Times of Romance

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3 out of 4 stars

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Times of Romance

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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What to Listen for in Music
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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Prepare For The Fight
Is It Alright?
Dance
Shake That Ass
Set Me Free
Falling Apart
Gonna Find
Times Of Romance
We Should Be Taking Our Clothes Off
Hypnotised
Runaway
Fashion
Prepare For The Fight (Dummies Club Mix Edit)

Customer Reviews:

Great Album!.......2007-03-11

I saw this band perform at the Great American Music Hall in San Francisco, and their album is as great as their performance. I love "Prepare for the Fight" and "Dance".

80's pop meets the new millenium!.......2006-07-05

Remember Human League? How about Duran Duran? If you do, then The Lovemakers "Times of Romance" is right up your alley. It's a combo of the two groups, in my opinion, plus a number of other 80's pop bands, and this is, again in my opinion, GOOD. They're poppy, they're light, they're all retro-80's. Great for a summer day while you're jammin' in the car...even though your life won't be changed by the lyrics... but who cares? It's The Lovemakers! Buy it used, I suggest. A great little summer treat.

Excellent.......2006-06-05

Great 80's sounding pop, but with a lot of 2006 uniqueness. I love it!

The Lovemakers definitely have some hits up their sleeves........2006-05-08

The Lovemakers offer a variety of techno, electronica and some indie on "Times of Romance". You will probably enjoy this CD if you are a fan of other groups such as Depeche Mode, Ladytron, and Moving Units. I think the high points of the cd were songs such as "Is It Alright", "Set Me Free", and "Runaway".

I rated the songs on the album on a scale of 1 to 5.

Prepare For The Fight - 3/5
Is It Alright? - 4/5
Dance - 2/5
Shake That Ass - 2/5 (Very disco)
Set Me Free - 5/5 (reminiscent that late 80s new wave)
Falling Apart - 4/5
Gonna Find - 3/5
Times of Romance - 3/5
We Should be Taking Our Clothes Off - 3/5
Hypnotised - 3/5
Runaway - 5/5 (My Favorite. Very reminiscent of Cyndi Lauper and Blondie.)
Fashion - 2/5
Prepare For The Fight/Remix - 3/5

Overall, this is NOT a bad cd. But, was not perfect either. I think the "Lovemakers" are a great band, there were just a few songs on "Time of Romance" that I usually skip over. However, I do look forward to hearing more from them soon.

More than just 80s-style synthpop!.......2006-01-30

The Lovemakers play great songs with melodic hooks, and are of course fun to dance to. While their sound is somewhat like the B-52s and the Go-Gos, their songs are racier, relying on the underlying dark tension between vocalists Light and Blonde (ironically, the group has achieved success only after they broke up). Prepare for the Fight, Shake That Ass, Falling Apart, Runaway, Fashion--these tunes are catchy, yet different enough to keep the album from bogging down. Light and Blonde are a bit kitschy, but they know how to coo, too. Not a bad cut in the bunch. I hope they make it big and AllMusic finally puts up their bio!

Quiet Music For Quiet Times: Set Your Life To Music

Average customer rating:

Quiet Music For Quiet Times: Set Your Life To Music

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

Waltzes | Ballets & Dances | Classical | Styles | Music

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ASIN: B0000041FS
Release Date: 1996-09-24

Tracks:

Average customer rating:

Memories of Films from Musical Themes
An excelent cinema fantasy
An excelent cinema fantasy

Le Cinema

Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

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ASIN: B00000I102
Release Date: 1999-02-16

Tracks:

Le Cinema: Modern Times: Smile
Improvviso (Un Diavolo Sentimentale)
Circus: Fantasy
Enrico IV: Tanti anni prima
Nostalghia (In Memory Of Andrey Tarkovsky)
Sakat (Sunset): Absalom's Death And Tango
Ovad (The Gadfly): Romance
Le boeuf sur le toit (Cinema-Fantaisie)
Rag-Gidon-Time
Amanti senza Amore: Improvviso in re minore

Customer Reviews:

Memories of Films from Musical Themes .......2005-11-24

Gidon Kremer released this delicious little CD in 1999 and it has more or less gone unnoticed since then. This is not a 'soundtrack favorites' jumble but a serious approach to some beautiful melodies as interpreted by Kremer and pianist Oleg Maisenberg, with the added presence of the Berlin Symphony Orchestra conducted by the gifted Andrey Boreyko.

