Songs from the Last Century

Songs from the Last Century

Editorial Reviews

Amazon.com
A hint: there are no Wham songs on George Michael's 10-tune tribute to the music of the 20th century. There is a song by the Police ("Roxanne"), but the reggae ballad is rendered in such a turgid manner, it resembles nothing so much as a lounge singer stoned on Quaaludes. Elsewhere, the silver-tongued former club kid covers Rodgers & Hart ("Where or When"), U2 ("Miss Sarajevo"), and Ewan MacColl ("The First Time Ever I Saw Your Face"). He pours so much calculated sentiment on top of each track that the entire record oozes a prefab corniness even Hallmark would recoil at. This is not to deny the power of George Michael's velvety, potent voice (although it does sound much better singing catchy dance-pop ditties) nor the fact that he's selected an interesting selection of ballads and folk and torch tunes. And Phil Ramone's production never veers from the middle of the road, unobtrusively shifting from smooth big-band jazz to Disney movie-ish harp accompaniment. If this CD is Michael's attempt to join the company of great song interpreters of the past, from Frank Sinatra to Billie Holiday, he will have to take a lot more chances and lose the sappy reserve. --Mike McGonigal

Songs from the Last Century,George Michael,Virgin Records,Adult Contemporary,Pop,Pop Vocals,Pop/Rock,Popular Music,Rock/Pop,Urban

Songs from the Last Century

Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
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  • Excellent Intro for Those Not Familiar with the Orchestra
 Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Mahler Symphonies: An Owner's Manual (includes 1 CD)
  3. The Young Person's Guide to the Orchestra (Book & CD)
  4. What to Listen for in Music
  5. Study of Orchestration, Third Edition

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Songs from the Last Century
Average customer rating: 4 out of 5 stars
  • It is Very Different Then Anything Else from G.M.
  • Hard to accept that this masterpiece has never been recognized.
  • Wow, how did I miss this one gem all these years?
  • Wonderful Trip to Yesterday
  • George Michael: Songs From The Last Century (1999)
 Songs from the Last Century
George Michael
Manufacturer: Virgin Records Us
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Pop | Styles | Music
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  1. Five Live
  2. Patience
  3. Listen Without Prejudice, Vol. 1
  4. Older
  5. An Easier Affair

ASIN: B000026AYH
Release Date: 1999-12-14

Tracks:

  1. Brother Can You Spare A Dime
  2. Roxanne
  3. You've Changed
  4. My Baby Just Cares For Me
  5. The First Time Ever I Saw Your Face
  6. Miss Sarajevo
  7. I Remember You
  8. Secret Love
  9. Wild Is The Wind
  10. Where Or When

Amazon.com

A hint: there are no Wham songs on George Michael's 10-tune tribute to the music of the 20th century. There is a song by the Police ("Roxanne"), but the reggae ballad is rendered in such a turgid manner, it resembles nothing so much as a lounge singer stoned on Quaaludes. Elsewhere, the silver-tongued former club kid covers Rodgers & Hart ("Where or When"), U2 ("Miss Sarajevo"), and Ewan MacColl ("The First Time Ever I Saw Your Face"). He pours so much calculated sentiment on top of each track that the entire record oozes a prefab corniness even Hallmark would recoil at. This is not to deny the power of George Michael's velvety, potent voice (although it does sound much better singing catchy dance-pop ditties) nor the fact that he's selected an interesting selection of ballads and folk and torch tunes. And Phil Ramone's production never veers from the middle of the road, unobtrusively shifting from smooth big-band jazz to Disney movie-ish harp accompaniment. If this CD is Michael's attempt to join the company of great song interpreters of the past, from Frank Sinatra to Billie Holiday, he will have to take a lot more chances and lose the sappy reserve. --Mike McGonigal

Customer Reviews:

2 out of 5 stars It is Very Different Then Anything Else from G.M. .......2007-04-12

I like listening to George Michael as I personally feel he has a great voice but this album is not really for me. I like almost all of his music but I could have skipped this one and it would not have been a loss.

5 out of 5 stars Hard to accept that this masterpiece has never been recognized........2007-02-28

Can one album change the entire genre of music you're listening? This album did for me! I used to be an average pop-rock listener, until I came across with it. Since then gradually I've become a jazz fan.

The songs are excellently performed by GM while I wouldn't ignore the great influence and contribution of the producer Phil Ramone.

The album is one of the rare albums in my whole life that I like from Track 1 till the end and have kept in my cd-changer for several years, and each year I found another track to really enjoy listening to.

I believe GM's voice suits more in jazz music than any other genre, and hope he releases a second volume of this album.

5 out of 5 stars Wow, how did I miss this one gem all these years?.......2006-02-09

I always know George Michael has a nice voice unlike lots of crappy pop singers. But this just totally blew me away. I'm a big fan of his Faith album, but I'd never imagined him singing these songs so beautifully. What a rare talent. Wish he had recorded more albums like this.

4 out of 5 stars Wonderful Trip to Yesterday.......2006-02-01

Yes this CD is NOT for everyone. But that being said I thought it was masterfully done. From Doris Day's "Secret Love" to "Brother Can You Spare a Dime" the tracks are fulled with emotion and power of an artist not afraid to move out of his expected nitch and risk everything to explore another side of himself. So if you're up to a little old fashioned style I think you'd be pleasently suprized. - Jim Chappelle, L.A. CA.

