what. In a nutshell, don't buy this version if you already have an earlier release; it's great music in an inferior presentation.
ELP reaches the heights of self-indulgence (and it works).......2005-05-04
Keith Emerson begins the self-aggrandizement on Disc 1 with his "Piano Concert No. 1," in three movements (I still do not know what Andante Molto Cantabile means, but I suspect I am not along in that regard). Since I have always preferred Emerson on piano rather than synthesizer/organ, I am inclined to like this solo jaunt into the classical realm. The third movement (Toccato con Fuoco) is the best, so there is a strong finish to the entire thing. I should also note that I have been waiting for "Piano Concert No. 2," but to date, no luck in that regard.
Since I have always wanted to have Greg Lake's voice in my rock and roll fantasies, I am gratified that his set of tracks are songs that feature his voice rather than musical pyrotechnics (granted, there are not a lot of opportunities for bass players to display their virtuosity with their instrument, although Chris Squires had some moments with Yes). These are orchestrated songs, rather than the acoustic approach inherent in his two hit singles "Lucky Man" and "Still You Turn Me On," and I think that Lake's vocals on "Lend Me Your Love Tonight," "C'Est Las Vie" and "Closer to Believing" are as fine as anything he has ever recorded, even though the lyrics are pretty inane.
Certainly the Carl Palmer tracks on the first half of Disc 2 feature his drumming skills more so than any previous ELP efforts, ranging from Bach's "Two Part Invention in D Minor" to the driving "The Enemy God Dances with the Black Spirits" to a remake of "Tank" that best represents the strong jazz influence on several of these tracks. Come to think of it, I do not know if I have really heard a drummer being featured like this since the glory days of Buddy Rich.
The two tracks that comprise the ELP section of the collection are a perfect combination of their best effort at presenting their own version of a classical work, in this case Aaron Copeland's "Fanfare for the Common Man," and what may well be their best "suite," the 13-minute "Pirates." Of their earlier attempts at such grandeur, "Pirates" is more reminiscent of "Karn Evil 9" than "Tarkus" or "Trilogy," and has what certainly seems to me to be a strong Copeland influence, which extends beyond the use of a symphonic orchestra. I find the track somewhat amazing simply because who else would ever think about writing something like this first person narrative about being a pirate? It is a very unique piece of work from ELP.
"Works, Volume 1" made it to #12 on the Billboard Pop Charts, which is not bad for something that is both indulgent and a double-album. Final note: "Works, Volume 2" is really just a collection of leftovers and not a continuation of the high standards set in Volume 1, although it does contain their classic holiday single, "I Believe in Father Christmas," which is sufficient justification to add it to your collection.
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Widor: Complete Organ Works, Vol. 3
Manufacturer: MD&G Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000021G1 Release Date: 1995-11-14 |
Tracks:
- Symphonie No 5 In F Minor Op 42-1: Allegro Vivace
- Symphonie No 5 In F Minor Op 42-1: Allegro Cantabile
- Symphonie No 5 In F Minor Op 42-1: Andantino Quasi Allegretto
- Symphonie No 5 In F Minor Op 42-1: Adagio
- Symphonie No 5 In F Minor Op 42-1: Toccata (Allegro)
- Symphonie No 6 In G Minor Op 42-2: Allegro
- Symphonie No 6 In G Minor Op 42-2: Allegro
- Symphonie No 6 In G Minor Op 42-2: Intermezzo (Allegro)
- Symphonie No 6 In G Minor Op 42-2: Cantibile
- Symphonie No 6 In G Minor Op 42-2: Finale (Vivace)
Amazon.com
This third volume of the complete Widor organ music contains the Fifth and Sixth Symphonies--certainly the two most popular of Widor's organ compositions. In fact, in the concluding Toccata of the Fifth Symphony, we are dealing with the most popular single piece of organ music since the Toccata and Fugue in D minor of Bach. Academics love to sneer at Widor's Toccata as a tacky potboiler of a piece. It features an incredibly catchy tune that repeats itself to the point that you can't get it out of your head, and if it drives the official arbiters of taste insane, then that's their problem. The rest of us can simply enjoy it as the vivacious conclusion to a gorgeous piece of music. If you think that Widor is all flash, check out the haunting second movement. --David HurwitzCustomer Reviews:
Emotional Paydirt.......2003-07-30
But the Sixth Symphony has its many fans and is, in many ways, a superior work as a whole. The "breathing" from the pipes is particularly highlighted in this piece. The syncopation is just perfect. Some have opined that these piece seem a tad slow or leaden but van Oosten's interpretation is, I think, the correct one. Widor was aiming for denseness - not an ethereal lightness. One can easily grasp the overall sense of solemnity within these works that I am sure was the intent of the composer
Emotional paydirt.......2003-07-07
But the Sixth Symphony has its many fans and is, in many ways, a superior work as a whole. The "breathing" from the pipes is particularly highlighted in this piece. Some have opined that these piece seem a tad slow or leaden but van Oosten's interpretation is, I think, the correct one. Widor was aiming for denseness - not an ethereal lightness. One can easily grasp the overall sense of solemnity within these works that I am sure was the intent of Widor.
