Chicago Transit Authority [Box set] [Original recording remastered]

Amazon.com
Having morphed--some would argue devolved--into a predictable ballad machine by the '80s, it's good to be reminded of Chicago's original artistic ethos and vibrant promise. And what better place to start than their spectacular 1969 debut? This digitally remastered edition compiles the double album on a single disc that retains the original LP artwork and features a 16-page booklet with a retrospective essay (based on new band member interviews) by David Wild. Chicago weren't yet the '70s hit-singles factory they would shortly become, and CTA showcases a band whose muscular musicianship and creative restlessness fostered two LPs worth of music that was as aggressive and far-ranging as its singles were friendly and inviting. Tellingly, the hits showcased here--"Does Anybody Know What Time It Is?" "Beginnings," "Questions 67 and 68," and their rhythmically pumped cover of the Spencer Davis Group's "I'm a Man"--were often edited down from the original collection's suite-heavy structure. But those familiar cuts belie the downright progressive and angular nature of much of the rest, which fuses Terry Kath's neo-psychedelic guitar (which careens to noisy, feedback-laden Hendrixesque extremes on "Free Form Guitar") to one of rock's pioneering horn sections with enough experimentalism ("Poem 58") that it frequently overwhelms their undeniable genius with a pop song. Chicago would seldom sound so adventurous after this, one of rock's greatest debut albums. --Jerry McCulley

Product Description
Remastered and repackaged edition of their 1969 album. Features 'Beginnings', 'Does Anybody Really Know What Time It Is', 'Questions 67 And 68', 'I'm A Man', 'South California Purples' and more. Digipak in a slipcase with a 16-page booklet featuring complete lyrics and detailed liner notes by Rolling Stone contributing editor David Wild. 2002.

Chicago Transit Authority,Chicago,Rhino / Wea,Adult Contemporary,Jazz-Rock,Pop,Pop/Rock,Rock,Rock/Pop,Soft Rock

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Chicago Transit Authority [Box set] [Original recording remastered]

Average customer rating: Upgrade to old LP record CTA Review When Chicago was electrifying.... Don't buy from CDNOW Preferred Buyer's Club Excellent

Chicago Transit Authority Chicago Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Album-Oriented Rock (AOR) | Classic Rock | Styles | Music General | Pop | Box Sets | Stores | Music Pop Rock | Pop | Box Sets | Stores | Music General | Rock | Box Sets | Stores | Music Classic Rock | Box Sets | Stores | Music Rhino Records | Amazon.com Label Stores | Stores | Music Similar Items: Chicago II (Repackaged) Chicago III Chicago V Chicago VII Chicago VI ASIN: B000069KGM Release Date: 2002-07-16

Tracks:

1. Introduction
2. Does Anybody Really Know What Time It Is?
3. Beginnings
4. Questions 67 And 68
5. Listen
6. Poem 58
7. Free Form Guitar
8. South California Purples
9. I'm A Man
10. Prologue, August 29, 1968
11. Someday (August 29, 1968)
12. Liberation

Amazon.com

Having morphed--some would argue devolved--into a predictable ballad machine by the '80s, it's good to be reminded of Chicago's original artistic ethos and vibrant promise. And what better place to start than their spectacular 1969 debut? This digitally remastered edition compiles the double album on a single disc that retains the original LP artwork and features a 16-page booklet with a retrospective essay (based on new band member interviews) by David Wild. Chicago weren't yet the '70s hit-singles factory they would shortly become, and CTA showcases a band whose muscular musicianship and creative restlessness fostered two LPs worth of music that was as aggressive and far-ranging as its singles were friendly and inviting. Tellingly, the hits showcased here--"Does Anybody Know What Time It Is?" "Beginnings," "Questions 67 and 68," and their rhythmically pumped cover of the Spencer Davis Group's "I'm a Man"--were often edited down from the original collection's suite-heavy structure. But those familiar cuts belie the downright progressive and angular nature of much of the rest, which fuses Terry Kath's neo-psychedelic guitar (which careens to noisy, feedback-laden Hendrixesque extremes on "Free Form Guitar") to one of rock's pioneering horn sections with enough experimentalism ("Poem 58") that it frequently overwhelms their undeniable genius with a pop song. Chicago would seldom sound so adventurous after this, one of rock's greatest debut albums. --Jerry McCulley

Album Description

Remastered and repackaged edition of their 1969 album. Features 'Beginnings', 'Does Anybody Really Know What Time It Is', 'Questions 67 And 68', 'I'm A Man', 'South California Purples' and more. Digipak in a slipcase with a 16-page booklet featuring complete lyrics and detailed liner notes by Rolling Stone contributing editor David Wild. 2002.

