One Heart

Amazon.com
To call Celine Dion predictable would be too easy--other divas should be so lucky to still be walking her platinum path. As Whitney Houston and Mariah Carey struggle to update their sounds without losing their core following, Celine keeps on delivering power ballads and inspirational pop without ever losing her footing. What sets One Heart apart from her previous chart-toppers is an unrelenting theme of joy and believing in one's self. From the car-commercial-driven tempo of "I Drove All Night" (Dion's equivalent to Cher's "Believe") to the "power of one" message in "Love is All We Need," the album bristles with an upbeat mood that--even for non-fans--can be hard to resist (it's important to note that there is no chest-thumping heartbreak here). Small concessions to staying in step with pop trends appear on the dance-floor tracks (which bring to mind Shania Twain and even Britney Spears), but ballads like "In His Touch" and "Have You Ever Been in Love" stick to the tried-and-true formula of allowing Dion's impressive voice to take center stage. As she settles in for an extended stay at Caesar's Palace in Las Vegas, One Heart is both well timed and well executed. It contains no surprises, but then, besides her voice, that's one of Dion's biggest assets. --Rebecca Wallwork

Product Description
International edition of her 2003 album features two bonus tracks, 'Forget Me Not' and 'I Know What Love Is'. 14 tracks in all including the hit single, 'I Drove All Night'. Sony.

One Heart,Celine Dion,Sony,Adult Contemporary,Club/Dance,Dance-Pop,Pop,Pop Vocals,Popular Music,Rock/Pop

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One Heart

Average customer rating: This should never have worked at all A GREAT AND OFTEN OVERLOOKED MUSICAL FROM THE 80-IS Chess One of my favorites! Concepts get better with practice

Chess Bjorn Ulvaeus , and Tim Rice Manufacturer: Decca Broadway ProductGroup: Music Binding: Audio CD General | Musicals | Broadway & Vocalists | Styles | Music Contemporary Musicals | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music General | Vocal Pop | Pop | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: Chess (1988 Original Broadway Cast) Miss Saigon (Original 1989 London Cast) Evita (1978 Original Broadway Cast) A Little Night Music (1973 Original Broadway Cast) Sweeney Todd (2005 Broadway Revival Cast) ASIN: B000002GLR Release Date: 1996-07-23

Tracks:

1. Merano - The Ambrosia Singers/Anders Eljas/Murray Head
2. The Russian And Molokov/ Where I Want To Be - The Ambrosia Singers/Anders Eljas/Tommy Korberg/Denis Quilley
3. Opening Ceremony - The Ambrosia Singers/Anders Eljas/Bjorn Skifs
4. Quartet (A Model Of Decorum And Tranquility) - Elaine Paige/Tommy Korberg/Denis Quilley/Bjorn Skifs
5. The American And Florence/Nobody's Side - Elaine Paige/Murray Head
6. Chess - LSO/Anders Eljas
7. Mountian Duet - Elaine Paige/Tommy Korberg
8. Florence Quits - Elaine Paige/Murray Head
9. Embassy Lament - Tommy Korberg/The Ambrosia Singers/Anders Eljas
10. Anthem - Tommy Korberg

Tracks:

1. Bangkok
2. One Night In Bangkok
3. Heaven Help My Heart
4. Argument
5. I Know Him So Well
6. The Deal (No Deal)
7. Pity The Child
8. Endgame
9. Epilogue: You And I / The Story Of Chess

Amazon.com

Chess is a musical that sounds like it shouldn't work but instead succeeds surprisingly well. This is the original concept album that was recorded before the musical was staged in London. Chess is the story of a love triangle told against the backdrop of an international chess tournament during the height of the cold war. The composers are Benny Andersson and Bjorn Ulvaeus (the Bs in ABBA) and the lyrics are by Tim Rice, who supplied the words for Andrew Lloyd Webber's Jesus Christ Superstar and Evita, as well as Disney's Aladdin (with Howard Ashman), The Lion King, and Beauty and the Beast. The six-member cast does a beautiful job with the songs, which are a combination of ballads, rock, and operatic choruses. Murray Head's version of "One Night in Bangkok" became a surprise hit in the mid-'80s and it still turns up on the turntables in dance clubs around the world. --Michael Simmons

Customer Reviews:

This should never have worked at all.......2007-06-18

And on that basis alone, you've got to cut it some slack. Fortunately, not all that much slack turns out to be necessary.

While "Chess" may be a document of an era that no longer exists, there's a lot more going on than the surface metaphor. It holds up very well indeed. When it aims for humor, it generally succeeds, and likewise when it aims to devastate. What more can you ask for?

A GREAT AND OFTEN OVERLOOKED MUSICAL FROM THE 80-IS.......2007-03-04

`Chess' is a musical that should be counted among the best of what the 1980-is had produced: side by side with `Cats', `The Phantom of the Opera', `Les Miserables' or `Miss Saigon'. The score as heard on this concept album, written by Björn Ulvaeus and Benny Andersson (formerly of ABBA) and with the exceptional lyrics written by Tim Rice, stand proof to this. And yet, due to various reasons, like the changing of the director half way through London staging; a heavy rewrite for Broadway and a pan review from Frank Ritch (a.k.a. `The Butcher of Broadway'), `Chess' seems to be unjustly neglected.

This concept album is the main reason why the show has so many ardent fans until this day. Tim Rice wanted to write the show with the main plot revolving around chess for years and after his long time partner Andrew Lloyd Webber remained uninterested, he found the new collaborators in Ulvaeus and Andersson. The subject matter follows two international chess players in a championship, a Russian (Tommy Körberg) and an American (Murray Head) and a woman called Florence (Elaine Paige) who is a manager to the American but falls in love with the Russian. The story also draws a parallel between the game of chess and the cold war/real life situations.

This concept album was recorded in 1984, two years before the original London production took place. As the authors noted in the accompanying booklet, it was a work in progress and thusly the story is not quite readable here from the musical numbers alone. Despite that fact (which is amended by the synopsis included in the booklet), this album remains a winner. The score (played here by the London Symphonic Orchestra) itself makes an intriguing bland of the famous ABBA sound, the classical; the rock and the pop enhanced by the orchestral solo passages and the strong choral parts. The lush orchestrations add an epic touch to it and on the whole it is melodic and hummable, packed with great tunes. Some of the songs achieved huge success outside the musical: `I know him so well', a duet between Elaine Paige and Barbara Dickson, held the number one spot on the UK singles charts for 4 weeks in February 1985 and won Ivor Novello Award as the Best Selling Single; Murray Head's `One night in Bangkok' became one of the biggest dance hits of its time, often heard today. Some other notable tunes include `The Anthem' (Russian's deliberation on his homeland); the soaring rock songs `Where I want to be' and `Pity the child' (in the former, the Russian reflects upon his life under the spotlight; in the latter, the American ponders about his own unhappy childhood) or the gentle `Heaven help my heart' (in which Florence weighs up her relationship with the Russian).

A special reference must be made to Tim Rice's excellent lyrics. With `Chess' he managed to keep up to the high standards he set himself in `Jesus Christ Superstar' and Evita'. Again in this case he shows he is a lyrical wizard, with his familiar cynical touch. `The story of chess', in which he gives a history of the game in a couple of crafty verses, is a pure masterpiece. The same can be said of the song `I know him so well', where the two women reexamine their relationship with the same man. As a whole, `Chess' owes a lot of its appeal to Tim Rice's written word.

The cast on this album ranks the high standard of the material. The principal parts (sung by Elaine Paige, Tommy Körberg and Murray Head) are delivered in a strong and impeccable fashion.

