?

Product Description
This album is shrouded in mystery. Temporarily called 'The Secret Project' and now appropriately titled simply "?", this CD consists of one 55 minute track that explores the mysteries of God. It is pure prog heaven with all the earmarks of Neal's previous work plus development into new areas. This is a dazzling piece of music that some are already calling Neal's best work yet. From heavy sections where Alan Morse (Neal's brother and fellow founder of neo-prog giants 'Spock's Beard') and Jordan Rudess from Dream Theater trade solos, to sections that feature the massively creative mind of Mr. Roine Stolt (Flower Kings) that bring back recollections of Neal's other ex-band Transatlantic, this album is a progressive rock fans dream! Built on the musical foundation of multi-award winning drummer Mike Portnoy and the bass of Ajalon's Randy George, this is another instant classic from the creator of "Snow" and "Bridge Across Forever". Featuring a guest appearance by original Genesis guitar wizard Steve Hackett. As for the subject matter of the album: Neal says "If you show someone a door and say 'here's a door, walk through it' they'll probably say 'forget it'! But, if you show them a wall and say 'there's a door here somewhere…find it!' it becomes much more interesting. It is always more interesting when you find something for yourself rather than someone showing you something they found."

?,Neal Morse,Metal Blade,Christian Rock,Neo-Prog,Pop,Rock,Rock/Pop

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Average customer rating: Great music. Why the controversy? Great Continuation of Neal Morse in his grandure. Thank you for another trip to the well Simply Great Music, Well-Performed

Sola Scriptura Neal Morse Manufacturer: Metal Blade ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Christian Rock | Christian & Gospel | Styles | Music Christian Alternative | Christian & Gospel | Styles | Music General | Rock | Styles | Music Progressive Rock | Progressive | Rock | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: Fear of a Blank Planet Spock's Beard Snakes & Arrows Somewhere Else Systematic Chaos ASIN: B000MTDRKE Release Date: 2007-03-06

Tracks:

1. The Door-Introduction, In The Name Of God, All I ask For, Mercy For Sale, Keep Silent, Upon The Door
2. The Conflict-Do You Know My Name, Party To The Lie, Underground, Two Down One To Go, The Vineyard, Already Home
3. Heaven In My Heart
4. The Conclusion-Randy's Jam, Long Night's Journey, Re-Introduction, Come Out Of Her, Clothed With The Sun, In Closing

Customer Reviews:

Great music........2007-07-25

Hi,

Great CD. Quite progressive overall (not in a metal sense because there are many styles in the CD, but more in a classic progressive way... long songs, complex music structures, complex rythms, changes, then repeating again a melody that you heard 15 minutes before... well, you know...), so maybe it is not for everybody's tastes (my wife couldn't stand it!) but for me, this is one of the best releases in the last years. Awesome vocal and instrumental parts, with melodies! And, probably, the most beautiful guitar solo in recent times by Paul Gilbert in "The Door"... yes, you have to wait 27 minutes for the solo... but the rest of the song is great too!

If you can stand a 30 minutes song, then this is definitively a CD for you. Neal Morse has an immense creativity.

Regards,
Fran

Why the controversy?.......2007-07-06

Bravo, brother Neal.

You just have to admit that the organized church was corrupt. Not only were the upper eschalon of the Catholic church murdering, torturing and persecuting in the name of dogma and political influence, they were keeping the faithful of the general public illiterate and uninformed. This was the insult behind the tragedy. Not only did Luther champion a correct doctrinal stance, but he attempted to put the Word of God in the hands of the common people. This way the servant and the aristocrat could hold each other accountable to what the Bible said about sin and salvation. Without the ability to open up your Bible and read for yourself what God has spoken in His eternal self-revelation, you and I are condemned to just blind ignorance and the tyranical whims of the power-hungry in the church.

The Protestant movement was the plot light of the literacy movement in that age. Just like when Alexander the Great made "the whole world" speak, read and write Greek, it was really God setting the first century world up for the spreading of the Gospel. And today, English is this international language (economics, medicine, science) with which God has set the modern world up to hear His Word again.

Illiteracy is how the Cathholic Chruch remained unchallenged and kept the masses ignorant in the things of God. The people were crippled in defending themselves against the tyrany and unable to find the narrow road that leads to eternal life. It's a good thing that "one of them" decided to expose the charade and, paying a the highest price, sparked the movement that would bring the light of the Word of God to the English speaking world. Today there is no excuse. You can buy a Bible at Walmart. People in the civlized world are with out roadblock when it comes to the availability ot the word of God. If you really want to know what God has said in the Bible, you can read it for yourself.

Sadly, today as I try to evangelize in a mostly Catholic city, I find the masses still ignorant about the Bible's requrements for salvation. No one has had any idea of what being born again is, although Jesus states it is a requirement for entrance into the kingdom of God (John 3:3). In over 13 years of being saved, I've had only one challenging conversation at work with a Catholic who actually quoted the Bible to support his beliefs. Most Catholics I talk to remain in sin and out of touch with God because of family intimidation, sports-fan-type loyalty, and Biblical illiteracy...but rarely for anything as unique and genuine as a Biblical conversion, deliverance from the bondage sin, or a healing miracle in their body that can only be credited to God Himself. Ceremony and tradition have replaced repentence and the genuine fruits of faith, as Jesus and John the Baptist would have noted.

Even more sad though, is the ammount of Protestant Christians that are just as illiterate and happily so. Ther are people that know more about "The Purpose Driven Life" than the sanctified God-pleasing life. They haven't enough Biblical fortitude to discern the modern "golden calf" message behind weak kneed "Christian" self-help gurus. Christians today willingly buy into "Your Best Life Now" and other Christian Pop junk food instead of biblically striving for God's best life on His time table. We are more content to be entertained and call it worship rather than listen to the word of God in an unpopular-but-biblical sermon that lasts longer than 20 minutes. For shame. If it keeps going this direction, we may have to "come out of her" again.

I'm glad for Neal Morse's sake that burning at the stake is illegal now. Face up to the truth, people, don't be like Nazis that try to deny the Holocost. There's no Catholic bashing here, just well-informed songwriting. Why bash a Catholic when you can just get one saved?

Oh yeah, by the way, the music on this album is Neal's best yet.

Great Continuation of Neal Morse in his grandure........2007-07-01

Neal Morse for a long time now has struck me as a musical genious. Just recently above all his album ? has certainly struck me genious and my favorite. Aside from that when I picked up Neal Morses' new Sola Scriptura and put it in to listen to, I was blown away to find that the musical genious still layed in layers of smartness, cleverness, and pure thrill of a good listen. The only thing I had wrong with the album was the cliche lyrics. As good as the spirituality is, this lyrical mesh didn't strike me as deep as the other three genious albums he's released. I try my hardest not to compare to other albums, but when you know his lyrical topics and writings could be better, it's hard to listen to the words... so that's why I listen to the music.

If your looking for a good rock fused metal with some symphonic influence baried deep in the heavy goodness, you'll find yourself quite satisfied with the movements of these few songs. Plus you'll get a good half an hour song to enjoy on your free time. I've always been a person to love long songs, and these did not disapoint me in the least. Per say, I'm quite in love with the motion of these songs. The door is really the only song on this album I had a hard time with, it's a good song, but not to the bestest lyrical quality right, but the music is still in the highest motion of pure entertainment. However, in this goodness of rock fused metal, you will find that the riffs are hard and the transitions are top notch. Also, the complexity of the song remains to the truest of Neal Morses standards, plus not to include Portnoy's (Dream Theater) backing, with a bit of Rudess (Dream Theater as well) and our favorite bass guitarist. Anywho, I would recommend this to anyone whose looking for some awsome rock, incredible intricate melodies/movements/riffs, and just enjoys longs songs that take you on a wonderful adventure through the theological mind of Morse. This is for any prog rock lover, but also a generic rock fan who doesn't mind a song exceeding 5 minutes, let alone 25 minutes. So however you'd like to do that, enjoy its simplicity, not, enjoy its complexity very much. 4 stars to another successful album.

