...All This Time [Live]

...All This Time [Live]

Editorial Reviews

Amazon.com
Give Sting credit for craftily averting the downside of worldwide pop stardom: finding yourself at 50 playing decades-old hits at some dusty state fair. The trick, of course, is to have your artistic cake and eat it, too; and that's just what the singer has done--reinvented himself first as a coolly crooning jazz head, then infused that sensibility with some spiritually vague Euro-trance affectations. Sting's Brand New Day touring band languorously reworks 15 songs before a couple hundred handpicked fans during a moonlit Tuscan evening--it's a live shot that feels funkier and less self-conscious than its '80s predecessor, Bring on the Night. While familiar solo-career nuggets like "Set Them Free," "Fields of Gold," and "If I Ever Lose My Faith in You" have insightful new shadings, it's the sparingly doled Police hits that seem rebuilt from the ground up; "Don't Stand So Close to Me" and "Roxanne" are now hued with sad cellos and weary vocals hinting that even sexual tension eventually leads to fatigue. Tasteful, spare, and nearly performance-perfect, ...All This Time is still a far cry from the jazz of Ella Fitzgerald and Mel Torme, and if you hear a quiet, English-accented chuckle behind you in line at the bank, don't turn around. --Jerry McCulley

Product Description
Import edition of 2001 live release includes one track that's unavailable on the US pressing, 'Mad About You'. In a moonlit courtyard in Tuscany, on the evening of September 11th, 2001, Sting hosted a musical evening for 200 fans & friends. With his long-time band & several guest musicians, Sting performed songs from his triple-platinum album, Brand New Day as well as some his many of his celebrated hits. In his inimitable style, Sting reinvented these songs through constructed, intimate arrangements. Other tracks include, 'Fragile' & 'A Thousand Years'.

...All This Time,Sting,A&M,Adult Alternative Pop/Rock,Adult Contemporary,Album Rock,Pop,Pop/Rock,Rock,Rock/Pop


...All This Time [Live]

...All This Time
Average customer rating: 4 out of 5 stars
  • WoW
  • Discovered After, Well... All This Time
  • His Best cd Ever.
  • Love it but...
  • Mainly for the true Sting-fans of course!
...All This Time
Sting
Manufacturer: A&M
ProductGroup: Music
Binding: Audio CD

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  1. Sacred Love
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ASIN: B00005RIKD
Release Date: 2001-11-20

Tracks:

  1. Fragile
  2. 1000 Years
  3. Perfect Love Gone Wrong
  4. All This Time
  5. Hounds of Winter
  6. Don't Stand So Close To Me
  7. When We Dance
  8. Dienda
  9. Roxanne
  10. (If You Love Somebody) Set Them Free
  11. Brand New Day
  12. Fields of Gold
  13. Moon Over Bourbon Street
  14. If I Ever Lose My Faith In You
  15. Every Breath You Take

Amazon.com

Give Sting credit for craftily averting the downside of worldwide pop stardom: finding yourself at 50 playing decades-old hits at some dusty state fair. The trick, of course, is to have your artistic cake and eat it, too; and that's just what the singer has done--reinvented himself first as a coolly crooning jazz head, then infused that sensibility with some spiritually vague Euro-trance affectations. Sting's Brand New Day touring band languorously reworks 15 songs before a couple hundred handpicked fans during a moonlit Tuscan evening--it's a live shot that feels funkier and less self-conscious than its '80s predecessor, Bring on the Night. While familiar solo-career nuggets like "Set Them Free," "Fields of Gold," and "If I Ever Lose My Faith in You" have insightful new shadings, it's the sparingly doled Police hits that seem rebuilt from the ground up; "Don't Stand So Close to Me" and "Roxanne" are now hued with sad cellos and weary vocals hinting that even sexual tension eventually leads to fatigue. Tasteful, spare, and nearly performance-perfect, ...All This Time is still a far cry from the jazz of Ella Fitzgerald and Mel Torme, and if you hear a quiet, English-accented chuckle behind you in line at the bank, don't turn around. --Jerry McCulley

Album Description

Import edition of 2001 live release includes one track that's unavailable on the US pressing, 'Mad About You'. In a moonlit courtyard in Tuscany, on the evening of September 11th, 2001, Sting hosted a musical evening for 200 fans & friends. With his long-time band & several guest musicians, Sting performed songs from his triple-platinum album, Brand New Day as well as some his many of his celebrated hits. In his inimitable style, Sting reinvented these songs through constructed, intimate arrangements. Other tracks include, 'Fragile' & 'A Thousand Years'.

Album Details

Australian Version featuring the Exclusive Bonus Track: "Mad About You".

Customer Reviews:

5 out of 5 stars WoW.......2007-03-11

Sting is one talented Englishman!! This cd is awesome, it was recorded live in Italy on Sept 11, 2001. this is a must have in any music lovers collection.

5 out of 5 stars Discovered After, Well... All This Time.......2006-07-08

I note that one of my fellow "citizen reviewers" below felt that this "live" CD--consisting as it does of live takes of previously recorded songs--was a bit on the superfluous side and would likely appeal only to the "casual fan." Funny thing though, several others have posted (ironically for similar reasons) that it should only be of interest to Sting COMPLETISTS, the folks who feel compelled to literally possess every recording the Stingle has ever made. So who's right? Neither? Both?

Well, that likely all depends on the beholder--or the "be-hearer." , but I can say that *I* like it a lot. But if anyone could be classified as definitive casual fan when it comes to Sting, I guess that'd be me. After a somewhat rocky start with "Roxanne" (HATED it the first few times I heard it on the radio), I soon came to appreciate the Police and was intrigued by their intelligent lyrics and tight reggae-influenced rock. That is to say, I liked what I heard but was never felt compelled to rush out and buy their latest album the day it was released. And yeah, it did seem that Sting's critics had a point. He did seem to be a little full of himself, and that put me off at least a little bit. Had the same complicated reaction to Bono a few years later. Talented, yes. Compelling, yes. Egotistical, yes...but then it's not totally unwarranted.

Years later, I have to ask myself why that was such a sticking point for me. Why did I always cut Lou Reed or John Lennon considerable slack in the pretentiousness department, but resisted doing the same for those who came a bit later. Who knows? What I do know now is that if I had given the Police and Sting's later solo works more of a chance, I almost certainly would have come to overlook (and maybe even embrace) the minor failings. There are, as it turns out, more than enough strengths to allow for that.

So anyway this "casual fan" was familiar with about half the tunes included in this concert album. I knew the Police tracks of course, and certainly remembered early solo stuff like "If You Love Somebody, Set Them Free." Whatever my initial misgivings about "Roxanne" way back when, I did come to like that song well enough to be a bit disappointed in almost campy version included here. It's starts off well enough but soon devolves into a near lounge number. Sorry, but that tune just demands a SINCERE delivery. And the perfunctory take on "Don't Stand So Close To Me" is a bit disappointing too.

