Richard Hawley spent the 90s primarily as a guitarist with Pulp and Longpigs, and contributing in-studio for the likes of Beth Orton and Robbie Williams. The 21st century, however, has seen Hawley make his way as a stellar solo artist. A loose tone poem/ode about a specific, well-traveled locale in his native Sheffield, Coles Corner is dense with songs that manage to be both weighty in tone, yet airy in execution. Sung in a thrilling baritone that falls somewhere between Leonard Cohen and Johnny Cash, his lyrics scrutinize that ghostly intersection of places and people, and how little pieces of ourselves we leave behind accumulate to form a kind of psychic footprint. The record bleeds with heart-on-the-sleeve sincerity that has nothing at all to do with indie music's recurring fondness for bitter irony. "The Ocean" is a prime example, filled with slow, sweeping motifs and unabashed grace. Hawley doesn't forget his guitar, breaking in with thick, messy riffs on songs like "Born Under a Bad Side" and slide atmospherics on "I Sleep Alone" and "Hotel Room." It's a satisfying piece of work, and while it cements Hawley's reputation as a skilled songwriter and musician it also exposes him as a world-class hopeless romantic. Matthew Cooke
Coles Corner,Richard Hawley,Mute U.S.,Adult Alternative Pop/Rock,Chamber Pop,Indie Pop,Pop,Rock,Rock/Pop,Singer/Songwriter
Coles Corner
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Coles Corner
Richard Hawley Manufacturer: Mute U.S. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000AA4LN2 Release Date: 2005-09-06 |
Tracks:
- Coles Corner
- Just Like The Rain
- Hotel Room
- Wait For Me
- The Ocean
- Born Under A Bad Sign
- I Sleep Alone
- Tonight
- Wading Through The Water
- Who's Going To Shoe Your Pretty Little Feet
- Last Orders
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Richard Hawley spent the `90s primarily as a guitarist with Pulp and Longpigs, and contributing in-studio for the likes of Beth Orton and Robbie Williams. The 21st century, however, has seen Hawley make his way as a stellar solo artist. A loose tone poem/ode about a specific, well-traveled locale in his native Sheffield, Coles Corner is dense with songs that manage to be both weighty in tone, yet airy in execution. Sung in a thrilling baritone that falls somewhere between Leonard Cohen and Johnny Cash, his lyrics scrutinize that ghostly intersection of places and people, and how little pieces of ourselves we leave behind accumulate to form a kind of psychic footprint. The record bleeds with heart-on-the-sleeve sincerity that has nothing at all to do with indie music's recurring fondness for bitter irony. "The Ocean" is a prime example, filled with slow, sweeping motifs and unabashed grace. Hawley doesn't forget his guitar, breaking in with thick, messy riffs on songs like "Born Under a Bad Side" and slide atmospherics on "I Sleep Alone" and "Hotel Room." It's a satisfying piece of work, and while it cements Hawley's reputation as a skilled songwriter and musician it also exposes him as a world-class hopeless romantic. -Matthew CookeCustomer Reviews:
Coles Corner.......2006-07-27
The lyrics are crisp and clear. I quote:
I'm going down town where there's music,
I'm going where voices fill the air,
Maybe there's someone waiting for me
With a smile and a flower in her hair.
The melody is well crafted. The arrangement is beautifully simple. The strings are lush without being too much.
Alas, as also is the case with Nyro and Lambert, Hawley's vocals are an aquired taste. I hope someone covers this. But to those who appreciate listening to that unique thing the songwriter's voice brings to a very special song, it does not get any better than this.
WOW!.......2006-06-11
Just 5stars........2006-04-05
Classic Late Night Songcraft.......2006-03-29
I would say the vocal and songwriting analogy would be closer to Nick Lowe's latest work, rather than Cohen or Cash. Cash had more of an edge to his tone; Cohen doesn't have Hawley's sense of pitch, though he has a whole lot of lyrics. This is more Spartan, like Nick's "Dig My Mood," though melodically it also closes in at times on Orbison, and there is an echo of Roy in the phrasing. I might offer the caveat that the lyrics are not the kind of wordplay that makes Nick Lowe a genius, nor the vocal passion that trademarks Roy Orbison, but Nick and Roy belongs to a different pantheon entirely. What Hawley is doing here is turning cliches around and upside down, perfectly respectable in my book, and singing them with the kind of integrity that honors the emotions behind the otherwise stock imagery.
I grow weary of cricics who have never played music, never taken a music course, critics whose sole credential is that they passed Freshman English with a B, damning great records like this one just to see their own prose in print. If you like classic popular song forms, delivered with grace, skill, dignity and a sincerity that cannot be faked, then this is for you. I, for one, would love to shake the hand of the man who could make a record like this in these times of abject vapidity.
It's all true..........2006-03-28
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Coles Corner
Richard Hawley Manufacturer: Mute ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000BP2DQS Release Date: 2005-11-07 |
Tracks:
- Coles Corner - Richard Hawley
- I'm Absolutely Hank Marvin - Richard Hawley, Hank Marvin
Album Details
The Album's Standout Track and the Second Single to Be Taken from the Album of the Same Title. The CD Single Contains a Non LP Track and features the Legenday Hank Marvin of the Shadows Fame.Rap Music:
- Dragon
- Dream of the Blue Turtles
- Drops of Jupiter
- Emotional Animal [Enhanced]
- Enema Of The State [Enhanced] [Explicit Lyrics]
- Eveningland
- Everyday
- Eye to the Telescope [Import]
- Failer
- Faith
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