Cool [CD-single] [Enhanced] [Import]

Product Description
Australian pressing. In the retro 80's world of Gwen Stefani's multi-platinum Love, Angel, Music, Baby, 'Cool', the album's fourth single, sounds like the lost Cyndi Lauper tune. That's a good thing, reminding listeners of the mid-tempo reflective classics T'ime After Time' and 'All Through the Night'. The Album version is backed with the Photek Remix Main Version, 'Hollaback Girl' (Dancehollaback Remix by Tony Kanal) & the video. Interscope. 2005.

Cool,Gwen Stefani,Universal Int'l,5"CD Singles,Club/Dance,Pop,Rock

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Cool [CD-single] [Enhanced] [Import]

Average customer rating: Time Out for a Timeless Classic A classic ! This CD Changed The Rules Time out....Dave Brubeck Quartet Brubeck in SACD...heaven

Time Out Dave Brubeck Quartet Manufacturer: Sony ProductGroup: Music Binding: Audio CD Cool Jazz | Jazz | Styles | Music General | Jazz | Styles | Music $7.99 and Under | Blowout Music | Stores | Music Jazz | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music $7.99 and Under | Prices | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Kind of Blue Mingus Ah Um A Love Supreme Getz/Gilberto Birth of the Cool ASIN: B000002AGN Release Date: 1997-03-25

Tracks:

1. Blue Rondo A La Turk
2. Strange Meadow Lark
3. Take Five
4. Three To Get Ready
5. Kathy's Waltz
6. Everybody's Jumpin'
7. Pick Up Sticks

Amazon.com essential recording

Boasting the first jazz instrumental to sell a million copies, the Paul Desmond-penned "Take Five," Time Out captures the celebrated jazz quartet at the height of both its popularity and its powers. Recorded in 1959, the album combines superb performances by pianist Brubeck, alto saxophonist Desmond, drummer Joe Morrello and bassist Gene Wright. Along with "Take Five," the album features another one of the group's signature compositions, "Blue Rondo a la Turk." Though influenced by the West Coast-cool school, Brubeck's greatest interest and contribution to jazz was the use of irregular meters in composition, which he did with great flair. Much of the band's appeal is due to Desmond, whose airy tone and fluid attack often carried the band's already strong performances to another level. Together, he and Brubeck proved one of the most potent pairings of the era. --Fred Goodman

Album Details

Limited Millennium Edition. Packed in a Heavy Weight Card Wallet that Faithfully Recreates the Original Vinyl Sleeve, Right Down to the Inner Bag. The Wallet Will Come in a Plastic Cover.

Customer Reviews:

Time Out for a Timeless Classic.......2007-07-04

This is a reissue of the 1959 studio session. Although Blue Rondo and Take Five are the signature pieces for the Quartet, the other tracks are in keeping with the innovative time signatures 5/4, 6/4 and variations of 4/4 and 3/4 time. What else can you say except it's a classic and belongs in evryone's collection.

A classic ! .......2007-07-01

This Cd is just GREAT and such a Jazz classic! The re-mastered version of this Album is absolutely wonderful---sounding so crisp and sharp!

The songs speak for themselves, as they are some of Brubeck's most famous hits.

This is a highly recommended re-mastered version of Dave's TIME OUT Album!

This CD Changed The Rules.......2007-06-16

This album changed the rules in jazz in two important ways. First, it introduced atypical time signatures to jazz performers. Performers were pushing ever other musical limit, including harmony (Miles Davis, Bill Evans, . . .), melody (John Coletrane, Eric Dolphy, . . .) and song structure in general (Ornette Coleman, Cecil Taylor, . . .). 4/4 and 3/4 time signatures were already optional in contemporary classical music and some ethic music. Brubeck opened up this fertile opportunity for the jazz world (and later rock like Led Zeppelin, Jethro Tull and Rush). Perhaps more remarkable was the fact that this album proved that the public was receptive to this new approach to popular music. Brubeck went pioneering and returned with no lethal arrows in him.

The best part about this album is that this new technique was not just a novelty; it was a path to creating timeless compositions like Take Five and Blue Turk a la Rondo. My favorite things about Brubeck are his range of expression (from cool and understated to highly muscular), and the unique voice of Paul Desmond's saxophone. Desmond's instrument has the bird-like sweetness of Charlie Parker combined with the lazer-focused tone of John Coletrane. The alternating solo voices really injects life and breath into the group.

The use of different time signatures did not did not get embraced as widely as one might expect in a genre built on creativity. Some felt that odd time signatures did not "swing" (although Brubeck and others disproved that), some may not have felt comfortable with or inspired by this new approach, and I suspect that the distinctiveness of this contribution by a white man made it "uncool" among many jazz musicians to do something that sounded "like Brubeck". The happy side effect for Brubeck is that this album stands out in jazz like few other works.

Time out....Dave Brubeck Quartet.......2007-06-01

A clear jazz master piece......remastered by Sony....better than the originaland better than todays Brubeck Quartet

Brubeck in SACD...heaven.......2007-05-17

Sony/Columbia did this superb sounding disc very well in this SACD transfer! This rivals the original edition Lp for lovely sound, and I think it is among the best single layer SACD's out there (Mingus ah um is THE best to these ears!). You know (or should know) the music, so don't hesitate getting it on SACD! I should add I am not into 5.1 for music. My sound review refers only to 2 channel stereo sound.

Average customer rating: It just doesn't get any better...... Every Collector's Must Have! Beautiful View fom Sugarloaf Mountain Riding at Full Throttle on Top of Bossa Nova!

Getz/Gilberto Stan Getz , Joao Gilberto , and Astrud Gilberto Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD Brazil | South & Central America | International | Styles | Music Latin Pop | Latin Music | Styles | Music Bossa Nova | Latin Music | Styles | Music Bebop General | Bebop | Jazz | Styles | Music Brazilian Jazz | Jazz | Styles | Music Cool Jazz | Jazz | Styles | Music General | Jazz | Styles | Music Latin Jazz | Jazz | Styles | Music Modern Postbebop | Jazz | Styles | Music Jazz | Styles | Blowout Music | Stores | Music International | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Jazz Samba Wave Time Out Kind of Blue Astrud Gilberto's Finest Hour ASIN: B0000047CX Release Date: 1997-05-20

Tracks:

1. The Girl From Ipanema
2. Doralice
3. Para Machuchar Meu Coracao
4. Desafinado (Off Key)
5. Corcovado (Quiet Nights Of Quiet Stars)
6. So Danco Samba
7. O Grande Amor
8. Vivo Sonhando (Dreamer)
9. The Girl From Ipanema - 45 RPM Issue
10. Corcovado (Quiet Nights Of Quiet Stars) - 45 RPM Issue

Amazon.com essential recording

Originally released in March 1964, this collaboration between saxophonist Stan Getz and guitarist João Gilberto came at seemingly the end of the bossa nova craze Getz himself had sparked in 1962 with Jazz Samba, his release with American guitarist Charlie Byrd. Jazz Samba remains the only jazz album to reach number one in the pop charts. In fact, the story goes that Getz had to push for the release of Getz/Gilberto since the company did not want to compete with its own hit; it was a good thing he did. Getz/Gilberto, which featured composer Antonio Carlos Jobim on piano, not only yielded the hit "Girl from Ipanema" (sung by Astrud Gilberto, the guitarist's wife, who had no professional experience) but also "Corcovado" ("Quiet Night")--an instant standard, and the definitive version of "Desafinado." Getz/Gilberto spent 96 weeks in the charts and won four Grammys. It remains one of those rare cases in popular music where commercial success matches artistic merit. Bossa nova's "cool" aesthetic--with its understated rhythms, rich harmonies, and slightly detached delivery--had been influenced, in part, by cool jazz. Gilberto in particular was a Stan Getz fan. Getz, with his lyricism, the bittersweet longing in his sound, and his restrained but strong swing, was the perfect fit. His lines, at once decisive and evanescent, focus the rest of the group's performance without overpowering. A classic. --Fernando Gonzalez

Customer Reviews:

It just doesn't get any better.............2007-06-30

....than this. Some very good albums may define a singer; some great ones, like "Tapestry" and "No Secrets", can define a whole generation. Here, we have an album so great we could use it to define "music".

