With All Wood and Stones, veteran composers/vocalists/musicians John Batdorf and James Lee Stanley have taken songs that are practically hard-wired into our collective pop culture consciousness and put a uniquely fresh spin on them. That these songs are vintage Rolling Stones masterpieces composed by Mick Jagger and Keith Richards makes the duo's sonic reinvention of them all the more remarkable. It's almost as if the tracks are from an alternate universe where Mick and Keith hailed from Southern California instead of the U.K. Featuring crystal-clear yet atmospheric acoustic renderings of eleven gems from the Jagger-Richards songbook, the disc's magic revolves around Batdorf and Stanley's supple new arrangements, virtuoso guitar exchanges and almost dreamlike, harmonic vocals. John Batdorf (Batdorf & Rodney) and James Lee Stanley (after years has successfully avoided fame until now), are wonderful singers and guitar players. These are eleven of their favorite Rolling Stones songs, arranged by James and John in the studio, just playing and singing until the songs evolved into what we are presenting here. The songs are the stars, their timelessness enhanced by the mellow yet elegant simplicity of All Wood and Stones' presentation.
All Wood & Stones,John Batdorf,James Lee Stanley,Aezra Records,Pop,Rock,Rock/Pop
All Wood & Stones
Average customer rating:
|
Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
|
The John Rutter Christmas Album
Cambridge Singers , Rutter , and City of London Sinfon Manufacturer: Collegium ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006JJ4T Release Date: 2002-09-24 |
Tracks:
- Wexford Carol
- Jesus Child
- There Is a Flower
- Donkey Carol
- Wild Wood Carol
- Angels' Carol
- Nativity Carol
- Mary's Lullaby
- Star Carol
- Candlelight Carol
- Shepherd's Pipe Carol
- Christmas Lullaby
- Dormi, Jesu
- Love Came Down at Christmas
- Sans Day Carol
- I Wonder as I Wander
- What Sweeter Music
- Joy to the World
- I Saw Three Ships
- Deck the Hall
- Very Best Time of Year
- We Wish You a Merry Christmas
- Silent Night
Album Description
Top of the British Classical Charts for 10 Weeks! Billboard Top Ten Classical Recording - December 2002! This album gathers together most of the carols I have composed over the years, plus a sprinkling of my arrangements of traditional carols, grouped to form a program which narrates, reflects upon, and celebrates the Christmas story. I have always enjoyed carols ever since I first sang them as a member of my school choir, and it was not long before I began to write carols of my own-in fact my first two published compositions were the Nativity Carol and the Shepherd's Pipe Carol. For any musician involved in choral music, Christmas is an especially joyous time, and I am indeed happy that it has played a part in my musical life for so many years- JOHN RUTTERCustomer Reviews:
Rutter Christmas Album.......2007-05-14
Unique and Beautiful!.......2007-03-09
Johh Rutter Chirstmas Album.......2007-02-19
Liked it enough to go through a lot of trouble to give it a review........2007-02-07
John Rutter and Cambridge Singers.......2007-01-18
Average customer rating:
|
Early American Choral Music, Vol. 2
Manufacturer: Hmf Classical Exp. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005UVPB Release Date: 2002-04-09 |
Customer Reviews:
The Better of the two.......2006-06-03
Not as good as version 1 in this series.......2004-09-03
A final note: many of the texts are beautiful (and available from the publisher's web site). However, I would criticize "Who is this that cometh from Edom?" as dwelling just a bit too much on the Jews' rejection of Jesus. Among other reasons & issues, Christianity says that we are all sinners & there is no cause to single a particular group out negatively.
Same as 'Goostly Psalmes: Anglo-American Psalmody 1550-1800'.......2004-02-21
Average customer rating:
|
All Wood and Stones
John Batdorf & James Lee Stanley Manufacturer: Beachwood Recordings ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000AQACMA Release Date: 2005-09-13 |
Tracks:
- Paint It Black
- Ruby Tuesday
- Satisfaction
- Under My Thumb
- Let's Spend The Night Together
- Mother's Little Helper
- Back Street Girl
- Last Time
- Have You Seen Your Mother Baby?