Thank you for another trip to the well.......2007-06-29

Joe Walsh said, "It's like your favorite station, playing your favorite song. Over and over. On the radio . . ." to explain how the music spilled from him. Neal Morse makes that creative out-pouring seem so much more profound.

The beauty of the life in the age of the iPod is how accessible one's music collection. I mention this thought because, as I listened to Sola Scriptura, I realized that Neal Morse is slowly unveiling one great work as he pours forth from his well-spring of genius.

This album continues the journey and weaves hits of previous melodies and words to help carry us forward.

Listen to them all together, in order . . . what a wonder of creation.

I just realized the irony of mentioning Joe Walsh . . . now Neal Morse will never have to play, "that Eagles song" again. He has plenty of music playing on his own radio station to keep him busy for many years to come.

Simply Great Music, Well-Performed.......2007-06-17

I'm a huge Neal Morse fan, I think he's one of the great composers of our time. He's not going to surprise us, we expect complex dramatic symphonic arrangements and he keeps delivering the goods. I admit it, I don't pay much attention to the words and I'm not a religious guy, so the bible-thumping washes over me without affect. It doesn't bother me. I love great progressive music and Neal is a modern-day genius at providing it.

One thing deserves special note. Mike and Randy comprise one of the best rhythm sections in the business. They mesh tightly with a muscular precision. Randy's punchy and precise playing is a awesome. His mellow tone (and brief bass solo) in Two Down One To Go is smooth and amazing. Mike is a worldclass powerhouse. Neal is lucky to have such talented players adding substance to his grand compositions.

Average customer rating: Neal Morse Stunning Solo Prog Debut from this genius Neal Really Shines Pretty Special Real christian prog

One Neal Morse Manufacturer: Metal Blade ProductGroup: Music Binding: Audio CD Christian Rock | Christian & Gospel | Styles | Music Christian Contemporary Music | Christian & Gospel | Styles | Music General | Rock | Styles | Music Progressive Rock | Progressive | Rock | Styles | Music Progressive Metal | Progressive | Rock | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: ? Testimony Sola Scriptura Snow Bridge Across Forever ASIN: B00065Y8UW Release Date: 2004-11-02

Tracks:

1. The Creation
2. The Man's Gone
3. Author Of Confusion
4. The Separated Man
5. Cradle To The Grave
6. Help Me/The Spirit And The Flesh
7. Father Of Forgiveness
8. Reunion

Album Description

Progressive/Christian Rock ARTIST BIO: At long last. The holy grail of prog! Take great artists like NEAL MORSE, MIKE PORTNOY and PHIL KEAGGY and put them together and...LOOK OUT! Here's how one reviewer put it: "Take Transatlantic, the orchestral beauty of Testimony and some clear nods to the prog greats of Genesis, YES, and Gentle Giant, along with some lesser pop sounds like old Tears For Fears and some Who derived moments and Neal's inescapable Beatles influence and you have it all." This is ONE great album! He goes on to say: "Speaking of Portnoy. Hold on to your socks! There are some absolute freak out moments of drum god envy going on! I mean that guy has done some freaky stuff with Dream Theater to say the least but there are a couple of tunes on here like "Author Of Confusion" that were seemingly written to give Portnoy the opportunity to shine, I dare say, brighter than ever before!" Here's what Neal had to say about it: "The Lord works in mysterious ways. I never thought this album was going to turn out as good as I think it has. I was stuck writing it for months. All along feeling like I needed help, knowing I had something, but also knowing it wasn't quite 'there'. I felt like it needed collaborators, but had no idea who those collaborators were. Then, along came Randy George (who was part of the Testimony band) and the correct missing words and music seemed to just roll off the tip of his tongue. He would say a line and I would shake my head, stunned, saying 'wow... that's IT!' Enter Mike Portnoy who is not just a master drummer but also a master at arranging parts and musical passages and almost immediately it took shape and was, well, almost PERFECT! Can you tell I'm excited?"

This album essentially tells the story of man's creation/separation/reunion with God. But, of course, that is not unique. What's unique about this album is the way in which the familiar story is told, with sweeping grand passages as well as heavy prog and emotionally wrenching songs, this is truly a unique album the likes of which has never been attempted before.

Also featured on the album is the guitar work and vocals of the great PHIL KEAGGY who also sings a duet with Neal ("The Cradle to the Grave").

Customer Reviews:

Neal Morse.......2007-06-08

This is an ambitious and interesting listen, and worth purchasing for the arrangements alone - though in all honesty it is recorded and mixed as a somewhat dynamically limited album, and that is too bad - as it is instrumentally and lyrically quite provocative... but also about 10 years out of date - late or early I cannot say. But it is not resonating with me (as of yet) in a powerful way.

One of the prime reasons for this is that this is regrettably only an average album on the basis of vocal performance. Neal Morse obviously has great vision and executes well, but simply doesn't have the pipes to front this type of music, a range equal to Jon Andersons or Larry Normans (as it IS a Christian album) would be really welcome... that being said - I am still glad I bought it - as it is unique. Neal should seriously consider partnering with a singer capable of realizing more versatility and the best in this music.

Stunning Solo Prog Debut from this genius.......2007-02-15

After making a couple of singer-songwriter type solo albums while still a member of Spock's Beard, Neal Morse started making solo prog albums once he left the Beard in 2002. One is his second one, and is stunning. The band he has assembled (which has played on ALL of his solo prog outings...Randy George on bass and Mike Portnoy on drums) is spectacular, as is Neal's virtuosity on the keyboards, piano, guitars, and vocals.

For me the standouts on this disc are the two 20 minute epics The Creation and The Separated Man, and the metal riff-fest Author of Confusion. However, this entire albums is just amazing. It tells the story of a man's spiritual separation and eventual rebirth with God. Don't let the religious themes of Neal's solo prog albums deter you. Even though I myself am a devout Christian, I cringe away from any Christian Rock...however, Neal is not beating you over the head with it, and rarely does he prosteletyze.

If you are a fan of Spock's Beard, Dream Theater, Rush, or just damn good prog, this is a can't-miss album.

Neal Really Shines.......2007-02-14

I have never had an album have the effect that this album has had on me. I actually emailed Neal to thank him personally for writing this album and listening to God's call in his life, The Man is BLESSED. I have read probably every review here, and I would say the only negative ones are those who are self absorbed humanists who can't bare the thought of someone not believing we came from monkeys. If you don't like God, that is a personal problem, don't trash Neal because he see's something that you Wont!!! and I stress WONT!!!!. Musically you can not deny how awesome this album is. Being a Christian, Neal has touched every emotion in me. I am a biker with a rough and tough look and former background which God changed when I accepted Jesus. I have to say hearing "From the cradle to the grave" crippled me with tears, as does the rest of the album as I sit back and listen to Neal paint the picture of the lengths that a loving God will go to just to reconcile us to himself. For those who are offended, I am sorry you feel that way, because Neal really has captured the love that God has for you, and I didn't find this album to be the least bit condemning. I highly recommend this album, especially if you are a Christian who enjoys harder edged rock and prog. I do not feel this album should be judged on the lyrics alone, the music is absolutely superb, especially with the likes of Mike Portnoy on drums, and Randy George on bass, and a guest appearance by Phil Keaggy. This album can't be beat

Pretty Special.......2007-01-20

"One" is a pretty special album. There was a time where it never left my CD player, I really enjoy it. Pretty emotional in places. There's some beautiful music here, big but intimate, with some interesting sounds and styles along the way: synths, strings, bit of brass, some guitars and drumming too. It's a concept album of man and God, full of clever Christian imagery.