Customer Reviews:

Upgrade to old LP record.......2007-05-30

This is the first LP which started me buying this music. I have just upgraded my worn out record to a CD because this band still sounds good after over 30 years. Suggest those younger than 30 give it a try and hear how big band music really should sound.

CTA Review.......2007-05-24

It didnt take much convincing. My sister has the original LP and I used to play them constantly. Throught the years Ive bought this cassette several times and played them til they wore out. Now Im glad to have it on CD

When Chicago was electrifying...........2007-04-13

Chicago is a nasty city. The sports teams always lose, the weather is that of extremes (bitter cold, stifling, humid summers), and it tends to get ignored in favour of NYC and L.A.. But some great music came out of that city, and Chicago (the band) is an example. This is one of the greatest debuts in rock history, an album full of life, vigor, experimentation, intelligence, and rock and roll. Terry Kath especially shines on this album, with his blistering guitar work on Introduction, Poem 58 (his best song here), and Free Form Guitar. Most people who grew up listening to Chicago in the 1980's when they were making pop friendly, AOR music would absolutely freak at this song, and most of this album. There are pop tracks, like Does Anybody Know What Time It Is? and Beginnings, but they are adventurous, complex pop songs, and Lamm's piano solo on Time (usually edited on the single version) is beautiful. KAth's gravely voice is as amazing as his guitar work. Their cover of I'm a Man is better than Winwood's original, and Liberation is an amazing track in which to conclude. It's 14 1/2 minutes of jazz/rock fusion mayhem. Chicago was as good as any jazz/rock, prog rock band out there for the first 4 albums or so. Their pop songs, while not awful, certainly didn't have the adventure you have here.

Don't buy from CDNOW Preferred Buyer's Club.......2007-03-29

I never got the CD and Amazon and CDNOW Preferred Buyer's Club ignored my emails. Go to a real store and buy your music.

Excellent.......2007-03-09

I bought this CD for my brother's birthday, upon his request. He told me he absolutely loves it, and has listened to it non stop in his car to and from work.

Very satisfied customer in Ohio.

Average customer rating: Hendrix with a horn section! Don't believe the hype Fantastic music from a golden era !! Progressive Rock with a Jazz Twist Breathtaking beginning for a brilliant, brassy band

Chicago Transit Authority Chicago Manufacturer: Chicago Records ProductGroup: Music Binding: Audio CD General | Jazz | Styles | Music General | Pop | Styles | Music Soft Rock | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Adult Contemporary | Pop | Styles | Music General | Rock | Styles | Music Album-Oriented Rock (AOR) | Classic Rock | Styles | Music General | Pop | Indie Music | Stores | Music Pop Rock | Pop | Indie Music | Stores | Music Classic Rock | Rock | Indie Music | Stores | Music Similar Items: Chicago III Chicago II (Repackaged) Chicago III Chicago VI Uh-Huh ASIN: B0000021RB Release Date: 1995-02-28

Tracks:

1. Introduction
2. Does Anybody Really Know What Time It Is?
3. Beginnings
4. Questions 67 And 68
5. Listen
6. Poem
7. Free Form Guitar
8. South Californica Purples
9. I'm A Man
10. Prologue, August 29, 1968
11. Someday (August 29, 1968)
12. Liberation