There are conflicting stories as to how this recording, or, at least, Astrud Gilberto's part in it, came to be. At this distance in time, who cares? The late Stan Getz was said to be an unpleasant man. Who cares? He was, you see, a genius, who played the sax like nobody before, or since. Astrud Gilberto supports some political causes that I can't stand. Who cares? She's the prototype of a whole genre...another may be a little prettier, or have a little better voice, but Astrud is still "the original"; all others are copies. Music and politics shouldn't mix, anyway.

Here we have a collection of talent in one place not equaled till "The Blues Brothers". Besides Getz and Astrud, we have Antonio Carlos Jobim and Astrud's then husband, Joao. Great music, well played, and recorded to perfection. EVERYBODY needs at least one copy of this.

Every Collector's Must Have!.......2007-06-08

This is a classic if you don't have this you are missing out! Very relaxing.

Beautiful.......2007-05-22

This is a classic and worth its great reputation. No wonder it has remained popular for so many, many years. It is one of the few albums I enjoyed as a teenager and still enjoy 40 years later!

View fom Sugarloaf Mountain.......2007-03-14

Much has been said about this disc over the past nearly 45 years since it's recording and here at Amazon; mostly all positive here as the 136 reviews averaging five stars can testify to. I listened to this LP many years, off and on since it's original release and recently purchased the CD version so I may take it anywhere on my I-Pod. It goes without saying it is essential music. The understated vibe whispers classic. The pairing of Getz and Gilberto seems as natural and beautiful as sunsets on the beach on Rio de Janeiro. The soft sensual vocals of Joao and Astrud Gilberto pair well with the robust yet minimilist sax work Stan Getz to create an exquisite recording. The contribution by Antonio Carlos Jobim on piano cannot be overlooked as he helped create the total ambience. Soft romantic melodies results from the joining of these two forces in their respective fields to create the definitive bossa nova sound. The model for which bossa nova has been defined by is the quintessential "The Girl From Ipanema" features the famous duet by husband and wife Astrud and Joao Gilberto that is complimented by the cool tenor sax work by Getz twice on this disc;included is the 45rpm issue that was popular on the airwaves during the time period.It is ironic that Gilberto and Antonio Carlos Jobim did not want her to sing on what has become arguably one of the most recognized bossa nova songs ever recorded. The total recording is a reflection of a turbulent time in the world when peaceful music waft down from Sugarloaf mountain for the world to take notice and they have never stopped noticing. Maybe in our contemporay world of war and chaos we need more of the peaceful vibe of the bossa nova again. If you have never experienced this classic recording, check it out,it does still sound good after all these years. Recommended for jazz and Brazilian music enthusiasts.

Riding at Full Throttle on Top of Bossa Nova!.......2007-02-17

Bossa Nova started in Brazil in the late `50s. The "First Generation" included Antonio Carlos Jobim, Joao Gilberto and Vinicius de Moraes as their main artists. Their themes were composed focusing on "Love, Smiles & Flowers" and greatly influenced Latin America's music and even USA's jazz composers.

The present CD was recorded in 1963 when Bossa Nova was the "new thing" mixing with Jazz and conquering USA.
Three geniuses, Joao Gilberto (guitar and vocals), Stan Getz (tenor saxophone) and "Tom" Jobim (piano and composer of eight of the ten musical pieces in the CD) join and mix their efforts to give the audience an outstanding performance.
On top of all that Astrud Gilberto sang "Girl from Ipanema" (she had never before performed professionally) and became instantly a star.
Sebastiao Neto bass and Milton Banana drums complete the musical team.

"Girl from Ipanema" make you feel being at the wonderful Ipanema Beach surrounded by the loveliest girls in the world (believe me, I've been there). Astrud's voice is just unbelievable.
I recommend hearing, enjoying and comparing this song's version with the one recorded in 1967 by Sinatra and Jobim.
"Corcovado" aka "Quiet Nights of Quiet Stars" evokes those wonderful starred nights from Rio de Janeiro, with all their sensual appeal, hearing soft guitar music. Getz's saxophone phrasing is just from another world!
"Para Machucar Meu Coracao" ("To Hurt my Heart" authored by Ary Barroso) is the story of a love affaire gone sour. Joao Gilberto's voice is able to express heartrending pain.

This CD is one of the Top Popular Music in my personal selection, tied up with before mentioned Jobim-Sinatra. I recommend it warmly!
Reviewed by Max Yofre.

Average customer rating: Legendary Cool Jazz, One Awesome Debut! birth of the cool school... A must have for your collection Good not Great labor of love

Birth of the Cool Miles Davis Manufacturer: Blue Note Records ProductGroup: Music Binding: Audio CD Bebop General | Bebop | Jazz | Styles | Music Cool Jazz | Jazz | Styles | Music General | Jazz | Styles | Music Blue Note Records | Amazon.com Label Stores | Stores | Music Similar Items: Kind of Blue A Love Supreme Sketches of Spain 'Round About Midnight Mingus Ah Um ASIN: B00005614M Release Date: 2001-01-09

Tracks:

1. Move
2. Jeru
3. Moon Dreams
4. Venus De Milo
5. Budo
6. Deception
7. Godchild
8. Boplicity
9. Rocker
10. Israel
11. Rouge
12. Darn That Dream

Amazon.com essential recording

The first important leader date from one of jazz's most seminal figures and farsighted practitioners. Having made his reputation in large measure from playing with bop giant Charlie Parker, Davis confounded expectations when he embraced the "cool" arranging style of Gil Evans, an arranger for Claude Thornhill's band. Evans, who was employing unique voicings by adding French horns and tuba to Thornhill's instrumentations, also emphasized a diminished use of vibrato in both reeds and brass, producing a drier, "cool" sound. Two of Evans's arrangements, "Boplicity" and "Moon Dreams," appear on the album. Also involved are baritone saxophonist Gerry Mulligan, who contributed such outstanding tunes as "Jeru" and "Venus de Milo," and Modern Jazz Quartet pianist John Lewis. The result is a date that has withstood the tests of time, fashion, and Davis's own extraordinary growth as a performer.

An enhanced set, The Complete Birth of the Cool features previously bootlegged live recordings of the nonet at the Royal Roost in New York in 1948. Although the sound quality is far from perfect, the performances are remarkable, and worth the additional expense for the serious fan. --Fred Goodman

Amazon.com

Birth of the Cool is the first important leader date from Miles Davis, one of jazz's most seminal figures and farsighted practitioners. Having made his reputation in large measure from playing with bop giant Charlie Parker, Davis confounded expectations when he embraced the "cool" arranging style of Gil Evans, an arranger for Claude Thornhill's band. Evans, who was employing unique voicings by adding French horns and tuba to Thornhill's instrumentations, also emphasized a diminished use of vibrato in both reeds and brass, producing a drier, "cool" sound. Two of Evans's arrangements, "Boplicity" and "Moon Dreams," appear on the album. Also involved are baritone saxophonist Gerry Mulligan, who contributed such outstanding tunes as "Jeru" and "Venus de Milo," and Modern Jazz Quartet pianist John Lewis. The result is a date that has withstood the tests of time, fashion, and Davis's own extraordinary growth as a performer. An enhanced set, The Complete Birth of the Cool, expands the original issue with previously bootlegged live recordings of Davis's nonet at the Royal Roost in New York in 1948. Although the sound quality is far from perfect, the performances are remarkable, and worth the additional expense for the serious fan. --Fred Goodman

Customer Reviews:

Legendary Cool Jazz, One Awesome Debut!.......2007-06-27

The songs on The Birth of the Cool are like the ninja of old. They do what they need to, fast, and leave. But unlike ninja attacks, these songs (which include classics like "Jeru", "Venus de Milo" and "Boplicity") are not painful in the least. The arrangements are tight and the songs are melodic, slightly Hollywood-esque but quite beautiful and well-performed. The songs themselves are also quite brief, as I implied a few sentence back - nothing over five minutes, in fact. The nonet plays together quite well, complementing each other throughout. They all have the mellow sound down - the album kinda sounds alike, but with great songs like "Rogue", "Rocker" and "Israel" on hand, who can complain? Now the only song I don't really like is "Darn That Dream", which falls in my list of Ten Songs We've All Heard Too Many Times Before. As for the rest? Get it. Not before Kind of Blue, 'Round about Midnight or In a Silent Way, but still get it!

birth of the cool school..........2007-06-20

can't go wrong with this Miles Davis recording in your collection. With arrangements by Gerry Mulligan, Gil Evans and John Lewis this is a compilation of 12 sides recorded by the Miles Davis nonet(nine musicians). This legendary recording is a jazz classic. The music moves away from bepop which tended to smaller groups of musicians and the music from this compilation led to the birth of the cool West Coast Sound of jazz though it originated on the East Coast. Beautiful arrangements and lively tunes. Gil Evans would meet with musicians in his apartment on the top of Chinese laundry and help compose the arrangements. The list of musicians on these recordings includes Miles Davis on trumpet, Gerry Mulligan on baritone sax, Lee Konitz alto sax, Max Roach on drums. A must for any jazz collection and jazz beginner. Gil Evans would later team with Miles on Porgy and Bess, Sketches of Spain.

A must have for your collection.......2007-03-27

These recordings are a must have for an understanding of the shear evolution of jazz, but not the best.

Good not Great.......2007-03-14

There a few good songs on the ablum but it isn't great

labor of love.......2007-02-16

Having only recently jumped on the Jazz scene as a 24 year veteran of the drum, i don't know as if i am qualified to write a review for those into this boat, but i must say that as a neophyte, i am and will be for a long time to come, a Davis fan. And this, the birth of the cool is an album that i will treasure as one of my own. very smooth sounds, breathy on the horns and completely listenable, a must have for any burgeoning collection.

Average customer rating: A great collection missing many cuts that Rhino should have put out. Greatest bargain Cruisin' Music Extraordinaire Essential Musical History $15 is about right

Back to Mono (1958-1969) Phil Spector Manufacturer: Abkco ProductGroup: Music Binding: Audio CD General | Contemporary Folk | Folk | Styles | Music Latin Pop | Latin Music | Styles | Music Cool Jazz | Jazz | Styles | Music General | Jazz | Styles | Music Jazz Fusion | Jazz | Styles | Music Latin Jazz | Jazz | Styles | Music Swing General | Swing Jazz | Jazz | Styles | Music Hard Bop | Bebop | Jazz | Styles | Music General | Pop | Styles | Music Singer-Songwriters | Pop | Styles | Music Pop Rock | Pop | Styles | Music Teen Pop | Pop | Styles | Music Girl Groups | Oldies | Pop | Styles | Music General | Oldies | Pop | Styles | Music Baroque Pop | Oldies | Pop | Styles | Music General | Adult Contemporary | Pop | Styles | Music Contemporary R&B | R&B | Styles | Music General | R&B | Styles | Music Blue-Eyed Soul | Soul | R&B | Styles | Music General | Soul | R&B | Styles | Music Folk Rock | Rock | Styles | Music General | Rock | Styles | Music Country Rock | Rock | Styles | Music Contemporary | Bluegrass | Country | Styles | Music General | Pop | Box Sets | Stores | Music Pop Rock | Pop | Box Sets | Stores | Music R&B & Soul | Box Sets | Stores | Music General | Rock | Box Sets | Stores | Music Classic Rock | Box Sets | Stores | Music Similar Items: Stax 50th Anniversary Celebration One Kiss Can Lead to Another: Girl Group Sounds Lost and Found And I Feel Fine...: The Best of the I.R.S. Years 1982-1987 A Christmas Gift for You from Phil Spector Live at Massey Hall (CD/DVD) ASIN: B000003BDM Release Date: 1991-11-12

Tracks:

1. To Know His Is To Love Him - The Teddy Bears
2. Corrine, Corrina - Ray Peterson
3. Spanish Harlem - Ben E. King
4. Pretty Little Angel Eyes - Curtis Lee
5. Every Breath I Take - Gene Pitney
6. I Love How You Love Me - The Paris Sisters
7. Under The Moon Of Love - Curtis Lee
8. There's No Other Like My Baby - The Crystals
9. Uptown - The Crystals
10. He Hit Me (It Felt Like A Kiss) - The Crystals
11. He's A Rebel - The Crystals
12. Zip-A-Dee-Doo-Dah - Bob B. Soxx And The Blue Jeans
13. Puddin' N' Tain - The Alley Cats
14. He's Sure The Boy I Love - The Crystals
15. Why Do Lovers Break Each Other's Hearts - Bob B. Soxx And The Blue Jeans
16. (Today I Met) The Boy I'm Gonna Marry - Darlene Love
17. Da Doo Ron Ron - The Crystals
18. Heartbreaker - The Crystals
19. Why Don't They Let Us Fall In Love - Veronica
20. Chapel Of Love - Darlene Love
21. Not Too Young To Get Married - Bob B. Soxx And The Blue Jeans
22. Wait Til My Bobby Gets Home - Darlene Love
23. All Grown Up - The Crystals

Tracks:

1. Be My Baby - The Ronettes
2. Then He Kissed Me - The Crystals
3. A Fine, Fine Boy - Darlene Love
4. Baby, I Love You - The Ronettes
5. I Wonder - The Ronettes
6. Girls Can Tell - The Crystals
7. Little Boy - The Crystals
8. Hold Me Tight - The Treasures
9. (The Best Part Of) Breakin' Up - The Ronettes
10. Soldier Baby Of Mine - The Ronettes
11. Strange Love - Darlene Love
12. Stumble And Fall - Darlene Love
13. When I Saw You - The Ronettes
14. So Young - Veronica
15. Do I Love You? - The Ronettes
16. Keep On Dancing - The Ronettes
17. You, Baby - The Ronettes
18. Woman In Love (With You) - The Ronettes
19. Walking In The Rain - The Ronettes

Tracks:

1. You've Lost That Lovin' Feelin' - The Righteous Brothers
2. Born To Be Together - The Ronettes
3. Just Once In My Life - The Righteous Brothers
4. Unchained Melody - The Righteous Brothers
5. Is This What I Get For Loving You? - The Ronettes
6. Long Way To Be Happy - Darlene Love
7. (I Love You) For Sentimental Reasons - The Righteous Brothers
8. Ebb Tide - The Righteous Brothers
9. This Could Be The Night - The Modern Folk Quartet
10. Paradise - The Ronettes
11. River Deep-Mountain High - Ike & Tina Turner
12. I'll Never Need More Than This - Ike & Tina Turner
13. A Love Like Yours (Don't Come Knockin' Everyday) - Ike & Tina Turner
14. Save The Last Dance For Me - Ike & Tina Turner
15. I Wish I Never Saw The Sunshine - The Ronettes
16. You Came, You Saw, You Conquered - The Ronettes
17. Black Pearl - Sonny Charles And The Checkmates
18. Love Is All I have To Give - The Checkmates

Tracks:

1. White Christmas - Darlene Love
2. Frosty The Snowman - The Ronettes
3. The Bells of St. Mary - Bob B. Soxx and The Blue Jeans
4. Santa Claus is Coming to Town - The Crystals
5. Sleigh Ride - The Ronettes
6. Marshmallow World - Darlene Love
7. I Saw Mommy Kissing Santa Claus - The Ronettes
8. Rudolph the Red-Nosed Reindeer - The Crystals
9. Winter Wonderland - Darlene Love
10. Parade of the Wooden Soldiers
11. Christmas (Baby Please Come Home) - Darlene Love
12. Here Comes Santa Claus - Bob B. Soxx and The Blue Jeans
13. Silent Night - Phil Spector and Artists