- 19th Nervous Breakdown
- As Tears Go By
Album Description
With All Wood and Stones, veteran composers/vocalists/musicians John Batdorf and James Lee Stanley have taken songs that are practically hard-wired into our collective pop culture consciousness and put a uniquely fresh spin on them. That these songs are vintage Rolling Stones masterpieces composed by Mick Jagger and Keith Richards makes the duo's sonic reinvention of them all the more remarkable. It's almost as if the tracks are from an alternate universe where Mick and Keith hailed from Southern California instead of the U.K. Featuring crystal-clear yet atmospheric acoustic renderings of eleven gems from the Jagger-Richards songbook, the disc's magic revolves around Batdorf and Stanley's supple new arrangements, virtuoso guitar exchanges and almost dreamlike, harmonic vocals. John Batdorf (Batdorf & Rodney) and James Lee Stanley (after years has successfully avoided fame until now), are wonderful singers and guitar players. These are eleven of their favorite Rolling Stones songs, arranged by James and John in the studio, just playing and singing until the songs evolved into what we are presenting here. The songs are the stars, their timelessness enhanced by the mellow yet elegant simplicity of All Wood and Stones' presentation.Customer Reviews:
Old Music perfectly refreshed .......2006-03-24
beautifuly in acoustic way.
All Wood & Stones - John Batdorf.......2006-03-04
new arrangements of rolling stones classic fresh, familiar and fantastic.......2006-01-22
james lee stanley and john batdorf triumph.......2006-01-06
james lee stanley
All Wood and Stones.......2005-12-06
That's one of the reasons why "All Wood and Stones" is wonderful for me, because it takes 11 early hits from the Rolling Stones and makes them accessible to me and others like me. Songs I never would have listened to (heard perhaps, but not "listened to") otherwise. What James Lee Stanley and John Batdorf (currently two of my favorite solo artists) bring to these eleven songs is faultless harmony of voice and guitar, clear distinct guitar notes - sometimes in tandem and sometimes in counterpoint, words I can make sense out of, and really cool acoustic guitar and vocal arrangements that bring something new and accessible to the old songs.
I highly recommend this CD to any- and every- music lover throughout the world ("All Wood and Stones" is available worldwide from Aezra Records) whether you're a Rolling Stones fan or not. I'm fairly sure that everyone will find something to like (if not the whole thing!).
Average customer rating:
|
Music of the American Revolution: The Birth of Liberty
Manufacturer: New World Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000030FQ Release Date: 1996-07-09 |
Tracks:
- The Brickmaker March - American Fife Ensemble
- Lamentation Over Boston - The Continental Harmony Singers
- March For The 3rd Regt. Of Foot, Lord Amherst's - The Liberty Tree Wind Players
- British Grenadiers - American Fife Ensemble
- Song On Liberty - Sherrill Milnes
- General Scott's March - The Liberty Tree Wind Players
- Junto Song - James Richman
- Lovely Nancy - BIRTH OF LIBERTY
- American Vicar Of Bray - Sherrill Milnes
- Independence - The Continental Harmony Singers
- March Of The 35th Regiment - The Liberty Tree Wind Players
- Liberty Song - Sherrill Milnes
- Lady Hope's Reel - American Fife Ensemble
- Parody Upon A Well-Known Liberty Song - James Richman
- March For The 76th Regiment - The Liberty Tree Wind Players
- Warren - The Continental Harmony Singers
- Stone Grinds All - American Fife Ensemble
- The King's Own Regulars - James Richman
- Washington's March - The Liberty Tree Wind Players
- A Hymn On Peace - The Continental Harmony Singers
Customer Reviews:
Good overall.......2005-07-20
Great Music from the Birth of Our Nation.......2002-02-02
If you enjoy fifes and drums, choral compositions, patriotic songs, and uplifting music from the birth of America, please get this CD.
A perfect selection for a patriotic American to play, especially on the 4th of July.