So maybe Sting is a little uncomfortable by some his efforts of his youthful period? Or perhaps just tired of them? He can, however, still wrap himself around the romantic sentiment of "If I Ever Lose My Faith In You" and captures the still spooky irony of the CD's closer "Every Breath You Take" (still deliciously creepy after all these years). It's hard to believe that there are those who misunderstand this song's sinister import totally? I mean, do they really actually play it at WEDDINGS?? Listen to the words, boys and girls. This is NOT a healthy relationship.

Over the years, Sting has taken a few jabs for his rather overt, matinee idol romanticism. Well, you either like it or you don't. Give him credit though: he's smart enough to mix up the lush, metaphysical swoon of "A Thousand Years" with the comic swagger of "Perfect Love Gone Wrong." That makes for just about the perfect segue and just the right leavening touch. Similarly, he and the band shift effortlessly from those sunny "Fields of Gold" to sinister Anne Rice territory with "Moon Over Bourbon Street."

The brief notes on the inner sleeve make mention of the fact that the concert this live record documents took place in Italy on September 11, 2001. The album is "respectfully dedicated to those who lost their lives that day." I suspect many a jaded listener may have been a little skeptical about that. And there will certainly be those who would maintain that the proper response would have been to cancel the concert and the recording thereof (an evening concert European time would have been just hours after the day's actual events after all.) Regardless of how you may feel about all that, a genuine spirit of solemnity does indeed permeate many of the tracks. The album's opener "Fragile" is eerily poignant in light of the horror of that day. The song's vaguely wistful pacifist sentiment takes on new significance given the day's carnage. Five years--and considerably more carnage--later, it still bears listening to.

As does the whole album. Whether you're a "casual fan" or a devotee.







5 out of 5 stars His Best cd Ever........2006-05-03

This is clearly Stings best cd but look at how many people who are still not satisfied..can an artist please everyone...clearly not.

5 out of 5 stars Love it but..........2005-01-30

Why is Seven Days not on this CD. It was my favorite part of the DVD and then I find out its only on the Import CD. Still a great CD though.

5 out of 5 stars Mainly for the true Sting-fans of course!.......2004-12-23

Interesting, experimental, fantastic - so what's new?? If you didn't like this album, and did not appriciate the "changes" on the old Sting-classics, well yes - that may very well be because you're simply not fan enough, and you listen to these songs without having a particular interest in them, or feel a "relationship" to what Stings' songwriting and performing is all about; Developing, and growing with time. Change can be good, change can be nessecarry - and change is the future (he says something about this in an interview on his "Unplugged"-release from 1991 - where he also claims there should be no limitations in the progress of songwriting and performing by categories - all should mix together, and he claims music-"experts" who says you can't to be wrong. I agree, and here's another example of how superb category-mixing can be. It's jazzy, rockn' roll, heavy, relaxed (as in laid-back music) and most of all gripping. The versions of these songs were rehearsed weeks before the twin towers-tragedy - so this release has got nothing to do with that (some songs being slown down I mean) - if you find a sad "expression" here, well who wasn't emotionally involved on 11th Septhember, I know I was. If Sting and A&M has made big bucks on the tragedy of 2001, I am sure it was not the intention, or the consept behind the "All this time"-project.

Let me add, some versions here are even better, or as good as, the original - I really adore the makeover of "Don't stand..." and "If I ever..."!

Sting-fans, enjoy!
All This Time
Average customer rating: 4.5 out of 5 stars
  • This is a great cd!
  • Just buy this right now
  • Tough teen wisdom
  • Some sophomore jinx at play here
  • Energy and Simple Sophistication
All This Time
Heartless Bastards
Manufacturer: Fat Possum [Old]
ProductGroup: Music
Binding: Audio CD

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ASIN: B000GIW9F0
Release Date: 2006-08-08

Tracks:

  1. Into the Open
  2. Searching for the Ghost
  3. Finding Solutions
  4. All This Time
  5. Brazen
  6. I Swallowed A Dragonfly
  7. Blue Day
  8. Valley of Debris
  9. No Pointing Arrows
  10. Came A Long Way

Amazon.com

A gentle line-drawing marks the cover of the Hearless Bastards' sophomore album, All This Time, just a woman holding a dragonfly by its tail. Singer Erika Wennerstrom's yearning vocals and the rolling piano figures that open the album echo the cover. It's sensitive, full of feeling. Beware: It bursts open, with a wall of lean and loud guitar, bass, and drums - and Wennerstrom's room-filling mid-range vocals, blasting full-throatedly as she sings "Things are coming into focus!" The Cincinnati trio's 2005 debut, Stairs and Elevators, highlighted their blues roots, and All This Time takes those blues and folds them into a brawny rock pastry. Wennerstrom's voice is huge, an instant ear magnet that no one misses, a PJ Harvey from the heartland playing bold, large-stroke guitar. At once, the Bastards are bottom-heavy and beautifully melodic, taking flight--or at least harnessing the power of that album-cover dragonfly. --Andrew Bartlett

Customer Reviews:

5 out of 5 stars This is a great cd!.......2007-05-24

I recently purchased this cd, and I love it. She has a great singing voice, and the music rocks! If you get the chance, go see them live. Simply amazing!

5 out of 5 stars Just buy this right now .......2007-05-16


I was honestly a bit put off by the cover art -- I imagined something like the Indigo Girls. In fact, this is bottom-heavy old-school rock and roll, with a slight country/blues twist, great powerhouse female lead vocals, great songwriting, great performances. It sounds really comfortable and familiar, but at the same time it's hard to think of an exact parallel -- if Lucinda Williams recorded a rock record, it might sound like this. Altogether a really captivating and satisfying rock album. This would have been a monstrous FM radio album back in the day. Into the Open, Brazen, Blue Day, and Valley of Debris are all awesome songs. Buy it.

4 out of 5 stars Tough teen wisdom.......2007-04-19

Recorded in Cincinnati!

Main brain Erika Wennerstrom performs open-heart surgery with a corroded six-string, blasting melodic knots of exuberance and experience. The low-fi grunge sound gets old after a while, though; how 'bout some separation between the instruments and, heavens, tweak the treble on the vocals? Choice cut: "All The Time" - Pretenders riff, Fiona Apple chords. Throughout the (short) set, Wennerstrom sings her guts out but never puts out, or grandstands. "Come A Long Way," the moody closer deserves a Cranberries'-sized budget.

Promising!

Now, try the next one in Cleveland!

3 out of 5 stars Some sophomore jinx at play here.......2007-01-04

Not as strong as the first CD. Not as bluesy. For some reason, the record engineering seems sub-par as well.