Real christian prog.......2006-11-24

I finally found a prog music with solid christian lyrics in a mix of wisdom and virtuousity. "The creation" really leads you to figure out the begining in absolute amazing harmony along the themes. "Author of confusion" is other gem that shows Neal's creativity to sing about the enemy's tricks. Well, I just want to give thanks to Neal,Mike and Randy for their music!

Average customer rating: Neal's first post-Beard solo album is amazing Why did I wait? Essential Neal Morse solo music conversion to christianity Not merely for the ears...

Testimony Neal Morse Manufacturer: Metal Blade ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Rock | Styles | Music Progressive Rock | Progressive | Rock | Styles | Music General | Hard Rock & Metal | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: One ? Sola Scriptura Snow Bridge Across Forever ASIN: B0000C7PRY Release Date: 2003-09-23

Tracks:

1. The Land Of Beginning Again
2. Overture No.1
3. California Nights
4. Colder in the Sun
5. Sleeping Jesus
6. Interlude
7. The Prince of the Power of the Air
8. The Promise
9. Wasted Life
10. Overture No. 2
11. Break of Day
12. Power in the Air
13. Somber Days
14. Long Story
15. It's All I Can Do

Tracks:

1. Transformation
2. Ready to Try
3. Sing it High
4. Moving in my Heart
5. I Am Willing
6. In the Middle
7. The Storm Before the Calm
8. Oh, to Feel Him
9. God's Theme
10. Overture No. 3
11. Rejoice
12. Oh Lord My Lord
13. God's Theme 2
14. The Land of Beginning

Album Description

2 Disc Box set including a booklet of "Testimony notes" with Neal's reflections on each track. . ARTIST BIO:: When NEAL MORSE left SPOCK'S BEARD, the band he founded with his brother in Los Angeles in 1992, legions of SB fans around the world were left wondering if they would hear from Neal ever again. To many fans, SPOCK'S BEARD was Neal, or at least Neal's musical vision. As the band's primary songwriter and lead vocalist, the only apparent reason to leave the highly acclaimed musical juggernaut at the height of their global popularity, would be to set away from music all together...

History...

Neal grew up in the San Fernando Valley area of Los Angeles throughout the 60's and 70's. His father was a choral director and his influence on Neal was quite significant, teaching him to harmonize at an early age and exposing him to many different styles of music. Neal began taking piano lessons at the age of five, sang lead in the opera "Amahl and the Night Visitors" at the tender age of nine, and picked up the guitar soon afterwards. Throughout his twenties, Neal wrote about a million songs and played all over Los Angeles trying to get a deal as a singer/songwriter. In between writing two full-scale musicals, Neal also played sessions for Al Stewart, Peter White and Skipper Wise amongst others.

In his early thirties, Morse grew restless with the LA scene and packed up his things to go travel around Europe, busking in the streets and playing in small clubs. Neal found the experience to be quite valuable and after having played all over Hamburg, Berlin and Paris, he returned to the US and decided to form the band Spock's Beard with his brother Alan. Recruiting a line up of top session musicians, the band recorded it's debut album, "The Light" in 1994, an album which critics have called one of the best progressive albums of the last ten years. The band (with Neal) has recorded five studio albums and one live album ("Beware Of Darkness", "The Kindness Of Strangers", "Day For Night", "V", "Snow" and "The Beard Is Out There - Live") and have been hailed as one of the best progressive bands on the scene.

In 2002, after the release of Spock's Beard's epic 2 CD concept album "Snow", Neal inexplicably left the group. The timing could not have been stranger, as "Snow" received unanimous beaming reviews from writers around the world.

Well, fortunately for his audience and seemingly overnight, Neal is far from done, and is more likely just getting started. In similar step with his SPOCK'S BEARD swansong "Snow", Neal has fashioned yet another double disc of stunning music. "Testimony" is a new beginning for Neal, and a glorious musical beginning it is. Neal's musical output is, for lack of a better word, staggering. 21 tracks include all the elements Neal has become famous for, a cappella multi-harmonic vocal sections, thought provoking lyrics and the top shelf musicianship lacking in most popular music today. Neal has broadened his musical breadth on "Testimony" including, for the first time, members of the NASHVILLE SYMPHONY ORCHESTRA. Neal even has even gone so far as to reach out to one of his own musical influences, KERRY LIVGREN (KANSAS), who graciously contributed to "Testimony". Long time friend and TRANSATLANTIC collaborator, MIKE PORTNOY (Dream Theater) also refused to be left behind, and can be heard behind the drum kit on the entire album. You can hear Neal's newfound enthusiasm on "Testimony", it's the sound of a modern musical master, and quite a testimony it is.

Customer Reviews:

Neal's first post-Beard solo album is amazing.......2007-03-10

I think the title of my review says it all. Testimony was released a year after Neal quit Spock's Beard and its 2 CDs are basically his autobiography as told through music. There was genuine concern among fans whether we'd ever hear from Neal musicall again. As an artistic achievement as well as a musical work, it is quite simply stunning. Neal plays guitars, bass, and keyboards and handles all the lead vocals. He's joined (as he is on all of his post-Beard solo discs) by the superb Mike Portnoy on drums as well as a cast of musicians on strings and backing vocals.

The double disc set starts with Neal singing about the "Land of Beginning Again" before busting into a killer Overture, No.1 to be exact. I'm not going to go into detail here as this album is long and has so many high spots (2 hours!). However, some of my favorites that stick out are the 3 overtures, Ready to Try, Break of Day, California Nights, The Prince of the Power of the Air, Sleeping Jesus, and the suite containing Oh Lord My God.

As far as story goes, the album chronicles Neal's attempts in his 20s to make it in the California singer/songwriter scene, where he played loads of long gigs for little pay. Getting depressed and bitter and dumped by his girlfriend, he hits his lowest ebb as he enters his early 30s. However, he begins to pary and go to church. He moves to Nashville, meets his future wife, gets married, starts having kids, Spock's Beard begins to take off, and he's finally a huge success. But something inside him is restless, and through his spiritual quest, he embraces his Christian faith, leaves the Beard after 8 years and 6 KILLER albums (culminating in his opus with SB, Snow), and begins anew with this disc. Obviously I wish Neal hadn't quit the Beard, but they and he have both done fine since the split.

Even though I am a devout Christian, I usually run the other direction screaming from Christian music. However, Neal's lyrics can be positive and uplifting even if you don't agree with his Christian message, and the musicianship and passion with which all of his work comes across is certainly worth the price of admission alone.

In short, this is a stunning achievement and well worth your time!

Why did I wait?.......2007-02-26

You know, it's almost impossible to not address this as a Christian work - but don't jump down my throat until you read the next paragraph:

I truly feel like an IDIOT because I let my Agnosticism keep me from purchasing any of Neal's Christian albums. Truthfully, that was absolutely THE DUMBEST REASON ON EARTH not to buy this. (And I not only bought this disc, I bought "?" and "One," which I also love.)

As a fan of Neal-era Spock's Beard, and Transatlantic, I should have gotten this MUCH sooner than I did. If one is to look at religion as an intellectual topic rather than a spiritual one, then you really should have no problem with this album. Consider also that Mr. Portnoy is Jewish, and apparently could put his own religious beliefs aside to play on Neal's Christian works. So, really, if he can get over it, why can't you?

Now that we've gotten that out of the way ... this is perhaps Neal's masterwork, and one that should be in any progressive rock fan's library. This isn't too far off of the Spock's Beard path, nor the Transatlantic path - it's just more epic in scope. The orchestrations and arrangements are nothing sort of brilliant. Neal's sense of melody and thematic development have always been what drew me to all of his work - that, and the amount of sonic diversity that you get, both within an album as a whole, and very often within the context of a single track. If this is what you like about Neal's work, then you will not be disappointed in the least. The playing here is top notch as well - when have you heard Mike Portnoy not turn in a jaw dropping performance on the drums? - and lyrically, I don't suppose you can get much more personal than this; Whether or not you care about Jesus or God or any of that, this is Neal's story. And if you respect the man and his work, you can put your personal hangups aside to listen to him.

