"There's a place that we must go: into the soul, into the heart, into the dark" sings Melissa Etheridge in "Into the Dark"; it might serve as the refrain for the entire album, her first since 1995's Your Little Secret. In Breakdown, the singer-songwriter returns to the studio recharged and with a newfound confessional maturity that is at once vulnerable and searingly direct. Despite her phenomenal successes, Etheridge confronts the insecurities of obsessive desire ("Angels Would Fall," with its intricate overlay of religious imagery, touches a new level compared to the savage rawness of her classic "Like the Way I Do"), a bitter breakup ("Stronger than Me"), and an adolescent's confused sexual identity ("Mama I'm Strange"). This journey into the heart of darkness comprises not only sharp-edged self-reflection but also the painful vision of "Scarecrow," a drum & bass-anchored lament for gay murder victim Matthew Shepard. There's a therapeutic sense of catharsis throughout that makes the serenity of "My Lover" and "Sleep" seem like a hard-earned conclusion. With her vocals steely, acid-washed, and forthright as ever, Etheridge and coproducer/lead guitarist John Shanks concoct a rich and tightly webbed acoustic-and-amplified soundscape. Several of the songs have a sameness of tone, but Etheridge's passion never sounds fake, whether in the guitar-charged chorus of the title track or "Enough of Me"'s gently rising chords. And in its total effect, Etheridge's Breakdown sounds a lot more like a breakthrough to still a higher level. --Tom May
Breakdown,Melissa Etheridge,Island,Adult Alternative Pop/Rock,Blues-Rock,Heartland Rock,Pop,Popular Music,Rock,Rock/Pop,Singer/Songwriter
Breakdown [Enhanced]
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Disciplined Breakdown
Collective Soul Manufacturer: Atlantic / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002JCB Release Date: 1997-03-11 |
Tracks:
- Precious Declaration
- Listen
- Maybe
- Full Circle
- Blame
- Disciplined Breakdown
- Forgiveness
- Link
- Giving
- In Between
- Crowded Head
- Everything
Customer Reviews:
Household Favorite.......2007-06-08
For Collective Soul, this is very similar to 2 of their other albums (even more so than the rest). Disciplined Breakdown breaks down like Collective Soul (the second record) and also like Blender (the fifth record). This is more consistently melodic than Blender while also seeming more consistently heavy than Collective Soul.
Less generally speaking, I love the songs here. Like Full Circle fits the title and somewhat tells a story while remaining melodic, catchy, a rock song, and a typical Collective Soul song. They took a stab at perfection with all of the brilliant timing setup in Blame: that song is just marvelous the way it all comes together. That old titlecut Disciplined Breakdown, well, here's the breakdown: not a radio single but it is the best song on the record. More???...well, it has it all--it is just a well-writen, fierce, complete song.
The songs on this album are vividly complex, by the way. I think Ed and Dean Rollands' Songwriting abilities really come through on this record. Wow, what a winner.
Outstanding!.......2005-12-02
not a critic, however opinionated.......2005-02-15
Precious Declaration gets the album off to an energetic start with a little of CS' way of telling it like it is. Things soften a little with Listen and Maybe, yet both songs show an intricacy and level of emotion not present in many songs today--especially Maybe. Full Circle is one of those feel-good songs, but it is a little too light musically--maybe it's the harmonica, maybe the horns--there is a definite yet very slight annoying quality. Blame is bookended by short acoustic numbers--maybe to calm listeners in advance of the harsh lyrics(that is, if they could refer to you). The title track is classic saw-blade distortion seen on previous Collective Soul work, and it works well here. The next four songs--Forgiveness, Link, Giving, and In Between--all have that endearing quality and beautiful production that is always present when Collective Soul show a softer musical side. Some may be turned off by the pristine production, but at the same time it enables the listener to pick out the various details. Crowded Head definitely lets out a little frustration, and is not a favorite here musically, yet it's done well. Everything returns to the old recipe of meaningful lyrics set over top of layers and layers of clear, concise giutar work, solid lyrics and good percussion--the norm on this album. Collective Soul continue to mature with this offering, and time has treated this one well.