Widor, Complete Organ Works, Vol. 3.......2002-11-28
Superb playing by Ben van Oosten.......2000-12-07
Ben van Oosten's Interpretation.......2000-06-05
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Dowland: Complete Lute Works, Vol.1-5
Manufacturer: Harmonia Mundi Fr. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000007HU Release Date: 1997-11-11 |
Tracks:
- A Piece Without Title - Dowland
- Pavana - Dowland
- Mr Knights Galliard - Dowland
- My lord willobies wellcome home - Dowland
- The frogg galliard - Dowland
- A Fancy - Dowland
- My Ladie Riches galyerd - Dowland
- The Lady Laitons Almone - Dowland
- A Dream (Lady Leighton's Paven) - Dowland
- Galliard - Dowland
- Orlando sleepeth - Dowland
- What if a Day - Dowland
- Mrs Winters Jumpp - Dowland
- Galliard - Dowland
- M. Giles Hobies Galiard - Dowland
- Dr Cases Pauen - Dowland
- Mellancoly Galliard - Dowland
- Galliard - Dowland
- Mistris Whittes thinge - Dowland
- Go from my windowe - Dowland
- Almain - Dowland
- Mrs Whites Nothing - Dowland
- Pavan - Dowland
- Galliard - Dowland
- Farewell - Dowland
Tracks:
- My lady hunnsdons puffe
- Solus cum sola
- Suzanna Galliard
- Sir John Smith his Almain
- Sweet Robyne
- Dowlands first galliard
- Master Pypers Pavyn
- Captain Digorie Piper his Galliard
- As I wen to Walsingham
- Monsieur's Almaine
- Mrs Brigide fleetwoods paven alias Solus sine sola
- Dowlands Galliard
- Farwell (As
- Captain Candishe his Galyard
- Aloe
- Can she excuse
- A Coye Joye
- Mrs vauxes Gigge
- Mrs vaux Galliarde
- Sir Henry Guilforde his Almaine
- Mignarda
- Lachrimae
- Sir John Souch his galliard
- Fantasia
Tracks:
- The most high and mightie Christianus, the fourth King of Denmark, his Galliard
- Sir John Langton his Pavin
- Mr. Langtons galliard
- A Fancy
- A Pavan
- The most sacred Queene Elizabeth, her Galliard
- Mrs. Cliftons Allmaine
- The Right Honourable the Lady Cliftons Spirit
- tarletones riserrectione
- Tarletons Willy
- fortune my foe
- The Queenes galliard
- Wallsingham
- A Galliard (on Walsingham)
- Dowlands Adew for Master Oliver Cromwell
- The Right Honourable Ferdinando Earle of Darby, his Galliard
- Lord Strangs March
- Mistresse Nichols Almand
- forlone Hope fancye
- Mr. Dowlands Midnight
- Semper Dowland semper dolens
Tracks:
- Preludium
- A Fancy
- Lachrimae
- Galliard to Lachrimae
- A Fantasia
- An Almand
- Pavana
- The Right Honourable Robert, Earl of Essex, his Galliard
- A Galliard (on a galliard by Daniel Bachelar)
- My Lord Wilobies Welcom Home
- The Shoemakers Wife. A Toy
- The Right Hounourable The Lord Viscount Lisle, his Galliard
- Coranto
- A Galliard
- The Lady Russells Paven
- Galliard (on Awake sweet love, set by Fr. Cutting)
- The Frog Galliard
- Come Away
- La mia Barbara
- Loth to Departe
Tracks:
- A Fancy
- Pavana Dowlandi Angli (Mylius #2)
- Doulands rounde battell galyarde
- Pavin
- The Erle of Darbies Galiard
- Mistris Norrishis Delight
- A Jig
- The Erle of Essex Galliard
- Galliard
- Une Jeune Fillette
- Gagliarda
- Pavana Lachrimae
- Squires Galliard
- A Fancy
- Hasellwoods Galliard
- Sir Thomas Monson, his Pavin
- Sir Thomas Monson, his Galliard
- Almande
- Sir Henry Umptons Funerall
- Captayne Pipers Galliard
- A fantasie
Amazon.com
Dowland did for lute music what Haydn did for the string quartet and Beethoven the piano sonata. The finest lutenist and songwriter of his age--he composed several of the greatest hits of the late 16th and early 17th centuries--the surviving lute works constitute a sort of encyclopedia of the possibilities of the instrument. There are song arrangements, dance pieces, tributes to the composer's friends, even a musical self-portrait. Much of the music is fashionably sad. Lute songs generally deal with the agony of lost love, and Dowland's most popular tune was called Lachrimae (Tears). Paul O'Dette is simply the best lutenist alive. These five discs are available together at a special price, or separately. A reference edition. --David HurwitzCustomer Reviews:
Outstanding.......2007-03-31
It's not heavy breathing.......2006-08-22
Others have remarked on the "heavy breathing" noticeable on the recordings -- it's not heavy breathing, but the movement of his fingers on the gut strings making that sound.
