Chicago II (Repackaged) [Original recording remastered] [Extra tracks]

Chicago II (Repackaged) [Original recording remastered] [Extra tracks]

Editorial Reviews

Product Description
Remastered and repackaged edition of their 1970 album. Features hits including 'Make Me Smile', 'Color My World', and more. 2 bonus tracks, single versions of 'Make Me Smile' and '25 Or 6 To 4.' Digipak in a slipcase with a 16 page booklet featuring complete lyrics and detailed liner notes by Rolling Stone contributing editor David Wild. 2002.

Chicago II (Repackaged),Chicago,Rhino / Wea,Jazz-Rock,Pop,Pop/Rock,Rock,Rock/Pop,Soft Rock


Chicago II (Repackaged) [Original recording remastered] [Extra tracks]

Chicago II (Repackaged)
Average customer rating: 4.5 out of 5 stars
  • The Big Fig
  • What Memories!
  • Eleven down, buy them all!
  • Upgrade to old LP record
  • ChicagoII review
Chicago II (Repackaged)
Chicago
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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  1. Chicago Transit Authority
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ASIN: B000069KE0
Release Date: 2002-07-16

Tracks:

  1. Movin' In
  2. The Road
  3. Poem For The People
  4. I the Country
  5. Wake Up Shineshine
  6. Make Me Smile
  7. So Much To Say, So Much To Give
  8. Anxiety's Moment
  9. West Virginia Fantasies
  10. Colour My World
  11. To Be Free
  12. Now More Than Ever
  13. Fancy Coours
  14. 25 Or 6 To 4
  15. Prelude
  16. A.M. Mourning
  17. P.M. Murning
  18. Memories Of Love
  19. 1st Movement
  20. 2nd Movement
  21. 3rd Movement
  22. 4th Movement
  23. Where Do We Go From Here
  24. Make Me Smile (Single Version) (Bonus Track)
  25. 25 Or 6 To 4 (Single Version) (Bonus Track)

Album Description

Remastered and repackaged edition of their 1970 album. Features hits including 'Make Me Smile', 'Color My World', and more. 2 bonus tracks, single versions of 'Make Me Smile' and '25 Or 6 To 4.' Digipak in a slipcase with a 16 page booklet featuring complete lyrics and detailed liner notes by Rolling Stone contributing editor David Wild. 2002.

Customer Reviews:

5 out of 5 stars The Big Fig.......2007-07-16

This was my very first album, bought it when I was 11....This is a must have for any real collection!!! After the seventh album, in my opinon, the music starts to really get lax. It seems to me after Terry died, the band lost its power and seemed to become just another top 40 radio play. I was lucky enough to see the original line-up play at the Nassau County Colesium on Long Island back in '78....What a show. Don't hesitate to get this one. The mixing of music styles is truly unique. It is up there with such great albums as Tommy, Quadraphina, Dark Side of the Moon, and the White Album.

5 out of 5 stars What Memories!.......2007-07-13

I saw Chicago perform at a FREE outdoor concert on the campus of American University in Washington,DC Back in 1972(I was a freshman at cross-town Howard University). They were absolutely FANTASTIC!!! I already had this album, but hearing them perform it live was just awesome. i couldn't believe they sounded like that outdoors!!! I just got the CD of this album today, and it was like being at that concert all over again. I know I'll be playing this over and over!!!

5 out of 5 stars Eleven down, buy them all!.......2007-07-06

The only reason I waited so long to buy this CD was the fact that I have it in excellent condition on LP. Couldn't hold out forever though! Terry Kath and Danny Seraphine are two of the most underated musicians in rock history and their abilities are on great display on this great package. I would recommend the whole catalog they have out but at the very least, CTA through Chicago Eleven! Buy and enjoy this band that should have been put in the Rock and Roll Hall of Fame years ago!!!!!
Favorite cuts on this album, Ballad for a Girl In Buchanan, 25 or 6 to 4,
Wake Up Sunshine.

5 out of 5 stars Upgrade to old LP record.......2007-05-30

I have just upgraded my worn out record to a CD because this band still sounds good after over 30 years. Suggest those younger than 30 give it a try and hear how big band music really should sound.

5 out of 5 stars ChicagoII review.......2007-05-24

I grew up listening to this on the original LP Still great
Rachmaninoff for Relaxation
Average customer rating: 5 out of 5 stars
  • The Best
  • Buy This Now!!!!
Rachmaninoff for Relaxation

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005KCGZ
Release Date: 2001-06-19

Tracks:

  1. Rhap On A Theme Of Paganini, Op.43: Var 18 - Dmitri Alexeev
  2. Sym No.2 in e, Op.27: III. Adagio - The Philadelphia Orch/Eugene Ormandy
  3. Prld in G, Op.32 No.5 - Alexis Weissenberg
  4. Vocalise, Op.34 No.14 - Anna Moffo
  5. Prld in F - Mikhail Kazakevich
  6. Prld in D, Op.23 No.4 - Barry Douglas
  7. Prld in E-flat, Op.23 No.6 - Barry Douglas
  8. Vc Con in g, Op.19: III. Andante - Janos Starker/Shigeo Neriki
  9. It's Peaceful Here, Op.21 No.7 - Vladimir Spivakov/Sergei Bezrodny
  10. Pno On No.1 in f#, Op.1: II. Andante - Byron Janis
  11. Pno Con No.2 in c, Op.18: II. Adagio Sostenuto - Barry Douglas

Customer Reviews:

5 out of 5 stars The Best.......2002-08-31

I thought this was so good, especially tracks 8 thru 11 that I bought copies for my six siblings.