5 out of 5 stars Energy and Simple Sophistication.......2006-11-06

While I'm sure there is a long and rich history which the Heartless [...] draw on and into which they fit - I know none of it. What I do know is that this album is truly amazing.

There is a necessary simplicity to a band's music when it only contains three members, but the Heartless [...] manage to be both energetic and sophisticated; there's definitely more going on than you'll find after just a casual listen.

With only 10 tracks, there isn't a single bit of filler. Wennerstrom's vocals are really amazing too. I highly recommend giving these guys a listen.
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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  5. Study of Orchestration, Third Edition

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
The John Rutter Christmas Album
Average customer rating: 5 out of 5 stars
  • Rutter Christmas Album
  • Unique and Beautiful!
  • Johh Rutter Chirstmas Album
  • Liked it enough to go through a lot of trouble to give it a review.
  • John Rutter and Cambridge Singers
The John Rutter Christmas Album
Cambridge Singers , Rutter , and City of London Sinfon
Manufacturer: Collegium
ProductGroup: Music
Binding: Audio CD

ClassicalClassical | Indie Music | Stores | Music
GeneralGeneral | Classical | Styles | Music
General ChristmasGeneral Christmas | Holiday | Miscellaneous | Styles | Music
General ChristmasGeneral Christmas | Holiday Music | Special Features | Music
Similar Items:
  1. John Rutter Collection
  2. Cambridge Singers Christmas Album
  3. Christmas Star
  4. Requiem & Magnificat/Rutter, Cambridge Singers
  5. Be Thou My Vision

ASIN: B00006JJ4T
Release Date: 2002-09-24

Tracks:

  1. Wexford Carol
  2. Jesus Child
  3. There Is a Flower
  4. Donkey Carol
  5. Wild Wood Carol
  6. Angels' Carol
  7. Nativity Carol
  8. Mary's Lullaby
  9. Star Carol
  10. Candlelight Carol
  11. Shepherd's Pipe Carol
  12. Christmas Lullaby
  13. Dormi, Jesu
  14. Love Came Down at Christmas
  15. Sans Day Carol
  16. I Wonder as I Wander
  17. What Sweeter Music
  18. Joy to the World
  19. I Saw Three Ships
  20. Deck the Hall
  21. Very Best Time of Year
  22. We Wish You a Merry Christmas
  23. Silent Night

Album Description

Top of the British Classical Charts for 10 Weeks! Billboard Top Ten Classical Recording - December 2002! This album gathers together most of the carols I have composed over the years, plus a sprinkling of my arrangements of traditional carols, grouped to form a program which narrates, reflects upon, and celebrates the Christmas story. I have always enjoyed carols ever since I first sang them as a member of my school choir, and it was not long before I began to write carols of my own-in fact my first two published compositions were the Nativity Carol and the Shepherd's Pipe Carol. For any musician involved in choral music, Christmas is an especially joyous time, and I am indeed happy that it has played a part in my musical life for so many years- JOHN RUTTER

Customer Reviews:

4 out of 5 stars Rutter Christmas Album.......2007-05-14

Great selection of music, and well presented. This is however older recordings that do not match the quality of Rutter's latest recordings such as the Te Deum or the Gloria.

5 out of 5 stars Unique and Beautiful!.......2007-03-09

John Rutter, and his beautiful music, is such a gift to the world. This unique Christmas CD is magnificent! Especially touching are two of Rutter's original carols, "Christmas Lullaby" and the joyful "Angels' Carol." The musical selections speak to the soul, helping the listener connect to emotions of joy, peace, faith, hope, and love. This is a worthy addition to your collection of Christmas CDs.

5 out of 5 stars Johh Rutter Chirstmas Album.......2007-02-19

If I were to choose only one Christmas album to ever own, this would be the one. John Rutter is an exceptional composer of religious music, with unusual harmonies. The music is difficult to sing, and because this is his own choir and he is directing it, the performance is flawless. Gives you goosebumps.

5 out of 5 stars Liked it enough to go through a lot of trouble to give it a review........2007-02-07

Great music by John Rutter: Great performance!

5 out of 5 stars John Rutter and Cambridge Singers.......2007-01-18

This is quintessential English cathedral music; beautifully sung. Reminds one of the English Christmas -- warm and serene -- that we've only experienced in our dreams!
Very Best Of Broadway Musicals
Average customer rating: 5 out of 5 stars
  • Very Best of Broadway Music
Very Best Of Broadway Musicals
Various Artists
Manufacturer: Metro Music
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Musicals | Broadway & Vocalists | Styles | Music
GeneralGeneral | Broadway & Vocalists | Styles | Music
GeneralGeneral | Soundtracks | Styles | Music
Broadway & VocalistsBroadway & Vocalists | Indie Music | Stores | Music
Similar Items:
  1. Greatest Songs from the Musicals
  2. The Best of Broadway - The American Musical (PBS Series)
  3. Only Broadway CD You'll Ever Need
  4. The Best Of Broadway (Cast Recording Anthology)
  5. Ultimate Broadway

ASIN: B000068CC4
Release Date: 2002-06-25

Tracks:

  1. All That Jazz
  2. If I Can't Love Her
  3. Maybe This Time
  4. People Will Say We're In Love
  5. The Impossible Dream
  6. Seventy Six Trombones
  7. Can You Feel The Love Tonight?
  8. Still
  9. Send In The Clowns
  10. One
  11. Younger Than Springtime
  12. This Is The Moment
  13. Good Morning Starshine
  14. Your Getting To Be A Habit With Me
  15. Wunderbar
  16. Maria
  17. I Could Have Danced All Night
  18. Singin' In The Rain
  19. Written In The Stars
  20. One Song Glory

Customer Reviews:

5 out of 5 stars Very Best of Broadway Music.......2007-05-08

I really like Broadway music so this is the BEST!!!!!!
I let someone else borrow this to listen at her house--She liked it also
Dowland - The Collected Works / The Consort of Musicke, Rooley
Average customer rating: 5 out of 5 stars
  • The greatest songs ever?
  • A musical treasure-box
  • a beautiful journey into melancholy
Dowland - The Collected Works / The Consort of Musicke, Rooley
John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

PavanesPavanes | Ballets & Dances | Classical | Styles | Music
Byrd, WilliamByrd, William | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by DowlandAll Works by Dowland | Dowland, John | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
Holborne, AnthonyHolborne, Anthony | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by WhiteAll Works by White | White, Robert | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
Sacred & ReligiousSacred & Religious | Early Music | Historical Periods | Classical | Styles | Music | Requiems
Ballets & DancesBallets & Dances | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music
RecorderRecorder | Reeds & Winds | Instruments | Classical | Styles | Music
LuteLute | Strings | Instruments | Classical | Styles | Music
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Similar Items:
  1. Dowland: Complete Lute Works, Vol.1-5
  2. William Byrd: Consort Songs
  3. Bach: The Landowska Recordings
  4. Britten Conducts Britten
  5. Janácek: Operas