Technically good, emotionally bland. .......2006-04-11
but especially in the US, this set becomes an essential "must have" for all lovers of the lute.
Yet it somehow disappoints.
I am sure that Paul O'Dette is brimming over with virtuousity and a technical expertise
that I am hardly one to pass sound judgement upon.
But the recordings have a flatness and monotony;
the songs are rendered with precision, but seem to lack feeling, empathy, or enthusiasm throughout the offering.
It is an impressive compendium, and I'm glad I purchased it.
There are very few lutenists out there producing any music at all, so Mr. O'Dette should certainly be praised
for delivering such a substantial feast to our ears.
It just should have had more flavor.
Where is Konrad Ragossnig when you need him?
Highly recommended.......2005-10-23
A few tunes appear more than once as Dowland reused some work, but the arrangements are sufficiently different to be interesting. It is his complete lute works, after all. Some might criticise the set for sounding too much in the same style. It is the work of one composer, and if you happen to like the style, as I do, this is a pro rather than a con.
Another reviewer mentioned obtrusive breathing on the recording. I had listened to Volume 1 for two years before reading the review and had not noticed this. On listening carefully, there is breathing audible, but I do not find it a problem. Perhaps it depends whether one listens to the music or the background.
just a warning..........2005-10-14
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Complete Works, Vol. 1
Spiritualized Manufacturer: Arista ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008WI7A Release Date: 2003-04-15 |
Tracks:
- Anyway That You Want Me
- Step Into The Breeze (part 1)
- Feel So Sad Spiritualized
- Feel So Sad (Rhapsodies)
- Feel So Sad (Glides And Chimes)
- Run Spiritualized
- Luminescence (Stay With Me)
- I Want You
- Effervescent (Chimes)
- Why Don't You Smile Now?
- Sway Spiritualized
- 100 Bars (Accappella)
- I Want You
- You Know It's True
- Medication
- Smiles
- Angel Sigh
- Feel So Sad
- Good Dope/Good Fun
- Lay Back In The Sun
- Good Times
- Electric Mainline (part 1)
- Electric Mainline (part 2)
- 100 Bars (Accappella)
Customer Reviews:
Brilliant!!!.......2007-02-18
While you're at it get Vol.2 (you know you want it, heh heh heh)
Spiritualized - 'The Complete Works,Volume 1' (Arista) 2-CD.......2005-01-26
A worthy endeavour.......2004-11-21
Nevertheless, it is a worthy endeavour to make the bulk of one's catalogue available on CD and the two discs have been sympathetically programmed
Wow I'm In Serious "Buy Everything This Band Does" Mode.......2004-08-25
Ladies and Gents, take a trip and leave the driving to them.......2004-03-28
My favorite band is Stereolab, and I find Spiritualized and Spacemen 3 to be in the same category. It's music that takes you to new worlds and delivers kind of a contact high. The synthesizers melodically pulsate in and out like a mantra.
Please give them a chance. Then listen to them again. Like all great music, they get better each time.
Thanks guys for putting out great music, and also well, saving me the money on drugs!
But, please, please, be careful. And I beg of you, don't listen to Spiritualized while driving!