Amazon.com

Among producers, his name remains the simile of choice. If some hotshot studio whiz emerges in, say, hip-hop, he's inevitably labeled "the Phil Spector of rap." That's quite a statement given that decades have passed since this boy from the Bronx remodeled rock & roll to suit his own visions of grandeur. The story of the girl-group auteur is a fascinating one. Spector composed a No. 1 hit at 17 (the Teddy Bears' "To Know Him Is to Love Him," its title inspired by the inscription on his father's tombstone). By 19 he was head of A&R for Atlantic Records. By the time he was 22, he'd founded his own label (Philles) and was churning out Wall of Sound hits at an unprecedented clip, beginning with the Crystals' "He's a Rebel." The four-disc Back to Mono befits its singular subject in both presentation (the richly annotated booklet includes a piece by Tom Wolfe) and content (60 songs cut between 1958 and 1969, plus the entire classic Yuletide LP A Christmas Gift for You). --Steven Stolder

Customer Reviews:

A great collection missing many cuts that Rhino should have put out. .......2007-07-21

All the hits are here played back on a vintage Ampex 351 tube tape recorder by Larry Levine and Phil himself in NYC.
If you put the treble all the way up on your set, this set can sound OK.
Why the Christmas Album was put in here I'll never know.
I wish Rhino would have put this box together instead of ABKCO.
Mine cost 69.00 US
Some things go up.
Remember Lana Clarkson. She cant defend herself.

Greatest bargain.......2007-05-16

A few months ago I ordered this set for only about $20 & it is the best CD bargain I've ever had. This set originally sold for about $75 back in the 90's (glad I waited to buy it!)& I keep wondering why it's so cheap now. (Is Spector not allowed to make money on his music anymore?) It is a BIG set in an LP size box (I store it with my old LPs on my shelf),comes with a great big book printed on high quality paper, comes with the Christmas album & even a button. Only thing not big about this set is the sound quality, it's typical 80s & early 90s thin-sounding CD quality, not exactly what I'd call a wall of sound. Also the book has the lyrics to all the songs except the ones on the Christmas album. So if you can get past the fact that Spector may have killed someone 40 years after these recordings (if he did,how could he? He produced John Lennon's "Imagine" for goodness sake!)this is still some of the 60s greatest music.

Cruisin' Music Extraordinaire.......2007-05-15

When I saw the "Back to Mono" box for 20 bucks, I first thought of the barrage of criticism that greeted this set when first released more than 15 years ago and, in particular, the near universal condemnation of the absolutely horrendous digital remastering that marred what should have been an unbeatable compilation. Then I thought, "So what? I LOVED this music 45 years - AUGH! - ago! This is the background music of my life! And a great collection! And I don't have much of it, vinyl or otherwise." So I bought it.

And yes, the remastering is indeed horrible, particularly when listened to through earphones. But if you can pump this music through a tinny 5-inch speaker, perhaps boosted from a '57 Chevy, it all sounds pretty damn fine. So: don't play it on your audiophile equipment: my vintage boom box does the music all the honor it requires.

And what music. A lot of this stuff didn't chart in the New York metropolitan area, so I'd never heard several tracks, but it's all vintage, no filler, hits and non-hits, lots of Ronnie Spector and the Ronnettes, the Crystals, and fewer, but important, sides from Curtis Lee), Ben E. King, Bob B. Soxx, the Righteous Brothers, the majestic Tina Turner and that sidekick of hers, and, of course, the patented Spector Wall of Sound, complete with timpani, maracas, glockenspiels, strings, horns, full brass section, yackety sax, everything INCLUDING the kitchen sink. On the tree of rock, Phil Spector is a taproot (and Bruce Springsteen the most celebrated emulator/branch).

But let's be serious: these are very basic sentiments, harking back to a very different, much simpler time, before Vietnam, Watergate, and universal irony really invaded our consciousness (the first 29 tracks before the Kennedy assassination). The Spector chronology tracks along through LBJ's "Great Society" and civil rights legislation, Nixon, and the onset of cynicism, skepticism, and the beginning of a much more complicated social and political fabric. Through all this, we underestimate the role this and other top-forty music played in shaping our imaginations: it played, constantly, to GROUPS of people in packed cars, at parties and dances, not to one solitary listener through iPod earphones, shaped romantic vocabularies, taught kids how to say "I love you" and how to rebel against parents who screamed "that guy's no good!" My wife's parents.

In short, this music and its peer recordings helped fill in pieces of our emotional identities. In this set we hear lots of 16 year olds pouring out their hearts into diaries via girl-group doo-wop. From the Righteous Brothers, a more mature, wistful kind of heartbreak with full choirs of strings. And from Ike and Tina, my god - River Deep, Mountain High has enough emotional energy to blow a bank of Marshalls, a clear high-point on a collection of high points.

The 96-page booklet is almost worth the price of the box. I didn't need the lyrics - many of them, goofy, saccharine, maudlin, trite as can be, are grafted into my brain, courtesy of that Chevy speaker - but the photos of those wonderful, innocent, vibrant faces, the essays (one by Tom Wolfe), and the discography are all splendid.

So: if you've ever loved this music - that's a significant qualifier: my kids (all in 20s and 30s) think it's virtually unadulterated corn (with the exception of River Deep, Loving Feeling, and a few other tracks) - forget about the atrocious remastering. (I'll bet Rhino will take care of that, sooner or later, and we'll hear these in gorgeous, layered monaural.) Just buy this now while you can get all four discs, the big booklet, and the huge box for 20 dollars or less. Then boogaloo or slow-dance your baby to these legendary tunes.

Essential Musical History.......2007-05-13

With his name in the news, it is easy to dismiss Phil Spector for current accusations, but you can never deny his place is Rock'N'Roll pantheon of musical touchstones.

This collection is an absolute must have for all those who love great rock and roll and the extras in this box are phenomenal. The booklet documenting these historic recordings is amazing, as are the collection musicians that sat in on these sessions (Sonny Bono, Brian Wilson, Leon Russell, etc.).

Just having the classic recordings of The Ronettes (Be My Baby, Walkin' In The Rain, Baby I Love You), The Crystals, Darlene Love -- along with Ike and Tina Turner's "River Deep, Mountain High" (referred to by George Harrison as the greatest single ever made) and the complete "Phil Spector's Christmas Album" -- makes this collection indispensable!!!

$15 is about right.......2007-04-08

I have no idea whether Mr. Spector is guilty of the serious charges against him, but he stands convicted of allowing his retrospective box to be released with some of the muddiest, dullest mastering in memory. Sound-wise, a total mess. Of course, many of the tracks are indispensable.

Average customer rating: Bossa nova music that dips, swings, boasts fine harmonic structures--and an infectious rhythmic pulse !!! Old School I'd give it 6 stars if I could!!! Nostalgic; great memories, so easy to appreciate Contrary to Mr. Gibson's jottings.

Jazz Samba Stan Getz , and Charlie Byrd Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD Brazil | South & Central America | International | Styles | Music General | International | Styles | Music Samba | Latin Music | International | Styles | Music Bebop General | Bebop | Jazz | Styles | Music Brazilian Jazz | Jazz | Styles | Music Cool Jazz | Jazz | Styles | Music General | Jazz | Styles | Music Latin Jazz | Jazz | Styles | Music Modern Postbebop | Jazz | Styles | Music Bossa Nova | Latin Music | Styles | Music Jazz | Styles | Blowout Music | Stores | Music International | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Getz/Gilberto Wave Stan Getz & The Oscar Peterson Trio: The Silver Collection Jazz Samba Encore! Francis Albert Sinatra & Antonio Carlos Jobim ASIN: B0000047CW Release Date: 1997-05-20

Tracks:

1. Desafinado
2. Samba Dees Days
3. O Pato
4. Samba Triste
5. Samba de Uma Nota So
6. E Luxo So
7. Bahia (aka Baia)
8. Daesafinado

Amazon.com essential recording

Guitarist Charlie Byrd was invited to travel and play in Brazil during a cultural goodwill tour sponsored by the Kennedy administration in 1961. He was completely enamoured by the music, and when he returned, he headed straight for the recording studio to make the now classic Jazz Samba. Collaborating with Stan Getz on tenor sax and backed by a band that included Gene Byrd (bass, guitar), Keter Betts (bass), and Buddy Deppenschmidt and Bill Reichenbach (drums), Byrd forged a new and brilliant sound. American record companies were to churn out hundreds of watered bossa-pop albums that have since given the style its lounge-addled image, but this album stands as a tribute to the vitality and adaptability of jazz. --Louis Gibson

Customer Reviews:

Bossa nova music that dips, swings, boasts fine harmonic structures--and an infectious rhythmic pulse !!!.......2007-06-19

Bossa nova music was created largely by Antonio Carlos Jobim and João Gilberto in the late 1950s and early 1960s. When Charlie Byrd and his trio heard it, they wanted to make a bossa nova album of their own. The result is this wonderful CD.