Amazon.com

Formed in 1967, the Chicago Transit Authority echoed the concepts of Blood, Sweat & Tears by adding a jazzy horn section to their rock sound. Before shortening their name due to pressure in their hometown, the CTA released this impressive debut album. Featuring the vocals of keyboard player Robert Lamm, guitarist Terry Kath, and bassist Peter Cetera, Chicago's sound was smoothly orchestrated one minute and overtly raucous the next. The late Terry Kath indulged himself in "Free Form Guitar" and wailed aggressively in the cover of the Spencer Davis Group's hit, "I'm a Man." Robert Lamm wrote most of the original material, including the successful "Beginnings" and "Does Anybody Really Know What Time It Is." This record shows Chicago fully formed and sounding great. --Mitch Myers

Customer Reviews:

Hendrix with a horn section!.......2007-05-06

Not that that is a "bad" thing--because to my ears, it's not. But the point I'm making is to show you how much the focus of this band's music had shifted from the first album to future albums. And if I didn't know any better, I would have thought that this album was a vehicle for guitarist Terry Kath's solo career. If you listen to this album throughout, you can make the conclusion that this was Terry Kath's album, as he was pretty much given free room to roam on virtually every track unrestrained--including his own pyrotechnic "freak-out" number, "Free Form Guitar". This is a far cry from even the next two albums, when the horns, which were supposed to be Chicago's trademark in the beginning, seem to at least share as much or more of the soloing. Much later, it would become ALL horns!
But it looks like in the beginning, Chicago was largely a "guitar-based" band, centering around Terry Kath, who also shared a lot of the singing in the early days. It didn't seem to be Peter Cetera's band, as it seemed to come to be known many years later. The singing was shared a lot between Terry Kath, and organist Robert Lamm--who in my opinion, has one of the classiest singing voices in rock, especially on one of Chicago's most beautiful ballads--"Beginnings". As Chicago and Santana both played many of the same rock festivals during this period, it was easy to see a lot of similarities between Lamm and Gregg Rolie from Santana, as both men, similar in appearance, seemed to be the singing organists who stoked the engines of their repsective large bands--but Lamm was much less the organist than Rolie was for Santana. Perhaps, however, he was a better songwriter.
But again, I see this as largely a guitar player's album. Every aspiring guitar player should give this one a listen. Pay close attention to Terry Kath's techniques, feel, tone, distortion, and choice of amplification, because it is "smokin'" hot, and some of the best of 1969. In fact, I would register this among the best guitar albums of 1969--I know that sounds strange for a group known mostly for horns, but Terry Kath's contributions to rock guitar can simply not go ignored!

Don't believe the hype.......2006-08-06

My favourite Chicago moments largely occur from 1976 and before: during the time when they gave more vent to their impulses to infuse slightly jazz-tinged horn charts into their rock and ballads. Unlike probably the bulk of their fans, I don't remember the initial release of the albums (born in 1970) so it was with high hopes of unearthing a "lost classic" that I came to this album. My hopes were mostly dashed.

For the unitiated, Chicago Transit Authority (the band shortened their name after a legal threat from the Windy City subway system) married horn charts and a jazz sensibility to rock guitar at this point. (They would later evolve into adult contemporary pap merchants in the 80s with Cetera at the helm.)

HIGHLIGHTS:
The still popular "Does Anybody Really Know What Time It Is?" continues to be one of the band's nicest combinations of melody, a bit of somewhat jazzy improv, and a memorable hook: in the AM radio "single edit" anyhow. Here you also get a meandering piano prelude that doesn't really progress into the melody properly. The epic "Beginnings" is probably the best synthesis of the band's chops and a good tune. It runs long but doesn't overstay its welcome unlike others on here. When Pankow's trombone blast cuts in, the moment is ebullient rapture rather than the lazy wandering that mars other cuts on the disc. Somewhat bluesy "South California Purples" is a decent mid-tempo chugger. A charging cover of Spencer Davis Group's "I'm a Man" nearly stands up to the original's power.

LOWS:
"Free Form Guitar" is wankery of the first order. All "check out my technique" and no "dig the melody". What differentiates Kath and other guitar luminaries like Hendrix or Clapton is the ability to know when to STOP. Kath doesn't seem to find that line here. The self-important politics of "Prologue, August 29th, 1968" (a soundbite of protests before that year's Chicago Democratic Convention that led to riots) may have made this album "relevant" at the time but now it renders the disc more dated than Kath's prominent wah-wah. "Poem 58" and "Liberation" begin promisingly enough but my attention's wandering about 2 minutes in.

