Paris 1919

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John Cale has one of the richest resumes in pop, with experience in avant-garde music even before he met Lou Reed and they formed the Velvet Underground. His record productions include such landmarks as the debut by the Stooges and Patti Smith's Horses. But as a solo artist, Cale has often seemed caught between his sophisticated leanings and his fondness for punky attitudes. Two early albums, Vintage Violence and Paris 1919, were the work of a highly-developed pop musician; later albums found Cale the pop provocateur dominating the show. Cale's a fairly deadpan singer, but the sweet mix of rock band instrumentation and fuller orchestration make --Paris 1919 one of his strongest efforts, and the lovely "Andalucia" one of his very best songs. If the righteous boogie of "Macbeth" sounds familiar, that's because Lowell George and Richie Hayward, guitarist and drummer of Little Feat, formed the core of Cale's studio band. --John Milward

Paris 1919,John Cale,Reprise / Ada,Adult Alternative Pop/Rock,Experimental,Experimental Rock,Pop,Pop/Rock,Prog-Rock/Art Rock,Proto-Punk,Rock,Rock/Pop

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Paris 1919

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

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Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: Great Album "Graham Greene" is annoying All-time great album, inessential bonus tracks Make that twelve! OMG....12 more parts of an absolute classic

Paris 1919 John Cale Manufacturer: Wea International ProductGroup: Music Binding: Audio CD General | Pop | Styles | Music Singer-Songwriters | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Rock | Styles | Music Experimental Rock | Rock | Alternative Styles | Alternative Rock | Styles | Music Similar Items: The Frozen Borderline: 1968-1970 Vintage Violence Coney Island Baby Circus Live John the Wolfking of L.A. ASIN: B000FQVY2C Release Date: 2006-06-19

Tracks:

1. Child's Christmas in Wales
2. Hanky Panky Nohow
3. Endless Plain of Fortune
4. Andalucia
5. Macbeth
6. Paris 1919
7. Graham Greene
8. Half Past France
9. Antarctica Starts Here
10. Burned Out Affair (outtake)
11. Child's Christmas In Wales (alternate version)
12. Hanky Panky Nowhow (drone mix)
13. The Endless Plain Of Fortune (alternate version)
14. Andalucia (alternate version)
15. Macbeth (rehearsal)
16. Paris 1919 (string mix)
17. Graham Greene (rehearsal)
18. Half Past France (alternate version)
19. Antarctica Starts Here (rehearsal)
20. Paris 1919 (piano mix)
21. Macbeth (different instrumental backing track) - HIDDEN TRACK

Album Details

One of John Cale's Very Finest Solo Efforts, Paris 1919 is also Among his Most Accessible Records, One which Grows in Depth and Resonance with Each Successive Listen. A Consciously Literary Work - the Songs Even Bear Titles Like "Child's Christmas in Wales," "Macbeth," and "Graham Greene" - Paris 1919 is Close in Spirit to a Collection of Short Stories; The Songs Are Richly Poetic, Enigmatic Period Pieces Strongly Evocative of their Time and Place. Chris Thomas' Production is Appropriately Lush and Sweeping, with Many Tracks Set to Orchestral Accompaniment; Indeed, There's Little Here to Suggest Either Cale's Noisy, Abrasive Past Or the Chaos About to Resurface in his Subsequent Work - for Better Or Worse, his Music Never Achieved a Similar Beauty Again.

Customer Reviews:

Great Album.......2007-02-18

There is a very good reason this classic has recently been re-released. I put it along side Odessey and Oracle and Village Green Preservation Society as high-minded pop gems that were sort of forgotten and now are getting a renewed appreciation.
Other than a little bit of a muddled production this is a first class album. The mood is melancholy, but perfectly such. Although the songs are instantly catchy, they have such depth that they won't bore.
If you like gentle, blue pop music that has a decidely British feel. Get this. Actually if you like good music at all, pick this up.