My only regret is that I didn't get over mine sooner. And while this album has not affected my views on Christianity, it certainly made me consider the amount of cynicism and hypocrisy in my life had reached ridiculous levels when I let something like religious beliefs (or lack thereof) get in the way of listening to something that is so compositionally brilliant and truly a work of genius.

Essential Neal Morse solo music.......2007-02-06

This CD tells the story of a musician struggling both professionaly and spiritually. The songs are well crafted and full of excellent musicianship with some high caliber guest musicians including Kerry Livgren and Mike Portnoy (who is still Neal's studio drummer).

The second disc has some pretty powerful musical/spiritual moments that will really move anyone who is not closed off to Christianity.

conversion to christianity.......2006-06-14

insofar as music expresses and conveys human emotions and experience, neal got music. neal got tune. neal got soul. if anyone knows of a better musical representation of the human experience of conversion to christianity (tumoil/conflict -> inspiration/revelation -> peace) than the four tracks on the 2nd cd: In the Middle, The Storm Before the Calm, Oh, to Feel Him, God's Theme, please tell me. beyond these four tracks, there are many other memorable high points on this work. the totality of neal's contribution to christian music in a few short years (testimony / one / ?) is mind-boggling. hard to believe he's not a "cradle-christian". wow. i'm a fan.

Not merely for the ears..........2006-06-01

This is amazing stuff. Music for the heart, not only for the ears. Morse met Jesus and found LIFE. This music is incredibly alive!

Average customer rating: What's the Title? A prog masterpiece...keep your minds open Another amazing album from Neal Excellent symphonic progressive rock Progressing Confusion

? Neal Morse Manufacturer: Metal Blade ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Christian Rock | Christian & Gospel | Styles | Music Christian Alternative | Christian & Gospel | Styles | Music General | Rock | Styles | Music Progressive Rock | Progressive | Rock | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: One Sola Scriptura Paradox Hotel Testimony Wall Street Voodoo ASIN: B000BI1YJW Release Date: 2005-11-01

Tracks:

1. The Temple Of The Living God
2. Another World
3. The Outsider
4. Sweet Elation
5. In The Fire
6. Solid As The Sun
7. The Glory Of The Lord
8. Outside Looking In
9. 12
10. Entrance
11. Inside His Presence
12. The Temple Of The Living God

Album Description

This album is shrouded in mystery. Temporarily called 'The Secret Project' and now appropriately titled simply "?", this CD consists of one 55 minute track that explores the mysteries of God. It is pure prog heaven with all the earmarks of Neal's previous work plus development into new areas. This is a dazzling piece of music that some are already calling Neal's best work yet. From heavy sections where Alan Morse (Neal's brother and fellow founder of neo-prog giants 'Spock's Beard') and Jordan Rudess from Dream Theater trade solos, to sections that feature the massively creative mind of Mr. Roine Stolt (Flower Kings) that bring back recollections of Neal's other ex-band Transatlantic, this album is a progressive rock fans dream! Built on the musical foundation of multi-award winning drummer Mike Portnoy and the bass of Ajalon's Randy George, this is another instant classic from the creator of "Snow" and "Bridge Across Forever". Featuring a guest appearance by original Genesis guitar wizard Steve Hackett. As for the subject matter of the album: Neal says "If you show someone a door and say 'here's a door, walk through it' they'll probably say 'forget it'! But, if you show them a wall and say 'there's a door here somewhere…find it!' it becomes much more interesting. It is always more interesting when you find something for yourself rather than someone showing you something they found."

Customer Reviews:

What's the Title?.......2007-03-12

I figured I'd write my review on this since I wrote a review on Sola Scriptura today. With this release Neal really isn't trending in any new direction musically. The overall concept is a good one for the spiritual angle. No one in Christian music today is taking theme's like Neal and exploring them musically. Christian artists today are very staisfied to record the same worship songs over and over and over again hoping the public will buy them. Neal, at least, has the guts to step up and deliver a solid performance and deliver some very unique material that not one Christian artist would even consider doing today. Hats off. As always this cd has all the trademarks of Spock's and Transatlantic which goes without saying that it blows away anything else out there.

A prog masterpiece...keep your minds open.......2007-03-08

I won't re-hash what the other reviewers have already said so eloquently. To sum it up, this album is indeed wonderful, "a masterpiece," and IMHO should be added to any serious prog rock listener's catalog. There simply aren't many artists/bands out there today putting out this level of quality music. To dismiss Neal Morse because of his lyrics will cause you to miss out on some outstanding, cutting-edge music.

As an open-minded Christian, I would like to offer this up to all the non-religious reviewers. I happen to like the group Pagans Mind (now what is a Christian doing listening to them?). I like them because they totally rock. Yes, they may be singing about aliens, constellations, and other worlds (kinda cheesy), but I can get past that and enjoy the music: mind-bending guitar work, hammering drums, and the soaring melodies.

All I ask is that you do the same with Neal Morse...enjoy the music because it is absolutely top-notch, and keep an open mind when it comes to the lyrics.

Another amazing album from Neal.......2007-02-15

? was Neal's third solo prog album and deals with the topic of the Tabernacle, which, to my understanding, was a traveling temple the Old Testament Jewish tribes used for worship. This ? album is basically one long piece of music split amongst its 12 tracks, bookended by The Temple of the Living God. In addition to the usual stellar solo band Neal has (Randy George and Mike Portnoy), there are also some killer guest stars, like his brother (and former Spock's Beard bandmate) Alan Morse, Portnoy's Dream Theater bandmate Jordan Rudess, Steven Hackett (original Genesis guitarist) and more. I can't really pull a highlight out of here....from the sweeping Temple of the Living God to the beautiful 12 to the anthemic Solid As the Sun, this is an album of staggering beauty and power.

I'll leave it to others to hash out an interpretation and to explain it to you. Take your own interpretation of the lyrics (which I see as the story of how early Christians replaced the tabernacle-style worship of the ancient Jews with worshipping Jesus' divinity as the Messiah) and enjoy this album musically and lyrically. Discover Neal's other solo albums, his incredible work with Spock's Beard and Transatlantic, and get ready for what looks to be a frigging AWESOME new solo album this March 2007 (Sola Scriptura).

Excellent symphonic progressive rock.......2006-12-12

Don't be misled by religious fanatics who confuse an album review with an opportunity to express their jaded dogma. This is about the music and Morse has created a wonderful journey with this cd that is more than satisfactory. Just the fact that he has Mike Portnoy on the drums should be enough to entice fans of this genre but when you add Steve Hackett and Jason Rudess to the mix it becomes a no-brainer. The fact that the subject matter is the temple of God shouldn't be a problem and if it is then simply imagine that he's talking about Greek mythology or something and you'll be fine. It's not preachy or holier-than-thou at all. Let the artist express himself, I say. At times his Genesis and King Crimson influences surface but, in the end, he stays true to himself and delivers a unique concept album that is never boring and always challenging and entertaining.

Progressing Confusion.......2006-10-04

When an artist like Neal takes the time to put forth his personal religious dogma/doctrine on his album he is telling us that it is important to him to convey that dogma/doctrine. If we ignore it we do him an injustice, and end up with only a superficial appreciation for his work. Neal, according to his own website has attempted to put his views of God on this album. There seems to be a lot of confusion about Neal Morse, and maybe his recent statements on his website will help clear things up. Some people still haven't figured out that Neal Morse is a religious guy, others seem to confuse Neal Morse's religion with Christianity. Neal Morse is not a Christian, at least not in any historical sense of the term. Neal Morse denies the doctrine of the Trinity, and has a view of Jesus Christ that is akin to that of the Watchtower Cult. To Neal Morse Jesus is just a created being, a very nice created being, but a created being nonetheless. Neal's own website states that he has tried to put his views on this particular issue in this album. If you are a Jehovah's Witness, deny the deity of Christ, or can have a merely superficial appreciation for Neal's music than this album will be great for you. Otherwise take a pass on this indoctrination in heresy.