The CD track set opens with an extended version of "Desafinado." The guitar gets plenty of air time in bossa nova music; and Charlie Byrd's guitar solo stuns me with its beauty and sensitivity. "Desafinado" plays with a few key changes to enhance the quality of the number; and the percussion works very well, too.

"Samba Dees Days" picks up the tempo considerably; and this ought to brighten any party you play this at! Stan Getz plays tenor sax to perfection; and Buddy Deppenschmidt along with Bill Reichenbach play the drums very, very well. "Samba Triste" is the only truly mournful sounding samba on this album; the minor keys work very well as Stan's melancholy solo enhances the forlorn flavor to "Samba Triste."

"Samba De Uma Nota Só (One Note Samba)" exudes elegance and style; when you listen to this track the fusion of jazz and samba is very evident. "E Luxo Só" reverts to a faster tempo that really makes you want to get up and dance wherever you are; and "Bahia (Baía)" concludes the album with a silky elegance that is singularly beautiful.

There is one extra number. The bonus track is the 45 rpm issue of "Desafinado." Naturally, the shorter version of this number doesn't provide us with the luxurious meanderings of the full length track. Nevertheless, it interests the listener to hear what the band chose to include--and exclude--when, under time constraints, they had to deliver the number fast yet with all the brightness of the full rendition. You won't be disappointed.

The liner notes include the original liner notes by Dom Cerulli; and there are great black and white photos of the band members playing. John Litweiler contributes an informative essay about the creation of the album as well. The quality of the sound is excellent.

I highly recommend this CD for any fan of bossa nova music; and people who enjoy jazz with a samba twist will cherish this one for ages to come.

Old School.......2007-01-17

This CD was all I expected and more. It was soothing without being muzac, and there was plenty of latin for spice. I was raised with the old school style of jazz and this really fit the bill!

I'd give it 6 stars if I could!!!.......2006-09-16

Stan Getz is in this sax player's opinion the best jazz saxophone player that has ever been recorded. His sense of melody is superb. He hides his amazing technical prowess, makes it sound effortless, and never gets in the way of the melody. Nobody else even came close to his melodic improvisations.

I've worn out a few Jazz Samba LPs and now own it on CD. It's a timeless classic. It has perhaps the definitive version of "One Note Samba" on it. "Desifinado" "Bahia", "O Pato" also shine very brightly. In fact, there are no tracks on this CD that are less than superb.

Stan played a lot of different jazz styles, from Cool School to Post Bop to Bossa Nova. And although he is not from Brasil, Antonio Carlos Jobim wrote a Bossa tune honoring him because his "voice" fit the mood so perfectly. Of all the things Stan did a good job on, Bossa was perhaps his forte. And this album along with "Jazz Samba Encore" are two of his best Bossa albums ever.

I'd give it 6 stars in a 1 to 5 star rating system. It's a "desert island" disk.

Bob "Notes" Norton

Nostalgic; great memories, so easy to appreciate.......2006-08-12

A must piece of work in the latin genre to include in your collection; I've heard bits and pieces of these tracks throughout my life; it's about time I added all of them to my collection.

Contrary to Mr. Gibson's jottings........2006-06-03

According to information readily available in the CD booklet, Jazz Samba was "Recorded in Pierce Hall, All Souls Unitarian Church, Washington, D.C., February 13, 1962." Not in a studio! That accounts for the warmth of the recording. It remains the standard against which all else is measured.

Average customer rating: Sound Quality not perfect on CD Before Sondheim's COMPANY and after MAN OF LA MANCHA... Overrated Tony Award Winner Brilliant, Definitive and Remarkably Accurate! Saw this on Broadway

1776 (1969 Original Broadway Cast) Manufacturer: Sony ProductGroup: Music Binding: Audio CD Classic Vocalists | Broadway & Vocalists | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Vocal Pop | Pop | Styles | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Musicals | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: 1776 (Restored Director's Cut) 1776: The New Broadway Cast Recording (1997) 1776: A Musical Play (Penguin Plays) Shenandoah (1975 Original Broadway Cast) Camelot (1960 Original Broadway Cast) ASIN: B0000027WJ Release Date: 1992-05-19

Tracks:

1. Overture - Orchestra
2. Sit Down, John
3. Piddle, Twiddle And Resolve/Till Then
4. The Lees Of Old Virginia
5. But, Mr. Adams
6. Yours, Yours, Yours
7. He Plays The Violin
8. Cool, Cool, Considerate Men
9. Momma Look Sharp
10. The Egg
11. Molasses To Rum
12. Is Anybody There
13. Finale

Amazon.com

Evidence that one can make a musical about anything, Exhibit A: 1776. As one might expect, the whole concept of making a musical about the creation and signing of the Declaration of Independence was greeted in the late 1960s with, well, ridicule. The show debuted on Broadway in 1969, and three years later, when its run finally ended, it was its producers who had the last laugh. In addition, it toured for an additional two years and beat out Hair (in 1969 yet!) for a Tony Award. This recording, with the original Broadway cast, includes many of the same actors who went on to star in the film, the version with which most audiences today are probably familiar. One notable exception is Rex Everhart, who replaced Howard da Silva at some performances and on this recording. But there's still William Daniels as John Adams, though in some cases his performance is more subdued than it was on film. Musically, 1776 is an odd creation, considering when it came into being. As one might expect, there's a lot of fife and drum going on, especially in the opening number and during "The Lees of Old Virginia." For those less than familiar with the plot, it hinges on the idealism of Adams, who's trying his best to back up the American Revolution with some legislative action, and spends much of his time arguing with either the Continental Congress or God, as in "Piddle, Twiddle, and Resolve": "A second flood, a simple famine / Plagues of locusts everywhere / Or a cataclysmic earthquake / I'd accept with some despair / But no, you sent us Congress / Good God, sir, was that fair?" (One could argue that he gets further with God.) While not entirely historically accurate, and containing some rather peculiar numbers (Franklin, Jefferson, and Adams sitting around debating what their new country's national bird is going to be ranks among the oddest), there's no questioning 1776's staying power. --Genevieve Williams

Customer Reviews:

Sound Quality not perfect on CD.......2007-07-18

This is a new CD, overall quality and amazon procedure were excellent. The CD itself on a few songs fails to provide enough amplification to the background chorus or secondary singer, thus I must strain to actually hear both duet parts, with the latter almost inaudible. For example, Lee's of Old Virginia, Till Then, and Who will write our new declaration. It is not in my players, but within the CD. I actually ordered this because I wanted Violin by Betty Buckley and am satisfied with the reproduction overall, but it also has the audio problems with Adams and Franklins lines within the song

Before Sondheim's COMPANY and after MAN OF LA MANCHA..........2007-04-30

For me, 1776 is a great companion to MAN OF LA MANCHA as one of the most entertaining AND intellectually worthy amalgams of music, lyrics, book, theme, plot, characterizations and dialogue to ever come out of pre-1970's Broadway musical theatre. Each song is like a little gem, and displays the broad range of emotions and ideas with which 1776 brims. Satiric, romantic, hilarious, heartbreaking, disturbing, dark, inspiring, thoughtful, humane, and even a little bawdy, the songs glide and tromp all over the map, as does the show itself. As with LA MANCHA, 1776 broke open the Broadway musical, making it a pitch-perfect example of what can truly make a musical more than a toe-tapping time killer... while never becoming tedious, pompous, windy, or dull. If anything, it crackles with suspense.