This 2-disc edition comes with a booklet containing a note from the authors, a text about chess, a full synopsis and a libretto, together with the photos of the principal singers.

Anyone interested in the modern musical theatre should find `Chess' to be a great score with great lyrics, which should be enough to satisfy any aficionado.

Chess.......2007-01-15

A magnificent musical, i have enjoyed the music since i first heard it and read the storyline. Had been unable to find it in our local music stores.Very pleased to find it on your site.

One of my favorites!.......2007-01-12

I love "Chess"! I still remember the first time I heard the single "One Night in Bangkok" on my car radio. I thought it was so unusual and so very cool, so I tracked down the album and bought it. Then I taped it onto a cassette, which is what I've been listening to for years, so I finally broke down and got it on CD. Of course, it's on my iPod now. I've seen the musical, and I loved that, too.

Concepts get better with practice.......2006-11-27

I love this show! That said, I do not care for this version of it. The inclusion of the word "concept" in the title means it is just that. This was, thankfully, not the final version of the show that would later spawn the hit song, "One Night In Bangkok".

With most Broadway musicals, the musical numbers tell the basic story of the show. If you listen to the recordings of Phantom, Mama Mia, Beauty and the Beast, you can discern the basic storyline of the show. Listening to this particular recording of Chess, though, will leave you wondering "What was that?" The Broadway arrival of Chess saw a much needed reworking of the storyline and arrangement of the musical numbers. This recording seems too much like a mish-mash of songs that don't really relate to each other.

For musical fanatics (like myself), I say "yes, you should have this recording in your collection", if only to understand how much work went into the show before it opened on Broadway.

If you are only buying the album because of "One Night In Bangkok", purchase the Broadway recording instead; you'll be much happier with the performance by Phillip Casnoff rather than Murray Head.

Average customer rating: Wonderful!!! Relaxes your mind. Relaxing music from a great composer Better than just an introduction Great CD

Grieg: Greatest Hits Manufacturer: Sony ProductGroup: Music Binding: Audio CD Grieg, Edvard | ( G ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music $6.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Grieg, Edvard | ( G ) | Composers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Debussy's Greatest Hits Sergei Rachmaninoff: Greatest Hits Saint-Saëns: Greatest Hits Rimsky-Korsakov: Greatest Hits Liszt: Greatest Hits ASIN: B000002A21 Release Date: 1994-08-09

Tracks:

1. Peer Gynt Suite No. 1: Morning Mood
2. Peer Gynt Suite No. 1: Ase's Death
3. Peer Gynt Suite No. 1: Anitra's Dance
4. Peer Gynt Suite No.1: In The Hall Of The Mountain King (Peer Gynt Suite #1)
5. Piano Concerto In A Minor, Op. 16: I Allegro molto moderato
6. Norwegian Dance, Op. 35 No. 2
7. Sigurd Jorsalfar: Homage March
8. Jeg elsker dig, Op. 5: Jeg elsker dig, Op. 5 (Ich liebe dich)
9. Lyric Suite, Op. 54: No. 3: Norwegian March
10. Two Elegiac Melodies, Op. 34: No. 1: Heartwounds
11. Two Elegiac Melodies, Op. 34: No. 2: The Last Spring
12. Lyric Suite, Op. 54: No. 4: March of the Trolls
13. Peer Gynt Suite No. 2: I The Abduction of the Bride - Ingrid's Lament (Peer Gynt Suite No. 2
14. Peer Gynt Suite No. 2: II Arabian Dance
15. Peer Gynt Suite No. 2: III Solvejg's Lullaby
16. Peer Gynt Suite No. 2: IV Peer Gynt's Return Home

Customer Reviews:

Wonderful!!!.......2007-05-14

I bought this for my husband but fell in love with it myself. I had never heard of it but now consider Edvard Grieg my favorite composer. It is magnificent.

Relaxes your mind........2005-12-30

The peer gynt suite is very delicate and it relaxes me. Whenever I hear the first movement of Peer Gynt, I feel as if I am walking along the forest at dawn with sunshine passing through the tall trees. It calms me and I usually close my eyes to imagine Grieg's creative masterpiece. What also interests me the fourth movement. It starts with slow and quiet and then slowly the music accelerates with power. Like the title, "Mountain King," says itself, you can feel the grandness of the music toward the end.

The piano concerto in a minor is my favorite. This music seem to convey the full spectrum from quiet and delicate or gracious feel of music to more powerful and magnificent all proportionally adequately. It is very enjoyable. Whenever I listen to this music, I feel as if I am resting in the high mountainn looking at the full panorama. Anyway, that's just my imagination I feel from his music and of course, yours can be very different from mine.

As for the CD quality, I hear no distraction sound and it is recorded well, I think. The little cover booklet can be informative about Grieg. Also nice price from Amazon.

Relaxing music from a great composer.......2005-08-02

I absolutely loved the string music on Track 3. I remembered it from an old PC RPG called Quest for Glory IV. I was disappointed to find out that Track 4 was only a minute and a half long, because I grew up loving that song from the various places I heard it (Fantasia and a kid Detective PC game from the late 80's).
Overall, though, Grieg's greatest hits is a must-have for collectors of classical music. Grieg is revered as Norway's greatest composer of all time and he certainly has a knack for creating imagery of bustling fjords and majestic mountainsides with interlaced river ravines.

Better than just an introduction.......2004-04-28

This CD goes beyond just introducing Grieg. It is a truly beautiful and for me, invaluable collection of this excellent composer. Grieg had an inimitable gift for exploring emotion, often sadness and nostalgia. However, he also had a large touch of the virtuoso, as demonstrated by the famous Piano Concerto. True, the last 2 movements are not included here; however, the first is still stunning. The Peer Gynt Suites are wonderfully played, and Ase's Death and Heartwounds are especially noteworthy - the lush orchestral sounds of these gorgeous pieces unfold exquisitely. Homage March is a nice change of pace, upbeat and with a memorable theme, and Leonard Bernstein moves at a devilish pace in March of the Trolls. This CD will not disappoint you - buy it today!

Great CD.......2002-01-29

For an intro to Greig, this is great. The "hall of the mountain king" is done very well.

Average customer rating: The Most Relaxing Classical Album In the World Eveer, Volume II Great music listein to while you read in bed A must buy for the non-snobbish classical music fan. A bliss of spirit. Boring

The Most Relaxing Classical Album In the World Ever, Volume II Gabriel Faure , Frederic Chopin , Antonio Vivaldi , Gustav Mahler , Claude Debussy , Sir Neville Marriner , Maris Jansons , Lorin Maazel , Sir Adrian Boult , Miklos Rozsa , Riccardo Muti , Stephen Cleobury , Sir John Barbirolli , New Philharmonia Orchestra , Philharmonia Orchestra & Chorus , Academy of St. Martin in the Fields , and Berlin Philharmonic Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Pavanes | Ballets & Dances | Classical | Styles | Music All Works by Allegri | Allegri, Gregorio | ( A ) | Featured Composers, A-Z | Classical | Styles | Music All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Berlioz | Berlioz, Hector | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Bruch | Bruch, Max | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music General | Duruflé, Maurice | ( D ) | Featured Composers, A-Z | Classical | Styles | Music General | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Elgar | Elgar, Sir Edward | ( E ) | Featured Composers, A-Z | Classical | Styles | Music General | Fauré, Gabriel | ( F ) | Featured Composers, A-Z | Classical | Styles | Music General | Franck, César | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gluck | Gluck, Christoph W. | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Liszt | Liszt, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mahler | Mahler, Gustav | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Ravel, Maurice | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rutter | Rutter, John | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Shostakovich | Shostakovich, Dmitri | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Vaughan Williams, Ralph | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music Concertinos | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Nocturnes | Short Forms | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Requiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music General | Vaughan Williams, Ralph | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Cello | Strings | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Strings | Instruments | Classical | Styles | Music Berlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music Hollywood Bowl Symphony Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Paris Symphony Orchestra | ( P ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Similar Items: The Most Relaxing Classical Album in the World...Ever! The Most Relaxing Classical Music in the Universe The Most Relaxing Piano Album in the World...Ever! Mozart for Relaxation Best of the Millennium: Top 40 Classical Hits ASIN: B00002439O Release Date: 2003-03-11

