Night Out

1. We Belong to the Night

2. What's a Matter Baby

3. Stupid Girl

4. Night Out

5. Thunder and Rain

6. Sad Song

7. Young Lust

8. Hideaway

9. Don't Let Go

Night Out,Ellen Foley,Wounded Bird Records,Album Rock,Hard Rock,Pop,Rock,Rock/Pop

Night Out

Average customer rating:

pure genius
Another great Yo-Yo Disc
first disc great- second a flop
Encore
The Versatile Yo-Yo Ma

The Essential Yo-Yo Ma

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Appassionato
Yo-Yo Ma Plays Ennio Morricone
Vivaldi's Cello
Classic Yo-Yo
Silk Road Journeys: Beyond the Horizon

ASIN: B000A7Q29G
Release Date: 2005-08-16

Tracks:

Prde from Suite No. 1 in G Major for Cello, BWV 1007
II. Largo from "Winter", Op. 8, No. 4, RV 297 from the Four Seasons
Jesus, bleibet meine Freude (Jesu, Joy of Man's Desiring), BWV 147
Schafe kn sicher weiden (Sheep May Safely Graze), BWV 208
Wachet auf, ruft uns die Stimme (Sleepers Awake), BWV 645
The Swan from Carnival of the Animals (Chamber Version)
Havanaise, Op. 83
Mtation from Tha
Liebesfreud Instrumental
Allegro ben ritmato e deciso from Three Preludes
Vocalise Vocal
IV. Allegro from Sonata in D minor for Cello and Piano, Op. 40
Andante Cantabile for Cello Solo and String Orchestra, Op. posth.
IV. Rondo alla Zingarese. Presto from Quartet No. 1 in G minor for Piano and Strings, Op. 25
III. Finale. Allegro moderato from Concerto in B minor for Cello and Orchestra, Op. 104

Tracks:

Cristal
A lenda do caboclo
Chega de Saudade Live
Wapango Live
Libertango
Appalachia Waltz Solo Cello Version
Butterfly's Day Out
1B
Pickin' from Three Pieces for Solo Cello
Simple Gifts
The Mission
Gabriel's Oboe
The Falls Album Version
The Eternal Vow from Crouching Tiger, Hidden Dragon
The Cellist of Sarajevo - A Lament in Rondo Form for Solo 'Cello, Op. 12
Chi passa per'sta strada
Mido Mountain (Chinese Traditional)
Mohini (Enchantment)
Baroque in Rhythm from Suite for Cello and Jazz Piano Trio
Anything Goes Instrumental
I Could Have Danced All Night Extended version

Amazon.com

Here are three dozen pieces of music, all played by Yo-Yo Ma, culled from his extensive discography. Aside from the technical mastery and beautiful tone that are absolutes in all of his playing, one is dazzled by his curiosity and ability to adapt to so many forms and types of music. His Bach and Vivaldi are pellucid and played with non-sentimental crispness, his tango music gritty and rhythmically pungent, his jazz seemingly spontaneous, the "Meditation" from Thais simply ravishing, "Anything Goes" a romp, and the Appalachian music performed with both respect and a great twang, while the traditional Chinese music is fascinating. It's really a matter of how much Ma loves whatever he plays here, how entirely he becomes involved in it, and what a fine partner he invariably is to other musicians. This collection is a doozy--it is truly "essential." --Robert Levine

Customer Reviews:

pure genius.......2007-05-21

No instrument asks more from the soul of an artist as the cello does.
Yo Yo Ma shows to be master of the instrument and his interpretations en technique are pure genius. Everyone should have this album in his (or hers of course) basic classical collection

Another great Yo-Yo Disc.......2007-05-15

The set-up with the classical pieces on the first disc and the other on the second is excellent.

first disc great- second a flop.......2007-04-12

the first disc is awesome. the second disc is weird and boring.

Encore.......2007-03-31

Incredible. My young cellist (son) loves it. Beautiful music. The album is well organized and each song transitions nicely.

The Versatile Yo-Yo Ma.......2007-03-29

I've found this collection to be extremely delightful! It gives you a sense of the versatility of Yo-Yo Ma like no other, with one disc being dedicated more to his classical side, while the other explores jazz and world music venues. Not your typical "greatest hits" collection.

Average customer rating:

Only ONE thing could have made this a better CD...
Monster Album!
Remarkable! Exciting and Yet Oddly Charming
A classic Rock And Roll Masterpiece
Perfect Album.......

They Only Come Out at Night
The Edgar Winter Group
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Edgar Winter's White Trash
All American Boy
Roadwork
Live Johnny Winter And
Still Alive and Well

ASIN: B0000024Z3
Release Date: 1990-10-25

Tracks:

Hangin' Around
When It Comes
Alta Mira
Free Ride
Undercover Man
Round & Round
Rock 'N' Roll Boogie Woogie Blues
Autumn
We All Had A Real Good Time
Frankenstein

Customer Reviews:

Only ONE thing could have made this a better CD..........2007-01-10

This awesome rock & roll album would have been even better had it included just one thing: the SINGLE version of "Free Ride", available on the "Edgar Winter Collection" from Rhino. It was the followup single to their huge hit "Frankenstein". Like Three Dog Night and a few other artists back in roughly that same time frame, a trip back into the studio was made to create even hotter versions of the songs to be played on the radio. The single version of "Free Ride" is just that much hotter, that much punchier and that much more full of life....and was a huge hit itself! One listen and you'll see what I mean. I'm not saying the album track isn't good...I'm just saying the single version just jumps right out at you, daring you to resist it. As for the rest of the album, I can't say anything that most of these other reviewers have said. One of the best of the 70s, full of great rock & roll music and a pure joy to listen to!

Monster Album!.......2006-11-26

Arguably, Edgar Winter Group's best album, this chart topper fused standard rock with `monster rock' and plenty of synthesizers. Edgar Winter and Rick Derringer cut loose with these self penned songs. "Hangin' Around" and "Alta Mira" are fun dance rock numbers that portray Winter at his best. "Free Ride" and "We All Had A Real Good Time" became FM rock standards with their `party on' style. Not to pigeon-hole themselves as purely hard rock, "Autumn" is a rare and unexpected ballad showcasing the groups songwriting skill. Of course, "Frankenstein" was the monster hit here and it combined a new found use of loud drums and maximum synthesizer along with unique guitar riffs and Winter's own splendid saxophone. It's a killer album that stands the test of time.

