Sketches (For My Sweetheart the Drunk) [CD-Extra]

Amazon.com
Culled both from studio sessions that his friends maintain he wasn't pleased with, and from four-track demo tapes never intended for public consumption, Sketches is an unfair representation of Jeff Buckley's musical world. At times quite touching ("Morning Theft, "Jewel Box"), the 2 CD set illustrates the stylistic struggle Buckley was confronting before he drowned last year at 30. His wiry voice was well- suited for gospel music, but his instincts were underdeveloped ("Satisfied Mind"). He couldn't rock without getting fancy, and the mellow material ("Everybody Here Wants You") touches on "lite" FM. The second disc features mostly home studio noodlings that might have been interesting on a box set looking over many years' output. As his last recordings, they point out a strong imagination that never had the time to grow into a unified vision. --Rob O'Connor

Product Description
Japanese edition of his posthumous 1998 & second album, 'Sketches For My Sweetheart The Drunk', with 'Gunshot Glitter' & 'Thousand Fold' added as bonus tracks. 22 tracks total. Double jewel case. A Sony Records release. Also includes lyircs to all tracks. --This text refers to the Audio CD edition.

Sketches (For My Sweetheart the Drunk) [CD-Extra],Jeff Buckley,Sony,Adult Alternative Pop/Rock,Alternative Pop/Rock,Folk-Rock,Pop,Popular Music,Rock,Rock/Pop,Singer/Songwriter

---

Sketches (For My Sweetheart the Drunk) [CD-Extra]

Average customer rating: Classijazz? Jazzical? Spanish love song... From Madrid w/ Love Music to listen to at day's end Gil Evans provides another dimension for the legendary horn player

Sketches of Spain Miles Davis , and Gil Evans Manufacturer: Sony ProductGroup: Music Binding: Audio CD Cool Jazz | Jazz | Styles | Music General | Jazz | Styles | Music Orchestral Jazz | Jazz | Styles | Music Similar Items: Kind of Blue Birth of the Cool 'Round About Midnight A Love Supreme Porgy and Bess ASIN: B000002AH7 Release Date: 1997-09-23

Tracks:

1. Concierto De Aranjuez (Adagio)
2. Will O' The Wisp
3. The Pan Piper
4. Saeta
5. Solea
6. Song Of Our Country
7. Concierto De Aranjuez (Part One)
8. Concierto De Aranjuez (Part Two Ending)

Amazon.com essential recording

Miles Davis's impact on jazz is almost incalculable. From his early days as a sideman for Charlie Parker, through his groundbreaking Birth of the Cool sessions, to his stunning small groups of the '50s and '60s, through to his electric renaissance, the trumpeter, bandleader, and composer has left a deep mark on all who came after. He is one of jazz's true giants. Sketches of Spain, though one of Davis's most commercially successful sessions, is also one of his most controversial. Re-teaming with arranger and composer Gil Evans, who played such a pivotal role in Davis's 1949 Birth of the Cool recordings, Davis recorded a series of large group albums beginning in the late '50s, including Porgy and Bess, Miles Ahead, and Quiet Nights. Sketches of Spain, with its emphasis on flamenco, rich orchestrations, and relaxed tempos, is certainly one of Davis's most mellow recordings (he even works out on fluegelhorn), and proved to have broad appeal. To some critics, however, the project was "elevated elevator music." An expanded version of the album, featuring alternative tracks and unreleased material, was issued in 1997 by Columbia Legacy. --Fred Goodman

Customer Reviews:

Classijazz? Jazzical? .......2007-07-02

Hey! This ain't jazz! This is Spanish-tinged classical! With a fanfare that seems fitting to introduce matadors (not a criticism, not a compliment) on "Saeta"! Yeah, that's right. Miles' eclecticism kicks in again, I suppose. It's a bit overrated, and it's controversial even by Miles' standards. I like it though. Other than "Concerto de Aranjeuz". That song, or work, or whatever fails to move me. Now, "Will o' the Wisp", aye, that be a different cup of tea. It really is moving, emotional, haunting, and so forth; so is "The Pan Piper", with an eerie flute melody. "Saeta" starts off like those two, but ends up doing the pompous fanfare thingy, but hey, at least it does it well. And the closing "Solea" is pretty good too! It sounds almost like the Hollywood version of traditional Spanish music, the kind you'd expect to hear when the charming Spanish swordfighter is having a duel in a ballroom, but again, it gets quite intense during its climax around nine minutes in. I like intense. This is easily the best Miles/Evans album. Just to warn you, though, it's quite rigid; as usual, Miles is put on a pedestal above the other guys. I mostly prefer him in a small-group setting. I do, however, recommend Sketches of Spain in spite of that.

Spanish love song..........2007-06-20

Miles Davis working with arranger and composer Gil Evans put together an album that ranked 356 on Rolling Stones Top 500 albums of all time. It is probaly one of his most accessible albums and the tight compositions take you to the Spanish bullfight and quiet burning passion of a long, hot Spanish summer day. Not the the hardblowing, improvisational jazz that everyone associates with Miles but the arrangements and tight composition makes for a very relaxing, enjoyable listen.

From Madrid w/ Love.......2007-05-13

I'm listening to Miles here in Madrid. We've just done the tapas crawl after seeing a bullfight. No kidding. Now, the ipod is playing Sketces....and I've got to tell you that Miles and Gil Evans got it right. In fact, everything they collaborated on was so fantastic. And Miles is Miles. Here, a little more sophisticated than in his "Kind of Blue" phase but, still Miles. The one and only.

Music to listen to at day's end.......2007-02-01

This is a nice disc to listen to after a long day doing just about anything. It is just that soul-reaching and calming. I feel like this CD is a slice of jazz wrapped in a blanket of Mediterranean sunshine. No vocals are needed thanks to the melodic tunes of Miles' horn.

Gil Evans provides another dimension for the legendary horn player.......2006-12-23

While it doesn't have much to do with the music in this review, in 1995 I obtained Tears For Fears' "Raoul and the Kings of Spain" . This was one of the best albums of the 1990s, namely because of the Spanish musical influence that was infused into a mainstream music sound. One of the songs on "Raoul and the Kings of Spain" was an album called "Sketches of Pain". "Sketches of Pain" was an outstanding song because of the use of classical Spanish guitar and percussion. Part of the reason for the title of that Tears For Fears song was a play on the famous Miles Davis album, "Sketches of Spain", which was Davis' album that had music with a Spanish influence. While Miles Davis is basically a household name, I cannot say that I was familiar with a lot of his music. When I realized there was a connection in how Tears For Fears' "Sketches of Pain" related to Davis' Spanish Themed album, I became more curious about checking out this recording. Without doing much research, I assumed this album would be a jazz album with a classical Spanish influence. Instead, I was pleasantly surprised to discover a more classical music sound that would have the Spanish theme infused.

"Sketches of Spain" is a collaboration between Miles Davis and Gil Evans. Davis and Evans had begun a partnership in 1957 that saw Davis contribute his trademark horns (Trumpet and Flugelhorn) while Evans focused on the arrangements and conducting of the music. Prior to "Sketches of Spain" there were two efforts. The first was 1957's "Miles Ahead" that saw Davis and Evans engage in a big band/jazz feel. The second was 1958's "Porgy and Bess" which was an arrangement of songs from George Gershwin's opera, "Porgy and Bess". "Porgy and Bess" also saw the combination of Davis ane Evans move toward something that had more of a classical feel to it. I'm sure this provided a lot of the impetus for the duo to do something more in the classical space.

"Sketches of Pain" has its roots around Spanish Classical music. The original 1960 release consisted of five tracks - two are covers of existing Spanish Classical works and the other three were original compositions by Evans. The Spanish works that are covered are Joaquin Rodrigo's 16+ minute masterpiece "Concierto de Aranjuez" and Manuel de Falla's "Will o' the Wisp". Those familiar with Spanish classical music will know the names of Rodrigo and de Falla. This collection was re-released in 2000 and consists of three additional tracks including another original composition by Evans as well as a full alternative take and alternative ending of "Concierto de Aranjuez".