5 out of 5 stars Buy This Now!!!!.......2001-09-07

This is a beautiful work by the master composer Rachmaninoff. I have been a fan of his work, but when I heard this recording it nearly blew me away. Listen to Vocalise - the beauty of this track is what sold me on the rest of the album.
Ultimate Broadway II: The Very Best of Broadway Now
Average customer rating: 2.5 out of 5 stars
  • redux
  • Moderate Quality
  • POOR EXCUSE FOR SOME GOOD THEATER MUSIC
Ultimate Broadway II: The Very Best of Broadway Now
Various Artists
Manufacturer: RCA Victor Broadway
ProductGroup: Music
Binding: Audio CD

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ASIN: B000092Q7E
Release Date: 2003-05-20

Tracks:

  1. Overture (from Gypsy) - London Cast Recording
  2. Man of La Mancha (I, Don Quixote) - Brian Stokes Mitchell, Ernie Sabella
  3. Run, Freedom, Run! - Hunter Foster
  4. Your Daddy's Son - Ted Sperling, Ragtime Orchestra
  5. Music Of The Night (From The Phantom Of The Opera) - Colm Wilkinson
  6. All That Jazz (from "Chicago") - Bebe Neuwirth
  7. Gimme Gimme - Michael Rafter
  8. La boh; Act I; O soave fanciulla - Placido Domingo, Sherrill Milnes, Montserrat Caball
  9. Next Best Thing To Love - Randy Graff
  10. Cabaret - Natasha Richardson
  11. Springtime For Hitler (From "The Producers") - John Morris, Mel Brooks
  12. Losing My Mind - Barbara Cook
  13. Time Warp - Raparza
  14. Oklahoma!; Oklahoma - Finale: Oh, What a Beautiful Mornin' (Reprise) - Musical Cast Recording
  15. Breeze Off the River - Patrick Wilson
  16. Big Spender - Jane Lanier, Valarie Pettiford, Shannon Lewis, Kim Greene, Kim Morgan, Dana Moore, Rachelle Rak, Elizbeth Parkinson, Dede LaBarre, Mary Ann Lamb, Mary McLeod
  17. Gee Officer Krupke - Cast
  18. Agony - Paul Gemignani
  19. Bring Him Home (from Les Miserables) - Colm Wilkinson, Colm
  20. Lullaby of Broadway (from "42nd Street") - John Lesko, Jerry Orbach

Customer Reviews:

2 out of 5 stars redux.......2007-07-06

Four of the songs on this CD (Oklahoma, Music of the Night, Cabaret, and All That Jazz) were on the earlier Ultimate Broadway. Of all the shows that have been on Broadway over the past 70+ years, including the ones that are currently running, there is no excuse for repeats!

3 out of 5 stars Moderate Quality.......2003-06-20

I believe that the show selection for this CD was excellent. However the song selection and song order were not. Why pick "Your Daddy's Son" from Ragtime when you can have the amazing and fantastic "Prologue" from the same show. Also I believe that a mistake was made by slecting "I Don Quixote" from Man of La Mancha instead of the much more listenable "Impossible Dream." Also the overture from Gypsy is not the proper song to start out a CD. Perhaps the "Overture" from The Phantom of the Opera.

This is however an excellent example of showtunes for inexperienced members of the theatrical world.

2 out of 5 stars POOR EXCUSE FOR SOME GOOD THEATER MUSIC.......2003-05-20

The best of Broadway? Sure, if you consider the best of Broadway only those songs taken only from RCA Victor cast recordings. Expect the expected: Tracks from "Ragtime," "Chicago," "42nd Street" and "Man of La Mancha," sung by the likes of Audra
McDonald, Bebe Neuwirth, Jerry Orbach and Brian Stokes Mitchell. Including a live recording of Barbara Cook warbling "Losing My Mind" from her "Mostly Sondheim" CD isn't exactly kosher. But then again, neither is this gimmick-riddled release. Curtain up?
Half-way, maybe. Light the lights? Dim them, please.
Genuine Houserockin' Music II
Average customer rating: 5 out of 5 stars
  • This collection is so essential
Genuine Houserockin' Music II
Various Artists
Manufacturer: Alligator Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000009WQ
Release Date: 1990-10-25

Tracks:

  1. I Ain't Drunk - Albert Collins
  2. The Sweet Sound Of Rhythm And Blues - Big Twist And The Mellow Fellows
  3. I'd Rather Go Blind - Koko Taylor
  4. Pride And Joy - Lil' Ed And The Blues Imperials
  5. T.V. Crazy - Little Charlie And The Nightcats
  6. Corner Of The Blanket - Donald Kinsey And The Kinsey Report
  7. Mojo Boogie - Johnny Winter
  8. Boomerang - Lonnie Brooks
  9. Tough On Me, Tough On You - Lonnie Mack
  10. Part Time Love - James Cotton And His Big Band
  11. The Chokin' Kind - Roy Buchanan With Delbert Mc Clinton
  12. Pressure Cooker - Clarence 'Gatemouth' Brown
  13. It's My Fault, Darling - Professor Longhair
  14. She's Out There Somewhere - Buddy Guy
  15. Meet Me With Your Black Drawers On - Professor's Blues Review With Gloria Hardiman
  16. The Dream - Robert Cray And Albert Collins

Customer Reviews:

5 out of 5 stars This collection is so essential.......2005-05-01

VARIOUS
Genuine Houserockin' Music II
Alligator ALCD 102

There are five Genuine Houserockin' samplers, and each is worth owning. This one, from 1987, lasts 67-minutes, and contains four additional tracks over its cassette edition. The 16 songs were originally released between 1980 and 1987. There are no previously un-released cuts. Only five of these treasured artists remain Alligator's current roster.