ASIN: B000004CYV
Release Date: 2007-03-13

Tracks:

  1. First Booke Of Songes: I. Unquiet Thoughts
  2. First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
  3. First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
  4. First Booke Of Songes: IV. If My Complaints Could Passions Move
  5. First Booke Of Songes: V. Can She Excuse My Wrongs
  6. First Booke Of Songes: VI. Now, O Now, I Needs Must Part
  7. First Booke Of Songes: VII. Dear, If You Change
  8. First Booke Of Songes: VIII. Burst Fourth My Tears
  9. First Booke Of Songes: IX. Go Crystal Tears
  10. First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
  11. First Booke Of Songes: XI. Come Away, Come Sweet Love
  12. First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
  13. First Booke Of Songes: XIII. Sleep, Wayward Thoughts
  14. First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
  15. First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
  16. First Booke Of Songes: XVI. Would My Conceit
  17. First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
  18. First Booke Of Songes: XVIII. His Golden Locks
  19. First Booke Of Songes: XIX. Awake, Sweet Love
  20. First Booke Of Songes: XX. Come, Heavy Sleep
  21. First Booke Of Songes: XXI. Away With These Self-Loving Lads

Tracks:

  1. Second Booke Of Songs: I. I Saw My Lady Weep
  2. Second Booke Of Songs: II. Flow My Tears
  3. Second Booke Of Songs: III. Sorrow, Stay
  4. Second Booke Of Songs: IV. Die Not Before Thy Day
  5. Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
  6. Second Booke Of Songs: VI. Time's Eldest Son
  7. Second Booke Of Songs: VII. Then Sit Thee Down
  8. Second Booke Of Songs: VIII. When Others Sing Venite
  9. Second Booke Of Songs: IX. Praise Blindness Eyes
  10. Second Booke Of Songs: X. O Sweet Woods
  11. Second Booke Of Songs: XI. If Floods Of Tears
  12. Second Booke Of Songs: XII. Fine Knacks For Ladies
  13. Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
  14. Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
  15. Second Booke Of Songs: XV. White As Lilies Was Her Face
  16. Second Booke Of Songs: XVI. Woeful Heart
  17. Second Booke Of Songs: XVII. A Shepherd In A Shade
  18. Second Booke Of Songs: XVIII. Faction That Ever Dwells
  19. Second Booke Of Songs: XIX. Shall I Sue
  20. Second Booke Of Songs: XX. Toss Not My Soul
  21. Second Booke Of Songs: XXI. Clear Or Cloudy
  22. Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here

Tracks:

  1. Third Booke Of Songs 1603: I. Farewell, Too Fair
  2. Third Booke Of Songs 1603: II. Time Stands Still
  3. Third Booke Of Songs 1603: III. Behold A Wonder Here
  4. Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
  5. Third Booke Of Songs 1603: V. Me, Me, And None But Me
  6. Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
  7. Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
  8. Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
  9. Third Booke Of Songs 1603: IX. What If I Never Speed?
  10. Third Booke Of Songs 1603: X. Love Stood Amazed
  11. Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
  12. Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
  13. Third Booke Of Songs 1603: XIII. O What Hath Overwrought
  14. Third Booke Of Songs 1603: XIV. Farewell, Unkind
  15. Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
  16. Third Booke Of Songs 1603: XVI. Fie On This Feigning!
  17. Third Booke Of Songs 1603: XVII. I Must Complain
  18. Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
  19. Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
  20. Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
  21. Third Booke Of Songs 1603: XXI. Come When I Call

Tracks:

  1. A Pilgrimes Solace: I. Disdain Me Still
  2. A Pilgrimes Solace: II. Sweet Stay Awhile
  3. A Pilgrimes Solace: III. To Ask For All Thy Love
  4. A Pilgrimes Solace: IV. Love, Those Beams That Breed
  5. A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
  6. A Pilgrimes Solace: VI. Were Every Thought An Eye
  7. A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
  8. A Pilgrimes Solace: VIII. Tell Me, True Love
  9. A Pilgrimes Solace: IX. Go Nightly Cares
  10. A Pilgrimes Solace: X. From Silent Night
  11. A Pilgrimes Solace: XI. Lasso vita mia
  12. A Pilgrimes Solace: XII. In This Trembling Shadow Cast
  13. A Pilgrimes Solace: XIII. If That A Sinner's Sights
  14. A Pilgrimes Solace: XIV. Thou Mighty God
  15. A Pilgrimes Solace: XV. When David's Life
  16. A Pilgrimes Solace: XVI. When The Poor Cripple

Tracks:

  1. A Pilgrimes Solace: XVII. Where Sin Sore Wounding
  2. A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
  3. A Pilgrimes Solace: XIX. Up Merry Mates
  4. A Pilgrimes Solace: XX. Welcome Black Night
  5. A Pilgrimes Solace: XXI. Cease, Cease These False Sports
  6. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
  7. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
  8. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
  9. Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
  10. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
  11. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
  12. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
  13. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
  14. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
  15. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
  16. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
  17. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae

Tracks:

  1. Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
  2. Mr. Henry Noell Lamentations: II. Domine ne in furore
  3. Mr. Henry Noell Lamentations: III. Miserere mei Deus
  4. Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
  5. Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
  6. Mr. Henry Noell Lamentations: VI. De profundis
  7. Mr. Henry Noell Lamentations: VII. Domine exaudi
  8. Lachrimae: Lachrimae Antiquae
  9. Lachrimae: Lachrimae Antiquae Novae
  10. Lachrimae: Lachrimae Gementes
  11. Lachrimae: Lachrimae Tristes
  12. Lachrimae: Lachrimae Coactae
  13. Lachrimae: Lachrimae Amantis
  14. Lachrimae: Lachrimae Verae
  15. Lachrimae: Mr. John Langton's Pavan
  16. Lachrimae: Mr. Nicholas Gryffith His Galiard
  17. Lachrimae: Sir John Souch His Galiard
  18. Lachrimae: Semper Dowland Semper Dolens
  19. Lachrimae: Mr. Giles Hobies Galiard
  20. Lachrimae: The King Of Denmark's Galiard
  21. Lachrimae: Sir Henry Umpton's Funerall
  22. Lachrimae: Mr. Henry Noell His Galiard
  23. Lachrimae: The Earl Of Essex Galiard
  24. Lachrimae: Mr. Bucton His Galiard
  25. Lachrimae: Mr. George Whitehead His Almand
  26. Lachrimae: Captain Digorie Piper His Galiard
  27. Lachrimae: Mr. Thomas Collier His Galiard
  28. Lachrimae: Mrs. Nichols Almand