The cover songs, "Concierto de Aranjuez" and "Will o' the Wisp" are going to have less of a reliance on Davis' horns. While Davis' horns can be clearly held throughout the near 20 minutes of music that make up these songs, there is going to be a heavy reliance by the other musicians that contribute to these tracks. When you get into the four original tracks that were composed by Gil Evans, you will hear a big difference. The music is going to focus heavier on the trumpet and flugelhorn of Miles Davis. As you listen to the original tracks, it is amazing how Evans was able to integrate the sound to give the entire "Sketches of Spain" album a very homogenous feel - i.e. the sound of Spanish classical music. In particular the track, "Solea" proves to be as strong as the work by the legendary Rodrigo and de Falla. Listen for the Spanish military-flair in the song that is the result of some terrific percussion work.

Another thing that really stood out was that even though this collection has very much as Spanish Classical music feel. However there are many segments that could have easily been used as soundtrack info for a feel such as a James Bond movie. While it wouldn't be the hard-rocking sound of Paul McCartney's "Live and Let Die", I could see parts of these tracks in James Bond films. A prime example of this comes from the classical "Concierto de Aranjuez" piece itself. You can also hear the "soundtrack" sound from some of Evans' original work such as "Song of Our Country".

One thing that's worth noting is that while this is a Miles Davis album, much of the credit does need to go to Gil Evans. Davis does a superb job at playing the horns, but as mentioned above, it is Evans who finds a way to give this album the homogenous sound. It is also Evans that finds another avenue for Davis to deliver his sound. "Porgy and Bess" opened the doors for something besides his trademark jazz sound. "Sketches of Spain" helped take Davis to another dimension. The music shows outstanding musicianship. My only minor beef with this collection is that it really isn't going to make you "get up and dance". It almost has a calm and somewhat somber quality to it.

This collection includes an outstanding collection of liner notes that will provide additional insight into the band. This includes the original liner notes that appeared on the back of the album cover that were written by Nat Hernoff who was a co-editor of "The Jazz Review". Phil Schaap provides an additional write-up (on the re-release) that discusses "The Making of Sketches of Spain". The liner notes also include production and musician credits. Overall, this is not going to be the place to hear classic Miles Davis jazz, however it is going to be a place to hear some outstanding Spanish-infused classical music. This is going to provide some high quality music and if you have an appreciation for music, this is going to be something worth investing in.

Average customer rating: LOVE this Cd Excellent for babies and family A great CD for the car Baby Neptune Baby Neptune Review

Baby Neptune Manufacturer: Buena Vista ProductGroup: Music Binding: Audio CD Dances | Ballets & Dances | Classical | Styles | Music Waltzes | Ballets & Dances | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Strauss Jr., Johann | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Telemann, Georg Philipp | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music Concerto Grossi | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Divertimentos | Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music General | Telemann, Georg Philipp | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Children's Music | Styles | Music Lullabies | Children's Music | Styles | Music General | Dance Pop | Dance & DJ | Styles | Music 4-for-3 Classical | 4-for-3 Music | Stores | Music 4-for-3 Dance & DJ | 4-for-3 Music | Stores | Music 4-for-3 Pop | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music CDs | Music & Video | Products | Similar Items: Baby Einstein: Lullaby Classics Baby Galileo Baby Mozart Baby Bach Baby Beethoven ASIN: B00008BRCI Release Date: 2003-03-04

Tracks:

1. Orchestra Tune-Up
2. Water Music, Suite No.1 In F, Allegro, Handel
3. Water Music, Suite No.1 In F, Bourree, (Handel)
4. Water Music, Suite No.1 In F, Passepied (Handel)
5. Water Music, Suite No.3 In G, Gigue (Handel)
6. Water Music, Suite No.1 In F, Menuet (Handel)
7. Water Music, Suite No.2 In D, Alla Hornpipe (Handel)
8. Water Music, Suite No.1 In F, Air (Handel)
9. Water Music, Suite No.2 In D, Allegro (Handel)
10. Blue Danube Waltz (Strauss)
11. Concerto In A (Telemann)
12. Water Music, Bourree (Telemann)
13. Water Music, Harlequinade (Telemann)
14. Water Music, Ebb And Flow (Telemann)
15. Contradance No.11 (Beethoven)
16. Contradance No.12 (Beethoven)
17. Nocturne No.6, K239, 1st Movement (Mozart)
18. Nocturne No.6, K239, 3rd Movement (Mozart)
19. La Mer (Debussy)
20. Music For The Royal Fireworks, Fanfare And Overture (Handel)
21. Music For The Royal Fireworks, Menuet Medley (Handel)
22. Music For The Royal Fireworks, La Rejouissance (Handel)

Product Description

The Baby Neptune Concert for Little Ears music CD is an imaginative 22-track, 39-minute concert celebrating the rhythm and motion of water. From the joyous melodies of Handel's Water Music to the timeless flow of Strass' Blue Danube Waltz, great classical compositions will immerse you and your little one in playful musical portraits. The Baby Neptune music CD features some of the classical scores heard in Baby Neptune Discovering Water, and more. Charming water themes from master composers are re-orchestrated for little ears by the Baby Einstein Music Box Orchestra.Musical Selections:* Orchestra tune-up* Water Music, Suite No. 1 in F, Allegro, Handel* Water Music, Suite No. 1 in F, Bourree, Handel* Water Music, Suite No. 1 in F, Passepied, Handel* Water Music, Suite No. 3 in G, Gigue, Handel* Water Music, Suite No. 1 in F, Menuet, Handel* Water Music, Suite No. 2 in D, Alla Hornpipe, Handel* Water Music, Suite No. 1 in F, Air, Handel* Water Music, Suite No. 2 in D, Allegro, Handel* Blue Danube Waltz, Straus* Concerto in A, Telemann* Water Music, Bourree, Telemann* Water Music, Harlequinade, Telemann* Water Music, Ebb and Flow, Telemann* Contradance No. 11, Beethoven* Contradance No. 12, Beethoven* Nocturne No. 6, K239, 1st movement, Mozart* Nocturne No. 6, K239, 3rd movement, Mozart* La Mer, Debussy* Music for the Royal Fireworks, Fanfare and Overture, Handel* Music for the Royal Fireworks, Menuet medley, Handel* Music for the Royal Fireworks, La Rejouissance, HandelAge: birth +Award: Billboard Magazine Top Midline Classical Albums (#6) - 2004

Customer Reviews:

LOVE this Cd.......2007-03-08

Great music and soothing sounds for any babies and even older children. Our children really enjoy them in the car.

Excellent for babies and family.......2007-01-22

This CD is mandatory in the car and it relax everybody. It has classic music but without many sudden ups and downs. I would like to buy the whole collection next time.

A great CD for the car.......2007-01-04

We were given one from these series of CDs for babies and our daughter loves it, so we bought this one. It is a really nice collection of soft music and we usually play it in the car. A great addition to your baby's music collection.

Baby Neptune.......2006-03-18

I love all of the Baby Einstein DVD's, so the music CD has been just as good as the DVD's. I play it all the time when my son is in the car and it seems to calm him and keep his attention. I even listen to it in the car when my son is not with me. It is relaxing and soothing.

Baby Neptune Review.......2006-01-17

Our daughter loves the Baby Neptune CD. It makes for a relaxing musical interlude for long car trips.

Average customer rating: Album matches content hype Fun invigorating! Totally awesome!