Works included are by Charlie Chaplin ("Smile"), Nino Rota, Takemitsu, Shostakovich, Milhaud, Piazzola, Dunayevsky, and Giya Kancheli. The arrangements are well written and the performances honor this genre of music with the same degree of dignity offered the 'serious' works of these composers. It is a bit of lightness but a not fluff and the beautiful playing by Kremer is well worth the listening. Grady Harp, November 05

An excelent cinema fantasy.......2000-09-22

Excelentes versiones de estos ya clásicos temas de películas entrañables y cuyas melodías sobreviven en la memoria mas allá de los propios filmes. La interpretación de Kremer es técnicamente insuperable con la cadencia de una música sentida más allá de la interpretación. ¡Un gran disco para los amantes de la música y por supuesto del cine!

An excelent cinema fantasy.......2000-09-22

Average customer rating:

Just Nice Music
"Love and Happiness through the power of song"
Saw the PBS Special
Words

God Bless America: An Irish Salute

Manufacturer: RCA Victor
ProductGroup: Music
Binding: Audio CD

Old-Time Country | Traditional Country | Country | Styles | Music

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Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

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Ireland in Song
Songs of Inspiration
Frank Patterson - Ireland In Song
Frank Patterson Collection (World of Music / God Bless America - An Irish Salute)
The Very Best of The Irish Tenors

ASIN: B0000457FX
Release Date: 2000-02-22

Tracks:

Ireland, Mother Ireland
The Rose Of Tralee
The Star Of The County Down
Mother Machree
Czardas & The Mason's Apron
The Connemara Cradle Song
Grace
The Miller's Daughter
Tour Of Ireland: The Hills Of Donegal/Galway Bay/Slievenamon/Dublin In The Rare Auld Times/The...
The Spinning Wheel
My Son
O Sole Mio
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The Music Of The Night
Danny Boy
God Bless America
When Irish Eyes Are Smiling

Amazon.com

Frank Patterson is an Irish tenor in the grand tradition of John McCormack and Josef Locke. God Bless America! is a live recording of a concert he performed in tribute to his adopted country. The songs range from traditional Irish tunes like "The Star of the County Down" and "The Spinning Wheel" to sentimental music-hall ballads like "Mother Machree" and "The Rose of Tralee." He also sings the inevitable "O Solo Mio" (is there a tenor born who can resist it?) and Andrew Lloyd Webber's "The Music of the Night." Patterson is joined on a number of tunes by his wife, Eily O'Grady, and her Irish Harp Orchestra. Patterson is an unabashedly emotional singer who wrings the last teardrop out of chestnuts like "Danny Boy," but he does it in such a charming manner that his performances never descend into kitsch. --Michael Simmons

Customer Reviews:

Just Nice Music.......2007-05-13

Frank Patterson does his best singing when he simply sings the familiar songs with heartfelt passion. He does nothing fancy and ends up with a superior product. Well worth the price.

"Love and Happiness through the power of song".......2000-03-26

Irish tenor Frank Patterson was born and raised in Tipperary, performing at an early age with the Wren Boys. Patterson's early works were primarily classical, but with the increasingly popularity of celtic music, Frank turned his energies toward his homeland traditional folk ballads. PBS special "Ireland in Song" was a tremendous hit, giving him more exposure than ever to the world with his "God" given talent.

This album - "God Bless America - An Irish Salute", is one of the most touching compilations of music ever recorded. One of the highlights is his wife Eily O'Grady and her Irish Harp Orchestra, simply an emotional pair of people enjoying what they do best, spreading love and happiness through the power of song.

Total Time: 72:20 on 17 Tracks/ RCA Victor Records - 09026 63659 2 (2000)

Saw the PBS Special.......2000-03-22

I do not have the album but saw the PBS special last Saturday night and have been looking for the cd and will buy it. The song My Son is the most moving and beautiful I have ever heard. Having three sons, I felt it related to each of them and it can be for either mother or father. The rest of the songs were superb. Mr Patterson is a warm and wonderful human being and has a great voice. His son played the violin when he sang My Son, by the way. Also, his wife's group of harpists are wonderful. All in all, a great group of songs show and I am sure a great cd. I also want the tape when it is available.