Tracks:

1. Sheep May Safely Graze - Sir Neville Marriner
2. Serenade In G 'Eine Kleine Nachtmusik' - Sir Neville Marriner
3. Violin Concerto No.1 In G Minor, Op.26 - II. Adagio - Yedudi Menuhin
4. Nocturne No.2 In E Flat Op.9 No.2 - John Ogdon
5. Miserere Mei, Deus - Stephen Cleobury
6. Schindler's List - Tasmin Little
7. Traumerei - Dame Moura Lympany
8. Dance Of The Sylphs - Sir Neville Marriner
9. Water Music - Berlin Philharmonic Orchestra
10. Symphony No.9: II. Largo - Oslo Philharmonic Orchestra
11. Jean De Florette - Toots Thielemans
12. Concerto For Lute And Two Violins - II. Largo - Anthony Bailes
13. Cello Concerto In E Minor Op.85 - III. Adagio - Jacqueline De Pre
14. Waltz No.15 In A Flat - Dame Moura Lympany
15. Romance - Piers Lane
16. Pavane - Maurice Handford
17. Woodbrook - Micheal O Suilleabhain
18. Time To Say Goodbye - Orchestra

Tracks:

1. The Four Seasons - Concerto No.1 In E 'Spring' - Yehundi Menuhin
2. Dance Of The Blessed Spirits - New Philharmonia Orchestra
3. Double Violin Concerto In D Minor - II. Largo Ma Non Tanto - Yehudi Menuhin
4. Prelude No.7 In A Op.28 No.7 - Tzimon Barto
5. Cantique De Jean Racine - MONKS AND CHOIRBOYS OF DOWNSIDE ABBEY
6. The Lark Ascending - Hugh Bean
7. 'Pathetique Sonata Op.13 - II. Adagio Cantabile - Leonard Pennario
8. Pie Jesu - Choir Of King's College, Cambridge
9. Salut D'Amour - Richard Hickox
10. La Fille Aux Cheveux De Lin (The Girl With Flaxen Hair) - Dame Moura Lympany
11. The Coventry Carol - Medeval Babes
12. Pavane For A Dead Princess - New Philharmonia Orchestra
13. Liebestraum No.3 In A Flat - John Ogdon
14. Panis Angelicus - Elisabeth Schwarzkopf
15. Piano Concerto No.2 In F Op.102 - II. Andante - Dmitri Alexeev
16. Agnus Dei - Peter Barley
17. Symphony No.5 In C Sharp Minor - IV. Adagietto - New Philharmonia Orchestra
18. My Heart Will Go On - Orchestra

Customer Reviews:

The Most Relaxing Classical Album In the World Eveer, Volume II.......2006-08-28

Good selection of music, poorly performed and badly arranged. Good album for a tag sale. Same comment applies for Volume I.

Great music listein to while you read in bed.......2005-08-21

I have listened to this CD for the last several years before going to sleep at night. I love classical music, and this is great music to help make my soul feel at peace and unwind after a taxing day.

A must buy for the non-snobbish classical music fan........2004-10-22

I bought Vol. 1 of this series and was quite satisfied, but I have to say I'm more than satisfied with this one. If you can just mellow out and enjoy some great pieces, you'll love this CD. #15 on Disc 2 is almost worth the price alone!

A bliss of spirit........2004-09-18

That's disc will open You a wonderful, beautiful world of sounds, their harmony & emotion : you'll feel your heart full of
Joy, Tears, Love.
Good LUCK!

Boring.......2004-05-11

Yes this CD will put you to sleep in minutes. Its the most boring uninspiring classical music. The first CD was very good but this Vol. 2 is like most movie sequels....AWFUL !

Average customer rating: not funny An Amazing Find Urinetown the Musical Not for Everyone "DON'T BE THE BUNNY!"

Urinetown (2001 Original Off-Broadway Cast) John Cullum , Mark Hollmann , Danny Marcus , and Hunter Foster Manufacturer: RCA Victor Broadway ProductGroup: Music Binding: Audio CD General | Musicals | Broadway & Vocalists | Styles | Music Contemporary Musicals | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music Broadway & Vocalists | Styles | Blowout Music | Stores | Music Soundtracks | Styles | Blowout Music | Stores | Music Classical | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Musicals | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Urinetown: The Musical Urinetown: Vocal Selections The 25th Annual Putnam County Spelling Bee (2005 Original Broadway Cast) The Light in the Piazza (2005 Original Broadway Cast) Avenue Q (2003 Original Broadway Cast) ASIN: B00005LZR8 Release Date: 2001-08-07

Tracks:

1. Overture
2. Too Much Exposition
3. Urinetown
4. It's A Privilege To Pee
5. Mr. Cladwell
6. Cop Song
7. Follow Your Heart
8. Look At The Sky
9. Don't Be The Bunny
10. Act One Finale
11. What Is Urinetown?
12. Snuff That Girl
13. Run, Freedom, Run!
14. Why Did I Listen To That Man?
15. Tell Her I Love Her
16. We're Not Sorry
17. We're Not Sorry (reprise)
18. I See A River

Amazon.com

"How about a bad title?" wonders Spencer Kayden's Little Sally in "Too Much Exposition." "That could kill a show pretty good." It's a tribute to the skill deployed by the Urinetown creative team (Mark Hollman, music and lyrics; Greg Kotis, book and lyrics) that its title doesn't kill the show. Set in a near-future in which water depletion has led to a ban on private toilets, this may be the only musical in history in which one of the leads makes a fortune on pee. But the show (which originated Off-Broadway before graduating to the big league) limits its subversive intent to subject matter and is refreshingly classic in approach and structure--think Weill-meets-Lewis Carroll. Backed by a small ensemble, the cast (with John Cullum in a turn nothing short of brilliant as the evil urinal magnate) has a field day with Kotis and Hollman's frequently hilarious score. --Elisabeth Vincentelli

Customer Reviews:

not funny.......2007-07-25

I'd heard such rave reviews about this musical, but kept passing on chances to see it. I was turned off by the title -- and this is strange for me, a person not afraid of scatological humor. But maybe I knew something I could not say.

The funniest thing about the musical, I am now convinced, is the premise. Urinetown is a place where you have to pay to pee. A conglomerate has taken over all toilet facilities, and if you don't pay, you don't pee -- unless you go into the bushes, and risk getting arrested.

But it's just not funny. It's supposed to be a satire, but it just doesn't work. Why? I don't know. But I listened to many songs on the CD, and none of them had that true spark that makes you want to laugh. The opening number is "Too Much Exposition" making fun of musicals that open by explaining too much with words instead of action. And perhaps this song is in there to deflect criticism for the main reason this musical doesn't work -- it's too busy explaining, instead of getting on with the business of being funny.