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Jean-Yves Thibaudet ~ Debussy - complete piano works, vol. 1
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000004294 Release Date: 1996-08-13 |
Tracks:
- Preludes - livre I.: I. Danseuses de Delphes - C. Debussy
- Preludes - livre I.: II. Voiles - C. Debussy
- Preludes - livre I.: III. Le vent dans la plaine - C. Debussy
- Preludes - livre I.: IV. 'Les sons et les parfums tornent dans l'air du soir' - C. Debussy
- Preludes - livre I.: V. Les collines d'Anacapri - C. Debussy
- Preludes - livre I.: VI. Des pas sur la neige - C. Debussy
- Preludes - livre I.: VII. Ce qu'a vu le vent d'ouest - C. Debussy
- Preludes - livre I.: VIII. La fille aux cheveux de lin - C. Debussy
- Preludes - livre I.: IX. La serenade interrompue - C. Debussy
- Preludes - livre I.: X. La catedrale engloutie - C. Debussy
- Preludes - livre I.: XI. La danse de Puck - C. Debussy
- Preludes - livre I.: XII. Minstrels - C. Debussy
- Estampes: Pagodes - C. Debussy
- Estampes: La soiree dans Grenade - C. Debussy
- Estampes: Jardins sous la pluie - C. Debussy
- Deux Arabesques: I. Andante con moto - C. Debussy
- Deux Arabesques: II. Allegretto scherzando - C. Debussy
- Reverie - C. Debussy
- Masques - C. Debussy
- L'isle joyeuse - C. Debussy
Tracks:
- Preludes - livre II.: I. Brouillards - C. Debussy
- Preludes - livre II.: II. Feuiles mortes - C. Debussy
- Preludes - livre II.: III. La puerta del Vino - C. Debussy
- Preludes - livre II.: IV. 'Les fees sont d'exquises danseuses' - C. Debussy
- Preludes - livre II.: V. Bruyeres - C. Debussy
- Preludes - livre II.: VI. 'General Lavine' - excentric - C. Debussy
- Preludes - livre II.: VII. La terrasse des audiences du clair de lune - C. Debussy
- Preludes - livre II.: VIII. Ondine - C. Debussy
- Preludes - livre II.: IX. Hommage a Sanuel Pickwick Esq. P.P.M.P.C. - C. Debussy
- Preludes - livre II.: X. Canope - C. Debussy
- Preludes - livre II.: XI. Les tierces alternees - C. Debussy
- Preludes - livre II.: XII. Feux d'artifice - C. Debussy
- D'un cahier d'esquisses - C. Debussy
- Morceau de concours - C. Debussy
- Danse bohemienne - C. Debussy
- Nocturne - C. Debussy
- Images: Lent - C. Debussy
- Images: Tres vite - C. Debussy
- Pour le piano: Prelude - C. Debussy
- Pour le piano: Sarabande - C. Debussy
- Pour le piano: Toccata - C. Debussy
Tracks:
- Preludes -- Livre I - Jean-Yves Thibaudet
- Preludes -- Livre I - Jean-Yves Thibaudet
- Preludes -- Livre I - Jean-Yves Thibaudet
- Preludes -- Livre I - Jean-Yves Thibaudet
- Preludes -- Livre I - Jean-Yves Thibaudet
- Preludes -- Livre I - Jean-Yves Thibaudet
- Preludes -- Livre I - Jean-Yves Thibaudet
- Preludes -- Livre I - Jean-Yves Thibaudet
- Preludes -- Livre I - Jean-Yves Thibaudet
- Preludes -- Livre I - Jean-Yves Thibaudet
- Preludes -- Livre I - Jean-Yves Thibaudet
- Preludes -- Livre I - Jean-Yves Thibaudet
- Estampes - Jean-Yves Thibaudet
- Estampes - Jean-Yves Thibaudet
- Estampes - Jean-Yves Thibaudet
- Deux Arabesques - Jean-Yves Thibaudet
- Deux Arabesques - Jean-Yves Thibaudet
- Reverie - Jean-Yves Thibaudet
- Masques - Jean-Yves Thibaudet
- L'isle Joyeuse - Jean-Yves Thibaudet
Customer Reviews:
mixed feelings, 3 stars........2007-07-05
On the other hand, Thibaudet does have technical mastery - the pieces with which I am less familiar, etudes especially (referring to vol. 2 of the set) are played, to my ears at least, very well, and in fact bring a smile to the face. There is no 'bad' playing anywhere, but the pieces in which I would have liked more musicality lead me to think that the others which I haven't developed an opinion on will sound better in other sets as well. The search continues. At least this set is a good bar.
Jean-Yves Fan.......2007-03-21
Superior recordings and performances.......2005-09-18
We have several recordings of the Preludes and some other works, but there is nothing to come close to Thibaudet for great performances and superior recording quality.
The liner notes are very helpful, and in the first set you get different articles in English, French, German and Italian. Great if you are multilingual, but only of marginal interest to me. The second set has one article and translations, not separate articles.
Well worth purchasing.