And as to the reviewer who was shocked that it would win out over HAIR? Listen to "Mamma Look Sharp" or "Molasses to Rum to Slaves" to hear exactly the play's political and often-unflattering ideological landscape. This was definitely a Vietnam-era play whose content was as disturbingly pertinent, then, as it is, now. And, despite all of this, the score and play never become leaden or preachy. On the contrary, each performance is a gem, and each character is witty and unique. Who knew that history could be a passionate and fun adventure?

Overrated Tony Award Winner.......2006-06-16

How could this musical win the Tony award having as a competitor a play like HAIR which - for many people - stands as an emblematic theatre piece of the 60's? Who remembers a tune out of this musical? On the contrary, "Aquarius", "I Got Life" or "Walking in Space" are still popular and they play all over the world. Even ZORBA and PROMISES PROMISES - both candidates for the award in the same year - have songs that are still remembered. 1776 may wake up patriotic feelings to American listeners which is quite understandable but the music and songs are old-fashioned, overrated and awfully boring.

Brilliant, Definitive and Remarkably Accurate!.......2005-12-18

1776 has become an institution, thanks to the motion picture which was made of this original Broadway show, and which starred most of the cast from the theatrical production. It gets rerun every July 4th week on some movie channel or local station!

William Daniels IS John Adams to many people, and even though the story of the birth of the United States probably wasn't this lyrical and lively, Composer Sherman Edwards was historically accurate in the facts of the tale.

In addition to learning about the signing of the Declaration of Independence, this is also love story... in fact two love stories, with John Adams and his wife Abigail, separated by circumstance and interacting only in his mind, and Thomas Jefferson and his wife, Martha, here, played by the big throated (and now legendary) Betty Buckley.

There is also a sense of fraternity, with the members of the Continental Congress grappling with the concept of breaking away from a tyranical ruler. And even though you know the outcome, the story is still filled with tension and excitement in the mechanics of it. Just how DID this country get formed?

The disc's liner notes explain the show's libretto and give you some rare behind-the-scenes info about the creation of the musical, the challenges it faced before becoming the standard that it now is, and a bit about the amazing Mr. Edwards, which is a story worthy of being told as well.

It's an Independence Day must!

Saw this on Broadway .......2005-11-12

Saw this show, with original cast, on Broadway in '69 and it has stayed with me ever since then. Every time I listen to these songs, I laugh. The historical figures (done with some tongue-in-cheek) are highly entertaining and even better if you see the movie. I would recommend the dvd for a great, lighthearted evening, and good family entertainment. You can't miss with this one! A winner on all fronts.

Average customer rating: Classijazz? Jazzical? Spanish love song... From Madrid w/ Love Music to listen to at day's end Gil Evans provides another dimension for the legendary horn player

Sketches of Spain Miles Davis , and Gil Evans Manufacturer: Sony ProductGroup: Music Binding: Audio CD Cool Jazz | Jazz | Styles | Music General | Jazz | Styles | Music Orchestral Jazz | Jazz | Styles | Music Similar Items: Kind of Blue Birth of the Cool 'Round About Midnight A Love Supreme Porgy and Bess ASIN: B000002AH7 Release Date: 1997-09-23

Tracks:

1. Concierto De Aranjuez (Adagio)
2. Will O' The Wisp
3. The Pan Piper
4. Saeta
5. Solea
6. Song Of Our Country
7. Concierto De Aranjuez (Part One)
8. Concierto De Aranjuez (Part Two Ending)

Amazon.com essential recording

Miles Davis's impact on jazz is almost incalculable. From his early days as a sideman for Charlie Parker, through his groundbreaking Birth of the Cool sessions, to his stunning small groups of the '50s and '60s, through to his electric renaissance, the trumpeter, bandleader, and composer has left a deep mark on all who came after. He is one of jazz's true giants. Sketches of Spain, though one of Davis's most commercially successful sessions, is also one of his most controversial. Re-teaming with arranger and composer Gil Evans, who played such a pivotal role in Davis's 1949 Birth of the Cool recordings, Davis recorded a series of large group albums beginning in the late '50s, including Porgy and Bess, Miles Ahead, and Quiet Nights. Sketches of Spain, with its emphasis on flamenco, rich orchestrations, and relaxed tempos, is certainly one of Davis's most mellow recordings (he even works out on fluegelhorn), and proved to have broad appeal. To some critics, however, the project was "elevated elevator music." An expanded version of the album, featuring alternative tracks and unreleased material, was issued in 1997 by Columbia Legacy. --Fred Goodman

Customer Reviews:

Classijazz? Jazzical? .......2007-07-02

Hey! This ain't jazz! This is Spanish-tinged classical! With a fanfare that seems fitting to introduce matadors (not a criticism, not a compliment) on "Saeta"! Yeah, that's right. Miles' eclecticism kicks in again, I suppose. It's a bit overrated, and it's controversial even by Miles' standards. I like it though. Other than "Concerto de Aranjeuz". That song, or work, or whatever fails to move me. Now, "Will o' the Wisp", aye, that be a different cup of tea. It really is moving, emotional, haunting, and so forth; so is "The Pan Piper", with an eerie flute melody. "Saeta" starts off like those two, but ends up doing the pompous fanfare thingy, but hey, at least it does it well. And the closing "Solea" is pretty good too! It sounds almost like the Hollywood version of traditional Spanish music, the kind you'd expect to hear when the charming Spanish swordfighter is having a duel in a ballroom, but again, it gets quite intense during its climax around nine minutes in. I like intense. This is easily the best Miles/Evans album. Just to warn you, though, it's quite rigid; as usual, Miles is put on a pedestal above the other guys. I mostly prefer him in a small-group setting. I do, however, recommend Sketches of Spain in spite of that.

Spanish love song..........2007-06-20

Miles Davis working with arranger and composer Gil Evans put together an album that ranked 356 on Rolling Stones Top 500 albums of all time. It is probaly one of his most accessible albums and the tight compositions take you to the Spanish bullfight and quiet burning passion of a long, hot Spanish summer day. Not the the hardblowing, improvisational jazz that everyone associates with Miles but the arrangements and tight composition makes for a very relaxing, enjoyable listen.

From Madrid w/ Love.......2007-05-13

I'm listening to Miles here in Madrid. We've just done the tapas crawl after seeing a bullfight. No kidding. Now, the ipod is playing Sketces....and I've got to tell you that Miles and Gil Evans got it right. In fact, everything they collaborated on was so fantastic. And Miles is Miles. Here, a little more sophisticated than in his "Kind of Blue" phase but, still Miles. The one and only.

Music to listen to at day's end.......2007-02-01

This is a nice disc to listen to after a long day doing just about anything. It is just that soul-reaching and calming. I feel like this CD is a slice of jazz wrapped in a blanket of Mediterranean sunshine. No vocals are needed thanks to the melodic tunes of Miles' horn.

Gil Evans provides another dimension for the legendary horn player.......2006-12-23

While it doesn't have much to do with the music in this review, in 1995 I obtained Tears For Fears' "Raoul and the Kings of Spain" . This was one of the best albums of the 1990s, namely because of the Spanish musical influence that was infused into a mainstream music sound. One of the songs on "Raoul and the Kings of Spain" was an album called "Sketches of Pain". "Sketches of Pain" was an outstanding song because of the use of classical Spanish guitar and percussion. Part of the reason for the title of that Tears For Fears song was a play on the famous Miles Davis album, "Sketches of Spain", which was Davis' album that had music with a Spanish influence. While Miles Davis is basically a household name, I cannot say that I was familiar with a lot of his music. When I realized there was a connection in how Tears For Fears' "Sketches of Pain" related to Davis' Spanish Themed album, I became more curious about checking out this recording. Without doing much research, I assumed this album would be a jazz album with a classical Spanish influence. Instead, I was pleasantly surprised to discover a more classical music sound that would have the Spanish theme infused.