With wicked finger pickin' and pluckin', Albert Collins lays down a signature tune that features a Texas shuffle. Big Twist's deep, assertive voice and the Mellow Fellows' dangerous horns create a soulful party. "I'd Rather Go Blind" is still regularly performed by Koko Taylor. On this absolutely brilliant version, her throaty vocals roar. Slide master, Lil' Ed, is better when experienced in concert. On "Pride and Joy", his antics get distorted. Little Charlie and The Nightcats have just released their ninth Alligator record. Their West Coast style blues feature Rick Estrin's classic harp and Charlie Baty's fat-toned guitar. Back in '87, being "T.V. Crazy" was their greatest concern. Witty lyrics that refer to shows such as: Love Boat and Dallas, give away the song's era. Prior to Mavis Staples, Johnny Winter was Alligator's greatest international superstar. He uses his slide guitar like an axe grinder on "Mojo Boogie". Lonnie Brooks combines many styles into his bayou music. His friendly, yet intimidating, vocals have a voodoo presence, while his guitar emits more passion than multiple rock guitarists combined. Thanks to Michael Coleman, "Part Time Love" is from the funkiest era of James Cotton's long-standing career. Long before Joss Stone butchered "The Chokin' Kind", two of America's roadhouse kingpins (Roy Buchanan and Delbert McClinton) created the definitive version. New Orleans piano master, Professor Longhair, creates a party out of personal disaster. "The Dream" is taking from Showdown. It was recently chosen, by GuitarOne Magazine, among the Top 200 greatest guitar recordings of all time. Lonnie Mack performs a soft rock ballad which is now a classic. However, the music's pace didn't have to be reduced in order to be meaningful and heartfelt. In fact, almost all the disc's songs possess these qualities which will move you as a listener. This is why this collection is so essential.

As with the other Genuine Houserockin' Music collections, this CD is an advertisement for the label. The main goal is to get you hooked on them and their artists. Detailed liner notes contain biographies on all featured artists. The downside is there are no songwriter credits or studio musicians listed. You'll experience all types of blues on this vibrant sampler. Best of all, the music genuinely is the blues, or a very closely related cousin. How is a sampler CD worthy of a perfect score? The answer is simple, and it is based entirely on quality and value.

--- Tim Holek

The Essential Sonny Boy Williamson
Average customer rating: 5 out of 5 stars
  • THE " REAL BLUES"....!!
  • One of the best collections by one of the best blues singers
  • Raw Blues At Its Finest
  • The greatest storyteller blues singer
  • Outstanding Work From A Harp Master
The Essential Sonny Boy Williamson
Sonny Boy Williamson II
Manufacturer: Mca
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002OC0
Release Date: 1993-06-08

Tracks:

  1. Good Evening Everybody
  2. Don't Start Me To Talkin'
  3. All My Love In Vain
  4. You Killing Me
  5. Let Me Explain
  6. Your Imagination
  7. Don't Lose Your Eye
  8. Keep It To Yourself
  9. The Key (To Your Door) (Alternate)
  10. Have You Ever Been In Love
  11. Fattening Frogs For Snakes
  12. I Don't Know
  13. Like Wolf
  14. Cross My Heart
  15. Ninety Nine
  16. Born Blind
  17. Little Village (W/False Start & Dialog)
  18. Unseen Eye
  19. Your Funeral And My Trial
  20. Keep Your Hands Out Of My Pocket
  21. Unseeing Eye
  22. Let Your Conscience Be Your Guide
  23. The Goat

Tracks:

  1. Cool Disposition
  2. Santa Claus
  3. Checkin' Up On My Baby
  4. Temperature 110
  5. Lonesome Cabin
  6. Somebody Help Me
  7. Down Child
  8. Trust My Baby
  9. Too Close Together
  10. Too Young To Die
  11. She's My Baby
  12. Stop Right Now
  13. Too Old To Think
  14. One Way Out
  15. Nine Below Zero
  16. Help Me
  17. Bye Bye Bird
  18. Bring It On Home
  19. Decoration Day
  20. Trying To Get Back On My Feet
  21. Close To Me
  22. I Can't Be Alone

Amazon.com

Rice Miller, "Sonny Boy II", began his association with Chess Records in 1955, when he was already at least 45 years old. His exuberant yet dynamic and intricate playing brought the harmonica from the Delta to Chicago, influencing every harp blower since. He developed his rough and wild, hard-swinging, juke-joint style during extensive travels throughout the South. These 45 potent Chess recordings are more refined and urbanized than his earlier Trumpet work, but still capture the excitement of those early sides. Included are remakes of Trumpet classics such as "Eyesight to the Blind" (re-titled "Born Blind") as well as classic gems including "One Way Out" and "Bring It On Home." --Marc Greilsamer

Customer Reviews:

5 out of 5 stars THE " REAL BLUES"....!!.......2004-12-26

THIS IS THE BEST OF THE BLUES SINGERS..STANDING RIGHT NEXT TO BB KING AND RAY CHARLES..IT DONT GET ANY BETTER..AND NOW I FINALLY SEE WHERE THE YOUNG BRITISH GROUPS LIKE THE ROLLING STONES AND ETC. FROM THE 60'S COPIED THEIR STYLE...AND WITH THE HARMONIC SOUND TOO...GO TO THE ROOTS FOR THE TRUE SOUND CAUSE NOTHING ELSE CAN COMPARE!!!