5 out of 5 stars George Michael: Songs From The Last Century (1999).......2005-11-20

In 1999, George Michael released his fifth album entitled, SONGS FROM THE LAST CENTURY. This album is not as good as I had hoped it would be, but the brilliance of it is what persuaded me to give the album five stars.

BROTHER CAN YOU SPARE A DIME
Originally recorded by Tom Waites. I've never heard the original, but George did not do a bad job with recording this one. It's a song I can easily enjoy.

ROXANNE
Originally recorded by The Police. Between The Police's rendition and George's rendition, I prefer both. Both versions are incredible.

YOU'VE CHANGED
Originally recorded by Joni Mitchell. Both Joni's original and George's rendition are definitely worth listening to. Believe me.

MY BABY JUST CARES FOR ME
Originally recorded by Frank Sinatra. I am not a fan of Frank Sinatra's, although, his voice is very soothing. I did not really go for George's version either.

THE FIRST TIME EVER I SAW YOUR FACE
Originally recorded by Roberta Flack. Roberta Flack's version will always be the definitive version. George Michael's rendition is just as good as Roberta Flack's version.

MISS SARAJEVO
Originally recorded by U2. Never liked either version.

I REMEMBER YOU
I am not sure who originall recorded this song, but it has been covered by many artists over the years, such as Ella Fitzgerald, Frank Sinatra, The Ramones, Roxette, The Pretenders, etc. Not a bad rendition.

SECRET LOVE
Originally recorded by Frank Sinatra. Not bad.

WILD IS THE WIND
Originally recorded by Johnny Mathis. Never liked either version.

WHEN OR WHERE
Originally recorded by Rodgers & Hart. Not bad.

This is an album that'll remind you of the past and it is worth the money. At least in my opinion. But, anyway, buy yourself a copy if you don't have it already.
Renee Fleming - The Beautiful Voice ~ Gounod, Lehaair, Orff, Puccini, Rachmaninov, Strauss
Average customer rating: 4.5 out of 5 stars
  • The best of the best.
  • Beautiful and creamy voice
  • Renee Fleming;THE BEAUTIFUL VOICE
  • The most gorgeous soprano voice I've ever heard
  • Wow!!!
 Renee Fleming - The Beautiful Voice ~ Gounod, Lehaair, Orff, Puccini, Rachmaninov, Strauss
Gustave Charpentier , Charles Gounod , Jules Massenet , Antonin Dvorak , Friedrich von Flotow , Giacomo Puccini , Erich Wolfgang Korngold , Carl Orff , Richard Strauss , Sergey Rachmaninov , Johann II Strauss , Franz Lehar , Jose Maria Cano , Marie-Joseph Canteloube , Jeffrey Tate , Sir Charles Mackerras , Renée Fleming , English Chamber Orchestra , Osian Ellis , London Voices , and Clive Greensmith
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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  1. Renée Fleming
  2. Renee Fleming: By Request
  3. Renée Fleming - Signatures ~ Great Opera Scenes / Sir Georg Solti
  4. Sacred Songs
  5. Handel

ASIN: B0000042I6
Release Date: 1998-02-10

Tracks:

  1. Louise (Acte 3): Depuis le jour ou je me suis donnee
  2. Faust (Acte 3 - Air des bijoux): O Dieu! que de bijous!... Ah! Je ris de me voir si belle (Air des bijoux - Jewel Song)
  3. Manon (Acte 3): Je marche sur tous les chemins... Obeissons... Profitons bien de la jeunesse (Gavotte)
  4. Gypsy Melodies, Op. 55 B104 No. 4: Songs My Mother Taught Me
  5. Martha (Act 2 - No. 8 The Last Rose): 'Tis The Last Rose Of Summer
  6. La rondine (Act 1): Chi il bel sogno di Doretta
  7. Die tote Stadt (Act 1 - Mariettas Lied): Gluck, das mir verblieb
  8. Carmina Burana (No. 21): In trutina
  9. Vier Lieder, Op. 27 No. 4: Morgen!
  10. Vocalise, Op. 34 No. 14: Vocalise
  11. Die Fiedermaus (Act 2 - Csardas): Klange der Heimat (Csardas)
  12. Die lustige Witwe (Act 2 - Vilja-Lied): Es lebt' eine Vilja (Vilja-Lied)
  13. LUNA: Epilogo
  14. Chants d'Auvergne, Series 1: Bailero

Amazon.com essential recording

This vocal recital certainly lives up to its title, perhaps too well. It's a collection of arias and songs Fleming has sung for years that for some may be too much frosting and not enough cake. Surely, her performances are rich with interpretive nuances, wonder-filled portamentos and word colorings that reflect a long history with this repertoire, which ranges from Charpentier's "Depuis le jour" to Rachmaninoff's "Vocalise." Some may find Fleming a bit much, but agree with her or not, she's far more interesting than singers who keep a safe, discreet distance from the music. --David Patrick Stearns

Customer Reviews:

5 out of 5 stars The best of the best........2007-04-11

I've given away at least a dozen copies of this CD. I'm running low, so I just refilled the stash. For people who haven't discovered Renee Fleming or who think they don't care for opera, this CD is the best possible way to blow down the walls. If you think there's nothing new to be heard in these old arias, you owe it to yourself to find out how wrong you can be.

4 out of 5 stars Beautiful and creamy voice.......2006-02-28

I like so much Ren?e Fleming and this is special cd !

5 out of 5 stars Renee Fleming;THE BEAUTIFUL VOICE.......2006-01-30

IT'S A FINE RECORDING THAT OFFERS A VARIETY OF SELECTIONS FROM OPERA, OPERETTAS AND FOLK SONGS, ALL WITH FLEMING AT HER BEST.