As good as all their others. .......2004-09-01
Possibly the Best of Collective Soul.......2003-07-09
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Breakdown: Live Recordings 1973
Old & in the Way , Jerry Garcia , and David Grisman Manufacturer: Acoustic Disc ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000391Q Release Date: 1997-11-18 |
Tracks:
- Introduction-Peter Rowan
- Home Is Where The Heart Is
- Down Where The River Bends
- On And On
- The Hobo Song
- Old & In The Way Breakdown
- 'Til The End Of The World Rolls 'Round
- Panama Red
- You'll Find Her Name Written There
- Kissimee Kid
- Goin' To The Races
- Midnight Moonlight
- Working On a Building
- Muleskinner Blues
- Pig In A Pen
- Drifting Too Far From Shore
- Jerry's Breakdown
- Wild Horses
- Blue Mule
Amazon.com
Short-lived and with only a limited output, this five-piece bluegrass band nevertheless helped spread the gospel of this extraordinary genre via the famous coattails of its most notorious member: Jerry Garcia. However, they were no novelty act. Breakdown is the second posthumous release culled from a series of 1973 concerts in San Francisco. At a robust 70 minutes, the album flows like a complete live set, featuring scrumptious musicianship and harmonious camaraderie. Much better than the eponymous debut from 1975--and a perfect second volume companion to 1996's equally worthy That High Lonesome Sound--Breakdown features covers of greats Bill Monroe and Flatt & Scruggs, originals by the band's guitarist Peter Rowan, fiddler Vassar Clements and banjoist Garcia. A must own for any fan of acoustic music and a great primer for bluegrass neophytes. --Greg EmmanuelCustomer Reviews:
Breakdown: Live Recordings.......2007-05-12
Real Bluegrass But With An Innovative Approach.......2006-01-20
Among the traditional songs, I especially liked the patriotic "Down Where The River Bends" and the old gospel tune "Drifting Too Far From The Shore". It's ironic because the lyrics of these songs are so different from my personal experience and yet they manage to move me deeply. It's funny how music can do that to you. In any case, this is a fine album and I recommend it highly to both straight-up bluegrass lovers and rock fans drawn to it by Jerry Garcia. Good stuff!
Just Excellent!!.......2005-09-15
Vassar--Goodbye and Hello.......2005-08-19
Fantastic album.......2005-08-15
I'm not trying to disparage Garcia's playing--he definitely holds it together, and considering his G.D. history, I was surprised by his abilities.
The group excells at making the songs accessible, both in the choice of songs and in the playing.
Some particularly enjoyable songs:
Kissimmee Kid (Clements and Grisman shine)
Wild Horses
Midnight Moonlight
The Hobo Song
Buy this album immediately. It's certainly worth it; when I first bought it, it didn't leave my car stereo for about 2 weeks.
Average customer rating:
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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The Constant Gardener
Alberto Iglesias Manufacturer: Higher Octave ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000A7DVPY Release Date: 2005-08-16 |
Tracks:
- Tessa's Death
- Roadblock
- To Germany
- Tessa In The Bath
- Jomo Gets An HIV Test
- Dicholo - Ayub Ogada
- We'll Both Be Dead By Christmas
- Motorbike
- To Airport
- Funeral
- Three Bees Testing
- Sandy Goes To The Hospital
- Kothbiro
- Justin Returns To The House
- Raid
- Destruction
- To Loki
- Kindergarten
- Hospital
- Kenny Curtis
- Landing In Sudan
- Justin's Breakdown
- Justin's Death
- Dropped Off At Turkana
- Roadblock II
- Procession
Album Description
Featuring original music composed by Alberto Iglesias. Adapted from the best-seller John le Carre's romantic thriller, two-time Academy Award nominee Ralph Fiennes and Rachel Weisz head the cast of "The Constant Gardener." In a remote area of northern Kenya, the dedicated activist Tessa Quayle (Weisz) is found brutally murdered. Her travelling companion, a local doctor, appears to have fled the scene and the evidence points to a crime of passion. Sandy Woodrow (Danny Huston), Sir Bernard Pellegrin (Bill Nighy), and other member of the British High Commission assume that Tessa's widower, their mild-mannered colleague Justin Quayle (Fiennes) will leave the matter to their discretion. They could not be more wrong... Featuring music performed by acclaimed Kenyan percussionist and Real World recording artist Ayub Ogada, Alberto Iglesias' ("La Mala Educacion," "The Dancer Upstairs," "Todo Sobre Mi Madre") lush score evokes the film's compelling African and European landscapes.Customer Reviews:
Beautiful Score.......2007-04-24
Only track 13.......2007-03-31
Great Service.......2007-02-12
A nice reminder of a very moving movie.......2007-01-12
it captures the spirit of the movie.......2006-11-10
Average customer rating:
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Make Up the Breakdown
Hot Hot Heat Manufacturer: Sub Pop ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006L3PY Release Date: 2002-10-08 |
Tracks:
- Naked In The City Again
- No, Not Now
- Get In Or Get Out
- Bandages
- Oh, Goddamnit
- Aveda
- This Town
- Talk To Me, Dance With Me
- Save Us S.O.S.