Words.......2000-03-18

Sorry, I have not heard this album, but the song "MY SON" was suggested for a Mother/Son dance at his wedding. I would surely love to see the words first, before I purchase the album.. Thank you for any help you may have.

Average customer rating:

Lullaby - music for the quiet times

Manufacturer: Albemarle
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music

General Christmas | Holiday | Miscellaneous | Styles | Music

Classical | Indie Music | Stores | Music

General Christmas | Holiday Music | Special Features | Music
ASIN: B00008GSAO
Release Date: 2002-12-05

Tracks:

Watts's Cradle Hymn
Waltz
Joseph lieber, Joseph mein
Romance
Lullay, lullay: Als I lay on Yoolis Night
Nodle Kangbyon
Intermezzo
Lullay, thou tiny little child
Ro, Ro Relte
Suo Ban
Sarabande from French Suite in G
Lully, lullow: I saw a swete semly syght
Pavane
Oi Betleem!
Blake's Cradle Song
Ed Alavo
Minuet in g minor
The Shepherds' Cradle Song
Waltz
Watts's Cradle Song

Album Description

The music of this album celebrates the most native of our musical experiences with lullabies from many lands and languages - from Appalachia, from the north of England, from Wales, Norway, Sicily, the Basque lands, and Korea - with the beauty of the treble voice drawing these distant lands and cultures together. In Western heritage, the greatest outpouring of lullaby music comes from images of Mary and the baby Jesus.

Yet this is not essentially a Christmas album, nor a sacred album, though such themes keep reappearing, but rather an experience of rocking, soothing music. Sung only by boys' voices and accompanied by a few instruments, (piano, recorder, cello and violin)each sung lullaby - or group of lullabies - is complemented by an unsung 'cradle song,' short little piano interludes, taking the listener from one lullaby to the next as in a dream.

Tracks:

Intrada
Gymnopedie No.1
Elegy
Song Without Words
La Vallee de Cloches
Sospiri
Romance
Allegretto
Notturno
Largo
Andante - Nathaniel Rosen/Doris Stevenson/Arturo Delmoni
Langsam
Intermezzo
Lied
'Chant Russes'
O Tod, wie bitter bist du
Jesus Christ, I Implore Thee
Morgen - Nathaniel Rosen/Doris Stevenson/Kaaren Erickson

Customer Reviews:

Beautiful music for everyone.......2002-09-20

As my title to this review implies; everyone will love this cd.
From true classical "nuts" who want every inflection of an artist's performance to be spot on -to- your friend who never wants to listen to anything classical.

It is an album which can be "paid attention to" and which will yeild invaluable returns in terms of Nathaniel and Doris' artistic abilities. It can also be "ignored" and one will simply be lost in a beautiful "wash" of sounds.

Everyone should own a copy for those quiet moments shared with your most intimate friend, simply relax and let the worries of the day dissipate into the atmosphere.

No Rough Edges.......2000-11-05

As the name implies, this recording is definately for quiet times. It is unintrusive and therefore quite relaxing! It exposes Mr. Rosen's deeply beautiful and completely polished tone. It's easy on the ears, just as intended.

Reverie, Nathaniel Rosen, Cello.......2000-01-06

This is a beautiful collection of pieces for cello piano. Mr. Rosen has complete command of the cello and and his playing is marked by wonderful tone and phrasing. He is truly a master of his craft. He is an artist of the highest rank. The final piece on this recording is especially meaningful when you consider that the Soprano, Kaaren Erickson, is heard for the last time before her tragic death. This is a CD that you will keep coming back to!

Average customer rating:

Jazz at its most romantic
After-Hours Jazz Vocal

Twelve Times Romance
Kelly Harland
Manufacturer: Origin Records
ProductGroup: Music
Binding: Audio CD

General | Jazz | Styles | Music

Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music

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Slow

ASIN: B0000APVIE
Release Date: 2003-01-01

Tracks:

Too Close for Comfort
Comes Love
You Stepped Out of a Dream
You Go to My Head
Dancing in the Dark
Look of Love
I've Never Been in Love Before
Lover, Come Back to Me
Gone With the Wind
Too Late Now
I Believe in You
Come Rain or Come Shine

Customer Reviews:

Jazz at its most romantic.......2004-04-19

Kelly has had a long and varied career in music, working in pop, rock and jazz at various times. She has been session singer, jingles singer, member of rock band Lazy Racer and at one time got a recording deal with Epic records thanks to Charlie Daniels (the country rocker famous for Devil went down to Georgia) but the record company got into difficulties and Kelly was dropped when her album was nearing completion. Kelly has also tried songwriting and had some success - she co-wrote True love, the title track to one of Crystal Gayle's albums in the eighties. This song is, of course, very different from the more famous song of that title first recorded by Bing Crosby and Grace Kelly.