My humor tastes: I watch the Daily Show, Colbert Report, South Park, Dave Chappelle, Dane Cook (so-so), Frasier reruns. Never watched Friends, or Everybody Loves Raymond, or Family Guy, but did watch Seinfeld (although it's not funny to me anymore). The two most recent things I saw that made me laugh out loud were 1) Larry Wilmore doing his n*gg*r skit on Daily Show and 2)an early Chappelle episode where Sesame Street characters talk about drug use

An Amazing Find.......2007-04-03

I just recently discovered this gem of a musical. It's a stand out show with a unique touch. If heard a few outside musicals (The Rocky Horror Show, Hedwig and the Angry Inch...) but this one stands out from them. The music is amazing, the lyrics are creative, and the humor is ripe.

With a chamber music-esque overture, the tone is set. 'Too Much Exposition' is a great introduction to Urinetown (the musical). Officer Lockstock addresses the audience about what they should expect from the show. Little Sally wants to let the audience in on the water shortage but Lockstock stops her. ("You're too young to understand it now, but nothing can kill a show like too much exposition." "How 'bout bad subject matter? Or a bad title, even? That could kill a show pretty good.")

I've read what others have written: you don't get the whole humor of the show unless you've seen it. I haven't seen it, but this recording is enough to get me see it. (That is, if a production nearby, even a high school production, is put on.)

The songs that I find myself listening to over and over are:

Too Much Exposition (not really a song, but still...)
Urinetown
It's A Privilage to Pee
Mr. Cladwell (a wonderfully sweet villain song)
Cop Song (a wonderfully fun villain song)
Follow Your Heart
Don't Be the Bunny
Act 1 Finale
What Is Urinetown?
Run, Freedome, Run!
Why Did I Listen to That Man?
We're Not Sorry (a great 20's sound, reminds me of 'Chicago')
I See A River (I really love this song... the feeling gotten across, before Lockstock comes out to comment, is 'Oh, everything is going to be okay', but Lockstock informs us that all is NOT well)

With a cry of "Hail Mathus!" the show ends. I just have to listen again, after making a trip to the bathroom.

Urinetown the Musical.......2007-03-10

This CD has all the songs from the show. The show is great and this rendition is about the best.

Not for Everyone.......2006-12-28

This musical is a great piece for the 21st century no doubt, that being said it takes some getting used to. The musical cannot be taken at face value, there are lots of things happening under the surface and it takes some bites at things musical theater doesn't usually take, like itself. On the surface it is strange, and not really something people would listen to over and over. However, once you figure it out, it's fun to listen to it again to find all the things that are really going on. It is very funny, and says some good things about the current state of the world. For musical theater fans this is questionable, if you just like the toe-tapping happy go lucky feel, this isn't it. But if you like the social commentary that goes along with that toe tapping, this is a must. NOT FOR FIRST TIME BROADWAY LISTNERS. Favorite Song: "Look at the Sky"

"DON'T BE THE BUNNY!".......2006-12-04

My son, a high school senior, told me his first show of this year's theatrical season was going to be "Urinetown". My response was something like ... No, really, what shows are you doing this year? Then he brought home a recording of it, and I was hooked right away by the lyrics. Over the years my son has been involved in many performances, but he and the rest of the cast had a real blast preparing for, and performing, this show! He wanted Lockstock, but was cast as Cladwell ... Owned it ... Loved it!
I am no Broadway expert by any stretch of the definition, but this show is wonderfully entertaining! You will see (and hear) snippets from other shows, you will pick up on some of even the more subtle stabs at musicals as a whole, you will groan, you will laugh and you will enjoy ... But only if you try not to take it too seriously.
Get past the title (in this case I certainly think it did not "...kill a show pretty good"), relax, and be entertained. And for goodness sake, if you have a chance to see it performed live, do so! A musical that pokes fun at itself? Yes, a refreshing departure from the norm, and worth the price of admission.

Average customer rating: BEST OPERA MUSIC EVER Time well spent. Great Score, But Highlights Missing Critical Songs Buy the full version, please Argh Matey!

Les Miserables (Highlights from the 1987 Original Broadway Cast) Alain Boublil , Claude-Michel Schonberg , and Colm Wilkinson Manufacturer: Decca U.S. ProductGroup: Music Binding: Audio CD General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music The Decca Records Store | Specialty Stores | Music Broadway & Vocalists | Styles | Blowout Music | Stores | Music Soundtracks | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Highlights From The Phantom Of The Opera: The Original London Cast Recording (1986 London Cast) Selections From Cats (1982 Original Broadway Cast) The Best Of Rent: Highlights From The Original Cast Album (1996 Original Broadway Cast) Miss Saigon (Original 1989 London Cast - Highlights) Disney's Beauty and the Beast: The Broadway Musical (Original Broadway Cast Recording) ASIN: B000084TRM Release Date: 2003-01-28

Tracks:

1. Overture/Work Song
2. I Dreamed a Dream
3. Who Am I?
4. Castle on a Cloud
5. Master of the House
6. Stars
7. Do You Hear the People Sing?
8. A Heart Full of Love
9. One Day More
10. On My Own
11. A Little Fall of Rain
12. Drink with Me
13. Bring Him Home
14. Javert's Suicide
15. Empty Chairs at Empty Tables
16. Wedding Chorale/Beggars at the Feast
17. Finale

Amazon.com

While not overly generous at 55 minutes, the highlights album of the 1987 original Broadway cast recording of Les Miserables is intelligently selected and likely to prove satisfying to most fans. It includes the best-loved numbers of Alain Boublil and Claude-Michel Schönberg's score, beautiful ballads ("Bring Him Home," "I Dreamed a Dream") and rousing anthems ("One Day More," "Do You Hear the People Sing?") alike, but eliminates some choral numbers ("Lovely Ladies"), redundancies ("Red and Black"), and connective tissue that propels the plot along ("Valjean Arrested," "Come to Me (Fantine's Death)"). Sure, a more perfect selection could have lasted longer than half of the two-disc set's 104 minutes by adding "At the End of the Day" and "In My Life," among others, but it's still a good representation on a convenient single disc. Of course, those who always want to re-create the theatrical experience will never be satisfied with a highlights album.

Re-creating their roles from the London production, Colm Wilkinson plays the heroic Valjean and Frances Ruffelle is the despondent Eponine. Randy Graff (Fantine), Terrence Mann (Javert), David Bryant (Marius), Judy Kuhn (Cosette), Michael Maguire (Enjolras), and Leo Burmester and Jennifer Butt (the Thénardiers) fill out the cast. --David Horiuchi

Customer Reviews:

BEST OPERA MUSIC EVER.......2006-11-03

This is the BEST!! I would highly recommend this to anyone who likes this kind of music!

Time well spent........2005-09-14

Each member of the Les Miserables cast stands to deliver this musical to its audience. Within moments we are transported to France during their Restoration. We experience sadness, laughter and, indeed, want to join in their crusade. The music and deliverance, in my opinion, is excellent.

Great Score, But Highlights Missing Critical Songs.......2005-08-05

Composers Alain Boublil and Claude-Michel Schönberg's score for "Les Miserables" is simply brilliant and the spectacular Broadway cast, led by Colm Wilkinson, Randy Graff, Terrence Mann, and Frances Ruffelle, help bring this incredible music to life!

While I normally enjoy "highlight" cds, this one clocks in at a mere 55 minutes and could have easily included a couple of additional tunes (thus losing one star). Most notably missing: "At The End Of The Day", "Come To Me", "Red And Black", and "In My Life". The show's most memorable songs, however, are included.

Best tracks:

I Dreamed A Dream
Master Of The House
Stars
Do You Hear The People Sing
On My Own
A Little Fall Of Rain
Bring Him Home
Empty Chairs At Empty Tables

Great cast, great score ... even a good buy. But I would suggest the full double-disc score instead.