Average customer rating: Not a repeatable listen Wow! First live cd that puts you in the moment Derek Webb Wows with Music and Message Must-Buy Album

The House Show Manufacturer: Gospel Music USA ProductGroup: Music Binding: Audio CD Similar Items: I See Things Upside Down She Must and Shall Go Free Mockingbird How to Kill and Be Killed One Zero [acoustic] ASIN: B0002EWGV0

Product Description

From the living room to your house, Derek Webb returns with a LIVE recording called The House Show. At just over an hour, The House Show captures what happened in the living room concerts that Derek embarked on since the release of his debut album She Must And Shall Go Free. With a mixture of music and sharing, Derek continues delivering the message that there is nothing more important that the gospel of Jesus Christ. This project contains familiar tracks from his last release as well as 2 never before heard cuts and 2 Caedmons Call songs co-written by Derek, all in a raw acoustic setting.

Customer Reviews:

Not a repeatable listen.......2005-10-20

My first listen to this album I really liked it, the songs are pretty good and the talking between songs was very interesting. As I listen to the album more and more, the in between songs talks just get OLD and BORING, I find myself skipping almost every little one. I like the music just fine, but geez, these lectures about putting my sin on display and Christian community sure do get grating after about the second time you hear it. If there were a way to choose whether you want to hear these talks (without having to physically skip each) this album would definately be at a 4 star rating, but man, it gets way annoying!

Some songs just get on my nerves too; they just seem way too accusatory and just don't mesh with my ideology too well. One song that I particularly don't like is "I Repent" in which we are instructed to repent of everything that our Father God has graced us with; a nice family, a house, living in a good neighborhood, etc. As far as I can tell, these are not sins, but rather blessings given to us but our Lord Jesus Christ, we should be thanking and praising God for a beautiful life, not repenting.

Everyone has a different cross to bear, some might be called to live life on the road, speading the word and message of Jesus thoughout the land, others might simply be called to live in a halfway decent house and show the love of God to their neighbors by works and actions. The greatest commandment is to love God with all your heart and soul AND to love your neighbor as yourself. I honestly have trouble finding these messages in some of Derek's songs. The message appears to be more that the work starts when you accept Jesus, when in truth it doesn't. Jesus promised rest for all who are weary, not unending worries of sin and repentance.

Wow! First live cd that puts you in the moment.......2005-02-06

I was so excited when I got my "House Show" cd. As I say in my "She Must and Shall Go Free" review of Webb's first cd, although I was annoyed at first by the style, I have grown to be challenged by his lyrics and his heart. He has challenged me to love the church, and by loving the church, loving those who are in it. He has challenged my weak view of my own sin and confronted me on one of my worst, hiding those sins from others to make myself more "worthy" to God and more attractive to others. This makes my sin small, and therefore makes my Savior small in my mind.

Maybe I started to get comfortable with the heart-wrenching lyrics of "She Must and Shall Go Free," and then comes "The House Show." The cd is a live recording of one of Derek Webb's many house shows, nothing more than intimate, livingroom concerts. Not only are many of the songs that made the first cd great on this one, but there are a couple Caedmon's Call songs, and one from his following cd, "I See Things Upside Down." The best thing though is the talking between tracks. Normally I despise talking on a cd saying, "I bought this cd for the music, not your preaching." But that's the thing, Derek's music has prepared my heart for his preaching during the last 6 month's that I've owned his first album and listened to it at least two times a week. Now, his heart is poured out as he explains his songs and preaches the same message that make his lyrics so poignant: We must hear the gospel, preaching it to ourselves and each other, every day; we must never diminish our own sin; If we love Jesus, we will love the church (and all those in the church); community is a necessary part of Christianity. (We also get a personal glimpse into his life as he tells the story of his grandma and the song "Dance."

If you do not yet own "She Must and Shall Go Free," go buy that and let its message penetrate your soul. It may take a few listenings, but listen and pray through the very needed message that Derek Webb brings us there. Then buy "The House Show."

If you already own and love "She Must and Shall Go Free," then immediately buy this cd. It will be one of your favorite.
-Jacob

Derek Webb Wows with Music and Message.......2004-09-02

In his latest album, "The House Show," Derek Webb has issued a clarion call to bring Christians into a community of believers who boldly preach the Gospel -- in all of its beauty and offensiveness.

The album, recorded in the intimate setting of a living room rather than a concert hall, intersperses challenging lyrics with Webb's up-front theology. Webb's vocals are uncluttered, backed only by his 12-string guitar. The result is the kind of CD you can play over and over to draw you back to Christ when all around you is chaos.

Webb, who left Caedmon's Call to bring his message to hundreds of living-room concerts, focuses our attention on parts of the Gospel that are often lost in the Christian obsession with simple salvation. He targets Christ's emphasis on reaching out to others, preaching the Gospel, being truly repentant and letting our great Savior deliver us from the troubles that surround us in modern life.

Webb challenges complacent Christians to look deeply into themselves and abandon "the great righteousness that we might prop up as an idol from time to time."

"We think we will be able to measure the growth of our spirituality by how little we are sinning, or by how little we can convince ourselves we are sinning," Web says in his introduction to "I Repent."

That song quickly assails some values American Christians would prefer to leave unexamined:

"I repent, I repent of my pursuit of America's dream
And I repent, I repent, of living like I deserve anything
Of my house, my fence, my kids, my wife
In our suburb, where we're safe and white
Oh I am wrong and of these things I repent"

Lest any listeners feel left out, the song goes on to repent "the way I believe that I'm living right, by trading sins for others that are easier to hide."

But the positive message that accompanies the song is this: Jesus "knows you better than you're willing to even admit to yourself, but He's forgiven you!"

"Wedding Dress," fleshes out the theme of Christians who are hedging their bets because they don't truly believe the Gospel's promise that Jesus is sufficient for all our needs.

"And because I don't believe that," Webb says, "I all too often give in, am convinced or wooed by what some theologians have called 'lovers less wild' than Jesus, the great lover of our souls."

The song that follows is another affront to comfortable Christians:

"So could you love this bastard child
Though I don't trust you to provide
With one hand in a pot of gold
and with the other in your side

"I am a whore I do confess
I put you on just like a wedding dress
and I run down the aisle, run down the aisle

"I'm a prodigal with no way home
I put you on just like a ring of gold
and I run down the aisle, run down the aisle .. to you"

To those who might find these message hitting too close to home, Webb says, this is the real Gospel -- get used to it.

"You just can't preach the gospel and not be confrontational," he says. "The cross is both beautiful and offensive, and it must be both ... There is no other gospel for us to preach."

Webb reflects on "The Lion, the Witch and the Wardrobe," a classic Christian work by C.S. Lewis in which some children are magically sent to a world ruled by a huge talking lion named Aslan -- the Christ figure in the story.

"They go to some who live there and say, 'We are frightened by the sight of Aslan the lion. Can you tell us, is he safe?'" Webb recounts. "The response is, 'No, he's not safe. But he is good. And he's the king.'"

"Jesus, folks," Webb says. "He is not safe. He is not manageable. He is a wild lion. You cannot tame Him.

"But He is good. He is King. You can trust Him."

With that trust of Jesus in our hearts, we must reach out to others, Webb says in his introduction to "Nobody Loves Me."

"If you divorce local community from the Gospel then it ceases to be the Gospel," he says. "There is no other context for your faith as a Christian than to be in community with other people."