Stars & Stripes Forever and the Greatest Marches Manufacturer: RCA ProductGroup: Music Binding: Audio CD All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Berlioz | Berlioz, Hector | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Elgar | Elgar, Sir Edward | ( E ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Morton Gould | Gould, Morton | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Herbert | Herbert, Victor | ( H ) | Featured Composers, A-Z | Classical | Styles | Music General | Saint-Saëns, Camille | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Sousa | Sousa, John Philip | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Johann Strauss Sr. | Strauss Sr., Johann | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music Incidental Music | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Marches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Theatrical, Incidental & Program Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Marches | Miscellaneous | Styles | Music General | Easy Listening | Pop | Styles | Music Orchestral Pop | Easy Listening | Pop | Styles | Music Classic Big Band | Swing Jazz | Jazz | Styles | Music All Bargain Titles | Easy Listening | Pop | Today's Deals in Music | Formats | Music $7.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Beethoven, Ludwig van | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Berlioz, Hector | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Elgar, Sir Edward | ( E ) | Composers, A-Z | Classical Music Blowout | Stores | Music Gershwin, George | ( G ) | Composers, A-Z | Classical Music Blowout | Stores | Music Gould, Morton | ( G ) | Composers, A-Z | Classical Music Blowout | Stores | Music Herbert, Victor | ( H ) | Composers, A-Z | Classical Music Blowout | Stores | Music Rimsky-Korsakov, Nikolai | ( R ) | Composers, A-Z | Classical Music Blowout | Stores | Music Saint-Saëns, Camille | ( S ) | Composers, A-Z | Classical Music Blowout | Stores | Music Sousa, John Philip | ( S ) | Composers, A-Z | Classical Music Blowout | Stores | Music Strauss Sr., Johann | ( S ) | Composers, A-Z | Classical Music Blowout | Stores | Music Tchaikovsky, Peter Ilyich | ( T ) | Composers, A-Z | Classical Music Blowout | Stores | Music Verdi, Giuseppe | ( V ) | Composers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Sousa's Greatest Hits The Military Band: Salute to the Services Salute to America 40 Famous Marches Fiedler's Favorite Marches ASIN: B000003F5U Release Date: 1991-09-06

Tracks:

1. Aida: Grand March
2. Babes In Toyland: March Of The Toys
3. Semper Fidelis
4. Suite No. 1, Op. 43: Marche miniature
5. Yankee Doodle
6. Up The Street
7. The Damnation of Faust: Rakoczy March
8. Caucasian Sketches: Procession Of The Sardar
9. Sambre et Meuse
10. The Ruins Of Athens: Turkish March
11. Colonel Bogey
12. Dixie
13. American Salute: When Johnny Comes Marching Home
14. Strike Up The Band
15. Radetzsky March
16. Pomp And Circumstance March No. 1
17. Algerian Suite: French Military March
18. Mlada: Procession Of The Nobles
19. Valdres March
20. National Emblem March
21. The Stars And Stripes Forever

Customer Reviews:

Album matches content hype.......2007-05-31

I intially bought this album for a few selections I had heard from Classical 102.1 (KDFC-FM). I was pleasantly surprised that the entire album has a very satisfying collection of the greatest marches. I am very pleased with this album, and would recommend it for anyone who likes a broad range of famous marches.

Fun.......2007-01-21

This CD would make a great gift for anyone who enjoys marches. Some of the marches are popular, others are not. All are well-performed and can be enjoyed - LOUDLY!

invigorating!.......2006-12-05

Great recordings of stirring music. I like to play it loud while my kids and I clean house. It makes it go by fast.

Totally awesome!.......2005-03-27

My father was a Marine in the ETC, he told me stories about how they went floor to floor checking for bad guys humming this music. I think it is great music to listen to, I really like track 3, it says so much in the title alone. I hope everybody like this music as much as I do!

Average customer rating: 5 stars if it weren't for Solti Essential Recordings Only Boulez/Chicago gets 5 Stars Reiner Is Great In The Music Of Bela Bartok, RCA Deserves Praise For The Sound Too much hissing

Bartók: Concerto for Orchestra; Music for Strings, Percussion and Celesta; Hungarian Sketches Manufacturer: RCA ProductGroup: Music Binding: Audio CD General | Bartók, Béla | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music General | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music $7.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Bartók, Béla | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Stravinsky: Rite Of Spring, Fireworks, Petrouchka / Ozawa, Tilson Thomas, Chicago Symphony Mussorgsky: Pictures at an Exhibition Shostakovich: Symphonies no 5 and 9 / Haitink Dvorák: Cello Concerto; Tchaikovsky / Karajan, Rostropovich, Haydn: The London Symphonies, Vol. 1 ASIN: B000003FEJ Release Date: 1993-08-10

Tracks:

1. Concerto For Orchestra: Introduzione: Andante non troppo; Allegra vivace
2. Concerto For Orchestra: Giuoco delle coppie: Allegretto scherzando
3. Concerto For Orchestra: Elegia: Andante non troppo
4. Concerto For Orchestra: Intermezzo interrotto: Allegretto
5. Concerto For Orchestra: Finale: Pesante; Presto
6. Music For Strings, Percussion And Celesta: Andante tranquillo
7. Music For Strings, Percussion And Celesta: Allegro
8. Music For Strings, Percussion And Celesta: Adagio
9. Music For Strings, Percussion And Celesta: Allegro molto
10. Hungarian Sketches: An Evening In The Village
11. Hungarian Sketches: Bear Dance
12. Hungarian Sketches: Melody
13. Hungarian Sketches: Slighty Tipsy
14. Hungarian Sketches: Swineherd's Dance

Amazon.com essential recording

Since its release on LP in the mid-1950s, Fritz Reiner's rendition of the Concerto for Orchestra has stood as the standard against which all other recordings of the work are measured. Even after all these years, the recording remains just as convincing and authoritative. Reiner's superb control of his orchestra and of Bartók's rhythms and textures is still unsurpassed, even by dozens of subsequent conductors in the digital age. Likewise, the Music for Strings, Percussion, and Celesta shows just what an incredible ensemble the Chicago Symphony was under Reiner's direction. This umpteenth reissue, in RCA's Living Stereo series, promises to be the one to have, its sonics noticeably improved over the earlier CD release in 1989. --David Vernier

Customer Reviews:

5 stars if it weren't for Solti.......2007-06-06

First of all let me say that if you are unfamiliar with Concerto for Orchestra you will not be dissapointed with this recording. The interpretation is lively and dynamic with the understanding and pathos that is needed for a well rounded interpretation. The only reason I give it 4 stars is because I am familiar with the recording of the Chicago Symphony under Solti. The Solti recording of the next generation Chicago Symphony has the same dynamism and drama but has much greater nuance. Solti simply makes music come to life in certain phrases that is seemingly overlooked by Reiner. However this recording is usually available at cheaper prices (especially used).

Essential Recordings.......2007-03-27

Fritz Reiner was the driving force behind Bela Bartok's Concerto for Orchestra. Reiner and Bartok had been friends for over 40 years having met as piano students at the Budapest Academy. The composer had been in the United States since 1940 and the separation from his beloved Hungary combined with his ill health made the transition unhappy and he had no will to compose. Agatha Fassett's book Bela Bartok: The American Years recounts the composer's life during this time and, since Ms. Fassett knew Bartok's wife, her portrait of the composer is first hand. Maestro Reiner convinced Serge Koussevitsky in 1943 to commission the work and conducted the premiere in December of that year. The Concerto for Orchestra became Bartok's most popular work.

This recording with the Chicago Symphony Orchestra was made in 1955 and I do not think that a finer one has been recorded. The details of Bartok's score come through and the balance is perfect, allowing us a true live performance and the quality of the recording really comes through during quieter moments. Reiner's intimate knowledge of the score and his control are apparent in this recording. This is also true for the recording of Music for Strings, Percussion and Celesta and Hungarian Sketches from 1958. Both works are beautifully played with great precision that lacks nothing for the feel of the music. The Hungarian Sketches are marvelously stylish, bringing out the nature of the music.

These recordings are essential and have certainly lost nothing since they were made in the 1950's. Rather than have any distortions the transfer to CD has been carried out with great success so the original sound is even better.