5 out of 5 stars The most gorgeous soprano voice I've ever heard.......2006-01-02

I am a 19-year-old voice student at the University of Central Arkansas and I came across Renee by way of a soprano in my voice studio. She said it was her favorite soprano and that I should give her a listen. I was a little hesistant because I'm a baritone and my voice teacher told me that I should listen to men, but I just want to hear it all. So this past summer I first bought Renee's self-titled album with all of the lolipop arias on it and I was just amazed, not just because of how good she is but how easy she is to listen to. I loved her voice immediately. From the the moment the first tone passed through her throat on Puccini's "O Mio Babbino Caro." So I had to hear more. The Beautiful Voice is even better. It wasn't as easy to listen to at first because some of the songs on this album are not as famous as those on the other one, but these songs are all gems. The Korngold with the pianissimi B flats is my personal favorite. Even my mother who screams at me to turn down that "noise" when I listen to opera cds has grown to be quite fond of Renee Fleming. Sometimes her interpretations can be over the top, but the voice is beyond spectacular. It pours out like melted butter. It's vibrant, rich, expressive, free and always perfectly in tune. There is no hint of strain from any sound emitted from her body. She will undoubtedly be remembered like Callas & Sutherland and all the other great soprano voices before her. Not for the dramatic intensity of Callas or the coloratura & technical ease of Sutherland, but for the sheer unspeakable beauty of her voice. This is a must have for any vocalist seriously dedicated to classical training.

5 out of 5 stars Wow!!!.......2005-09-28

This album is the album that introduced me to Renee Fleming. Every selection on this recording is a gem. Her voice is so gorgeous and her technique is so solid. I love her voice so much, her interpretations of J. Strauss, Jr.'s Csardas is incredible and Puccini's Chi il bel sogno di Doretta makes me cry everytime I listen to it. She is a true American treasure. Brava Renee!!!
Rule Britannia and Other Music from Last Night of the Proms
Average customer rating: 4 out of 5 stars
  • Music from the empire
  • The British and their music
  • A good choice of tunes
  • A beautiful CD!
 Rule Britannia and Other Music from Last Night of the Proms

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000AEL9
Release Date: 1998-08-25

Tracks:

  1. Crown Imperial
  2. Jerusalem
  3. Enigma Variations, Op 36, Variation No 9 (Nimrod)
  4. Fantasia on British Sea Songs: The Saucy Arethusa
  5. Fantasia on British Sea Songs: Tom Bowling
  6. Fantasia on British Sea Songs: Jack's The Lad
  7. Fantasia on British Sea Songs: Farewell Ye Spanish Ladies
  8. Fantasia on British Sea Songs: Home Sweet Home
  9. Fantasia on British Sea Songs: See The Conquering Hero
  10. Fantasia on British Sea Songs: Rule Britannia
  11. Overture: 'Tam O'Shanter', Op. 51
  12. I Was Glad When They Said Unto Me
  13. Orb And Sceptre
  14. Pomp and Circumstance, Op. 39, March No. 1

Customer Reviews:

4 out of 5 stars Music from the empire.......2007-06-01

From the 1700s to the mid-1900s, Britian ruled most of the world at some time or another. Part of this experience was the exportation of the English language, English bureaucracy, and the British school system (headmasters, uniforms, standardized testing) to places as disparate as Canada, Singapore, India and Egypt. Yet somehow, music students around the world learn to play Mozart, Beethoven, Bach, or some other continental composer. British music did not get widespread attention until the Beatles. This is surprising given that English composers produced music in ballets, symphonies, overtures, operas and just about every other style and form known. Maybe the reason why is that many locals' first taste of British music was imperial music played upon the entrance of their overlords, or in military parades meant to cower them. Samples of such music are provided in this CD from naxos. Offering works from various English composers from the 1800s to early 1900s, this album leaves out the more melodic and evocative works of English music such as Vaughn-Williams' Greensleeves, Elgar's Pomp and Circumstance, or Jupiter by Holst. Instead, the focus is on music played at ceremonies, whether they be parades, crownings, burials, etc... The result is a nicely-themed CD that is unique in its contents. The sound quality is great, though the orchestration is only good. For example, title piece of Rule Britannia is played much better on other albums. Note that the works on this CD are pure British; no Irish, Scottish or Welsh influences. Overall, a nice CD to listen to.

5 out of 5 stars The British and their music.......2007-05-30

This CD offers an excellent sampler of traditional British music. If you have watched Chariots Of Fire you will recognize Jerusalem By Parry(the final scene at Harold Abraham's funeral). This is a beautiful selection. The Tam O'Shanter Overture dispells the often unjustified characterization of the stuffy Englishman and is a rousing piece. All in all a very enjoyable CD. Buy it!

4 out of 5 stars A good choice of tunes.......2005-06-29

It is a good choice of tunes played often in England. The quality of recording is good, the choice of tunes is good too and the orchestration is good too. It is a good CD to buy.