Buy the full version, please.......2005-01-20

Highlights are never worth it. You will never get the little in-between songs which make a show complete, montages will be cut together badly instead of being full songs as they should be...so much is left out. This is a fantastic show and deserves to be heard in full.

Argh Matey!.......2004-11-22

"Highlights" albums are not the full show, blah blah blah... THIS TAKES UP ONLY ONE SPACE IN YOUR CD RACK INSTEAD OF TWO LIKE THE FULL RECORDING. I rest my case.

Average customer rating: Solid if slightly underwelming textbook-indie easy-going rock Lush and melodic masterwork? Ranks among those obligatory 90s hipster discs Get in the right mood.....

I Can Hear the Heart Beating as One Yo La Tengo Manufacturer: Matador Records ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | American Alternative | Alternative Rock | Styles | Music Indie Rock | Indie & Lo-Fi | Alternative Rock | Styles | Music Noise | Rock | Alternative Styles | Alternative Rock | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music General | Alternative Rock | Indie Music | Stores | Music Indie & Lo Fi | Alternative Rock | Indie Music | Stores | Music American Alternative | Alternative Rock | Indie Music | Stores | Music Similar Items: Loveless Fakebook The Crane Wife Daydream Nation Return to Cookie Mountain (with Bonus Tracks) ASIN: B0000036X3 Release Date: 1997-04-22

Tracks:

1. Return To Hot Chicken
2. Moby Octopad
3. Sugarcube
4. Damage
5. Deeper Into Movies
6. Shadows
7. Stockholm Syndrome
8. Autumn Sweater
9. Little Honda
10. Green Arrow
11. One PM Again
12. The Lie And How We Told It
13. Center Of Gravity
14. Spec Bebop
15. We're An American Band
16. My Little Corner Of The World

Amazon.com essential recording

We always suspected they had it in them, but who knew Yo La Tengo would finally craft a record as wholeheartedly terrific as this? Fourteen years into their career as indie rock's low-key mainstays, the Hoboken, New Jersey, trio have arrived--and it's about time. It's as though simply by sticking around long enough and doing the same thing over and over while constantly refining and focusing Yo La have evolved from scattered, record-collecting eccentrics into the true classicists of '90s indie rock. Blending elements of what has illuminated Sonic Youth, Stereolab, Pavement, and My Bloody Valentine, they've long had a clear voice but never sounded so comfortable using it. Willfully eclectic husband-and-wife multi-instrumentalists Ira Kaplan and Georgia Hubley--with third member James McNew never sounding more permanent--have previously tended to alternate between their instincts to be a pop rock band and to serve as artsy noisemakers. On I Can Hear..., the group doesn't have to choose between songs and sounds. There's noise leaking out everywhere, but it's always under control. Even the most layered soundscapes--songs like "Autumn Sweater," "Sugarcube," or "Moby Octopad"--have unforgettable melodies, with fragile harmonies to boot. "We're an American Band" (not a Grand Funk cover) could be Simon and Garfunkel singing along to the Jesus and Mary Chain. And on tracks like "Shadows" or "My Little Corner of the World," where the melody consumes everything else, deceptively simple backdrops provide a less-is-more atmosphere. Just in time for indie rock to catch up with Yo La Tengo, Yo La Tengo has caught up with itself. --Roni Sarig

Album Description

Full title - I Can Hear The Heart Beating As One. Over 65 minutes of breath-taking material recorded under smooth circumstances in Nashville, TN. 1997 Matador Records.

Customer Reviews:

Solid if slightly underwelming textbook-indie easy-going rock.......2007-04-20

3 1/2

Worthy of nearly all it's indie credibility, the seminal underground experimental pop act put forth another lengthy disc full of quirky charm and surprising eclecticism with their highly esteemed I can hear..., but seems to me this particular outing is just another deposit into an adept lo-fi bands repertoire, no more, no less. With their refined approach at nailing a catchy melody without being too obnoxious about it, Yo La Tengo prove worthy in multiple genre attempts with this musical stew of alt-rock jams. The writing is on point, and the selections remain worthy of it's modern cult classic status as earned, but anyone not directly peering into the specific time period this came out, in the context of this band's career, may find an album strangely lacking of downright amazing material. Most songs are good, quite good, though few are really great. As per usual, interesting, usually borrowed melodies are played beyond an apparent scope intended for some tracks, overstaying their welcome in distorted repetition, as competent and catchy they may be.

Lush and melodic.......2006-12-29

This was my first real exposure to Yo La Tango, and I'm hooked. It's full of all sorts of lush and melodic songs in the tradition of indie rock. Yes, I can hear the Jesus and The Mary Chain influences, but I have to say this style of music goes all the way back to Lou Reed. Not all the lyrics are intelligible and there isn't a song or group of songs that really stand out from the others. It's more like great background music than something you'd want to sing along to. All the tracks sort of melt together into this great sound.

The track "We're an American Band" is not a cover of the Grand Funk Railroad hit. While Yo La Tango's version is an above average song, what would really be interesting if they actually covered the song.

masterwork?.......2006-05-23

this album is exceptional for YLT. I often flounder between this one and 'and then nothing' being my favorites, but they are different. the variety of the songs is great but they all work together as a cohesive album, skipping tracks on this CD is completely unneccessary. there are still some great love songs and a post-punk tunes but this album is more lyrically and instrumentally mature then some of thier earlier works, such as 'Painful' or 'Electropura'. I honestly couldnt say enough about this cd, but i dont like writing long reviews... this is a personal favorite of mine

Ranks among those obligatory 90s hipster discs.......2006-05-08

There is a certain amount of unanimity amongst critics as to what discs from the 1990s should be heralded as great, and "Heart" is generally granted propitious accolades. My Bloody Valentine's "Loveless" is traditionally regarded as a superior recording, and for the most part it is. "Loveless" is an incomparable example of committed artistry, and it should garner adulations by its sheer density alone. However, I've always felt that "Heart", which for the most part exists in "Loveless"' vein of ethereal ambience, was the more immediately human and inviting record. "Heart"'s emotion exists on a unique artistic plane that few artists dare to tread, and the record's often convoluted lyrical musings are viscerally penetrating, more so than most modern pop records. Upon first blush, the band seems to rely on a relatively limited musical vocabulary throughout the album, but extended listens reveal a fairly rich tapestry of styles, sounds and impressive articulations. "Spec Bebop" is consistenly unnerving, but in at least one sense it seems like one of the most integral and necessary tracks on the record. YLT's Jesus and Mary Chain fetishism had to be illuminated at some point on "Heart", and "Spec Bebops" unrestrained entropy is a great testament to the band's willingness to explore the ether. Conversely, the apparent convention of "Little Honda", "Sugarcube" and "Deeper Into Movies" display another facet of YLT's artistic maturity, as well as the band's penchant for sheer histrionic onslaught. The solo midway through "Sugarcube" is the one of most vexing and hilariously apropos moments on any modern rock song, and it becomes apparnet that the band approaches such passages with an equal concern for irony and viability. "Autumn Sweater", perhaps due to its name alone, has become synonymous with stifled hipster love balladry, and by most accounts it stands as one of the most honest and telling rock narratives of the last fifteen years. YLT's ability to oscillate between Beach Boys sentimentality, Can experimentation and Sonic Youth flamboyance, all the while harboring a kind of self-assured ambivalence, is a sometimes startling testament to the band's musical prowess.
All analysis aside, however, I cannot imagine how a human being with an operable soul would not enjoy this record. It has an almost cosmic ability to make the listener feel genuinely good, oftentimes in a restrained and self-negating fashion that elucidates the inner hipster nerd in all of us. The sheer wantonness of "Sugarcube", the cutesie femininity of "Our Little Corner Of The World", (which, unfortunately, has taken on an inextricable involvement with "Gilmore Girls"), and the utter desolation of "Damage" converge to produce an unmistakable experience.
Sadly, there are no true Thurston Moore moments on "Heart" to measure up to "Big Day Coming" and the like, but the band more than makes up for such a discrepency.