Tracks:

  1. Sacred Songs: Sorrow, Come!
  2. Sacred Songs: I Shame At Mine Unworthiness
  3. Sacred Songs: An Heart That's Broken And Contrite
  4. Psalms: Psalm 100: All People That On Earth Do Dwell
  5. Psalms: Psalm 38: Put Me Not To Rebuke O Lord
  6. Psalms: Psalm 130: Lord To Thee I Make My Moan
  7. Psalms: Psalm 104: My Soul Praise The Lord
  8. Psalms: Psalm 100: All People That On Earth Do Dwell
  9. Psalms: Psalm 134: Behold And Have Regard
  10. A Prayer For The Queen's Most Excellent Majesty
  11. Instrumental Music: Solus cum sola pavan
  12. Instrumental Music: Lachrimae
  13. Instrumental Music: Galliard
  14. Instrumental Music: Pipers Pavan
  15. Instrumental Music: Lachrimae
  16. Instrumental Music: Lady Rich Galliard
  17. Instrumental Music: Earl Of Essex Galliard
  18. Instrumental Music: If My Complaints
  19. Instrumental Music: Lachrimae Doolande
  20. Instrumental Music: Lord Willoughbie's Welcome Home
  21. Instrumental Music: My Lord Chamberlaine His Galliard
  22. Instrumental Music: Comagain
  23. Instrumental Music: Pavan Lachrymae
  24. Instrumental Music: Sorrow Stay

Tracks:

  1. Lute Music: Preludium
  2. Lute Music: Lachrimae
  3. Lute Music: Can She Excuse
  4. Lute Music: Dr. Case's Pavan
  5. Lute Music: Melancholy Galliard
  6. Lute Music: Sir John Smith, His Almain
  7. Lute Music: Fantasia
  8. Lute Music: A Dream
  9. Lute Music: Almain
  10. Lute Music: The Queen's Galliard
  11. Lute Music: Coranto
  12. Lute Music: Resolution
  13. Lute Music: Mrs. Vaux Galliard
  14. Lute Music: Almain
  15. Lute Music: Mr. Dowland's MIdnight
  16. Lute Music: Fantasia
  17. Lute Music: Loth To Depart
  18. Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
  19. Lute Music: The Earl Of Essex, His Galliard
  20. Lute Music: Pavan
  21. Lute Music: John Dowland's Galliard
  22. Lute Music: Aloe
  23. Lute Music: The Lady Clifton's Spirit
  24. Lute Music: What If A Day
  25. Lute Music: Mr. Giles Hobie's Galliard
  26. Lute Music: Come Away (Song arrangement)
  27. Lute Music: Galliard
  28. Lute Music: Fancy (Fantasia)

Tracks:

  1. Lute Music: Lachrimae (Basic Version)
  2. Lute Music: Galliard To Lachrimae
  3. Lute Music: [Jig]
  4. Lute Music: Galliard On 'Wasingham'
  5. Lute Music: Complaint (Ballad Setting)
  6. Lute Music: Mignarda (Galliard)
  7. Lute Music: Semper Dowland Semper Dolens (Pavan)
  8. Lute Music: The Frog Galliard
  9. Lute Music: A Fancy (Fantasia)
  10. Lute Music: Fancy (Fantasia)
  11. Lute Music: Piper's Pavan
  12. Lute Music: Captain Digorie Piper's Galliard
  13. Lute Music: Lady Laiton's Almain
  14. Lute Music: Dowland's Galliard
  15. Lute Music: Dowland's First Galliard
  16. Lute Music: Tarleton's Jig
  17. Lute Music: Walsingham (ballad Setting)
  18. Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
  19. Lute Music: Sir Henry Guilforde, His Almain
  20. Lute Music: Pavan (Related To 'Lachrimae')
  21. Lute Music: Mr. Langton's Galliard
  22. Lute Music: Mrs. Clifton's Almain
  23. Lute Music: Galliard
  24. Lute Music: Lady Hunsdon's Puffe (Almain)
  25. Lute Music: Galliard
  26. Lute Music: Go From My Window (Ballad Setting)
  27. Lute Music: Fancy (Fantasia)

Tracks:

  1. Lute Music: Pavana Johan Douland
  2. Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
  3. Lute Music: La mia Barbara
  4. Lute Music: Sir Henry Umpton's Funeral (Pavan)
  5. Lute Music: Lachrimae
  6. Lute Music: Farewell Fancy (Chromatic Fantasia)
  7. Lute Music: Farewell (On The 'In Nomine' Theme)
  8. Lute Music: The King of Denmark's Galliard
  9. Lute Music: Mrs. Vaux's Jig
  10. Lute Music: Mrs. Nichol's Almain
  11. Lute Music: Galliard
  12. Lute Music: Lord Strang's March
  13. Lute Music: Mrs. Winter's Jump
  14. Lute Music: Can She Excuse (Galliard)
  15. Lute Music: The Shoemaker's Wife, A Toy
  16. Lute Music: Mrs. Norrish's Delight
  17. Lute Music: Galliard
  18. Lute Music: Mrs. White's Thing (Almain)
  19. Lute Music: Mrs. White's Nothing
  20. Lute Music: The Frog Galliard
  21. Lute Music: Solus cum sola
  22. Lute Music: The Lord Viscount Lisle, His Galliard
  23. Lute Music: Orlando Sleepeth (Ballad Setting)
  24. Lute Music: Robin (Ballad Setting)
  25. Lute Music: Galliard (On A Galliard By Daniel Bacheler)
  26. Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)

Tracks:

  1. Lute Music: The Lady Russell's Pavan
  2. Lute Music: Fancy (Fantasia)
  3. Lute Music: Sir John Langton's Pavan
  4. Lute Music: Earl Of Derby, His Galliard
  5. Lute Music: A Coy Toy
  6. Lute Music: Fortune My Foe
  7. Lute Music: [Almain]
  8. Lute Music: Mr. Knight's Galliard
  9. Lute Music: Sir John Souch His Galliard
  10. Lute Music: Tarletone's Riserrectione
  11. Lute Music: The Lady Rich, Her Galliard
  12. Consort Music: Lachrimae Pavan
  13. Consort Music: Can She Excuse Galliard
  14. Consort Music: Captain Piper's Pavan And Galliard
  15. Consort Music: The Frog Galliard
  16. Consort Music: Round Battell Galliard
  17. Consort Music: Fortune My Foe
  18. Consort Music: Dowland's First Galliard
  19. Consort Music: Katherine Darcie's Galliard
  20. Consort Music: Tarleton's Jigge
  21. Consort Music: Almain a 2
  22. Consort Music: Mistress Nichols Almain a 2
  23. Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
  24. Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
  25. Opusculum: Mr. John Langton Pavan And Galliard
  26. Opusculum: La mia Barbara Pavan and Galliard
  27. Opusculum: Lachrimae Antiquae Novae Pavan and Galliard