- In Cairo
Album Description
'Make Up The Breakdown' is the second album release for the Canadian angular post-punk pop act, who have been compared to XTC & The Cure. It follows 2002's 'Scenes One Through Thirteen' which brought together tracks from their early EPs. 10 tracks. Limited edition UK reissue is scheduled to include UK versions of the two songs 'No Not Now' & the single 'Bandages'. B-Unique. 2003.Album Details
Limited UK Edition CD in Special Packaging with Extra Bonus Tracks.Customer Reviews:
Good Good Greatness.......2007-07-20
Sing-A-Long fun.......2006-09-06
Nothing like before..........2006-08-03
Super Happy Funky & Energizing!!!.......2006-07-29
great CD.......2006-07-21
Average customer rating:
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Elgin Avenue Breakdown Revisited
The 101'ers Manufacturer: Astralwerks ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0009IW8DU Release Date: 2005-06-14 |
Tracks:
- Letsagetabitarockin
- Silent Telephone
- Keys To Your Heart (version 1)
- Rabies (From The Dogs Of Love)
- Sweet Revenge
- Motor Boys Motor
- Steamgauge '99*
- 5 Star R'n'R
- Surf City
- Keys To Your Heart (version 2)
- Sweety Of The St Moritz
- Hideaway (previously unreleased)
- Shake Your Hips (Live)(previously unreleased)
- Lonely Mother's Son (Live)(previously unreleased)
- Hideaway (Live)
- Don't Let It Go (Live)
- Keep Taking The Tablets.(Live)(previously unreleased)
- Junco Partner (Live)(previously unreleased)
- Out Of Time (Live)(previously unreleased)
- Maybelline (Live)(previously unreleased)
- Gloria (Live)(previously unreleased)
Amazon.com
Those who doubt the obsessive, unbridled affection Clash mainstay Joe Strummer held for traditional rock and R&B roots need only punch up virtually any track on this infectious collection of live and studio cuts from the 101ers, the raw yet accomplished band Strummer fronted just prior to his punk superstardom. While most such early-catalog excavations are suspicious and often spotty, Elgin Avenue Breakdown Revisited is a revelatory rush, from the opening blowout of "Letsagetabitarockin'." Many of the tracks rock with the rootsy charm of fellow pub rockers Ducks Deluxe, yet one can hear the later sound of the Clash nearly fully formed on tracks like the blue-beat-seasoned "Sweet Revenge," "Keys to Your Heart," and "Junco Partner." The collection's second half kicks into even higher gear, presenting a generous slate of previously unreleased live workouts that hammer familiar R&B staples like "Shake Your Hips" and "Maybellene" into submission and closing with a frenzied rave-up of Van Morrison and Them's Brit Invasion staple, "Gloria." --Jerry McCulleyCustomer Reviews:
Elgin Ave. Breakdown.......2007-01-10
I've Got Rabies From the Dogs of Love for This Album!.......2006-04-04
BTW, I bought the club version, which is manufactured for BMG. I was worried about that a bit, but no longer. Sounds awesome, and the packaging is excellent, with liner notes and lyrics. I was also worried about the anti-piracy notes on the back which are not present on the non-club version. I burn backup copies of my cds not to pirate, but to use in my car. I have successfully burned a backup copy of this and other club cds.