"Sketches of Spain" is a collaboration between Miles Davis and Gil Evans. Davis and Evans had begun a partnership in 1957 that saw Davis contribute his trademark horns (Trumpet and Flugelhorn) while Evans focused on the arrangements and conducting of the music. Prior to "Sketches of Spain" there were two efforts. The first was 1957's "Miles Ahead" that saw Davis and Evans engage in a big band/jazz feel. The second was 1958's "Porgy and Bess" which was an arrangement of songs from George Gershwin's opera, "Porgy and Bess". "Porgy and Bess" also saw the combination of Davis ane Evans move toward something that had more of a classical feel to it. I'm sure this provided a lot of the impetus for the duo to do something more in the classical space.

"Sketches of Pain" has its roots around Spanish Classical music. The original 1960 release consisted of five tracks - two are covers of existing Spanish Classical works and the other three were original compositions by Evans. The Spanish works that are covered are Joaquin Rodrigo's 16+ minute masterpiece "Concierto de Aranjuez" and Manuel de Falla's "Will o' the Wisp". Those familiar with Spanish classical music will know the names of Rodrigo and de Falla. This collection was re-released in 2000 and consists of three additional tracks including another original composition by Evans as well as a full alternative take and alternative ending of "Concierto de Aranjuez".

The cover songs, "Concierto de Aranjuez" and "Will o' the Wisp" are going to have less of a reliance on Davis' horns. While Davis' horns can be clearly held throughout the near 20 minutes of music that make up these songs, there is going to be a heavy reliance by the other musicians that contribute to these tracks. When you get into the four original tracks that were composed by Gil Evans, you will hear a big difference. The music is going to focus heavier on the trumpet and flugelhorn of Miles Davis. As you listen to the original tracks, it is amazing how Evans was able to integrate the sound to give the entire "Sketches of Spain" album a very homogenous feel - i.e. the sound of Spanish classical music. In particular the track, "Solea" proves to be as strong as the work by the legendary Rodrigo and de Falla. Listen for the Spanish military-flair in the song that is the result of some terrific percussion work.

Another thing that really stood out was that even though this collection has very much as Spanish Classical music feel. However there are many segments that could have easily been used as soundtrack info for a feel such as a James Bond movie. While it wouldn't be the hard-rocking sound of Paul McCartney's "Live and Let Die", I could see parts of these tracks in James Bond films. A prime example of this comes from the classical "Concierto de Aranjuez" piece itself. You can also hear the "soundtrack" sound from some of Evans' original work such as "Song of Our Country".

One thing that's worth noting is that while this is a Miles Davis album, much of the credit does need to go to Gil Evans. Davis does a superb job at playing the horns, but as mentioned above, it is Evans who finds a way to give this album the homogenous sound. It is also Evans that finds another avenue for Davis to deliver his sound. "Porgy and Bess" opened the doors for something besides his trademark jazz sound. "Sketches of Spain" helped take Davis to another dimension. The music shows outstanding musicianship. My only minor beef with this collection is that it really isn't going to make you "get up and dance". It almost has a calm and somewhat somber quality to it.

This collection includes an outstanding collection of liner notes that will provide additional insight into the band. This includes the original liner notes that appeared on the back of the album cover that were written by Nat Hernoff who was a co-editor of "The Jazz Review". Phil Schaap provides an additional write-up (on the re-release) that discusses "The Making of Sketches of Spain". The liner notes also include production and musician credits. Overall, this is not going to be the place to hear classic Miles Davis jazz, however it is going to be a place to hear some outstanding Spanish-infused classical music. This is going to provide some high quality music and if you have an appreciation for music, this is going to be something worth investing in.

Average customer rating:

75th Birthday Bash Live! Kenny Burrell Manufacturer: Blue Note Records ProductGroup: Music Binding: Audio CD Bebop General | Bebop | Jazz | Styles | Music Cool Jazz | Jazz | Styles | Music General | Jazz | Styles | Music Modern Postbebop | Jazz | Styles | Music General | Live Albums | Jazz | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music Similar Items: Dear Miles For Sentimental Reasons Pilgrimage Live at the Village Vanguard Live: The Authorized Bootleg ASIN: B000O5BP64 Release Date: 2007-06-19

Tracks:

1. Vivo Tirado
2. Medley: Stormy Monday/Blues For the Count
3. Romance
4. Love You Madly
5. Sophisticated Lady
6. Don't Get Around Much Anymore
7. Footprints
8. Lament
9. All Blues
10. A Night In Tunisia
11. I'll Close My Eyes
12. Take the 'A' Train

Amazon.com

Kenny Burrell turned 75 on July 31, 2006. That night he finished a five-day run at Yoshi's in Oakland and then the next day played with the Gerald Wilson Orchestra in Santa Cruz. This CD commemorates the occasion with performances from both nights, presenting Burrell's sparkling guitar in settings that range from an intimate trio to fronting Wilson's 17 -piece band. The material reflects Burrell's long career and broad associations. Among the small group tracks, there's a beautiful quartet sequence of Wayne Shorter's "Footprints," J.J. Johnson's "Lament," and Miles Davis's "All Blues," each demonstrating Burrell's consummate lyricism and absolute mastery of the mainstream modern. The big-band tracks pick up on associations with Duke Ellington, including the elegant "Sophisticated Lady" and "Don't Get Around Much Anymore," with the 88-year-old Wilson providing a sparkling foundation that has Burrell and company soaring. Best of all is the extended "A Night in Tunisia" with a septet that has organist Joey DeFrancesco and flutist Hubert Laws. --Stuart Broomer

Average customer rating: My Favorite Things.. This Is One Of My Favorite Things John Coltrane: simply beautiful Sax A Timeless Masterpiece!!! His best lyrical work

My Favorite Things John Coltrane Manufacturer: Atlantic / Wea ProductGroup: Music Binding: Audio CD Avant Garde & Free Jazz | Jazz | Styles | Music Bebop General | Bebop | Jazz | Styles | Music Hard Bop | Bebop | Jazz | Styles | Music Cool Jazz | Jazz | Styles | Music General | Jazz | Styles | Music Modern Postbebop | Jazz | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music Innovators | Warner Brothers Records | Stores | Music Similar Items: A Love Supreme Giant Steps Kind of Blue Blue Train Birth of the Cool ASIN: B000002I53 Release Date: 1990-10-25

Tracks:

1. My Favorite Things
2. Everytime We Say Goodbye
3. Summertime
4. But Not For Me

Amazon.com essential recording

This 1960 recording was a landmark album in John Coltrane's career, the first to introduce his quartet with pianist McCoy Tyner and drummer Elvin Jones and the first release on which he played soprano saxophone. It also provided him with a signature hit, as his new group conception came together wonderfully on the title track. It's an extended modal reworking in 6/4 time that brought the hypnotic pulsating quality of Indian music into jazz for the first time, with Coltrane's soprano wailing over the oscillating piano chords and pulsing drums. The unusual up-tempo version of Gershwin's "Summertime" is a heated example of Coltrane's "sheets of sound" approach to conventional changes, while "But Not for Me" receives a radical harmonic makeover. This is an excellent introduction to Coltrane's work. --Stuart Broomer

Customer Reviews:

My Favorite Things.........2007-06-02

It's John Coltrane - what more do I have to say? Five stars!

This Is One Of My Favorite Things.......2007-03-22

The Liner Notes written by Bill Coss indicate that John Coltrane, one of the giants in the jazz scene, draw his inspiration from other jazz icons such as Lester Young, who was his first real influence and whom he learned "simplicity," John Hodges, who filled his musical experience and became his first main influence on alto, Thelonious Monk, who answered dozens of his musical questions and the first one to show him how to make two or three notes at one time on tenor, Earl Bostic, who showed him a lot of things on his horn, Jimmy Heath, who shared his musical appetite, their friendship and practice together added a great deal to his musical development. Miles Davis, Charlie Parker and Dizzy Gillespie were also his greatest influences.