Only Boulez/Chicago gets 5 Stars.......2006-09-17

Sorry Reiner fans.
3 things I do not like about this recording that keeps it at a 4 star level.
First i do not like "iron rod" style conducting. Musicality is thrown out to justify percision and disipline. I do not like Reiner's style
Secondly is the record quality is poor, especially compared to Boulez/DG
Third is the screechy instruments tonality in some of Reiner's band winds.
For Bartok I look to Boulez/Chicaho, Skrowaczewski/Minnesota and Dorati/Detroit. Ivan Fischer has also done some nice recordings on Philips, but NOT his CfO, which is a dud. I also have issues with Boulez's CfO with the New York.

Reiner Is Great In The Music Of Bela Bartok, RCA Deserves Praise For The Sound.......2006-09-09

Just a mention that this is a review of the RCA 'Living Stereo' release, not the later SACD compatible version. RCA was famous for it's ground-breaking work in the mid-to-late fifties when it came to vivid, immersive stereo sound and it's reputation lives to this day. I'm not sure if the reviewer below is experienced in vintage classical recordings predating the digital era. Yes, they contain some tape hiss but it's really insignificant to what value the performances themselves have and the soundstage is very vibrant. I have personally listened to recordings from Solti on DECCA, Jansons on EMI and Fischer on Philips in these fine works by Bartok and none have come close to the passionate intensity of the interpretations or the wonderful recorded sound that these Reiner versions capture.

Reiner's account of the Concerto for Orchestra, one of the most famous 20th-century orchestral works, is on everyone's list as truly exceptional. The Music for Strings, Percussion and Celesta receives just the kind of wicked, eerie, powerhouse performance that will make you a fan of Bartok for life and this piece in particular.

If you're going to own one Bela Bartok CD, this is one of the best choices on the market today. After you've ingrained this music into your mind, time for the Miraculous Mandarin, the Piano Concertos and the String Quartets to follow.

Too much hissing.......2006-08-24

After reading so many positive reviews, I was very exited when I recieved this cd in the mail. I popped it in my bose wave radio, turned it up to 85, and listened to the most annoying hissing sound I've ever heard coming from my system. I regret purchasing this cd.

Average customer rating: Picasso in sound Great but NOT complete There's only one. Don't forget Satie was an Anti-Romantic "Electric Spirit of Eric Satie" fans this is the one !

Satie: Piano Works Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music Sarabande | Baroque Dance Suites | Ballets & Dances | Classical | Styles | Music All Works by Satie | Satie, Erik | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Nocturnes | Short Forms | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Tone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Ballets & Dances | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Sonatas | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Symphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Ciccolini, Aldo | ( C ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Similar Items: Debussy: Piano Works The Best of Erik Satie After the Rain...The Soft Sounds of Erik Satie Satie: Gymnopédies No1-3; Gnossiennes No1-6 The Magic of Satie ASIN: B000002SBP Release Date: 1992-01-23

Tracks:

1. Oeuvres Pour Piano: Gymnopedie I
2. Oeuvres Pour Piano: Gymnopedie II
3. Oeuvres Pour Piano: Gymnopedie III
4. Oeuvres Pour Piano: Les Trois Valses distingu du preux dI: Sa taille
5. Oeuvres Pour Piano: II: Son binocle
6. Oeuvres Pour Piano: III: Ses jambes
7. Oeuvres Pour Piano: Trois Gnossiennes: I Lent
8. Oeuvres Pour Piano: II Avec nnement
9. Oeuvres Pour Piano: III Lent
10. Oeuvres Pour Piano: Trois Gnossiennes: IV Lent
11. Oeuvres Pour Piano: V Mod
12. Oeuvres Pour Piano: VI Avec conviction et avec une tristesse rigoureuse
13. Oeuvres Pour Piano: Trois Mouvements en forme de poire, uatre mains: Mani de commencement
14. Oeuvres Pour Piano: Prolongation du m
15. Oeuvres Pour Piano: I
16. Oeuvres Pour Piano: II
17. Oeuvres Pour Piano: III
18. Oeuvres Pour Piano: En plus
19. Oeuvres Pour Piano: Redite
20. Oeuvres Pour Piano: Croquis et agaceries d'un gros bonhomme en bois: I Tyrolienne turque
21. Oeuvres Pour Piano: II Danse maigre (a mani de ces messieurs)
22. Oeuvres Pour Piano: III Espa (Sorte de valse)
23. Oeuvres Pour Piano: Sonatine bureaucratique
24. Oeuvres Pour Piano: Trois Nocturnes: I Doux et calme
25. Oeuvres Pour Piano: II Simplement
26. Oeuvres Pour Piano: III Un peu mouvement
27. Oeuvres Pour Piano: Premi penset sonneries de la Rose Croix: Air de ldre
28. Oeuvres Pour Piano: Air du Grand Maitre
29. Oeuvres Pour Piano: Air du Grand Prieur
30. Oeuvres Pour Piano: Le Fils des oiles: Prde du 1er acte: la Vocation
31. Oeuvres Pour Piano: Prde du IIe acte: l'Initiation
32. Oeuvres Pour Piano: Prde du IIIe acte: l'Incantation

Tracks:

1. Jack In The Box: Prelude
2. Jack In The Box: Entracte
3. Jack In The Box: Final
4. Sports et Divertissements: Choral inappetissant
5. Sports et Divertissements: La Balanre
6. Sports et Divertissements: La Chasse
7. Sports et Divertissements: La Come italienne
8. Sports et Divertissements: Le Ril de la Mari
9. Sports et Divertissements: Colin-Maillard
10. Sports et Divertissements: La Pe
11. Sports et Divertissements: Le Yachting
12. Sports et Divertissements: Le Bain de mer
13. Sports et Divertissements: Le Carnaval
14. Sports et Divertissements: Le Golf
15. Sports et Divertissements: La Pieuvre
16. Sports et Divertissements: Les Courses
17. Sports et Divertissements: Les Quatre-Coins
18. Sports et Divertissements: Le pique-nique
19. Sports et Divertissements: Le Water-chute
20. Sports et Divertissements: Le Tango
21. Sports et Divertissements: Le Traau
22. Sports et Divertissements: Le Flirt
23. Sports et Divertissements: Le Feu d'artifice
24. Sports et Divertissements: Le Tennis
25. Oeuvres Pour Piano: I D'Holothurie
26. Embryons desseches: II D'Edriophtalma
27. Embryons desseches: III De Podophtalma
28. Preludes flasques (pour un chien): I Voix d'interieur
29. Preludes flasques (pour un chien): II. Idylle cynique
30. Preludes flasques (pour un chien): III. Chanson canine
31. Preludes flasques (pour un chien): IV. Avec camaraderie
32. En habit de cheval (a 4 mains): I Choral
33. En habit de cheval (a 4 mains): II Fugue litanique
34. En habit de cheval (a 4 mains): III Autre chose
35. En habit de cheval (a 4 mains): IV Fugue de papier
36. Apercus desagreables: I Pastorale
37. Apercus desagreables: II Choral
38. Apercus desagreables: III Fugue
39. Descriptions automatiques: I Sur un vaisseau
40. Descriptions automatiques: II Sur une lanterne
41. Descriptions automatiques: III Sur un casque
42. 3 Petites pieces montees (a 4 mains): De l'enfance de Pantagruel (Reverie)
43. 3 Petites pieces montees (a 4 mains): Marche de Cocagne (Demarche)
44. 3 Petites pieces montees (a 4 mains): Jeux de Gargantua (Coin de Polka)
45. Peccadilles importunes: Etre jaloux de son camarade qui a une grosse tete
46. Peccadilles importunes: Lui manger sa tartine
47. Peccadilles importunes: Profiter de ce qu'il a des cors aux pieds pour lui voler son cerceau
48. Pieces froides - No. 1 Airs a faire fuir: I D'une maniere particuliere
49. Pieces froides - No. 1 Airs a faire fuir: II Modestement
50. Pieces froides - No. 1 Airs a faire fuir: III S'inviter
51. Pieces froides - No. 2 Danses de travers: I En y regardant par deux fois
52. Pieces froides - No. 2 Danses de travers: II Passer
53. Pieces froides - No. 2 Danses de travers: III Encore
54. La Belle Excentrique: I Grande ritournelle
55. La Belle Excentrique: II Marche franco-lunaire
56. La Belle Excentrique: III Valse du 'Mysterieux baiser dans l'oeil'
57. La Belle Excentrique: IV Can-can grand-mondain
58. 3 Sarabandes: No. 1
59. 3 Sarabandes: No. 2
60. 3 Sarabandes: No. 3