The old standards from the Great American Songbook were an early influence on Kelly and it was after she started singing these songs again that she finally recorded an album of her own that got a release in 1998. Simply titled American songs, it was made up of five songs from the pop/rock era and six from the Great American Songbook. There is only one pop/rock song on this follow-up album - The look of love, a Burt Bacharach- Hal David song that I always associate with Dusty Springfield, but which has been recorded by countless others including Diana Krall.

Elsewhere on this album, you can hear Kelly's excellent versions of such classics as Comes love, You stepped out of a dream, Lover come back to me, Gone with the wind, Come rain or come shine and many others.

Kelly is clearly a singer of the highest quality who has now found a way to get her music heard around the world. This romantic album is in the best traditions of Jeri Southern, Julie London, Peggy Lee and others from their era. Fans of those fine ladies - and fans of Diana Krall - should give this album a listen.

After-Hours Jazz Vocal.......2003-11-03

Kelly Harland is probably a jazz singer most people do not know. Which is a pity because she has this gift of bringing to life the after-hours feeling of jazz. Its like relaxing in your favorite dive or sipping your dry martini. Her voice is like a cozy reminder of a happy relationship. There is something down-home in her delivery, and she improvises and swings like no one.

Tracks:

Importance of Being Earnest
Curse of the Werewolf
Night of the Lguana: Prelude
Night of the Lguana: Mexican Washer Women
Night of the Lguana: The Letter
Night of the Lguana: Shannon Shanghaies the Couch
Night of the Lguana: Hannah and Shannon Theme
Night of the Lguana: A Personal View
Night of the Lguana: Shannon's Way Out
Night of the Lguana: Shannon's Long Swim
Night of the Lguana: The Iguana Is Released
Night of the Lguana: Maxine and Shannon Theme (Finale)
Trottie True: Gaiety Galop
Trottie True: The Balloon Toon
Trottie True: Trottie's Romance
Trottie True: The Life and Times of a Gaiety Girl
Trottie True: A Most Attractive Bounder
Trottie True: Trottie True Trot
Years Between: Lullaby
Footsteps in the Fog: Prelufe- The Lily Watkins Theme
Footsteps in the Fog: Lowry's Secret
Footsteps in the Fog: Lily's Triumph: A Drive in the Countryside
Footsteps in the Fog: Lowry's Gamble- Finale

Customer Reviews:

An outstanding selection of Benjamin Frankel film music..........2002-03-06

This CD is fine qualty DDD recording with spacious, detailed sound. It has excellent presentation and booklet, with a very nice choice of film stills. I particularly enjoyed the 'Importance of Being Earnest' and 'Trottie True' tracks, both with those jaunty lively themes at which Benjamin Frankel excels. 'Curse of the Werewolf' is an amazing quality score for such a low budget film, bearing in mind Hammer usually only budgeted for £85-100,000 per film in the early 1960s ! With a much bigger MGM budget and major stars, the 'Night of the Iguana' score is a revelation, as I have never heard it before - I only hope the film is on TV again soon so I can study the context of the music. The sombre moments reminds me at times of Mahler and the music in 'Death in Venice', and the 'Hannah and Shannon' theme is superb. I liked the use of the muted trumpet,(as in Miles Davis ' Sketches of Spain' ?) to suggest Mexican atmosphere. The 'Trottie True' suite is lovely: 'Gaiety Gallop' deserves to be a light music classic along with Benjamin Frankel's 'Carriage and Pair', capturing the Edwardian world of Sir Arthur Sullivan beautifully, and the haunting 'Balloon Toon' is already becoming one of my favourites. There are wonderful reconstructions for the 'Lullaby' from 'The Years Between', and 'Footsteps in the Fog'.... In the latter, apart from the lush, haunting 'Lily Watkins Theme', the use of the piano in 'Lowry's Secret' is particularly eerie....
.

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