"Graham Greene" is annoying.......2006-12-17

I know I'm going to get a lot of unhelpful marks, but with the invariably perfect reviews this record is getting, I thought I should speak up. I've tried pretty hard to enjoy this CD, what with paying money for it and all, but I just don't get it. Sure, the songs are pretty, but also repetitive and somewhat bland. This isn't helped by the incredibly murky mix this album has. I was hoping the bonus tracks would provide a clearer picture of what the songs sound like, but they sound the same for the most part.

The problem is that I got this along with Vintage Violence, his first solo album. I love that one. It has a great energy to it that makes the softer tracks more engaging as well as a mix that is loud and clear. Though I can easily see Paris 1919 as a good rainy day depression disc, its hard to take most of the songs seriously enough to do so. "Hanky Panky Nohow" is a good song until the lame chorus which consists of the words "Hanky Panky Nohow." On Vintage Violence, the lyrics are just as nonsensical, but the compositions are simply more entertaining. That having been said, "Andalucia" is a great song and so is "Paris 1919" (especially the piano mix).

I keep having to replay bits of the rest of the album to remember which of the other songs I liked and which I didn't. That isn't a good sign since I have listened to it close to six or seven times now. Comparatively, I've listened to Vintage Violence once and I still remember almost all of the songs. Now, if you'll excuse, I'm going to go hum "Fairweather Friend."

All-time great album, inessential bonus tracks.......2006-08-18

I don't know what more I can add to the Paris 1919 discussion. It's arguably the best work by arguably the most unfairly obscure popular music genius of his time. If you don't already own it, stop reading and buy it!

The reissue is what I'm really reviewing, and if I were to rate it on its own I would give it three stars. It's a case of quantity over quality, with unfortunate results.

First, the good. The booklet has great new liner notes by a writer who thoroughly understands the album. Burned Out Affair, despite a flat, possibly drunken vocal, is quite interesting. Though I'm glad it was cut from the album proper, I'm equally glad to hear it. Two alternate versions are fantastic: the Drone Mix of Hanky Panky Nohow and the hidden instrumental take of Macbeth (with masterful electric slide guitar) give new insights into the material and are great listening on their own.

Second, the bad. Pretty much all the other sketches are not particularly interesting at best. The piano mix of Paris 1919, the vocal mix of Antarctica Starts Here, and the informal takes of Endless Plain of Fortune and Graham Green are all good listening, just nothing special or revealing. Some, however, have mumbled partial vocals, muddy arrangements, lyric mistakes, and pitch problems.

Sure, these things happen while recording. This is probably the most honest set of rehearsals and takes I've ever seen on a commercial record -- there appear to be no overdubs or edits of any kind. I'm not at all convinced that's a good thing, however. It seems to me that including alternate versions of every song was overkill, and even undermines the album itself with material that obviously was never meant for public consumption.

If they'd just stuck to new and revelatory versions, we'd have three or four great bonus tracks. As it is, there's an entire alternate album that's not worth more than a couple listens.

Certainly this reissue is worth buying, for the first time or even for the second. Just don't expect anything much of the bonus tracks.

Make that twelve!.......2006-07-01

There is an unlisted 21st track-- an instrumental version of 'Macbeth' featuring some fine slide guitar from Lowel George!

OMG....12 more parts of an absolute classic.......2006-06-28

I couldn't be more excited than if George Martin announced that more previously unknown parts of "Sgt. Pepper" had been found!

The 9 track original LP is just about the best LP to be released in the early 1970's (it was released in 1973) and the lousy sounding Warner Archives CD has remained a good catalog seller after all these years.

Now, UK Rhino has released a 20 track CD (US Rhino is too damn stupid to put it out here....). Even tho at the time of this review, Amazon has not updated their listing. Here's the extra tracks:

10.Burned Out Affair (amazing outtake....slightly flat vocals...could've used another take)
11.Child's Christmas In Wales (alt version)
12.Hanky Panky Nohow (drone mix)
13.The Endless Plain Of Fortune (alt version)
14.Andalucia (rehearsal)
15.MacBeth (alt version)
16.Paris 1919 (string mix)
17.Graham Greene (rehearsal)
18.Half Past France (alt version)
19.Antarctia Starts Here (rehearsal)
20.Paris 1919 (piano mix)
21.HIDDEN TRACK; Macbeth (wild unissued backing track!)