Remarkable! Exciting and Yet Oddly Charming.......2006-07-17

I had really ever only known about Edgar Winter from their occasional spots on classic rock radio, with their tunes Frankenstein and Free Ride, never really thinking about what other type of music they made and shrugged them off as no more than a one-hit wonder.

But one I picked up the album about six months back and have listened to it probably fifty times through. It is very hard for myself to start playing it and switch to something out on my playlist without listening to it in its entirety. While none of the songs in my mind (except for Frankenstein) truly stick out (which is possibly why it is not more well known,) the album gels together as a whole so well that few albums match it in terms of pure consistency.

While many of the songs seem simple in appearance, the instrumentation, the dynamics, and the full-blown singing of the more uptempo songs give a level of sophistication, yet remarkable, fun sound to each and every song, all the while staying unique from every other. Added to this, is the even more surprising fact that the two love songs, Round and Round, and Autumn, are two of the most beautiful songs to ever come out of a rock album, let alone a hard rock one.

Hanging Around is one of the best openers one could ever hope to have for an album, infectious, fun, spirited, truly awesome.

When It Comes is possibly the raunchiest sounding Edgar ever sounded (if that's really him singing, I'm not really sure since it sounds as if there are nine different voices singing each of the songs with lyrics), other great, fun sounding song.

Alta Mira is very quirky, yet charming song that you can't help but sing along to. Has an almost Jamaician sound that makes it all the more infectious.

Free Ride needs no explanation, as it's impossible to live past the age of 10 and not have heard the song at least once.

Undercover Man is probably the only weak song on the album if only for the ending which I think it stretched out just a bit too long. Although, it's Edgar in very fine form in terms of loud, almost off-kilter singing.

Round & Round is possibly my favorite song on the album, with its wonderful mix and acoustic and almost country-rock sound. Beautiful.

A ridiculous change of pace from Round & Round (although that's not a bad thing.) The song is basically self-evident from the title... Rock and Roll Boogie Woogie Blues. It delivers perfectly.

Autumn, as said before, is quite possibly the most beautiful rock song I've ever had the pleasure of listening to. Beyond gorgeous.

And almost lastly, another huge change of pace with quite possibly a song that perfectly exemplifies the college spirit (woot), with We All Had a Real Good Time. If there's a better song out there that keeps the fun, youthful spirit of us kids and of the basic tenets of Rock n' Roll, I've yet to hear it.

Well, if you're not convinced, then its at the fault of this reviewer and not the album.. for it is truly one of the best hard rock has to offer. Better than anything Skynyrd or Ted Nugent or Black Sabbath or Led Zeppelin has to offer. And that's no lie. A wonderful standout from 1972 (although it's difficult for me to say that definitively, since I was -13 at the time.)

A classic Rock And Roll Masterpiece.......2006-07-07

I purchased this album only yesterday and have listened to it over and over again. This is truly one of rock's few masterpieces. Hangin around is a fun opening song. Alta Mira is a nice rock and roll song. Free Ride is great well mixed too. And who could forget Frankenstein the masterpiece of masterpieces this is the best song in the whole world. You will be happy with your purchase.

Perfect Album..............2006-03-13

About the time this record came out, but before I ever heard of it, I saw the EWG at a roller rink in Elizabeth, NJ with my friends. They opened up with "Keep Playin' That Rock and Roll" but unlike the White Trash version with horns, it was dominated by Ronnie Montrose' raunchy guitar and I fell in love. I went as soon as I could to Korvette's, where I bought most of my records in those days, to get the new LP that Edgar mentioned while on stage. I took one look at the cover and said, "What is this......" I was happy that I bought it and I still go back to it frequently. In fact, I am probably in the minority here, but "Frankenstein" is my least favorite song and I usually skip it. But listen to all the other songs, starting with "Hangin' Around" and "When it Comes" and you will be hooked quick. The slow ballad "Autumn" and the latin sounding "Alta Mira" sound different, but all the tracks add up to one of the greatest LP's ever recorded. In my opinion, Edgar Winter never reached this level again.

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
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The Young Person's Guide to the Orchestra (Book & CD)
What to Listen for in Music
Study of Orchestration, Third Edition

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Overture
Show Boat: Act One, Scene One - Cotton Blossom: Niggers all work on d Mississippi... (Stevedores, Gals, Queenie, Steve, Pete, 1st Mincing Miss, 2nd Mincing Miss, Beaux, Girls & Boys)
Show Boat: Act One, Scene One - Cotton Blossom: 'Andy!!!...' (Parthy, Windy, 1st Mincing Miss, 2nd Mincing Miss)
Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'Here comes the Show Boat parade!...' (Boy, Girls, Boys, Andy, Parthy)
Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'Hey Julie...' (Pete, Julie, Steve, Parthy, Andy, Ellie)
Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'It's a man...' (Ellie, Ravenal, Vallon)
Show Boat: Act One, Scene One - Where's the Mate for Me?: Who cares if my boat goes upstream... (Ravenal, Magnolia)
Show Boat: Act One, Scene One - Make Believe: Only make believe I love you... (Ravenal, Magnolia, Vallon)
Show Boat: Act One, Scene One - Ol' Man River: 'Oh, Joe!...' (Magnolia, Joe, Men)
Show Boat: Act One, Scene Two - Can't Help Lovin' Dat Man: 'What cher doin' all by yourself, Miss Nola?...' (Queenie, Magnolia, Julie, Joe, Servants)
Show Boat: Act One, Scene Three - Life on the Wicked Stage: Why do stage struck maidens clamor... (Ellie, Girls)
Show Boat: Act One, Scene Three - Till Good Luck Comes My Way: The man who ventures with chance... (Ravenal, Men)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': Mis'ry's comin' aroun'... (Queenie, Women, Joe Magnolia, Julie, Men, Solo Bass)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Take her up, Rubberface!...' (Andy, Julie, Steve, Magnolia, Parthy, Ellie, Windy)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Hello, Windy...' (Vallon, Andy, Magnolia, Steve, Julie, Windy, Ellie, Parthy)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'You needn't all look at us...' (Steve, Colored Chorus, Andy, Parthy, Magnolia, Ellie, Frank)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Looks like a swell...' (Andy, Parthy, Frank, Ravenal, Julie, Magnolia, Steve, Joe)