4 out of 5 stars A beautiful CD!.......2001-12-16

This one is for all those who want a splendid introduction to the music this CD offers. It would make a lovely Christmas present for the discriminating listener. My favorite is "Jerusalem!"
David Daniels - Serenade
Average customer rating: 5 out of 5 stars
  • a voice teacher and early music fan
  • Outstandingly beautiful- a great legend in our time
  • Follow the Leider...For He Is David Daniels
  • Countertenors: They're not just for Baroque Anymore!
  • Beyond Gimmick
 David Daniels - Serenade
Christoph Willibald Gluck , Antonio Caldara , Antonio Cesti , Franz Schubert , Ludwig van Beethoven , Antonio Lotti , Charles Gounod , Ralph Vaughan Williams , Francis Poulenc , Henry Purcell , David Daniels , and Martin Katz
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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All Works by PoulencAll Works by Poulenc | Poulenc, Francis | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
Purcell, HenryPurcell, Henry | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by SchubertAll Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
Vaughan Williams, RalphVaughan Williams, Ralph | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Purcell, Henry | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
Vocal & SongVocal & Song | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music | Cantatas | Romances
GeneralGeneral | Vaughan Williams, Ralph | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
Vocal & SongVocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
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Daniels, DavidDaniels, David | ( D ) | Featured Performers, A-Z | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
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Classical (c.1770-1830)Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music | Cantatas | Romances
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GermanGerman | Languages | Opera & Vocal | Styles | Music
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  1. Handel: Opera Arias; David Daniels
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  5. Handel: Oratorio Arias

ASIN: B00004SRG1
Release Date: 2000-06-06

Tracks:

  1. Adelaide Op.46
  2. Der Tod Und Das Madchen D531
  3. Auf Dem Wasser Zu Singen D774
  4. Nacht Und Traume D827
  5. Adelaide D95
  6. Selve Amiche, Ombrose Piante
  7. O Del Mio Dolce Ardor
  8. Intorno All'idol Mio
  9. Pur Dicesti, O Bocca Bella
  10. L'Absent
  11. Ou Voulez-Vous Aller?
  12. Absence
  13. Ser
  14. Orpheus With His Lute
  15. Linden Lea
  16. Hands, Eyes And Heart
  17. C'est Ainsi Que Tu Es FP 121 (Metamorphoses No.2)
  18. Priez Pour Paix FP 95
  19. La Belle Jeunesse FP 42 (Chansons Gaillardes No.7)
  20. Sweeter Than Roses
  21. I'll Sail Upon The Dog Star
  22. Evening Hymn

Amazon.com's Best of 2000

It's a truism by now that countertenors have made a notable comeback in our time, but David Daniels--Amazon.com's Opera & Vocal Artist of 2000--isn't about to rest on his laurels. As if his recent successes weren't enough to set him apart, on this recital album Daniels forays beyond the countertenor's stereotypical domain of the baroque to interpret lieder of Beethoven and Schubert, as well as French mélodies and Vaughan Williams. A stunningly beautiful disc. --Thomas May

Customer Reviews:

5 out of 5 stars a voice teacher and early music fan.......2006-05-30

The German and French art-song developed in parallel,but although they shared the same creative process based on the two key elements of words and music, they are distinct one from the other in their aim. Beethoven was one of the first to usher in the 'Leid'. Between 1795 and 1796 he drew inspiration from Friedich von Matthisson for his cantata 'Adelaide'. In 1814 Schubert set the same poem for his own 'Adelaide'. More than three-quarters of Schubert's songs are nature pictures as is 'Auf dem Wasser zu singen' on this disc. Other composers included on this recording are:Caldara-Gluck-Cesti-Lotte-Gounod-VaughanWilliams-Poulenc and Purcell.This disc absolutely delighted me. I can think of only one other countertenor who could have "pulled off" the variety of songs Daniels performs on this album. Most of them are quite well-known at least to singers and actually could be considered trite but not the way David Daniels sings them. He is so skillful with strong tone production when needed and always perfect diction. I marvel at the way he can implement the highly dramatic Italian aria and then sing the light "wispy" French songs. My personal favorites are "Adelaide" by Schubert. "Ou voulez-vous aller?" by Gounod and "I'll Sail Upon the DogStar by Purcell. In fact, if you are a Daniel's fan you MUST hear the Dog Star!!!!!

5 out of 5 stars Outstandingly beautiful- a great legend in our time.......2005-06-22

This is a truly unique voice. David Daniels has an opulent timbre which he uses here to achieve sheer excellence. As much as I hate for his career to be upstaged by anything, knowing that he was tutored by Marilyn Horne seems to establish her vocal qualities as a suitable metaphor. It's that rich, opulent tone and secure vibrato that you don't get with some mezzos, let alone countertenors. No thin-ness here; no `hoot' and nothing shrill. He still has control though, and produces clean, even tones where appropriate. Think of the dramatic requirements of `Der Tod und das Madchen' and the celestial purity of `Absence' or `Ser'- he more than merely achieves the standards, he surpassed them and has set his own seal of distinction.

The choice of songs/arias is itself brilliant and Mr. Daniels' technique needs high praise. As a very minor observation, his diction, though good, doesn't come across as completely idiomatic. This is a VERY minor issue though. The pianist, Martin Katz is very responsive to the style of singing. Mr. Daniels' ability to sustain a phrase with grace and beauty is matched by Mr. Katz's sensitive touch and timing.

In parting, I recommend the ethereal experience of `Orpheus with his lute' (my favourite). The words, a Shakespearean sonnet, are of a straightforward beauty and the melody is from another realm but the singing? Mr. Daniels vocal control and phrasing are exquisite and his tone is sublime. Close your eyes and listen to this one quiet evening. "In sweet music is such art, killing care and grief of heart. Fall asleep, or hearing die." A lute and a song- a simple combination; yet profoundly moving beyond the raging elements. Thank you David.