.....wow these are just plain fabulous....early versions, rough rehearsals, alternative versions of 9 of the greatest pieces of serious pop music ever!)

Anyone who like this classic album needs this reissue.

Wouldn't it be nice for Amazon to update their listing?

Average customer rating: one of the great albums of all time. yes it's an anachronistic lush masterpiece A Classic Album! Deja vu of elegant atmospheres Wanting Farmer John Cale

Paris 1919 John Cale Manufacturer: Reprise / Ada ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Proto Punk | Hardcore & Punk | Alternative Rock | Styles | Music Experimental Rock | Rock | Alternative Styles | Alternative Rock | Styles | Music General | Pop | Styles | Music Singer-Songwriters | Pop | Styles | Music Pop Rock | Pop | Styles | Music Adult Alternative | Pop | Styles | Music General | Rock | Styles | Music Progressive Rock | Progressive | Rock | Styles | Music Experimental Music | Miscellaneous | Styles | Music Proto Punk | Hardcore & Punk | Alternative Rock | Indie Music | Stores | Music Similar Items: Vintage Violence Black Acetate Hobo Sapiens The Academy in Peril Berlin ASIN: B000005JAB Release Date: 1993-10-26

Tracks:

1. Child's Christmas In Wales
2. Hanky Panky Nohow
3. The Endless Plain Of Fortune
4. Andalucia
5. Macbeth
6. Paris 1919
7. Graham Greene
8. Half Past France
9. Antarctica Starts Here

Amazon.com

John Cale has one of the richest resumes in pop, with experience in avant-garde music even before he met Lou Reed and they formed the Velvet Underground. His record productions include such landmarks as the debut by the Stooges and Patti Smith's Horses. But as a solo artist, Cale has often seemed caught between his sophisticated leanings and his fondness for punky attitudes. Two early albums, Vintage Violence and Paris 1919, were the work of a highly-developed pop musician; later albums found Cale the pop provocateur dominating the show. Cale's a fairly deadpan singer, but the sweet mix of rock band instrumentation and fuller orchestration make --Paris 1919 one of his strongest efforts, and the lovely "Andalucia" one of his very best songs. If the righteous boogie of "Macbeth" sounds familiar, that's because Lowell George and Richie Hayward, guitarist and drummer of Little Feat, formed the core of Cale's studio band. --John Milward

Customer Reviews:

one of the great albums of all time........2007-02-11

lush, hypnotic, elegant, subtle and beautiful. small short stories sung perfectly. mr cale's great voice is one of the most underrated instruments in rock history. over the course of 25 years i have listened to this album as much as any other album i have (up there with nick drake, v. morrison's "astral weeks," and miles davis's "kind of blue"). it still strikes chords in me that few other albums reach, all these years on. my life is richer for this recording. thanks, mr cale.

yes it's an anachronistic lush masterpiece.......2006-02-11

He's so enamoured of place-names!--lots of Sagittarius in his horoscope I believe.

Cale chose his Desert Island Discs on BBC 4, thusly:
[FYI]

1. She Belongs To Me - Bob Dylan
runners up=
Some Kinda Love - Velvet Underground
In My Room - Beach Boys
She Said, She Said - Beatles
Switching Off - Elbow
Alexandra Leaving - Leonard Cohen
Song Of Athene - Westminster Abbey Choir
Here Comes The Flood - Peter Gabriel

Interesting!

A Classic Album!.......2006-01-07

I must admit I was a little sceptical about this album beforehand; having heard that this was a very classical inspired album and that I might find it a little hard accessible. Therefore I was happily surpised to discover that this in essence is an album of mostly great songs - tastefully arranged and produced.