Tracks:

  1. Consort Music: Mistress NIchols Almain
  2. Consort Music: Volta a 4 ('Ioh. Douland')
  3. Consort Music: Were Every Thought an Eye
  4. Consort Music: Lady If You So Spite Me
  5. Consort Music: Pavan a 4
  6. A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
  7. A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
  8. A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
  9. A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
  10. A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
  11. A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
  12. A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
  13. A Musicall Banquet: VIII. Far From Triumphing Court
  14. A Musicall Banquet: IX. Lady, If You So Spite Me
  15. A Musicall Banquet: X. In Darkness Let Me Dwell
  16. A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
  17. A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
  18. A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
  19. A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
  20. A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
  21. A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
  22. A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
  23. A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
  24. A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
  25. A Musicall Banquet: XX. O bella piu (Anon, Italian)

Customer Reviews:

5 out of 5 stars The greatest songs ever?.......2007-07-26

I heard 'clear or cloudy', from this recording, on the radio recently and had to purchase it. It is strange but it is the sort of song that makes life prior to listening to it different from life after. I find it sad that so many people haven't heard it. There are also many other wonderful works in this collection. Given you get twelve well recorded CDs with top quality performances, this has to be one of the bargains of the age.

Please buy it.

5 out of 5 stars A musical treasure-box.......2006-09-10

Both the music and this actual product are masterpieces. John Dowland's collected works here - covering 12 compact discs - exhibit the depth and power of this composer, a composer who many now regard as suffering from clinical depression. I doubt that the issue of the diagnosis of Dowland's depression can ever be settled, however, it is certainly obvious from his music, so completely on display here, that he was a man with very dark depths and corners in his mind. Dowland's various manifestations and "takes" on his own tune, "Flow my tears"/"Lachrimae" are here. This tune has haunted me ever since I first heard it when I was a child. It seems to sum up Dowland's feelings - at least Dowland seems to have thought so.

The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).

This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.

I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.

5 out of 5 stars a beautiful journey into melancholy.......2001-06-15

I'm amazed at how many people tend to associate John Dowland's music with a tragic sense of drama. While no doubt this is art highly based on sadness, the "tragic" sense of it is more a legacy from the Romantic period. During the Renaissance, however, sadness was undestood as a very aesthetic way of approaching life. That is also the reason why Shakespeare's tragedies appear more sophisticated than his comedies.

Dowland, a contemporary of Shakespeare, discovered that meditating on a sad theme is, at the same time, a way of discovering a special beauty that we tend to avoid (maybe because of the "tragic" heritage of the Romantics). So, in the end, meditating on sadness is an uplifting experience! This box set is a journey into melancholy that includes songs, chamber music, pieces for lute, some rare sacred music and -as a highlight- Dowland's beautiful collection of seven pieces for viola which he called "Lachrimae" (Tears).
The MARIO LANZA Collection
Average customer rating: 4.5 out of 5 stars
  • Selections from the Greatest Voice of the Last Hundred Years
  • A Must Have
  • The Mario Lanza Collection
  • The MARIO LANZA Collection
  • WONDERFUL!!!!!
The MARIO LANZA Collection

Manufacturer: RCA Victor
ProductGroup: Music
Binding: Audio CD

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  1. Mario Lanza: At His Best!
  2. Christmas with Mario Lanza
  3. Mario Lanza ~ Opera Arias & Duets, from Andréa Chenier · La Bohème · I Pagliacci · Madama Butterfly · Otello
  4. American Caruso
  5. Lanza: Greatest Hits

ASIN: B000003F6V
Release Date: 1991-11-12

Tracks:

  1. Be My Love
  2. I'll Never Love You
  3. Because You're Mine
  4. The Song Angels Sing
  5. Drink, Drink, Drink
  6. Serenade
  7. The Loveliest Night of the Year
  8. La Donna E Mobile
  9. Because
  10. For You Alone
  11. Golden Days
  12. Deep In My Heart, Dear
  13. If I Loved You
  14. Yours Is My Heart Alone
  15. One Night Of Love
  16. Beloved
  17. Beautiful Love
  18. With A Song In My Heart
  19. You Are My Love
  20. Call Me Fool

Tracks:

  1. All The Things You Are
  2. My Song,My Love
  3. Love Is The Sweetest Thing
  4. Will You Remember
  5. Granada
  6. Lolita
  7. Serenade
  8. Temptation
  9. Lygia
  10. Lady of Spain
  11. This Land
  12. Lee-Ah-Loo
  13. Tina-Lina
  14. Boom Biddy Boom Boom
  15. The Bayou Lullaby
  16. The Lord's Prayer
  17. And Here You Are
  18. Song of Songs
  19. Somewhere A Voice Is Calling
  20. I Never Knew

Tracks:

  1. Ciribiribin
  2. Wonder Why
  3. Come Dance With Me
  4. O Sole Mio
  5. Younger Than Springtime
  6. For the First Time (Come Prima)
  7. Never Till Now
  8. Arrivederci, Roma
  9. If You Were Mine
  10. Behold!
  11. A Night to Remember
  12. Love in a Home
  13. Do You Wonder
  14. Softly as in a Morning Sunrise
  15. One Alone
  16. Aida:Celeste Aida
  17. Carmen: Flower Song
  18. La Traviata: Brindisi
  19. Rigoletto:Questa O Quella
  20. Pagliacci:Vesti La Giubba
  21. Cavalleria Rusticana: Addio Alla Madre

Customer Reviews:

5 out of 5 stars Selections from the Greatest Voice of the Last Hundred Years.......2007-03-13

Mario Lanza was, arguably, the greatest tenor and greatest singer of this and the last century. It is difficult to appreciate him without listening to a variety of selections. This collection has some of his best recordings and exhibits the versatility and variety that he possessed that permitted him to "crossover" from opera to popular music with a ease.

I recommend this for those who already know Lanza to some extent but want to go into more depth and understand his marvelous skills.

5 out of 5 stars A Must Have .......2006-12-12

I had forgotten what a beautiful voice Mario Lanza had. This collection contains opera and pop selections that exhibit the power yet sweetness of his voice. Fortunately, we have his CD's and videos so we can remember and listen to his gorgeous, vibrant voice and personality. I highly recommend this collection along with his wonderful movies, especially The Great Caruso.

5 out of 5 stars The Mario Lanza Collection.......2006-11-10

I had forgotten just how beautiful a voice from the past was. It is a wonderful collection

4 out of 5 stars The MARIO LANZA Collection.......2006-08-19

extract from most important LPs. Brilliant sound quality from RCA. Also included are soundtrack recordings from some of his movies. The are several reissues from Mario Lanza but this one is a collection you should have.