Tracks:

Show Boat: Act One, Scene Five - I Would Like to Play a Lover's Part: Her face is fair to look upon... (Boys, Girls, Ellie, Frank)
Show Boat: Act One, Scene Five - I Might Fall Back on You: Little girl, you are safe with me... (Frank, Ellie, Girls)
Show Boat: Act One, Scene Five - Queenie's Ballyhoo: 'Is de theatre fillin' up, Cap'n Andy?...' (Queenie, Andy, Colored Chorus)
Show Boat: Act One, Scene Six - Villain Dance
Show Boat: Act One, Scene Seven - You Are Love: 'That you, Nola?...' (Ravenal, Windy, Magnolia, Parthy)
Show Boat: Act One, Scene Eight - Finale Act One: Oh tell me, did you ever!... (Firls, Boys, Chorus, Andy, Women, Men, Negro Women, Magnolia, Parthy, Vallon, Pete)
Show Boat: Act Two, Scene One - At the Fair: When we tell them about it all... (All, 1st Barker, Boys, Girls, Chorus, 2nd Barker, Men, 3rd Barker)
Show Boat: Act Two, Scene One - Why Do I Love You?: I'm walking on the air, dear... (Magnolia, Ravenal, Chorus, Andy)
Show Boat: Act Two, Scene One - In Dahomey: Dyunga doe!... (Dahomey Villagers, White Chorus)
Show Boat: Act Two, Scene Three - Convent Scene: Alma Redmptoris Mater... (Nuns, Mother Superior, Ravenal, Kim)
Show Boat: Act Two, Scene Four: 'All right, Jake...' (Jim, Jake, Julie)
Show Boat: Act Two, Scene Four - Bill: I used to dream... (Julie)
Show Boat: Magnolia's Audition - Can't Help Lovin' Dat Man (Reprise): Fish gotta swim, birds gotta fly... (Magnolia)
Show Boat: Magnolia's Audition - Can't Help Lovin' Dat Man (Reprise): 'Whaddaya say, boss?...' (Frank, Jim, Magnolia, Jake)
Show Boat: Act Two, Scene Six - Trocadero Opening Chorus: Let's make the new year... (Chorus)
Show Boat: Act Two, Scene Six - Apache Dance
Show Boat: Act Two, Scene Six - Goodbye, My Lady Love: So you're going away... (Frank, Ellie)
Show Boat: Act Two, Scene Six - After the Ball: 'Ladies and Gentlemen...' (Jim, Drunk, Andy, Magnolia, A Man, All)
Show Boat: Act Two, Scene Seven - Ol' Man River (Reprise): Ol' Man River... (Joe)
Show Boat: Act Two, Scene Seven - Hey, Feller!: When you yen for a gent... (Queenie, Chorus)
Show Boat: Act Two, Scene Eight - You Are Love (Reprise): 'That you, Nola?...' (Ravenal)

Tracks:

Show Boat: Act Two, Scene Nine: Cottom Blossom (Reprise): Cotton Blossom... (Chorus)
Show Boat: Act Two, Scene Nine - It's Getting Hotter in the North: Now up in the northern land... (Kim, Chorus)
Show Boat: Act Two, Scene Nine - It's Getting Hotter in the North: 'Say, Cap'n Andy...' (Frank, Ellie, Andy)
Show Boat: Act Two, Scene Nine - Finale Ultimo: 'Hello, Gay...' (Andy, Hope, Ravenal, Girl, Man, Magnolia, Old Lady, Chorus)
Show Boat: Appendix - Pantry Scene (Act One, Scene Two; deleted - 1927): 'What cher doin' all by yourself, Miss Nola?...' (Queenie, Magnolia, Julie, Joe, Servants)
Show Boat: Appendix - Waterfront Saloon Scene (Act One, Scene Three; deleted - 1927): 'Number four, black!...' (Voice (off), Ravenal, Loungers, Gambler)
Show Boat: Appendix - Yes, Ma'am (Act One, Scene Three; unused - 1927): Bet your hat... (Girls, Ellie)
Show Boat: Appendix - Kim's Imitations (Why Do I Love You?): (Act Two, Scene Nine; Ziegfeld Production - 1927): Why do I love you?... (Kim, Chorus)
Show Boat: Appendix - Dance Away the Night (Act Two, Scene Nine; London - 1928): Music in the air... (Kim, Girls, Boys)
Show Boat: Appendix - A Pack of Cards (Act One, Scene Six?; unused - 1927): One night as I sat by my fireside so weary... (Magnolia)
Show Boat: Appendix - The Creole Love Song (Act One, Scene Seven; unused - 1927): 'That you, Nola?...' (Ravenal, Windy, Magnolia)
Show Boat: Appendix - Out There in an Orchard (Act Two, Scene Four; unused - 1927): There was a sun sinking slowly in the west... (Julie)
Show Boat: Appendix - Gallivantin' Aroun' (Universal Film - 1936): Liza Matilda HIll... (Magnolia, Chorus)
Show Boat: Appendix - I Have the Room Above Her (Universal Film - 1936): 'Seems to me I've seen that stocking someplace...' (Ravenal, Magnolia)
Show Boat: Appendix - Ah Still Suits Me (Universal Film - 1936): 'Joe! Dere you go again!...' (Queenie, Joe)
Show Boat: Appendix - Nobody Else But Me (Act Two, Scene Nine; 1946 Revival): I was a shy, demure type... (Kim, Chorus)

Amazon.com

John McGlinn's sprawling, monumental three-CD set is about all the Show Boat any listener could ever ask for. In an obvious labor of love, McGlinn reconstructs the show as it ran on opening night, November 15, 1927, including every song, the original orchestrations, and all underscored dialogue. The most significant restoration is the dark choral number "Mis'ry's Comin' Aroun'," as Show Boat's serious subject matter helped establish its place as the most important turning point in the history of American musical theater. McGlinn also adds an appendix that includes songs cut before opening night and every song subsequently written for the show's many productions, most notably the love duet "I Have the Room Above Her," written for the 1936 film. (The recording is also available in a one-disc reduction called the "Broadway Show Album.")