Another installment of great by Thibaudet.......2000-06-13
Average customer rating:
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Bartok: Complete Solo Piano Music
Manufacturer: Vox (Classical) ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008X5AY Release Date: 2003-05-27 |
Amazon.com
Sàndor, still active at 90 as this reissue appears, was a student of Bartók and a preferred interpreter of his music. Since this set appeared on nine LPs in the early 1960s, it has been the standard for Bartók's piano music; in this fine-sounding reissue, it still is. Sàndor can hit hard enough for such virtuoso pieces as the Piano Sonata and "Out of Doors," but he also retains the romantic element heard in the composer's own playing which tempers the harsher qualities of the music. While this collection isn't quite as complete as advertised (some early, insignificant piano music by Bartók is omitted), it includes all of Bartók's significant piano music, including such relatively obscure gems as the Bagatelles, eight Improvisations, and many delectable folk arrangements which will appeal even to listeners who think Bartók is too challenging for them. Vox's recorded sound, superbly remastered, resists obsolescence as effectively as Sàndor's performances. Even with the inclusion of the early books of "Mikrokosmos," which will appeal mostly to piano students, this set is worth several times the asking price. --Leslie GerberCustomer Reviews:
Microcosmos.......2007-03-08
The piano music is dominated by short pieces, many of them written for piano students, notably the collections "Microcosmos" and "For Children". These, together with suites of folk dance arrangements, make up the bulk of the solo piano output.
Sandór plays these short, and often simple pieces, with neither too much nor too little art. As a gifted teacher, he knew unerringly how much music each of these small vessels held. The result is beguiling - but be warned: no-one can listen to the 153 short pieces of Microcosmos end-to-end. This is an anthology to be dipped into, not swallowed whole.
The remastering is pretty successful (fortunately - some of Vox's CD reissues are plagued by severe deterioration of the original tapes). And it's for half nothing-what's not to like?
Great value with a few flaws.......2006-07-28
As mentioned by an earlier reviewer, very few of the works are split into tracks - Mikrokosmos is divided into 7 for each of its six volumes, and to accomodate for a full CD. In these seven tracks there are 121 songs. I would have much preferred if the songs had been split into tracks. Almost the entire CD set is this way - Fifteen Hungarian Songs is one track, Fourteen Bagatelles, etc. It is very annoying when one wants to hear a particular song in those tracks and not the others.
Another detriment to the collection is the recording quality. It is decent most of the time, but in loud sections the piano buzzes. One might be able to ignore it, but I think that it detracts from the passion of the forte quite a bit.
Overall, for $18 it is pretty decent, but if you are like me and like to keep your music library neatly organized (and aren't extremely cheap), I would not recommend this set.
eeh, I guess I don't like Bartok that much.......2006-07-25
Best classical value out there.......2005-10-05
Now, Kocsis is one of the greatest pianists alive, and if anyone is worthy of commanding a premium, it is him. And to be fair, that CD is going to be re-released on October 11 as part of a Collector's Edition - eight CDs, $63.97 MSRP. But it's already going up against this little gem, which contains five CDs with all of the truly great solo-piano works by an internationally recognized Bartok specialist for $21 - not much more than the cost of one CD from the other set. This kind of value is not to be taken lightly.
I came to this set with my impression of Sandor informed by his complete Prokofiev - ultra-hard, sometimes rhythmically slack, always melodically lacking in some way or another. But he held a very special feeling for Bartok, and saved his best playing for the great Hungarian. In passages like the first of the Three Csik Dances, the opening of the Improvisations Op. 20, or in the Ten Easy Pieces, there is a simplicity, charm and wistful homesickness that is quite touching. In pieces like the Out of Doors suite, the Sonata, or the Burlesques, there is a vicious, impulsive energy, a wicked sense of humor and an overabundance of overtones. It is never mindless, inappropriate or even overly harsh - it's just very, very loud.
In this set I like best the endless landscape of the Sonatina, the unusual colors and fragrances in the Etudes, the brilliantly conceived Bear Dance (the last of the Ten Easy Pieces), and the multifaceted, complex, gorgeous Improvisations. Any fan of Bartok should hear these.
5 Stars for the music and performance.......2005-04-04
Average customer rating: |
Complete Recorded Works, Vol. 1
Fats Waller Manufacturer: Jsp Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000OV123Y Release Date: 2007-06-05 |
Tracks:
- Muscle Shoals Blues
- Birmingham Blues
- 'Taint Nobody's Bus'ness If I Do
- You Got Ev'rything A Sweet Mama Needs But Me
- Mama's Got The Blues
- Last Go Round Blues
- Stingaree Blues
- You Can't Do What My Last Man Did
- Sister Kate
- You Can't Do What My Last Man Did
- Trixie Blues
- I'm Cert'ny Gonna See 'Bout That
- Squabbling Blues
- In Harlem's Araby
- You Don't Know My Mind Blues
- West Indies Blues
- Maybe Someday
- (I'm Gonna See You) When Your Troubles Are Just Like Mine
- You Get Mad
- What's The Matter Now?