Amazon.com

It's simple: in his various realizations of the piano music of Erik Satie, Aldo Ciccolini set a standard that has yet to be bettered. This compilation, drawn from recordings made between 1966 and 1971, is consequently the best of the best. Ciccolini always played Satie's music as though it had been written by Claude Debussy, not by some cheap charlatan or uneducated primitive (which, to an extent that is still debatable, Satie was). The result is that these seemingly simple piano pieces acquire a tonal allure that is as surprising as it is undeniable. They possess an understated sophistication that points directly toward Ravel and Poulenc, at the same time providing an opening to the minimalist aesthetic of the later 20th century. Ciccolini's playing is pliant and graceful, and under his fingers the music seems to breathe and come alive. What more could a composer or a listener want? --Ted Libbey

Customer Reviews:

Picasso in sound.......2006-02-19

Pablo Picasso, Jean Cocteau and Eric Satie were drinking buddies; it shouldn't be surprising that their work, though in different media, should bear striking similarities. This CD set replaces a very badly abused vinyl recording from the 1960s. No one plays Satie like Aldo Ciccolini. I do wish the Parade had been included, Satie wrote the music, Cocteau the libretto and Picasso did the sets and costumes-Satie's only ballet. Of course, the circa 1910 audience walked out. It's the story of an out-of-work ballet company that goes out onto the streets of Paris to try to get customers to come inside. The customers are stereotypes like the American in a cowboy outfit who adds the sound of this six gun to the music and the secretary who types through the encounter. The back wall of the theater was covered with Picasso designed neon signs flashing in bright colors throughout the performance. Across the front of the stage he'd strung acetate on which were playing street scenes of Paris from three cameras-red, blue and green. The men were way, way ahead of their times.

Great but NOT complete.......2004-12-23

Please note that this collection does NOT contain Erik Satie's complete works for piano. The collection makes no such claim, but at 5 CDs, some may assume it to be complete and none of the other reviews to date mention this. I am too lazy to do the research to come up with a complete list, but offhand I know that these songs are missing - "Je Te Veux", "Fantaisie-Valse" and "Valse-Ballet". These 3 are among my favorite Satie pieces, so yes, I think the collection is diminished somewhat by their absence.

Aldo Ciccolini always has been the greatest interpreter of Satie's work for piano. Ciccolini has a feel for Satie that no one else does, although I have to admit that I prefer a faster tempo to "Poudre D'Or" than the slower, introspective tempo Ciccolini always uses, but that's only a small matter of personal preference. These recordings were originally made in 1967 and 1971 and the sound quality is excellent. At the dawn of the CD era at various sessions from 1983-1986, Ciccolini recorded Satie's complete works for piano on EMI on 5 CDs. They are currently out of print in America, with the exception of one compilation CD (also available at Amazon at the time of writing) with Gabriel Tacchino playing the 2nd piano on the pieces for 2 pianos. Ciccolini was overdubbed playing the 2nd piano on the original recordings in this review. I have a slight preference for the later recordings, but many seem to prefer these originals. You can't go wrong with these, just understand that they are not complete and the missing songs are among Satie's best.

There's only one........2004-06-26

If you're reading this, you've already heard Satie's music, so I needn't to go into that. I do want to say that this is the only recording of Satie that is worth hearing. Ciccolini is the only foot that will fit the Satie glass slipper. Don't waste your money on the ugly step-sisters.

Don't forget Satie was an Anti-Romantic.......2002-02-25

No one could deny that setting every disperse music in a unique album is a remarkable job. But I didn't like much the approach of Ciccolini, which I knew around 1975 while getting borrowed the vinyl LPs in the Embassy of France in Buenos Aires. Now I'd like to explain to whom it may concern why do I feel that way.
Satie was an anti-romantic composer, at the point of creating the "furniture-music" (musique d'ameublement) which refuses that music could be so expressive as romantics wanted. Other ones clasifies him as a "Surrealist" composer (anti-romantic movement too), but there are no signs of dreams of unconsciousness through his work. Since that point of view you could play Satie's music anyway but expressively. Satie wasn't Debussy, besides the fact that they knew personally and admire each other. Could you play Debussy in a plain style without damage?. I don't think so, because Satie was farther of expressive tradition than Debussy: we can say that Debussy is a spirit of the XIX Century while Satie is a precursor of the XXth. Remember his own words: "I came to the world too young in a time too old".
The best performance I heard of the piano work of our composer was in charge of Jacques Fevrier on the excelent album called "Monsieur Erik Satie", with such a "sideman" as another member of the group of six as Georges Auric for the 4 hands pieces.
I wave goodbye with a great embrace to all Satie's fans.

"Electric Spirit of Eric Satie" fans this is the one !.......2001-08-17

Fans of "The Electronic Spirit of Eric Satie" will immediately recognize Aldo Ciccolini as one of the few musicians in touch with the true "Satie" style. The selections correspond to "Electric Spirit" ; except, performed as a good piano solo. The piano recording is done so well it's better than most orchestral versions. It sounds very much like "Electric Spirit" without orchestration nor electronic "boops" and "beeps"-- just a good piano. It's really just as funny and powerful; and here it has a class act. This performance is a rare find !

Average customer rating: Strange Sketches Half polished, half sketches... Disc 2 is just AMAZING! The masterpiece even Buckley missed? "I feel so collectable!"

Sketches (For My Sweetheart the Drunk) Jeff Buckley Manufacturer: Sony ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Rock | Alternative Styles | Alternative Rock | Styles | Music Singer-Songwriters | Alternative Rock | Styles | Music Singer-Songwriters | Pop | Styles | Music Pop Rock | Pop | Styles | Music Adult Alternative | Pop | Styles | Music Folk Rock | Rock | Styles | Music General | Rock | Styles | Music Alternative Folk | Contemporary Folk | Folk | Styles | Music Similar Items: Grace Live at Sin-é Jeff Buckley - Live in Chicago Grace Mystery White Boy: Live '95-'96 ASIN: B000006O7C Release Date: 1998-05-26

Tracks:

1. The Sky Is A Landfill
2. Everybody Here Wants You
3. Opened Once
4. Nightmares By The Sea
5. Yard Of Blonde Girls
6. Witches' Rave
7. New Year's Prayer
8. Morning Theft
9. Vancouver
10. You & I

Tracks:

1. Nightmares By The Sea
2. New Year's Prayer
3. Haven't You Heard
4. I Know We Could Be So Happy Baby (If We Wanted To Be)
5. Murder Suicide Meteor Slave
6. Back In N.Y.C.
7. Demon John
8. Your Flesh Is So Nice
9. Jewel Box
10. Satisfied Mind

Amazon.com

Culled both from studio sessions that his friends maintain he wasn't pleased with, and from four-track demo tapes never intended for public consumption, Sketches is an unfair representation of Jeff Buckley's musical world. At times quite touching ("Morning Theft, "Jewel Box"), the 2 CD set illustrates the stylistic struggle Buckley was confronting before he drowned last year at 30. His wiry voice was well- suited for gospel music, but his instincts were underdeveloped ("Satisfied Mind"). He couldn't rock without getting fancy, and the mellow material ("Everybody Here Wants You") touches on "lite" FM. The second disc features mostly home studio noodlings that might have been interesting on a box set looking over many years' output. As his last recordings, they point out a strong imagination that never had the time to grow into a unified vision. --Rob O'Connor

Customer Reviews:

Strange Sketches.......2006-12-01

One thing that turns a lot of people off about this collection is how
much werider it is than grace. Many songs have much more strange subject
matter, "your flesh is so nice," "demon john" the bizarre, " murder
suicide meteor slave." But, "witches rave," is one of the most amazing
songs buckley has written. As is, "vancouver," "the sky is a landfill."
Both versions of, "nitemares by the sea," are pretty good, probably one
is the best. Disc two feels more like a bonus disc of rarities. 4-9
are pretty raw. "Back in N.Y.C." is a genesis cover. This is just a
taste of un-finished music that would have been another album.