5 out of 5 stars WONDERFUL!!!!!.......2005-10-19

The Mario Lanza Collection is a three CD set and it has 61 songs and they all sound great. The mastering on this set is excellent and the song choice is very very good. It would have been perfect if they added a forth CD with more Arias, Italian songs and Sacred Arias. BUT still this set is a great introduction to Lanza. Lanza's voice was powerful and beautiful; if you are a fan of great singing, you will love Lanza. Highlights on this CD set are; Be my Love, Because your Mine, Serenade, With a Song in My Heart, Temptation, The Lord's Prayer, Ciribirbin, O Solo Mio, Ariverducci Roma, and on and on. They are many many great songs on this set, and I highly recommend it.
Menuhin & Grappelli Play Berlin, Kern, Porter & Rodgers & Hart
Average customer rating: 5 out of 5 stars
  • A really Fine Romance
  • A Musical Treat
Menuhin & Grappelli Play Berlin, Kern, Porter & Rodgers & Hart

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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  1. The Very Best of Grappelli and Menuhin
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  4. Anything Goes, With Yo Yo Ma
  5. Jazz in Paris: Oscar Peterson-Stephanie Grapelli Quartet, Vol. 1

ASIN: B000002SDR
Release Date: 1990-10-25

Tracks:

  1. Cheek To Cheek
  2. Isn't This A Lovely Day?
  3. The Piccolino
  4. Change Partners
  5. Top Hat
  6. I've Got My Love To Keep Me Warm
  7. Heat Wave
  8. The Way You Look Tonight
  9. Pick Yourself Up
  10. A Fine Romance
  11. All The Things You Are
  12. Why Do I Love You?
  13. I Get A Kick Out Of You
  14. Night And Day
  15. Looking At You
  16. Just One Of Those Things
  17. My Funny Valentine
  18. Thou Swell
  19. The Lady Is A Tramp
  20. Blue Room

Customer Reviews:

5 out of 5 stars A really Fine Romance.......2007-07-05

It doesn't get any better than these two playing these guys! Some of it was recorded at Abbey Road Studios. Use your imagination... It's all just swell.

5 out of 5 stars A Musical Treat.......2006-01-08

"The true mission of the violin is to imitate the accents of the human voice, a noble mission that has earned for the violin the glory of being called the king of instruments." ~ Charles-Auguste De Bériot ~

Yehudi Menuhin and Stéphane Grapelli together had made some of the most beautiful music ever-recorded. And I believe that this is one of the many successful albums they recorded together. In this recording, both violinists have showed their excellent musicianship and interpretative eloquence as well, making it one of my most cherished CDs from my collection.

These are the main ingredients of a perfectly-made CD for your listening pleasure: mix violins, piano, bass and drums together, combine two terrific violinists, season with the best melodies in the 20s, 30s and 40s from Irving Berlin, Jerome Kern, Cole Porter and Rodgers & Hart. Add the musical talents of Nelson Riddle, Max Harris, Martin Taylor, Eddie Tripp, Alan Clare and the rest of the studio musicians. Now all you have to do is to sit back, relax and savor these stunning melodies coming from your CD player. Listen to it in full-volume and fill your music room with the sheer beauty of these classics.

One of my favorite musical instruments is violin. With its four strings, it gives a whole wide range of musical versatility and I simply love the fascinating sound it produces.

My personal highlights are the best tunes from Jerome Kern - "The Way You Look Tonight" (Nelson Riddle arranged this particular track and conducted the Woodwind and Brass section), "A Fine Romance," "Pick Yourself Up," "Why Do I Love You?" and "All The Things You Are."

My choices from Irving Berlin's gems are - "Isn't It A Lovely Day?" featuring the great artistry of Nelson Riddle in arranging and conducting, "Cheek To Cheek" and "I've Got My Love To Keep Me Warm."

The Cole Porter repertoire represented his musical sophistication in "Night And Day," "I Get A Kick Out Of You" and "Just One Of Those Things."

The choice cuts from the talented and creative team of Richard Rodgers and Lorenz Hart are "My Funny Valentine" and "Thou Swell."

Listening to this CD is so delectable and equivalent to having my favorite dessert - be it Tiramisu, New York Cheesecake, Black Forest Cake, Chocolate Soufflé, Créme Brulee, Chocolate Mousse or Chocolate-Coated Strawberries! ;)

A musical treat.
Big: The Musical (1996 Original Broadway Cast)
Average customer rating: 4 out of 5 stars
  • didn't work for rehearsals
  • Big for folks doing the Musical
  • It's Awesome, It's Amazing, It's BIG!!!!
  • a lost gem
  • Ungodly awful
Big: The Musical (1996 Original Broadway Cast)
Richard Maltby Jr.
Manufacturer: Decca U.S.
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Big: The Musical
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ASIN: B000005AY0
Release Date: 2001-09-25

Tracks:

  1. Overture/Can't Wait
  2. Talk To Her/Carnival/Zoltar Speaks
  3. This Isn't Me
  4. I Want To Go Home
  5. The Time Of Your Life/Fun
  6. Josh's Welcome/Here We Go Again
  7. Do You Want To Play Games?/Stars, Stars, Stars
  8. Cross The Line
  9. It's Time
  10. Stop, Time
  11. The Nightmare
  12. Dancing All The Time/I Want To Know
  13. Coffee, Black
  14. The Real Thing
  15. One Special Man
  16. When You're Big/Skateboard Ballet
  17. I Want To Go Home/Stars, Stars, Stars (Reprise)/Finale

Customer Reviews:

4 out of 5 stars didn't work for rehearsals.......2007-03-22

I used this CD to help me rehearse for the BIG production I was in, but it didn't match the libretto at all. I think there was one song on there that I could use.

3 out of 5 stars Big for folks doing the Musical.......2006-03-20

If you're getting this CD to help prepare for your school or community group doing the musical, there are a lot of changes from the CD to the book. Aside from finding the book in a new key and some chunks added/deleted, Here We Go Again and When You're Big aren't included anymore.

Overall, the music's a little trite, but there are some nice moments -- mostly the stuff sung by the female leads.

5 out of 5 stars It's Awesome, It's Amazing, It's BIG!!!!.......2006-01-22

My high school did "Big" my sophomore year, and oh my god, it was such a fun musical to do. I kind of forgot about it until my senior year, when I suddenly craved some of that music again. So I purchased this CD and I've been loving it since. They got rid of a couple of the songs and replaced them with others as the show progressed on Broadway, so I was suprised to hear new material (to me anyways), and for the most part, I actually enjoyed these original songs over their replacements that my production contained. This cast is phenomenal and the guy who plays Josh Baskin sounds so much like Tom Hanks at points, its crazy. It's a simple, yet a bit fantastic musical about growing up, and it's funny and romantic, and a lot of fun. I love all the songs, and it's a shame it didn't do too well on B-way. At least this recording will keep the music alive.