Get in the right mood............2006-03-27

The first time I listened to this disc - it felt like nails going straight into my eardrums. We were on a road trip - not the right 'vibe' for the cd. Since I've listened to it quite a few times - and in the correct mood - feels like a really good rest!!!!!

Average customer rating: my little one loves Chicken Little this is a great kids cd!! Great soundtrack for the children, especially if they liked the movie! Her favorite gift... Chicken Little Soundtrack

Chicken Little Manufacturer: Disney ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Pop | Styles | Music Pop Rock | Pop | Styles | Music Teen Pop | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Motown | R&B | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Disney | Children's Music | Styles | Music Disney Records | Amazon.com Label Stores | Stores | Music $9.99 and Under | Blowout Music | Stores | Music Pop | Styles | Blowout Music | Stores | Music Alternative Rock | Styles | Blowout Music | Stores | Music R&B | Styles | Blowout Music | Stores | Music Soundtracks | Styles | Blowout Music | Stores | Music Classical | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music $9.99 and Under | Prices | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Madagascar Cars Disney's Karaoke Series: Chicken Little Chicken Little Shrek 2 ASIN: B000BBOVEY Release Date: 2005-11-01

Tracks:

1. Stir It Up - Patti Labelle
2. One Little Slip - Barenaked Ladies
3. Shake A Tail Feather - The Cheetah Girls
4. All I Know - Five For Fighting
5. Ain't No Mountain High Enough - Diana Ross
6. It's The End Of The World As We Know It (And I Feel Fine) - R.E.M.
7. We Are The Champions - Chicken Little
8. Wannabe - Abby Mallard And Runt Of The Litter
9. Don't Go Breaking My Heart - The Chicken Little Cast
10. The Sky Is Falling - John Debney
11. The Big Game - John Debney
12. Dad Apologizes - John Debney
13. Chase To Cornfield - John Debney
14. Dodgeball - John Debney
15. Driving With Dad - John Debney

Amazon.com

This soundtrack offers a pretty standard mix of new songs, old chestnuts, and excerpts from the score (here by John Debney). On the new tip, Joss Stone and Patti LaBelle engage in an overheated battle of the divas on CD opener "Stir It Up," a bouncy piece of fluff that sounds more like Aretha Franklin circa "Freeway of Love" than classic soul. Other originals include Barenaked Ladies' "One Little Slip" (this movie's answer to Counting Crows' "Accidentally in Love" from Shrek 2) and the Cheetah Girls' peppy-but-bland cover of "Shake Your Tail Feather." But the real highlights are the songs performed by the movie's vocal cast, which includes Joan Cusack, Garry Marshall, Zach Braff, Steve Zahn, and Amy Sedaris. Their group cover of Elton John and Kiki Dee's "Don¹t Go Breaking My Heart," for instance, sounds as if half of them were drunk in the recording studio (and this is meant as a compliment.) Braff's a cappella version of "We Are the Champions" is smashing and Cusack and Zahn's take on the Spice Girls' "Wannabe" is completely demented. The kids will laugh; their parents will laugh even harder for completely different reasons. --Elisabeth Vincentelli

Customer Reviews:

my little one loves Chicken Little.......2007-04-05

My husband bought the Chicken Little movie for our 3 year old (mostly to get us OFF the Cars movie that we all have memorized) and he fell in love with it! He likes to act out the scenes and loves the music. He loves this CD at night when he's going to bed. We all have to dance to One Little Slip (he knows all the words) and then we have to "shake our tail feathers" before he jumps in bed every night! I enjoy the cd too, so it's good for everyone!

this is a great kids cd!!.......2007-03-24

My daughter absolutely loves this cd. I could not find it anywhere until i looked on amazon, so thank you amazon!!

Great soundtrack for the children, especially if they liked the movie!.......2007-03-14

My son loved the movie Chicken Little, so we decided to purchase this for him to listen to on his discman. He loves the soundtrack as much as the movie, which made it an awesome investment(especially since the soundtrack has many good singers that aren't too hard on the ears for the adult crowdes either). My son was very happy with this item, and so was I.

Her favorite gift..........2006-12-23

I bought the CD to accompany the movie. My four year old watches the movie everyday. When I gave her the CD, after listening to it nightly, she takes it to bed with her everynight where I have to pry it out of her hands after she falls off to sleep. I don't get it, but she does...so it's worth what I paid for it.

Chicken Little Soundtrack.......2006-08-29

This is a great soundtrack from a variety of different artists. If your child loved the movie you will absolutely love this CD!!!

Average customer rating: One of the best ever! Kristen Chenowith Has its moments Great CD! This woman has what it takes, and then some...

Let Yourself Go Kristin Chenoweth , Jule Styne , George Gershwin , Richard Rodgers , Jeanine Tesori , Kurt Weill , Jerome Kern , Vincent Youmans , Ricky Ian Gordon , Richard Dworsky , Lawrence Ellington Duke / Brown , Harry Warren , Bobby Troup , Jason Alexander , Irving Berlin , Rob Fisher , and The Coffee Club Orchestra Manufacturer: Sony ProductGroup: Music Binding: Audio CD All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Weill | Weill, Kurt | ( W ) | Featured Composers, A-Z | Classical | Styles | Music Marches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Opera & Vocal | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Vocal Pop | Pop | Styles | Music Traditional Pop | Oldies | Pop | Styles | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Musicals | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: As I Am Still I Can't Be Still You're a Good Man, Charlie Brown (1999 Broadway Revival Cast) Leonard Bernstein's Candide (Great Performances) WICKED: THE GRIMMERIE, A BEHIND-THE-SCENES LOOK AT THE HIT BROADWAY MUSICAL ASIN: B000059T4T Release Date: 2001-05-29

Tracks:

1. Let Yourself Go
2. If
3. How Long Has This Been Going On?
4. My Funny Valentine
5. Hanging Around with You (with Jason Alexander)
6. The Girl in 14G
7. I'll Tell the Man in the Street
8. I'm a Stranger Here Myself
9. Nobody Else But Me
10. Nobody's Heart Belongs to Me/Why Can't I?
11. Should I Be Sweet?
12. He's Just an Ordinary Guy
13. Going to the Dance with You
14. On a Turquoise Cloud
15. You'll Never Know
16. Daddy

Amazon.com

Kristin Chenoweth won a Tony for the supporting role of Sally Brown in the 1999 revival of You're a Good Man, Charlie Brown, made a memorably vampy Lily in the 1999 television film of Annie, and had an NBC sitcom created for her, Kristin! Now she grabs the spotlight in Let Yourself Go, her first solo recording. She mixes torchy standards ("My Funny Valentine," "How Long Has This Been Going On?") with Faith Prince-style sauciness ("If"), gets to show off her operatic and scat chops in the miniplay "The Girl in 14G," and shares a light duet with Jason Alexander (reviving his musical theater career post-Seinfeld). Perhaps her "Stranger Here Myself" isn't the weightiest you've ever heard, but this is an enjoyable album with a good deal of old-fashioned class, expertly accompanied by Rob Fisher and the Coffee Club Orchestra. --David Horiuchi

Customer Reviews:

One of the best ever!.......2007-04-24

Do I mean the best album or the best singer? You are correct if you said both! I saw Kristin Chenoweth on a PBS show "Broadway's Best at the Pops," (though it was not the first time I had heard her) and decided to check out the offerings here. This is a collection of the kind of music and performances I love. She has a great range, a precise pitch, and a great style that is at the same time true to the music and to herself. In an era when singers try to outdo each other re-interpreting the composer's original work, not usually with great success, she is a blessing!