Rest assured this 221-minute blockbuster is not just dry scholarship; it's also terrific listening, with McGlinn conducting a dynamic London Sinfonietta and a strong cast including Frederica von Stade as Magnolia, Jerry Hadley as Ravenal, Teresa Stratas as the tragic Julie, Bruce Hubbard as the worldly wise Joe, Karla Burns as Queenie, and David Garrison and Paige O'Hara as the comic couple Frank and Ellie. And of course the songs by Jerome Kern and Oscar Hammerstein II are among the most glorious ever written: "Ol' Man River," "Can't Help Lovin' Dat Man," "Make Believe," "Why Do I Love You," "Bill," "You Are Love," and "Life upon the Wicked Stage." Also included are exhaustive production notes, a history of the show, a detailed synopsis, and a libretto. John McGlinn's Show Boat is a staggering achievement and a recording for the ages. --David Horiuchi

Customer Reviews:

An American Treasure.......2007-03-03

When PBS showed the 1989 Paper Mill Playhouse production of Showboat, my five year old daughter fell in love with musical theater. To this day we never miss a production of Showboat, West Side Story, Music Man, Oklahoma or the rest of the great American musicals. These 3 discs are the closest you can ever hear to the original in 1927 and the recordings are leaps and bounds above any movie version or revival cast. Listening to Bill or Make Believe you almost want to cry at what Kern and Hammerstein were able to create.

I defy anyone to come up with another Broadway production that has three songs in a row better than Make Believe, Ol' Man River and Can't Help Lovin' Dat Man (West Side Story's Maria, America and Tonight are the best three in a row of a movie musical) and it's a shame that no movie version of Showboat can compare to this version. The first act is full of songs that are as good as any ever sung on a stage and I can't think of another production with a first act that compete against the big 3 plus Cotton Blossom, Where's The Mate For Me, Life On The Wicked Stage, Till Good Luck Comes My Way, Misry's Comin' Aroun', You are Love, Act One finale and Why Do I Love You?. You just don't want to have the music stop.

If you don't like opera you won't like this version. Sung the way Kern and Hammerstein wrote them, you can't help but feel the operatic nature of these songs. Tough noogies because Showboat is above all an opera disguised as a Broadway play and no sweetening should be allowed.

The four leads are all superb, Frederica von Stade as Nola especially. The booklet contains the complete libretto and allows a different way to appreciate the music.

If you buy just one version of Showboat you need this one. If you have other versions of Showboat you need this one. As a matter of fact, anyone with ears to hear needs this version. A true American treasure.

DON'T DESPAIR. IT'S BEEN REISSUED!!!!!.......2006-11-16

One of the great recordings of musical theatre ever. Although it's no longer available on EMI Angel, it was reissued in October, 2006, as an EMI Classic's "Great Recordings of the Century." It's been "Digitially Remastered at Abbey Road Studios from the Original Masters" and "noise-shaped via the Prism SNS system for optimum sound quality." If ART remastering does for this recording what it has done for other EMI Classics in my library, then it should sound superb. However, I understand the booklet is not as detailed as the one in the original 3-disc release.

Thank you, EMI.

I would hope other labels would follow suit and remaster and reissue other examples of classic American musical theater. It would be a pity if our children, grandchildren, and future generations were unable to savor "110 in the Shade" or "Little Mary Sunshine" or . . . . . . . . . (fill in the blanks.)

An American tragedy...........2006-02-06

This is the first of the great American musical plays, and probably remained unchallenged until the mid-1950s when West Side Story appeared. The term "musical comedy" does not apply. The few laugh lines are subsumed by the terrible sense of loss and disaster that work throughout the story. At its core is homelessness, the destruction wrought by racism, bad choices, human weakness, and reconciliation. The cast?--this was one of the few crossover recordings I've ever heard that actually worked. The trio of Jerry Hadley, Frederica von Stade, and Teresa Stratas is a marvel; Stratas in particular seems to have had a patented Dark Cloud that shadowed her. It's perfect for Julie Dozier Laverne. And the late Bruce Hubbard brings a magnificent dignity and voice to Joe--his singing of "Ol' Man River" amy not efface Paul Robeson, but can stand beside it.

Gorgeous!.......2005-08-26

Simply gorgeous! The most unforgetable music and the best voices! An album for all time!
M. J. Conrades

Defective disc........2005-08-15

I received this item on July 27, 2005. I played it on my portable CD player and found out that Disc 2 of the set was defective. It kept on skipping on my CD player. So, I returned it for a refund.

Broadway - The American Musical (PBS Series)

Average customer rating:

Fabulous for any Broadway-lover
Top Shelf
TERRIFIC CD'S
Great Collection of Broadways greatest Songs
Great Compilation!

Broadway - The American Musical (PBS Series)

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Broadway: The American Musical
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Somewhere over the Rainbow: The Golden Age of Hollywood Musicals

ASIN: B00064ADMK
Release Date: 2004-10-19

Tracks:

Give My Regards To Broadway- Joel Grey
Swanee- Al Jolson
When The Moon Shines On The Moonshine- Bert Williams
A Pretty Girl Is Like A Melody- John Steel
My Man- Fanny Brice
Fascinating Rhythm- Fred Astaire, Adele Astaire
If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
Someone To Watch Over Me- Gertrude Lawrence
Bill- 78 rpm Version Helen Morgan
Ol' Man River- Paul Robeson
Ain't Misbehavin'- Louis Armstrong & His Orchestra
Ten Cents A Dance- Ruth Etting
Body And Soul- Libby Holman
Brother, Can You Spare A Dime- Bing Crosby
Night And Day- Fred Astaire
Heat Wave- Ethel Waters
Smoke Gets in Your Eyes- Tamara
You're The Top- Ethel Merman
Summertime- Anne Brown
September Song- Walter Huston
My Heart Belongs To Daddy- Mary Martin
It Never Entered My Mind- Shirley Ross
Bewitched, Bothered, Bewildered- Vivienne Segal
Oh, How I Hate To Get Up In The Morning- Irving Berlin
Oh, What a Beautiful Mornin'- Alfred Drake

Tracks:

New York, New York- Cris Alexander,Adolph Green,John Reardon
If I Loved You- John Raitt,Jan Clayton
Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
There's No Business Like Show Business- Ensemble
How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
Once In Love With Amy- Ray Bolger
Wunderbar- Alfred Drake,Patricia Morison
Some Enchanted Evening- Ezio Pinza
Lost In The Stars- Todd Duncan
Diamonds Are A Girl's Best Friend- Carol Channing
Luck Be A Lady- Robert Alda,Guys
Getting To Know You- Gertrude Lawrence
Who Cares?- Jack Carson,Betty Oakes
Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
Ballad Of Mack The Knife- Gerald Price
Hey There- from "The Pajama Game" John Raitt
Whatever Lola Wants- Gwen Verdon
I Could Have Danced All Night- Julie Andrews
Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
The Party's Over- Judy Holliday
Glitter And Be Gay- Barbara Cook
Tonight- Larry Kert, Carol Lawrence

Tracks:

Seventy-Six Trombones- Robert Preston
I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
Everything's Coming Up Roses- Ethel Merman
My Favorite Things- from "The Sound Of Music" Mary Martin
Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
Try To Remember- Jerry Orbach
Camelot- from "Camelot" Richard Burton
Love Makes The World Go 'Round- Anna Maria Alberghetti
I Believe In You- Robert Morse And Co.
The Sweetest Sounds- Diahann Carroll,Richard Kiley
Comedy Tonight- Zero Mostel
What Kind Of Fool Am I?- Anthony Newley
As Long As He Needs Me- Georgia Brown
Hello, Dolly!- Carol Channing,Cast
People- Barbra Streisand
Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
If I Were A Rich Man- Zero Mostel
Night Song- Sammy Davis, Jr.
The Impossible Dream- Richard Kiley
If My Friends Could See Me Now- Gwen Verdon
Open a New Window- from Mame Voice

Tracks:

Willkommen- from "Cabaret" Joel Grey
Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
The Ladies Who Lunch- from "Company" Elaine Stritch
Tea For Two- Roger Rathburn,Susan Watson
I'm Still Here- Yvonne De Carlo
I Don't Know How To Love Him- Yvonne Elliman
We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
Corner Of The Sky- John Rubinstein
Send In The Clowns- Glynis Johns
Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
One- from "A Chorus Line" Cast
All That Jazz- Chita Rivera,Ensemble
Tomorrow- Andrea Mcardle
Don't Cry For Me Argentina- Patti Lupone
Come Follow The Band
Lullaby Of Broadway- Jerry Orbach
And I'm Telling You I'm Not Going- Jennifer Holliday
The Bells Of St. Sebastian- Raul Julia

Tracks:

Memory- Betty Buckley
I Am What I Am- George Hearn
Move On- Bernadette Peters,Mandy Patinkin
Do You Hear The People Sing?- Michael Maguire,Cast
The Music Of The Night- Michael Crawford
You're Nothing Without Me- James Naughton,Gregg Edelman
The American Dream- Jonathan Pryce,Cast
Doctor Jazz- Gregory Hines,Company
With One Look- Glenn Close
On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
Le Jazz Hot- Julie Andrews,Ensemble
Seasons Of Love-
Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
I Wanna Be A Producer- Matthew Broderick,Ensemble
Dancing Queen- Louise Plowright,Jenny Galloway
Good Morning Baltimore- Marissa Jaret Winokur
Movin' Out- Michael Cavanaugh,Band
I Go To Rio- Hugh Jackman,Company
Defying Gravity- Kristin Chenoweth,Idina Menzel

Customer Reviews:

Fabulous for any Broadway-lover.......2007-01-30

Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.

Top Shelf.......2007-01-04

This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.

TERRIFIC CD'S.......2006-03-23

THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.

Great Collection of Broadways greatest Songs .......2005-06-14

This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway

Great Compilation!.......2005-01-17

If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway

Average customer rating:

same boys night out brand with a great new taste
The best punk band from the Great White North returns!

Boys Night Out
Boys Night Out
Manufacturer: Ferret Records
ProductGroup: Music
Binding: Audio CD

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Arrivals & Departures
The Needles The Space
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Hiding Inside the Horrible Weather
Lies for the Liars

ASIN: B000QFAGEY
Release Date: 2007-06-26

Tracks:

Get Your Head Straight
Swift and Unforgiving
Push and Pull
Up with Me
Heirs of Error
Let Me Be Your Swear Word
Hey, Thanks
Fall for the Drinker
Apartment 4
Reason Ain't Our Long Suit
It Won't Be Long

Customer Reviews:

same boys night out brand with a great new taste.......2007-07-06

i have been a big boys night out fan since before "make yourself sick," and except for "broken bones and bloody kisses" i've gotten every single boys night out album within the first week of it's release (hell, i skipped class to pick up "make yourself sick" the day it came out).
boys night out has always been a band that is about changing, yet staying the same. the new self titled album is no different. although, not quite as good as "make yourself sick," it is better than "trainwreck." in my opinion every single bno album gets a 5, because they are all fantastic. some of their cds may take a few listens to get into it and enjoy it, but i have not been disappointed yet.
let me explain my headline now:
anyone who is a fan of boys night out knows that their songs are all about murder and mayhem.....that's not the case with the new album. the songs on this album seem to be more about life, having fun, getting high, and some slight mayhem. the songs are all great though, and it's nice to see a change in the lyrics.
2 other differences...1 noticeable, the other not so much....is instruments. they now have 2 guitar players again (where "trainwreck" only had 1) and their original drummer ben is back (dave from fordirelifesake filled in for a while).
my only gripe about this album, but doesnt take away any points, is the slow type song that bno have at the end of every album they do....these songs are still really good on every album, but bno is way better when they stick with the faster paced catchy pop-punk.
if this is bno's 4th masterpiece....i can't wait to hear their next effort.
standout tracks include "get your head straight", "let me be your swear word", and "apartment 4".
just pick up the album....no need to even listen to clips. they don't do the songs any justice....you need to hear the full songs.

The best punk band from the Great White North returns!.......2007-06-27

The new Boys Night Out album deserves to be heard! The whole album is pretty solid but some highlights are "Get Your Head Straight," "Swift and Unforgiving," and "Reason Ain't Our Long Suit." The new cd isn't as 'screamo' as some of their earlier stuff but the sound is definitely great and shows how the band's sound has evolved. Of course, it still features some of the great prog-riffs that the band is already known for.
Bottom Line: Great stuff- definitely one of the better punk albums of the year.