I can't believe I found this.......2006-01-15
This CD is a real find, not just for completists, but for fans of old school rock and roll, and of Strummer's growling voice. If this was a little more polished and edited down, it would be London Calling quality. It's really that good. The sound quality on the live stuff is awful, but I don't wish they had left it off.
Bloody brilliant!.......2005-08-31
Joe Strummer was cool........2005-08-14
Average customer rating:
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Bluegrass Breakdown: 14 Instrumentals
Various Artists Manufacturer: Easydisc ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000006OU1 Release Date: 1998-06-09 |
Tracks:
- Cluck Old Hen - Alison Krauss & Union Station
- John Henry - Tony Furtado
- Back Up And Push - Jason Carter
- Bluegrass Breakdown - Tom Adams
- Katy Hill - Bobby Hicks
- Goodbye Liza Jane - Bill Evans
- Sally Ann - Dreadful Snakes
- Schuckin' The Corn - Ronnie & Rob McCoury
- Orange Blossom Special - Johnson Mountain Boys
- Foggy Mountain Chimes - Bluegrass Album Band
- Whistlin' Rufus - Stuart Duncan
- Crazy Creek - Bill Keith
- Fishers Hornpipe - Wyatt Rice
- Carroll County Blues - Nashville Bluegrass Band
Customer Reviews:
Bluegrass Breakdown: 14 Instrumentals.......2007-05-16
Vicky
good but not great.......2007-03-23
Great bluegrass -- Excellent value.......2003-01-05
Bluegrass Breakdown: 14 Instrumentals.......2002-02-06
Bluegrass Breakdown.......2000-09-04
Average customer rating:
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Essential Hyperion, Vol. 2
Manufacturer: Hyperion UK ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004RITB Release Date: 2001-01-09 |
Customer Reviews:
Nothing but hits.......2001-01-31
Average customer rating:
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Beauty and the Breakdown
Bury Your Dead Manufacturer: Victory Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000FZESJ4 Release Date: 2006-07-11 |
Tracks:
- House Of Straw
- A Glass Slipper
- The Poison Apple
- Twelfth Stroke Of Midnight
- Trail Of Crumbs
- A Wishing Well
- Let Down Your Hair
- Mirror, Mirror...
- Second Star To The Right
- The Enchanted Rose
- House Of Brick
Customer Reviews:
You want heavy, this is heavy!!.......2006-12-02
1."House Of Straw" 11/10- Beginning was great, awesome screaming! "Holding hands with a liar!"
2."A Glass Slipper" 10/10- Began with Mat screaming out TAKE IT BACK!! This was fast and really good!
3."Poison Apple" 9.5/10- This was OK, the beginning sounded kinda werid.
4."Twelth Stoke Of Midnight" 11/10- The intro was great! With heavy guitars and love when Mat screams very fast.
5."Trail Of Crumbs" 10/10- The beginning was awesome! One of my favorites.
6."A Wishing Well" 10/10- Great screaming! Intro began with Mat's awesome screaming!
7."Let Down Your Hair" 10/10- I love this song! Love when they go "I hear your heart, and it sounds the bells of WAR!!
8."Mirror, Mirror" 9/10- This song was a little slower at the beginning, with drumming at the intro, and some parts were kinda catchy.
9."Second Star To the Right" 10/10- The beginning was awesome! This is another one of my favorites. Love when Mat goes "my faith in humanity died, calling out her name!"
10."The Enchanted Rose"- nothing special
11."House Of Brick" 10/10- I love this song! Great guitars at the beginning too, and tremendous screaming in this song, so beautiful.
This album was amazing! Heavy guitars! Mat's angry, grumpy, and loud screaming! And great, fast drumming too!