We must remember to preach the Gospel not only to nonbelievers, but to each other, Webb says.

He goes on to recount a story of Martin Luther, about whom "Nobody Loves Me" is loosely based.

Luther was once asked at his church why, week after week, all he preached was the Gospel, Webb said.

"Luther's reponse was, 'Well, because week after week you forget it. Until you walk in here looking like people who are truly liberated by the truth of the Gospel, I'm going to keep on preaching it to you.'"

"Nobody Loves Me" goes on to paint a picture of Luther as someone who assaults the comfortable, starting with himself.

"Well I can always tell a liar and I always know a thief
Well I know `em like my family because brother I'm the chief
Well I'm a dangerous crusader 'cause I need to tell the truth
So I'm turnin' over tables in my own living room

"But I might nail indictments up on every door in town
'Cause it's not right or safe to let your conscience down
So I don't care if nobody loves me, nobody loves me, nobody loves me
But You."

Challenging lyrics abound on this album. "This World," written by Aaron Tate, again confronts us for chiseling out hiding places from God's intention for our lives.

"This world is making me drunk on the spirits of fear.
So when He says 'Who will go?' I am nowhere near," says one verse.

"And the least of these look like criminals to me
So I leave Christ on the street," says another.

"But now I'm breakin' up, and now I'm wakin' up
Now I'm makin' up ... for lost time."

That is the positive message that runs throughout this challenging album: Take up your cross and, through you, Jesus will transform our communities.

This message runs through the song "Take To the World:"

"Go in peace to love and to serve
And let your ears ring long with what you have heard
May the bread on your tongue leave a trail of crumbs
To lead the hungry back to the place that you are from

"And take to the world this love hope and faith
Take to the world this rare relentless grace
And like the three in one
Know you must become what you want to save
'Cause that's still the way
He takes to the world"

Webb is careful to remind us that the Church plays a pivotal role:

"I haven't come for only you
But for my people to pursue," Webb says in "The Church"
"You cannot care for me with no regard for her
If you love me you will love the church"

Must-Buy Album.......2004-07-27

A man and his guitar.

On the surface, that is all you are going to get with Derek Webb's album The House Show. There is no production, no percussion, no backing vocals.

Dig deeper and you will find an outstanding album featuring one of Christian music's most honest and outspoken voices. The album seamlessly weaves segments of speaking with singing - sharing in music with spoken teaching.

Webb decided that in support of his acclaimed album She Must And Shall Go Free, he would avoid playing in large venues and would focus instead on small gatherings of fifty or so people in someone's living room. This setting allowed him to share what God has been teaching him about himself, about God and about the church. What's more, Webb was able to capture the feel of those gatherings on this album. Listening to The House Show it is easy to imagine oneself sitting cross-legged on a living room floor, listening to Webb share what God has laid on his heart.

What sets this album apart from other live albums is the dialogue between songs. We have all heard live albums where the band spends a few moments in thanking the crowd for their support or even in giving a small altar-call, but what Webb does is unique. He shares the inspiration behind his songs, often speaking for minutes at a time in what can really be considered small sermons. Especially outstanding is his stand against "going it alone" as Christians. He teaches that there is no other context for Christianity than the church, the church that Christ so loved that He gave Himself for her.

The bulk of the songs on this album are from She Must And Shall Go Free. He also covers a Bob Dylan song and sings two songs from his Caedmon's Call days, once which he wrote and one which was written by band mate Aaron Tate. The only new song is entitled I Repent and that song alone is well worth the price of this album. It is as gut-honest a song as you will find, especially in light of the introduction he provides for it.

Derek Webb is clearly one of the great Christian artists of our day. He pours into each album his passion for God, for the Reformed faith and for the church. This passion is infectious and the listener must soon learn that when Webb speaks, it is always worth our while to listen. I simply can't recommend this album enough.

Average customer rating: Excellent Studio Covers! Excellent Musician's covering classic favorites Great Covers Collection from Neal Morse and friends.

Cover to Cover Neal Morse , Mike Portnoy , and Randy George Manufacturer: Metal Blade ProductGroup: Music Binding: Audio CD General | Rock | Styles | Music Progressive Rock | Progressive | Rock | Styles | Music General | Hard Rock & Metal | Styles | Music Similar Items: Spock's Beard Sola Scriptura Fear of a Blank Planet Milliontown Arriving Somewhere (2pc) ASIN: B000HLDESM Release Date: 2006-09-19

Tracks:

1. Pleasant Valley Sunday
2. Badge
3. Maybe I'm Amazed
4. Where Do The Children Play
5. I'm The Man
6. Feeling Stronger Everyday
7. Rock And Roll Suicide
8. Where The Streets Have No Name
9. Day After Day
10. What Is Life?
11. I'm Free/Sparks
12. Tuesday Afternoon
13. Find My Way Back Home

Customer Reviews:

Excellent Studio Covers!.......2007-04-11

Hey, this you will enjoy without a doubt. It's well recorded. It's simple, but it's got a "feel" for old rock classics!

Excellent Musician's covering classic favorites.......2007-02-06

If you are a fan of any of the members of Neal's solo projects, you'll enjoy this collection of cover songs that they recorded over the years. This really shows the range of Neal's vocal abilities and as always gives Mike Portnoy a chance to let us know how the drums should have been played.

I do recommend this CD to anyone who enjoys Spock's Beard, Dream Theater, Transatlantic, and obviously Neal Morse's solo work.

Great Covers Collection from Neal Morse and friends........2006-11-14

Throughout the recording sessions for Neal Morse's last three concept albums, he and sidekicks Randy George and Mike Portnoy would drop their serious musical side to play cover versions of their favorite songs. The "Cover To Cover" disc is the end result of what they did during their spare time in the studio.
Compiled from the "?", "One" and "Testimony" sessions, "Cover To Cover" is an absolute blast to listen to from beginning to end. While the feel is loose and spontaneous, it's never sloppy or slack. If anything, we are given another prime example of just how well Neal, Mike and Randy play off each other in these songs. You can tell just how much fun they were having especially in the versions of The Monkees "Pleasant Valley Sunday" and Joe Jackson's "I'm The Man". The take on Chicago's "Feeling Stronger Every Day" kicks rear end with a guest horn section and an extended jam outro. Christian rock legend and guitar extraordinaire Phil Keaggy joins the action for George Harrison's "What is Life?" which sounds uncanningly like a duet between Lennon and McCartney - Neal sounding like John Lennon, Phil sounding much like Paul McCartney. Mike Portnoy shows off his Keith Moon influence in The Who's "I'm Free/Sparks" while Neal's trademark progressive side is heard in the closing medley of The Moody Blues "Tuesday Afternoon" and Blind Faith's "Find My Way Back Home".
Guaranteed, this is a fantastic CD and is great music for driving the vehicle with. For fans of Neal Morse and Mike Portnoy, this is definitely a must. For the casual listener, this is a must for you as well.

Average customer rating: A solo record with heart....fantastic Prog pop Good Solid Solo Debut from this MasterMind Great Music Very Good

Neal Morse Neal Morse Manufacturer: Metal Blade ProductGroup: Music Binding: Audio CD Singer-Songwriters | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Rock | Styles | Music Progressive Rock | Progressive | Rock | Styles | Music General | Hard Rock & Metal | Styles | Music Progressive | Rock | Indie Music | Stores | Music Similar Items: It's Not Too Late ? Testimony One Sola Scriptura ASIN: B00001R3NP Release Date: 1999-10-05

Tracks:

1. Living Out Loud
2. Lost Cause
3. Landslide
4. That Which Doesn't Kill Me
5. Everything Is Wrong
6. Nowhere Fast
7. Emma
8. A Whole Nother Trip: A. Bomb That Can't Explode
9. A Whole Nother Trip: B. Mr. Upside Down
10. A Whole Nother Trip: C. The Man Who Would Be King
11. A Whole Nother Trip: D. It's Alright

Customer Reviews:

A solo record with heart....fantastic.......2007-02-17

This is Neal Morse's first solo record, made in 1999 when he was in Spock's Beard. Neal handles everything on this record except drums (which are handled by his Spock's Beard bandmate Nick D'Virgilio). People looking for more Beard-like prog here will not find it. What you will find, however, is smart, funny, touching, rockin', wonderful poppy rock from a true genius. Not only is Neal's instrumental prowess impressive, he has a voice that can speak to your soul and he uses it to great effect on this record.