- Nobody Knows De Trouble I See
- Couldn't Hear Nobody Pray
- Ain't Got Nobody To Grind Ma Coffee
- Mama's Losin' A Mighty Good Chance
- The Henderson Stomp
- The Chant
Tracks:
- St Louis Blues
- Lenox Avenue Blues
- What Do You Know About That
- Shut Your Mouth
- Soothin' Syrup Stomp
- Sloppy Water Blues
- Loveless Love
- Messin' Around With The Blues
- The Rusty Pail
- Stompin' The Bug
- Hog-Maw Stomp
- Blue Black Bottom Stomp
- Whiteman Stomp
- I'm Coming Virginia
- Preach The Word
- I'll Just Stand And Ring My Hands And Cry
- True Friendship
- The Christians' Trouble Is Ended
- Sugar
- Sugar
- Beale Street Blues
- Beale Street Blues
- I'm Going To See My Ma
- 'Fats' Waller Stomp
- Savannah Blues
Tracks:
- Won't You Take Me Home
- My Old Daddy's Got A Brand New Way To Love
- Anything That Happens Just Pleases Me
- I've Got The Joogie Blues
- Florence
- Gone But Not Forgotten
- You Live On In Memory
- Bye-Bye Florence
- He's Gone Away
- I Ain't Got Nobody
- The Digah's Stomp
- Red Hot Dan
- Geechee
- Please Take Me Out Of Jail
- Back In Your Own Back Yard
- Nobody Knows How Much I Love You
- What's The Use Of Being Alone?
- Original Blues
- Willow Tree
- 'Sippi
- Thou Swell
- Persian Rug
- Chicago Blues
- Mournful Tho'ts
Tracks:
- You Can't Do What My Last Man Did
- Trixie Blues
- St Louis Blues
- What Do You Know About That
- Shut Your Mouth
- Soothin' Syrup Stomp
- Sloppy Water
- Messin' Around With The Blues
- The Rusty Pail
- Stompin' The Bug
- Hog-Maw Stomp
- 'Fats' Waller Stomp
- Savannah Blues
- Won't You Take Me Home
- My Old Daddy's Got A Brand New Way To Love
- Anything That Happens Just Pleases Me
- I've Got The Joogie Blues
- He's Gone Away
- The Digah's Stomp
- Red Hot Dan
- Geechee
- Please Take Me Out Of Jail
- Willow Tree
- 'Sippi
- Thou Swell
Average customer rating:
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Howard Hanson: Orchestral Works, Vol. 1
Kenneth Schermerhorn , and Nashville Symphony Orchestra Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004UATG Release Date: 2000-07-18 |
Tracks:
- Andante Solenne - Allegro Con Forza
- Andante Teneramente, Con Semplicita
- Allegro Con Fuoco
- Overture
- Children's Dance
- Love Duet
- Prelude To Act II And Maypole Dances
- Pan And The Priest, Op.26
- Rhythmic Variations On Two Ancient Hymns
Amazon.com
Naxos, the Little Label That Could, has emerged as the music industry's foremost advocate of American music with their American Classics series. Now, they've turned their attention to one of the greatest composers of American Romanticism, Howard Hanson. This inaugural disc contains a performance of the First Symphony that easily trumps the Gerard Schwarz-Seattle Symphony on Delos. Hanson himself has recorded the work several times, but the Naxos release has much better sound quality (and you'll like the breadth of the Nashville Symphony's vision of this delicious music). The same holds for the celebratory "Merry Mount" Suite. However, this release contains two rare discmates, the symphonic poem Pan and the Priest and Rhythmic Variations on Two Ancient Themes. Spectacular music of undeniable character. --Paul CookCustomer Reviews:
OK First Hanson Outing.......2006-04-01
Hanson's 32-minute "Nordic" Symphony, his first, lends its ear to Sibelius, the Finnish composer, as well as perhaps, Hanson's own Swedish heritage. The best description of the opening movement (three in total), is Romantic sweep. The long melodies are aided by lengthy time signatures (5/4, 9/4, 6/4, and 7/4). The music seems to me like the soundtrack to an old black and white romance movie; the foreboding drama, thick lush strings, forceful horns, long melodic line, and grand climaxes. The second movement carries the cinematic feel with plaintive wind solos, a dramatic climax where the strings take over the melody in a grand sweep. The final movement is just as heroic as you would expect; the work ends in a temperamental minor mode. Perhaps a bit old-fashioned, the symphony is an invigorating experience with ideas popular around the turn-of-the-century.