The classical thing is more or less only come forward on the title track and "Endless Plain of Fortune" - and even those two tracks are really just rock-ballads with an orchestered accompaniment - and both very strong tracks.

The rest of the songs are not very unlike the best material on "Vintage Violence" and "Fear".

The opening track "A Child's Christmas in Wales" is a gorgeous tune, greatly played and built up by Cale and his band, featuring Bill Payne, Richard Hayward and (not least) Lowell George on guitar. The melodic slide guitar really add to making this a song you wanna hear over and over again. "Half Past France" is another track in the same category is "Half Past France".

The most immediately catchy track is the acoustic "Hanky Panky Nohow".

Another outstanding acoustic track is "Andalucia" - heartbreaking lyrics and vocals.

The song where the Little Feat contribution is most obvious is the shuffle rocking "Macbeth", which unfortunately seems a little out of place, being pretty wild and noisy compared to the rest of the album.

"Graham Greene" is a quite funny song with a reggae-beat.

Overall Cale lyrics are mysterious, at times slightly dark, but usually delightfully thought-provoking.

The album was produced by Chris Thomas (Badfinger - Procol Harum) and with Cale's songs and arrangements he has been a part of creating another classic.

Deja vu of elegant atmospheres.......2005-11-27

This album may easily qualify as my favourite John Cale album (a toss up between Paris 1919, Fear, and Honi Soit). Granted, it's not much like the other two albums cited; Paris 1919 shows a much more tender side to Mr. Cale, and because of this, the album almost seems to coddle you through the speakers. It seems to be a reminiscent whiff, and an attempt at recapturing certain moods and atmospheres, all of which make this album feel very familiar. This is not to say that there aren't more melancholic or upbeat moments; but regardless of individual songs, the overall impression given is of some tender longing, some whistful moodiness. As other reviewers have mentioned, Mr. Cale is backed by the core of Little Feat (Lowell George, Ritchie Hayward, Bill Payne) adding superb musicianship to the mix on favourite tracks like "A Child's Christmas in Wales", "Hanky Panky Knowhow", "Andalucia", "Macbeth", and "Antarctica Starts Here". Though it's only about half an hour, this album is definitely worth the price of admission.

Wanting Farmer John Cale.......2004-08-31

No use thumbing the pages of Cale's elegant scrapbook of an autobiography, 'What's Welsh For Zen?, to glean hard data on this one melodic gem. Coming after the heady, if problematic days of the Velvets, there's barely an acknowledgement of it as he strides into his rock format. The abrasive thrashing rock of 'McBeth'(while indicating his imminent direction) serves the one discordant note. Throughout,Cale namedrops to effect learnedness without destroying the mood of a distant past. Language had been severed from lineal meaning, in rock, since Bob went electric. Pete Brown writing for Jack Bruce's towering masterpieces, 'Songs For a Sailor', & 'Harmony Row'; Keith Reid with Procul Harum, were mixing up the lyric medicine, presumably with other pharmacuticals & making sumptuous music on a par with 'Paris 1919'. That date? The birth of Surrealism,(and similar writing to Cale's efforts herein) perhaps? The Russian Revolution? Cale's singing on 1919 had a world weary distance to it, which suited the reflective jabberwocky of the songs; stretched out vowells on,'planing lakes', 'elephants that sing','looking out from here at half past France.' It was far from banal music, however saccharine the orchestral moves from strings, viola & piano Cale painted. These lyrics were baffling but made perfect poetic sense when sung. 'Locusts' was something of a revisiting to this pastoral mood but lacks the roundedness. 'Fragments of a Rainy Season' is a good retrospective concert. And some of the fuge written around the hommage to Andy Warhol is very moving stuff. Go John!