BOTTOM LINE:
Chicago at their best continues to be as a singles band. Only 'jam-band' fans should find the whole CD essential, otherwise you can get the best bits here on the 2CD anthology or the single CD set Chicago IX: Greatest Hits. Average 70s effort overall.

Fantastic music from a golden era !!.......2006-05-30

Want to hear something different and ground breaking? Well this album delivers both in spades !! As a mere 16y old in the late 1960's I was used to the very special music that was being made both in England and the US. However I was not prepared for this. This wasn't "progressive rock", "jazz" "pop" or "blues". In fact it couldn't be categorised and that's where the beauty of this music lays. Right from the outset your ears will wonder where the tunes will take you next. How can for instance "free form guitar" and "does anybody know what time it is ?" be on the same album. Would this be the case today ? I won't say anything further...just to invite you to listen to probably the most inventive a technically brilliant piece of music you might ever come across. And I mean cw Pet Sounds or any of the Beatles output !!!!

Progressive Rock with a Jazz Twist.......2006-04-07

Those who are familiar with Chicago of the 1980s and beyond will likely not know the original incarnation of Chicago at all. This music in 1969 was fresh, original, and, looking back, very progressive. At the time the music was called by some jazz-rock fusion, which the booklet included with the album explains was a marketing move. Today we know such music in all its incarnations as progressive rock.

An amazing six of the twelve tracks from this CD were released as singles during the three years the album was on the Billboard top 100. Of the six, five had to be edited because of their excessive length. In those days, when FM was considered somewhat "underground" because of the paucity of FM stations and receivers, FM was the only place to hear these cuts in their unedited entirety.

Ardent fans of Chicago will recognize most if not all these hits by their titles: "Does Anybody Really Know What Time It Is?," "Beginnings," "Questions 67 and 68," "Listen," "Poem 58," and "I'm a Man." I admit that while I recognize most of these songs when I hear them, the titles often do not match well to the lyrics. Even casual fans of Chicago would likely recognize most of these songs from the airplay they received in the late 60s and early 70s, and the airplay they continue to receive on classic rock stations.

Some of the songs in their unedited album versions are unfamiliar. The extensive piano introduction to "Does Anybody Really Know What Time It Is?" gives the song an even stronger jazz influence than the song proper. "Beginnings" starts out like the version released for radio, but it is nearly eight minutes long on the CD, adding an extended instrumental exit that adds jazz and Hispanic elements.

While the term jazz-rock does seem to classify much of this music, this first effort was experimenting with a variety of genres. "Free Form Guitar" uses heavy feedback in a style strongly reminiscent of Jimi Hendrix. Music such as "Free Form Guitar" make "Chicago Transit Authority" as experimental in some ways as the contemporary "In the Court of the Crimson King" by King Crimson, considered one of the key milestones in progressive rock.

The last selection on this CD, "Liberation," has riffs that feel like some of the heavier music of the 60s, and manages to be sufficiently free-form that you might wonder whether this recording was the first time that Chicago played this music in exactly this way. While there is a jazz influence in this song, it is a very psychedelic rock song.

The music in this album is all over the map in a way, from pop influenced songs like "Does Anybody Really Know What Time It Is" to the bizarre guitar instrumental of "Free Form Guitar." Every cut shows the breadth of talent and ability of a group that should be considered progressive in its first incarnation. Even the pop influenced songs generally have only pop portions, with incredible layered instrumentals surrounding the pop portions. This album contains absolutely phenomenal, ground-breaking rock music, a must-have for any fan of progressive rock and cutting edge music of all eras.

Breathtaking beginning for a brilliant, brassy band.......2005-08-30

The band Chicago, fresh out of the gate, champing at the bit, and straining at the reins was a wonder to behold. In many ways, this album is their best, born before fame and the cares of pop stardom took their toll on nerves and egos. CTA shows the band as musically competent, but with a ferocity, inventiveness, looseness, daring, hunger and depth of feeling that sadly steadily eroded over the next half-dozen albums.