The famous Merry Mount Suite (18 minutes) is taken from Hanson's opera of the same name. In five parts (Overture, Children's Dance, Love Duet, Prelude to Act II, and Maypole Dances), the subject revolves around 1600's Puritans dealing with temptations of the devil as well as local heathens. The forceful brass chorales and tolling bells of the overture set the scene with an antique quality. The playful nature of the Children's Dance is aided by witty orchestration, a battery of percussion, and a relentless rhythmical quality with jazzy syncopations. The love duet is peacefully tranquil, but builds to a passionate climax on numerous occasions and revels in warmth. The Prelude is an evocation of spring and preparing for a festival, while the Maypole Dances are an almost medieval sounding celebration rooted in ancient ritual. A spirited and varied musical suite, full of great tunes, musical moments, and drama.
The 13-minute symphonic poem Pan and Priest represents musically the age-old conflict between the spiritual and religious and revelry and sensuality. Long chant-like melodies represent spirituality, while aggressive brass and rhythms represent Pan. In its time, this work was regarded a great American work, but rarely found today. Rhythmic Variations on Two Ancient Hymns is scored for full string orchestra; a lush, Romantic contemplation on hymns, including an attractive solo violin section and some great harmonies. At eight minutes, the variation technique shows Hanson's ability to create great musical scenerios.
This budget Naxos recording features Kenneth Schermerhorn and the Nashville Symphony Orchestra, not a first-class ensemble, but by all accounts on this recording, a very fine ensemble of professional musicians. Schermerhorn leads well, a bit langorous in tempo, but solid performances. The recording quality by Naxos dropped the ball, however, the ensemble seems a bit far away and the woodwinds cannot be heard when the full ensemble is playing (save the piccolo) and still some troubles of balance when not the full ensemble. With the exception of the Variations, the strings lack a little in the warmth department and the winds suffer a little too; the brass do well, however. Compared to Gerard Schwarz and the Seattle Symphony on Delos, the choice is tough: monetary vs. balance issues; you will have to compare on your own.
Suprisingly AMAZING.......2005-05-17
One of the best introductions to Howard Hanson's work.......2004-06-12
Unfortunately, like so many composers, Hanson's work became neglected. Hanson was an arch-romantic. His lush and romantic scores were written at the same time as Stravinsky was shocking Parisian audiences, as Copland and Thomson were stressing the importance of Americana, and as Henry Cowell was touring Europe and America with his music based on tone clusters. However, this is no reason to neglect Hanson's work.
The Symphony No. 1 "Nordic" is one of my favourite Hanson works. The recording that the composer himself made of Mercury remains my favourite, though this version has quickly become a favourite as well. Maestro Schermerhorn has the advantages of a well trained ensemble. Schermerhorn is a gifted conductor and makes this work sound like what it actually is, one of the masterpieces of American music. The other works on the CD are no less interesting. In short, this is probably the best introduction to Hanson's work as a composer. One hopes that there will be many more Hanson CDs from Schermerhorn and the Nashville Symphony!
A Home Run!.......2001-02-13
The conducting is outstanding, the music gorgeous, and the Nashville Symphony is just wonderful. Wow. The engineering is even good!
Buy this.
An auspicious start to a new Hanson series.......2000-11-14
Others, including Hanson himself, on Mercury Living Presence and Gerard Schwarz and the Seattle Symphony Orchestra on Delos, have recorded his central repertoire, including the symphonies and the larger orchestral works. But no series was ever completed; Hanson's own foray, with the Eastman-Rochester Orchestra, was cut short by his retirement from active conducting in the mid-'60's. So this is a very welcome start to what this Hanson fan hopes to be a complete essaying of the orchestral works.
Basically conservative and an arch romantic, Hanson had been considered a "throwback" composer during much of his life, bypassing the avant garde, serialism, modernism, post-modernism, minimalism and all other "ism's" of the 20th century. But his music is immediately accessible and is characterized by a gift for melody, harmonic lushness and rich chromaticism reminiscent of Bruckner. Born of Swedish stock in Wahoo, Nebraska, his music comes naturally by its "Nordic" sense of place, with the symphonies and other works of Sibelius clearly in his musical DNA. But there are other identifiable musical "signatures" in addition to Sibelius and Bruckner: Hanson's frequent use of tympani ostinato in his symphonies recalls the opening bars of Brahms' 1st Symphony, and his often brilliant splashes of orchestra color, particularly high woodwinds, is a reminder that, after winning the American Prix de Rome in 1920, he studied under Ottorino Respighi while in Rome. (At the time, Respighi had only written "The Fountains of Rome," the first of three parts of his Roman triptych; "The Pines of Rome" and "Roman Festivals" were written after Hanson had returned to the U.S.)