The opener, Living Out Loud, is a rocker and a fun way to open the album. The disc runs the gamut from wry songs like Lost Cause and Nowhere Fast ("There is this girl I know, she hates my guts I love her so"...had me cracking up!) to songs that literally made me cry (Landslide and the aching, touching Emma, especially because of Neal's voice). The album does, end, however, with a 23-minute prog epic, A Whole 'Nother Trip. This song is everything you'd expect from Beard-ed Neal, and it is an awesome way to close the album.

While Neal's post-Beard prog solo albums are incredible, the first two he did (this and It's Not Too Late), which are more singer-songwriterish, are still incredible pieces of music from this modern musical genius and definitely worth getting.

Prog pop.......2006-08-14

Interesting pop with little mini-prog nuggets. Clever, ironic lyrics that made me laugh out loud at least three times on the first listen. Includes a 20+ minute prog piece at the end.
The only significant problem is that Morse has bouncy, upbeat songs with depressing lyrics that don't match the music (Lost Cause). This is similar to Prince of the Power of the Air on Testimony.

Good Solid Solo Debut from this MasterMind.......2006-07-14

Neal Morse is one of the most talented and gifted writer/musicians that has emerged in the last ten years or so---don't even think of comparing more household names such as Kurt Cobain to Mr. Morse....sorry, he doesn't even hold a candle to neal's talents and body of works. I have never understood how guys like Neal have remained obscure to the listening public!?! Actually maybe I do---the "flock of sheep" have been led to fields of mundane, emotionless sounds of the herder (FM Radio). Anyone out there who doesn't believe the musical "Bar" has been severely lowered in the past decade is probably part of the "flock" mentioned above. Someone out there please help me understand how a band that has had their "nose to the grindstone" for 30+ years (such as RUSH) is outsold in total record sales by talentless "brats" who release 2 or 3 albums (Eminem, Bratney Spears, Etc)...I simply cannot comprehend this! What I DO understand is anyone out there looking for meaningful music has to go "searching" for it---it rarely finds you (as a shameless 'Plug', Amazon has been a great source for helping me discover good artists/music). Anyway, enough of my "venting". This album is in fact a 'Pop' record that could have easily made it to FM Radio had there been someone Keen or daring enough to give it a few spins...and I believe the listening public would have "taken" to this. Songs such as "Living Out Loud", "Nowhere Fast" and "Landslide" would have eventually caught almost anyone's ears. "Emma" and "Everything is Wrong" are very good compositions as well, though probably less 'radio-friendly' than above mentioned tunes. The remaining 'Pop' songs ("Lost Cause" and "That Which Doesn't Kill Me") are decent songs though quite 'generic' and far from 'groundbreaking'. The 'Epic', "A Whole Nother' Trip", is enjoyable enough after a few listens but pales in comparison to the epic-style songs produced by Spock's Beard---I'm sure Neal put this last song on here to try and satisfy SB fans who were wondering "just what in the heck is he trying to prove" with this release! I think the thing that makes this album enjoyable for me is that it sounds like something I've maybe heard before(though I can't put my finger on it), and at the same time, it sounds like NOTHING I've heard before. To sum it up, If you are looking for tasteful, pop-style music with a meaningful flair to it, this may be your ticket. On the other hand, if you are expecting 'over-the-top' progressive music, you are going to be let down with this one---I would strongly recommend Neal's "Testimony" or "One" releases for your progressive "Fix". Lastly, I would like to reiterate what other reviewers have stated about this man's "other-worldly" talents---not only does he play a "mean" set of Keys and guitar, he is quite adept at Bass guitar and Drums...not to mention his vocals and lyrical writing. Recommended along with almost everything this man has been involved with!

Great Music.......2004-08-27

Whoever said that Neal Morse was at his creative peak when he wrote this album was way off. V hadn't been released by the time this album came out. If you're what I so affectionately refer to as a "prog snob" then you may not like this album. As many have already said, it's more pop oriented. That having been said, it's really not AOR or radio friendly pop; but it is very well executed in true Neal Morse style.

I think anyone who enjoyed Kindness of Strangers or (to a lesser extent) Day for Night would like this album.

Neal Morse is the only man alive that I know of that writes "Pop" epics.

Very Good.......2003-11-19

As some have said, this is more pop with prog influence ... well, if only all pop these days was this good! Neal Morse crafted some excellent songs for this CD and it's not just all about the music. The lyrical content is interesting and engaging with just the right mix of humor, profundity and introspection.

I HIGHLY recommend this album to anyone who is a fan of good songwriting and excellent musicianship. Especially to anyone familiar with Neal Morse and like his work with Spock's Beard. I also recommend, "It's Not Too Late" his next solo effort.

Don't expect to hear Spock's Beard because this is just Neal. Be open to his individual expression and I don't think you'll be disappointed.

- Scriptor

Average customer rating: This CD is a classic So What if it's Not Prog? fine and definitely not prog

It's Not Too Late Neal Morse Manufacturer: Inside Out U.S. ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Rock | Styles | Music Progressive Rock | Progressive | Rock | Styles | Music General | Hard Rock & Metal | Styles | Music Pop Rock | Pop | Styles | Music Progressive | Rock | Indie Music | Stores | Music Similar Items: Neal Morse ? One Testimony Sola Scriptura ASIN: B000067UNC Release Date: 2002-06-11

Tracks:

1. It's Not Too Late
2. All The Young Girls Cry
3. Leah
4. The Angels Will Remember
5. So Long Goodbye Blues
6. The Change
7. Broken Homes
8. Oh Augie
9. The Eyes Of The World (George's Song)
10. Ain't Seen Nothin' Like Me
11. I Am Your Father
12. Something Blue
13. The Wind + The Rain

Customer Reviews:

This CD is a classic.......2005-03-10

I've listened to this CD a number of times now and one has to wonder why Neal Morse isn't a household name. But, this is the tragedy of the age of Brocolli Spears and boy bands. Anyway, cuts like ALL THE YOUNG GIRLS CRY and THE CHANGE are great. Morse's voice is so unique. The music on this CD is impeccable. This is a recommended buy.

So What if it's Not Prog?.......2002-11-22

First off, I don't think anyone has complained lately about having too much Neal Morse around.

Now, this album is really good, even without having any "The Great Nothing"s, "The Doorway"s or "The Water"s. This is an album that both you and your girlfriend can enjoy. The entire album is filled with the writing skills and musicianship that we have all come to love from a one Mr. Neal Morse.

The idea behind this solo effort was to create as live of a studio performance as possible. This was done by recording the vocals, piano and drums (played by none other than NDV) live from the same room. It allows for Neal and Nick to play off each other, as done superbly in "The Wind and the Rain." The listener almost feels like they could be in the room watching these two jam.

As expected, this album also hosts songs from Neal's pre-Spock's Beard life. The most stirring example, and I think the highlight of the album, is "I am Your Father," which Neal recorded for this album with old bandmates from the 80s. This song is quite possibly one of the best NM songs out there. This should be the reason to get this album!