Half polished, half sketches..........2006-07-31

Sketches for My Sweetheart the Drunk is so good, and, at the same time, so hard to listen to. Jeff Buckley had planned to go into the studio to record his sophomore album, My Sweetheart the Drunk, in June of 1997. He died in May. This album, a two-CD compilation of three studio sessions and a fourth unofficial recording session, was released posthumously.

The first disc, a mix of the studio sessions sounds like a real album. The second disc has a few polished songs, but is mostly a sampling of Buckley's rough four-track recordings. He sounds like he was playing with where to go next, and it's a tragedy that the album will never be fully realized. (That sense of unfinished business gives the CD its amended title.)

As the audiophile who introduced me to Buckley said, "It's no Grace." Well, no, it isn't. You shouldn't expect it to be, either. Not everyone is as fortunate as, say, Warren Zevon, who, after being diagnosed with lung cancer in 2002, made an album before he died, knowing it would be his last.

Buckley wasn't finished. I suppose you could make the argument that no artist ever is. But, listening to this album, you can't help but wonder what might have been.

As his mother says in the liner notes, "If Jeff had lived and chosen to erase these sketches, it would have been a relative minor loss. He could have written hundreds of songs and made dozens of albums in their place. Unfortunately, God had something else in mind for my son, and for me."

Disc 2 is just AMAZING!.......2006-01-13

This CD is one of my favourite CD's of all time. You people saying that the disc 2 is not worth listening to, you haven't got it, have you..? When disc 2 really starts with "haven't you heard" (the first two songs are remixes from disc one), it takes you to a totally unique experience all the way to the last chord is played.

I feel dragged into a spiritual world in a way I've never been before when listening to this record. It's so raw and naked that it took me a long time to like it, but when I first did, it just got better and better for each time I listened to it, and it still does. Jeff Buckley is truly one of the most gifted and talented musicians of all times, if not THE most gifted. My favourites on the disc 2 are perhaps "we could be so happy baby (if we wanted to be)", "murder suicide meteor slave", "demon john", and "Jewel Box", but all of the songs, except "your flesh is so nice" perhaps, are just unbelievable.

I do not dare to think about what this could have become if he got to finish it.. Jeff Buckley has, with all of his music, added new aspects into my life, and I am forever grateful.

But it surely takes time to like the second disc, you will probably think it's just weird and far too raw if you don't give it a real try, but if you are a Buckley fan (which you all should be), listen to it until you like it, and trust me, you won't regret it. I can't get it out of my cd-player, not even to play Grace!!

By the way, the first disc also rocks!!("Vancouver" is just soo cool!!)

The masterpiece even Buckley missed?.......2006-01-09

I'll add a few thoughts for the person considering this CD, particularly who only knows the album Grace: The first disc of this set is a relatively finished product produced for Buckley by Tom Verlaine (with some subsequent minor clean-up). The second disc consists mainly of rough drafts for unrecorded songs, and should be considered as such. The second CD is not easy listening, and is really for the most devoted fans only (as is fully disclosed in the liner notes).

It is said that Buckley was dissatisfied with the Verlaine sessions. I recall that Buckley's biographer reported that Verlaine told Buckley, essentially: "If you don't like the tapes, destroy them, or they'll find their way into the public eye eventually." Buckley didn't destroy them. He and Verlaine worked on them in Memphis, then Buckley set them aside.

Buckley chose Verlaine to produce the sessions. Verlaine produced Buckley's music with a far more stripped-down sound then you find on Grace. Buckley and his band (save for the drummers on the tapes) had been touring for quite some time, and were deeply attuned to one another's playing. They had a wonderful sound, simple, centered on electric guitars (played with relatively few effects), bass, and drums, supporting Buckley's vocals. This is the sound that Verlaine, and perhaps Buckley, wanted to capture. And they did, very well.

I describe the sound as "simple"--what I mean is that the ingredients were as straight-forward as your basic bar band. What they did with those ingredients was 10 levels beyond your basic bar band. Buckley had developed into a first-rate writer of deceptively complex songs. A song, like "The Sky is a Landfill," might start out rather like a basic rock 'n roll song, but pretty soon you're in another place...the verse-verse-chorus-verse-chorus structure generally vanishes; the 2 guitars (sometimes more) and bass play off of one another (with considerable panache and skill) into different layers and blends, and Buckley sings his serpentine melodies, unflinchingly exploring his uniquely wide range and timbres. It still rocks, and often pretty hard, too, but it requires, and greatly rewards, attention. (There are several ballads as well--not surprising for Buckley, who was a master of the form.)

None of this is utterly different from Grace, but Grace was more heavily worked in the studio, with considerable multi-tracking of vocal parts, multiple and various-sounding electric and acoustic guitars (some "treated"), some keyboards, strings, etc. And Grace is terrific. But so is Sketches...even though Sketches is thought to be something of a rough draft. In terms of the way it sounds to this listener, it's not that rough--certainly no "first draft." Maybe more of a "works in progress," by a band that, like any really active, working band, is always somewhat "in progress."

But what about Buckley's dissatisfaction? Is it possible that we're dealing with an end result that, though excellent otherwise, just didn't match his vision for it, and thus simply disappointed him at the time? Is it possible that he would have turned to it later and been pleasantly surprised? We'll never know. But he didn't destroy it. And now we have it, and can be grateful for it.

"I feel so collectable!".......2005-11-30

Sketches (For My Sweetheart the Drunk) is the first posthumous release of the late great Jeff Buckley. The songs on these two disks were taken from what Buckley had been working on during the time of his accidental drowning. Most of the tracks were taped onto old Michael Bolton tapes in Buckley's in-home studio. He used electronics and his own musical talents to record; there was no one else there to aid him. The cover of the CD is really effective; it is a photograph of Jeff Buckley reflected through a mirror. Instead of this collection being Jeff's own, it is his work tweaked by friends and family in an attempt to make the album as close to what Buckley would have wanted.

Disk One is probably the easiest to begin with if you want to like this CD. The songs are more polished; a few of the songs are included in lesser form on the second CD. However, this is the half that most people can identify with. Fans of Grace might surprised at the change in Buckley's style, but Buckley is Buckley. He's absolutely amazing.
The Sky is a Landfill is obviously one of those songs Buckley wrote first as a poem, then a song. The lyrics are really beautiful and the message is strong. It could be used for a political movement; it is really good. The music that accompanies the lyrics is not as outstanding, so one might look over the song right off, but take another listen. I promise, with anything Jeff Buckley related, taking a second look is always rewarding.
Everybody Here Wants You is a very feminine nightclub type of a song. One can just see the smoke and the dismal men at the bar staring at an attractive girl. It's really a beautiful little song, but it is certainly one of Buckley's most feminine on this set.
Opened Once is a sad lament with some really gorgeous lyrics. It is short and quiet, a personal song.
Nightmares By the Sea is an excellent catchy song with better than average lyrics. It seems to be a warning to young lovers and the damnation they face. It's dreamy and mournful but happy and beautiful at the same time.
Yard of Blonde Girls was not written by Buckley. It is a slow, louder type of a song.
Witches' Rave is a truly fun song, one you'll find yourself singing along to and bouncing to in the car.
New Year's Prayer is an acid-trippy psychedelic song with a persistent beat and wavy echoing vocals.
Morning Theft is an excellent example of the uncharacteristic style of Buckley. He is able to change a song's mood right in the middle of a song making it progressively more gorgeous as it goes.
Vancouver is an overlooked gem. It began as a long instrumental song, but with lyrics and Buckley's vocals became a million times more powerful.
You & I is a haunting, somewhat disturbing song. There is an ominous hollow sound in the background as Buckley sings these strong lyrics. The result is raw but very emotional.