Protest Songs of the 1770s.......2002-01-24
Important work of musical heritage.......1999-02-25
A good source of enjoyment and education.......1999-02-23
Average customer rating:
|
Behind the Closed Eye
Anuna Manufacturer: Danu ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008RGZU Release Date: 2003-04-01 |
Tracks:
- August - AnMichael McGlynn, Ulster Orchestra
- Aisling - AnUlster Orchestra
- Great Wood - AnMonica Donlon, Ulster Orchestra
- From Nowwhere to Nowhere - AnUlster Orchestra
- Annaghdown - AnRn Dempsey, , Ulster Orchestra
- Ceann Dubh Ds - AnMichael McGlynn, Mark O'Sullivan, Garrath Patterson, Ulster Orchestra
- Ave Marie - AnMiriam Blennerhassett, Ulster Orchestra
- Gathering Mushrooms - AnMichael McGlynn, Ulster Orchestra
- Behind the Closed Eye - AnUlster Orchestra
- Midnight - AnUlster Orchestra
- Coming of Winter - AnUlster Orchestra
- Where All Roses Go - AnMichael McGlynn, Ulster Orchestra
- 1901 - AnDeirdre Gilsenan, Ulster Orchestra
Customer Reviews:
Beautiful.......2005-06-04
Definitely worth a place in any music library!
Different, but still superb.......2003-12-29
Although the sound may be different than what you have come to expect from previous albums, I would still recommend this one wholeheartedly.
another excellent cd by anuna.......2003-06-11
Average customer rating:
|
Hymns Through the Centuries 2
Recorded Sound , R. Osborne , J. Reilly Lewis , and Cathedral Choral Society Manufacturer: Gothic Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00007K2GE Release Date: 2003-01-07 |
Tracks:
- Peal Bells
- Jesus, My All, To Heaven Has Gone
- Our Thanks We Give For Love And Hope
- In The Bleak Midwinter
- Creating God, Your Fingers Trace
- Rejoice, Ye Pure In Heart!
- Let All The World In Every Corner Sing
- Ar Hyd Y Nos (Organ Solo) - Eric Plutz
- Of The Father's Love Begotten
- Come Down, O Love Divine
- Spirit Of God, Descend Upon My Heart
- God Is Love
- What Wondrous Love Is This!
- All My Hope On God Is Founded
- Leoni (Carillon Solo) - Edward M. Nassor
- O God Of Our Divided World
- Christ, Mighty Savior, Light Of All Creation
- Breathe On Me, Breath Of God
- I Vow To Thee, My Country
- The Day Thou Gavest, Lord, Is Ended
- Lord Of All Hopefulness
- O Brightness Of The Immortal Father's Face
- O Praise Ye The Lord!
- Hyfrydol (Bagpipe Solo) - John G. Sprague
Customer Reviews:
Somewhat disappointing.......2005-09-25
Average customer rating: |
All Things Bright and Beautiful
Manufacturer: Hyperion UK ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008ZZ3Z Release Date: 2003-07-08 |
Average customer rating:
|
Home to Thanksgiving
Theatre Of Voices , His Majestie's Clerkes , and Andrew Lawrence-King Manufacturer: Harmonia Mundi Fr. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000028TXS Release Date: 1999-10-19 |
Tracks:
- Timothy Swan: Rainbow: 'Tis By Thy Strength The Mountains Stand'
- William Tans'ur: Colchester: 'O 'twas a joyful sound to hear'
- Jeremiah Ingalls: The Apple Tree
- Peter Abelard: 0 quanta qualia
- Nehemiah Shumway: Schenectady: 'From All That Dwell Below The Skies'
- William Billings: Thanksgiving Anthem: 'O Praise The Lord Of Heaven'
- William Billings: Brigg Fair (Harp Solo), Traditional
- Thomas Tallis: Audivi vocem
- John Cage: The Year Begins to Be Ripe
- Benedicamus Domino
- William Billings: Jordan: 'There Is A Land Of Pure Delight'
- Abram Wood: Worcester: 'How Beauteous Are Their Feet'
- Thomas Tallis: Benedictus
- Peter Abelard: Epithalamica
- It was summer now
- The Keel Row II (harp solo) Howard Skempton
- Give good gifts one to another
- William Billings: Chester: 'Let The Tyrants Shake Their Iron Rod'
- Elisha West: Evening Hymn: 'The Day Is Past And Gone'
Amazon.com