Average customer rating:

Orchestra for the Moon Jenn Grant Manufacturer: Paris 1919 Sound ProductGroup: Music Binding: Audio CD General | Contemporary Folk | Folk | Styles | Music General | Folk | Styles | Music Traditional Folk | Folk | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: The Reminder Back to Black ASIN: B000OCY6AO Release Date: 2007-05-15

Tracks:

1. Morning Break
2. Dreamer
3. Dancin' in the Wind
4. Unique New York
5. Make It Home Tonight
6. In a Brown House
7. Don't Worry Baby
8. Britt N' Kip
9. At the Finish Line
10. Sound of Success
11. Rainy Day
12. White Horses
13. Blue Skies

Average customer rating: Let theyself be hereby dubbed.........Best Broadway Tune Vocalist... This isn't a vanity crossover project but Cole Porter with art and style pure self indulgent garbage Thank god, no astaire or kelly singing on this one Cole must have been watching over this project

Night and Day: Thomas Hampson Sings Cole Porter Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD All Works by Porter | Porter, Cole | ( P ) | Featured Composers, A-Z | Classical | Styles | Music Hampson, Thomas | ( H ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music General | Soundtracks | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music Similar Items: Leading Man Christmas with Thomas Hampson The Very Best of Thomas Hampson ASIN: B000002RS3 Release Date: 1991-05-24

Tracks:

1. 'Night And Day': 'Begin The Beguine' (Jubilee)
2. 'Night And Day': 'In The Still Of The Night' (Rosalie)
3. 'Night And Day': 'Easy To Love' (Born To Dance)
4. 'Night And Day': 'Two Little Babes In The Wood' (Greenwich Village Follies - Sixth Yearly Edition)
5. 'Night And Day': 'When My Baby Goes To Town' (Something For The Boys)
6. 'Night And Day': 'When I Had A Uniform On' (Hitchy-Koo 1919)
7. 'Night And Day': 'I've Got You Under My Skin' (Born To Dance)
8. 'Night And Day': 'Bring Me Back My Butterfly' (Hitchy-Koo 1919)
9. 'Night And Day': 'Who Said Gay Paree?' (Can-Can- Unused, Nicht verwendet, Inutilise)
10. 'Night And Day': 'A Fool There Was' (Rosalie - Can-Can- Unused, Nicht verwendet, Inutilise)
11. 'Night And Day': 'How's Your Romance?' (Gay Divorce)
12. 'Night And Day': 'My Cozy Little Corner In The Ritz' (Hitchy-Koo 1919)
13. 'Night And Day': 'Don't Fence Me In' (Hollywood Canteen)
14. 'Night And Day': 'Drink' (Seven Lively Arts)
15. 'Night And Day': 'Night And Day' (Gay Divorce)
16. 'Night And Day': 'It Was Written In The Stars' (Du Barry Was A Lady)
17. 'Night And Day': 'I Concentrate On You' (Broadway Melody Of 1940)
18. 'Night And Day': 'Bull Dog' (Yale College)

Customer Reviews:

Let theyself be hereby dubbed.........Best Broadway Tune Vocalist..........2007-06-21

Of my dozens and dozens of Broadway music performances, I find only one singer can be dubbed "Best." That person, Thomas Hampson, is thee. While show performers and ballad singers have all had their way with these tunes, only one is across-the-board great in them.

And whether or not these are the "best" representative songs of Porter is a moot point, something entirely up to personal taste. The point is that these songs have not been better performed by an individual male singer. It certainly doesn't hurt, either, that the great John McGlinn was on board as conductor/director (and likely strongly involved in arranging).

****

This isn't a vanity crossover project but Cole Porter with art and style.......2006-07-17

The glut of crossover albums that came our way in the ripe era of Pavarotti and Domingo has abated, leaving not the best taste in the mouth. But there were some high points, and this 1991 Cole Porter collection from Thomas Hampson is a gorgeous example. Like his hero from the 30s, Lawrence Tibbett, who triumphed as much on radio as in the opera house, Hampson sings full out, applying an overtly operatic baritone to popular song. He has such a command of vocal technique that, as with Tibbett and more recently Ben Heppner, the glory of the vocalism would carry the day on its own.