Disk Two is much more raw than the first. This disk captures more of the energy that Buckley had live. Here is his with mistakes and all, just him and a guitar sometimes, or sometimes with a few other gadgets thrown in.
Nightmares By the Sea is a repeat from the first CD. This version seems to have more effects done on the voice and the backgrounds; they seem less natural. This version is actually my favorite of the two because it seems more ominous which lends to the lyrics.
New Year's Prayer is also included a second time. This one seems to have more echo but the lyrics are the same and there don't seem to be many differences.
Haven't You Heard is a song that is practically shouted, but it is really good. It is lacking a bit in the music department; things are left to a minimum there.
I Know We Could Be So Happy Baby (If We Wanted To Be) is certainly a work in progress. It has a very bare guitar sound and less than perfect vocals. However, this turns out to be quite effective.
Murder Suicide Meteor Slave is hard to get used to, but it is actually enjoyable once you get used to it. The ending, however, is very, very strange.
Back In N.Y.C. was not written by Buckley, and thank goodness. I can't get myself to like this song. It is very raw and very strange.
Demon John is also a little difficult to get used to. It just seems to wander around aimlessly.
Your Flesh Is So Nice is an incredibly funny song. It is really bare musically, but the words will have you in stitches.
Jewel Box is a sweet little tune. The vocals and guitar are not perfect, but that adds to the song's appeal. When listening, one can just imagine Buckley sitting in front of a recorder with a guitar on his lap singing with a smile on his face.
Satisfied Mind was originally a country song. This is a perfect example of Buckley's interest in all sorts of music. This one has a good message, that one doesn't have to be rich to be happy. It's a simple, sweet song, and a great way to end the set.

Overall, Buckley fans will love this CD and new converts might warm up to him, but must be wary right at first and give Jeff his proper chance.

Average customer rating: Excellent, but one missing... Simply a Fun Set of Marches Great Marching Music Great

Fiedler's Favorite Marches Manufacturer: RCA ProductGroup: Music Binding: Audio CD All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Berlioz | Berlioz, Hector | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Elgar | Elgar, Sir Edward | ( E ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Morton Gould | Gould, Morton | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Herbert | Herbert, Victor | ( H ) | Featured Composers, A-Z | Classical | Styles | Music General | Saint-Saëns, Camille | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Sousa | Sousa, John Philip | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Johann Strauss Sr. | Strauss Sr., Johann | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music Incidental Music | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Marches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Theatrical, Incidental & Program Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Marches | Miscellaneous | Styles | Music General | Easy Listening | Pop | Styles | Music Orchestral Pop | Easy Listening | Pop | Styles | Music Classic Big Band | Swing Jazz | Jazz | Styles | Music $7.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Beethoven, Ludwig van | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Berlioz, Hector | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Elgar, Sir Edward | ( E ) | Composers, A-Z | Classical Music Blowout | Stores | Music Gershwin, George | ( G ) | Composers, A-Z | Classical Music Blowout | Stores | Music Gould, Morton | ( G ) | Composers, A-Z | Classical Music Blowout | Stores | Music Herbert, Victor | ( H ) | Composers, A-Z | Classical Music Blowout | Stores | Music Rimsky-Korsakov, Nikolai | ( R ) | Composers, A-Z | Classical Music Blowout | Stores | Music Saint-Saëns, Camille | ( S ) | Composers, A-Z | Classical Music Blowout | Stores | Music Sousa, John Philip | ( S ) | Composers, A-Z | Classical Music Blowout | Stores | Music Strauss Sr., Johann | ( S ) | Composers, A-Z | Classical Music Blowout | Stores | Music Tchaikovsky, Peter Ilyich | ( T ) | Composers, A-Z | Classical Music Blowout | Stores | Music Verdi, Giuseppe | ( V ) | Composers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Fiedler Greatest Hits Sousa's Greatest Hits I Love a Parade John Williams Pops Roundup Stars & Stripes Forever and the Greatest Marches ASIN: B000003F2V Release Date: 1990-11-20

Tracks:

1. Aida: Grand March
2. Babes In Toyland: March Of The Toys
3. Semper Fidelis
4. Suite No. 1, Op. 43: Marche Miniature
5. Yankee Doodle
6. Up The Street
7. The Damnation Of Faust: Rakoczy March
8. Caucasian Sketches: Procession Of The Sardar
9. Sambe Et Meuse
10. The Ruins Of Athens: Turkish March
11. Colonel Bogey
12. Dixie
13. American Salute
14. Strike Up the Band
15. Radetzsky March
16. Pomp And Circumstance March No. 1
17. Algerian Suite: French Military March
18. Mlada: Procession Of The Nobles
19. Valdres March
20. National Emblem March
21. The Stars And Stripes Forever

Customer Reviews:

Excellent, but one missing..........2007-03-07

These are fabulous marches played with huge amounts of zest, but one of Fiedler's best RCA marches - the Zacatecas March - was left out!!! Why??? There would have been plenty of room, and it seems to be available on a Japanese release - why not this one?

Otherwise, no hesitation at all.

Simply a Fun Set of Marches.......2003-10-18

In the 5th grade, I tried out for Little League. My desire to play baseball was not rooted in any love for the sport. I thought my father wanted me to play a sport. I was so great at the tryouts; he said some memorable words to me. "Tim, I think you ought to stick with playing the clarinet." I am sure he was trying to spare me humiliation on the athletic field. Little did he know he was starting my love affair with music, a far greater gift.

Perhaps because I was in the school band, I gravitated toward marches, and this collection of marches conducted by Arthur Fielder was one of the first recordings I purchased (6th or 7th grade I believe). At the time (the mid 1970's) it was only available on LP. As soon as the CD was available, I purchased it for nostalgic reasons. This collection had many popular marches such as the Grand March from Aida, Stars and Stripes Forever, Pomp and Circumstance, as well as some lesser known marches. This was one of the collections that piqued my interest in orchestral music. Though the marches could probably best be termed "light classical," it was an introduction to more serious music. Many years later I used this same recording when I taught as background music during art or spelling lessons. Again, it served as an introduction to more serious music.

This is not a complicated set; it is simply a little jewel that is a joy to listen to and a fun addition to a music collection.

Great Marching Music.......2000-11-14

Even though I am a Yankee I still love "Dixie." This is great music for pre-school children and those just entering school. I think it helps build character. I like this album.

Great.......1999-05-23

I have had this tape for years and it just got torn, so I have to replace it immediately because my granddaughter, age 3, also loves it.

Average customer rating: GREAT WEDDING MUSIC! Good Music A very complete selection of ceremony music! Comprehensive Classical Selection Just one note...