I will cheerfully go on record to state that Schermerhorn's performance of the "Nordic" Symphony is the best available, from the perspectives of interpretation, performance and recorded sound quality. (Hanson's would of course have been the definitive one, were the Eastman-Rochester Orchestra up to snuff, and had Mercury had the access to recording technology that is presently available.) With modestly careful listening, one can pick out all of the musical signatures noted above, yet still conclude that Hanson is his own man, with his own musical thoughts to express.
Hanson's one opera, "Merry Mount," had been an instant success at its premiere, but has since languished in near-obscurity save for the orchestral suite which he fashioned from its incidental music. The "Love Duet" makes a strong case for a remounting of this opera; it is a gorgeous piece of music just waiting for the complete opera to surround it.
"Pan and the Priest" is an early tone poem, making its recording premiere, as far as I know, in this coupling. It brings to mind several of the great tone poems written by Sir Arnold Bax, Hanson's British contemporary, as well as those of Hugo Alfvén, his Swedish contemporary. This is excellent company to be allied with, and it is our loss that Hanson did not write more works in this genré. Identifiably Hanson, it holds up very well in comparison with the the poems of Bax and Alfvén.
"Rhythmic Variations on Two Ancient Hymns" also receives a recording premiere here. Modal in structure and feel, it is reminiscent of the simiarly modal music of Ralph Vaughan Williams.
Spendid performances and recording of a great cross-section of Hanson's orchestral works. Like Schermerhorn's Ives Symphony No. 2 which came immediately after this Hanson disc, yet another American Classics triumph for Naxos, "the little label that could."
Bob Zeidler
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Greatest Hits: Harpsichord
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002C0U Release Date: 1995-08-22 |
Tracks:
- Air And Variations In E Major From Harpsicord Suite No. 5: The Harmonious Blacksmith
- Keyboard Suite No. 11 In D Minor: Sarabande
- Greensleeves (16th Century)
- Lavolta
- The Earl Of Salisbury: Pavan, The Earl Of Salisbury
- Ut re mi fa sol la, In F
- The King's Hunt
- The Nightingale (17th Century)
- For Two Virginals
- The Prince Of Denmark's March
- The 18th Order (3rd Book Of Pieces For Harpsicord): Le tic-toc-choc, No. 6
- The 15th Order (3rd Book Of Pieces For Harpsicord): Musete de Choisi, No. 4
- Le Tambourin
- La poule
- Le Coucou
- Sonata In D Minor, 'Pastorale'
- Sonata In E Major, 'Capriccio'
- Sonata in D Major
- Goldberg Variations, BWV 988: Aria
- The Well-Tempered Clavier, Book 1, BWV 846: Prelude and Fugue No. 1 In C Major
- Italian Concerto In F Major, BWV 971: III. Presto
- The Anna Magdalena Notebook: Minuet In G Major, BWV Anh. 114
- Sonata No. 11 In A Major, K. 331: III. (Rondo) Alla Turca
- Wo0 10, No. 2: Minuet in G Major
- Trumpet Tune 'Martial Air'
- Round O (Rondo)
- The 6th Order (2nd Book Of Pieces For Harpsichord): Les baricades misterieuses, No. 5
- The 15th Order (3rd Book Of Pieces For Harpsicord): Musete de Taverni, No. 5
- Cuckoo Toccata
Customer Reviews:
"Best Harpsichord Recording".......2005-11-05
Plenty of music for a moderate price as well.
Great.......2005-08-09
a must-have for harpsichord lovers.......2004-04-30
David Rehak
author of "Love and Madness"
keeno.......2001-01-08
This is a well engineered CD. Many featuring the harpsichord demand a level of equipment beyond that of any regular person with bills, which means this disk sounds just fine on a boom box. Everybody in the family will like some part of this disk `cept for the 13 year old whose lost to punk rock or hip hop.
The Most Superb Harpsichord Sampler.......2000-07-27
Rap Music:
- Worlds Apart [Explicit Lyrics]
- XX
- 12"/'80s/2 [Box set]
- 867-5309/Jenny
- Age of Plastic (+3 Bonus Tracks) [Cast Recording] [Original recording remastered] [Import]
- Americano [Enhanced]
- Angels of the Universe [Soundtrack]
- Anthology [Original recording remastered]
- Any Day Now
- As Time Goes By
Recommended Music:
Whole 9 Yards, Vol. 1: Mixed by Dylan Rhymes [Import]
Music: You Can't Keep a Good Memory Down
Dumbass On A Rampage [Explicit Lyrics]
Donizetti: Lucie de Lammermoor; Natalie Dessay, Roberto Alagna [Box set]
Collezione-Best of Marco Masini