John Coltrane is surrounded by a gifted crew that includes McCoy Tyner (piano), Steve Davis (bass), Elvin Jones (drums). Together they present four notable jazz tunes starting off with my favorite song from the "Sound of Music," Rodgers & Hammerstein's "My Favorite Things," Cole Porter's "Everytime We Say Goodbye," George & Ira Gershwin's "Summertime" and "But Not For Me."

Let your ears feast on the some of the most recognizable sounds of jazz music from one of the greatest jazz artists of all-time, John Coltrane. This is one of the best albums ever made and it's one of "My Favorite Things."

A classic of an album worthy to any jazz lover's collection.

John Coltrane: simply beautiful Sax.......2007-03-11

This album has always been a favorite since I first heard it in 1966. I mourned the loss of the album, but was glad to finally find it here.

Imagine, a jazz great, with a band of stellar performers, playing Rogers & Hammerstiens music, that Julie Andrews sang in "The Sound of Music"!

I think it very simply shows that a great muscian can do justice to any form of music. [Another example is Taj Mahal and the many styles he has played.]
If you can still get it, "My Favorite Things" is worth owning.
Will

A Timeless Masterpiece!!!.......2007-02-18

This is genuine music that soothes the soul. The album consists of 4 songs (all of which are beautiful). My favorite tracks are "Summertime" and "My Favorite Things," but the entire album sends a feeling of achieving a sort of soul- filled nirvana. Great album.

His best lyrical work.......2007-01-05

Sometimes Coltraine can get too carried away with his virtuosity at the expense of asthetics, his notes muddling together into cacophany and chaos. "My Favorite Things" represents the best of Coltraine showcasing his innovation, his masterful control of tone, and a lyrical ear that transforms this Broadway song into a monument of jazz.

Average customer rating: Great - The Best of the Best "I'm Glad There Is You . . ." Great rythym section Herb Ellis & Ray Brown: Rhythm Machine Essential

Stan Getz & The Oscar Peterson Trio: The Silver Collection Stan Getz & The Oscar Peterson Trio Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD Bebop General | Bebop | Jazz | Styles | Music Cool Jazz | Jazz | Styles | Music General | Jazz | Styles | Music Modern Postbebop | Jazz | Styles | Music Similar Items: Night Train Jazz Samba Getz/Gilberto Lester Young with Oscar Peterson Trio Oscar Peterson Plays The George Gershwin Songbook ASIN: B0000046ZJ Release Date: 1990-10-25

Tracks:

1. I Want To Be Happy
2. Pennies From Heaven
3. Ballad Medley: Bewitched, Bothered, And Bewildered/I Don't Know Why I Just Do/How Long Has This...
4. I'm Glad There Is You
5. Tour's End
6. I Was Doing All Right
7. Bronx Blues
8. Three Little Words
9. Detour Ahead
10. Sunday
11. Blues For Herky

Amazon.com

Stan Getz and Oscar Peterson were both consummate performers, comfortable at any tempo, when they met for this 1957 recording, and they're clearly enjoying one another's skills on ballads and uptempo tunes alike. The group is one of the finest editions of Peterson's trios, with bassist Ray Brown and guitarist Herb Ellis. It's virtually a machine for quiet swing, and the absence of a drummer lets Getz's silky sound come to the fore with all its details intact. For all his fame as a virtuosic pianist, Peterson is an underrated accompanist. He complements a soloist with deft fills and unobtrusive propulsion, and the backgrounds he supplies here are as subtle as his solos are extroverted. The program is a good mix of standards and Getz originals, including the joyous "Tour's End," while the extended ballad medley could define jazz lyricism. There's also a brief but infectious version of Ellis's "Detour Ahead," the guitarist's early and highly successful foray into songwriting. --Stuart Broomer

Customer Reviews:

Great - The Best of the Best.......2007-01-27

There are so many superlatives about this album. The first thing one new to the Peterson trio may notice is the lack of drums. And yet, the trio swings so hard that it's very easy to forget. Getz's soft, gentle tone on sax makes a stark but highly effective foil to Peterson's high-energy keyboard acrobatics and staggering virtuosity. The bass and guitar hold everything together transparently, working together in perfect syncronization during the solos, to keep the energy at a proper pitch at all times, then peeling off to do their own magic when it's their turn to solo. The speedy opening cut, "I Want to Be Happy", constantly pops with surprises and new textures. Often, I'll play it twice in a row because it's so much fun to listen to. This album is top jazz musicians at the top of their game.

"I'm Glad There Is You . . .".......2007-01-27

"This is one of the enjoyable recordings I've ever made. How refreshing is it to play with these pros." ~ Stan Getz ~

"This memorable session was Stan Getz and Oscar Peterson's first and only meeting in the recording studio as co-leaders. Stan Getz and Oscar Peterson Trio remains a most satisfying collaboration and is presented here - in its entirety - for the first time." ~ Nat Hentoff ~

Stan Getz with Oscar Peterson, Herb Ellis and Ray Brown? Yes, indeed, on this CD! The group will utterly delight you with their outstanding performances. While I tremendously enjoyed this CD in its entirety, the part I love most is the ballad medley, which the group perfectly performed. I believe this medley is the crowning glory of this album. It's so beautiful that I can just put track #3 on a repeat mode and forget the rest of the tracks! What a brilliant idea to do a medley of all these songs so meaningful to me. This medley alone is worth the price of the CD. The songs and its respective soloists are as follow.

"Bewitched, Bothered And Bewildered" - Stan Getz, tenor sax
"I Don't Know Why, I Just Do" - Herb Ellis, guitar
"How Long Has This Been Going On" - Oscar Peterson, piano
"I Can't Get Started" - Ray Brown, bass
"Polka Dots And Moonbeams" - Stan Getz, tenor sax

Also one of my favorites tunes here is "I'm Glad There Is You." Stan Getz's genius shows in every note of this superb and melodic track, and Herb Ellis plays his guitar in a very creative fashion. This is one of the most sublime and notable instrumental versions of all-time. It starts off artistically with Ellis' guitar then Getz joins in slightly overpowering Ellis' guitar to make the most enchanting mix of sax and guitar simultaneously, then comes that gorgeous "solo showdown" between Getz and Ellis. It's so beautiful! I listened to it with a few repeats.

Stan Getz can swing, too! Just listen closely to "I Want To Be Happy," "Pennies From Heaven," "Three Little Words" and his very own "Blues For Herky" and "Tour's End." He plays his favorite instrument effortlessly with ease, precision and virtuosic flair.

When jazz greats get together for a gig, the result is one fantastic album such as this.

An enjoyable musical journey.

Great rythym section.......2006-11-04

As a jazz guitar player, i personally love stan getz, and to hear him with ray brown, one of my favorite and greatest bass players ever. This was also the first i have listened to Herb Ellis play, his parts are a bit quiet but hey all guitarist were quiet until Charlie Christian. All in Four Really great musicians playing together, if you like this , check out russell malone, ray brown and monty alexander's Cd.

Herb Ellis & Ray Brown: Rhythm Machine.......2006-10-04

I love this recording, and all the other reviews have discussed the many reasons why it is so great. I just want to mention something that Herb Ellis said about playing with Ray Brown. Herb said that Ray's bass playing made him feel like he was being physically lifted up and carried along by some super-strong giant. Mr. Brown is the model of powerful swing - massive,deep tone, atomic sense of time. On this (and other) OPT recordings you can hear him lift-'n-carry the whole band.

Essential.......2006-08-09

This is hands-down, the best jazz album I've ever owned. Whether sitting in front of the speakers with eyes closed, absorbing every note, or using it as unobtrusive (but swingin') background music while I work, this album shines.

If you're an audio snob who expects every last KHz of treble to be there, you will be dissappoined. The audio quality is only on par with a good cassette tape, but the music more than makes up for it.

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6. Everyone Is Here
7. Eye in the Sky
8. Falling into You
9. Finger Eleven
10. Franks Wild Years

Rap Music

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