But Hampson adds to this a good deal of finesse, humor, and suavity--particularly the last. "Begin the Beguine" and "In the Still of the Night" convey the cosmopolitan asurance that is a Cole Porter trademark. There are also some bigger songs, such as "It Was Written in the Stars," where Hampson can unleash his voice at full force, a thrilling experience. I don't think there's been an opera star who's made a Cole Porter recording other than Kiri Te Kanawa, in forty years. This is a very enjoyable one indeed.

pure self indulgent garbage.......2006-04-22

SOMEONE PLEASE STOP THOMAS HAMPSON, BEFORE HE HURTS HIMSELF...OR HURTS THE REST OF US....What a collective piece of trash this album is?..is there a more self-important, bloated, indulgent, precious, affected, pompous singer on the planet?...i am waiting for Thomas Hampson sings Disco...or Thomas Hampson sings Elton John...or Thomas Hampson does Eminem?...he probably thinks he could pull 'em off...what unmitigated gaul...don't waste your money here

Thank god, no astaire or kelly singing on this one.......2001-04-30

This was a great listen and it was finally nice to hear trained singers doing Porter. Can't stand it when I hear a lilting Porter song in an MGM film and then Astaire or Gene Kelly decide to try and sing it, usually off key, and end up slaughtering the number. Great to hear some of the old stuff and different takes on other standards.

Cole must have been watching over this project.......2000-09-06

John McGlinn's orchestrations on this compilation of Cole Porter tunes have as much to do with the brilliance of this CD as Mr Hampson's vocal renderings. Both have that lush sound that make a Porter tune sound like what this reviewer believes Porter would have appreciated, judging by his own versions of his songs, and the arrangements that he was involved in. McGlinn remained faithful to those original arrangements and added a few of his own ideas and along with modern day recording improvements produced a sound that I think Porter would very much approve of. My only complaint is the selection of songs, but that as always comes down to personal taste. However in doing so I was tuned into a few songs that I had never heard before, some of which are now among my favorite Porter songs. Specifically, 'Who said Gay Paree' is a sublime version of a lesser known Porter tune. It is one of his tunes about Paris but unlike the others its a sad tune of love lost with McGlinn and Hampson both at their finest. Another one new to me was'My Cozy Little Corner In the Ritz' an early Porter tune with him at his sarcastic best and a brilliant rendition. The standards are all briliantly done. 'In the Still of the Night' is my favorite, followed by I Concentrate on You', 'Easy To Love', 'Night and Day' (edging out Sinara's version, but not quite as magical as Fred Astaire's from the movie 'Gay Divorcee', but close) 'I've Got You Under My Skin' is divine, Begin the Beguine and 'Don't Fence me in'. All the others are great versions but none would make my top 50 Porter tunes. With the convenience of tracking with CD's though I program my favorites in and hear an hour of heavenly music from one of my favorite tunesmiths as interpreted by two contemporary masters of our time.

Average customer rating:

Orchestra for the Moon Jenn Grant Manufacturer: Paris 1919 ProductGroup: Music Binding: Audio CD General | Contemporary Folk | Folk | Styles | Music General | Folk | Styles | Music Pop Rock | Pop | Styles | Music ASIN: B000P3AYIU Release Date: 2007-05-15

Tracks:

1. Morning Break
2. Dreamer
3. Dancin' In the Wind
4. Unique New York
5. Make It Home Tonight
6. In a Brown House
7. Don't Worry Baby
8. Britt N' Kip
9. At the Finish Line
10. Sound Of Success
11. Rainy Day
12. White Horses
13. Blue Skies

Average customer rating:

Orchestra for the Moon Jenn Grant Manufacturer: Paris 1919 Sound Recordings/Re ProductGroup: Music Binding: Audio CD ASIN: B000QBW8R6 Release Date: 2007-05-15

Average customer rating:

You're Sensational - Cole Porter in the '20s, '40s, and '50s, Vol. 1 - Wake Up & Dream (1916-1929) Cole Porter Manufacturer: Koch Int'l Classics ProductGroup: Music Binding: Audio CD General | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music General | Vocal Pop | Pop | Styles | Music Broadway & Vocalists | Indie Music | Stores | Music Traditional & Vocal Pop | Pop | Indie Music | Stores | Music Similar Items: You're Sensational - Cole Porter in the '20s, '40s, and '50s, Vol. 2 - Kiss Me Kate (1940-1948) You're Sensational - Cole Porter in the '20s, '40s, and '50s, Vol. 3 - High Society (1948-1956) Cole Sings Porter Frank Sinatra Sings the Select Cole Porter Sinatra Sings Cole Porter ASIN: B00006JTE4 Release Date: 2002-10-22

Average customer rating:

Paris 1919-1950 Various Artists Manufacturer: Fremeaux & Assoc. Fr ProductGroup: Music Binding: Audio CD France | Continental Europe | Europe | International | Styles | Music General | International | Styles | Music ASIN: B00005OSYA Release Date: 2003-04-04

Tracks:

1. En Parlant de Paris - Henri Garat,
2. On a Danse a la Villette - Damia
3. La Villette - Arletty
4. Paris la Nuit - Frl
5. Sous Les Ponts de Paris - Marjal
6. Halles - Claude Georgel
7. Petit Bal Poisse - Louis Charco,
8. C'Est Papa, C'Est Parisien - Georges Milton
9. Zone - Frl
10. Dans Les Musettes de Paris
11. Fleur de Paris
12. Tout Autour de Paris - Claude Georgel
13. Paname un Soir - Berthe Sylva
14. Quand on Revoit la Tour Eiffel
15. Faubourienne - Berthe Sylva
16. Montparno
17. C'est Notre Montmarte - Maraya
18. Revoir Paris

Tracks:

1. Paris Paris
2. Pigalle - Georges Ulmer
3. Parigots - Maurice Chevalier
4. Tour Eiffel Est Toujours La - Mistinguett
5. F a Neu-Neu - Maurice Chevalier
6. Nuits de Paris - Georges Ulmer
7. Menilmontant - Charles Trenet
8. Minuit a Paris - Jean Tranchant
9. On Ne Voit Qu'aris - Danielle Darrieux, Pierre Mingand,
10. Encore Paris - Georgius
11. Paris, Voici Paris - Tino Rossi
12. Quais de la Seine - Lucienne Delyle
13. Entre St. Ouen et Clignancourt - Mome Piaf
14. Quai de Bercy - Maurice Chevalier
15. Ma Rue - Damia
16. Paris - Edith Piaf
17. Sur Les Quais du Vieux Paris - Lucienne Delyle
18. Retour a Paris (Revoir Paris) - Charles Trenet

Rap Music:

1. Pocket Full of Kryptonite
2. Pop Goes the World [Import]
3. Prime Cuts [Enhanced]
4. Replicas (Reis) [Original recording remastered]
5. Right Now, You're in the Best of Hands
6. Robinella & the CC String Band
7. Rock of the Westies [Original recording remastered]
8. Sad Songs for Dirty Lovers
9. Side Two
10. Silvertone

Rap Music

rap music

Recommended Music:

La Musika Tremenda Remix [CD-single] [Import]

Russian Orchestral Masterworks [Box set]

Sweetest Sound [Import] [Original recording remastered]

Music: Immortel Gregorien

Sleepless Night [Original recording remastered] [Import]

Taylor Made [Explicit Lyrics]

Sold Out: Our Commitment Is Clear

The Calling

San Antonio Rose & Other Country Favorites

Poemas, Canciones Y Romance, Vol. 2

Speedwood Three

Rise from the Ocean [Import]

Sexy Dance to the Max [Import]

Music from the Time of Christian IV: Church Music at Court and in Town

Anthology of The Brand New Heavies