Average customer rating:

Can't stop listening to this album
Elegant, Incredible album
Hits the spot perfectly
Remember the 60s?
an absolute masterpiece

Somewhere Deep in the Night
Swing out Sister
Manufacturer: EMI
ProductGroup: Music
Binding: Audio CD

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Where Our Love Grows
Live
Kaleidoscope World
Shapes and Patterns
It's Better to Travel

ASIN: B00005YU9A
Release Date: 2002-04-01

Tracks:

Through the Sky
Will We Find Love?
Somewhere Deep in the Night
Vital Thing
What Kind of Fool Are You?
Suspended in Time
Alpine Crossing
Fool Tag
Where the Hell Did I Go Wrong?
Non E Vero Ma Ci Credo
Touch Me Now
Vital Thing-Take B
Where Do I Go?
Now Listen to Me

Album Description

UK edition of the adult alternative act's seventh album & 2001 release, previously available exclusively in Japan. Described as Ennio Morricone meets John Barry with a hint of St Etienne, Goldfrapp, Bacharach & Dusty Springfield with jazzy beats, funky melodies & hauntingly beautiful vocals. Overall a very cool soulful French-style soundtrack.

Album Details

Originally Released in Japan in 2001, Sos have Reunited with Original Producer Paul O'duffy to Create a Work of Recorded Art that is Sublime and Strikingly Cinematic. The Range of Material Goes from Beautiful Ballads to Pop Sophistication, Echoing the Brilliance of Brian Wilson's 'pet Sounds' Era, the Classic Era of Michel Legrand Or Francis Lai and the Class of Burt Bacharach. Sos have Produced a Brilliant Ephemeral Soundtrack to a New Generation.

Customer Reviews:

Can't stop listening to this album.......2006-11-03

I enjoyed swing out sister in the 80's--but wasn't sure what they would sound like twenty years later..WOW! I just bought this album and "Where does our love grow", and I can't stop listening to them. Their sound is much more sophisticated and this music "draws you in" as another person commented earlier. Am sooo glad I decided to re-visit this group again..

Elegant, Incredible album.......2006-10-13

This one slipped through my radar, until a week ago! Described as haunting, you can see the curtains blowing gently in the window on a hot parisian night. The vocals are stunning, the background on some songs are spellbinding. I am a 40 year old married man and have been hooked on SOS since the get go. Somewhere deep in the night has me mesmorized and fantasizing about being with a special someone 'deep in the night'Worth every penny and even better than 'Where our love grows'

Hits the spot perfectly.......2006-08-18

I'll keep this short - if you like Bacharach, have discovered Francis Lai, have explored Michel Legrand, are hooked on Dusty, are interested in Morricone, appreciate what John Barry has done apart from Bond and are most likely over 30, then this collection was probably written and produced with you in mind. A highly cinematic offering, with a flow that makes it sound like a proper 'concept' album (to me it does, anyway!), I discovered this from a buddy in the States 5 years ago and haven't gone more than a few weeks since without hearing it.

Hugely recommended.

Remember the 60s?.......2006-08-13

Lush, romatic arrangements that will evoke memories of Jimmy Webb, and of Bacharach at his prime. Corinne Drewry's voice is as luxurious as chocolate cream. A joy to liten to.

an absolute masterpiece.......2006-08-05

i always loved swing out sister from the late 80's. i did lose touch with the group over the past 10 years. i recently bough this cd after being reunited with swing out sister via their live album several months ago. this cd is a must have. it embodies all the elements missing from so much music today-- stellar vocals, outstanding instrumentation, and flawless production.

Average customer rating:

Teenage kicks
Hard rock/power pop amalgam
Better Together: This album and an amplifier that goes to 11
Wow
I had happiness and now I'm just about to watch it burn

Out Here All Night
Damone
Manufacturer: Island
ProductGroup: Music
Binding: Audio CD

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From the Attic
In the Mouth of the Young
Dying to Say This to You
Morningwood
Wolfmother

ASIN: B000F2CA7O
Release Date: 2006-05-23

Tracks:

Now Is The Time
Out Here All Night
What We Came Here For
Stabbed In The Heart
On Your Speakers
Get Up And Go
Outta My Way
You're The One
New Change Of Heart
When You Live
Tonight
Wasted Years

Amazon.com

If you can imagine Avril Lavigne fronting Mötley Crüe, you have a sense of where Damone is heading--and for listeners who favor melodic, high-revving power-pop, this is a fun, rocking journey worth taking. A youthful quartet out of Boston fronted by its lone female member, 20-year-old singer/guitarist Noelle, Damone burns through the dozen tracks on Out Here All Night (the group's second recording; its first with Mike Woods as guitarist and chief songwriter) at a manic pace. The band's compact songs (all but one clock in under four minutes) bristle with pounding, noisy energy, yet the melodies shine through the wall-of-racket production with a delectable, beguiling charm. Influences are far-ranging: AC/DC, the Go-Go's, the Ramones, the Runaways, Andrew W.K., Poison--even some soaring guitar salvos that bring to mind Queen's Brian May and Boston's Tom Scholz. (Sample, for instance, "Out of My Way.") The tone is forceful, but the mood is party-minded, not menacing. And while you'll find no revelations in the songs' lyrics, Noelle demonstrates a terrific vocal range that allows her to coo as effectively as she hollers (e.g., "You're the One"). Catchy stuff. --Terry Wood

Customer Reviews:

Teenage kicks.......2006-11-18

Damone seem to have happened upon the magic formula for making great uplifting rock and roll. Hard to believe they lost their main songwriter after the first album, you certainly can't tell. Some great riffs to be had too, and how often do you get to say that these days? I don't agree that the singer is an Avril Lavigne clone. Make your own mind up, but try not to tap your foot or bang your head to "Out here all night", surely the best rock song of the last few years. There is a real gang feel to this CD also, but in a good way. As in a group of people keen to ram home the same message. If only "hair metal" in the 80's was this good! I agree there is an 80's feel however, but it's partly due to the song quality and the lack of inclusion of current trends. By not trying to be cool, they seem to have come out the other side to be cool anyways. Damone makes me wish I was a teenager again, and that's gotta be the very essence of great rock and roll.

Hard rock/power pop amalgam.......2006-11-06

If they gave platinum albums for consistency then Damone would definitely score one. Track after track here just attacks the listener with head bobbing, toe tapping hummability. This is the sort of album you'll put in your stereo and just forget to take back out for a couple of weeks.