Overall, there are 13 really good songs here. They aren't all happy songs, but they are all very emotional. You can tell how much these songs mean to Neal. And that just makes the whole album fun. It's a good easy listen. It's easy to get into. And it's perfectly safe for any family car trip. And until we hear from Neal Morse again, this album will stay high in my CD rotation.

fine and definitely not prog.......2002-08-15

Fans of Spock's Beard rushing to buy this album may be slightly disappointed that this album lacks the musical noodling that marks them out as prog rock leaders, the rest of us will simply be relieved. This is an album of solid songs well sung. It has the rough, live feel that Morse was clearly looking for - particularly the drumming and the songs benfit from that. Some of the album is a bit aor and the quality dips by the end where some of the songs are a bit too long but overall an enjoyable album.

Average customer rating: Good for the ears, great for the soul!

Sola Scriptura ProductGroup: Music Binding: Audio CD General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: Fear of a Blank Planet Snakes & Arrows ASIN: B000MEYHT4 Release Date: 2007-03-06

Album Description

Neal Morse has finished recording his latest prog masterpiece, and sent it off for mixing and mastering. This will be Neal's 4th progressive rock solo release, following the highly acclaimed albums ?, One, and Testimony. The amazing line-up of Mike Portnoy (drums) and Randy George (bass) return on this release, with the addition of special guest Paul Gilbert (Mr. Big) on guitar. Fans of Neal's looking for the ordinary will have to keep looking, though this one will be full of surprises.

Customer Reviews:

Good for the ears, great for the soul!.......2007-03-19

Unbelievable. Neal, Mike & Randy have done it again! How much excellent prog music can these guys produce?!? Sola Scriptura is a fantastic effort. Not only an amazing prog-rock epic, but lyrically inspirational too. If you enjoy audio smorgasbord - get ready for your fill!

Average customer rating: A Great Album for Driving With the Windows Down Only for die hard fans A great album....and I usually hate covers! Maybe I'm Amazed Again Near miss....

Cover to Cover Neal Morse , Mike Portnoy , and Randy George Manufacturer: Inside Out ProductGroup: Music Binding: Audio CD General | Rock | Styles | Music Progressive Rock | Progressive | Rock | Styles | Music General | Hard Rock & Metal | Styles | Music Hard Rock & Metal | Imports | Stores | Music Similar Items: Sola Scriptura Fear of a Blank Planet ? Dream Theater - Score: 20th Anniversary World Tour Live with the Octavarium Orchestra Score: XOX - 20th Anniversary World Tour Live with the Octavarium Orchestra ASIN: B000GPI39O Release Date: 2006-09-04

Tracks:

1. Pleasant Valley Sunday
2. Badge
3. Maybe I'm Amazed
4. Where Do the Children Play
5. I'm the Man
6. Feeling Stronger Everyday
7. Rock and Roll Suicide
8. Where the Streets Have No Name
9. Day After Day
10. What Is Life?
11. I'm Free/Sparks
12. Tuesday Afternoon
13. Find My Way Back Home

Album Description

2006 album from the former vocalist for Spock's Beard. Features Neil tackling cover versions of songs by Paul McCartney ('Maybe I'm Amazed'), Cream ('Badge'), The Monkees ('Pleasant Valley Sunday'), U2 ('Where The Streets Have No Name'), The Moody Blues ('Tuesday Afternoon') and others. Inside Out.

Album Details

Neal Morse is Still One of the Most Important Protagonists in Prog Rock. After Six Really Successful Records (Including the Top 30 Chart Album "Snow") which were all Strongly Shaped by Neal Morse and after Morse Has Left Spock´s Beard, He Started a Solo Career. During the Studio Sessions for the Three Mentioned Albums Morse and his Friends Recorded a Couple of Cover Versions from Different Artists. On 'cover to Cover' You Will Get Seven Complete Unreleased Tracks Like the Wonderful 'where Do the Children Play' from Cat Stevens and the Monkees Classic 'pleasant Valley Sunday', Written by Carol King. Also Cover Songs Featured from Artists Like Blind Faith, the Moody Blues, the Who, George Harrison, Badfinger, U2, David Bowie, Chicago, Joe Jackson, Paul Mccartney Und Cream.

Customer Reviews:

A Great Album for Driving With the Windows Down.......2007-03-11

I wasn't familiar with these musicians, but I knew all of these songs, so I took a chance. I was happy I did - the artists do a great job at covering these (mostly) very-well known songs. Their versions of "Pleasant Valley Sunday", "Maybe I'm Amazed" and "Stronger Every Day" are terrific. The other songs are all really good. This is the perfect album to put on in the car when you go out driving along on a sunny Saturday afternoon with the windows down. Get it !!!

Only for die hard fans.......2007-02-24

Ok, maybe not. I am a die hard fan of these guys, but I only really like a couple of tracks on this CD - Pleasant Valley Sunday and Maybe I'm Amazed (which Neal sings the heck out of). And I've only listened to the CD a few times and it gets put on the shelf.
These are cover tracks that were likely done to "warm up" at the start of the day or "wind down" at the end of the day in the studio sessions.
What acts do covers and who likes covers anyway? Its one thing for a prog band to do a cover of a 20 minute song (like Transatlantic) and add its own flavor and twists to the song. It's another thing when the songs are pop songs. You can't add much unique to a pop song.
My friend and I argue about this all the time. We both play guitar in a band. He refuses to play covers (not even to warm up) and won't even listen to prog cover songs. His logic is that "if you are going to take the time to record a cover, just make a unique prog song that is in the similar style instead". Otherwise it is just a novelty.
I can only recommend this for fanboys.

A great album....and I usually hate covers!.......2007-02-07

I usually hate cover albums but this one is great. I'm a huge fan of Mike Portnoy's work with Dream Theater, Transatlantic, and Neal's solo albums, and a huge fan of Neal's work with Spock's Beard, solo, and Transatlantic, which is the only reason I bothered with this cover disc. But man, was I surprised. This version of Maybe I'm Amazed is nearly as good as Paul's original, and the covers of some of my favorite classic tracks, like Badge, What is Life, Find My Way Home, and I'm Free are killer. Even the lesser known covers on here are excellent. The playing is top-notch and Neal's voice...my God, is it just incredible. Even if you don't like covers (like me), this is worth it!

Maybe I'm Amazed Again.......2006-12-27

Well I'm biased for good music and this fits the bill.I also have all the side projects,OSI,LTE,TRANS,YELLOWCUSTARD,LED,RUSH,WHO,BEATLES TRIBUTES.Neils voice is amazing with Lennon's grittyness and Paul's high notes.Playing is topnotch and the sound is pretty good too.You know they are having fun while working.This is not notefornote but played with passion to the ones that paved the way before.In my teens I was a hardrocker with Led,Black,Deep but now I realize genius takes all forms from pop to jazz to country. My point is these or great songs by great bands.How Neil changes his voice from Bowie to Cat Stevens is a mystery? Neil is a one manband that lets his friends play and us listen. Look at the tracklist and if you like those songs Buy now!!!!

Near miss...........2006-09-28

Ugh...faithful renditions of every song instrumentally...sometimes "too" faithful. Don't get me wrong, I love a good cover and there have been a lot of good ones. However, as much as I respect Neal...I don't like his voice on the majority of these covers. One begins to wonder about an artist that feels the need to do a recording of nothing but covers (if I walk into a store again and hear Rod Stewart crooning a remake of an old torch song, it'll be too soon!). Keep the covers to the occassional odd extra song on a new material release or in concert...nuff said!

Rap Music:

1. Back Home [DualDisc] [Limited Edition]
2. Beginnings [Original recording remastered]
3. Ben Folds Five
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5. Best: 1991-2004
6. Blacklisted
7. Captain Beyond [Original recording remastered]
8. Captain Fantastic and the Brown Dirt Cowboy [Original recording remastered]
9. Changes in Latitudes Changes in Attitudes
10. Chicago II (Repackaged) [Original recording remastered] [Extra tracks]

Rap Music

rap music

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