A Bride's Guide to Wedding Music Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Waltzes | Ballets & Dances | Classical | Styles | Music Quartets | Chamber Music | Classical | Styles | Music Quintets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Boccherini | Boccherini, Luigi | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Charpentier | Charpentier, Marc-Antoine | ( C ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Elgar | Elgar, Sir Edward | ( E ) | Featured Composers, A-Z | Classical | Styles | Music General | Fauré, Gabriel | ( F ) | Featured Composers, A-Z | Classical | Styles | Music General | Franck, César | ( F ) | Featured Composers, A-Z | Classical | Styles | Music Gabrieli, Giovanni | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gluck | Gluck, Christoph W. | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music Grieg, Edvard | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Liszt | Liszt, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by MacDowell | MacDowell, Edward | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mussorgsky | Mussorgsky, Modest | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Offenbach | Offenbach, Jacques | ( O ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Pachelbel | Pachelbel, Johann | ( P ) | Featured Composers, A-Z | Classical | Styles | Music General | Saint-Saëns, Camille | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Satie | Satie, Erik | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Telemann, Georg Philipp | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Walton | Walton, Sir William | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Concertinos | Concertos | Forms & Genres | Classical | Styles | Music Concerto Grossi | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Character Pieces | Short Forms | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Incidental Music | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Marches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Telemann, Georg Philipp | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Requiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Theatrical, Incidental & Program Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Trumpet | Brass | Instruments | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Flute | Reeds & Winds | Instruments | Classical | Styles | Music Oboe | Reeds & Winds | Instruments | Classical | Styles | Music Cello | Strings | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Compilations | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: The Knot Collection of Ceremony and Wedding Music Selected by the Knot's Carley Roney Bride's Guide to Wedding Music, Vol. II The Ultimate Wedding Album The Complete Wedding Album Bride's Guide to Wedding Music ASIN: B00005YD53 Release Date: 2002-02-19

Tracks:

1. Bach: Jesu, Joy Of Man's Desiring
2. Vivaldi: Largo Winter
3. Bach: Air On A G String
4. Torelli: Trumpet Concerto
5. Bach: Sheep May Safely Graze
6. Handel: Let The Bright Seraphim
7. Handel: Pastoral Symphony
8. Boccherini: String Quintet, Minuet
9. Mendelssohn: On Wings Of Song
10. Liszt: Dream Of Love
11. Rachmaninov: Vocalise
12. Debussy: Claire De Lune
13. Satie: Gymnopedie No.1
14. Gluck: Dance Of The Blessed Spirits
15. Debussy: Arabesque
16. Bizet: Intermezzo
17. Elgar: Salut D'amour
18. Debussy: Prelude A L'apres - Midi D'un Faun

Tracks:

1. Wagner: Bridal Chorus
2. Clarke: Trumpet Voluntary
3. Handel: Royal Fireworks Music, Overture
4. Gabrieli: Canzon V
5. Charpentier: Te Deum
6. Purcell: Trumpet Tune
7. Mussorgsky: Promenade
8. Pachebel: Canon In D
9. Handel: Larghetto
10. Vivaldi: Guitar Concerto In D Major, Largo
11. Handel: Water Music, Air
12. Macdowell: To A Wild Rose
13. Beethoven: Pathetique Sonata, Adagio
14. Melchior: Adagio
15. Gounod: Ave Maria
16. Schubert: Ave Maria
17. Franck: Panis Angelicus
18. Faure: Pie Jesu
19. Rachmaninov: Rhapsody On A Theme Of Paganini
20. Schumann: Romance For Violin And Piano
21. Massenet: Meditation

Tracks:

1. Mendelssohn: Wedding March
2. Vivaldi: Concerto For Two Trumpets In B, Allegro
3. Telemann: Trumpet Concerto In D, Allegro
4. Vivaldi: Spring, Allegro
5. Telemann: Trumpet Concerto In B, Allegro
6. Handel: Concerto Grosso, Hornpipe
7. Bach: Brandenburg Concerto No.4, Allegro
8. Handel: Arrival Of The Queen Of Sheba
9. Schumann: Piano Quintet In E Flat Major
10. Widor: Toccata
11. Dubois: Toccata
12. Walton: Crown Imperial
13. Bach: Cantata No.51. 'Jauchzet Gott In Allen Landen.' Alleluia
14. Mozart: Exsultate Jubilate, Alleluia
15. Handel: Water Music, Hornpipe
16. Chopin; Variations On A Theme From 'La Cenerentola'
17. Faure: Sicilienne
18. Offenbach: Barcarolle
19. Faure: Berceuse
20. Saint-Saens: The Swan
21. Brahms: Waltz In A Flat
22. Grieg: Wedding Day At Troldhaugen

Album Description

The process of choosing music for a wedding day can certainly be a daunting process for any couple. There are many choices and the questions can be endless. Traditional music or something off the beaten path? Will your Mom cry (and not in a good way) if you do not come down the aisle to the traditional Wedding March from Wagner, or are you eager to try something new? This collection is designed to give the bridal couple some key pointers to navigate the world of classical music for their wedding day. The package includes over 3 1/2 hours of music on 3 CDs for all portions of the wedding service, all from the Naxos classical label (known for high-quality recordings at inexpensive prices). Wedding day favorites are there, along with new discoveries and tunes you may have never considered for a wedding. All pieces are hand selected by professional wedding musicians and consultants. As a bonus, the 20 page booklet will lead you through the process of choosing music, from hiring musicians to sample programs. Everything you need to create your own unique personal wedding soundtrack.

Customer Reviews:

GREAT WEDDING MUSIC!.......2007-01-24

I used these CD's for my wedding, and I was so happy I did. You need to buy this CD if you like having a traditional wedding! :)

Good Music.......2006-07-05

I bought these CDs for my wedding, in ceremony and reception. Also, when I created my own wedding video, I used it as background music.

A very complete selection of ceremony music!.......2005-02-02

I am getting married in several months and we couldn't decide what music we wanted at our wedding ceremony. This three disk compilation reminded us of all the great ones- including new options we hadn't thought about. I really enjoyed hearing the organ and strings versions of the songs. If you're someone who hears a classical or baroque piece of music, but can't remember the name or the precise tune, this is a must-have to jog your memory and trigger the tear ducts!

Comprehensive Classical Selection.......2004-04-15

I searched all over for a CD set that had a somewhat comprehensive list of classical selections that are traditionally played at weddings. When I found this 3 CD set, I was very pleased. It contains 61 works from almost as many composers. This set might not contain the "best recording ever" of each of the selections, however it is very well done and the quality is very good. I used it primarily to choose the pieces that I wanted to have played by the church organist, and so the actual recordings were more for my consumption rather than for use in the ceremony/reception itself. However, I would not have hestitated to use the CD's in the wedding itself if needed. The book inside includes a list of suggested songs for various wedding styles (formal, outside, morning, etc.). From the classical neophyte to the seasoned classical music expert, this CD set will meet if not exceed expectations.

Just one note..........2003-06-07

I have not heard this album, so I cannot rate it as a whole. (The form made me include a rating, but disregard that.) However, I want to point out that track 36, the Pie Jesu from Gabriel Faure's Requiem is - well, from a requiem, a mass for the dead. The Pie Jesu is a lovely, gentle movement, and it has a beautiful and pure sound that does seem to fit the mood of a wedding. The Latin words, however, mean "Merciful Lord Jesus, grant them everlasting rest," where "them" refers to the dead.

Beautiful, but perhaps not so suitable for a wedding.

Average customer rating: A good gift for novice

Passion - Most Famous Orchestral Spectaculars [20 CD Set] Manufacturer: Delta ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music Dances | Ballets & Dances | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Berlioz | Berlioz, Hector | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Chabrier | Chabrier, Alexis Emanuel | ( C ) | Featured Composers, A-Z | Classical | Styles | Music General | Delibes, Léo | ( D ) | Featured Composers, A-Z | Classical | Styles | Music General | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Elgar | Elgar, Sir Edward | ( E ) | Featured Composers, A-Z | Classical | Styles | Music Grieg, Edvard | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Holst | Holst, Gustav | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Khachaturian | Khachaturian, Aram | ( K ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Liszt | Liszt, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Meyerbeer | Meyerbeer, Giacomo | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mussorgsky | Mussorgsky, Modest | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Offenbach | Offenbach, Jacques | ( O ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Orff | Orff, Carl | ( O ) | Featured Composers, A-Z | Classical | Styles | Music General | Paganini, Niccolò | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Ponchielli | Ponchielli, Amilcare | ( P ) | Featured Composers, A-Z | Classical | Styles | Music Ravel, Maurice | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Smetana | Smetana, Bedrich | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Stravinsky | Stravinsky, Igor | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music | Divertimentos Suites | Forms & Genres | Classical | Styles | Music Incidental Music | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Marches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Overtures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Tone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Scherzo | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music