5 out of 5 stars One of the best collections by one of the best blues singers.......2003-05-04

This is a superb collection.
Singer/harpist Aleck "Rice" Miller may have started calling himself "Sonny Boy Williamson" to take advantage of the fame of John Lee "Sonny Boy" Williamson from Tennessee. But he wasn't a cheap imitator - Miller was one of the major blues artists at Chess Records in the 50s, alongside Muddy Waters and Howlin' Wolf, and probably the best harmonica player the blues has even seen.

Rice Miller was a tremendous songwriter whose keen attention to detail was quite unusual in a genre which relied heavily on cliché and a handful of repeated patterns. He penned witty, sometimes romantic, sometimes venomous lyrics, and tunes memorable enough to rival those of Chess stalwart Willie Dixon. He was an equally terrific singer, highly expressive, and usually backed in the studio by superstar musicians like Dixon, Buddy Guy, Muddy Waters, Jimmy Rogers, Otis Spann and Robert "Jr." Lockwood.

Sometimes a double-disc compilation is stretching it, especially for the casual fan, but these 45 tracks are not even close to being too many. Absolutely everything on "The Essential Sonny Boy Williamson" is worth a listen, and I can easily name another dozen songs which should have been here...Miller's recordings for Chess maintained an incredible level of quality.
There are really too many highlights to mention, but among the very best songs are "Don't Start Me To Talkin'", "All My Love In Vain", "Your Funeral And My Trial", "Let Me Explain" and "Fattening Frogs For Snakes" from Miller's first Chess LP, as well as "Help Me", "Checkin' Up On My Baby", "Too Young To Die" and many, many more - and more than half of these tracks are not on the single-disc MCA/Chess-release "His Best", which should be sufficent reason to pick up this fine collection instead.

And while you're at it, get Miller's early Trumpet recordings as well on Arhoolie's "King Biscuit Time"!

5 out of 5 stars Raw Blues At Its Finest.......2002-12-01

Though I had heard many of his songs performed by others, I did not know the name Sonny Boy Williamson until I heard a John Mayall song about him thirtysome years ago. Recently, my dormant interest in the Delta blues was rekindled, so I decided to try and find out just what this Sonny Boy was about.
Where better to start than a box set? I really had no idea what to expect when I bought it, but what I got was more than expected. I took the set on a recent road trip and listened to both discs more than five times each and found something new to like each time.
The verdict? I love this stuff. Not only can Sonny Boy play his blues harp like no other, he can really sing. His songs are well-written and are often humorous when they are not meant to be. The sound is great too, one can hear every instrument at work, particularly the drums which drive the easy swing of Sonny's blues.
My favorites? I like every song. If I had to pick, Unseen Eye and Somebody Help Me would be near the top.
The Essential Sonny Boy Williamson dishes out a heaping plateful of raw blues at its primitive finest. Don't miss out on this one, its money well-spent.

5 out of 5 stars The greatest storyteller blues singer.......2002-03-20

Sonny always had a great story song- There was always some predicament going on or some trouble he was in or just simply him being nosey and signafying on other folks problems. And all of this made him the best story teller. I absolutely love his storytelling in song. He was without a doubt the most compelling storyteller in all of Blues history. Buy this cd it's great and listen to the great stories. Sonny in one song says quote- "My baby asked me for 100 dollars and I didn't have but 99"- or the greatest (aint gone be no more sugar daddy) song ever recorded called "Fattening frogs for snakes" and of course his biggest hit is included on this package-1955's "Don't start me talking" because Sonny says when he starts talkin "he'll tell everything he knows". All of these are great classic blues songs from a true blues genius.

5 out of 5 stars Outstanding Work From A Harp Master.......2001-08-06

Anyone fimilar with the blues has to have at least heard of Sonny Boy Williamson [Rice Miller]. The man was one of the best artists of his time and his work still holds up today. This guy had the blues down cold: he sung, wrote and played some of the best music ever. This compilation is exactly what the title says. There is simply no better place to turn for top notch blues. Sonny Boy's singing is astounding, his harp is nothing short of awe-inspiring (I like him even better than Little Walter). This one has all the classics from "Help Me" to "Keep it to Yourself" and the infamous "Little Village" in all its profane glory. If you waqnt to hear good blues with a heaping of extrodinary Harmonica playing, you can do no better than this outstanding package.
Ives: Holidays Symphony
Average customer rating: 4.5 out of 5 stars
  • Just great, that's it
  • "Thanksgiving and Forefathers' Day": It's what's for today.
  • An fiery introduction to Ives
  • My vote for the finest Ives orchestral recording ever made
  • Ouch
Ives: Holidays Symphony

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

Ives, CharlesIves, Charles | ( I ) | Featured Composers, A-Z | Classical | Styles | Music
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  1. Ives: Symphonies Nos. 1 & 4/Hymns
  2. Ives: The Symphonies / Orchestral Sets 1 & 2
  3. Ives: Symphonies Nos. 2 & 3
  4. Ives: An American Journey
  5. Ives: Violin Sonatas Nos. 1-4

ASIN: B0000026G7
Release Date: 1990-10-25

Tracks:

  1. Washington's Birthday
  2. Decoration Day
  3. The Fourth Of July
  4. Thanksgiving And Forefathers' Day
  5. The Unanswered Question (revised version)
  6. Central Park In The Dark
  7. The Unanswered Question (original version)