5 out of 5 stars Follow the Leider...For He Is David Daniels.......2004-08-18

Countertenor David Daniels takes a breather from his beloved Handel arias this time around for a recording of sheer beauty and most often tranquility, all the more surprising given the wide variety of tempos and international breadth of the program spanning five centuries. German leider from Beethoven and Schubert sits alongside Italian baroque songs followed by alternating French and English art songs. The 22 selections, once again reflecting his consummate musical taste, require him to sing in four different languages, and this South Carolina-born and -bred singer handles the daunting task with complete ease.

The result is a seamless recital, and the disc flows like an unfolding dream starting with Beethoven's enchanting "Adelaide". Schubert's "Naucht and Traume" highlights the purity of his tone and is as perfectly performed as any of his most moving opera arias. The Gounod pieces, especially "L'Absent" and the title track, have a sonorous quality that feel very much like lullabies, the sole exception being the lively "Ou voulez-vous aller?". Poulenc's "La belle Jeunesse" continues along this vein, a whirling dervish of a number referred in the accompanying booklet as an "invitation to debauchery". But these tracks are more the exception as Daniels achieves a lovely sense of vocal beatitude throughout.

The standout tracks have to be the three beautiful and somewhat more contemporary-sounding Vaughan Williams songs capped off by "Hands, eyes and heart", short and poignant, it is my favorite moment on this recording. The Renaissance-era Purcell selections provide the appropriate ending though, in particular, "Evening Hymn" sparked by the growing melismas on the hallelujahs. Whether he exhibits an astounding vibrato or the purest of tones, the man knows how to use his incredibly flexible voice and apply it intelligently to each song. Martin Katz accompanies with great precision and completely recognizes the individual style each song requires. It makes for a perfect pairing between singer and piano. This is a recording to treasure.

5 out of 5 stars Countertenors: They're not just for Baroque Anymore!.......2004-03-23

OK, so it's a bad pun. Shoot me.

But get this wonderful disc! Daniels talent is well-served by this varied program.. he goes beyond Handel to sing Beethoven, Gounoud, Vaughan-Williams.

Don't just buy this for the novelty of countertenor singing: the singing would be 5 star had any mezzo (Bartoli, van Otter) sung with this sensitivity. It's superb in every regard.

5 out of 5 stars Beyond Gimmick.......2002-08-01

At first it seems odd...countertenors are supposed to stay within certain boundaries. We let them have Baroque music, and even Gluck, and of course we let them have 20th century things written specifically for them, especially Britten. But to hear a countertenor singing Schubert, Beethoven or French melodies goes against our expectations. So we think, this must be a gimmick. But then Daniels voice takes over and such questions disappear.

Daniels sings this music as if it was inteneded for the countertenor. His sensitivity to the intimate marriage of text and music is phenomenal and his tone is always light and lyrical. I prefer this to many overblown sopranos that I've heard. Daniels weaves a spell that few singers of any voice type can match.

The Gounod is particularly beautiful. I had not been familiar with Gounod's art song before, and I've been missing something. L'Absent brought tears to my eyes just as the best Melodie of Duparc or Faure. And he sings Schubert as if he was born to it.

If you think you are sick of run of the mill vocal recitals, get this CD. The fresh voice and sheer artistry will astound you!
Introduction to Canadian Music
Average customer rating: 4 out of 5 stars
  • Best Comprehensive Survey of Canadian Music Available
 Introduction to Canadian Music

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

Forsyth, MalcolmForsyth, Malcolm | ( F ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
EtudesEtudes | Forms & Genres | Classical | Styles | Music
SuitesSuites | Forms & Genres | Classical | Styles | Music
MarchesMarches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
OverturesOvertures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
General ContemporaryGeneral Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
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PercussionPercussion | Instruments | Classical | Styles | Music
GeneralGeneral | Symphonies | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
CompilationsCompilations | Classical | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
MotetsMotets | Vocal Non-Opera | Opera & Vocal | Styles | Music
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4-for-3 Classical4-for-3 Classical | 4-for-3 Music | Stores | Music
4-for-3 All Music4-for-3 All Music | 4-for-3 Music | Stores | Music
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ASIN: B0000014C7
Release Date: 2006-03-01

Tracks:

  1. Marche Indienne - Hannaford Street Silver Band
  2. Fiesta: Vif Et Bien Rythme - Neil Chotem
  3. The Contented House - Mario Bernardi
  4. Carnival Overture - Kazuhiro Koizumi
  5. Fall Fair - Uri Mayer
  6. Harbours - Nimmons 'N' Nine Plus Six
  7. Andante Allegro - Orford Quartet
  8. Fast And Frenzied - Robert Aitken
  9. Mont-aux-Sources - Mario Bernardi
  10. Allegro - Robert Silverman
  11. Allegro Vivace - Lento - Franco Mannino
  12. Giocoso (With A Touch Of The Absurd) - Janina Fialkowska
  13. Thunder Dragon - Espirit Orchestra
  14. Romance For Brass Band - Steven Chenette
  15. Akasha (Sky) - Bramwell Tovey
  16. Elan - Walter Boudreau

Tracks:

  1. Magnus Dominus - Patrick Wedd
  2. Hodie, Christus Natus Est - Elmer Iseler Singers
  3. Feller From Fortune - Elmer Iseler
  4. Soleils Couchants - Patrick Wedd
  5. Ave, Verum Corpus - Vancouver Chamber Choir
  6. Notre Seigneur En Pauvre - Saint John String Quartet
  7. Pemoengkah - Robert Aitken
  8. Quarks - Judy Loman
  9. Toccata For Flute And Soprano - Robert Aitken
  10. No.2 - Valerie Tryon
  11. African Funeral Song - Nexus
  12. Chanson Du Matin - David Kent
  13. Six Themes-Solaires - No.1 - Piano Soleil - Richard Raymond
  14. Le Jeu De Telephone - Ensemble Koln
  15. Alma Chillin - Mark Duggan
  16. Dripsody - Hugh Le Caine
  17. Big Bang II - Marcelle Deschenes
  18. Nadir - Douglas Perry