Where the real talent lies here is to keep things upbeat without falling into a parody of themselves. And the slightly more mature lyrics than you first expect factor contributes to the plus side of this release, cases in point being the title track and tune #3 - What We Came Here For.

In terms of specifics this, like my title says, is a combination of power pop and generic hard rock. While a few of the tracks here are a touch twee - reminding the listener of every formulaic teen movie soundtrack - the overall feel of the album is assisted by the fact this is an actual band. It's not a matter of the smooth vocals of Miss Leblanc being backed by faceless session musos while the record company markets her as a 'rock chick'. The writing credits are shared equally and not only that - there is a genuine crunch factor to the riffs on some songs such as the excellently catchy t itle track and #6 - Get Up and Go.

A summery album for sure, big hooks and simple chorus', this is the sound of a band who will surely fin and audience for their good time rock if there is any justice. And whne was the last time you heard a band of this ilk cover a tune like Iron Maidens Wasted Years? Acoustically. And it works a treat with the vocals intertwining with the guitar to produce an entirely viable and yet fiercely alternative version of this killer Maiden tune.

It's not like me to wax lyrical about a release of this genre but this is well worth your dollar for a solid good time. Heck, worth the price of admission for highlights such as Now is the Time, Out Here All Night, What We Came Here For and the Wasted Years cover.

Better Together: This album and an amplifier that goes to 11.......2006-11-02

It's been 20 years since I've wanted to listen to an entire album over and over again for weeks on end. 10,000 tunes on my iPod and I keep coming back to it. This great rock and roll - tight instrumentals, awesome vocals, full sound, & tons of energy. I rate every tune 5 stars. Alas, the volume on an iPod goes up only so high. This CD needs to be played full blast on a good stereo with big speakers. A fine way to go deaf.

Wow.......2006-08-21

This has to be my newest favorite band! What a great cd! I good hard rocking band with a great chick lead singer!

I had happiness and now I'm just about to watch it burn.......2006-07-20

First off, Damone is nothing original. Noel, such as the description says, sounds as close as you can to Avril Lavigne, and the band sounds like every other 80s metal band. If that sounds the least bit intriguing, then Damone just might be the one band this summer to tickle your fancy.

Depending upon how you look at this album, you can either say it's just a great rock CD with driving beats and pretty good vocals, or you can look at it as a band that can't find their own sound so they're ripping off other people's style. The latter is pretty harsh I know, but in most every song you can find a song from the 80s 'hair metal' days that matches up very closely, be it music-wise or vocal-wise. However, don't let that scare you off, Damone could very well end up being one of the quintessential summer bands of this year.

So thanks to Amazon you now know that Noel has a striking vocal resemblence to Avril Lavigne. Avril is one of my guiltiest pleasures so I can live with that fact, and actually enjoy it. And yes, the band resembles the Crue, which is fine as well. One of the more unexcusable aspects of Damone is the songwriting. Quite frankly, it's rather lousy. A moody 13 year old could come up with better lyrics, so, bad and good, give and take.

Having covered the bad aspects of Damone I will say that I truly enjoy Out Here All Night. I don't agree with one of the reviewers who said that there's no tracks you need to skip over, because there is one or two, but with memorable tracks such as What We Came Here For and Outta My Way, you can excuse a couple minor slip-ups. Damone does 'heavy' quite well, as the afforementioned tracks are, but they also do melodic extremely well too. Take the beginning of Stabbed In The Heart, or the beautiful When You Live, which I suppose could be categorized as a power ballad. All in all, it's quite obvious after listening to Out Here All Night in its entirety that Damone is just having fun, and come on, that fun is just contagious.

My favorite songs are What We Came Here For, Stabbed In The Heart, Get Up And Go, Outta My Way, and When You Live. I'd say that Damone has some of the better melodic moments of recent memory, not to mention that they're much heavier than a lot of your radio bands right now. So basically if you've been yearning for a band that properly beckons back to the hair metal days, then don't pass up Damone's Out Here All Night.

Average customer rating:

Great Comeback!

Come Out at Night: Live in Ohio 2004
Starz
Manufacturer: Castle
ProductGroup: Music
Binding: Audio CD

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STARZ: Extended Versions Live
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Back to the Rhythm
Rise

ASIN: B000PGTHZI
Release Date: 2007-06-18

Tracks:

Live Wire
Fallen Angel
Rock Six Times
Subway Terror
Pull The Plug
Cherry Baby
Take Me
So Young, So Bad
Its A Riot
X-Ray Spex
Detroit Girls
Nightcrawler
Monkey Business
Cool One
Third Times The Charm
She
Coliseum Rock
Outfit
Boys In Action

Album Details

Although Shining Brilliantly Against the Seventies Rock `n' Roll Firmament, the Seemingly Rapid and all Too Brief Career Arc of These USA Melodic Hard Rockers Still Baffles Fans and the Press Alike, Whilst Fellow Musicians (Jon Bon Jovi, Motley Crue's Nikki Sixx, the Wildhearts' Ginger and Metallica's Lars Ulrich) Cite Starz as a Major Influence on their Own Song Writing Endeavours. Signing to Capitol Records and Represented by Kiss' Bill Aucoin for Rock Steady Management, the Elements for a Glorious Career Seemed in Alignment. However, Record Company Ineptitude and Management Complacency all Conspired to Cheat the Band from a Radiant and Rewarding Long-term Career. For all the Industry's Failings, Starz' Ability to Perform a Blinding Rock Show and Capture the Hearts of American Rock Fans with their Live Performance Never Waned and as Such, the Band's Recent Reformation Has Been Greeted with Enthusiasm from all Quarters.

Customer Reviews:

Great Comeback!.......2007-07-01

What a pleasure it was to see this show released, not just because i was fortunate enough to be at the show, but it was so cool to see a truely under rated band again! Starz were frequent visitors to the Cleveland area back in their heyday in the mid to late 70's. They never got the justice they deserved, but these guys were awesome. Now jump almost 30 years ahead, and the band sounds as good or better than before. This is a complete show which was 19 tracks including all the hits such as Live Wire, Cherry Baby, Pull the Plug, Fallen Angel, Detroit Girls, Boys in Action, and many more. The only sad note was that Brendan missed his flight from New York, and it left Ritchie to handle all the guitar work, and a great job he did!(the entire band did as a four-piece). a nice little surprise of this show, was a Starz fanatic that just happened to be a guitar player got up onstage and played a track with Starz! Great Show, great sound, great crowd! You won't be disappointed! This set is not only a special treasure to me, but any fan of great classic rock will surely enjoy!