Amazon.com essential recording

Ives never really intended his four holiday symphonic poems to be played together, and they are very seldom performed that way live. But it makes so much sense to group them on a recording that the Holidays Symphony has become the standard way to refer to the music. In any event, all four pieces offer some of Ives'ss finest, most imaginative work. The Fourth of July is the second most complex and crazy piece that he ever wrote--right up there with the second movement of the Fourth Symphony. Tilson Thomas is very much a specialist in this music, and he directs performances of almost supernatural accuracy. Simply the best. --David Hurwitz

Customer Reviews:

5 out of 5 stars Just great, that's it.......2005-05-25

This is a "must" album. Altho' I personallly object to some of the finer editorial work in the "original" version of "UnQ" (very esoteric stuff--ask me) I'd stilll recommend this album as a "must have." -- D.G. Porter, Editorial Coordinator, The Charles Ives Society

5 out of 5 stars "Thanksgiving and Forefathers' Day": It's what's for today........2003-11-28

The "Holidays Symphony" of Charles Ives, comprised of four movements to symbolize the passing of the four seasons by connecting them to important American holidays, was originally intended to be four standalone works, each of which could be performed separately in conjunction with its respective holiday.

Only later did Ives combine them as a four-movement "symphony." So, on this Thanksgiving Day of 2003, I chose to "deconstruct" them, just so that I might concentrate - for the occasion - on "Thanksgiving and Forefathers' Day."

This movement should, in my opinion, be numbered among the finest Ives compositions of all. It is brilliantly written and scored, with many original instrumental touches, particularly for percussion, where Ives calls upon low church bells, tubular bells and celesta, as well as an offstage ensemble of 4 horns, trombone and contrabassoon, all to marvelous effect. The ending, where the chorus enters singing to the words of the hymn tune "Duke Street," is simply breathtaking in its spirituality; truly transcendent and sublime.

But there are aspects to this movement that I've not seen anyone else mention, aspects that are startling in a prescient way, and therefore worth some mention. There is a quiet interlude, at about midpoint, scored for a reduced chamber ensemble of woodwinds, cornet, strings and celesta, that is "proto-Copland" in its sound texture, typical Coplandesque "Americana" yet written decades before "Appalachian Spring," which this section anticipates in a most remarkable way, with nearly identical chamber orchestra textures and, even, thematic ideas. The interlude then is followed by a penultimate section, prior to the choral entry, that has textures - and harmonies for that matter - similar to what William Schuman would, like Copland, write decades later. This brief section provides a perfect transition to the choral entry. And this is precisely where words fail me, because what Ives achieves here simply turns me to jelly. Only at the end of "From Hanover Square North" (from his Orchestral Set No. 2) and in the final movement of his masterpiece, the Symphony No. 4, was Ives able to match this "Holiday" in transcendent beauty.

The other three holidays/seasons ("Washington's Birthday"/Winter, "Decoration Day"/Spring and "The Fourth of July"/Summer) are all of a piece with this Thanksgiving one. Tilson Thomas has this music in his blood, having been an Ivesian from a very young age as conductors go. The Chicago Symphony Orchestra, famed for its brass choir, earns kudos for ALL of its choirs in this performance, easily the best available and one not likely to be topped any time soon. And of course it doesn't hurt to have the Margaret Hillis-directed CSO Chorus for the conclusion of "Thanksgiving and Forefathers' Day" (the one movement that I just HAD to listen to, not that I excluded the rest of the work, or the disc for that matter).

The album is nicely rounded out with Ives's two contemplations: "A Contemplation of a Serious Matter" and "A Contemplation of Nothing Serious," more commonly known as "The Unanswered Question" and "Central Park in the Dark." Better yet, "The Unanswered Question" appears in two versions: the original as written in 1906, and a revised version, written some 20-odd years later, in which the trumpet and woodwind phrases are somewhat altered to add to the enigmatic nature of the work. In both versions, the Chicago strings play with an atmospheric perfection rarely heard. The ragtime piano in the foreground of "Central Park in the Dark" is hard to top, also. But for this particular "contemplation" I do have a preference for James Sinclair's (British) Northern Sinfonia Orchestra performance (on Naxos #8559087), for which I had written, "Much of Ives's music is all about space and distance, and the bar-room piano heard very faintly in the background truly gives this sense of space, as well as a sense of evening mist in the park."

The renowned Ives biographer Jan Swafford writes on this page, "My vote for the finest Ives orchestral recording ever made." I'm not of a mind to argue with Swafford, Ives expert that he is, especially on this particular day, and equally especially by virtue of the phenomenal performances that Tilson Thomas elicits from his Chicago orchestral and choral forces throughout.

Cue it up, folks. It's "what's for Thanksgiving."

Bob Zeidler

5 out of 5 stars An fiery introduction to Ives.......2002-11-08

With Michael Tilson Thomas and the magnificent Chicago Symphony Orchestra in top form, this collection includes some of the best, most colorful works by this American master. Of the four holidays, "The Fourth of July" is irresistible - about seven minutes of extreme orchestral complexity, flaring up just like the rockets themselves and then expiring in exhaustion. Ives packs more into this score than some composers do in an hour, with colliding rhythms, blaring fortissimos and "Columbia, Gem of the Ocean" sailing above everything else. It is as exhilarating a ride as any composer has ever given us. "Decoration Day" eventually arrives at a somber moment at the cemetery with a touching trumpet solo playing "Taps," then ends with a joyously raucous march back to town. The moody "Washington's Birthday" and the stirring "Thanksgiving" complete the set, and by the end you may be thinking there has never been a composer who has captured the vivid, clashing emotions of the holidays with such accuracy.

Similarly melding the gentle with the explosive is the extraordinarily evocative "Central Park in the Dark," written in 1906. This densely written gem finds time to include the ragtime classic, "Hello, my Baby," among other tunes that make their surprise appearance during the chaotic climax.