Customer Reviews:

4 out of 5 stars Best Comprehensive Survey of Canadian Music Available.......1999-01-19

This anthology of three Centuries(!) of Canadian music was assembled by a former producer from the Canadian Broadcasting Corporation who now works for Naxos Canada. This producer is also active in the Canadian music world, so he knows whereof he speaks (or selects, as in this case). Liscensing the best performances available from major Canadian and International labels, this is the best collection of, and introudction to, the entire Canadian music scene that I have ever come across. The booklet is informative and is as enjoyable a read as is the 2 CD set is to listen. I doubt there will ever be anything quite like it again. If only NAXOS would now start recording Canadian music on top of the Canadian artists they already record, than they will truly have one of the finest and most comprehensive classical catalogues in the world. As for now, don't pass this one up.
The Top 100 Masterpieces of Classical Music, Vol. 6-10
Average customer rating: 3.5 out of 5 stars
  • Great collections, with poor quality sound
  • The Greatest Collection Of Romantic Era Music
  • Somewhat lacking
 The Top 100 Masterpieces of Classical Music, Vol. 6-10

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

BalletsBallets | Ballets & Dances | Classical | Styles | Music
DancesDances | Ballets & Dances | Classical | Styles | Music
PolkasPolkas | Ballets & Dances | Classical | Styles | Music
WaltzesWaltzes | Ballets & Dances | Classical | Styles | Music
All Works by BrahmsAll Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Delibes, Léo | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by ElgarAll Works by Elgar | Elgar, Sir Edward | ( E ) | Featured Composers, A-Z | Classical | Styles | Music
Grieg, EdvardGrieg, Edvard | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by LisztAll Works by Liszt | Liszt, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by MahlerAll Works by Mahler | Mahler, Gustav | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by MassenetAll Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by MendelssohnAll Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by OffenbachAll Works by Offenbach | Offenbach, Jacques | ( O ) | Featured Composers, A-Z | Classical | Styles | Music
Ravel, MauriceRavel, Maurice | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by RubinsteinAll Works by Rubinstein | Rubinstein, Anton | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by Robert SchumannAll Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by SibeliusAll Works by Sibelius | Sibelius, Jean | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by SmetanaAll Works by Smetana | Smetana, Bedrich | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
Strauss Jr., JohannStrauss Jr., Johann | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by StraussAll Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by TchaikovskyAll Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
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GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
NocturnesNocturnes | Short Forms | Forms & Genres | Classical | Styles | Music
SuitesSuites | Forms & Genres | Classical | Styles | Music
RomanticRomantic | Symphonies | Forms & Genres | Classical | Styles | Music
Incidental MusicIncidental Music | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
MarchesMarches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
OverturesOvertures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
Tone PoemsTone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
Ballets & DancesBallets & Dances | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
Theatrical, Incidental & Program MusicTheatrical, Incidental & Program Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
Vocal & SongVocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
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GeneralGeneral | Strings | Instruments | Classical | Styles | Music
Berlin Philharmonic OrchestraBerlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music
Vienna Philharmonic OrchestraVienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music
GeneralGeneral | Symphonies | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
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ItalianItalian | Languages | Opera & Vocal | Styles | Music
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All Bargain TitlesAll Bargain Titles | International General | International | Today's Deals in Music | Formats | Music
Bargain Box SetsBargain Box Sets | Opera & Vocal General | Opera & Vocal | Today's Deals in Music | Formats | Music
All Bargain TitlesAll Bargain Titles | Opera & Vocal General | Opera & Vocal | Today's Deals in Music | Formats | Music
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ASIN: B000001W12
Release Date: 1995-11-01

Tracks:

  1. The Top 10 Of Classical Music 1842 - 1853: 1843: Wedding March, From 'A Midsummer Night's Dream' - TOP 100 MASTERPIECES
  2. The Top 10 Of Classical Music 1842 - 1853: 1847: Liebestraum No. 3 In A Flat - TOP 100 MASTERPIECES
  3. The Top 10 Of Classical Music 1842 - 1853: 1842: Nabucco - Overture - TOP 100 MASTERPIECES
  4. The Top 10 Of Classical Music 1842 - 1853: 1848: The Merry Peasant - TOP 100 MASTERPIECES
  5. The Top 10 Of Classical Music 1842 - 1853: 1847: Hungarian Rhapsody No. 2 - TOP 100 MASTERPIECES
  6. The Top 10 Of Classical Music 1842 - 1853: 1850: Lohengrin - Preldue To Act 3 - TOP 100 MASTERPIECES
  7. The Top 10 Of Classical Music 1842 - 1853: 1853: La Traviata - Prelude to Act 1 - TOP 100 MASTERPIECES
  8. The Top 10 Of Classical Music 1842 - 1853: 1845: Tannhauser - Arrival Of The Guests At Wartburg - TOP 100 MASTERPIECES
  9. The Top 10 Of Classical Music 1842 - 1853: 1845: Violin Concerto In E Minor, 2nd Movement - TOP 100 MASTERPIECES
  10. The Top 10 Of Classical Music 1842 - 1853: 1846: Poet And Peasant - Overture - TOP 100 MASTERPIECES