Kristen Chenowith.......2007-02-26

I bought this CD for the Girl in 14G. Yes, it's that good...

Has its moments.......2007-02-19

After watching Candide endlessly and going to see Ms. Chenoweth in The Apple Tree, I was hungry for something more portable to listen to. At times this fits the bill, but what surprised me the most is how thin her voice comes across on this recording. Perhaps it was the joy of seeing her live that has ruined this listener; perhaps I need to upgrade my aging music system. Then again, maybe the recording is just not as good as Ms. C singing Bernstein or as good as staring at Ms. C command a Broadway stage.

Great CD!.......2007-01-19

I truly enjoy listening to this CD. Kristin Chenoweth's vocal style and abilities are very well-matched to the songs selected for this album. If you enjoy classic, older-style Broadway/popular tunes, I would highly recommend this CD. Ms. Chenoweth has a bright, expressive voice and does a fantastic job with this material.

As with any full-length CD, there are a couple of songs I am not as crazy about, but that has to do with the songs themselves, not Ms. Chenoweth's vocal performance. Overall, I love this album and have listened to it several times now, since receiving it as a Christmas gift last month.

This woman has what it takes, and then some..........2007-01-12

Kristin Chenoweth brings new life to some timeless Broadways tunes while introducing a few wonderful new ones. This high pitched vocal goddess effortlessly provides for a nearly flawless and easy listening experience. I definitly recommend this CD for anyone who enjoys jazz vocals, showtunes, or just a new spin on some old classics.

Average customer rating: The Voice is still Powerful but... Celine Does Dance/pop and a few ballads................. Wonderful, As Always The voice which brings you too places where the sky is no limit So good @}->---

One Heart Celine Dion Manufacturer: Sony ProductGroup: Music Binding: Audio CD General | Dance & DJ | Styles | Music General | Dance Pop | Dance & DJ | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Contemporary | Vocal Pop | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music General | Adult Contemporary | Pop | Styles | Music General | Broadway & Vocalists | Styles | Music Musicals | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: A New Day Has Come Let's Talk About Love All The Way...A Decade of Song The Colour of My Love Falling into You ASIN: B000089GIO Release Date: 2003-03-25

Tracks:

1. I Drove All Night
2. Love Is All We Need
3. Faith
4. In His Touch
5. One Heart
6. Stand By Your Side
7. Naked
8. Sorry For Love
9. Have You Ever Been In Love
10. Reveal
11. Coulda Woulda Shoulda I
12. Forget Me Not
13. I Know What Love Is
14. Je T'aime Encore

Amazon.com

To call Celine Dion predictable would be too easy--other divas should be so lucky to still be walking her platinum path. As Whitney Houston and Mariah Carey struggle to update their sounds without losing their core following, Celine keeps on delivering power ballads and inspirational pop without ever losing her footing. What sets One Heart apart from her previous chart-toppers is an unrelenting theme of joy and believing in one's self. From the car-commercial-driven tempo of "I Drove All Night" (Dion's equivalent to Cher's "Believe") to the "power of one" message in "Love is All We Need," the album bristles with an upbeat mood that--even for non-fans--can be hard to resist (it's important to note that there is no chest-thumping heartbreak here). Small concessions to staying in step with pop trends appear on the dance-floor tracks (which bring to mind Shania Twain and even Britney Spears), but ballads like "In His Touch" and "Have You Ever Been in Love" stick to the tried-and-true formula of allowing Dion's impressive voice to take center stage. As she settles in for an extended stay at Caesar's Palace in Las Vegas, One Heart is both well timed and well executed. It contains no surprises, but then, besides her voice, that's one of Dion's biggest assets. --Rebecca Wallwork

Album Description

International edition of her 2003 album features two bonus tracks, 'Forget Me Not' and 'I Know What Love Is'. 14 tracks in all including the hit single, 'I Drove All Night'. Sony.

Customer Reviews:

The Voice is still Powerful but..........2007-05-16

As usual Celine displays wonderful vocal ability but the material isn't that exciting. This is my least favorite recording by her.

Celine Does Dance/pop and a few ballads........................2007-03-02

This is a good upbeat cd.
1) I Drove All night-Pop/dance song, really good. Her vocals really shine. Excellent.

2)Love is All we Need-Pop song, kind of sounds like a Britney Spears song but with better vocal work. Good.

3)Faith-Pop song, upbeat with a slower tempo. It's ok.

4)In His Touch-A slow ballad song. Kind of boring I skip it.

5)One Heart-A dance/pop song. Very upbeat.

6)Stand By Your Side-A ballad song. Kind of boring I skip it.

7)Naked-Upbeat pop song. Very beautiful lyrics.

8)Sorry For Love- A re-hash from 2002. It's a slower verison of the song but well done.

9)Have You ever been in Love-A re-hash of 2002. The same version. Still a great song.

10)Reveal-Dance song. I love this song. Beautiful lyrics, and a great beat.

11)Coulda Woulda Shoulda-A pop song it's ok but I usually skip it.

12)Forget me Not-A ballad song, it's kind of catchy.

13)I know What Love is- A ballad song, kind of boring but her vocals are good I usually listen to it.

All in all a good cd. I wasn't surprised at all because it was a change for Celine (not all ballads). All a follower of Celine for a over a decade I wish they didn't repeat 2 songs from the other Cd. It isn't her best but pretty good.

Wonderful, As Always.......2007-01-04

I love every single Celine Dion album, but this one has a special place in my heart, tied with the previous album. She taps into such amazing songwriters and lyricists that none of her songs could be confused with any previous song she's sung. Each song is a new, fresh, unique experience. After loving her from her French albums to her very first English release to her most recent endeavors, she doesn't disappoint and knows how to keep the music fresh and relevent. Her music doesn't become dated or tired. This album, in my opinion, is very much under-rated, and I'm surprised it hasn't had more attention. It certainly deserves airtime on the radio much more than some of the tripe that's out there right now.

The voice which brings you too places where the sky is no limit.......2006-08-02

Celine Dion, a mega selling artist seldom dissapoints. This Cd shows the power of love with her power voice from heaven above.
Track 1 Drove all night, is a minddriven pop song which has most of the elements in it to "make the day", when it comes to cleverness to swing your soul and heart in a happy direction. An extragavanza solid popsong. Track 2 Love is all we need is something of a "Britney Spears"rip off,but Dion`s voice sparks more quality in the voice departement way above Spears sometimes irritating cackling voice. Track 3 Faith has an open sound picture, with Dion`s voice lifting the song up there where the sky is no limit. It`s very difficult to point out with words to describe here great voice register, which pushes your feelings in directions where youre innervoice screams for more. Great passion on every note is maybe the right word. This one gives you anyway faith, much of it so to speak. Track 4 In his touch is an ok ballad, which mixes Dions voice in front of the soundpicture. The voice is the great thing. The song is an average affair, but all in all ok. Track 5 One Heart,are back in the more snappy pop rythmic style. It`s an effective heartbeater which makes it. Track 6 Stand by your side makes a journey back to the ballad department, but soon speeds up the tempo to an ok popsong. Track 7 Naked is a minor funky popsong, where here voice is mixed more back in the overall soundpicture. Not extraordinary, but good. Track 8 Sorry for love is back in typical Dion style. Earbalsamic is probably the right word to describe the experience. Track 9 Have you ever been in love, is in the department of strong love songs, with Dion`s romantic touches drizzle like angeldust in your ears. Pure eargasm. Track 10 Reveal begins weak, but then it spins into more interesting territory, but all in all a minor letdown. Track 11 Could woulda shoulda, is in the funky Dion department, where the magic is in Dions voice, which sparks in you ear from high and low tone`s and vica versa. Track 12 Forget me not, is a minor let down. A clicheridden ballad song. Track 13 I know what love is an ok song affair, but the arrangement is overkilled. Track 14 Jet`aime Encore, is in the country pop genre, and is a good listen. Simpel and straight to the point. Anyway Celine Dion has a voice which brings you to places where sometimes the sky is no limit to descibe your`e listning experience.