"This Isn't Me" is one of my favorite tracks, as it's a lot of fun and has a great beat, but suprisingly it was replaced with "Good Morning to Mom", which was only so-so. "I Want To Go Home" is a great ballad that Josh sings, and its simple, a bit funny, and the ending is the best, as its cute and sad. Another song they got rid of, "Here We Go Again", is a song Susan sings, and again, I like it alot. It has a quirky melody that I like. "Stars, Stars, Stars" is another great song, and is quite cute. One of the more popular songs. "Cross The Line" is the finale to Act I and is also very excellent and up beat, and makes you want to dance. "Stop, Time" is my favorite song on the album by far. Sung by Josh's mom, it is one of the more poignant moments of the show. Heartfelt, sad, and truly beautiful, it defiantely makes you appreciate your mom. Barbara Walsh sounds superb on this: she has a great voice. I love this one. "Dancing all the Time" is another good Susan song, and it leads into "I Want To Know" by Young Josh, which is another good ballad. "Coffee, Black" is another showstopper, fun ensemble song, and again, very comedic. "One Special Man" is Susan's ballad to Josh, and it is very beatiful. My only regret is that its only 2:21 so its a short one, and I just want her to start belting at the end, but no, its a quiet ending. Still, I love this one too. The finale is great too, and features an amazing duet between Josh and Susan. I love the harmonies they do.

All in all, this is a great album. Sample the songs and give it a try. This is a must have!!

4 out of 5 stars a lost gem.......2004-10-14

i saw this musical at the local high school in 2001 and was plesently suprised i of course saw the movie and the only thing i knew about this musical was it didnt stay long on broadway, so when i saw it was i shocked this is a delight cross the line still resenates in my head 5 years later.

1 out of 5 stars Ungodly awful.......2004-06-19

BEWARE. This musical is perhaps one of the five worst pieces of music I have ever experienced. I began to wonder if the composer was attempting to make the world's worst musical. Listen for yourself and enjoy the disjunct vocal lines, the desperate attempt at "fun music", and - worst of all - how the highlight of the entire show both dramatically and musically is the insipidly awful "Heart and Soul". Stick to the movie because this baby is horrendous.
An American in Paris (1951 Film Soundtrack)
Average customer rating: 5 out of 5 stars
  • Magic of love
  • Filled with musical gems
  • TOO LONG !!!!!!!!!!!
  • GERSHWIN'S TALENT
  • Ga Ga for Gershwin
An American in Paris (1951 Film Soundtrack)
George Gershwin , Gene Kelly , and Oscar Levant
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000033JE
Release Date: 1996-07-16

Tracks:

  1. Main Title (An American In Paris/'S Wonderful/I Got Rhythm) - MGM Studio Orchestra
  2. Paris Narration/Left Bank (Themes From An American In Paris) - MGM Studio Orchestra
  3. Nice Work If You Can Get It (Outtake) - Georges Guetary
  4. Embraceable You - MGM Studio Orchestra
  5. By Strauss - Gene Kelly, Georges Guetary, Mac MacLain, Grace Stark, Pete Roberts
  6. Street Exhibit - MGM Studio Orchestra
  7. I Got Rhythm - Gene Kelly, MGM Children's Chorus
  8. But Not For Me - Benny Carter & His Orchestra
  9. Medley: Do, Do, Do/Bidiin' My Time/I've Got A Crush On You/Love Is Here To Stay - MGM Orchestra
  10. Someone To Watch Over Me - Benny Carter & His Orchestra
  11. Medley: My Cousin In Milwaukee/A Foggy Day/The Half-Of-It Dearie Blues/But Not For Me (Outtake) - Oscar Levant
  12. Tra-La-La - Gene Kelly, Oscar Levant
  13. I'm No Enemy (Love Is Here To Stay) (Outtake) - MGM Studio Orchestra
  14. Love Is Here To Stay - Gene Kelly
  15. Medley: What Time Is It?/Love Is Here To Stay (Reprise) - MGM Studio Orchestra, Gene Kelly
  16. (I'll Build A) Stairway To Paradise - Georges Guetary
  17. I've Got A Crush On You (Outtake) - Gene Kelly
  18. Love Walked In (Outtake) - Georges Guetary, Oscar Levant
  19. Medley: We Would Get Married (Love Walked In) (Outtake)/I Don't Think I'll Fall In Love Today... - Oscar Levant, MGM Studio Orchestra
  20. Concerto In F (3rd Movement) - Oscar Levant, MGM Studio Orchestra

Tracks:

  1. Painting Montage (Tra-La-La/Love Is Here To Stay) - MGM Studio Orchestra
  2. Kiss Me (Outtake) - MGM Studio Orchestra
  3. 'S Wonderful - Gene Kelly, Georges Guetary
  4. Lise, I Love You ('S Wonderful/Love Is Here To Stay) - MGM Studio Orchestra
  5. Strike Up The Band (Extended Version) - MGM Studio Orchestra
  6. Liza (Complete Version) - Oscar Levant
  7. Medley: Oh, Lady Be Good/'S Wonderful - MGM Studio Orchestra
  8. Medley: That Certain Feeling/Clap Yo' Hands - MGM Studio Orchestra
  9. I've Got A Crush On You (Outtake) - MGM Studio Orchestra
  10. I Got Rhythm (Extended Version) - MGM Studio Orchestra
  11. Tra-La-La (Outtake) - MGM Studio Orchestra
  12. But Not For Me - Georges Guetary
  13. Utrillo Did It (Love Is Here To Stay/An American In Paris/Nice Work If You Can Get It) - MGM Studio Orchestra
  14. An American In Paris Ballet (Extended Version) - MGM Studio Orchestra
  15. Finale (An American In Paris) - MGM Studio Orchestra
  16. Painting Montage (An American In Paris) (Deleted Version) - MGM Studio Orchestra
  17. Main Title: An American In Paris (Alternate Version - Outtake) - MGM Studio Orchestra
  18. Adam Cook Monologue (How Long Has This Been Going On?) (Extended Version) - Oscar Levant
  19. Nice Work If You Can Get It (Partial As Used In Film) - Georges Guetary, Oscar Levant
  20. Third Prelude (Outtake) - Oscar Levant
  21. My Cousin In Milwaukee (Outtake) - Oscar Levant
  22. A Foggy Day (Outtake) - Oscar Levant
  23. The Half-Of-It Dearie Blues (Outtake) - Oscar Levant
  24. But Not For Me - Oscar Levant
  25. Bidin' My Time (Outtake) - Oscar