Tracks:

  1. The Top 10 Of Classical Music 1854 - 1866: 1858: Orpheus In The Underworld - Overture - Various Artists
  2. The Top 10 Of Classical Music 1854 - 1866: 1858: Melody In F - Various Artists
  3. The Top 10 Of Classical Music 1854 - 1866: 1854: Les Preludes - Various Artists
  4. The Top 10 Of Classical Music 1854 - 1866: 1865: Waltz In A Flat - Various Artists
  5. The Top 10 Of Classical Music 1854 - 1866: 1862: The Force Of Destiny - Overture - Various Artists
  6. The Top 10 Of Classical Music 1854 - 1866: 1864: I Love You - Various Artists
  7. The Top 10 Of Classical Music 1854 - 1866: 1866: The Bartered Bride - Overture - Various Artists
  8. The Top 10 Of Classical Music 1854 - 1866: 1864: Barcarolle, From 'The Tales Of Hoffman' - Various Artists
  9. The Top 10 Of Classical Music 1854 - 1866: 1858: Tritsch Tratsch Polka - Various Artists
  10. The Top 10 Of Classical Music 1854 - 1866: 1866: Light Calvary - Overture - Various Artists

Tracks:

  1. The Top 10 Of Classical Music 1867 - 1876: 1875: Piano Concerto No. 1 In B Flat Minor, 1st Movement (excerpt) - TOP 100 MASTERPIECES
  2. The Top 10 Of Classical Music 1867 - 1876: 1868: Cradle Song - TOP 100 MASTERPIECES
  3. The Top 10 Of Classical Music 1867 - 1876: 1875: The Moldau - TOP 100 MASTERPIECES
  4. The Top 10 Of Classical Music 1867 - 1876: 1870: Ride Of The Valkyries - From 'The Valkyrie' - TOP 100 MASTERPIECES
  5. The Top 10 Of Classical Music 1867 - 1876: 1876: Morning, From 'Peer Gynt' - TOP 100 MASTERPIECES
  6. The Top 10 Of Classical Music 1867 - 1876: 1875: Les Toreadors, From 'Carmen' - TOP 100 MASTERPIECES
  7. The Top 10 Of Classical Music 1867 - 1876: 1870: Notturno, From 'Coppelia' - TOP 100 MASTERPIECES
  8. The Top 10 Of Classical Music 1867 - 1876: 1876: Marche Slave, Op. 31 - TOP 100 MASTERPIECES
  9. The Top 10 Of Classical Music 1867 - 1876: 1872: L'Arlesienne - Intermezzo - TOP 100 MASTERPIECES
  10. The Top 10 Of Classical Music 1867 - 1876: 1867: The Blue Danbue - Waltz - TOP 100 MASTERPIECES

Tracks:

  1. The Top 10 Of Classical Music 1877 -1893: 1878: Polonaise, From 'Eugene Onegin' - TOP 100 MASTERPIECES
  2. The Top 10 Of Classical Music 1877 -1893: 1893: Symphony No. 9, 'From The New World' - 2nd Movement - TOP 100 MASTERPIECES
  3. The Top 10 Of Classical Music 1877 -1893: 1892: Waltz Of The Flowers, from 'The Nutcracker' - TOP 100 MASTERPIECES
  4. The Top 10 Of Classical Music 1877 -1893: 1887: Alborado, From 'Capriccio Espagnol' - TOP 100 MASTERPIECES
  5. The Top 10 Of Classical Music 1877 -1893: 1886: The Last Spring - TOP 100 MASTERPIECES
  6. The Top 10 Of Classical Music 1877 -1893: 1886: Slavonic Dance No. 2 - TOP 100 MASTERPIECES
  7. The Top 10 Of Classical Music 1877 -1893: 1889: The Sleeping Beauty - Introduction - TOP 100 MASTERPIECES
  8. The Top 10 Of Classical Music 1877 -1893: 1877: Siegfried's Death And Funeral March, From 'Twighlight Of The Gods' - TOP 100 MASTERPIECES
  9. The Top 10 Of Classical Music 1877 -1893: 1880: Songs My Mother Taught Me - TOP 100 MASTERPIECES
  10. The Top 10 Of Classical Music 1877 -1893: 1889: Emperor Waltz - TOP 100 MASTERPIECES

Tracks:

  1. The Top 10 Of Classical Music 1894 - 1928: 1896: Also sprach Zarathustra - Fanfare - Various Artists
  2. The Top 10 Of Classical Music 1894 - 1928: 1902: Symphony No. 5 - Adagietto - Various Artists
  3. The Top 10 Of Classical Music 1894 - 1928: 1899: Finlandia - Various Artists
  4. The Top 10 Of Classical Music 1894 - 1928: 1900: Dance Of The Bumble Bee - Various Artists
  5. The Top 10 Of Classical Music 1894 - 1928: 1894: Meditation, From 'Thais' - Various Artists
  6. The Top 10 Of Classical Music 1894 - 1928: 1901: Pomp And Circumstance - March No. 1 - Various Artists
  7. The Top 10 Of Classical Music 1894 - 1928: 1894: Humoresque - Various Artists
  8. The Top 10 Of Classical Music 1894 - 1928: 1903: Valse Triste - Various Artists
  9. The Top 10 Of Classical Music 1894 - 1928: 1899: Vienna Blood - Waltz - Various Artists
  10. The Top 10 Of Classical Music 1894 - 1928: 1928: Bolero - Various Artists

Customer Reviews:

3 out of 5 stars Great collections, with poor quality sound.......2003-01-09

I expected to listen to great professional classical orchestra ...for this classical music collection, but the quality of the music is not too good.