Average customer rating:

Fun, Upbeat, Good Time, just like a Boys Night Out.
Sammy, Frank and Dean could REALLY sell a song--and that's no small feat !!!
Oceans 11
Fabulous CD
Good stuff

Boys Night Out
The Rat Pack
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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The Ultimate Rat Pack Collection: Live & Swingin (CD & DVD)
The Rat Pack Live at the Sands
Eee-O-11: The Best of the Rat Pack
A Night on the Town With the Rat Pack
Live From Las Vegas

ASIN: B0002U5BR0
Release Date: 2004-09-28

Tracks:

Here Goes - Frank Sinatra
Who's Got The Action? - Dean Martin
Yes I Can - Sammy Davis Jr.
We Open In Venice - Sammy, Frank & Dean
You Can't Love 'Em All - Dean Martin
Ol' MacDonald - Frank Sinatra
There Is Nothin' Like A Dame - Sammy Davis Jr.
Grazie, Prego, Scuzi - Dean Martin
The Boys' Night Out - Frank Sinatra
The Goin's Great - Sammy Davis Jr.
Guys and Dolls - Frank & Dean
Something's Gotta Give - Sammy Davis Jr.
Baby-O - Dean Martin
River, Stay 'Way From My Door - Frank Sinatra
(Love Is) The Tender Trap - Sammy Davis Jr.
All In A Night's Work - Dean Martin
Just One Of Those Things - Frank Sinatra
Once In A Lifetime - Sammy Davis, Jr.
Guys and Dolls (Bonus Alternate version) - Frank & Dean

Amazon.com

Boys Night Out suggests the accompaniment to a PG-13-rated bachelor party, with an implied narrative arc and a stack of appreciative tunes about, er, dames. Frank, Dean and Sammy are heard mostly in solo settings, but the upbeat mood and brassy arrangements make for a cohesive Three Musketeers atmosphere. The 19-track disc offers some real nuggets for Sinatra fans (the little-heard near-title track, two visits to Guys and Dolls from the Reprise Repertory Theater set on which the Rat Pack's leader took the Nathan Detroit role he'd lost to Marlon Brando on film), while bearing reminders of how one-of-a-kind each of his two pals sounded. Listeners who are planning on staying in for the evening will also dig this thoughtfully compiled album. --Rickey Wright

Customer Reviews:

Fun, Upbeat, Good Time, just like a Boys Night Out........2007-07-10

Yeah it is not their most famous songs, but the songs are all great. This disc is just a fun disc. The songs are upbeat and well done. I have Live at the Sands and EEE-O-11 which are both live and fantastic but this one is my personal favorite.

Sammy, Frank and Dean could REALLY sell a song--and that's no small feat !!!.......2007-06-19

This CD gives us a great collection of classic pop standards performed by three of the greatest entertainers of the twentieth century: Frank Sinatra, Sammy Davis, Jr. and Dean Martin. Their performances on this CD are remarkably well polished; and every moment of this CD proves it.

The CD track set opens with the peppy "Here Goes" performed by Frank Sinatra. The arrangement moves at a great tempo and the horns are well used for "Here Goes." Frank's breezy and flashy delivery sparkles like gold and his voice is in excellent form, too. Sammy Davis also performs one of his signature songs entitled "Yes I Can." "Yes I Can" is semi-autobiographical; Sammy sings of how he believes that he can "go all the way" in his career as a professional entertainer. The piano, horns and drums help the melody move along with drama and flair; and Sammy plays with the tempo of his vocals to accomplish some great vocal gymnastics.

"We Open In Venice" is a playful tune about Frank, Dean and Sammy embarking on a tour of Italy; they harmonize well and their verbal interjections create a sense that they improvised this number although they probably practiced "We Open In Venice" until they got it just right. Another playful tune is Frank Sinatra's rendition of "Ol' MacDonald." Frank changes most of the nursery rhyme lyrics to make it a song about how he loves his woman; and this approach works very well. Love those chimes on "Ol' MacDonald," too!

Sammy Davis, Jr. comes back to sing a more traditional ballad with "There Is Nothin' Like A Dame" from South Pacific. Sammy sings this to perfection and the musical arrangement uses the horns and percussion well. Sammy, being Sammy, just can't resist playing with some of the lyrics and the tempo--and this boosts the quality of "There Is Nothin' Like A Dame."

Other gems on this CD include "Guys And Dolls" sung by Dean Martin and Frank Sinatra; they deliver this number with panache and masculine sensitivity. "Something's Gotta Give" features Sammy Davis, Jr. outdoing even himself as he delivers this without a superfluous note. His masculine warmth and energy render "Something's Gotta Give" an infectiously catchy number. Great! Frank performs "Just One Of Those Things" with passion, sensitivity and a worship of a love affair that stuns me with its high quality control.

The CD ends with a reprise of "Guys And Dolls" sung by Frank and Dean once again. Although many years have passed since this recording was made, the lyrics about men doing things to impress their women remain completely true to this day. Awesome!

The liner notes feature photos of Sammy, Frank and Dean with a blue hue to them; and there are a few quotes each provided about themselves and their work together. It's very sweet; but I would have liked an essay to be included in the liner notes. However, this is a minor disappointment.

Sammy Davis, Jr., Frank Sinatra and Dean Martin will remain three of the greatest entertainers that ever lived; and I doubt we'll ever see another group quite like them. They sang their hearts out, all the while making it seem so easy although we know it really wasn't. I highly recommend this CD for their fans; and fans of "The Rat Pack" will love this CD forever!

Enjoy!

Oceans 11.......2007-05-16

No doubt the experience to hear the collaboration of the original Players of Las Vegas- The Rat Pack. Pure enjoyment of a time gone past.

Fabulous CD.......2007-03-22

This is the cd to have if you love oldies. It is a must have if you are a rat pack fan. They did a great job on the remix.

Good stuff.......2006-08-29

This CD has titles that are not available anywhere else - a perfect addition to any collection.

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