So good @}->---.......2006-04-13

Celine is undoubtedly one of the best female singers around. Even if you don't like her, you know she is talented and has a superb voice. This cd is one of my favourites of hers. Reveal and I Drove All Night are the best songs here and the whole cd is great, but they are the standouts.
I was very lucky to see her at Caesars Palace last year where when she performs live, she's amazing. If however you don't get a chance to see her perform, then get her cds. Make sure this one is on top of your list because it's one of her absolute bests.

Average customer rating: Sublime and ridiculous Eeeeeeeeeeewwwwwww Better than I thought it would be Brava Renee Art is always new.

Haunted Heart Paul McCartney , Gustav Mahler , Joni Mitchell , Emile Paladilhe , Arthur Schwartz , James ("Jimmy") Van Heusen , Various Composers , Heitor Villa-Lobos , Jimmy Webb , Richard A. Whiting , Stevie Wonder , Guy Wood , Bill Frisell , Fred Hersch , and Renée Fleming Manufacturer: Decca ProductGroup: Music Binding: Audio CD Foster, Stephen | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mahler | Mahler, Gustav | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Villa-Lobos, Heitor | ( V ) | Featured Composers, A-Z | Classical | Styles | Music General | Villa-Lobos, Heitor | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Jazz | Styles | Music General | Opera & Vocal | Styles | Music General | Vocal Pop | Pop | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: Sacred Songs Renee Fleming - The Beautiful Voice ~ Gounod, Lehaair, Orff, Puccini, Rachmaninov, Strauss Renée Fleming Handel Renee Fleming: By Request ASIN: B0007Z9QUS Release Date: 2005-05-10

Tracks:

1. Haunted Heart
2. River
3. When Did You Leave Heaven?
4. You've Changed
5. Answer Me
6. My Cherie Amour
7. In My Life
8. The Moon Is A Harsh Mistress
9. Wozzeck/The Midnight Sun
10. Liebst du um Schit
11. My One And Only Love/This Is Always
12. Can do Amor
13. Psych
14. Hard Times Come Again No More

Amazon.com

While countless fans flock to see soprano Renee Fleming's performances of the Countess in The Marriage of Figaro because she's got the voice and the dramatic ability to handle such meaty roles, the versatile singer throws her fans a curveball on Haunted Heart, singing popular standards and ballads as well as a few altered classical pieces. In her liner notes, Fleming calls this album a "look back at the road not taken" -- she played a weekly gig in a jazz club while in school. Nonetheless, her feel for the material here is undeniable. Interestingly, she drops her voice a full octave from her usual tessitura, and the change reveals a robust gospel-oriented approach filled with dramatic breaths and moans. The lyrical Fred Hersch (piano) and the idiosyncratic Bill Frisell (guitar) provide support, and both are adventurous jazz players who create subtle and uniquely haunting backdrops. It adds up to an interesting cross-section of ideas well carried off by the generous talents of all involved. --Tad Hendrickson

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Interview with Renee Fleming
Renee Fleming speaks about recent projects, including her memoir The Inner Voice and her recent Handel CD, in our interview.

Customer Reviews:

Sublime and ridiculous.......2007-06-13

The sublime: much of the artistry of this recording is about sound, and the subtle blending/responding of voice with guitar sounds and / or piano sounds. It is in the sensitive musical interplay between the artists where this effort shines. Definitely not recommended for road trips!

The ridiculous: Fleming ended the majority of most phrases in most of the songs with a guttural of some sort which for me becomes irritating to the point of distraction. These punctuations are mostly quite awful: really tasteless, clumsy, and overused big time and I'm amazed at how this ever got released. Without these ersatz testifyin' noises this CD would be stunning.

So, if you have the ability and inclination to edit out this garbage from your perception as you listen I think you'll be glad you experienced these artists at work together. (Unfortunately I'm not up to it).

Eeeeeeeeeeewwwwwww.......2007-06-06

Ugh. Like a manufactured home vs. a stick-built house, Fleming's manufactured (aka "training and technique") blues voice compares unfavorably to other jazz/blues singers/lounge acts. Would not, COULD not, listen to this recording straight through--one big long, breathy, minor key train wreck in the making. Took the CD on a road trip and had to pull over and remove from queue--either that or drive into a wall.

Better than I thought it would be.......2007-04-10

I have to admit, Haunted Heart was a lot better than I thought it would be,especially her recordings of "River", "The Moon's a Harsh Mistress, "My Cherie Amour" and "In my life".
I think this is the most artistically successful recording of Pop/Jazz by a classical singer. I enjoyed it even better than the Anna Sophie Von Otter'/ Elvis Costello CD.
The perspective I am coming from is that of a classical singer who started out as a pop singer/songwriter. I perform and teach cross-genre but love a world class instrument such as Flemming's
I wanted to get the perspective of a friend who used to sing jingles and is also a trained singer but is usually critical of any attempts that opera singers make at crossing -over.
My friend is very familiar with Flemming's voice, but did not recognise it in this context when I played the CD for her. Her reaction was very complimentary, although she did comment that the diction was a bit strange.
She then played it for her brother a well known jazz singer and arranger who had a somewhat negative reaction.He found the singing to be overly dark and round. He prefers a cleaner more 'spoken' approach to this style of singing. I understand this perspective and therefore personally prefer Ella to Sarah as well, but let's not get too picky. Obviously, Rene Flemming is of the Sarah Vaghan School of jazz singing, which is not too shabby.

I will continue to enjoy this CD and will wait for another opera diva to top this one. But, somehow I think the next really good CD of Pop/ jazz from an opera star will also come from Rene.

To those who have been unreasonably mean and negative towards her, I can only say you are not fit to polish her shoes!

Brava Renee.......2007-04-09

This talented woman can sing anything. I really enjoyed this cd with the lights turned down and a glass of wine to relax after a very stressful day at work. Renee could definitely have another singing career outside of opera should she choose. Hearing her drop that gorgeous voice down one octave rivals the best chanteuses in the business - Cassandra Wilson, Nancy Wilson, Regina Belle, Sarah Vaughan, etc. This cd of different musical styles reminds me of Nina Simone and Cassandra Wilson, two great singers whom could interpret any song genre and make their versions special. I loved all the songs and the standouts here are "Haunted Heart", "River", "My One and Only Love", "My Cherie Amour", "Cancao do Amor", and Beatles "In My Life", and "Hard Times Come Again No More".
I hope Renee keeps recording whatever catches her fancy because I'll certainly always listen.

Art is always new. .......2007-03-10

Renee Fleming is an artist bringing us something new, and beautiful. The poor will always be with us as manifest in those who resent other's movement from their established zones. Renee Fleming is a great female voice with accomplishments her detractors will never have, but in their dreams.

I welcome Renee's elan demonstrated with her recent recordings, Love sublime with Brad Mehldau, and Haunted Heart with Fred Hersch and Bill Frissell. Bravery, fun, and talent combined by artists and for people who are listening. Hearing long time favorites Mehldau, Hersch, and Frissell is all the more sublime.

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