There are a lot of great music collections, but they will sound better when they record it right.

It is good when you just want to have more classical music, but for a CD, the sound quality is like a [poorley made] CD.

I give 3 stars for this product.

5 out of 5 stars The Greatest Collection Of Romantic Era Music.......2002-09-05

The Top 100 Classical Music series is a must have for novices of classical music, or someone already into the classics but wishes to amassa an "essentials" collection. This particular cd's span the Romantic Era, and although the 19th century saw much more music than what is covered on these recordings, this is nevertheless a brilliant and essential body of works. The Wedding March of Mendelsshon's Midsummer Night's Dream (played in weddings all over the world I'm assuming), Franz Lizst Hungarian Rhapsody No. 2 (The Looney Tunes Theme Music by the way) and other jewels of the era, such as the Blue Danube Waltz by Johann Strauss, the operetta overtures of Franz Von Suppe, Verdi's preludes to such operas as Nabucco and La Traviata, Wagner's intense, dramatic music for his Ring of the Nibelung operas, regarded as the epitome and the zenith of Romantic Era opera, and the music of other composers such as Tchaikovsky, Bizet, Sibelius, Rimsky Korsakov and many others. I highly recommend this cd to anyone wanting to sample and taste what Romantic Era music was all about. Five stars all the way.

3 out of 5 stars Somewhat lacking.......2001-03-28

(referring to the entire collection)

The collection is well designed for introducing the listener to a large variety of music, with its broad range of composers and types of music. However, the interpretation of the music is hardly existant, and many of the pieces sound rather dull and uninteresting. Some lively pieces are played too slowly, and nearly all of them without emotion, keeping the set out of reach from being included in a true classical collection. Despite all that, the sheer number and range of pieces (along with the low price) make this a collection well suited for the new classical listener.
Roger Quilter: O Mistress Mine; To Daisies; Julia's Hair; Go, Lovely Rose
Average customer rating: Not rated
    		Roger Quilter: O Mistress Mine; To Daisies; Julia's Hair; Go, Lovely Rose

    Manufacturer: Naxos
    ProductGroup: Music
    Binding: Audio CD

    Chamber MusicChamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    Vocal & SongVocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    General ContemporaryGeneral Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    GeneralGeneral | Opera & Vocal | Styles | Music
    4-for-3 Classical4-for-3 Classical | 4-for-3 Music | Stores | Music
    4-for-3 All Music4-for-3 All Music | 4-for-3 Music | Stores | Music
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    4. Gerald Finzi: I Said to Love; Let Us Garlands Bring; Before and After Summer
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    ASIN: B00009WQUH
    Release Date: 2003-09-23

    Tracks:

    1. It Was A Lover And His Lass, Op. 23 No. 3
    2. Take, O Take Those Lips Away Op. 23 No. 4
    3. O Mistress Mine Op. 6 No. 2
    4. How Should I Your True Love Know Op. 30 No. 3
    5. Orpheus With His Lute Op. 32 No. 1
    6. Hark! Hark! The Lark
    7. Ca' The Yowes To The Knowes
    8. Charlie Is My Darling
    9. Ye Banks And Braes
    10. I Arise From Dreams Of Thee Op. 29
    11. Music When Soft Voices Die Op. 25 No. 5
    12. Love's Philosophy Op. 3 No. 1
    13. Spring Is At The Door Op. 18 No. 4
    14. Passing Dreams Op. 10 No. 2
    15. Autumn Evening Op. 14 No. 1
    16. An Old Carol Op. 25 No. 3
    17. I. I Will Go With My Father A-Plowing
    18. II. Cherry Valley
    19. III. I Wish And I Wish
    20. Go Lovely Rose Op. 24 No. 3
    21. A Last Year's Rose Op. 14 No. 3
    22. Amaryllis At The Fountain Op. 15 No. 2
    23. I Dare Not Ask A Kiss Op. 28 No. 3
    24. Now Sleeps The Crimson Petal Op. 3 No. 2
    25. Prelude
    26. I. The Bracelet
    27. II. The Maiden Blush
    28. III. To Daisies
    29. IV. The Night Piece
    30. V. Julia's Hair
    31. Interlude
    32. VI. Cherry Ripe
    33. Love Calls Through The Summer Night
    Baker Sings Gluck, Lully, Marcello, etc.
    Average customer rating: Not rated
      		Baker Sings Gluck, Lully, Marcello, etc.

      Manufacturer: BBC Legends
      ProductGroup: Music
      Binding: Audio CD

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      1. Philips and Decca Recordings, 1961-1979 (Limited Edition)

      ASIN: B00008OP2A
      Release Date: 2003-05-20

      Tracks:

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      Charlotte Church
      Average customer rating: 4 out of 5 stars
      • Back Off Johnathan Flanders!!! This girl has done wonders!!!!
      • Back Off Johnathan Flanders!!! This girl has done wonders!!!!
      • You are always my true inspiration and it be wonderful to here you go back to opera,but whatever you do,I will always like you
      • You Are my True Inspiration Charlotte Church No matter what happens
      • I am A catholic, I was a huge charlotte church fan, but since her recent disrepect for the church,is it best to boycott!!!
      		 Charlotte Church

      Manufacturer: Sony
      ProductGroup: Music
      Binding: Audio CD

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