Perhaps the most unusual feature of this disc is the inclusion of both versions of "The Unanswered Question," a gentle evocation of some of the sublime mysteries of the universe. The differences between the two versions are small, but
significant - and I won't spoil the thrill of discovery by revealing them here. Suffice to say that the piece is haunting in its quest to define the indefinable, and will likely linger in your mind long afterward.

Michael Tilson Thomas is one of the most exciting and knowledgeable interpreters of this music anywhere, and the Chicago orchestra shows why many people consider it one of the best ensembles in the world. This is perhaps not a recording for a quiet morning, but it is absolutely a candidate for "Top Ten Discs of 20th-Century American Music." A hugely exciting disc.

5 out of 5 stars My vote for the finest Ives orchestral recording ever made.......2002-09-24

Take the insight of Michael Tilson Thomas, who's been conducting Ives throughout his career (his old Boston Symphony "Three Places" is still one of the best around), add one of the finest orchestras in the world and its celebrated brass section (Ives said he conceived all his music as if through "sort of a brass band with wings"), and finish with some genuinely inspired playing, and you've got a recording for the ages. It was a broadcast of the Chicago live performance, heard by chance on the radio, that gave me the idea to write my biography of Ives. Meanwhile the Holidays Symphony is one of Ives's greatest and most communicative works, and the "Decoration Day" movement one of the summits of his music. When Stravinsky was asked to define a masterpiece, he answered with "Decoration Day."

1 out of 5 stars Ouch.......2002-04-24

I bought this disc hoping that it might turn me on to Ives. It was highly recommended by the Penguin Guide, so it should be a safe bet, right? Well, this disc may be an outstanding recording of Ives, but I have learned something very important through listening to this disc...I don't like Ives.

Sorry.
King Biscuit Time
Average customer rating: 5 out of 5 stars
  • Seminal!
  • The REAL King of Rock 'n' Roll?
  • His Finishing School, Before He Made His Chess Legend
  • Traveling Harp Wizard Needs Home
  • an angel plays harp
King Biscuit Time
Sonny Boy Williamson II
Manufacturer: Arhoolie Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000001FP
Release Date: 1993-11-30

Tracks:

  1. Do It If You Wanna
  2. Cool, Cool Blues
  3. Come On Back Home
  4. Stop Crying
  5. Eyesight To The Blind
  6. West Memphis Blues
  7. I Cross My Heart
  8. Crazy About You Baby
  9. Nine Below Zero
  10. Mighty Long Time
  11. She Brought LIfe Back To The Dead
  12. Stop Now Baby
  13. Mr. Downchild
  14. Sonny Boy's Christmas Blues
  15. Pontiac Blues
  16. Too Close Together
  17. Radio Program a)V-8 Ford; b) Stormy Monday; c)Right Now; d) Come Go With Me
  18. Dust My Broom - Elmore James

Customer Reviews:

5 out of 5 stars Seminal!.......2004-08-18

Aleck "Rice" Miller, Sonny Boy Williamson II, was around long enough to have played with Robert Johnson at one end of his career, and with Eric Clapton at the other. He was born at the tail end of the 19th century in Glendora, Mississippi, he taught the basics of blues harmonica to a young Howlin' Wolf, and he was present the night Robert Johnson was poisoned.

And even though he took his moniker from the younger Tennessee bluesman John Lee "Sonny Boy" Williamson, Miller's style was nothing like Williamson's.

In fact, no-one really sounded like Rice Miller. His raspy vocal delivery was sly, world-weary, and delightfully evil, and his inimitable harp-playing relied on short, rhythmic bursts one minute and powerful, passionate blowing the next. The liner notes to a 1960s LP of his stated with disturbing seriousness that only a man who had long since sold his soul to the devil in exchange for not having to breathe while performing could sing and play the way Miller did.
And Rice Miller was perhaps the best songwriter the blues has ever seen, displaying an attention to detail which is rare in the blues. His songs were full of mordant wit, with largely autobiographical lyrics that truly hold up to the scrutiny of the printed page.

This CD collects most of Miller's earliest recordings, his magnificent 1951 Trumpet sides. The raw original versions of several songs that whe would later record for Chess are here, including "Cross My Heart", "Nine Below Zero", "Too Close Together", and the classic "Eyesight To The Blind". And since Miller was already in his early 50s at the time and had established a style of his own many years before, these performances are every bit as impressive as his later Chess sides.

Miller is backed by drums, piano, bass and electric guitar, and slide guitar legend Elmore James is credited as one of the guitarists on several tracks, alongside pianist Willie Love and the "eternal sideman", Joe Willie Wilkins. Wilkins taught B.B. King guitar in the 40s, and recorded with Little Walter, Big Walter Horton, Elmore James, Roosevelt Sykes and several others.
The fidelity here doesn't match Miller's Chess sides, but there is so much power and grit in these 52 year old recordings that it really doesn't matter all that much.

This CD reissue also includes Elmore James' first single, the famous rendition of Robert Johnson's "I Believe I'll Dust My Broom", which features Rice Miller on harp, as well as a thirteen-minute KFFA broadcast from 1965, the year Rice Miller died. That one includes his versions on "V-8 Ford", "Right Now", "Come Go With Me", and T-Bone Walker's "They Call It Stormy Monday".

"King Biscuit Time" is a tremendous collection of Sonny Boy in his prime, and a must-have for any and all fans of blues harmonica.
4 1/2 stars - highly recommended.