Definitely worth the money.......2006-09-19
Heavy, Heavy, Heavy.......2006-09-03
Quite the satisfying skullcracker.......2006-08-21
moshcore masters return.......2006-08-14
Average customer rating:
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Breakdown
Melissa Etheridge Manufacturer: Island ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00001WRO7 Release Date: 1999-10-05 |
Tracks:
- Breakdown
- Angels Would Fall
- Stronger Than Me
- Into The Dark
- Enough Of Me
- Truth Of The Heart
- Mama I'm Strange
- Scarecrow
- How Would I Know
- My Lover
- Sleep
Amazon.com
"There's a place that we must go: into the soul, into the heart, into the dark" sings Melissa Etheridge in "Into the Dark"; it might serve as the refrain for the entire album, her first since 1995's Your Little Secret. In Breakdown, the singer-songwriter returns to the studio recharged and with a newfound confessional maturity that is at once vulnerable and searingly direct. Despite her phenomenal successes, Etheridge confronts the insecurities of obsessive desire ("Angels Would Fall," with its intricate overlay of religious imagery, touches a new level compared to the savage rawness of her classic "Like the Way I Do"), a bitter breakup ("Stronger than Me"), and an adolescent's confused sexual identity ("Mama I'm Strange"). This journey into the heart of darkness comprises not only sharp-edged self-reflection but also the painful vision of "Scarecrow," a drum & bass-anchored lament for gay murder victim Matthew Shepard. There's a therapeutic sense of catharsis throughout that makes the serenity of "My Lover" and "Sleep" seem like a hard-earned conclusion. With her vocals steely, acid-washed, and forthright as ever, Etheridge and coproducer/lead guitarist John Shanks concoct a rich and tightly webbed acoustic-and-amplified soundscape. Several of the songs have a sameness of tone, but Etheridge's passion never sounds fake, whether in the guitar-charged chorus of the title track or "Enough of Me"'s gently rising chords. And in its total effect, Etheridge's Breakdown sounds a lot more like a breakthrough to still a higher level. --Tom MayCustomer Reviews:
Melissa Etheridge Breakdown.......2007-06-26
Beautifully Done...Deeply Emotional.......2005-06-23
Etheridge's voice is beautiful and soothing, and she captures just the right emotions and feelings for each song. In the song "Scarecrow" which she dedicates to the memomry of Matthew Shepard, his family and friends, she says :
"showers of your crimson blood
seep into a nation calling up a flood
thinly veiled intolerance
bigotry and hate....
I can't forget hard as I try
this silhoutte against the sky"
Other songs included are of course,the powerful "Breakdown", "Angels Would Fall", a very touching, "Mama I'm Strange",, and the beautiful "Sleep".(See buying info for complete track listings).
The music, musicians, and Melissa are outstanding. The album is an excellent quality, and includes a fold out pamphlet with all the words to the songs. It runs a little over 50 minutes in total. The CD is enhanced for viewing on a pc, and has instructions for pc and mac users (Quicktime 3.0 or better is required).
Etheridge fans will get lost deeply in this beautifully done album.
Laurie
BREAKDOWN...TRULY.......2004-05-17
Honest and blunt as always.......2003-07-05
She pours her heart and soul honestly and bluntly through every track she sings. "Angels Would Fall" stands out the entire CD. "Scarecrow" is a magnificent, heartfelt dedication to the late Matthew Shepard. "Breakdown", the track, expresses how "nuts" she goes sometimes, one of the more honest of the CD.
"Breakdown's" raw emotions prove that one could debate if Etheridge is the next Janis Joplin. Any fan of either of the two brilliant artists will love this CD.
almost as good as debut.......2002-10-01
Rap Music:
- Breaking All the Rules [Original recording remastered]
- Buffalo Springfield Again
- Capture/Release [Import]
- Cast of Thousands [Enhanced]
- Chris Isaak
- Classic Alternatives, Vol. 4 [Limited Edition]
- Dead Letters [Enhanced]
- Eight Arms to Hold You
- End of Love
- Ensiferum [Import]
Recommended Music:
Gustav Mahler: Symphony No.2 in C Minor "Resurrection"
Music: In Praise of the Alphorn