I first heard this album in the early seventies as I started high school. Back then, I was fascinated by the big hits - "Questions 67 and 68," "Beginnings," "Does Anybody Really Know What Time It Is?" But now I find myself enjoying the rest of the album as well or even more. The long guitar solos and clockwork jamming of "Listen" and "Poem," and even (but only occasionally) the very free-form guitar of "Free Form Guitar." Given that shortness of Terry Kath's career, this album is an eerily prescient memorial to his phenomenal skill.

I love everything about the album - it's big pop sound, its complexity ("Introduction" is one of the tightest and most complicated rock compositions I have ever heard), its energy, and its politics. "Liberation," seamlessly incorporating the chant "The Whole World is Watching" from the 1968 Chicago Democratic Convention, still has the power to roil this old radical's blood. Listen to the album over and over, focusing on Danny Seraphine's kaleidoscopic drumming, or Peter Cetera's melodic bass lines, or Terry's ornamental guitar lines. There is so much going on here that a cursory listen just will not do.

An incredible beginning for a band that is still filling halls with audiences eager to relive old standards.

Average customer rating: Progressive Rock with a Jazz Twist

Chicago Transit Authority Chicago Manufacturer: Sony ProductGroup: Music Binding: Audio CD General | Jazz | Styles | Music General | Pop | Styles | Music Soft Rock | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Adult Contemporary | Pop | Styles | Music General | Rock | Styles | Music Similar Items: Chicago II (Repackaged) Stand Up ASIN: B00000DRV7 Release Date: 1990-10-25

Tracks:

1. Introduction
2. Does Anybody Really Know What Time It Is?
3. Beginnings
4. Questions 67 and 68
5. Listen
6. Poem 58
7. Free Form Guitar
8. South California Purples
9. I'm a Man
10. Prologue, August 29, 1968
11. Someday (August 29, 1968)
12. Liberation

Customer Reviews:

Progressive Rock with a Jazz Twist.......2006-06-16

Those who are familiar with Chicago of the 1980s and beyond will likely not know the original incarnation of Chicago at all. In 1969 this music was fresh, original, and, looking back, very progressive. Some critics called this music jazz-rock fusion at the time, which the booklet included with the album explains was a marketing move. Today we know such music in all its incarnations as progressive rock.

An amazing six of the twelve tracks from this CD were released as singles during the three years the album was on the Billboard top 100. Of the six, five had to be edited because of their length. In those days, when FM was considered somewhat "underground" because of the paucity of FM stations and receivers, FM was the only place to hear these cuts in their unedited entirety.

Ardent fans of Chicago will recognize most, if not all, of these hits by their titles: "Does Anybody Really Know What Time It Is?," "Beginnings," "Questions 67 and 68," "Listen," "Poem 58," and "I'm a Man." I admit that while I recognize most of these songs when I hear them, the titles often do not match well to the lyrics. Even casual fans of Chicago would likely recognize most of these songs from the airplay they received in the late 60s and early 70s, and the airplay they continue to receive on classic rock stations.

Some of the songs in their unedited album versions are unfamiliar. The extensive piano introduction to "Does Anybody Really Know What Time It Is?" gives the song an even stronger jazz influence than the song proper. "Beginnings" starts out like the version released for radio, but it is nearly eight minutes long on the CD, adding an extended instrumental exit that adds jazz and Hispanic elements.

While the term jazz-rock does seem to classify much of this music, this first effort by Chicago involved experimenting with a variety of genres. "Free Form Guitar" uses heavy feedback in a style strongly reminiscent of Jimi Hendrix. Music such as "Free Form Guitar" make "Chicago Transit Authority" as experimental in some ways as the contemporary "In the Court of the Crimson King" by King Crimson, considered one of the key milestones in progressive rock.

The last selection on this CD, "Liberation," has riffs that feel like some of the heavier music of the 60s, and manages to be sufficiently free-form that you might wonder whether this recording was the first time that Chicago played this music in exactly this way. While there is a jazz influence in this song, it is a very psychedelic rock song.

There are at least six versions of this CD available. The prices vary slightly with the exception of the phenomenally expensive gold version. You may wish to survey the versions available and their price before buying.