5 out of 5 stars The REAL King of Rock 'n' Roll?.......2002-09-13

Sonny Boy somehow gets swept into a corner because he only had a few records that were "hits" in the 1950s, "Don't Start Me To Talkin'" and "Mighty Long Time," his masterpiece on this CD. However, when he died, artists including The Moody Blues, Jack Bruce, Jimmy Reed, Paul Jones of Manfred Mann, John Maysll, Van Morrison, Eric Clapton and others recorded tributes to him. He recorded with the Animals and Yardbirds, Jimmy Page, jazzmen Chris Barber and Roland Kirk and others. The real story is that Sonny Boy II (not the same Sonny Boy Williamson who recorded "Good Morning Little School Girl"} was Alex Miller, a blues harp player, songwriter and singer who had been playing in the Mississippi delta since the late 1920s with people like Robert Johnson and Robert Lockwood Jr., Joe Willie Wilkins, Pinetop Perkins, Ike Turner and others. He was THE star of the Delta, so popular he didn't need to record until 1950 when he started to record these sides with Jackosn Mississippi's Trumpet Records. He was an escaped convict who became an international blues star using another man's name (John Lee "Sonny Boy" Williamson among others) and another's as his alias (his brother Willie Miller). He was truly hiding in the spotlight.

5 out of 5 stars His Finishing School, Before He Made His Chess Legend.......2001-06-09

For hearing the man born as Alec (Rice) Miller as he had rounded into near-complete game shape, in the years immediately preceding the seminal sides he would cut for Chess beginning in the mid-to-late 1950s, there is no better package than this of Sonny Boy Williamson's incandescent, embryonic recordings for the ancient Trumpet label. Many of these songs would get the Sonny Boy makeover when he re-cut them during his Chess years, and it's intriguing to compare between the Trumpet originals and the Chess refineries of such signature songs as "Eyesight To The Blind," "Cross My Heart," "Nine Below Zero," "Mr. Down Child," and "Mighty Long Time." Then again, the tandem treat is to hear a good enough dollop of some of Sonny Boy's more personal material, particularly the slightly haunting "West Memphis Blues," which he wrote about the fire that actually burned down the house he had bought with his wife.

Then, there are the bonuses: one of the last broadcasts of the legendary "King Biscuit Time" on which Sonny Boy would appear before his death; and perhaps the earliest known version Elmore James would cut of his signature "Dust My Broom," this one with Sonny Boy (who was long reputed to have tricked him into cutting it for Trumpet) sliding in with some fills showing he was a deft an accompanist/partner as he was a harmonica virtuoso. Accompanying the cantankerously poetic Sonny Boy, mostly, are such legends of Memphis/Helena blues as guitarist Joe Willie Wilkins (Robert Jr. Lockwood he ain't, but for laying a sensible support and spitting out the occasional fill and run he acquits his own self very nicely), bassist Cliff Bivens, drummer Frock, and pianist Dave Campbell, and they deliver yeoman's work.

5 out of 5 stars Traveling Harp Wizard Needs Home.......2000-06-10

Rice Miller was a man of many faces, tones, and zip codes. THis disc packs some of the fiercest, most downhome sounds that Mississippi had to offer. Includes a radio broadcast from the KING BICUIT FLOWER HOUR and definitve versions of such tunes as "She Brought Life Back To The Dead," "Cool Blues," and "Eyesight To The Blind." As well, "Mighty Long Time" is a marvel. Wonderful harp with Willie Love on piano, and Elmore James on guitar for most tracks. Some of the best Sonny Boy available in the States.

5 out of 5 stars an angel plays harp.......2000-04-17

If you are picking up the harp buy this I have played for twenty years and this is one of the first albums I bought.Check out the AbWaaahs. A Mighty Long Time is the closest I have ever heard to heavenly music. I hope I get to hear him up there.
Alban Berg Collection / Various (Coll)
Average customer rating: 5 out of 5 stars
  • Fabulous bargain, but Berg needs texts!
  • Superb Berg performances ... good value!
  • Real Estate Saver
  • Best Set; Good Price...
  • Excellent collection
Alban Berg Collection / Various (Coll)

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000B09Z4
Release Date: 2004-03-09

Customer Reviews:

4 out of 5 stars Fabulous bargain, but Berg needs texts!.......2006-02-05

This is a great set for anyone who wishes to be immersed in Alban Berg's lurid, hothouse, hallucinogenic world. Both performances and sound quality are mostly excellent: No record company has ever made as great a commitment to Berg as Deutsche Grammophon. Based on the performances alone, this deserves six stars.

But the budget price comes with a catch: No texts or librettos. (There are at least scene synopses for "Wozzeck" and "Lulu.") With some composers, this wouldn't be a serious problem, but Berg was one of the greatest control freaks in music history. Without knowing exactly where each word is placed, listeners who don't understand German will miss an important facet of this intricately multi-layered music.

5 out of 5 stars Superb Berg performances ... good value!.......2006-01-05

This might be the best box set I own. First of all you get what is most likely the best available versions of the Violin Concerto,Wozzeck,Lulu (3 act ver.),Lulu suite,7 Early Songs with van Otter,Der Wein and much more. The only real sub-par performance on it is the Piano Sonata op1 with Barenboim which can be found in many other recordings for a decent price. So, if you are new to Berg and you buy this, you are getting really an outstanding set of recordings which are top of the heap with great conductors and orchestras.