An album celebrating harvest's end, Home to Thanksgiving is a harvest itself, selected from nearly a dozen Hillier CDs. The only thing that suffered as the result of Paul Hillier's separation from the Hilliard Ensemble was his albums' graphic design. By leaving Hilliard, the men's vocal group he'd helmed, Hillier abandoned the elegant packaging afforded him by ECM Records. On ECM, his penchant for plainchant was matched by stark photography, lending a steady visual horizon while his group darted maverickly between liturgical music and Arvo Pärt's minimalism.Somehow at Harmonia Mundi, a new Hillier collection calls for a Currier and Ives painting. So be it. Hillier listeners understand that no marketing feat can fill the gaps that punctuate the 12th-century "O quanta qualia"; only a faith in his distinct musical agenda (or, perhaps, His) can bridge such pauses. There is communal cheer ("The Apple Tree," dating from the Revolution, has a catchy chorus), but it's tempered by introversion. Secular Puritan John Cage shows up, having set lyrics by Thoreau. That follows a 16th-century snippet of Thomas Tallis, and is followed itself by a 12th-century piece that attenuates 13 syllables of benediction for over four minutes. Currier and Ives may greet listeners at the cabin door, but Hillier waits inside with a sermon straight out of Jonathan Edwards. --Marc Weidenbaum
Customer Reviews:
Truly joyous music.......2005-10-27
Average customer rating:
|
Very Good Eddie: A Musical Comedy (1975 Broadway Revival Cast)
Schuyler Greene Manufacturer: Drg ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000PG0 Release Date: 1992-04-10 |
Tracks:
- Overture - Orchestra
- We're On Our Way - Company
- Some Sort Of Somebody - Miss Wells & Mr. Christmas
- Thirteen Collar - Mr, Repole
- Bungalow In Quogue - Miss Seidel, Miss Fairbank
- Isn't It Great To Be Married - Mr. Repole & Mr Wyman
- Good Night Boat - Company
- Left All Alone Again Blues - Miss Seidel
- Hot Dog! - Company
- If You're A Freind Of Mine - Miss Seidel, Mr. Repole
- Wedding Bells Are Calling Me - Company
- Honeymoon Inn - Miss Wells & Company
- I've Got To Dance - Mr. Shane (Vocal & Banjo) & Company
- Moon Of Love - Miss Hudson & Company
- Old Boy Neutral - Miss Wells & Mr. Christmas
- Babes In The Wood - Miss Seidel & Mr. Repole
- Katy-Did - Miss Hudson
- Nodding Roses - Miss Wells & Mr. Christmas
- Finale - Company
Customer Reviews:
A GEM FROM THE PRINCESS THEATRE . . . .......2005-09-07
Mr. Behrens states that the score contains neither a hit nor a miss and is an "improvement on the bubbleheaded competition," but the operettas of Sigmund Romberg, Rudolph Friml, Victor Herbert, et.al, were overflowing with far better songs than Jerome Kern would write for this or any other Princess Theatre Show. Many of the lyrics for "Eddie" are pretty inane, typical for the time, however. Kern wrote a much better score two years later for "Leave It to Jane" (1917), lyrics provided by long time collaborator P.G. Wodehouse. (A wonderful recording of the 1958 revival of "Jane" is available on AEI Records.) With Lyrics by Oscar Hammerstein, II, Jerome Kern wrote "Show Boat" in 1927, giving us the first truly great American musical. He also contributed some of Hollywood's most memorable songs, including "A Fine Romance," "The Way You Look Tonight," and "The Last Time I Saw Paris."
(...)
A musical as it used to be.......1999-10-24
Wonderful version of a charming show.......1998-09-08
Rap Music:
- Always Be
- Believe
- Best of the Del Fuegos: Slash Years [Import]
- Big Science
- Bill Fay [Original recording remastered]
- Bop Till You Drop
- Breakfast In New Orleans, Dinner In Timbuktu
- Bridge Across Forever
- Burgers [Original recording remastered]
- Catholic Boy
Recommended Music:
Find a Way [CD-single] [Import]
Home for the Holidays [Original recording remastered]