The music in this album is all over the map in a way, from pop influenced songs like "Does Anybody Really Know What Time It Is" to the bizarre guitar instrumental of "Free Form Guitar." Every cut shows the breadth of talent and ability of a group that should be considered progressive in its first incarnation. Even the pop influenced songs generally have only pop portions, with incredible layered instrumentals surrounding the pop portions. This album contains absolutely phenomenal, ground-breaking rock music, a must-have for any fan of progressive rock and cutting edge music of all eras.

Average customer rating: Chicago as a Bar Band

Transit Authority,Live Concert Chicago Manufacturer: Phantom Sound & Visi ProductGroup: Music Binding: Audio CD Pop Rock | Pop | Styles | Music ASIN: B00000E1SQ Release Date: 1996-11-21

Album Description

Budget-priced 1978 release on Bellaphon featuring eightearly recordings from when they went by Chicago TransitAuthority, including 'Questions 67 & 68', '25 Or 6 To 4','Does Anybody Really Know What Time It Is', 'I'm A Man' and'Beginnings'.

Customer Reviews:

Chicago as a Bar Band.......2005-04-06

This recording is from the bar band days of Chicago. It was before they really hit it big. The recording quality is respectable, but not great. There are some very good songs here: 25 OR 6 TO 4, Beginnings, Questions 67 and 68, South California Purples, etc. However, all of these songs can be purchased on other live albums and generally have better sound on other albums. The best live Chicago album for both quality of sound and content has got to be the Live in Japan album which was recorded around 1972. It was performed after the recent release of Chicago V. So, you have Saturday in the Park, Dialogue, and other good songs from Chicago V. Overall, I would say anyone would be better served passing on this album and buying Live in Japan. Live in Japan is a double CD set.

Average customer rating:

The Box Sampler Chicago Manufacturer: Rhino Records ProductGroup: Music Binding: Audio CD General | Pop | Styles | Music Rhino Records | Amazon.com Label Stores | Stores | Music ASIN: B000OHQJWW

Product Description

2003 15-track Rhino Records/Warner Strategic Marketing sampler from THE BOX, a 6-disc comprehensive look at the entire 36-year career of one of America's most innovative groups. Housed in tri-fold cardboard digipak case. Track listing: 1. Does Anybody Really Know What Time It Is?; 2. 25 or 6 to 4; 3. Colour My World; 4. Lowdown; 5. Free; 6. Just You 'N' Me; 7. Old Days; 8. Wishing You Were Here; 9. Baby, What a Big Surprise; 10. Alive Again; 11. Thunder and Lightning; 12. You're the Inspiration; 13. Look Away; 14. Bigger Than Elvis (previously unissued); and 15. Saturday in the Park (live at The Aerie Crown Theatre, 1972 -- previously unissued).

Average customer rating:

Chicago Transit Authority Chicago Manufacturer: Sony ProductGroup: Music Binding: Audio CD General | Jazz | Styles | Music General | Pop | Styles | Music Soft Rock | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Adult Contemporary | Pop | Styles | Music General | Rock | Styles | Music Similar Items: Wheels of Fire Carney Strange Days Live at Massey Hall (CD/DVD) ASIN: B00000DSL6 Release Date: 1993-08-24

Tracks:

1. Introduction
2. Does Anybody Really Know What Time It Is?
3. Beginnings
4. Questions 67 and 68
5. Listen
6. Poem 58
7. Free Form Guitar
8. South California Purples
9. I'm a Man
10. Prologue, August 29, 1968
11. Someday (August 29, 1968)
12. Liberation

Average customer rating:

Chicago Transit Authority Chicago Manufacturer: Sony ProductGroup: Music Binding: Audio CD General | Jazz | Styles | Music General | Pop | Styles | Music Soft Rock | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Adult Contemporary | Pop | Styles | Music General | Rock | Styles | Music ASIN: B000008E6R Release Date: 1994-01-01

Tracks:

1. Introduction
2. Does Anybody Really Know What Time It Is?
3. Beginnings
4. Questions 67 and 68
5. Listen
6. Poem 58
7. Free Form Guitar
8. South California Purples
9. I'm a Man
10. Prologue, August 29, 1968
11. Someday (August 29, 1968)
12. Liberation

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