5 out of 5 stars Real Estate Saver.......2004-10-04

This little box is an elegant, SPACE-SAVING means of acquiring classic performances (all of them stellar) from the DG catalog of Berg's major works, including two by my adored Lasalle Quartet that I believe have recently gone OOP. The set contains eight CD's housed in somewhat hard-to-remove cardboard sleeves that clearly identify the contents therein, and includes a booklet which, despite not containing lyrics for any of the vocal works, is very informative. The lack of libretti is possibly less an issue in the case of Wozzeck; chances are that listeners already own at least one other recording and so can refer to its libretto. Lulu, however, is more problematic because more listeners probably opt to purchase this "complete/d" performance over all others and may even be purchasing this set on that basis.
Not being particularly fond of lieder in general, I feel less qualified to make an educated call as to who might own which recordings of the songs other than to remark that I already own this recording of Op. 2 (which, of course includes the lyrics). In fact, as is the case with a previous reviewer, I already own a number of recordings from this set (which I received as a gift). No matter, it's still worth owning, and I agree with yet another reviewer's suggestion to grab it while it's available. True, one might prefer different performances here or there but honestly, this affords the best way of acquiring everything in one fell swoop, and there's not a clinker in the whole set.
In that vein, I might suggest that fans of the VC seek out Szeryng's performance with Kubelik, now available remastered on DG Eloquence at budget price. It's much less emotional than Mutter's beautiful reading but I find this proves an enhancement rather than a detraction; I also feel that Kubelik, possibly due to his Austro-Hungarian upbringing, ultimately has a better grasp of this repertoire than Levine (although I love his OOP Lulu Suite/Wozzeck excerpts on Sony and Mahler 4 on RCA).

5 out of 5 stars Best Set; Good Price..........2004-05-11

This is a really nice set at a good price. It features all DG's Berg recordings--which really are about the best around. This "Collectors' Edition" is certain to disappear soon and increase in value.

5 out of 5 stars Excellent collection.......2004-04-06

This is a must have for any collectors, 20th Century Music admirers.

This is 8-CD set and includes the complete works of Berg on acclaimed performances.

Especially, the stars of this set (for me):
Wozzeck (Hildegard Behrens, Wiener Philharmoniker, Abbado)

Lulu, complete opera in 3 act (Teresa Stratas, Franz Mazura, Yvonne Minton, Jules Bastin, Robert Tear, Opera National de Paris, Pierre Boulez!!)

Lulu-Suite (London SO, Abbado)

Three Pieces for Orchestra (London SO, Abbado)

Piano Sonata (Daniel Barenboim)

Alban Berg's musical language is difficult to understand (at least in first listening), but when listening more times, we notice that, actually in his music, there is a very mystic or impressive and lyric atmosphere. So, I think that he is a "Romantic" modern. Just, he expressed these lyric atmospheres with realist and striking language. Still, he was used 12-tone system, but he was not forget tonality and used the both styles (even so he used jazz passages, especially in Lulu). In other words: Berg is one of the most famous and important composers and he impressed the composers came after him (ex. Shostakovich, Britten, Henze)

This is an essential collection and highly recommended.
Reference Classics
Average customer rating: Not rated
    Reference Classics

    Manufacturer: Reference Recordings
    ProductGroup: Music
    Binding: Audio CD

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    Release Date: 1993-12-17

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    Bummer Road
    Average customer rating: 5 out of 5 stars
    • Not a bummer...
    Bummer Road
    Sonny Boy Williamson [II]
    Manufacturer: Universal Japan
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B0002J51MQ
    Release Date: 2004-09-06

    Tracks:

    1. She Got Next to Me
    2. Santa Claus
    3. Little Village
    4. Your Funeral and My Trial
    5. Lonesome Cabin
    6. I Can't Do Without You
    7. Temperature 110
    8. Unseen Eye
    9. Keep Your Hand out of My Pocket
    10. Open Road
    11. This Old Life
    12. Your Imagination
    13. Key (To Your Door)
    14. Unseeing Eye
    15. I Can't Be Alone

    Customer Reviews:

    5 out of 5 stars Not a bummer..........2004-12-22

    Originally an eleven-track LP, Rice Miller's "Bummer Road" has been remastered and bolstered by four bonus tracks, "Unseeing Eye", a gritty "Key To Your Door" and two little-known songs, "Your Imagination" and "I Can't Be Alone".

    This album was originally issued with a warning sticker which said something like "Not suitable for airplay". That was because of one particular song, "Little Village", which is actually twelve minutes of takes and re-takes, complete with a heated discussion between producer Leonard Chess and Sonny Boy Williamson. Lots of cursing going on, and not just "well, gosh darn it!" Great song, by the way, and an enjoyable glimpse into what recording at the Chess studios around 1960 must have been like ;-)

    Rice Miller is backed by superstar sidemen like Otis Spann, Luther Tucker, Fred Below, Robert "Jr." Lockwood, and Willie Dixon, and "Bummer Road" includes one of his least recognized, yet very best songs, the magnificent "Santa Claus" (raspiest vocal delivery ever). But virtually every track is a burner, really, from the classic, swinging "Your Funeral And My Trial", to the sizzling "Temperature 110".
    If you aren't satisfied with just "The Essential Sonny Boy Williamson" or the 20-track "His Best" (and there's no reason why you should be), go pick up this magnificent blues record right away.

    Rap Music:

    1. Chicago Transit Authority [Box set] [Original recording remastered]
    2. Christmas Trilogy [Box set]
    3. Classified
    4. Clouds
    5. Cocky [Explicit Lyrics]
    6. Escondida
    7. Famous Blue Raincoat [Import]
    8. Fate Is the Hunter
    9. Four
    10. Genius: Best of Warren Zevon

    Rap Music

    rap music

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